After spending the past year carefully introducing audiences to a series of standout collaborations, Australian producer/dj ZUSO is finally ready to unveil the full story with his self-titled EP, arriving July 8.

Across five tracks, ZUSO captures his signature blend of melodic progressive house, bringing together collaborations with Matilda Pearl, Keelan Mak, Maver and Beckah Amani, while introducing one final piece of the puzzle, the previously unheard ‘Breath’ featuring Australian artist jnr.

Built around shimmering production, gentle builds and an undeniable emotional pull, ‘Breath’ perfectly encapsulates the sound ZUSO has refined throughout the EP. It’s an uplifting yet introspective record, with jnr.’s warm vocal adding another layer of depth to one of the producer’s most captivating releases to date.

“I started writing this song towards the end of 2024, but never quite got around to finishing it, so it sat lost on my laptop for a while,” ZUSO says. “Fast forward to the start of this year and I reopened the project with fresh ears and a fresh perspective. The track came together pretty quickly from there. After going back and forth on whether it needed a vocal, I decided it did, so we reached out to jnr. to see if he’d be keen to jump on it. He loved the idea, and it quickly evolved into what it is today. We’re both really stoked on how this one turned out and can’t wait for you all to hear it. Hope you enjoy it.”

While each single released over the past 12 months has stood confidently on its own, together they reveal a broader artistic vision. The self-titled EP represents a defining moment for ZUSO, showcasing not only his growth as a producer but his ability to bring together a diverse cast of collaborators without ever losing his own identity.

“‘ZUSO’ isn’t just a collection of songs, it’s a reflection of everything I’ve experienced, learned and felt over the past few years. I was fortunate enough to work with some incredibly talented people along the way, and each collaboration feels like its own unique chapter within this project. I want to thank all of the artists who featured on this EP. It wouldn’t have been possible without them. Thank you for trusting me with your voices, your stories and your creativity.

“Producing this EP has really helped me evolve as an artist, and I feel it has set a strong foundation for the next batch of releases I’ve been working on and am excited to share. I hope you all enjoy listening to these songs as much as I enjoyed creating them.”

“ZUSO EP” is available everywhere now

Stream:

https://msdistro.lnk.to/ZUSO-EP

ZUSO:

https://linktr.ee/zuso_music

Credits:

Written & Produced by Gabriel Cuenca (aka ZUSO)

Co-Writers & Guests include; Matilda Pearl, Keelan Mak, Maver, Beckah Amani, jnr.

Mixed & Mastered by Dan Konopka

Artwork by Eclipse Visuals

Photos by Karlo Apostol

There is something refreshing about an artist who is willing to tell the truth. No filters. No masks. No pretending. On her self titled debut EP, Melbourne based singer songwriter Harlow Reign delivers exactly that, opening the door to a world shaped by heartbreak, resilience, self discovery and hope.

Released through Hitmint Music, Harlow Reign is an emotionally rich collection of five songs that blends dark pop with alternative rock, creating a sound that is both cinematic and deeply personal. Rather than relying on polished perfection, Harlow embraces authenticity, allowing every lyric and melody to reflect real experiences that have shaped both the artist and the person behind the music.

From the opening moments of Wasted Time, listeners are immersed in an honest exploration of love, loss and the emotional weight that comes with growing through difficult moments. The reflective One More Night and heartfelt All You Need continue that journey before Take Me Away offers a glimpse of hope, leading into the powerful closing track Save Me Now. Together, the songs form a cohesive narrative of healing and resilience that feels relatable without ever losing its individuality.

“This EP represents who I am as an artist right now,” Harlow says. “These songs come from real experiences, real emotions, and moments that shaped me. I wanted to create something honest that people could connect with and hopefully find pieces of their own story within.”

That honesty is what makes Harlow Reign such a compelling introduction. Every track carries emotional weight, yet the production remains expansive and dynamic, balancing powerful rock influences with contemporary pop melodies. The result is a sound that feels both intimate and radio ready, giving Harlow a distinctive voice in Australia’s growing alternative music scene.

Fans of Evanescence, Paramore and Killing Heidi will immediately recognise the emotional intensity woven throughout the EP, but Harlow Reign is far from following in anyone else’s footsteps. She is carving out her own identity through fearless songwriting and an unmistakable willingness to be vulnerable.

Since emerging as an independent artist, Harlow has continued to build momentum with music that speaks directly to listeners navigating their own personal struggles. Every release has showcased her evolution as both a songwriter and performer, and this debut EP feels like the natural arrival of an artist who knows exactly who she is and what she wants to say.

Written, composed and produced by Harlow Reign alongside Sam Panetta, the EP showcases a creative partnership built on emotion, honesty and craftsmanship. Each song contributes to a body of work that feels complete from beginning to end, inviting listeners to experience every high and low without compromise.

With Harlow Reign, one of Melbourne’s most promising emerging artists delivers a debut that is both fearless and memorable. It is a release that reminds us music is at its most powerful when it comes from a place of truth. If this EP is any indication of what lies ahead, Harlow Reign is only just getting started.

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Darwin metalcore groovers KOH have today unveiled their debut EP, Golden Death, available everywhere now. Accompanying the release is the sunkissed new video for the title track, which received its first play on triple j CORE last night.

KOH’s new EP, Golden Death, explores the idea of stripping yourself back and rebuilding into something new, representing growth upwards despite hardship and the discomfort that comes with change. “The term Golden Death, to me, means a different type of ‘end’,” says vocalist Andy Kala. “One that is more sacred and not as grounded in the physical end of something living and breathing. It is change, one so painful and great, ‘…It feels like needles deep in (my) skin…'”.

“Whether it’s from a past of trauma and heartbreak, or a toxic pattern inhibiting your way of living; Golden Death is the painful transformation into something greater.”

Forming on the backstreets of suburban Darwin, KOH are a modern metal outfit drawing influence from metalcore, groove metal and djent. Emerging in 2024, the band quickly gained momentum with early releases “Follow Your Ghost” – winner of the Northern Territory Music Award for Metal/Hardcore song of 2025 – and “Immolate“ pulling in thousands of streams. “River Mirror“ followed shortly after and scored national airplay across triple j and Double J and is now a finalist in the Northern Territory Music Awards for Metal/Hardcore song of 2026.

KOH dive into the centre of themes of growth, loss and the human condition, delivered through groove-driven guitar riffs, ripping vocals, scintillating electronics and furious songwriting. Since forming as a bedroom project in 2021, the Darwin five-piece have evolved into a tightly collaborative unit, sharing stages with Justice For The Damned, Diamond Construct, Reliqa, Kin, Zuko, Body Prison and Broken Earth, and making their festival debuts at both Blacken Open Air 2025 and most recently TerrorLoud 2026.

KOH is Andy Kala (lead vocals), Kieran Pearce (guitar/backing vocals), Lucas Sharp (guitar/programming), Lachlan Linkson (bass/backing vocals) and Luke Kohler (drums/percussion).

INSTAGRAM

Australian artist and producer JVLY continues to expand the world of his acclaimed SUNDER project this week, with the release of new single ‘END OF THE SKY’, the final preview of his forthcoming SUNDERLUXE EP.

SUNDERLUXE serves as the definitive deluxe edition of 2025’s SUNDER EP, reimagining the project through a carefully curated collection of remixes, alternate versions, and one previously unheard track. That track is ‘END OF THE SKY’ – a song that has quietly existed alongside the SUNDER sessions until now.

Blending JVLY’s signature warmth, introspection and atmospheric production, ‘END OF THE SKY’ arrives as a fitting final chapter to the story that began with SUNDER. While the original EP explored cycles of uncertainty, reflection and personal growth, this new offering feels like a moment of resolution.

“I started writing END OF THE SKY during the making of SUNDER, but I could never quite finish it or figure out where it belonged. Now I think that’s because it was never really part of the story itself. It feels more like an epilogue to it. The whole record looks at being caught in these cyclical patterns, searching for clarity, and this one feels like the peace of not needing to. It’s the closing credits to SUNDER.” ~ JVLY

The release follows a series of standout remixes that have steadily built anticipation for SUNDERLUXE, featuring contributions from an international roster of producers including Contrecoeur  (France), Lemonade Baby  (Brisbane), Mel Blue (Sydney), and dj poolboi (USA/UK).

With ‘END OF THE SKY’, JVLY offers listeners one final glimpse into the emotional landscape of SUNDER before drawing the curtain on the project. Equal parts reflective and cathartic, the track stands as both a farewell and a new beginning.

Credits:

Written & Produced by Kayle Butler

Mixing by Doug Wright

Mastering by Ryan Schwarbe

Stream:

https://bfan.link/end-of-the-sky

JVLY:

https://linktr.ee/jvly

Rising Australian producer/DJ Arky Waters is thrilled to announce the release of his highly anticipated debut album, Holdin’ On. A masterful culmination of sonic exploration, the album serves as both a personal journal and a collective celebration of the Sydney club scene, marking Arky’s definitive venture into the world of bass music. The full-length record follows a string of widely acclaimed lead-singles that set the stage for the album’s expansive soundscape, including the title track Holdin’ On (feat. MAMI), Ay Papi, and early 2026 club favourites UGETME?, OMG, Molly, Run It Up, and Just.

Holdin’ On represents a big evolutionary leap for the artist, who traded solitary bedroom production for the chaotic, beautiful energy of the dancefloor. Rooted deeply in joy, intensity, and late-night raves, the record bridges the gap between raw emotion and intricate sound design.

“Holdin’ On is a reflection of my education in electronic music over the past couple of years. In a lot of ways, it feels like a journal entry, a snapshot of what was around me at the time. This album feels like the clearest expression of my vocabulary in electronic music so far. It’s been a beautiful way to create, all of it is rooted in joy, euphoria, and intensity. This is also my first real venture into bass music, which was what got me into electronic music in the first place. It completely changed the way I think about music technology. I’ve always approached music as something more tangible, but bass music feels different, you start shaping frequencies and soundwaves themselves. I hope people hear this album as a snapshot of my POV. Life in Sydney city through my lens.” ~ Arky Waters

Leading the charge alongside the album’s release is the focus track Take a Trip, a dynamic collaboration with seasoned club-scene newcomer LX. What started as a casual studio session quickly spun into a boundary-pushing, experimental dancefloor anthem, blending nostalgic electronic textures with forward-thinking bass arrangements.

“LX and I got into the studio together a while back. He laid out these beautiful chords that were reminiscent of Deadmau5. I absolutely loved it. The bones for the song literally came together within the hour of that session. We had been listening to a lot of DNB at the time so we wanted to make something for the dancefloor, but it ended up being a bit more experimental. Since we’ve known each other for a while, I think we were comfortable to push the boundaries a bit more and see what could happen.” ~ Arky Waters

Initially approaching music through a traditional, tangible lens, Arky Waters’ recent evolution has seen him dive headfirst into the mechanics of bass music, making him one of the most exciting, forward-thinking producers to watch in the Australian electronic circuit. By shifting from solitary creation to a deeply collaborative, community-driven philosophy, this album stands as a testament to the power of Sydney’s underground nightlife.

Holdin’ On is available now on all major streaming platforms via Mammal Sounds Records.

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Album Launch Party:
July 18th – Unholy Playhouse, Sydney (tickets)

Credits:

Written & Produced by Arky Waters

Mixed by Doug Wright

Mastered by Suture Mastering

Artwork, Photos & Visuals by Arky Waters

Stream:
https://bfan.link/arky-waters-holdin-on-lp

Socials:

https://linktr.ee/arkywaters

Leaving no secret untold, OH! Daisy return with their explosive new single and video, ‘Just Say’, out now!

Bursting with the band’s signature punk-infused feminine energy, Just Say is packed with sass, tension, and just the right amount of chaos. It follows a huge 2025 for OH! Daisy, which saw the release of their debut EP, It’s Okay I’m Ugly Too, featuring fan favourites Guillotine, Adrenaline, and Gasleak, while also sharing stages with Keli Holiday, Playlunch, DZ Deathrays, Sly Withers, Origami Angel, Fool Nelson, and Cry Club.

Originally written as an intimate, diary-style confession, Just Say has evolved into an anthem for anyone on the verge of a complete emotional crash-out. The track captures the unhinged, unsettling feeling of having to beg for the love, respect, and reassurance you deserve.

Co-written by vocalist Bambi O’Kelly and drummer Nick Dordevic, every piece of the song fell seamlessly into place, with production from Jonathon Tooke, mixing by Jarred Nettle, and mastering by David Walker.

“I hope for anyone who relates, that you’re not there anymore. That you’re listening to it past that feeling. If you’re there, I hope this makes you feel seen. You shouldn’t need to beg someone for more for the rest of your life.” – Bambi O’Kelly

Directed by the band’s own Emma Friday (Yelo and OH! Daisy bassist), the accompanying video walks the line between quiet restraint and emotional collapse, juxtaposing delicate, intimate moments with raw, unsettling imagery. The result is an Australian gothic-inspired visual spectacle infused with the band’s unmistakable punk attitude.

“In OH! Daisy we’ve always had a quasi-psychic connection where we see the vision of our projects very clearly, so I had a crystal-clear picture in my head of what we were making. We are so proud of it!” — Emma Friday (Yelo), OH! Daisy bassist and Director at Staircase Creative.

Fronted by the magnetic Bambi O’Kelly, OH! Daisy have built a reputation for delivering bass-heavy anthems charged with emotional extremes and cinematic flair. From heartbreak soundtracks to coming-of-age meltdowns, their music transforms life’s messiest moments into cathartic, unforgettable punk songs.

The band have shared stages with Keli Holiday, Playlunch, DZ Deathrays, Sly Withers, Origami Angel, Fool Nelson, Cry Club, Aleksiah, and Chasing Ghosts, leaving behind sweaty, smiling crowds wherever they perform. Their music has also found a home across Australian airwaves, earning support from triple j, triple j Unearthed, and community radio stations nationwide.

With smudged-eyeliner swagger, infectious hooks, and a healthy dose of beautifully controlled chaos, OH! Daisy continue carving out a theatrical lane that’s entirely their own.

Get ready to turn this one all the way up as OH! Daisy launch into their next creative chapter.

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