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Nicky Romero is back on Virgin Records/Universal Music with his uplifting dance-pop crossover single “All You Need Is Love,” for which he teamed up with dance-pop mainstay Jonas Blue and talented singer and producer Nico Santos. With three powerhouses behind it, one would expect this collaboration to be nothing short of magical, and it certainly delivers. Opening with soul-rendering vocals overtop organic melodies, the track swells to a euphoric, progressive crescendo with the chorus. Santos‘s performance brings the hopeful lyrics to life perfectly, while Romero and Blue‘s respective production skills toe the line between electronic and pop genres. Nicky Romero premiered the track earlier this year at Ultra Music Festival‘s Main Stage when he brought Jonas out on stage, and its release has been highly anticipated ever since. “All You Need Is Love” follows Nicky‘s releases “I Hope That It Hurts” with Norma Jean Martine, “Why Do I Call,” and “Nights With You” on Virgin Records/Universal Music.

“I really loved working with Jonas and Nico on this amazing record. They are both super-talented artists and are crushing it on each given occasion. Jonas has released earlier some of my favorite hit songs and is a master at creating emotional and heartfelt tracks. I got to know Nico just recently and immediately felt that his amazing voice would be the best fit for this song. When he recorded his vocals, it was an instant match as he perfectly conveyed the emotions that we wanted to send to the world. It was great to premiere ‘All You Need Is Love‘ at Ultra Music Festival in Miami with Jonas back in March, and I’m happy we can finally share it with our fans and listeners around the globe” – Nicky Romero

“Nicky has always been someone I looked up to since I started producing music, so it’s an honor to collaborate with him! and Nico‘s talent has been on my radar for a while too, so this song felt like the perfect moment for the 3 of us to collaborate and I’m excited to see what the world think of this one.” – Jonas Blue

“It’s an honor to be able to collaborate on this great track with two of my favorite producers – Nicky Romero and Jonas Blue. The song is a reminder for us all: Even when you’re facing great challenges and experiencing dark times, you should believe that brighter times are ahead, and you need to trust the power and the love within you to help you to get there.” – Nico Santos

Nicky Romero

After taking the world by storm with early hits such as “Legacy” with Krewella, “Like Home” with NERVO and the #1 single “I Could Be The One” with Avicii, Nicky Romero quickly proved that his talent is ever-evolving and here to stay. After launching his Protocol Recordings imprint in 2012, the renowned performer, producer, and label head continued his personal successes with a string of high-profile releases, ranging from collaborations with Armin van Buuren, David Guetta, Dimitri Vegas & Like Mike, W&W, Timmy Trumpet and Steve Aoki to remixes for the likes of Bebe Rexha, Robin Schulz, Kygo, Rita Ora, Steve Aoki, Martin Garrix, Jess Glynne and more. While showcasing his label’s roster via his weekly Protocol Radio show, Nicky Romero continues to innovate and evolve, and with his annual “Nicky Romero & Friends” ADE showcase and the launch of Monocule alter-ego, he keeps proving his ability to turn into gold everything he touches and continues to push boundaries with each show concept and new release, forever instilling himself as a dance music icon.

Jonas Blue

Jonas Blue‘s career to date has been astounding, and its effect has been felt the world over, with singles like “Fast Car,” “Perfect Strangers,” “Rise,” “Mama,” and “Polaroid” collectively having been certified platinum over 130 times around the globe. Amassing an army of recognizable hit singles, with over 18 billion global streams, over 80 million worldwide singles sales, 5 billion video views, BRIT certified Breakthrough Album, 5 BRIT Award nominations, and multiple brand deals, Jonas has cemented his name as a main stage DJ and pop powerhouse. Jonas‘ hard work and inspiring music continued to receive global success with singles featuring a combo of hot artists, including HRVY, Leon, Ava Max, Rita Ora, R3HAB, Tiësto, and more. He is a man on a mission, whose sights are set for the top with his first release of 2023 “Weekends,” with top German DJ/Producer Felix Jaehn, as well as “Crying on The Dancefloor” as a collaborative project Endless Summer with Sam Feldt and his latest summer smash “Finally” with RANI, we will see collaborations and showstopping DJ sets aplenty.

Nico Santos

Singer, songwriter, and producer: Nico Santos is an absolutely exceptional talent. A versatility that covers genres from pop to hip-hop to R&B and deep house to film music. The multiple gold and platinum awards – not only in Germany, Austria, and Switzerland but also Australia, Mexico, and Spain – and various radio airplay #1s speak for themselves. Over 1 billion global streams later and three years after his self-titled second album, Nico Santos is back, or rather, he was never gone. Unlike generations of singers before him, Nico Santos never really thought in terms of albums; he simply recorded one song after another. In doing so, Nico discovered and utilized a freedom that can only come from following a flow, a current. Nico‘s new album “RIDE” is scheduled for a release on May 26, 2023.

Photo By:  The Sooks

Putting their own surf rock twist on music fans of local acts such as Skegss, The Terrys, DICE and more broadly, The Strokes, would love, Western Sydney’s The Sooks have produced a powerful and energetic track in ‘Burn Me Out’. The band’s new single, filled with a driving rhythm, brings together punchy guitar riffs and captivating vocals. 

‘Burn Me Out’ follows the feeling of alienation and disconnection from the world, and the frustrations that come with feeling stuck in a rut. 

‘Burn Me Out’ explores the feeling of being alienated from the things around you, being disconnected from the world and feeling like time is passing by when you are stood still. We all get that kind of feeling of being burnt out by something or someone, and this song is sort of a tribute to that universal frustration.”

The Sooks

‘Burn Me Out’ was recorded at Sonar Studios in Sydney and was produced and mixed by Jack Nigro (Pacific Avenue, Skegss, DMA’s). ‘Burn Me Out’ was mastered by Darren Ziesing (Flume, Lime Cordial, Rufus Du Sol). The track features an explosive, catchy chorus that’s sure to get crowds singing along and dancing at live shows. A song that came together over a quick period of time, ‘Burn Me Out’ is The Sooks at their most creatively satisfied to date.

“After realizing that we had studio time booked in, we thought it would be a good idea to write a single a few days beforehand haha. So we sat with acoustic guitars and put the song together in like 20 minutes from scratch, lyrics and everything. 

We were heaps thrilled to be tracking up in Sonar Studios in Tuggerah with Jack Nigro, we like his work and so we knew that the song would come together just fine. After a long day of tracking all the instruments, we waited for Jack to work his magic in the mixing studio and the song was done.” The Sooks

The band has received community radio support from RTR, FBi and 2SER from their previous releases ‘Motley’, ‘Lucy’ and ‘Red Brick House’. The Sooks have previously performed at NOIR CITY Mini-festival and Indie 500 festival, as well as opening for Annie Hamilton, Jet City Sports Club, Satin Cali, Sputnik Sweetheart and The Moving Stills.

Alongside the release of ‘Burn Me Out’, The Sooks will be blessing Sydney with a launch show at Waywards, Newtown with supports of Grxce and Pseudoclub on Friday May 5th.

LIVE PERFORMANCE

Fri 5th May Waywards Newtown NSW

TICKETS

PRAISE FOR THE SOOKS

“There’s more that links The Sooks and The La’s than just a playground taunt. This new band’s carrying on that same sunny and melodic indie angle – and this track’s gonna have you grinning.”

Triple j – Dave Ruby Howe

“My phone torch is in the air and I’m swaying to this nostalgic gem from a must-know Western Sydney outfit.”

Triple j – Abby Butler

“The Sooks have rapidly built a growing fanbase and they show no signs of slowing down” 

Happy Mag

PLAY/LISTEN

‘Burn Me Out’ is out Friday 28th April

The Sooks: triple j Unearthed | Facebook | Instagram | Tik Tok | Twitter

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After their release from January – “Anyway,” featuring RuthAnne, preceded by an almost two-year hiatus, the platinum trio Cash Cash is back with their deeply personal and yet hopeful new single “Bleach (move on).” The song is a unique fusion of emo-alt and electronic dance music, unusual and yet well-executed by the veteran electronic group. With angsty, soulful vocals belting out lyrics about mental health struggles, “Bleach (move on)” starts out like an alt-pop song from the early aughts, but Cash Cash quickly weaves in their signature sound with the track’s upbeat progressive style during its chorus and interludes. Jean Paul, who sings on a Cash Cash‘s record for the very first time, Alex and Samuel bear their hearts through this relevant and heartfelt sonic confession, one that will be a hit on the radio and during the summer festival season. “Bleach (move on)” is Cash Cash‘s second release on Ultra Records/Sony Music after signing to the label in 2022. Read below what they have to say about the inspiration behind it.

“We once heard someone says: ‘Your problems are like holding a glass of water; it’s easy if you only hold on to it for a little as your arm is barely affected. If you hold on to it all day and night, your arm will eventually become very sore, throbbing, and numb, barely able to hold the glass.’ The creation of ‘Bleach (move on)‘ was realizing that and finally learning to put the fucking glass down and to literally move on. Calling the last few years a challenge would be an understatement. Many of us found ourselves either running away or chasing something, or just lost in the shuffle. If you’re not one of those people, then God Bless as you’re one of the few lucky ones. For the rest of us emo kids, sanity is something we’re constantly chasing, and mental health is something we’re always running from. It takes addressing it face to face to improve it, and only after that does sanity become attainable. Writing ‘Bleach (move on)‘ was our way of addressing it; continuing to hear it is our reminder and therapy, and hopefully, playing it for all of you will be yours.” – Cash Cash

Cash Cash is a world-renowned electronic music trio that has been making music and selling out shows worldwide for over a decade. Currently signed to Ultra Records, the group consists of brothers Jean Paul Makhlouf and Alex Makhlouf, as well as life-long friend Samuel Frisch. Together, the three DJ/Producer/Multi-instrumentalists record, mix and master all of their music. Over the past few years, they have seen massive success with their slew of single releases. Their song “Finest Hour” (feat. Abir) has been RIAA-certified Gold, and their 2019 collaboration with P!NK called “Can We Pretend” hit the Top 10 on AC radio. Their single “Call You” (feat. Nasri of MAGIC!) hit #1 on US Dance Radio, and they were also featured on Billboard’s Dance 100 List for 2019. Their smash single “Take Me Home” ft. Bebe Rexha celebrated an RIAA platinum certification; their song “All My Love” ft. Conor Maynard has amassed over 100 million streams on Spotify alone; “Matches” featuring ROZES achieved #1 on Dance Radio, and one of their releases, “Belong” was featured on Dashboard Confessional‘s album “Crooked Shadows.” 2021 saw Cash Cash releasing euphonious “Ride or Die” (feat. Phoebe Ryan), preceded by Billboard-charting hip-hop-dosed dance-pop smash “Too Late,” on which they collaborated with Wiz Khalifa and Lukas Graham. In 2023, the trio will continue its domination with brand-new releases and appearances.

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Spag Heddy returns with his new single “Never Thought,” for which he teamed up with rock/alt-pop singer Micah Martin of The Zealots band. The track follows a slightly different direction for Spag, who has previously focused on intensive bass and unique house sounds, in that it is less of a headbanging anthem than a saga through human emotion. Opening with wistful vocals and piano melodies, he then builds into a cinematic dubstep-style drop with some grimy synth effects that serve to truly embody the full and complex spectrum of feelings within the song. “Never Thought” may be Spag Heddy‘s the most emotional release to date and follows his recent release “Sorry,” both of which are from his upcoming debut studio album “The Noodle Effect,” coming out on June 16. Read on for what both Spag and Micah had to say about their stunning collaboration.

“With ‘Never Thought,’ I wanted to make a song that didn’t focus on basslines but rather on a grand, majestic melodic theme. Micah‘s powerful voice and big, atmospheric style was the perfect fit for this one. His voice and lyrics gave the song emotional depth that, together with the uplifting melody and raw bass cuts, feels like a journey that ends in a big sort of space-battle climax. More than just a melodic dubstep song, to me, it’s a story of human emotion and music as an escape.” – Spag Heddy

“I was on tour with my band and recorded this topline in the trailer on an off day. Hurricane Irma had just blown into Atlanta at the same time we did, so we had to pull over. After getting out of the trailer, I realized quite a few tall trees had blown over, and maybe recording in the middle of hurricane winds in the forest wasn’t the smartest idea. I sent to Spag Heddy, and the rest is history!” – Micah Martin

Spag Heddy

The Netherlands-born and Spain-based Spag Heddy has been cooking up dubstep hits since 2011, when his club bangers quickly got the attention of fans and industry tastemakers alike. With Skrillex, Rusko, Excision and others counted among his inspirations, Spag has gained widespread acclaim for his hard-hitting and yet melodic style that always feels fresh and forward-thinking. He has multiple successful singles as well as remixes and collaborations for The Chainsmokers, Krewella, SLANDER, and originals that can be heard in sets of Skrillex, Excision, Subtronics, NGHTMRE and many other heavyweights. His high-energy, mesmerizing sets have earned him tours with Zomboy and Flux Pavilion as well as direct support for Excision and Zeds Dead, plus a number of his own headlining tours around the globe. Now on the eve of releasing his most exciting project to date, Spag Heddy is well on his way to the top.

Micah Martin

Micah Martin was born June 27, 1992, in the Quad Cities. Growing up, he always knew that he wanted to entertain/perform in front of the masses. This would later come to fruition, as he would go on to perform his music in front of sold-out crowds at The Hollywood Palladium, Red Rocks, Spring Awakening, and Lost Lands, to name a few. If he’s not busy writing rock’n’roll anthems with his band – The Zealots, you can find him crafting up his own style of alternative pop in his studio. You might recognize his voice if you play Fortnite or Rocket League, as his songs are in frequent rotation within those games. In 2020, Martin got his first cut with Don Diablo, Imanbek, and Trevor Daniel. This song is called “Kill Me Better,” and it has gotten international radio play all over the world. Travis Barker would later remix “Kill Me Better” and add his own alternative flare to the song. Micah has also worked with some of the biggest names in dance music, such as Jauz, Kayzo, SLANDER, Brooks, Rebelion, Dirty Palm, Bear Grillz, Black Tiger Sex Machine, William Black, Fairlane, Crystal Skies, Ghastly, Frank Zummo, PhaseOne, and more. In 2022 Martin completed his debut album with Executive Producer Felmax. “These songs are my babies, and I hold them dear to my heart. I hope they can speak to you and help you with whatever you’re going through in life. Music is a medicine that we all need daily.”

(Dave Ruby Howe, Triple J Unearthed)

PLAY/LISTEN

“Monster sound from Bad Party who push this one into overdrive real quick”
4/5 (Dave Ruby Howe, Triple J Unearthed) [About ‘I’ll Be Fine’]

“That verse surges in like a freakin’ tidal wave! Energy and power is off the charts”
4/5 (Abby Butler, Triple J) [About ‘I’ll Be Fine’]

“Possessing a catchy-as-hell chorus, ‘Sinking In’ is both well constructed and avoids any of the standard tropes of modern metalcore, carried mostly by the melodies laid down by frontman Henry Epong.” (Hysteria Mag)

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