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Monthly Archives

December 2018

Music News

Genre bending 10-piece The Northern Folk have come to gatecrash your romantic getaway in their new video for ‘Cold’ + summer festival performances

by the partae December 14, 2018
written by the partae

“The vocals shine on this track, perfectly accompanied by the impressive range of instrumentals, which highlight the brilliant songwriting.” – the AU review

“I’m into the duelling narratives on this track and the really lovely playing.” – Dave Ruby Howe, triple j

Melbourne collective, The Northern Folk recently released their captivating new single ‘Cold’ which saw them play to a packed room at their Northcote Social Club single launch last month. Blossoming from melodic calm to chaotic crescendos of clashing cymbals, sing-a-long choruses and playful horns, the powerful track is a grand, impressive and utterly refined taste of The Northern Folk’s forthcoming third album and one of their most soulful slices to date. Now, after an exclusive premiere by the AU review yesterday, the 10-piece folk, pop, rock group are excited to reveal the single’s striking new music video created by acclaimed Director/Producer Mark Day.

Winner of ‘Best Feature Film’ at the Reel Time International Online Film Festival for his 2018 film Age of Imitation, Mark Day and his crew have worked closely with the band to bring to life the concept they had envisioned for ‘Cold’. Starring Michael Nikou and award-winning actor Tanya Alers (‘Best Actress’ Age of Imitation) as well as The Northern Folk themselves, the video is an eerie and artistic representation of human consciousness.

“Cold is about the insecurities that tie us down for fear of the unknown, and the emotional distance they create. Shot in the sparse Riverina landscape, a couple find themselves confronted by the manifestations of their insecurities, and must make the choice to be led by them, or to reject them and take control of what they want to be.” – The Northern Folk

“Working with the band through their original concept, we were aiming to personify the distance created in a relationship when you’ve passed a point of no return. Whether you struggle with conscience, the masked figures who tell you to move forward, or succumb to the inevitability of change, you’ll find yourself at the same ending, alternately dumbfounded or at peace.” – Mark Day, Director

After playing around town to full rooms at The Evelyn, The Gasometer, and The Northcote Social Club, as well as supporting The East Pointers from Canada, The Northern Folk are excited to take on a run of festival performances this summer. Complete with bellowing horns, energetic stage presence and dynamic band camaraderie like no other, a Northern Folk live show is an all-encompassing affair. Having appeared on such festival lineups as St Kilda Festival, Woodford Folk Festival, Bello Winter Music, and the National Folk Festival in 2018, The Northern Folk are thrilled to keep the festive celebrations rolling into the New Year with their upcoming festival performances.

Don’t miss your chance to catch them at a town near you, and remember to pack your stomping boots!

The Northern Folk ‘Cold’ Single Launch
Thursday 27 December – Tuesday 1 January
Woodford Folk Festival 2018, Woodford QLD

Friday 25 January – Monday 28 January
Newstead Live Music Festival 2019, Newstead VIC

Sunday 10 February
St Kilda Festival, St Kilda VIC

Friday 15 March – Sunday 17 March
Blue Mountains Music Festival 2019, Katoomba NSW

Friday 29 March – Sunday 31 March
The Hills Are Alive Festival 2019, South Gippsland VIC

‘Cold’ is out now via
iTunes // Apple Music // Spotify // Bandcamp

‘Cold’ video Production Team
Director | Producer | Editor | Colourist: Mark Day (Another Life Pictures)
Director of Photography | Colourist: Charles Alexander
Camera Assistant: Oliver Gross
Production Designer: Gemma Baker
Concept: Alex Cameron
Performers: Tanya Alers, Michael Nikou, The Northern Folk

The Northern Folk Facebook
The Northern Folk Facebook
The Northern Folk Website
The Northern Folk Website
The Northern Folk Instagram
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The Northern Folk Spotify
The Northern Folk Spotify
December 14, 2018 0 comments
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Lanisa Dawn
Music InterviewsMusic News

Lanisa Dawn

by the partae December 13, 2018
written by the partae

Where are you currently based and what is the music scene like there?

I live in Montreal and we definitely have a vibrant music scene here! We are the home to many poets, artists, dreamers that’s for sure :). There’s a plethora of restaurants, bars, and clubs that host open mics & live bands, big underground music scene, as well as festivals in practically every genre: the iconic jazz festival, Osheaga, Heavy Montreal for all the metalheads, POP Montreal celebrates many emerging acts from all over the world, the Montreal Symphony Orchestra for classical music. Party goers may get enjoy Piknic Electronik in the summer and Igloofest in the winter if they love electronic techno music. We have a massive french music festival called Les FrancoFolies. The list could go on and on – SO much happening here!

When and how did you first get involved in acting?

My first experience acting was at the age of 11 when I was given the lead role as a rabbit in the school’s theatre production of The Velveteen Rabbit. I got that role either out of pure talent, or most likely was type-cast since at the time my two front teeth stuck way out & I just looked perfect for the part 😉 (yay for braces in my future!). After high school, I studied acting at the DOME – Professional Theatre Program at Dawson College here in Montreal. I completed two out of the three years, then left to study something else because at the time I felt societal pressure to pursue a “normal” career. I only got back into acting years later when I attended the Summer Conservatory Program at the American Academy of Dramatic Arts in New York. Training in NYC for a summer was one of the most enriching artistic experiences of my life! Fast forward, after being involved in the musical theatre scene in Montreal, I was then selected for a one year contract as a “Resident Actress” for a theatre company based in Hong Kong. Right after the contract was complete, I was cast in my first feature film which shot on location for a little over a month in Kuala Lumpur, Malaysia. Haven’t stopped since and it’s been quite the adventure…the journey continues and never stops!

How has your acting career developed since you first started?

Unfortunately the film I did in Malaysia never saw the light of day due to post production issues and an investor had pulled out of the project. However, it was a great experience because it was my first time on a film set and it’s what got me my agent when I returned back home. Since having representation in the last couple years, I booked a national commercial which got me into the actor’s union ACTRA (equivalent to SAG-AFTRA in the states, but the Canadian version). I was also fortunate to work on a short film that was selected for screening at TIFF, an actor role in the CBC TV series The Detectives, recurring principal roles on two award nominated french web-series. I also had a major role in a horror film which is supposed to come out eventually. The investor was a new media digital platform called Blackpills…James Franco is also making content for this media space, so pretty cool! The last project I worked on was a feature film called Gut Instinct starring Josh Hartnett (my crush when I was a teen)! I had gone in to audition for a major role for that one, but didn’t get the part. I ended up being offered a small role in the production & it’s always amazing to be on a set and inspired by the whole cast and crew surrounding you:). I’ve been having a great time, and continue to develop myself as an artist!

How and why did you first start playing music?  

Singing was a natural talent for me as a kid. My mom is a singer and we used to sing together by the piano when I was really young, so those memories are very dear to me. Adults would always tell me that I had a unique voice, and they would be surprised when this little girl would open her mouth to sing, and a deep full voice would come out. My vocal range for a woman is quite deep and was pretty much the same tone when I was a kid (you could say I grew into my voice haha) so it made even more of an impact coming from a small human LOL. When I started acting, I combined the two and was heavily into musical theatre, but then I found myself writing lyrics and humming melodies in the last few years, so I thought hey why not bring these words off paper and just create create create! So that’s what I’ve been doing. 🙂

Your single ‘Witness’ is out now, what influenced the sound and songwriting for this track?

Witness was the first song I ever wrote so it was a completely new artistic process for me. The bottom line was that I wanted to tell a story, and a story that people could relate to. The songwriting for this track was influenced by the feeling of inspiration, motivation and conquering your insecurities and fears. It’s not always easy, even for me, because I overthink a lot and feel things very deeply… but that is what WITNESS stands for – aim to be a witness to those negative times, reflect on it, but don‘t allow it to consume you. The human mind is complex and much stronger than we think and we have the power to control it. Life is beautiful! For sound, we went for a melodic tone, piano, lots of harmonies on the chorus, electronic pop elements, and of course because the song starts off as more of a slow ballad, we went for that uptempo pop chorus with a hook so it can get stuck in your head;).

Where and when did you record?

I recorded this song about a year ago or maybe more at a studio in Montreal, with a production team called “The Lost Boys”. I’ve been working on music with them since then. Witness was put aside for a little while after we recorded it, because I wasn’t sure what I’d release first. I was happy just going through the process of creating material, until finally I got antsy and wanted to make my debut. I’m happy I went with this track as the first. The reaction and feedback has been very humbling and positive!

How do you usually go about writing music?

I prefer collaborating with people because I believe as a team you can be way stronger. So far, anything I’ve written myself came to me in a few different ways: either I just get a jolt of inspiration out of nowhere and get myself into a state of conscious flow where I’m writing down whatever is in my head. Usually have a melody in mind as well, so that after I can structure it accordingly. Or a lot of times, I’m walking down the street and a phrase with a melody will pop into my head, so I’ll record it into my phone really quickly and develop it later. The easiest for me, is when an instrumental track is already made. I can easily get inspired through the music alone and then create lyrics and melody over that. I think a process which is very organic and probably the most fun though, is when you’re jamming with a bunch of your musical friends in a dark room, just singing absolute nonsense until you come up with something awesome:). I need to do more of that!

Please tell us how the concept for the ‘Witness’ video came about?

It took some time with the production team to come up with the concept, but we absolutely knew we wanted the video to bring the song to life and tell a story that could affect people. We ended up using the concept of a young girl losing her parents and then growing up and finding peace. As a child we are at our most innocent and purest state, not yet jaded by the outside world, and so we wanted to show that even when the most negative things happen to any of us (no matter what it may be), as we grow we must move forward and be resilient, find our inner peace and happiness. You meet people who have gone through so much, and yet they are extraordinary! It’s truly inspiring. So we wanted to touch on that and felt that concept would make the biggest impact. 

Where and when did the filming take place?


The filming for the video took place last winter! Fun Fact: The video was shot in a vintage home in Old Montreal that used to belong to the Papineau family who are big part of Quebec’s history. Although previously inhabited by citizens in the last few years, it’s now been repossessed by the City of Montreal to preserve its heritage, and this happened shortly after the owner let us shoot there!

Who did you work with?

For the video I worked with a production team called Rubicon Pictures & Media, who have collaborated with many of Montreal’s artists & they are such a fantastic team. Extremely professional and vibrant! I also worked with director Alberto D’Onofrio, who cast Florence (the little girl in the video), and I can honestly say the performances from both myself and Florence would not have been the same without him. The whole team was undeniably passionate. It was a great shoot! 

What do you like to do away from music?

It’s pretty ironic that I’m saying this, because I have a huge fear of planes and yet I love traveling ha! One day I’d love to be able to take off for a good few months and travel all over. Go on adventures and discover more of the world. I’m fortunate to have been able to travel a lot already… but that’s what makes me crave seeing even more!:) 

I’m also into hitting the slopes skiing in winter, I enjoy hiking and being outdoors in the summer, boating, waterskiing. I like going out, social events, networking with my peers, eating at good restaurants, delicious food, wine, etc. 

Who are you listening to at the moment?

Ohhh boy, that is probably the toughest question for me of this entire interview because I listen to Spotify and my playlists are a mashup of so many different artists and styles. I can tell you recently I was introduced to Khalid and Post Malone, and I’m into that. Through listening to their music I also discovered H.E.R, love her deep vocals and music production is on fire. For the less mainstream stuff, I listen to Banks, FKA Twigs (her voice & style is crazy good), Howling, Bob Moses, Joy Williams – she’s an amazing folky singer, LOVE Labrinth he was my favourite for a while. As for the mainstream popular stuff: I’ve always loved the Weeknd, Bruno Mars (great performer!), Adele, Ed Sheeran, Sam Smith, Lana Del Rey… been into a few of Dua Lipa’s songs for fun easy listening recently, Alessia Cara, Daniel Caesar. I also listen to artists of deep house, techno, jazz, classical, rock & roll, old school tunes….. it really just depends on my mood, but everyday I’m listening to something different. 

Plans for 2019?

Lots of plans! I finally have enough material for a solid acting demo reel, so I’ll be putting that together for the new year and aiming at getting more auditions and roles. I’ve also continued to work on new music, so there will be a lot more singles rolling out throughout the year. I’ve started conceptualizing my own short film ideas and I’d like to write those scripts and get into creating my own work. I think the best thing an artist can do for themselves is create their own opportunities, instead of sitting around and waiting for the phone to ring. 

Favourite food and place to hangout?

Favourite food is sushi…but has to be good sushi, not like the fast food kind. Fave hangout spot…hmm… recently went for a Jam Night at Rosewood (it’s a restaurant/bar in the old port of Montreal that hosts different music nights, open mics for singers and bands first Tuesday of every month). My friends own the place, so I always know people there and it’s a good time! Other favourite place would have to be at home in bed, with my cats…haha. I can’t deny that! 😉 

 

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December 13, 2018 0 comments
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Sarah DeBorre (Music Victoria)
Music InterviewsMusic News

Sarah DeBorre (Music Victoria)

by the partae December 13, 2018
written by the partae

Please tell us how you became involved in Music Victoria and what you find most challenging and rewarding about your role:

I was employed by Music Victoria in November 2016 to run, what was then a newly created program called Live Music Professionals. Live Music Professionals is coming into its third year in 2019 and basically, it’s a free business coaching program for live music venues (band bookers, venue owners, venue managers) and independent promoters. Cultivate is a brand new program which is running in 2019 for the first time ever and I’m really excited about it! It’s somewhat similar to Live Music Professionals however it’s specifically aimed at those who identify as women and who are in leadership or management roles in the Victorian music industry. To be honest I can’t say I find anything really challenging in my project management role at Music Victoria but there’s so much that I find rewarding. I certainly don’t take working in music, and for an amazing organisation like Music Victoria, for granted; and then to be able to run programs that upskill people and help them realise their full potential while also helping them build support networks is definitely a highlight. Being in a position where I can help people on their business or leadership journey is just the best thing ever!


Music Victoria in partnership with the Vic Government has announced a new leadership program ‘Cultivate’ that is aimed at mid-career and established women in the Vic music industry who wish to wish to further their leadership and management skills, how and why was the Cultivate program created?

 

In April 2015 Music Victoria conducted a survey titled ‘Women in the Victorian Contemporary Music Industry’. There were over 300 respondents and many key themes were identified as barriers for women working in the contemporary Victorian music industry. Even though it’s taken a few years to get a project like Cultivate in action,  it’s a great a result and massive step in the right direction of having a positive impact on some of the key issues addressed in that survey.

A quote from the report that’s quite relevant to the roll-out of this project is: “A brief examination of the number of men and women in senior positions (i.e. executive roles or board members) of selected industry organisations supports the perception that the music industry is a ‘boys club’ (see Appendix B). Only half of the organisations have 50% or more females in senior positions and several organisations have no females in senior roles. Of all the senior positions available across these organisations, only 28% are held by women. However, women are overrepresented in non-senior positions holding 58% of staff positions. These crude statistics show that like many other industries, women in the music industry do not have equal representation in the key decision making roles and face a ‘glass ceiling’.”

You can read the full report here: http://www.musicvictoria.com.au/assets/Women%20in%20the%20Victorian%20Contemporary%20Music%20Industry.pdf

Music Victoria would like to see more women within the music industry progressing on their leadership journey and we hope that a program like Cultivate will promote this.


Will this be an ongoing program?

At this stage, we only have funding through for one year but hopefully, we’ll be able to demonstrate the need for future funding and be able to run it more than just once!


Why have you chosen to target women only for the Cultivate program?

The program is funded by the Office for Women which is why we’re targeting women and those who identify as women on this project.


How many participants will be selected for the Cultivate program?

Spots are super limited for the program and we’ll only be accepting five people into the program as it’s a pilot program.


What do you hope to be achieved in the Cultivate program?  

I hope that we can connect a group of women to amazing mentors who will be able to provide the support our participants need to aid them in progressing on a successful journey into higher leadership and management roles. I’d love to see more women in senior management roles in the music industry and I believe that we can do this!


What does 2019 hold for the Cultivate program?

2019 is when everything will roll out for the program. Once participants have been selected by our reference group we’ll launch the program with a full day of mentoring activities followed by masterclasses and then our participants will be involved in tailored leadership coaching or programs.

 

Music Victoria’s Cultivate Pilot Program 2019
Applications open now and close Monday 14 January 2019
Apply now at: www.musicvictoria.com.au/cultivate
Shortlisted applicants will be contacted by the Cultivate Project Manager to arrange a short phone interview.  The Cultivate reference group will decide on the successful applicants.

December 13, 2018 0 comments
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The Darkness
Music News

The Darkness release ‘Christmas Time (Don’t Let The Bells End)’ Live At Hammersmith

by the partae December 13, 2018
written by the partae
‘CHRISTMAS TIME’
(DON’T LET THE BELLS END)
LIVE AT HAMMERSMITH
OUT NOW ON SPOTIFY / YOUTUBEPERFORMING LIVE ON 
THE GREAT BRITISH BAKE OFF
CHRISTMAS DAY SPECIAL

2019 FESTIVAL HEADLINERS
RAMBLIN’ MAN – JULY 19th

 

Britain’s favourite festive rock stars The Darkness are jingling their bells again, with a live version of their hit single ‘Christmas Time (Don’t Let The Bells End)’, recorded at their headline show at Hammersmith Apollo last year.

Introducing the release with his Christmas message to all Justin Hawkins says, “As Santa prepares to empty his sack into our collective Christmas chimney, and young faces smeared with festive brandy butter gaze up expectantly, every day is a fun-filled festive frolic of presents and pies. Much as you will enjoy your turkey leftovers on Boxing Day, we are serving up Christmas Time (Don’t Let The Bells End) again, this time in a tasty live sauce. Hooray, eh? A rocking good Christmas to one and all!”

The announcement comes as the band have been confirmed to perform their Yuletide hit in the most famous tent on television for The Great British Bake Off Christmas Special on Christmas Day.

This gift to the nation wraps up the huge success The Darkness have celebrated with the release of their 2017 Top 10 studio album Pinewood Smile, which received widespread critical acclaim across the board, and 2018’s Live At Hammersmith extravaganza, which features ‘Christmas Time (Don’t Let The Bells End)’.

Looking to the year ahead, 2019 is already providing tantalising Darkness delights. Not only have they been announced to headline the opening day of Ramblin’ Man Fair, Maidstone on July 19th, but they are entering the studio with songs aplenty to start work on their forthcoming sixth studio album. Stay tuned for further announcements to come.

Merry Christmas Everybody!

THE DARKNESS ARE

Justin Hawkins – vocals & guitar / Dan Hawkins – guitar /
Frankie Poullain – bass / Rufus Tiger Taylor – drums

December 13, 2018 0 comments
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Boy Harsher
Music News

BOY HARSHER share new track & video “Fate”. London show upgraded to Heaven. Album ‘Careful’ out Feb 1st on Nude Club Records

by the partae December 13, 2018
written by the partae
Photo credit: Nedda Afsari

Following the news that due to popular demand the London date of their February tour has just been upgraded to a venue twice the size – Heaven in Charing Cross – Massachusetts duo, BOY HARSHER have shared a second track from their forthcoming new album.

The second single to be taken from the LP ‘Careful’, which will be released on February 1st via their own imprintNude Club Records, is ‘Fate’ – an icy-cool track, combining a spiky synth refrain with club beats, washes of ethereal haze and vocalist Jae Matthews’ distinctive smoky vocals.

“This song is about how there’s no amount of running that will prevent you from your life” they explain. “You are raw and beat-down, yet you will continue to behave the same way – Fate is your own trouble, a magnetic force that’s stuck on you forever.” The suitably unnerving video was directed and produced by Bryan M. Ferguso.

Boy Harsher European live dates:
Feb 21 Hamburg, DE – Turmzimmer #
Feb 22 Amsterdam, NL – Melkweg #
Feb 23 St. Maló , FR – La Route Du Rock
Feb 24 Bristol, UK – Lanes #
Feb 25 Leeds, UK – Wharf Chambers #
Feb 26 Manchester, UK – Soup Kitchen #
Feb 27 London, UK – Heaven # **NEW VENUE**
Feb 28 Lille, FR – L’Aeronef #
Mar 01 Nancy, FR – L’Autre Canal #
Mar 02 Paris, FR – Badaboum #
Mar 03 Lyon, FR – Le Sucre
Mar 04 Heidelberg, DE – Karlstorbahnhof #
Mar 05 Berlin, DE – Berghain # **SOLD OUT**
Mar 06 Leipzig, DE – UT Connewitz #
Mar 07 Augsburg, DE – Kantine #
Mar 08 Cologne, DE – Artheater #
Mar 09 Brussels, BE – Rotondes #
Mar 10 Berlin, DE – Urban Spree # **SOLD OUT**
# w/ KONTRAVOID

Boy Harsher began through an urgent need to produce and consume. In the winter of 2014, Jae Matthews and Augustus Muller started to experiment with sound, video and text; the advent of Boy Harsher. Born out of this tumultuous relationship in swampy Georgia, their first EP ‘Lesser Man’ (various pressings 2014 – 2018, Soft Science/Night People/Aufnahme + Wiedergabe/Nude Club) is sexy as it is sulking. ‘Lesser Man’ determined their morose pop sound. In their second release, the full length ‘Yr Body is Nothing’ (various pressings 2016 – 2018, DKA Records/Nude Club) Matthews and Muller took that darkness and ran with it. Both releases reflect the fervor present in their adolescent lust and anger. Yet before Matthews and Muller recorded any songs, their chaos made the project vulnerable and invariably lead to momentary destruction. In what was at the time believed to be their last performance, Matthews had “careful” tattooed across her back whilst Muller fried the speakers. A lit candle was thrown. They were not on speaking terms.

At that time “Careful” was meant as a warning: the cautionary understanding of love. The duo felt as though they were disappearing within one another. But, if Boy Harsher’s first two releases narrated the pain and desperation that follows after something goes awry, then this LP, ‘Careful’, describes what loves gives you: fear and joy, tenderness and pain. For Boy Harsher, ‘Careful’ attempts to detail the enveloping trauma of loss combined with the fantasy of escape.

Matthews and Muller certainly made amends since that fateful live tattooing, however both still have complex relationships to attachments. In 2017 Matthews’ mother was diagnosed with dementia and as the symptoms began to take hold the essence of “careful” became relevant in a new way. Matthews’ relationship with her parents has always been complicated: her father passed away when she was a teenager and her mother is an alcoholic, consistently unpredictable with affection and stability. The loss of her father was extreme, yet acute, whereas the persistent sadness of losing her mother (the memories that defined their relationship) is a slow, chronic suffering. The trauma of losing someone is almost in tandem to Matthews’ understanding of love. It is with these intensely personal struggles Matthews and Muller began developing their new album.

With ‘Careful’, Boy Harsher use the medium of minimal electronics to create a compelling narrative of a deteriorating family and the reaction to run away from it. The record plots its time between songs that study the trauma embedded within loss, and the compulsion to flee.

The band expands upon the fine-tuned production developed in their last EP ‘Country Girl’ (2017, Ascetic House), but with plenty of nods to the fast tempo and grittiness of ‘Lesser Man’. Matthews and Muller attribute the evolution of their sound to the extensive touring they completed in the last few years. They sold out their debut UK shows at the end of 2017 and embarked on two US and two EU tours this past year, where audiences recognize their set as a faster, harder version of their recorded material.

‘Careful’ is available to pre-order here: https://boyharsher.lnk.to/Careful 

‘Careful’ track list:
1. Keep Driving
2. Face the Fire (YouTube)
3. Fate (YouTube)
4. LA
5. Come Closer
6. The Look You Gave (Jerry)
7. Tears
8. Crush
9. Lost
10. Careful

ttp://www.nudeclubrecords.com/
https://boyharsher.bandcamp.com/
http://boyharsher.com
https://www.facebook.com/boyharsher
https://www.instagram.com/boyharsher
https://twitter.com/boyharsher

December 13, 2018 0 comments
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Music News

Album download! Fredfades & Jawn Rice – “Jacuzzi Boyz” (Deep House)

by the partae December 13, 2018
written by the partae

+ debut album ‘Jacuzzi Boyz’ via Mutual Intentions on 18th January 2019

“An enticing first taste from what could prove to be a strong start to 2019 for the pair” – Complex Magazine

 

 Having been ensconced in the studio recording tracks for their debut album ‘Jacuzzi Boyz’ due 2019 via Mutual Intentions, Norwegian leftfield electronic DJ / producers Fredfades and Jawn Rice will preempt its release with a brand new track ‘Tonight’ featuring Lucid Paradise.

Fredfades details the track: “’Tonight’ is my personal favourite cut from the project. It’s a track I hope reflects our love for the true sound of quality soulful deep house. For me, this is like a personal tribute to pioneers of deep house that came out of New York, Jersey, Detroit and Chicago. In the beginning this was a deep house groove I made and sent to Jawn for him to work with. He did a version first, and after that we worked on it together with contributions from both a bass player and Lucid Paradise, which resulted in a slow evolution towards modern funk. This wasn’t what I wanted it to be in the beginning, so me and Jawn went to my studio to scrap the electric guitar bass, re-record the synth bass, lay down more keys, really turning the drums away from boogie funk and back into a house thing again. Then we rearranged both the instrumental and the vocals. I believe this is version six or seven of this song, and all the different versions really sound very different. Bang it real loud and enjoy the groove part that plays for the last three minutes of the song”.

Hailing from Oslo and Lillehammer in Norway, Fredfades and Jawn Rice have been collaborating on music for over ten years in different shapes and forms. They bonded immediately when they both bought their first SP1200’s back in 2007, but it wasn’t until recently they decided to collaborate on a full project.

The project is deeply rooted in traditional genres such as house and electronic music, but with their super jazzy signature touches. The project features vocalists such as Lucid Paradise, Stimulator Jones and Dreamcast who all contributes with soulful RNB oriented vocals. With Jawn Rice’s “Highlights” and Fredfades’ “Warmth” LP’s well received in 2017, this is guaranteed to be one of the hottest house records of 2019.

Editors notes:
Fredfades is a Norwegian producer, DJ, and artist. As a real heavyweight and widely known collector of Jazz, Boogie, Disco and Modern Soul records, Fred has been traveling all over Europe the past two years sharing stages with house names such as Jeremy Underground, Robert Owens, Byron The Aquarius and Hugo LX. He has done radio mixes for Motor City Drum Ensemble, NTS Radio, Worldwide FM, Rinse FM and Dublab while touring. Before this, Fred made a name and platform for himself in indie hiphop circles worldwide, with his solo debut album Warmth (2017) that featured artists such as Mndsgn, Ivan Ave, Nanna B, Chester Watson & MED. Same year, he also produced the most streamed songs on Ivan Ave’s “Every Eye” LP (Jakarta Records, 2017) and Charlotte Dos Santos’ “Cleo” LP (Fresh Selects, 2017). Fredfades & Charlotte Dos Santos was also featured on the Stones Throw compilation “Sofie’s S.O.S. Tape”. Besides being a musician, Fred manages the Oslo-based record label Mutual Intentions, which did the first ever Norwegian Boiler Room show in 2015.

Jawn Rice is a fresh addition to the house-scene. He released his house debut “Highlights” in the winter of 2017, and it instantly got added to the list of 2017’s best releases by some of the biggest Norwegian newspapers and magazines. He first made his name known as a part of the trio Oslo SP Ensemble where he made Hip-Hop beats together with Fredfades and Deckdaddy. They did their cult SP1200 beat tapes and also produced Ivan Ave’s first vinyl EP. After a while, Jawn took a break from the whole Hip- Hop culture to explore new genres of music. He discovered house music, and went to festivals which led him to rapidly explore a bunch of progressive genres. Jawn’s deep house is reminiscent of your favorite boogie and jazz-funk jams, yet remains forward leaning with his hyper modern production style. His subtle use of samples, vibrant keyboard soundscapes and vivid drum programming is a blueprint for upcoming releases by the aspiring producer.

https://soundcloud.com/fredfades
https://www.facebook.com/fredfades/
https://www.facebook.com/jawnrice/
December 13, 2018 0 comments
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Music News

Ostgut Ton announces Efdemin album ‘New Atlantis’ – out February 15

by the partae December 13, 2018
written by the partae

Oh, lovely appearance of death, No sight upon earth is so fair; Not all the gay pageants that breathe, Can with a dead body compare.

– Charles Wesley, A Funeral Hymn for a Believer, 1780

So begins New Atlantis, the fourth full-length album by longtime Berghain resident Efdemin aka Phillip Sollmann. The words, sung by 60s California art icon William T. Wiley and embedded in glowing drone swells, set an otherworldly tone for Sollmann’s first solo release on Ostgut Ton.

Over eight tracks, New Atlantis oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and experimental music projects. The latter include 2017’s Harry Partch- inspired Monophonie performance and 2018’s Panama / Suez EP with Oren Ambarchi and Konrad Sprenger.

Long drawn to utopian musical traditions, Sollmann took inspiration for New Atlantis from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. In the story, Bacon imagines futuristic ‘sound houses’, which contain musical instruments capable of recreating the entirety of the sounds of the universe; a 400-year-old prophesy of today’s digital sonic reality.

Through Sollmann’s lens, Bacon’s vision ebbs and flows over 50 minutes in varying speeds and colors, emerging as a tapestry of different utopian musical traditions – through billowing synth lines, early Detroit techno, resonant wooden percussion, trance, droning organs, dulcimer, electric guitars, hurdy-gurdy, just intonation, poetry, hymns and murmuring voices. Sometimes they merge into epic, rhythmic journeys like the 14-minute long title track; other times they appear as a briefly open sound portal (“Temple”), or in the forlorn human voice on “Oh, Lovely Appearance Of Death”, calling to be freed from jail of the human body and pass into the afterlife.

Like previous Efdemin albums on Dial, New Atlantis veers off the techno path to explore other musical territory. Here however, Sollmann occasionally abandons the club entirely, returning only to push its boundaries with other instruments, mythologies and psychedelic story telling.

December 13, 2018 0 comments
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No mono
Music News

No Mono share their cover of ‘Unchained Melody’

by the partae December 13, 2018
written by the partae

 

First performing the Alex North and Hy Zaretcover original at the band’s Sydney Opera House album launch for VIVID Live, and again at this year’s Splendour In The Grass, the cover had an immediate reaction with fans and was desperately in want of a recording. Not since The Righteous Brothers covered ‘Unchained Melody‘ has there been a more powerful interpretation.

Tom Snowdon recalls their first performance of the song – “We first performed the song at the Opera House for Vivid Live. As soon as those first notes come out to form the verse melody, the audience broke into song with us. It’s magic like that, this song, it means a lot to so many people.”

He continues, “When we play it live there’s a lot of space between notes – lots of room to let the words, notes and vocals linger. We wanted to capture this in the studio recording – capture it as we perform it.”

Recorded at BellBird, the creative home of Melbourne-based label Pieater, and filmed on Super 8 at thesold out headline show at the Corner Hotel during No Mono’s national tour for Islands part 1, now at last fans will forever have a memento of this transcendental, stripped version with Tom Snowdon’s unforgettable vocal performance.

‘Unchained Melody’ by No Mono is out now via Pieater, buy/stream it here.

UPCOMING LIVE DATES
Sat March 2 – Yours & Owls Festival – Wollongong
Sun March 9 – PANAMA Festival – Tasmania
Sat April 27 – Bendigo Autumn Music Festival – Bendigo
Sun April 28 – Bendigo Autumn Music Festival – Bendigo

Stay connected with No Mono:
Official Wesbite | Instagram | Twitter | FB | YouTube | Tumblr

December 13, 2018 0 comments
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Music News

The Partae playlist – Louis Centioni

by the partae December 13, 2018
written by the partae

1) Amy Stroup – In the Shadows

https://www.youtube.com/watch?v=TynHJ0_amDY

Delicate vocals, gentle piano chords and haunting lyrics.

2) Jordan Rakei – Eye to Eye

https://www.youtube.com/watch?v=4b1BM92_r9w

The structure of this song is great especially the opening build up to the hook of ‘we don’t see eye to eye’. The constant repetition makes you feel as if you’re going around in circles.

3) Weiss – Feel My Needs

https://www.youtube.com/watch?v=8sHwmuQEb3U

Great dance track, great production.

4) Jaz Karis – Pretty Lover

https://www.youtube.com/watch?v=iGd3BPXLR10

Heard this first in a Starbucks in New York and loved it. Simple but effective production, catchy lyrics and soulful vocals.

5) Alicia Keys – In Common

https://www.youtube.com/watch?v=4HazJhPnrB8

Spellbinding track. I love how Alicia uses her vocal positioning in this song especially in the chorus.

6) Jorja Smith – Wandering Romance

https://www.youtube.com/watch?v=azjOefV3jik

I love the bass line in this. Such a great people watching song or train travel vibe.

7) NAO – So Good

https://www.youtube.com/watch?v=i2niOFBDkIY

Class duet, the best part of this song has to be the thick synth loop that carries through most of the track.

8) Leikeli47 – Attitude

https://www.youtube.com/watch?v=xs19QfiprcQ

Sassy, jumpy and great lyrics.

9) Banx & Ranx & Ella Eyre – Answerphone

https://www.youtube.com/watch?v=ayzAJ9yjnX8

This is one of those songs where you only need to listen to it once and instantly love it, and every listen is like the first one.

10) Louis Centioni – Unsure

https://www.youtube.com/watch?v=GcuOFREJn6c

Last but not least my first offering ‘Unsure’. I love the drum patterns and lyrics to this song, when I wrote this I wanted to talk about being in the early stages of a relationship, in hindsight knowing that potentially the other person isn’t the best for you.

 

http://www.louiscentioni.com/

 

December 13, 2018 0 comments
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Sôra
Music News

French Songstress Sôra shares intoxicating live video for “The Grit”

by the partae December 13, 2018
written by the partae

“‘Lifestorm’ is a soothing, silken gem that matches effortless soul to digital production.

Rooted in her own life, the lyrics then spiral off into fantasy, all held together by the urgency of Sôra’s delivery.”

CLASH Mag

“We’d like to make a solid bet that Sôra is one you’ll need to watch out for in 2019”

KALTBLUT Magazine

“If there was any doubt that wavy Persian-Parisian producer Uppermost, AKA Behdad Nejatbakhshe, is continuing the French trajectory of leading the electronic genre, this live production of “Step By Step” with Sôra should dispel all.”

PAPER Mag

Multi-genre songstress, vocalist and producer Sôra has shared the live video for “The Grit” which has been taken from her recently released debut EP, “Number One” (23rd November). Her riveting debut single, “Sakura”, was premiered via Kaltblut Magazine with the next intoxicating single “Lifestorm” which was also released via French music and fashion label Kitsuné premiered by Clash Magazine. Near the end of 2017, Sôra collaborated with established Parisian electronic producer Uppermost providing exquisite vocals for his hit single “Step By Step”, which saw inspiring support from various publications such as PAPER Magazine and Magnetic Mag as well as Youtube channels Tasty, Chill Masters and Wobblecraft after receiving just under 1 Million hits via various streaming platforms.

Daughter of a British mother and a French father, Sôra devoted herself to music and arts since she was a child; playing the piano, singing and dancing. With her distinctive, powerful yet velvetine voice now in full flare, she then went on to perform on collaborations with different musicians and producers. Sôra is widely influenced by a wide array of genres, including jazz, rock, and soul and is now comfortably surrounded by her creative and productive teams; Colligence Records and Complice Music, where she takes up management, publishing and label affiliation duties.

Influenced by a plethora of sounds, techniques and artistic visions, Sôra takes direct inspiration from acclaimed artists such as Erykah Badu, Justin Timberlake, Pharrell Williams, Hiatus Kayiote, and Kendrick Lamar, although her music could be best comparable to similar-sounding artists and acts like FKA Twigs, CocoRosie, Tove Lo and My Brightest Diamond, just to name a few.

Sôra’s latest enthralling output, Number One EP spawns four seductive, engaging tracks; “Lifestorm”, a hypnotic electro-pop shiver bubbling to the brim with celestial sounds and synthesizers, while “Number Won” is a heartfelt ballad covered in immersive percussive bliss as start/stop synths sit atmospherically against Sôra’s strong, light-emitting vocal presentation. “Sakura” is boldly held together by deep, smooth basslines, unpredictable percussive hooks and genre-bent spoken word or hip-hop infused sections all while spilling vulnerable yet confrontational lyrics atop energetic builds. The closer, titled “The Grit” is a refreshing, yet slightly darkened composition to say the least; haunting chord progressions and utterly solid production techniques tug on vulnerable heartstrings as Sôra’s impressive vocal range shifts us through unexplored dimensions and other-worldly galaxies.

Speaking on the upcoming EP, Sôra comments: “This first EP was such a pleasure to record! My partner and I hardly knew each other when we started working together. The way we did it was, I composed and wrote at home and then came to the studio to put everything together and push the songs to the next level with my wonderful partner. We kind of started getting to know each other through this EP and we are really happy!”

“Number One” EP Tracklist:

01 Lifestorm

02 Sakura

03 Number Won

04 The Grit

Follow Sôra:

Facebook – Twitter – Soundcloud – Youtube – Instagram– Spotify

December 13, 2018 0 comments
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Marco Resmann
Music InterviewsMusic News

Marco Resmann

by the partae December 13, 2018
written by the partae
Where are you currently based and what is the music scene like there?
 
I’m based in Berlin and the scene here is one of my favorites worldwide. Besides our history as one of the capitals of electronic music we still have an outstanding and unique club scene. The city offers plenty of great record stores and numerous important music companies are based here too.
You have a new 4-tracker EP called “Day & Night” coming out on Upon.You Records label on December 14th, where and when did you record?
 
I have recorded it over the year in my studio in Berlin.
 
Your studio has been located in Berlin at Holtzmarkt, please describe the setting and atmosphere:
 

I moved here in October 2017 and planned + built the studio in cooperation with a professional acoustic company from Berlin. I just wanted it to be perfect, after always having sound issues in my old studio. It’s quite comfy and much more organized than the previous one. I have a lot of analogue gear in the room as well as my minimized record collection. I love to come here as often as possible.

What programs/equipment did you use to demo ideas and also record?

 

Here’s a list of programs and equipment that I use the most in my studio.
Hardware:                             Programs:
Korg Mono/Poly                   Ableton Live 9 Suite
Roland Juno 106                  UAD-2 (pretty much all Plug-Ins)
Moog Voyager                      Soundtoys 5
Elektron Analog Heat        uh-e Diva & Repro-1
Roland Space Echo             Native Instruments Komplete
Roland SH-101                    Spectrasonics Omnisphere
Roland TR-8                         Celemony Melodyne
Tegeler Audio Creme          Fabfilter Pro Q
 
What influenced the sound and songwriting for the EP?
 
My new studio probably has influenced me the most. It is just another level of working. I’m much more productive and confident here. Furthermore every single experience I make has somehow an influence on me. Recently my kids inspire me a lot. Playing or listening to other people’s music influences me too as well as traveling.
 
Who are you listening to at the moment?
 
At the moment I am listening to the recent albums from Nils Frahm and Nu Guinea.
 
How did you first start playing music?
I was 12 years old when the Berlin Wall came down, so I missed these very special years between ‘89 and ‘92 when the music scenes of east and west Berlin hit each other and something new emerged. When I started to discover this new music, legend clubs like Tresor, E-Werk or Bunker already existed, the first hype was over and Techno and events like the Love Parade became more commercial. For me it was still something completely new and the whole Techno virus got me anyway. 1994 I’ve started to buy vinyl and my story began.
 
You’ve been in the music industry for a long time, how have things changed since you started and where do you see the music industry going?
 
The biggest change is obviously the way of how people consume music nowadays. Streaming is the big thing now. In my case as a DJ it’s the way of how we deejay and from a producer’s perspective definitely the way of how we work in the studio these days. I really can’t tell what’s gonna happen in the future. Fingers crossed that the value of music won’t disappear completely. Listening to music became too cheap in my opinion. The process of writing, composing and producing music is completely underrated and not adequately paid these days.
 
You will be touring in china in the first week of December – 2018, what do you have planned for these shows?
 
It’s gonna be my first time ever in China, so I really can’t say what to expect. But I’m super excited and will do my thing as I always do and will be flexible within my range of styles.
 
Following China you will be hitting Bangkok, Sydney and Melbourne afterwards, what do you most enjoy about touring and what do you find most challenging?
 
I love to travel and discover new cultures, enjoying foreign cuisine and meeting new people. The most challenging is definitely to be away from home and my family.
 
What do you have planned for 2019?
 
I will start 2019 with less touring and more studio time.
 
Favourite food and place to hangout?
 
My favorite food is Thai, Lebanese and Italian. My favorite place to hang out is either my couch or my studio and definitely my parents in law’s terrace in Tuscany.
  https://www.beatport.com/release/night-and-day/2440925
 https://www.facebook.com/mresmann/
 https://www.instagram.com/marcoresmann/?hl=en
https://soundcloud.com/marco-resmann
December 13, 2018 0 comments
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Theodore
Music News

Acclaimed artist KOLOTO remixes Theodore’s single “Towards?”

by the partae December 13, 2018
written by the partae

Data Transmission

 

“..Theodore makes ornate, electronically enhanced chamber-folk music that’s equally suited to clubs and cathedrals. “Are We There Yet?” sprawls out gradually over six and a half minutes en route to a grand and ecstatic climax.”

NPR Music

 

“Beautiful Sigur Ros-esque noise, it unfurls at its own pace, a patient display of stellar imagination.”

CLASH Magazine

 

Multi-instrumentalist and composer Theodore will be releasing an immersive remix of “Towards?” taken on by English producer and composer Koloto; the remix is set for release on 25th January via United We Fly. Maria Sullivan, better known as Koloto, is an electronic musician, artist and multi-instrumentalist hailing from Canterbury, England. Since the project came into fruition in 2013, Koloto has amassed an impressive 2.3 million plays via YouTube and Soundcloud alone, and has received vast support from the likes of BBC Introducing, XLR8R, Dummy Mag, Impose Magazine, The 405, Dots and Dashes and airplay on BBC Radio 1, ABC National and France Inter, just to name few. A self-taught guitarist, Koloto successfully turned her attention to a variety of instruments, playing and touring with a succession of bands, including serving as bass player for Brighton-based math-rock outfit Delta Sleep (Big Scary Monsters) for 5 consecutive years. As a solo artist Maria has worked with reputable labels such as Bad Panda Records, as well as rising imprints such as Abandoned Building and Secret Songs, who helped get her debut 2014 EP “Mechanica” out into the world, the EP also received remix treatment from talented producers such as Sun Glitters, Set In Sand, Dot, Ekoda Map, CloZee & Escaping Animals, taking on remix work of her own, including that ofrising artists Pick A Piper and Tiger Tsunami leading up to the release of select singles to date, including “Hana” and “Alatheia” propelling her unique songwriting and production skills further with each shining idea brought to life.

 

Multi-instrumentalist and composer Theodore prepares cascading LP “Inner Dynamics” for the 2nd November. Following the release of last atmospheric and stirring singles “Towards? (for what is to come)” and “Spit Blood Out (Single Version)”, the Greek performer has already garnered considerable success with his previous album “It Is But It’s Not” which was co-produced by Clive Martin (Queen, Reef), mixed by Ken Thomas (Sigur Rós, Moby, M83), and performed live at the fabled Studio 2 at Abbey Road Studios. The multi-talented musician’s newest album was completed in May this year, was recorded in a whopping number of different studios, and mastered at Soundgarden in Hamburg, who have worked with huge names such as Franz Ferdinand and Gossip. With nearly 2 million Youtube views, Theodore has supported Sigur Ros and DIIV at Release Festival, graced the stages of Reeperbahn Festival – where he was named Best Performance Of 2017 – performed at Eurosonic Noorderslag and showcased his talents at this years SXSW Festival – where he was picked as NPR Music’s ‘SXSW 2018: Favorite Discoveries And Memorable Moments’. Theodore has received support from tastemaker publications such as CLASH Mag, Music Week, Tsugi, FGUK, Gaffa and Szene, and radio play from the likes of BBC Radio 6 Music’s Lauren Laverne, while his single “Towards? (for what is to come)” is currently playlisted on renowned national radio stations NPR All Songs 24/7 Music (USA) and Flux Passport Approved (Germany).

 

Fusing classical composition with electronic elements to create beautiful, atmospheric and often cinematic songs, Theodore’s sound is characterized by contrasting styles. Citing influences such as Sigur Ros, Radiohead, Pink Floyd, Doors, Chatzidakis, Vagelis Papathanasiou, Nils Frahm, The National, Olafur Arnalds, Arcade Fire and Max Richter, his unique mélange of influences allow a broad scope of movement, from ethereal classical movements to driving, melancholic post-rock sections. While Theodore’s unique sound is eclectic in it’s own way, the same can be said for Koloto’s, whoselush and unique sound can be described as a dream-inducing blend of genres like electronica, post-rock, trip-hop, chillwave and glitch. With influences leaning towards edIT, Four Tet, Baths and Amon Tobin, if Nosaj Thing and Shlohmo merged together, it would come out sounding a lot like Koloto. It’s no surprise that this skilled songstress has crafted something so personally distinctive, enjoyable and on point in just about every experienced mood possible.

 

Koloto’s remix of “Towards?” heightens the ethereal nature of the track, with crisp clicks, snaps and dreamy water-droplets pushing Theodore’s mesmerising vocal melodies along over mystical synth-sounds. Koloto manages to blend her signature sound of trip-hop-inspired drumbeats and spaced-out melodies flawlessly with Theodore’s haunting vocals and experimental instrumental flair, creating a whole new track that swirls like a dreamscape around the listener, clicking and whirring over blissful choral melodies and reminding us that anything is possible.

 

On the Koloto remix of “Towards?”, Koloto says, “I’ve had my head (and studio) fully immersed in my own music for the last year or so, so it was great to be asked to work on this beautiful track by Theodore. I’ve a tendency to over complexify things when it comes to making music, so with this one I really wanted to exercise some restraint. The original track has some really solid melodies and progressions, so my aim was to try and create a simple percussive backdrop that would allow them to play out.”

Follow Theodore:

Website – Facebook – Twitter – Soundcloud – Youtube – Instagram – Spotify

 

Follow Koloto:
Facebook – Twitter – Soundcloud – Youtube – Instagram – Spotify

December 13, 2018 0 comments
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Kolombo
Music News

Kolombo

by the partae December 13, 2018
written by the partae

Where are you currently based and what is the music scene like there?

I’m based in Belgium, in my hometown Namur. It’s been a while since the electronic music scene in Belgium is more into techno. Different from the time I’ve started to get involved with electronic music (end of 80’s) where was basically called “newbeat” – end of new wave, mixed with techno.

Please tell us about your latest and forthcoming releases -we know you’ll be back on Dirtybird + the release for Warung Records…- what else?

That’s right, my next release (March 2019) on Dirtybird is gonna be again for the Barbecue compilation (early this year I had a track at same compilation). The one for Warung is a collab with Ron Carroll, he’s de voice of the famous “Lucky Star” with a remix from Phonique, good because both of us has a history with the Club (Warung).  Upcoming for next year there is a few remixes and solo releases at the labels Sweat Club (Australia), Moonbootique (Germany), Animal Language (Netherlands), Bunny Tiger (Germany) and of course at LouLou Records.

What has influenced the most Kolombo’s sound, and how do you usually go about writing music?


I’ve been influenced by many sounds, I have a huge background on old school sounds of any kind, old hip hop, funky, house, techno to name a few, I am very eclectic when is about music. I don’t have any special way to write music, it depends of my inspiration at the time, sometimes I am more on the mood for melodic, but lately I’ve been more into house and techno.

You are the co-owner of LouLou Records! How and why did you decide to start the label (back in 2005, right)?

We started (LouLou Players and I) the label in 2004. At the beginning was just to release our own tracks only on vinyl and also to be able to have a space to bet in new talents that we believe in.

What do you find most challenging and rewarding about running your own imprint?

The challenge is to get support from other artists, especially bigger ones, to play our releases and believe in what we are doing. The reward is to get this support, especially because we focus on new talents.

LouLou Records released the new ‘Sinner & James – All About EP’ a few days ago, can you tell us how the process of putting this EP together and what it means to you?

These guys are from Canada and they had a previous EP released 2 months ago at the label, we really believe on their work, they have an old school touch on house which we really like. It’s the kind of new talent we like to bet on.

How did you get into and learn all about tech / studio production? What programs and equipment do you use to produce and record music?

I’ve learn by myself back in the end of 80’s with the Atari 1400 ST and Akai S900, I think it was the first machine for that, with 3 floppies for the Cubase program. Now I use manly MKS-80, MKS-50, Jupiter 4, Siel Opera 6, Nord Rack, Roland SH32 to name a few.

What do you most enjoy about writing, recording and performing music?

I love everything. I like parties, of course, but I also love to have my studio time alone. I’m a nerd.

Who are you listening to at the moment?

Many things, at the moment Childish Gambino, Al Green, Stevie Wonder, Dilated Peoples, A Tribe Called Quest, Roberta Flack, George Benson, Norah Jones, Sampa The Great, Syl Johnson and more.

What is your opinion of ADE Event Amsterdam? How profitable for business can be? What activities / showcases have you been doing this year?

ADE is amazing! It’s the time and place for who work in the electronic music industry to be. I’ve been going every year since probably 10 years ago. But this year was good; we could make so many connections and meetings. It’s a shame because I always want to attend more panels of the conference, but as we have a lot of meetings this is not possible. I could be to our showcase, its being going on at Up Club for 4 years already.

What do you have planned for the remainder of 2018 going into 2019?

I’ve took one month off for studio time, after Christmas I am going to my annual South America summer tour till the end of January – I’ll be playing in many places on Brazil, Argentina and Paraguay.

Favourite food and place to hang out?

I love pretty much every food, but specially Thai and Japanese. Place to hang out is my friend’s bar/store called Art Salon in Namur (my hometown) is very chilled and I can meet all my friends there. I can arrive there at any time of the day; I’ll meet some good friends around.

 

https://www.kolombo.be/

https://www.beatport.com/artist/kolombo/18647

https://www.facebook.com/kolomboofficialfanpage/

December 13, 2018 0 comments
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Music News

Doorly set for massive 14 date Australian tour!

by the partae December 13, 2018
written by the partae

Tour Dates

Wednesday 26th Dec: Blueprint, Sydney (Day)
Wednesday 26th Dec: Heydey, Wollongong (Night)
Monday 31st Dec: W Hotel, Bali
Tuesday 1st Jan: Habitat Garden Party, Perth
Thursday 3rd Jan: Electric Rush, Queenstown
Saturday 5th Jan: Aquarius Pool Party, Byron Bay
Friday 11th Jan: Collude, Auckland
Saturday 12th Jan: Blue Diamond, Melbourne
Saturday 12th Jan: Sooki Lounge, Belgrave
Saturday 19th Jan: Proud Marys, Central Coast
 Saturday 19th Jan: Newcastle Hotel, Newcastle
Friday 25th Jan: Mr Wolf, Canberra
27th Jan: Old Soul, Maroochydore
27th Jan: Catalina Boat Party, Noosa

Australia can’t get enough of Doorly. The local favourite and all-round fun guy has been a staple in the global dance scene for over 5 years after moving through the ranks faster than most could (even Pete Tong named him as a future star). Doorly soon found himself playing on the globe’s most reputable dancefloors, so skilled at his trade that Pete Tong requested he record a live BBC Radio 1 Essential Mix direct from a club.

From DJing at Times Square to remixing the likes of Kanye West,The Prodigy and Basement Jaxx, Doorly is creatively in a league of his own. Now his own record label Reptile Dysfunction, which presents frequent releases of his own work, is becoming a bona fide brand of its own. Recently London club fabric invited the label and Doorly to host a night at the legendary venue, and Doorly ended up playing B2B with house legend Green Velvet for five hours. WIth 15 dates in under a month, there can be no doubt that Australia loves Doorly.

It’s been just a few years since Pete Tong touted Doorly as a future star, but not even the Radio 1 icon could have predicted just how rapid his ascent would be. As of 2016, he can already add two Essential Mixes, multiple Beatport and Traxsource No.1s, including a month-long stint at No.1 in the Beatport Chart with ‘Gravity Check’ (one of 2016’s biggest summer records), production for Usher and Nicki Minaj, sharing the stage with The Prodigy & LCD Soundsystem, acclaimed releases on Cajual, Dirtybird and Hot Creations and studio collaborations with Green Velvet, Switch & Grandmaster Flash to his ever-growing list of achievements.

Doorly cut his teeth in his native Huddersfield, running his own party and booking the likes Armand Van Helden, Fatboy Slim, Erol Alkan, Annie Mac, 2 Many DJs and eventually Pete Tong, who was so impressed by his ability behind the decks that he offered him a Live Radio 1 Essential Mix direct from the club. Following this seal of approval, Doorly’s gig schedule took on a life of its own, with DJing in Time Square New York, and every major festival plus touring regularly alongside Fatboy Slim & Soulwax just some of the highlights.

At the same time as touring, Doorly was working hard honing his craft in the studio, establishing himself as a versatile, in-demand producer. Remix work for an enviable list of A-list acts followed, with imaginative reworkings of tracks from Kanye West, The Prodigy, Claude Vonstroke, Groove Armada and Basement Jaxx setting Doorly on a different creative level to many of his peers.

In 2012 Doorly relocated to Los Angeles, California. From this base he launched a diverse array of his own parties, ranging from sunshine house and disco gatherings on the rooftops of Austin at SXSW & Miami with Skream and Jackmaster, to 2000 capacity ‘secret’ warehouse parties in Downtown LA. From humble beginnings, these Doorly & Friends Events have gone on to establish residencies at Ministry of Sound (London), AIR (Amsterdam), Sound (Los Angeles) and Canal Mills (Leeds), Space & Pikes Hotel (Ibiza), Sisyphos (Berlin) plus regular parties in Miami, San Francisco, Asia and across the world including a mansion party at Coachella at which Disclosure played after their main festival appearance.

In 2014 he achieved what he had been threatening to for some time, topping the Beatport overall chart with his Shadow Child collaboration ‘Piano Weapon’. In that same year, Doorly & Cajmere’s ‘The Way’ sat at No.1 overall on Traxsource and in the top 10 of the Beatport house chart for over a month, with his releases being hammered by the likes Maceo Plex, Jamie Jones, Seth Troxler, Skream, Jackmaster, Agoria & Annie Mac to name a few.

2015 alone saw Doorly releases on Cajual, Dirtybird, Moon Harbour, Toolroom and Hot Creations; an impressive list of labels that demonstrate the towering standards he sets himself, as well as the high regard his production are held in by many of the industry’s tastemakers.

Above all else however, Doorly is first and foremost a DJ, with his dedication to and passion for the craft apparent to everyone who sees him perform. Sets are played out across four CDJs & Vinyl plus samplers and FX units, and he is a firm believer that a DJ set should be a live, unique experience. To that end, Doorly continues to work alongside Pioneer as one of its Pro-DJ Ambassadors and is directly involved with testing, design and training with Pioneer DJ equipment together with fellow craftsmen James Zabiela & Eats Everything.

Also Doorly’s performance skills have now been enlisted by Dolby who are launching a new 5.1 surround sound club system which Doorly demonstrated at Ministry of Sound in May and will tour in Full worldwide as Dolbys ambassador in January 2017.

In Ibiza, Doorly maintains as unyielding a presence as ever, with his 11th season living on the island including gigs at Pacha, Pikes Hotel, Ibiza Rocks and Space – for what was the legendary venue’s final season and Doorly Hosting the main room with his Doorly & Friends Brand as well as playing the final Closing Party – while Doorly & Friends went from strength to strength with takeover shows at Snowbombing Festival, Rainbow Warehouse Birmingham, Beatherder and various other workdwide Festivals in FIJI, North America and Australia.

On the production front, 2016 has progressed in impressive fashion. In February Doorly dropped his hugely anticipated remix of Carl Craig & Green Velvet’s ‘So What’, with that same month seeing the release of ‘Want Silver’, a collaboration with ZDS on David Squillace’s This & That imprint. Further production triumphs came in the shape of remixes of Claptone ‘Anything’, a remix for Fatboy Slim’s alias “Mighty Dub Katz, an acclaimed three track EP ‘ Rabbit Hole’ on Cajual and ‘Gravity Check’, A collaboration with House Legend Marshall Jefferson on Dirtybird records and a collaboration with Darius Syrossian that sat atop the Beatport tech house chart for over a month and was without question one of the biggest tracks of the summer.

October see’s Doorly Hit the road for a jam packed USA Solo headline tour and well as a 2nd tour of America as Support For Booka Shade on their Live Shows. Finishing off 2016 with a run of shows that will take him all the way around the globe in quick succession hitting Asia, Fiji, Australia, New Zealand, Bali, Thailand and the notorious Holy Ship Cruise in the Carribean all in the space of a month.


  www.thickasthieves.com.au/
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Erthlings
Music News

Erthlings share new video for ‘Cuts and Bruises’

by the partae December 13, 2018
written by the partae

PRAISE FOR ERTHLINGS

“the most impressive debut single you’ll hear this year.”
The Line Of Best Fit

“So crisp, so clean, so cool.”
Richard Kingsmill, triple j

“It’s sparse at first, then sneakily multilayered without losing its hypnotic cool.”
The New York Times

“Girl band is building bridges across globe”
Daily Telegraph

‘These Aussie ladies can seriously groove.’
NYLON Magazine

“…You Shouldn’t Underestimate Their Age’
Refinery29

“…shimmery, slinky indie-disco-pop groove…”
Gorilla vs Bear

‘Erthlings ‘Bridges’ is an effervescent indie-pop delight’
Purple Sneakers

Sydney band Erthlings today share their new video for single ‘Cuts & Bruises’, directed by Cybele Malinowski and choreographed by Sydney Dance Company’s Larissa McGowan, along with 4 incredible young dancers.

Cybele Malinowski shares, “The Cuts & Bruises video explores the pervasive poison that can quietly corrode a relationship, playing between the switches of joy/apathy, passion/rage & love/hate. These themes are visually illustrated with the use of saturated colour gels & symbolised through powerful and emotionally charged choreography.”

The video follows the release of ‘Cuts & Bruises’ this month and debut single ‘Bridges’, which saw the band earn early praise form the likes of triple j, Zane Lowe and Matt Wilkinson from Apple Music’s Beats 1 Radio, The New York Times, NME, MTV, and more. 

Erthlings played alongside Wafia and G Flip across sold out shows in Sydney and are set to support Amy Shark in Sydney and Melbourne, and Clairo across her Australian tour ahead of Laneway Festival in 2019.

‘Cuts & Bruises’ is out now via Future Classic, buy/stream here.

UPCOMING TOUR DATES
Sun 23 Dec – Yours & Owls Christmas – North Wollongong
Wed 30 Jan – Howler w/ Clairo – Melbourne
Wed 6 Feb – Oxford Art Factory w/ Clairo – Sydney
Fri 10 May – Hordern Pavilion w/ Amy Shark – Sydney
Sat 11 May – Margaret Court Arena w/ Amy Shark – Melbourne

Stay connected with Erthlings:
Facebook | Twitter | Instagram

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