UNIBAR
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One of Australia’s most loved techno events: PURE, returns for its fourth year in 2019, to announce its biggest line-up to date! PURE, presented and curated by Carl Cox, Eric Powell of Bush Records and Richie McNeill of Hardware, will see Carl Cox (Intec, Australia), Marco Carola (Music On, Italy), Joseph Capriati (Redimension, Italy), Enrico Sangiuliano (Drumcode, Italy) and Eric Powell (Bush Records, Australia) take PURE to new heights in 2019.
After its first year in Ibiza winning ‘Best Event’ of the summer in September 2017, this year the Australian leg expands to include Adelaide fans for the first time alongside regulars: Sydney, Melbourne, Perth and Brisbane. PURE 2019 will tour Australia over the Easter weekends in April 2019 and Adelaide will also be getting in on the action of Australia’s largest techno event! Adelaide ravers get ready!
Celebrating techno and house music, PURE has quickly established itself as a ‘must attend’ event for dance music fans, thanks to its reputation as an event where the audience can make a special connection with the DJs.
In April of 2016, Carl Cox launched the first instalment of his PURE event in Australia. Taking place in Melbourne and Sydney, the event showcased players from the global Techno and House movements.
Marco Carola from Italy has enjoyed being a global techno ambassador, instrumental in the development of the electronic scene in the early 90’s. Over twenty years later and Marco is still one of the most respected artists amongst the techno faithful, widely regarded as one of the key factors in driving the genre towards worldwide recognition within electronic music. Joseph Capriati from Italy needs no introduction. Now over a decade into his career as a globally touring DJ, there’s hardly an accolade he hasn’t achieved. He is deservedly one of techno’s most in-demand headliners and continues to better himself as an artist. Capriati’s brand of slick and emotive techno, delivered with precision, flair and infectious energy, has become a staple highlight of the global club and festival circuit. Enrico Sangiuliano is a name you will have noted if you have been anywhere in the electronic music scene over the last few years. International recognition came in 2015 with his remix of DJ Boris’s ‘Can You Hear Me’ on Alleanza, claiming the title as Beatport’s ‘highest selling techno track’ and being known for his driving techno, reminiscent of his peers Joseph Capriati and Marco Carola.
Join the crew for a night of Pure techno, delivered with incredible sound in an old fashioned no nonsense, no fluff rave atmosphere.
Pure 2019 Lineup Line-up:
Carl Cox (Intec, Australia)
Marco Carola (Music On, Italy)
Joseph Capriati (Redimension, Italy)
Enrico Sangiuliano (Drumcode, Italy)
Eric Powell (Bush Records, Australia)
And more to be announced.
TOUR DATES:
Friday 12 April – Family, Brisbane
Tickets: https://bit.ly/2ScRyxv
Saturday 13 April – Hordern Pavilion, Sydney
Tickets: https://bit.ly/2QYhwY2
Thursday 18 April – Thebarton Theatre, Adelaide
Tickets: https://bit.ly/2rIxrvb
Saturday 20 April – Showgrounds, Melbourne
Tickets: https://bit.ly/2A5RhoT
Sunday 21 April – Claremont Showgrounds, Perth
Tickets: https://bit.ly/2CiohLY
For more info on Hardware, go to:
https://www.facebook.com/hardwarepresents
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After selling out Shed 14 in 48 hours earlier this year, Untitled Group & Thick as Thieves are welcoming back British DJ and Producer Patrick Topping, this time at iconic beachside location ‘Riva’ on the 19th of January for an extended 3 hour set.
Located on St Kilda beach, ‘Riva’ is situated with the best views of Melbourne bay and the city skyline – an idealic setting for a summer day party to kick off the new year.
Patrick Topping:
Patrick Topping has become part of the top tier in dance music. Resident Advisor recently voted Topping 11th in their Top 100 DJ’s of 2016 and Mixmag ranked him at number 5. The world-class Producer has released on labels such as Hot Creations, Truesoul & Relief Records.
Resident for Jamie Jones’s Paradise night at DC10 since 2014, Patrick’s far reaching appeal has seen him play festivals including Coachella, Awakenings, Ultra & Tomorrowland, complete 6 tours of Australia, as well as countless shows in Europe, South America, Asia and recently festivals in South Africa.
Event Date: Saturday Janurary 19th 2pm-10pm, Riva, Melbourne
Sign up for presale here:
http://bit.ly/PatrickTopping2019-Presale
General Public tickets on sale Friday 21st December 12pm AEDT
Get connected:
https://www.facebook.com/untitledgroupau/
Untitled Group are the group behind Beyond The Valley and Pitch Music & Arts Festival, the collective also represents boutique event brands For The Love, Grapevine Gathering and Melbourne electronic hub XE54.
https://www.facebook.com/thickasthieves
A Melbourne based touring & events company, bringing the best underground DJs to Australia.
In a dual presentation of Chinese art and culture past and present, the Melbourne Winter Masterpieces series at the National Gallery of Victoria will present China’s ancient Terracotta Warriors alongside a parallel display of new works by one of the world’s most exciting contemporary artists, Cai Guo-Qiang, at NGV International, May 2019.
Terracotta Warriors: Guardians of Immortality is a large-scale presentation of the Qin Emperor’s Terracotta Warriors, which, discovered in 1974 in China’s Shaanxi province, are regarded as one of the greatest archaeological finds of the twentieth century and widely described as the eighth wonder of the world. The exhibition will feature eight warrior figures and two life-size horses from the Imperial Army, as well as two half-size replica bronze chariots, each drawn by four horses.
These sculptures will be contextualised by an unprecedented Australian presentation of more than 150 exquisite ancient treasures of Chinese historic art and design lent by leading museums and archaeological sites from across Shaanxi province. These include priceless gold, jade and bronze artefacts that date from the Western Zhou through to the Han dynasties (1046 BC – 220AD). Illuminating more than a millennium of Chinese history, the exhibition will showcase the magnificence and authority of the once-entombed figures and reveal, through the intricate display of accompanying objects and artefacts, the sophistication that characterised the formative years of Chinese civilisation.
Presented in parallel, Cai Guo-Qiang: The Transient Landscape, will see contemporary artist, Cai Guo-Qiang, create all new art works inspired by his home country’s culture and its enduring philosophical traditions, including a monumental installation of 10,000 suspended porcelain birds. Spiralling over visitors’ heads, the birds create a three-dimensional impression of a calligraphic drawing of the sacred Mount Li, the site of the ancient tomb of China’s first emperor, Qin Shihuang, and his warriors. Cai will collaborate on the exhibition’s design, creating breathtaking immersive environments for the presentation of both his work and the Terracotta Warriors.
Drawing on Cai’s understanding of ancient Chinese culture and his belief that a dialogue with tradition and history can invigorate contemporary art, he will also create a monumental porcelain sculpture of peonies, placed at the centre of a 360-degree gunpowder drawing.
Tony Ellwood AM, Director, NGV said: ‘Thirty-six years ago, in 1982, the National Gallery of Victoria presented the first international exhibition of China’s ancient Terracotta Warriors only several years after their discovery. History will be made again in 2019, when the Qin Emperor’s Terracotta Army will return to the NGV for the 2019 Melbourne Winter Masterpieces exhibition series – this time in a sophisticated dialogue with the work one of China’s most celebrated contemporary artists, Cai Guo-Qiang.’
Of the parallel presentation, Cai said: ‘They are two rivers of time separated by two millennia, each creating a course at their own individual speed across a series of shared galleries. The ancient and the contemporary – two surges of energy that crisscross, pull, interact and complement each other, generating a powerful tension and contrast, each attracting and resisting the other.’
Jeff Xu, Founder and Managing Director, Golden Age Group said: ‘This exhibition will inspire Australian and international audiences to delve deeper into the many rich and diverse facets of China’s heritage. As Principal Partner, Golden Age is pleased to support such an ambitious world-exclusive showing in Victoria, demonstrating our commitment to Melbourne as the cultural capital. We believe this exhibition will leave a lasting impression on this city for decades to come.’
This exhibition was organized by the National Gallery of Victoria, Melbourne, in partnership with Shaanxi Provincial Cultural Relics Bureau, Shaanxi History Museum, Shaanxi Cultural Heritage Promotion Centre, and Emperor Qin Shihuang’s Mausoleum Site Museum of the People’s Republic of China.
The Melbourne Winter Masterpieces presentation of Terracotta Warriors: Guardians of Immortality and Cai Guo-Qiang: The Transient Landscape will be on display from 24 May 2019 – 13 October 2019 at NGV International, 180 St Kilda Road, Melbourne, Australia. Tickets and information are available from the NGV website NGV.MELBOURNE.
Member $24 | Adult $30 | Concession $25 | Child (5-15 years) $10 | Family (2 adults + 3 children) $65
The Beasts album ‘Still Here’ is released Friday 15th February 2019 on Bang! Records (Rocket).
“The throwback aesthetic is prominent throughout the video, paired with the bass-heavy, synth-driven boom-bap styled production of the track” – Earmilk
Rising French electronic collective and label owners, La Fine Equipe, are pleased to announce details of a brand new visual for ‘What Eva’ ft. Mr. J. Medeiros released through Nowadays Records this December.
The band detail the video: “We wanted it to look like a 90s VHS that was put on the VCR. Part of the charm was its fuzzy, imperfect look so apparent during that era. ‘What Eva’ embodies a strong DIY ethos and we the band, did most of the filming ourselves using a small handheld camcorder. Everything was filmed on location in the supermarket. There are no 3D models. The song and visual is also a homage to the strong visual elements often found in 90s music videos like Mc Solaar’s ‘New Western’ and French hiphop outfit IAM’s ‘Je danse le Mia’. There is a surreal sequence in the video where we are surrounded by a kaleidoscopic display of supermarket products. To summarize, we had a complete blast filming this”.
Fractures’ beautiful cover of “Eastside” brings added musical production including synths and layered guitar melodies that build and break at the chorus. The introduction of new melodies and Mark Zito’s captivating vocals provide added emotion to the track.
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Where are you currently based and what is the music scene like there?
I`m based in Berlin. Mhm, what can I say.. I mean its huge…
How did you first start playing music?
When I was six years old, I wanted to be a drummer. So I grabbed cooking spoons and all cooking pots and let off steam. I always wanted to have a real drum set, but that wasn’t financially feasible for my mother. But she had noticed that I had a very good sense of tact and so she sent me to drum lessons. The teacher at the time was a strange guy. Somehow a mixture of conservative rocker and bourgeois jazzer – I found him rather uncool and when he started to teach me notes in the second lesson, the fun was already over. I just wanted to play the beats that came to mind… I had a very strong will of my own quite early on.
What programs/instruments do you use live and to record?
Until about 2 years ago I worked purely with hardware and it was more a jam than a real producing. My setup at that time consisted of a Micro Korg XL, two Kaoss Pads, a Mackie 16 channel mixer and a SM 58. At that time I used to beatbox regularly and produced all percussive sounds with my mouth. Today it looks quite different. The central point is the computer on which Logic runs. I mainly work with plug-ins. But I still have my Kaoss pads and the Micro Korg – and recently I got the Subsequent 37 from Moog.
Who are you listening to at the moment?
Right now I hear a lot of Radiohead and Djrum probably because of the cold season.
Who or what influences your sound and songwriting?
When I was a child, my mom’s record cabinet was the most important thing to me. Radiohead, Smashing Pumpkins, Nirvana, Keith Jarret, Moby, Air, Kruder and Dorfmeister and many other pioneers were represented in it. When I was 12-13 years old and was looking for new artists myself, I found mostly American rap on my shelf. Artists like Dilated Peoples, Afu- Ra, Jedi Mind Tricks, M.O.P, Cypress Hill, Jurassic 5, The Roots and what they are all called. German rap was actually only present later. But things like Kreuzfeld Jakob, Stieber Twins, Absolute Beginner, Team Eimsbush etc. are an integral part of my youth.
How do you usually go about writing music?
I don’t really have a plan when I start making music. Most of the time I start jamming and watch what happens. Recently I try to play the melody or groove I have in my head and it works surprisingly well. I don’t lose the focus so much and can hold on to the first idea which is often really the best one. It’s also kind of satisfying to let the thoughts sound.
Please tell us about how you came to work with ursl:
In fact, I had finished my EP for a while. But I didn’t know exactly which label would fit. I had known URSL for a while, but strangely enough it wasn’t on my screen when it came to my own music – even though I had seen many of those released on the label at the Garbicz or at the Fusion festival and had celebrated most of all. Anyway, a buddy of mine made me aware of URSL again. And promptly it worked out. I think they just happened to have their mails open when I sent this 😉 Fortunately a positive answer came very quickly.
What is important to you when making music?
The most important thing for me is always to express a clear feeling, that can be a certain sound or a melody. Functionality in the physical sense is only second. I always find it disappointing how often Djs are tempted to play the proven functional track at an early stage. For many, the arms sticking out into the air are simply too tempting. The environment plays another important role for me. I recently put my workplace by the window. Now I can look into the trees during production, which I find very inspiring.
What have you been working on in 2018 and what do you have planned for 2019?
At the moment I’m working on many different tracks in parallel. Let’s see what will come out of it – I think it will be the next EP. Next year I definitely want to venture into the DJ booth again. I recently played again for the first time in a long time. And it gives me great pleasure to send people on their journey.
Please tell us about your interest of food and cooking:
At the age of eleven, my Italian stepfather, who is an excellent chef, was a member of our family. When he joined our family, I was just happy to get some delicious food on the table and didn’t really want to learn how to make the perfect risotto. But since he also makes music himself, he was able to show parallels between music and cooking in an entertaining way. At the beginning, of course, my typical anti teacher attitude came to light. -But little by little I understood what he meant by that that every ingredient and every spice in its quantity, timing, duration is crucial for a good arrangement and mix.
Favourite food and place to hangout?
I’m always very curious about food or probably more aptly put, I’m pretty greedy. I could spend hours in market halls and go from stand to stand. Berlin already offers a great variety. However, I regularly ask myself how the gastronomy can survive here. The prices were cut close, the leases are getting higher and the competition is huge! I think that’s a pity because I regularly notice that one good restaurant after another is closing. It bothers me totally. There should finally be a rethink regarding the quality and appreciation of food. We should not perceive ourselves as running garbage cans ;)!
https://soundcloud.com/jurekriegler
https://www.beatport.com/release/offshore/2437315
We are very close to celebrate a new Xmas season with our loved ones, to say ‘sayonara’ to 2018, start with illusion the new 2019… Yes, all that is just around the corner. The Belgian Olivier Grégoire aka Kolombo and before all this magic happens, decided to prepare us an Xmas Mix (free download), also dedicate a few words talking about 2018 and expectations for 2019, and finally offer a Playlist (Spotify) summarizing 10 years as an artist.
“2018 was a really special! This year I tried to change a bit my sound, I felt the necessity of this and now I’m finding myself again without losing my identity. I had the opportunity to play in many places in the world, I had some debut releases, my house is finally finished and my wife is touring with me, so it couldn’t end better.
2019 I expect to release a bit more on other labels, perform in places where I’ve never been before, to keep working hard to make all this real. But even, if the new year is just like 2018, I wouldn’t complain!”. (Kolombo)
The Spanish duo of Sergio Bennett & Coopdowm are no strangers to the upper echelons of the Beatport charts thanks to many collaborative tracks on the likes of My Little Dog, Piston and Heavenly Bodies. They are brothers with a broad range of styles from indie dance to nu disco to all types of tech, and here go for a hard hitting house jam.
Their standout single ‘Dirty Money‘ is all about big, bulky drums that have an infectious sense of roll and swing. They will get the floor’s attention and keep it with a raw percussion and whirring synths, muffled vocals and a playful sense of party that keeps on delivering.
Catalan born Piem is at the heart of the current tech house landscape with his tunes on Knee Deep In Sound, VIVa Limited and Toolroom. His remix is a stripped back, whacked out number with metal drums and rolling snares all building tension throughout. It’s a tense, peak time track that explodes into life and will animate any club.
These are two nonsense house anthems destined for big things.
