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Music News

Where are you currently based? We're currently based in sunny Brisbane and suspicious of anyone that bails to arguably better interstate music scenes, so it'll probably stay that way for now. How did you first start playing music? I'll be honest, I was only 50% interested in being in another guitar-based rock band and only went along for a jam but it was so good right from the start, it was love at first strum.   What's been happening recently and how has your Covid experience been so far? Apart from having some shows cancelled earlier in the year, we've been busy where we can, trading ideas though group chats, doing responsible video content and I think a rehearsal was booked the second day the studio was open. With restrictions lifting, we've been starting to get things rolling again, finally releasing the EP, merch etc Your new EP God Damn! is out now, what influenced the sound and songwriting? I think that's pretty obvious, haha. One thing that we've been conscious of is making the tunes swing and not being too heavy or plodding. That's fine but there's enough of that round at the moment. We want booty-shakin' toe-tappers in our set. How did you go about writing the music? Everyone has a stockpile of riffs laying around, so it's just a case of bringing them to rehearsals and seeing what works. Sometimes things get re-worked a lot, change key, tempo etc. The opening riff for Coup de Grace was something I've had for years but that chorus was worked out on the spot by everyone and took about 10 minutes to come together. Where and when did you record/produce/master and who with? We recorded with Brock Weston at Bedlam Studios and got it mastered at Truth Studios. What programs/equipment did you use? I can't comment on the recording set-up. I should've paid more attention but I trusted Brock knew what he was doing and just focused on the guitar-playing. That was a Les Paul through the house amp. I'm not really a gear/tech guy; as long as it sounded good and had the energy, that's my main concern. What did you find most challenging and rewarding throughout the creation of the EP? It wasn't really that challenging because we were well-rehearsed and knew what we were doing heading in. I'd had a good idea of what I wanted for the guitars so I just went and did it. Reward-wise, hearing the songs without playing them was great and listening back to all the guitar ideas come together. But I think hearing the harmony vocals getting layered up was really great to hear as I've never been in a band that did anything like that before. What do you like to do away from music? Worry that I'm not doing enough music. Who are you listening to at the moment? Right now, Beastie Boys-Check Your Head. Lately, I've been listening to a lot of stuff that's not Void-related; Bohren and Der Club of Gore, Air, William Basinski, Ennio Morricone...got to keep a balance! Can't be all late 60s/early 70s rock. I suppose it can......   What's planned for the remainder of 2020 going into 2021? Got a couple of gigs lined up, release of the EP and a clip and already talking about going back to record. We've got a few new songs in the set ready to go, so always moving forward. Favourite food and place to hangout? Well, I'm the only non-vegetarian in the band so it's not very representative. That's a big question.....I do love a good wood-fired pizza. Favourite cuisine is probably French but Spanish and Italian goes pretty hard too...all the cheese...and now with all the burger joints around....can I just say I love food. The worse it is for my health or wallet, the better Favourite place to hang out is Junk Bar! Such a wonderful atmosphere, great staff, amazing drinks. Just an overall cool vibe. It's a shame that we're probably a bit loud for it but maybe we could re-arrange the set to something a bit more acoustic and stripped-back. https://www.facebook.com/VibrationsFromTheVoid/
Music News

BRISBANE HAS NEW OUTBREAK OF ROCK WITH VIBRATIONS FROM THE VOID’S NEW GOD DAMN! EP

by the partae September 14, 2020
written by the partae

Vibrations From The Void are a Brisbane rock’n’roll band that fuses rock with even more rock with danceable grooves for an infectious good time. Hailing from the humid depths of the sunlight-soaked Brisbane, VFTV are set to release their debut EP, God Damn! on September 18th. 

Recorded by Brock Weston (Bugs, Regular Band, The Jensens) live at Bedlam Records their debut EP is 5 tracks of high-octane, caffeine-fuelled riffery, featuring new single “Margarita Maria“, “Resurrect My Mojo” and fan favourite “Coup de Grâce” which features the sing-a-long chorus to end all sing-a-long choruses.

The band (featuring Ryan Murr, Brendan Dawe, Peter Green and John Larney) formed out of the desire to play loud, frenetic, fun rock’n’roll and the energy they project to the audience when playing is listed on WHO’s 10 Most Contagious Diseases. A toe-tappin’, head-boppin’, booty-shakin’ party is almost certainly guaranteed, unless, of course, you don’t have a pulse. While a lot of the influences are old-school classics, VFTV’s commitment to fucking ripping it up keeps the music sounding as fresh as ever, while some outsider influences keep the reins in check from just being “one-of-those” bands.

Consistently filling up bar rooms (even before covid), they are the self proclaimed ‘aural equivalent of a freight train mounted air-raid siren adorned with disco balls with thunderous drums, thick AF bass-lines, chunkier-than-thou guitar and melodic vocal wails’. With live music thrown into disarray in 2020, VFTV spent the downtime writing a bunch of new tunes, taking care of business (ie merch) and making video clips for the EP’s release.

After several shows around Brisbane, including a sold out show at Bearded Lady, Vibrations From The Void are playing a few select shows to celebrate the EP wherever they can to however many people can fit in a room.

GOD DAMN! TRACKLIST:
1 – Down With The Light On
2 – Coup de Grâce
3 – Resurrect My Mojo
4 – Blue Bird Yellow Moon
5 – Margarita Maria

GOD DAMN EP LAUNCH SHOWS
Sunday 6th September | Blute’s Bar | Brisbane, QLD – FREE ENTRY
Friday 18th September | Banshees Bar & Artspace | Ipswich, QLD
Friday 2nd October | The Flamin’ Galah | Brisbane, QLD – FREE ENTRY

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BECKY RHODES
Music News

BECKY RHODES FOLLOWS UP FROM DEBUT SINGLE WITH RELEASE OF “MISS ME YET?”

by the partae September 14, 2020
written by the partae

Following up from her debut single “He’s Not You”, Becky Rhodes is set to drop the second single, “Miss Me Yet?”, from her forthcoming EP Wonder. Hailing from  Brisbane, Becky completed a Bachelor of Music from the QLD Conservatorium of Music before relocating to Melbourne to further her career. Working as a musician, performer and vocalist on the Melbourne live music scene for the last few years, Becky is known for her powerhouse vocals & lively stage presence and works for some of Australia’s best entertainment agencies.

Two weeks prior to entering the studio to record her debut EP with Mark D’Angelo of The Backlot Studios, Becky had her relationship suddenly end. With no set idea on what material she’d be working on in the studio, this experience provided much of the inspiration for the new material. Displaying a sense of vulnerability in “He’s Not You”, the new single sees Becky take back the power with “Miss Me Yet?”, a track about regaining control over yourself. Becky explains, “A lot of the songs on the EP are about the sadness & heartbreak of ending a relationship but ‘Miss Me Yet’ isn’t one of them. This is a break up song about empowerment & feeling in control. To me, it’s a song about knowing your worth & if someone doesn’t want to be with you – they’re the one missing out. The song is a little bit sexy & a great mix of different genres: pop, rock, indie & country – and it just makes you feel good and want to have a bit of a boogie or a line dance.”

Becky has already had a charmed experience working within the music industry, travelling around Australia with various shows & bands and performing at The Sydney Opera House as a teenager. Now leading into the release of her debut EP, Becky reflects on what she wants listeners to gain from her songwriting. “Everyone has or will experience heartbreak from time to time. Whether that’s from a relationship or a friendship ending or losing a loved one – we can all relate to this theme. This EP has songs I wished I could have listened to during my own heartbreak. But it’s not all sad. There’s moments of happiness, reflection & moving on, so I want the listeners to be able to relate in their own way & mostly, enjoy my music.”

September 14, 2020 0 comments
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Perth champs Dennis Cometti will release their debut self-titled album on October 23 via Bargain Bin Records.  Dennis Cometti (The Band) deal in short, sharp rock warts n’ anthems about life in the world’s most remote city. Whether it’s hating the CBD because you can’t grab a late night kebab without ending up in a biffo or putting their local on notice for watered down pints, this trio has Perth’s number. The latest single lifted from the debut “WAXIT” is a bid to leave the Federation Brexit-style. With WA’s borders firmly shut to the East for the foreseeable future (much to the dismay of Clive Palmer), Dennis Cometti may be onto something? When you use the namesake of one of the greatest sporting commentators of all time for your band, you better get it right. In the words of Dennis Cometti (The Man) “Watch out for these boys, they will be climbing the charts like a pop up toaster”, you better believe it. Dennis Cometti (The Band) started life as a side project with the goal of scabbing free beer when not playing with their other bands in 2014. Fast forward to 2018, the self-confessed low achievers released two digital EPs, On The Sauce and Wooden Spoon, both tributes to their namesake Dennis Cometti (The Man). Since then, the boys have toured some of Western Australia’s finest venues with the likes of Cosmic Psychos, Pist Idiots and The Chats. They lucked out whilst on tour when The Chats asked the boys if they could release their debut full length record on their very own label, Bargain Bin Records. Dennis Cometti (band) have a huge 2021 with upcoming tours of Europe, UK and the East Coast of Australia already confirmed. They have committed to explain AFL football to Europeans and why they choose to wear cut off sleeves. DENNIS COMETTI - DENNIS COMETTI 1. WAXIT 2. Sunnie Tan 3. Spoked 4. Deadshit 5. (I H8 THE) CBD 6. Pint Police  7. Bali Belly 8. SK8 9. No Stress PRE-ORDER THE ALBUM HERE Dennis Cometti @denniscomettitheband denniscomettifc.com
Music News

DENNIS COMETTI ANNOUNCE DEBUT ALBUM + SHARE NEW SINGLE “WAXIT” SELF-TITLED LP IS OUT OCTOBER 23 VIA BARGAIN BIN RECORDS

by the partae September 14, 2020
written by the partae

Perth champs Dennis Cometti will release their debut self-titled album on October 23 via Bargain Bin Records. 

Dennis Cometti (The Band) deal in short, sharp rock warts n’ anthems about life in the world’s most remote city. Whether it’s hating the CBD because you can’t grab a late night kebab without ending up in a biffo or putting their local on notice for watered down pints, this trio has Perth’s number. The latest single lifted from the debut “WAXIT” is a bid to leave the Federation Brexit-style. With WA’s borders firmly shut to the East for the foreseeable future (much to the dismay of Clive Palmer), Dennis Cometti may be onto something?

When you use the namesake of one of the greatest sporting commentators of all time for your band, you better get it right. In the words of Dennis Cometti (The Man) “Watch out for these boys, they will be climbing the charts like a pop up toaster”, you better believe it.

Dennis Cometti (The Band) started life as a side project with the goal of scabbing free beer when not playing with their other bands in 2014. Fast forward to 2018, the self-confessed low achievers released two digital EPs, On The Sauce and Wooden Spoon, both tributes to their namesake Dennis Cometti (The Man). Since then, the boys have toured some of Western Australia’s finest venues with the likes of Cosmic Psychos, Pist Idiots and The Chats. They lucked out whilst on tour when The Chats asked the boys if they could release their debut full length record on their very own label, Bargain Bin Records.

Dennis Cometti (band) have a huge 2021 with upcoming tours of Europe, UK and the East Coast of Australia already confirmed. They have committed to explain AFL football to Europeans and why they choose to wear cut off sleeves.

DENNIS COMETTI – DENNIS COMETTI

1. WAXIT
2. Sunnie Tan
3. Spoked
4. Deadshit
5. (I H8 THE) CBD
6. Pint Police
7. Bali Belly
8. SK8
9. No Stress

PRE-ORDER THE ALBUM HERE

Dennis Cometti Dennis Cometti
@denniscomettitheband @denniscomettitheband
denniscomettifc.com denniscomettifc.com
September 14, 2020 0 comments
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Music News

180 Grams Podcast | Season One: Bonus Episode | The Teskey Brothers – Run Home Slow | All About The Grammys

by the partae September 14, 2020
written by the partae
It’s the gift that keeps on giving. 180 Grams shares a charming bonus episode for The Teskey Brother’s Run Home Slow season, revealing how the humble band found themselves nominated against the likes of Ella Mai and Billie Eilish for Best Engineered Album (Non-Classical) at The GRAMMY Awards held in January 2020.

Join host Mikey Cahill and hear Run Home Slow producer Paul Butler, engineer Joe Carra and The Teskey Brothers manager Jeremy Furze as they relive the night like ‘watching an MTV clip unfold before your eyes, done in real time’. 

From the awards to the after party, grab a ticket to the ceremony and find out how this Aussie band earned their nomination and how The Teskey Brothers made it on The GRAMMYs radar.

The bonus episode for The Teskey Brothers Run Home Slow podcast is out now – listen here.

Riding high on more than 100 five-star reviews on Apple, The Teskey Brothers’ season of 180 Grams offers intimate insights to the four mates from Warrandyte. The pressures of recording a second album, overcoming hurdles and ever-looming deadlines testing individuals mental health, heading on tour… one band member short, a heart-warming reunion at Australia’s prestigious Splendour In The Grass (to a completely packed tent) finishing off at the ARIA Awards.

Listen to the bonus episode all about the GRAMMYs now!

180 Grams available on all podcast streaming services – bonus episode out now!
Season 1 features The Teskey Brothers’ album Run Home Slow

Binge all episodes via your preferred streaming service now! Listen here

It’s the gift that keeps on giving. 180 Grams shares a charming bonus episode for The Teskey Brother’s Run Home Slow season, revealing how the humble band found themselves nominated against the likes of Ella Mai and Billie Eilish for Best Engineered Album (Non-Classical) at The GRAMMY Awards held in January 2020.

Join host Mikey Cahill and hear Run Home Slow producer Paul Butler, engineer Joe Carra and The Teskey Brothers manager Jeremy Furze as they relive the night like ‘watching an MTV clip unfold before your eyes, done in real time’. 

From the awards to the after party, grab a ticket to the ceremony and find out how this Aussie band earned their nomination and how The Teskey Brothers made it on The GRAMMYs radar.

The bonus episode for The Teskey Brothers Run Home Slow podcast is out now – listen here.

Riding high on more than 100 five-star reviews on Apple, The Teskey Brothers’ season of 180 Grams offers intimate insights to the four mates from Warrandyte. The pressures of recording a second album, overcoming hurdles and ever-looming deadlines testing individuals mental health, heading on tour… one band member short, a heart-warming reunion at Australia’s prestigious Splendour In The Grass (to a completely packed tent) finishing off at the ARIA Awards.

Listen to the bonus episode all about the GRAMMYs now!

180 Grams available on all podcast streaming services – bonus episode out now!
Season 1 features The Teskey Brothers’ album Run Home Slow

Binge all episodes via your preferred streaming service now! Listen here

SEASON 1 OVERVIEW 

1. I Bet They Can’t Do It Live: 
The band drifts from 10-year-old hyper-local Warrandyte soul band to sought-after buzz act by record labels around the world. They’ve got a debut album but no experience in the industry, no manager, no booking agent and the attention is building.

2. There Were Loads of Hurdles: 
The band enter the throes of recording Run Home Slow in under 3 weeks with international producer Paul Butler. But from day one they’re on the ropes. Their performance has been the band’s backbone but in the studio they can’t play the songs. Even if they could play them the studio tape recorder’s broken. They’re losing precious days.

3. We Used Every Waking Hour:
The tension ratchets up amid band squabbles, personal life issues, painstaking analogue recording techniques and a looming deadline. There’s horns, strings, backing vocals and more that get cut from the studio sessions. Frustrations are building and someone is sent home.

4. Silence… But Everyone Was Yelling:
Mixing the album happens between Melbourne and Los Angeles, while mental health issues take their toll as the walls close in. At the start of 2019, the band and management don’t know exactly how they’re going to finish the album.

5. Conga Lines Out Into The Street: 
The first single is ready to go then the Australian label Ivy League suggests a change.
Singles two and three come out while the band is in the US then the UK respectively, without Brendon. They’re booked to play youth festival Splendour in the Grass and there’s one plane that can get the band home.

6. And That’s What Happened With The Teskey Brothers: 
Not just the album, released on 2 August 2019, but the Colors Session recorded in Germany too sends a Teskey wave around the world.
The band is booked to support Tash Sultana through the US before the Australian album tour at the biggest home-country venues they’ve ever played.
And the awards show they’ve watched since they were kids, the ARIAs, announces the 2019 nominations.

REVIEWS: 
So Much Love StarStarStarStarStar
Super podcast from end to end! Don’t have to know The Teskey Brothers to enjoy. Can guarantee you’ll be a fan by the end

Most Recommended Podcast StarStarStarStarStar
After listening to the first episode I’ve sent it to 6 mates demanding they listen ASAP

Brilliantly Produced Podcast StarStarStarStarStar
Wowsers. So glad to have listened to this podcast during COVID times. To take me to a different time. Brilliantly produced podcast. I’d not known much about The Teskey Brothers before, so this podcast helped me appreciate them so much. What a ride. What talent. Thank you!

Run Home Slow
The Teskey Brothers
Out now through Ivy League Records
Available to buy/stream here

Run Home Slow tracklist:
1. Let Me Let You Down
2. Carry You
3. Man Of The Universe
4. Hold Me
5. Paint My Heart
6. Rain
7. So Caught Up
8. San Francisco
9. Sunshine Baby
10. Sun Come Ease Me In
11. That Bird

THE TESKEY BROTHERS

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ETHAN P. FLYNN Releases B-Sides & Rarities Volume 1 Announces vinyl release out November 6th Shares new video 'What You Do To Me'
Music News

ETHAN P. FLYNN Releases B-Sides & Rarities Volume 1 Announces vinyl release out November 6th Shares new video ‘What You Do To Me’

by the partae September 14, 2020
written by the partae

Praise for Ethan P. Flynn

“An appealingly wayward and unboxable talent… It’s slightly nuts, but entirely wonderful.”  – SUNDAY TIMES 

“Proves classic songwriting still has a place in the modern musical landscape” – SO YOUNG MAGAZINE

“A startlingly unique and assured collection of experimental pop writing” – GUARDIAN GUIDE

“A genius appears! The first hero of the 2020s!” – BIG LOVE RECORDS 

London-based musician Ethan P. Flynn has released the expanded version of his debut album and career retrospective B-Sides & Rarities Volume 1 and has announced a vinyl release set for November 6th via Young Turks / Remote Control Records. Alongside the release, Flynn shares the third in a trio of singles from the record, ‘What You Do To Me’.

‘What You Do To Me’, is a further example of the kind of swirling, psychedelic lo-fi masterpieces Flynn conjures, and is set to build on the success of previous singles ‘Everybody’s Dying To Meet You‘ and ‘Are You Doing This To Hurt Me‘.  Flynn has amassed a huge cannon of songs over the last few years – often writing a song a day – and ‘What You Do To Me’ dates from 2017, written in student halls at London’s Guildhall college (a far cry from ‘Everybody’s Dying To Meet You’ which was written in Los Angeles while writing for FKA twigs’ acclaimed Magdalene album). Accompanied by a video shot between London and Dungeness by enigmatic young director Mark Harvest, it’s another startling statement from the young songwriter, beatmaker and multi-instrumentalist who has previously collaborated with the likes of Jeshi, TTY, Jockstrap, Vegyn, Slowthai, Celeste and Black County, New Road.

Originally released via Bandcamp, B-Sides & Rarities Volume 1 is an evolving body of work featuring a collection of songs recorded between 2015 and 2018.  Showcasing a deft songwriting flair and touching on musical inspirations that run the gamut from Sparklehorse to Madlib, Julia Holter to Danny Brown and Tom Waits, the collection first appeared on Bandcamp in 2019. The record’s next chapter saw Tokyo’s renowned Big Love Records pressing the album to vinyl at the start of 2020, exclaiming “A genius appears! The first hero of the 2020s!”. Now expanded to include four new songs – ‘Everybody’s Dying To Meet You’, ‘Are You Doing This To Hurt Me’, ‘What You Do To Me’ and ‘When I Taste The Pavement’  – it is available now digitally and will be released on vinyl on November 6th.

Listen / Download / Pre-Order Vinyl B-Sides & Rarities Vol. 1: https://ethanpflynn.ffm.to/vol1

Ethan P. Flynn
instagram | bandcamp | facebook
theyoungturks.co.uk
www.remotecontrolrecords.com.au

September 14, 2020 0 comments
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Phil Stack
Music InterviewsMusic News

Phil Stack

by the partae September 14, 2020
written by the partae

Where are you currently based?

I’m now down the South end of Sydney I have lovely peaceful spot near a beautiful river here.

How did you first start playing music?

I formed my first band in 1989 in my garage. Soundgarden was all the rage.

What’s been happening recently and how has your Covid experience been so far?

It’s been a great chance to face my fears and tackle some time-consuming things like getting better at music production, using a computer while doing that more and writing for writing’s sake. I’ve also enjoyed seeing my 8-year-old daughter a great deal more as I’ve been in town (obviously !).

Your debut album ‘Colourful, Noisy’ is out now, what influenced the sound and songwriting?

Many of these songs were written during the last few years of what was a turbulent, chaotic time in my life. I write as a cathartic experience and it helped me to get over that and give me something else to focus on. As far as the sound goes, I’m influenced and somewhat limited in a good way by the fact that until super recently I didn’t know how to record on a computer, couldn’t paste a loop together ! So these are ‘song songs’ written from a voice and piano and then layered with real instruments. It comes out sounding more modern, though, I think! Because I’ve had to figure out how to still get certain sounds that are in my head out, whilst still only using “real’ instruments. I’m also just a human who is influenced somewhat by all things, topics and energies from today in general, so of course it’s going to sound this way.

How did you go about writing the music?

Melody and chordal structure are the first things usually. Sitting down at the piano with merely a feeling and the drive to create is all I generally need. Often 80% of it comes in the first 10 minutes of this sit down.

I always have a notetaker recording. However, then it’s sometimes a case of transcribing what I just did, followed by agonising over the last 20% ! Often I take ages to actually commit to lyrics, a middle section (if needed) or whatnot. I’m getting better at not making this part such a chore and accepting what is. If I’m lucky, sometimes a spark or a melody even comes in a dream. Once I met David Bowie (in my dream !) at Bondi and he helped me write a few lyrics to something that had alluded me. How lucky.

Where and when did you record/produce?

Free Energy Device Studios in Camperdown with Richard Belkner has always been a great space to lay down tracks, especially bed rhythm takes. I did quite a bit in my new space too here and also some mixing with my old mate Sean Carey at Church St Studios in Camperdown who is great musician, mix engineer and producer in his own right.

What programs/instruments did you use?

It’s all built up from the piano and voice. Live drums (mostly Evan Mannell), double bass (my main instrument), electric bass. ’The Long Game’ has live strings on it. A fair bit of layered vocals. The album has sparse use of some vintage keyboards and minimal guitars.

You worked with your former Thirsty Merc bandmate Sean Carey who mixed the record, how did this come about and how was the experience?

I just reached out on a whim, I had a song (‘Share Your Dreams’) and had a thought, ‘you know who’d do a great job with this?”.

The song is written for my daughter and it’s almost like self-consciously I had to get Sean because he knows me, and it takes a certain type of delicacy. He’s such a connected, emotive guy, and not everyone who’s also a bad-ass mix engineer is like that. I then got him to mix 2 the tracks in a similar vein. I even ticked him into singing a little too. He has a delicious voice. He’s now in my live band too!

You’re playing Mary’s Underground on the 15th of October, what can we expect?

My hot new band! Evan Mannell, Harry Sutherland and Sean Carey. There is some instrument swapping. I’m going from basses to piano, and Sean from guitar to bass. Abby Dobson Is supporting which is really exciting for me. She has a voice and sound of an angel.

How do you prepare for live shows and what do you most enjoy about playing live?

I get way more nervous on my own shows than playing for way more people as a sideman with some else. The music is deeply personal. However I do enjoy the challenge of trying to cover the general layered feeling of the record with a live band.

How do you feel about playing during Covid and playing after nearly 6 months?

I feel great about it. I’ve done a few small things but this is really exciting to play this material with my band and let the rest of the world take care of itself for a night.

Who are you listening to at the moment?

Cat Stevens.

What do you like to do away from music?

Be in the moment with my daughter.

Be in the moment with my partner.

Drink coffee, sit and be still.

What’s planned for 2020 going into 2021?

Writing the next thing and witnessing however that unfolds. There’s no time limit or stylistic restrictions on what this sounds like, so that’s exciting.

Favourite food and place to hangout? 

I’m appreciating the inner city area a great deal more after not living there for a while.

 

Phil Stack’s debut album Colourful, Noisy is out now.

He plays 2 shows (early & late) at Mary’s Underground in Sydney on Thursday 15 October. Tickets are on sale now at moshtix.com.au

Facebook: https://www.facebook.com/PhilStackMusic/

Instagram: https://www.instagram.com/philstackmusic/?hl=en

September 14, 2020 0 comments
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Music News

Playlist September 2020

by the partae September 14, 2020
written by the partae

John Dhali – In Time

 

Set to take London by storm, Soul-Folk artist John Dhali exalts positivity in his latest release ‘In Time’. The single is accompanied by a bold statement of a video. Filmed in public, John rips out of office attire to reveal a rainbow paint-splatter t-shirt and unapologetically dances through London’s tube network. The stunt is in keeping with a unique online presence that is fast gathering a devoted following for its unending stream of positivity.

 

 

Marsela – Who Knows Where The Love Goes

 

London-based, British-Albanian musician Marsela has dropped her debut single, “Who Knows Where The Love Goes?”. She has everything you’d want in a singer: an infectious soul/jazz flare, a range like Joplins’, and cinematic storytelling unafraid to talk about the unknown. The release covers a narrative of heartbreak and the struggles of a rough breakup, and it certainly makes for a hard-hitting debut. With a glowing video released today, the visual ads further personality to a personable single.

 

 

Conal Kelly – In My Head

 

Bristol based Conal Kelly releases musing new single ‘In My Head’. With dreamy, refined vocals and edgy instrumentals, Conal’s fresh approach to chilled alt-pop is sensationally crafted. This multi-talented artist’s new offering combines contemplative lyrics and celestial melodies, propelling bedroom pop to new heights.

 

 

Laya Laya – I Can Feel You

 

19 debut, with this version being produced in lockdown alongside electronic alt-pop artist MBlurring electronic elements with live instrumentation and sublime harmonies, Laya Laya is the British alternative brainchild of writer/singer Freya Zai and producer Super Joshi. The duo has returned to share a celestial new single “I Can Feel You”.  The pair met in 2017, both having suffered from illnesses that had led them back to music making as a means of recovery. Freya having nearly died from Sepsis, Super losing his voice entirely for several months forcing him to undergo a year-long speech therapy program. After these life altering experiences, Freya and Super both left their roles in law and sales to pursue their creative interests and have not turned back since.

 

 

Punt Guns – FOHT

 

Punt Guns’ video for ‘FOHT (Fantasy Of Hopeless Thoughts)’ is a spectacle of clever production, with western cowboy and space themes brought to life. Samura1, Karisma, J-Nua and Django star as the cast, assuming their musical roles as cowboy’s and building an intriguing narrative throughout. The creative flair and compelling storyline make for some epic visuals.

 

 

Tom Featherstone – Alright (At Home)

Sheffield based singer-songwriter Tom Featherstone is set to release his new single ‘Alright (At Home)’. The track is a reworking of his 20inimal Animal. The lo-fi ambience of this iPhone recorded vocal makes Featherstone’s agile voice all the more captivating, paired with soothing acoustic guitar and haunting textures.

 

Gecko Club – By The Pool

 

Gecko Club’s second release of the year is one of the first songs they ever wrote. Having kept the track hidden for two years since recording it at River Studios in Southampton, they felt that the now was the perfect time to finally release the laid-back groove and video for “By The Pool,” an easy-to-listen track with catchy guitar riffs and dream-like solos. “The laid-back groove tells a story of a summer romance in the teenage years,” Gecko Club says. The self-directed video portrays the song’s summer feels in an effortlessly fluid weekend trip to the south coast.

 

 

Loodvig – Make Our Own

 

Atlanta-based LOODVIG is a fresh and authentic voice who pairs his vocal abilities with unique and clever pop, electronic, and hip-hop arrangements. Today, he released his latest single “Make Our Own”, produced by Spenser Boice (Flo Rida).

 

September 14, 2020 0 comments
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Music News

Keoni – Talented Alt-Pop Czech Artist On The Rise

by the partae September 12, 2020
written by the partae

Keoni is a musician from the Czech Republic. He was exposed to music from an early age since his father and brothers play instruments. Despite being recommended to choose a traditional career, Keoni knew that his life would always revolve around music.

Keoni´s influences are as varied as musical genres can be, counting Jim Morisson, John Lennon, Prodigy, Otis Redding, Faithless, Nirvana, Chemical Brothers or Royksopp among others. The latter having a special influence due to their way of composing songs.

Swinging beats, overlapping melodies and harmonies are what creates a unique atmosphere and feeling that listeners expect to experience while listening to Keoni´s music. His haunting vocals with darkwave production tones draw the listener into an alternative electro-pop universe.

Keoni considers poetry to be of real importance, allowing people to see the world from different perspectives. He always concentrates his compositional efforts on enriching the imagination, immersing listeners in the waters of sounds and words. With his lyrics mostly based on his personal experience, however recently he is mainly inspired by global issues and current events.

Keoni will release his first album ‘’Discovery’’ on October 12th.

Links to socials:

https://soundcloud.com/keoniofficialmusic

https://www.facebook.com/keoniofficialmusic

https://www.instagram.com/keoniofficialmusic/

September 12, 2020 0 comments
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“A poignant one from Ben that gives itself to you” Declan Byrne, triple j Home n’ Hosed Today, Melbourne songwriter and producer Ben Alpine returns with his second single ‘Wendouree’. Arriving on the cusp of springtime, ‘Wendouree’ sees the artist lean into sun-drenched alt-pop, brimming with jangly guitars, effervescent synth bursts and organic electronica samples. Immediately setting the tone with its kaleidoscopic sonic palette, ‘Wendouree’ is an exploration in capturing the momentary joy of the present. With its sound tinged in blissful psychedelia, the undulating nature of the track flows effortlessly between placid verses, cascading instrumental layers and infectious harmonies. Allowing the track to build and unfurl with rippling vibrancy, the track shifts gears towards a sparkling finale before receding into an ambient outro submersed in airy tones and soft textures. Speaking of the track, Ben shares: "The main idea is in the line ‘one moment never meant a thing’, referring to those relationships, experiences or situations in your life that, at one point, meant everything to you and you never wanted to lose them. But times have inevitably changed since then and you hold on to different experiences now, and perhaps you will go through that cycle with the stage of your life you're currently in. I think that can be both sobering and comforting in a way, that nothing in your life is ever going to be the way it is right now, and how our perception of our own memories shifts and changes." Following his well-received debut single ‘All In Your Stride’, ‘Wendouree’ is the next exciting chapter in Ben Alpine’s discography. While sharing the sunshine-laced DNA of its predecessor, the single sees Ben broaden his eclectic range, drawing from an array of inspirations from The Japanese House to Hippo Campus. While synthesising these influences, Ben’s experience in former indie electronica act Echo Mono and numerous SoundCloud production aliases sees him maintain an inward focus in his songwriting approach. With a creative output so far showcasing his colourful alt-pop sensibility through an introspective lens, Ben continues to affirm himself as one to watch closely in 2020. https://www.facebook.com/benalpine.au https://www.instagram.com/benalpine/
Music InterviewsMusic News

Ben Alpine

by the partae September 12, 2020
written by the partae
Where are you currently based?

Melbourne!


How did you first start playing music?

I think it was on my 7th birthday that I got a guitar, but I didn’t really latch onto it until I was around 13 and started playing in bands for this holiday program that my mum enrolled me in. I did that program for quite a few years as just an after-school thing and it eventually led to a band called Echo Mono which became more serious and was quite formative for me. Though a few years before joining that band I became interested in electronic music production and downloaded the trial of FL Studio. The trial wouldn’t let you open project files that you saved, so my workaround was to not turn off my computer until I finished the song I was working on. I did that for about 6 months and finished a lot of my first music.


What’s been happening recently and how has your Covid experience been so far?

I’ve just been trying to take it easy really, as my iso experience has luckily been pretty smooth. It’s forced me to slow down quite a lot, which has been good because I think I was about to completely burn myself out trying to prepare a live show if this didn’t happen. Right now I feel pretty eager to knuckle down and pump out some new material as i’ve been thinking about where I want to take this project.


Your new single ‘Wendouree’ is out now, what influenced the sound and songwriting?

You know I’m still not really sure! The main rhythm guitar part is really old, from an Echo Mono song that was never finished. I think at that time I was just getting into the band Hippo Campus and their song ‘Violet’, the riff sounds sort of similar to that I think. Apart from that though the song is completely different to the old version, and I don’t really know what influenced it. I just knew that I wanted to write somewhat atmospheric, alt-pop music that had a sentimental undertone. That’s where Wendouree and All In Your Stride came from.


How did you go about writing Wendouree?

It started from that old Echo Mono song as mentioned, but I literally just took that riff out and wrote a new song around it. I wrote the demo on Ableton wherever I was, I remember writing on the V/Line train a lot, and never really finishing the lyrics, and then rewriting them right before recording them for the final production.


Where and when did you record and who with?

After I had written the demo and a bunch of others, I brought them all to my friend and ex-bandmate Marc Scollo in around April of 2019. We mapped out what we were working on and brought in a few other friends to track all the instruments. So the entire project was recorded in Melbourne just at Marc’s parents’ house. It was never a requirement but it was pretty important to me that no-one involved in the project was much of a professional. We were all students with part-time jobs living with our parents.


What programs/instruments did you use?

I produced the demo out of Ableton, and a few of the elements from the demo made the final production. We then recorded all the live instrumentation, and then I polished all the synths (which are all sequenced) before dropping them into Marc’s Pro Tools session. I had a crack at trying to record all the synths on analog equipment at MESS (Melbourne Electronic Sound Studio) but I pretty quickly realised it wasn’t working trying to fit the analog gear into these already polished songs, especially considering I wasn’t very familiar with that equipment. Producing in the box was what I was familiar with so I opted for that, but hardware really interests me, so hopefully for another day.


How did you approach the recording process and what did you find most challenging and rewarding?

I’d say our approach was quite straight-forward; finish the demo/composition, re-record the instruments/vocals, produce the synths, then mix the whole lot. For this song especially though it was quite back-and-forth as we kept adding to and changing things that we had already done in an attempt to ‘get it to work’. The most challenging and most rewarding thing would’ve been the arrangement. Marc and I were never really convinced that we were going to be able to pull off the track, but I conveniently provided no other options so we just had to commit to it. I’m really happy with it now though and it seems that the song’s twists and turns are what excites people.


Who are you listening to at the moment?

Not a huge amount! My listening has been quite scattered recently, and mostly ambient music.


What do you like to do away from music?

I really like snow skiing, but haven’t been able to do that this year. Recently I’ve been getting into video games again which I feel like I haven’t done properly since I was a kid. I feel pretty eager to finish some more music though so literally just uninstalled some though…


What’s planned for the remainder of 2020 going into 2021?

I won’t say too much but there’s another single coming very soon! And I’m very excited about the music I’m working on now and will hopefully release in 2021.


Favourite food and place to hangout?

Fried chicken burgers are great. And there’s this cool spot up on Mount Dandenong (in Melbourne) that’s great to take people and see the whole city, it’s one of those cliche things where you see how small your life is.

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September 12, 2020 0 comments
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Where are you currently based? I’m currently based out of Nürnberg where I live with my wife and son. How did you first start playing music? I started singing when I was very young, as young as I can remember. Guitar I started learning around 2011. I never really wanted to play guitar, I just needed something to be able to sing to, so naturally guitar seemed like the best thing. What's been happening recently? Nothing out of the usual, producing music, spending time with family and enjoying life :) What's been happening recently and how has your Covid experience been so far? So far Covid hasn’t really impacted my life too much financially, thanks to the help from the government for small businesses. Although I would have made a lot more money if nothing had been canceled or postponed, I’m just glad I’m able to continue paying the bills. Your new single 'Coming Home' will be out on Sept 11, what influenced the sound and songwriting, especially the lyrics? I’ve been using acoustic guitar and atmospheric electric guitar for some time now, so I’m generally always incorporating these elements in my music. Songwriting has never been much of a problem as long as I have a good idea or mood to start with, wich by “coming home” was the cozy home feeling. How did you go about writing Coming Home? Writing about home or life at home was a nice change, because it was so easy to convey in words what being at home feels like. Usually I would have to do a little brainstorming or word finding, but with this song it came naturally. Where and when did you record/produce and who with? I recorded the song on my own in my home studio a few months ago. What programs/instruments did you use? I work with FL Studio and Waves plugins. Acoustic guitar and electric guitar are a must. What did you find most challenging and rewarding during the creation and recording of Coming Home? I honestly can’t think of anything challenging about producing or creating any song in general. If something is challenging during the creation or recording of a song, then your doing it wrong :) What do you like to do away from music? I have lots of hobbies things I enjoy doing, like spending quality time with family, going on a run, or just sitting around and being at peace. Who are you listening to at the moment? Ravi Shankar and a Spotify Playlist called Hindusthani Instrumental. It’s amazing for coming down and relaxing. What's planned for the remainder of 2020 going into 2021? Lots of new music! Our current strategy is releasing singles, which is great, because focusing on one song at a time makes everything go smoother production and songwriting wise. Favourite food and place to hangout? German Pancakes with Ahorn syrup and my favorite place to hangout would have to be on the couch at home! https://www.facebook.com/mikelanemusic
Music InterviewsMusic News

Michael Lane

by the partae September 11, 2020
written by the partae
Where are you currently based?

I’m currently based out of Nürnberg where I live with my wife and son.

How did you first start playing music?

I started singing when I was very young, as young as I can remember. Guitar I started learning around 2011. I never really wanted to play guitar, I just needed something to be able to sing to, so naturally guitar seemed like the best thing.

What’s been happening recently?

Nothing out of the usual, producing music, spending time with family and enjoying life 🙂

What’s been happening recently and how has your Covid experience been so far?

So far Covid hasn’t really impacted my life too much financially, thanks to the help from the government for small businesses. Although I would have made a lot more money if nothing had been canceled or postponed, I’m just glad I’m able to continue paying the bills.

Your new single ‘Coming Home’ will be out on Sept 11, what influenced the sound and songwriting, especially the lyrics?

I’ve been using acoustic guitar and atmospheric electric guitar for some time now, so I’m generally always incorporating these elements in my music. Songwriting has never been much of a problem as long as I have a good idea or mood to start with, wich by “coming home” was the cozy home feeling.

How did you go about writing Coming Home?

Writing about home or life at home was a nice change, because it was so easy to convey in words what being at home feels like. Usually I would have to do a little brainstorming or word finding, but with this song it came naturally.

Where and when did you record/produce and who with?

I recorded the song on my own in my home studio a few months ago.

What programs/instruments did you use?

I work with FL Studio and Waves plugins. Acoustic guitar and electric guitar are a must.

What did you find most challenging and rewarding during the creation and recording of Coming Home?

I honestly can’t think of anything challenging about producing or creating any song in general. If something is challenging during the creation or recording of a song, then your doing it wrong 🙂

What do you like to do away from music?

I have lots of hobbies things I enjoy doing, like spending quality time with family, going on a run, or just sitting around and being at peace.

Who are you listening to at the moment?
Ravi Shankar and a Spotify Playlist called Hindusthani Instrumental. It’s amazing for coming down and relaxing.

What’s planned for the remainder of 2020 going into 2021?
Lots of new music! Our current strategy is releasing singles, which is great, because focusing on one song at a time makes everything go smoother production and songwriting wise.

Favourite food and place to hangout?

German Pancakes with Ahorn syrup and my favorite place to hangout would have to be on the couch at home!

https://www.facebook.com/mikelanemusic
September 11, 2020 0 comments
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Music InterviewsMusic News

Naked Giants

by the partae September 11, 2020
written by the partae
What is your name and role within the band?

Gianni, bass and vocals.

Where are you currently based?
Seattle, Washington.
 
What’s been happening recently and how has your Covid experience been?
It’s been quite strange – we’re in the midst of a bunch of huge transition moments in society right now, including the pandemic’s shift to virtual life as well as a political and social awakening and resistance in the US and beyond. And needless to say for anyone who experiences any level of anxiety, transition moments are super tough! But all in all, us and our families/friends are safe and we’re still able to make music so I’d say we have it pretty good. A recent development has been a big increase in the production quality for live-stream concerts – we’ve played a few virtual shows at venues now, where there are just four people running the whole thing and they’ve turned out amazing, with lights and fancy cameras and great audio and everything. So continuing down that road of creating better virtual material for people to enjoy will be the direction for the rest of this year and most of the next.
 
Your new album ‘The Shadow’ is out now, what influenced the sound and songwriting?
The Shadow was written over the course of a few years, so a whole lot went into it. Mostly it’s a catalogue of our growth as musicians and as individuals. Our extensive touring over the past few years gave us a new appreciation for pushing ourselves musically, and interacting with so many people who have found a bit of themselves in our music emphasized the responsibility we have to spread positivity and just speak the truth. Other musical inspirations just came from all the music we were able to listen to during the long drives across the country in the tour van. Some artists that have stood out as particularly influential for this album: Talking Heads, Neil Young, Stereloab, Sneaks, U2, The Fall, Devo, and of course, Green Day.
 
How did you go about writing the music?
It’s really all about chemistry. We each write a lot of songs on our own, and it’s not until we bring them to the rest of the band that the good stuff really shakes out. For example, we must have jammed on millions of riffs in our time as a band, but there’s just this magic alchemical feeling in the air that happened when we played the riffs for Take A Chance or The Shadow that made us keep coming back to them. It’s this kind of “follow your nose” feeling that guides most of the music, and from there we bounce the ideas off of each other as well as our manager Shea and our record label rep Kim, and keep going back and forth until something that feels genuine and exciting pops out.
From there, lyrics usually fall into place pretty naturally. The mood of the music often dictates what the words will say, rather than the other way around. For example, a song like Television has a kind of frantic electricity running through it, and I just channeled that energy until certain words and phrases popped out – “in-formation all the time… cyclic shadows… TELEVISION” and bang, there’s the basis for the song. It’s all about following that idea to its core – for that song in particular, I started ruminating on all the feelings of anxiety, overstimulation, quick cycles and strange contrasts that come from our interaction with technology. It’s a strangely personal/anti-personal thing, because even as we interact with social media and TV and whatnot on a very intimate level, we’re all interacting with the same ominous nebula and it’s categorizing us all and feeding us advertisements based on our interests…
 
Where and when did you record/produce and who with?
We recorded the album in November of 2019 in Portland, Oregon with Chris Funk and Adam Lee.
 
How did you approach the recording process?
This was a much more informed process than our first album SLUFF. This time around we had more of an idea of the things we can and can’t (or should and shouldn’t) control about the album – we came in with certain things in mind, like particular guitar and bass tones, really dialed in hooks and choruses, but we also left some space for things to change. The songs Turns Blue and The Ripper, for example, were hugely shaped by Chris and Adam’s input. They even pulled some Brian Eno-esque moves on us by taking away parts of Henry’s drum kit, having us sing with the lights off and sunglasses on, anything that would influence and uplift the mood of the particular song. This kind of collaboration is something that can only happen when all parties are open to seeing the best in each other’s work – it’s something that we didn’t have as much of a clue about for SLUFF, and it makes The Shadow really stick out for me.
 
What programs/instruments did you use?
It was a classic rock setup – we laid down all the basic guitar/bass/drum tracks live, then overdubbed vocals, keyboards and percussion later on. We were originally going to record the basics to tape (actually we were going to record over the tape Stephen Malkmus used on his last album!) but there ended up being some technical difficulties there, so it was ProTools for us.
For the gearheads:
I played a Guild B301 Bass through my Orange OB1 amp and a whole bunch of pedals.
Grant played a few Gibson SGs and plenty of other guitars through his Fender Hot Rod, some Benson amps and a bunch of pedals.
Henry played his classic Ludwig/WFL/Slingerland kit and a bunch of cymbals.
We also had the pleasure of playing with the awesome gear at the studio including: Chris’s modular synth setup, various drum machines and synths, Nashville-tuned acoustic guitar, a 1963 Jazzmaster in Olympic White, plenty of percussion, and yes a whole bunch of pedals.
 
Who are you listening to at the moment?
Lots of stuff! Recently I’ve been listening to Sneaks’ new album Happy Birthday which is just great. I’ve also been diving deeper into Deerhoof’s classic Milkman and some even more classic classics like Bach’s Well Tempered Clavier and all those Mozart piano sonatas.
 
What do you like to do away from music?
Music occupies about 90% of my mental space most of the time, but when I’m not actively playing it I like to go for bike rides, play board games, and put together a spiritual philosophy free from reckless idealism and grounded in common truth.
 
What’s planned for the remainder of 2020 going into 2021?
We’re putting together ideas for the next album right now. It’s the last album in the contract with our record label, so we’re thinking of it as the final piece in a trilogy between itself, SLUFF, and The Shadow. Hopefully it’ll come together soon and we can record it by the end of this year to release at some point next year!
 
Favourite food and place to hangout?
We each have cozy homes at the moment – so cooking up some fresh veggies and sitting with our loved ones is the best we could imagine.

https://www.facebook.com/NKDGNTS/
September 11, 2020 0 comments
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Where are you currently based? I’m currently based in Sydney. How did you first start playing music? Music started as I thought myself how to play drums in Ghana and eventually fell in love with everything else about it. How would you describe your sound/music? It's experimental, chilled and flowery. really instrumental because of my love for baselines and pretty chords but also introspective in my writing and message. What's been happening recently and how has your Covid experience been so far? I’ve been working on being a better producer and that has led to me already working on my second album. Covid has been pretty hard since I love performing. It kinda feels like it took something away from me but we’re finding ways around it so I’m more hopeful. Your new track Armadillo is out now, how did you come to collaborate with Maina Doe? This happened during my first session with the Sumatra boys. I made some drums while Fin & Riley(members of Sumatra) played some chords and added baselines to it. When we put them together, we knew we had something so I put some old poetry together and rapped the verses on it. Was still tryna figure out a chorus but Maina had a session with the boys next so she jumped on it and sent me what she did the next day and I knew we had a banger. So yh it wasn’t face to face but we made it happen.  What influenced the sound and songwriting? Tyler, the creator is one of my biggest influences when it comes to sound. Love the flowery aspects but so experimental that you don’t know what to expect.  Poetry has also shaped the way I write but also the likes of J Cole and Bas that have influenced my song writing.  How did you go about writing Armadillo? Armadillo was a poem I wrote to a past lover after a break up. With a lot of reminiscing and holding on in mind, it was a description of the complication that was going on at the time. Didn’t really think I was gonna make a song out of it. Where and when did you record/produce and who did you work with? I worked with Sumatra (includes Finbar Stuart, Riley hilder and additional guitar from James Baldwin) . We made this in the boom child house where most of our projects are made. What programs/instruments did you use? I use Fl studio but the boys use Ableton. How did you approach the recording process? Demo was initially recorded with Sumatra but I then went back to my engineer to redo some Vox before we had to release it. Please tell us about your photography and multimedia interests: Photos was the side hobby/ work I did for people and a lot of artists that I know. It started from Church and eventually to blogs and now a part of my creativity.  I think I can do anything so learning all these mediums was quite easy for me as they all compliment each other.  Who are you listening to at the moment? I'm currently listening to Big Sean's album and an artist called Amber Mark. i highly recommend. What's planned for the remainder of 2020 going into 2021: I perhaps wanna finish my second album ready for 2021 and also land some really cool festival gigs for next year.  Favourite food and place to hangout? Favourite food is anything Thai so wherever has a good Thai, you can find me there. https://www.facebook.com/Yawdoesitall/
Music InterviewsMusic News

Yawdoesitall

by the partae September 11, 2020
written by the partae

Where are you currently based?

I’m currently based in Sydney.

How did you first start playing music?

Music started as I thought myself how to play drums in Ghana and eventually fell in love with everything else about it.

How would you describe your sound/music?

It’s experimental, chilled and flowery. really instrumental because of my love for baselines and pretty chords but also introspective in my writing and message.

What’s been happening recently and how has your Covid experience been so far?

I’ve been working on being a better producer and that has led to me already working on my second album. Covid has been pretty hard since I love performing. It kinda feels like it took something away from me but we’re finding ways around it so I’m more hopeful.

Your new track Armadillo is out now, how did you come to collaborate with Maina Doe?

This happened during my first session with the Sumatra boys. I made some drums while Fin & Riley(members of Sumatra) played some chords and added baselines to it. When we put them together, we knew we had something so I put some old poetry together and rapped the verses on it. Was still tryna figure out a chorus but Maina had a session with the boys next so she jumped on it and sent me what she did the next day and I knew we had a banger. So yh it wasn’t face to face but we made it happen.

What influenced the sound and songwriting?

Tyler, the creator is one of my biggest influences when it comes to sound. Love the flowery aspects but so experimental that you don’t know what to expect.  Poetry has also shaped the way I write but also the likes of J Cole and Bas that have influenced my song writing.

How did you go about writing Armadillo?

Armadillo was a poem I wrote to a past lover after a break up. With a lot of reminiscing and holding on in mind, it was a description of the complication that was going on at the time. Didn’t really think I was gonna make a song out of it.

Where and when did you record/produce and who did you work with?

I worked with Sumatra (includes Finbar Stuart, Riley hilder and additional guitar from James Baldwin) .

We made this in the boom child house where most of our projects are made.

What programs/instruments did you use?

I use Fl studio but the boys use Ableton.

How did you approach the recording process?

Demo was initially recorded with Sumatra but I then went back to my engineer to redo some Vox before we had to release it.

Please tell us about your photography and multimedia interests:

Photos was the side hobby/ work I did for people and a lot of artists that I know. It started from Church and eventually to blogs and now a part of my creativity.

I think I can do anything so learning all these mediums was quite easy for me as they all compliment each other.

Who are you listening to at the moment?

I’m currently listening to Big Sean’s album and an artist called Amber Mark. i highly recommend.

What’s planned for the remainder of 2020 going into 2021:

I perhaps wanna finish my second album ready for 2021 and also land some really cool festival gigs for next year.

Favourite food and place to hangout?

Favourite food is anything Thai so wherever has a good Thai, you can find me there.

Triple J Unearthed | Facebook | Instagram | Youtube | Twitter

September 11, 2020 0 comments
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Independent artists are releasing music at a much higher rate this year. Maybe it’s because of the pandemic and many people stuck at home, without any concerts or live performances to attend. Musicians have more time on their hands to pivot their business, work on their craft and put forth their music to the online world through various ways such as streaming live or uploading new recordings for downloads.  Last year, musicians gained a lot of ground in the independent segment, making their way into the industry without the aid of a label. Here are some great indie artists that we can expect some great things from in the upcoming year for 2020, and even 2021. LIZZO Everyone is familiar with this breakout indie artist who successfully crossed over this year into the mainstream and showed everyone just how amazing she is. We’ve already seen amazing things from her because she dominated not only the Pop but also the R&B and Rap charts in 2019. Lizzo was even named Entertainer of the Year by Time magazine, and her breakout song “Truth Hurts” was the longest-running Billboard Hot 100 single at number 1 by a solo female rapper - a feat that would not be expected from an independent artist.  Hard to believe someone who started as a sign spinner for Liberty Tax (check her Twitter if you don’t believe it!) could become nominated for eight amazing honors at the 2020 Grammy Awards. She has tolerated and overcome fat-shaming through the media and established herself as a true artist that will be sure to continue to dominate and impress us all. FRANKIE SIMONE If you haven’t heard her yet, you should definitely give her a listen. Expect really big things from this Puerto Rican/Portland-based singer Frankie Simone, represented by Marmoset music licensing agency. As Marmoset put on their site,  listening to her music “feels like they’re putting a microphone directly to their heart.” She is an indie artist with a noticeable and fun twist. She has created a new kind of eccentric electronic pop, full of exciting beats and lots of personality with her empowering lyrics.  Her lead single “War Paint” is a bold song on its own, but if you view the music video you’ll see lots of bright colors that accentuate the lyrics “So when we went to war/I saw your colors all over me.” She has many other songs that have evolved with this electronic and dance background, and prove that she is in the right place and time to seriously dominate the pop music field. JOE TAYLOR This independent singer/songwriter has an awesome ability to connect with audiences with his unique songwriting. Making his own label so that his music could be heard, he quickly sailed through the charts with his latest hit song “Don’t Change”, reaching the number 1 spot. His passion is in collaborations with other artists. He grew up in Canada but now has moved to the metro New York City area to carve out his career, singing soulful guitar tunes and playing in bars. He has a strong drive to have his music heard around the world, and we think he won’t have any problem getting there with his proven track record of success. SUSAN TONEY An Oklahoma native who moved to Los Angeles to make it in the music industry, Susan has finally been noticed as a newcomer and breakout indie artist this year. Her newest album available now is called Headed for Love, with the single song “Starlight” gaining ground by captivating her audience with interesting melody twists.  Susan has been around and making her music since the 2000s, but has more recently been noticed, climbing charts with this 2020 album. “Starlight” has successfully reached the number 1 spot on the Billboard Charts for AC40 as recent as just last week! She draws not only in the Country and Pop genres but also with Rock, Americana, and Blues, giving her that edge that should bring exciting new music in the upcoming year. BAKAR The full name of Abubakar Baker Shariff-Farr, better known to all as the indie artist Bakar is well-known for his indie-rock style of music. He is one to watch as a talented emerging artist, getting nods from the likes of true legends like Sir Elton John, mixing rap, rock, and punk together to create his unique sound, which to some sounds like it is all over the place. Though most of his tracks include rap and hip hop influences, he also demonstrates some Motown and his lyrics give the audience his street smarts, showing everyone that there is much more to him and his unique style. His most recent EP entitled “Will You Be My Yellow?” displays so much potential, we can certainly expect big things to come. There are many other independent artists to watch you should be sure to watch for, such as Megan Thee Stallion, a huge underground artist and great female rapper, or Georgia, a 21-year-old singer and songwriter with undeniable talent, WebsterX, a master at hip hop, rap and defining beats, and Siena Liggins, another Marmoset artist who demonstrates catchy hooks and fun wordplay. Independent artists will have their claim to fame with the ability to reach out to a broader, more online-focused audience, and we couldn’t be happier with the potential outcome. Beef up your Spotify, SoundCloud, or YouTube playlists today with new music for the future. Tell us which artists you think will break out with hits by the end of the year.
Music News

5 Indie Artists Doing Big Things In 2020

by the partae September 11, 2020
written by the partae

Independent artists are releasing music at a much higher rate this year. Maybe it’s because of the pandemic and many people stuck at home, without any concerts or live performances to attend. Musicians have more time on their hands to pivot their business, work on their craft and put forth their music to the online world through various ways such as streaming live or uploading new recordings for downloads. 

Last year, musicians gained a lot of ground in the independent segment, making their way into the industry without the aid of a label. Here are some great indie artists that we can expect some great things from in the upcoming year for 2020, and even 2021.

LIZZO

Everyone is familiar with this breakout indie artist who successfully crossed over this year into the mainstream and showed everyone just how amazing she is. We’ve already seen amazing things from her because she dominated not only the Pop but also the R&B and Rap charts in 2019. Lizzo was even named Entertainer of the Year by Time magazine, and her breakout song “Truth Hurts” was the longest-running Billboard Hot 100 single at number 1 by a solo female rapper – a feat that would not be expected from an independent artist. 

Hard to believe someone who started as a sign spinner for Liberty Tax (check her Twitter if you don’t believe it!) could become nominated for eight amazing honors at the 2020 Grammy Awards. She has tolerated and overcome fat-shaming through the media and established herself as a true artist that will be sure to continue to dominate and impress us all.

FRANKIE SIMONE

If you haven’t heard her yet, you should definitely give her a listen. Expect really big things from this Puerto Rican/Portland-based singer Frankie Simone, represented by Marmoset music licensing agency. As Marmoset put on their site,  listening to her music “feels like they’re putting a microphone directly to their heart.” She is an indie artist with a noticeable and fun twist. She has created a new kind of eccentric electronic pop, full of exciting beats and lots of personality with her empowering lyrics. 

Her lead single “War Paint” is a bold song on its own, but if you view the music video you’ll see lots of bright colors that accentuate the lyrics “So when we went to war/I saw your colors all over me.” She has many other songs that have evolved with this electronic and dance background, and prove that she is in the right place and time to seriously dominate the pop music field.

JOE TAYLOR

This independent singer/songwriter has an awesome ability to connect with audiences with his unique songwriting. Making his own label so that his music could be heard, he quickly sailed through the charts with his latest hit song “Don’t Change”, reaching the number 1 spot. His passion is in collaborations with other artists. He grew up in Canada but now has moved to the metro New York City area to carve out his career, singing soulful guitar tunes and playing in bars. He has a strong drive to have his music heard around the world, and we think he won’t have any problem getting there with his proven track record of success.

SUSAN TONEY

An Oklahoma native who moved to Los Angeles to make it in the music industry, Susan has finally been noticed as a newcomer and breakout indie artist this year. Her newest album available now is called Headed for Love, with the single song “Starlight” gaining ground by captivating her audience with interesting melody twists. 

Susan has been around and making her music since the 2000s, but has more recently been noticed, climbing charts with this 2020 album. “Starlight” has successfully reached the number 1 spot on the Billboard Charts for AC40 as recent as just last week! She draws not only in the Country and Pop genres but also with Rock, Americana, and Blues, giving her that edge that should bring exciting new music in the upcoming year.

BAKAR

The full name of Abubakar Baker Shariff-Farr, better known to all as the indie artist Bakar is well-known for his indie-rock style of music. He is one to watch as a talented emerging artist, getting nods from the likes of true legends like Sir Elton John, mixing rap, rock, and punk together to create his unique sound, which to some sounds like it is all over the place. Though most of his tracks include rap and hip hop influences, he also demonstrates some Motown and his lyrics give the audience his street smarts, showing everyone that there is much more to him and his unique style. His most recent EP entitled “Will You Be My Yellow?” displays so much potential, we can certainly expect big things to come.

There are many other independent artists to watch you should be sure to watch for, such as Megan Thee Stallion, a huge underground artist and great female rapper, or Georgia, a 21-year-old singer and songwriter with undeniable talent, WebsterX, a master at hip hop, rap and defining beats, and Siena Liggins, another Marmoset artist who demonstrates catchy hooks and fun wordplay.

Independent artists will have their claim to fame with the ability to reach out to a broader, more online-focused audience, and we couldn’t be happier with the potential outcome. Beef up your Spotify, SoundCloud, or YouTube playlists today with new music for the future. Tell us which artists you think will break out with hits by the end of the year.

 

September 11, 2020 0 comments
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Music News

Barong Family Goes Hard for Their 200th Release With 7-Track EP “BF200.” Featuring New Music Yellow Claw, Wiwek, Nonsens, RayRay, Psycho Boys Club and More

by the partae September 9, 2020
written by the partae

Yellow Claw‘s Barong Family celebrates 6 years and 200 releases with an EP compilation appropriately titled “BF200,” which features seven brand new tracks from the brightest names on the label, such as Yellow Claw themselves, Wiwek, Crisis Era, RayRay, GHOSTER, Nonsens, Psycho Boys Club, and more. The Amsterdam-based imprint has become known for its wide range of musical influences and high-tempo BPMs, and “BF200” follows the same vein. Spanning sounds from three continents and even a reworked ’90s classic, “BF200” also has a unique and fantastical backstory. Ever the creative crew, the EP‘s accompanying artwork, and bonus audiobook see Barong Family travels across space and time to save their home planet Mother Earth. Head honchos Yellow Claw describe the impetus behind the EP below:

“It has been a wild ride since when we had put out our first release on Barong Family back in 2014. During the past 6 years, we have met many talented artists who wanted to take part in this adventure with us and joined the family. Moksi, RayRay, Wiwek, and more all saw the transition from Barong Family – a music label to Barong Family – a worldwide brand with its own merch lines, writing camps in Asia, documentaries, sold-out tours in North America, own stages at the world’s biggest festivals. 200 releases seem like a big number, and 6 years feel like a very long time, but for us, thanks to what we do and whom we are fortunate to work with, it feels like we are just starting, as our excitement never faded away.” – Yellow Claw

As for the sonic journey of “BF200,” it begins with “I Want It” from Yellow Claw and Wiwek, who deliver epic hip-hop beats to set the tone of the EP. Next up is Canadian duo Crisis Era‘s “Funky Pills” for all the old school ravers out there, while DJ Soda and RayRay‘s “Obsession” serves up a sneaky dose of hard-hitting bass. Yellow Claw themselves reworked the Tokyo Ghetto Pussy‘s 1995 hit “Kiss Your Lips” for the EP, giving the classic a modern dance facelift. GHOSTER employs Nanami‘s breathy vocals to deliver a solid mission statement in “Belong,” before Danish threesome Nonsens put the pedal to the metal with “Teaze,” speeding up proceedings with immense 4/4 energy. Finally, all systems go on Psycho Boys Club‘s “Break.” Did anyone expect Barong Family to ever take it easy?

More info on Barong Family / Yellow Claw:

Barong Family: Facebook | Instagram | Twitter | Spotify
Yellow Claw: Facebook
 | Instagram | Twitter | Spotify
September 9, 2020 0 comments
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LATEST RELEASE “TALKING IN MY SLEEP” HITS TOP 40 STUNNING STRIPPED VIDEO OF “TALKING IN MY SLEEP” IS OUT NOW September 1, 2020 (Toronto, ON) - Toronto’s A is for Arrows has been capturing the attention of fans and industry alike with infectious, danceable alt-pop tracks since debuting in late 2019. Today, lead singer Alessia Balasbas announces an exciting new era for the project with the forthcoming release of “Can’t Stop” on September 8, the first release as a solo act. Fans can anticipate continued releases from A is for Arrows with the same striking energy that can be found on “Can’t Stop”.   “I love the juxtaposition of this song,” explains Balasbas. “When you initially listen to it, it seems happy and care-free, but if you listen to the lyrics, they’re actually kind of sad. The song is definitely based on real emotions and a time in my life where I didn’t feel very confident in my relationship. I felt like the person I loved wasn’t fully invested and even though it hurt and no matter how terrible they sometimes made me feel, I couldn't stop loving them. I think it’s pretty straightforward and to be honest, it was tough for me to call them out like this and be like “hey you were being pretty shitty, but whatever I’ll let it go cause I love you so much” Moral of the story is music helps me purge - haha!” PRE-SAVE “CAN’T STOP” HERE  “Can’t Stop” follows A is for Arrows’ most recent release “Talking in My Sleep,” which received national acclaim and landed in the Top 40 of the CHR charts. Last week, AIFA released a special stripped video of “Talking in My Sleep,” shot by @thatgoodgraphic. What the video HERE.   Less than a year out, A is For Arrows has already gained the attention of industry and tastemakers alike, having earned praises from the likes of SiriusXM, Wonderland Magazine, Popdust, Atwood Magazine, and Buzz Music LA, in addition to being added to a variety of popular playlists such as Spotify’s It’s a Bop, New Music Friday, Fresh Finds: Pop; Apple Music’s New In Pop; and Amazon Music’s Artists to Watch, Fresh Pop and Brand New Music, to name a few. The project’s blending of contemporary beats, soft synths and heartfelt lyrics has made A is for Arrows a project to watch in Toronto’s eclectic music scene and on the world stage alike.   Whether it’s the glisten of Alessia’s voice, or the raw honesty in her songwriting, one thing is certain - there is a rarity about a project such as A is for Arrows.   For more information, please visit: www.aisforarrows.com To pre-save “Can’t Stop”: https://ffm.to/cantstop Follow & Share Facebook | Instagram | Twitter
Music News

A IS FOR ARROWS MARKS NEW ERA WITH ‘CAN’T STOP’

by the partae September 9, 2020
written by the partae

LATEST RELEASE “TALKING IN MY SLEEP” HITS TOP 40

STUNNING STRIPPED VIDEO OF “TALKING IN MY SLEEP” IS OUT NOW

September 1, 2020 (Toronto, ON) – Toronto’s A is for Arrows has been capturing the attention of fans and industry alike with infectious, danceable alt-pop tracks since debuting in late 2019. Today, lead singer Alessia Balasbas announces an exciting new era for the project with the forthcoming release of “Can’t Stop” on September 8, the first release as a solo act. Fans can anticipate continued releases from A is for Arrows with the same striking energy that can be found on “Can’t Stop”.

“I love the juxtaposition of this song,” explains Balasbas. “When you initially listen to it, it seems happy and care-free, but if you listen to the lyrics, they’re actually kind of sad. The song is definitely based on real emotions and a time in my life where I didn’t feel very confident in my relationship. I felt like the person I loved wasn’t fully invested and even though it hurt and no matter how terrible they sometimes made me feel, I couldn’t stop loving them. I think it’s pretty straightforward and to be honest, it was tough for me to call them out like this and be like “hey you were being pretty shitty, but whatever I’ll let it go cause I love you so much” Moral of the story is music helps me purge – haha!”

PRE-SAVE “CAN’T STOP” HERE

“Can’t Stop” follows A is for Arrows’ most recent release “Talking in My Sleep,” which received national acclaim and landed in the Top 40 of the CHR charts. Last week, AIFA released a special stripped video of “Talking in My Sleep,” shot by @thatgoodgraphic. What the video HERE.

Less than a year out, A is For Arrows has already gained the attention of industry and tastemakers alike, having earned praises from the likes of SiriusXM, Wonderland Magazine, Popdust, Atwood Magazine, and Buzz Music LA, in addition to being added to a variety of popular playlists such as Spotify’s It’s a Bop, New Music Friday, Fresh Finds: Pop; Apple Music’s New In Pop; and Amazon Music’s Artists to Watch, Fresh Pop and Brand New Music, to name a few. The project’s blending of contemporary beats, soft synths and heartfelt lyrics has made A is for Arrows a project to watch in Toronto’s eclectic music scene and on the world stage alike.

Whether it’s the glisten of Alessia’s voice, or the raw honesty in her songwriting, one thing is certain – there is a rarity about a project such as A is for Arrows.

For more information, please visit: www.aisforarrows.com
To pre-save “Can’t Stop”: https://ffm.to/cantstop

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