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Australia, BLACK VEIL BRIDES Australian tour kicks off this week! Tickets for their Australian headline tour are flying out the door. With Adelaide and Melbourne’s 18+ show sold out, the tickets for Melbourne’s all ages show are selling fast and final tickets remaining for Sydney and Brisbane.
BLACK VEIL BRIDES have championed the isolated, the dismissed, and the forgotten since the band’s early inception. That ethos and spirit persists in the fully realized incarnation of the band whose image is the object of devotion and obsession, and whose anthems are sung in unison by an international audience, a diverse legion who refuse to surrender.
In an era when rock music is regularly declared “dead,” BLACK VEIL BRIDES music videos have been viewed over a half a billion times. The band (and its members including vocalist, Andy Biersack, who was named as one of the 100 Greatest Living Rock Stars by Revolver) Instagram and Twitter accounts command close to 10 million followers between them.
BLACK VEIL BRIDES have an impressive stack of awards and accolades under their belt with multiple Kerrang! Awards, Revolver Golden Gods Awards and Alternative Press Music Awards. Vale, the group’s most recent full-length album, went to No. 1 on the US Billboard Top Hard Rock Albums chart.
The band’s tour history reads like a textbook of subcultural mile markers in the modern heavy music scene. An initial hardscrabble headlining outing in 2009 has been followed by multiple mainstage runs on the Vans Warped Tour; tours with Slash, Motley Crue, Avenged Sevenfold, Bullet For My Valentine; the massive Resurrection Tour, co-headlined by new labelmates Asking Alexandria; multiple US festivals, including Rock on the Range and Aftershock; and several appearances at the UK’s acclaimed Download Festival.
With a rightful reverence for the pop cultural icons of the past, the young outfit has nevertheless fashioned their own collective future, with relentless fury. In the hearts and minds of their fans, Black Veil Brides represents an unwillingness to compromise and a resistance to critics (personal and professional), fueled by the same fire as the group’s own heroes, the iconoclasts whose creative output, once dismissed, is now canonized.
AUSTRALIAN TOUR DATESSATURDAY 2 JULY 2022: THE ROUNDHOUSE (UNSW), SYDNEY (LIC AA) FINAL TICKETS
WITH THE LAST MARTYR
SUNDAY 3 JULY 2022: CROXTON BANDROOM, MELBOURNE (AA) AFTERNOON SELLING FAST
WITH THE LAST MARTYR
SUNDAY 3 JULY 2022: CROXTON BANDROOM, MELBOURNE (18+) EVENING SOLD OUT!
WITH THE LAST MARTYR
MONDAY 4 JULY 2022: THE GOV ADELAIDE (LIC AA) SOLD OUT!
WITH WOLF & CHAIN
WEDNESDAY 6 JULY 2022: EATONS HILL, BRISBANE (LICENSED ALL AGES) FINAL TICKETS
WITH DAYS LIKE THESE
Magic Machine are a Sydney based band that have been making waves with their unique take on Psych Rock. The band started in early 2021 and since then have been rather prolific releasing their debut album in October 2021. The recently released video for, ‘Out In The Country’ was the first from their upcoming second album while the new single ‘Daydreamer’ drops on Tuesday the 26th of June ahead of the new album ‘Escapism’ on Friday the 1st of July.
The band has played all over NSW, including a number of festivals, and were recently asked to support Skeggs; in an exciting development Magic Machine will appear at Wanderer Festival, their biggest show to date, alongside The Dandy Warhol’s, Confidence Man and The Teskey Brothers later in the year. The album release show will take place on July the 1st at the Caringbah Hotel in NSW.
Inspired by the 60s/70s’ psychedelic rock, blues, boogie scene. Magic Machine deal in intoxicating and genre-bending tones, wild and uncompromising guitar with spooky organ sounds. Sonic experimentation and inventive arrangements take you through a time delay to the past with eyes firmly looking towards the future.
Where are you currently based?
I’m currently based in the far northern suburbs of Melbourne and have just moved with my wife Sarah and two dogs Alfie and Kora to Briar Hill
How did you first start playing music?
I started playing music like most people do, at school. What really inspired me to write and consider it as a career though, when one day a wonderful man, Ben Abraham, came to our school and played for the everyone. It was the first time felt that ‘This is what I want to do with my life’ vibe!
What’s been happening recently?
Like I mentioned above… Quite a lot. ‘Getting Over All Of It’ really signifies the change of a season in life. Sarah and I moving out of our house-sharing house (which we love and will dearly miss) into a little two bed room to prepare ourselves to be parents, to give just one of a few. Music wise though, I’m currently preparing for the album launch at The Wesley Anne on the 30th of July with a 15-piece band. It’s going to be epic!
You’ve just released your sophomore album ‘Getting Over All Of It’ what influenced the sound and songwriting?
So many things influenced this album! Sufjan Stevens, Gang Of Youths, Kings Kaleidoscope, Bon Iver and S. Carey to name a few artists. The songwriting was all inspired by the difficult situations that were happening around me at the time. Stories of broken relationships, church struggles and learning to grow through difficulties.
How did Getting Over All Of It come about?
Where and when did you record/produce/master and who did you work with?
Haha, It was messy. A lot of the recording was done by me and through all the lockdowns and was spread over 2 years. I had some international musicians to help me out with all of the strings parts and then worked remotely/locally for all the core instruments like drums, bass and electric guitar. I had sooooo many people involved in this album though, 20 people all up. In no particular order; Graham Christopher King – Drums, Jacob Sells – Electric Guitar/Percussion/Mixing,
How did you approach the recording process?
I approached this album very differently. The biggest change was working remotely with people. We tried zoom for quite a bit, BUT it was a little jenky for music, so musicians listen up… Check out Sessionwire! Well worth it. Apart from that, the biggest difference from this album to the last though is that I really wanted to focus on the instruments and not my voice. You’ll notice that I sing quite softly through a majority of the album. This was intentional.
Your album was completely funded via your fanbase on Kickstarter, please tell us about how this helped you:
Close, I actually funded a lot of it myself and then my fanbase funded all of the promotion and the launch of the album. Without them we wouldn’t have been able to work with the wonderful people at Beehive PR and we wouldn’t have been able to push advertising of the album either. Massive help in the release of the album.
Who are you listening to at the moment?
Literally listening to Maverick City Music right now, but on any given day you’ll see me listening to; Sufjan Stevens, MARO, Organ Freeman, The Magic Lantern, Luz and Peter Sandberg
What do you like to do away from music?
I don’t really do a lot apart from music as I work as a music teacher, BUT when I’m not doing that you’ll see me involved in church, doing some sort of filming and spending time with our dogs.
What’s planned for the remainder of 2022 going into 2023?
‘Getting Over All Of It’ album launch at The Wesley Anne on the 30th of July and then hoping to set up some more performances and then start doing some more recording with other artists around Melbourne.
Favourite food and place to hangout?
Ooooo I’m pretty open for food. My regular stomping ground is Burger Road out where we live. My favourite is some sort of ribs…Mmmmmm.
Facebook | Instagram | Triple J Unearthed | YouTube | Website
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http://www.jacobbrodovsky.com/
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‘Getting Over All Of It’ is out Thursday, June 23rd
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Melbourne electronic / pop artist MOSSY is heading out on his first run of Australian club dates since the release of his highly anticipated debut album, ‘N2KY’ (Nice 2 Know Ya). Released on March 18 via I Oh You, ‘N2KY’ explores themes of reclaiming personal space and agency, leaving behind the people or situations which no longer serve. Expect an up close and personal solo performance adorned with sparkling Euro synths, yearning auto-tuned soaked melodies, padding club beats and icy 808s.
For fans of Depeche Mode, David Bowie, Yung Lean and Charli XCX.
August 5 | Melbourne | Nighthawks
August 6 | Sydney | Golden Age
August 12 | Perth | Aardvark
August 13 | Adelaide | Ancient World
August 19 | Gold Coast | Elsewhere
August 20 | Brisbane | Carrington Hotel
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“like the love child of The Ramones and Supergrass.” – Arun Kendall, Backseat Mafia
Melbourne raconteurs The Grogans return in all their laconic glory on their all out audio visual psych trip ‘Inside My Mind’. Filling the big shoes of the trio’s recent success with their 7’’ double A-side singles ‘Just A Kid’ and ‘Be Your Man’—collectively added to Spotify’s New Music Friday AU & NZ, Fresh Finds AU & NZ and Local Noise playlists—‘Inside My Mind’ continues The Grogans’ prolifically inventive and pigeonhole-defying style in a bluesy psych trip of epic proportions. To celebrate the release, Quin, Gus and Jordy, are thrilled to be heading on their biggest tour to date, heading to Tasmania, Sydney, Melbourne, Perth, Adelaide, Brisbane, Byron Bay, Christchurch, Auckland and Wellington.
‘Inside My Mind’ navigates perceived misconceptions and irrational thoughts in a woozy fuzz fest of swampy blues and surf psych. The song’s lucrative reverberations and hazy delay are exemplified by the Jackson Hayat directed clip with glistening colourful visuals by Nathaniel Stewart in a fever dream feast for the senses.
“Inside my mind is a track that has been around for years. I believe it was written sometime between 2016/2017. This song is based on that anxious feeling you might get from making up irrational things in your head but understanding they are just fake perceptions you’ve created. The whole song (lyrically and sonically) is a different feel for this album following the last two singles, but our albums tend to normally dip into a few different genres, reflecting the three of our different influences.” – The Grogans
Having just completed a massive sold out Australian tour with Hockey Dad, as well as performing at Sailor Jerry’s Road to Rolling Stone concert alongside Eliza & The Delusionals and The Terrys, The Grogans are in fine form and raring to go for their biggest tour to date kicking off this June across three months at major cities across Australia and New Zealand. Do not miss your chance to catch this rising chameleon act as they perform songs from their expansive surf, punk, blues and reggae catalog this winter.
‘Inside My Mind’ Australian Tour Dates
Saturday 2 July
U18 Matinee Show
The Corner Hotel, Richmond VIC
Doors 1pm
Supports: Bones & Jones + Polly & the Pockets
Saturday 2 July
18+ Evening Show
The Corner Hotel, Richmond VIC
Doors 8.30pm
Support: Bones & Jones
Friday 8 July
Perth Single Launch
The Aardvark, Perth WA
Doors: 9pm
Supports: King Blue, Siobhan Cotchin
Saturday 9 July
Adelaide Single Launch
Jive Bar, Adelaide SA
Doors: 8:30pm
Supports: Poll Toy, The Effends
Friday 15 July
Brisbane Single Launch
The Zoo, Brisbane QLD
Doors: 7:30pm
Supports: Bones & Jones + TBA
Saturday 16 July
Byron Bay Single Launch
The Northern, Byron Bay NSW
Doors: 7pm
Supports: Wet Season + TBC
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Follow Kaurna Cronin Spotify | Apple Music | Facebook | Insta: @kaurnacronin | Youtube |
Where are you currently based?
Perth, WA.
How did Late 90s form?
Elliot (drums) and twin brothers Zaac and Brody (lead guitar and bass) have been in bands together since primary school and added Steve (vocals, rhythm guitar) to form LATE 90s in 2020.
What’s been happening recently?
Heaps of time in the studio lately as well as playing shows with the incredibly talent rich W.A music scene.
Your latest single ‘Die To Heal’ is out now, what influenced the sound and songwriting?
Die to heal was heavily influenced by Silverchair’s Neon Ballroom.
Where and when did you record/produce/master and who did you work with?
We recorded at Hopping Mouse Studios with our producer Matthew Templeman and Simon Struthers mastered the track.
Who are you listening to at the moment?
Idle Eyes, Turnstile, Basement, Satin Cali.
What do you like to do away from music?
Surf, Footy and Basketball.
What’s planned for the remainder of 2022 going into 2023?
More music, More shows.
Favourite food and place to hangout?
Indian Ocean Hotel and El Grotto in Scarborough.
Facebook | Instagram | YouTube | Triple J Unearthed | Website
Where are you currently based?
I’m currently in Thirroul, a small sea-side town in New South Wales.
How did you first start playing music?
In year 9 I bought a blue acoustic guitar off Ebay, and a guy across the road taught me all of Blink 182s back-catalog and the rest is history…
What’s been happening recently?
I just put out my first single Cost Of Love, the first music I’ve put out in three years and I’ve also been studying my Masters in Music Therapy which has been pretty fun, interesting and wild.
Your new EP ‘Lost Dog’ will be released on October 7, what influenced the sound and songwriting?
I’m very excited, it’s been a long time coming. I think it definitely feels a lot meatier and grittier than my previous work. I listened to a lot of atmospheric German club stuff whilst making it and also some strong 80s bangers like Tears For Fears.
How did you go about writing the EP?
I wrote a lot of the EP with my pals Dave and Lucy at their apartment in Clovelly and I was lucky enough to collaborate with so many great people I’ve always wanted to work with including Andy Bull, Geoff Swan, Japanese Wallpaper…
Where and when did you record and who did you work with?
We did a lot of the recording in Dave’s apartment but also kinda all over the shop. We did some drum tracking at Dorny Mayes studio, some stuff at Golden Retriever and I did a couple of vocal takes in my own bedroom. We also had additional production by Tony Buchen and Gab Strum (Japanese Wallpaper) and had Geoff Swan in the UK onboard (who is my dream mixer- think Charli XCX, Haim).
Your latest single ‘Cost Of Love’ is out now, how did this track come about?
COL was kind of formed off the back of a relationship that soured… We both started to lose ourselves so the question of “how much hard work should a relationship be?” kind of came to the service and that messaging is the crux of the song.
How does it feel to release new music after 3 years?
It feels pretty darn scary and pretty darn exciting. It feels good to create something so wholeheartedly. We’ve done the whole thing independently too which I’m incredibly proud of.
You’re going on tour in August, what can we expect?
It’s a whole new band, all gals, all queer. It’s going to rule.
Who are you listening to at the moment?
Maggie Rogers new record, Patsy Cline, Frank Sinatra and Angel Olsen’s Big Time.
What’s planned for the remainder of 2022 going into 2023?
Writing another record, hopefully a visit to UK/Europe and more touring…
Favourite food and place to hangout?
At the moment, I love Cafe Paci. Such good pasta – oof! And I quite like just hanging out at Sandon Point dog beach or Camperdown oval. So beaut, so many doggos!
Title: CONTROVERSIA by Alok vol. 006
Label: CONTROVERSIA
Brazilian maestro Alok just dropped the 6th installment of his “CONTROVERSIA by Alok” compilation, which showcases the forward-thinking sound that the label represents right now. This time the album features 13 tracks, 8 of which are exclusive, never-released productions, coming from international talents, such as CONTROVERSIA‘s very own Bhaskar, ÜHÜ together with startups like Capsm – a talented visually impaired artist, Nyella – who is the first female producer to have a solo single on the the label, and rising Ukrainian artist Scott Rill. The sonic journey spans a myriad of genres, from the deep progressive opener “I Feel U” to emotive and ethereal like in Tineway & Ytan‘s “Telling” and Modica‘s eastern organic influenced “Don’t Stop.” What has to be also mentioned, CONTROVERSIA has just surpassed 1B Spotify streams on their catalog, achieving another milestone.
“The arrival of the 6th edition of the compilation and following the recognition that previous installments have received is a huge joy to me. The concept continues to meet our main objective, which is to maximize the reach and recognition of the Brazilian electronic music scene here in Brazil as well as abroad, giving space to a vast number of artists to create and present their music to wider audiences. With a lot of effort, today, Controversia‘s releases are being presented weekly to millions of listeners around the world through the Controversia Radio Show, which was also recently featured as a label showcase on Tomorrowland’s OneWorld Radio. I had a great time plowing through the tons of demo submissions to pick the tracks and artists I currently like the most, so I hope you’ll enjoy the selection, which includes 8 exclusive productions you can hear only on the compilation.” – Alok
With a strong resume full of remixes and collaborations with artists such as The Rolling Stones to Zara Larsson, from Jason Derulo to Tove Lo, and more, Brazilian Alok has gained an immense international following and is currently having his global breakout moment. He already has the second-largest Instagram following of any electronic artist globally (over 27M), and his 20M devoted monthly listeners on Spotify have made him the most listened to Brazilian artist in the world. In 2021, he was named the 4th Best DJ in the world, according to the prestigious DJ Mag Top 100 DJ Poll. In 2019, Alok was nominated for the International Dance Music Awards for his hit remix of the Meduza single “Piece of Your Heart,” and he also worked with global pop sensation Dua Lipa for the official remix of her hit single “Physical.” Recently he also collaborated with Grammy-award pop sensation John Legend on “In My Mind” and with renegade vocalist John Martin on “Wherever You Go” and lended his talents to remix Ed Sheeran‘s “Shivers.” The sky is the limit for the Brazilian superstar.
Alok‘s forthcoming dates:
Jun 24 – Maceió, AL, Brazil ??
Jun 25 – Caruaru, PE, Brazil ??
Jun 25 – Campina Grande, PB, Brazil ??
Jun 30 – Zamárdi, Hungary – Balaton Sound ??
Jul 04 – Ibiza, Spain – Hï Ibiza ??
Jul 08 – Neustadt-Glewe, Germany – Airbeat One Festival ??
Jul 09 – Figueira da Foz, Portugal – RFM SOMNII 2022 ??
Jul 10 – Novi Sad, Serbia – Exit Festival ??
Jul 11 – Ibiza, Spain – Hï Ibiza ??
Jul 13 – Florida, FL, USA – Private Event ??
Jul 14 – Miami, FL, USA – LIV ??
Jul 16 – Boom, Belgium – Tomorrowland ??
Jul 18 – Ibiza, Spain – Hï Ibiza ??
Jul 22 – Mykonos, Greece – Cavo ??
Jul 23 – Kołobrzeg, Poland – Sunrise Festival ??
Jul 24 – Ibiza, Spain – Ushuaïa ??
Jul 25 – Ibiza, Spain – Hï Ibiza ??
Jul 28 – Sardegna, Italy – Private Event ??
Jul 30 – St Tropez, France – Private Event ??
Aug 01 – Ibiza, Spain – Hï Ibiza ??
Aug 04 – Mykonos, Greece – Cavo ??
Aug 06 – Romania – Untold Festival ??
Aug 08 – Ibiza, Spain – Hï Ibiza ??
Aug 09 – Panarea, Italy – Raya Summer Fest ??
Aug 11 – Abu Dhabi – Private Event ??
Aug 13 – Seoul, South Korea – E-Prix 2022 ??
Aug 15 – Ibiza, Spain – Hï Ibiza ??
Aug 18 – Monte Carlo, Monaco – Private Event ??
Aug 25 – Navegantes – SC, Brazil ??
Aug 26 – Barretos, SP, Brazil ??
Aug 27 – Divinópolis, MG, Brazil ??
Aug 28 – Vitória da Conquista, BA, Brazil ??
Aug 30 – Uberlândia, MG, Brazil ??
Sep 03 – Rio de Janeiro, Brazil – Rock in Rio ??
Sep 05 – Ibiza, Spain – Hï Ibiza ??
Sep 09 – Casablanca, Morocco – Private Event ??
Sep 10 – Itu, SP, Brazil ??
Sep 10 – Araçatuba – SP, Brazil ??
Sep 12 – Ibiza, Spain – Hï Ibiza ??