


Austin, Texas artist, Deezie Brown released his long-awaited debut album “Judith,” a 12-track body of work delivering a very edgy and rebellious depiction of alternative hip-hop and contemporary music. Banger of the Day called the album “an absolute masterpiece…one the most thought-provoking, fresh minded, musical talents that we have heard in Hip Hop in a minute.”
THE PRESETS
NEW ALBUM HI VIZ SET FOR
RELEASE MAY 18
PRE-ORDER HERE

ANNOUNCE HI-VIZ NATIONAL TOUR FOR JUNE 2018
Australian electronic dance pioneers THE PRESETS are back with a vengeance, announcing today that their long awaited fourth studio album HI VIZ is set for release on May 18 through EMI Music Australia, and will be followed by a national tour across June, taking in Perth, Adelaide, Melbourne, Canberra, Wollongong, Sydney, Brisbane and the Gold Coast.
Their return was heralded in spectacular fashion late last year with the first taste of new music from HI VIZ – the urgent “Do What You Want”, which featured in triple j’s Hottest 100 songs of 2017 and the sweeping “14U+14ME”, which is among the tastemaker station’s most played songs of 2018. Most of the album has been mixed by John Hanes who created the classic mix of “Uptown Funk” as well as working more recently with the likes of Sia, Bruno Mars and Major Lazer. Apocalypso collaborator Scott Horscroft also mixed several HI VIZ tracks while Flume engineer Eric J mixed “Beethoven” – the pair’s sly nod to their Conservatorium years.
“We wanted to make something that was literally meant to get you out of your head”, explains Julian Hamilton. “All the songs on HI VIZ are outward looking so in that respect it’s much more like our earlier stuff. It’s about trying to capture that energy you get on a great night out with your friends when you get to leave everything else behind you for a while. We essentially tried to create the soundtrack to a party that we would want to go nuts at.”
“It’s taken us ages to make this album because we just kept writing and recording more and more songs”, reflects Kim Moyes. “At one point we had about 50 contenders and, like us, they were all over the map mood wise. Eventually we decided – fuck it – let’s just pick the most ‘up for it’ songs. Those tracks are always the most fun for us to play live anyway so we thought ‘why not have a whole album of them?’”.
Both Julian and Kim individually produce other artists outside their Presets collaborations, so it’s not surprising that they, once again, are credited as Producers for their own album. It’s also apt that some of the artists with whom they’ve worked should make HI VIZcameos. For example, “Are You Here?” features indie rockers the DMA’s, whose latest release was co-produced by Kim. Similarly Alison Wonderland – for whom The Presets recently created a widely played remix – guested on the beaty “Are You Out Of Your Mind?” while Jake Shears from Scissor Sisters added vocals to the dark’n’steamy “Tools Down”.
It’s been a decade since The Presets first set festival fields alight with breakthrough anthems like “My People”, “Talk Like That” and “This Boys In Love”. The pair had been making waves in Sydney’s clubs since forming in 2003 and signing to the influential Modular Records, but it was their 2008 Oz chart topper, Apocalypso, that first introduced them to wider audiences. That album was certified triple platinum and won them six ARIA Awards in their homeland. By contrast, 2012’s critically acclaimed Pacifica was comparatively introspective but epic gigs around the world – from Glastonbury Festival and Coachella to Splendour In The Grass – forged the duo’s reputation as Australian electronic music trailblazers.
HI VIZ lands May 18 and the album is available for pre-order from today, visit: thepresets.com/preorder
THE PRESETS
HI VIZ JUNE TOUR 2018
PRESENTED BY LIVE NATION & TRIPLE J
With special guest Roland Tings
For complete tour and ticketing, visit: livenation.com.au/artist/the-
METROPOLIS, PERTH (GA/18+) – WEDNESDAY JUNE 13
THEBARTON THEATRE, ADELAIDE (GA/All Ages) – FRIDAY JUNE 15
FORUM THEATRE, MELBOURNE (GA/18+) – SATURDAY JUNE 16
UC REFECTORY, CANBERRA (GA/18+) – THURSDAY JUNE 21
WAVES, WOLLONGONG (GA/18+) – FRIDAY JUNE 22
ENMORE THEATRE, SYDNEY (GA/All Ages) – SATURDAY JUNE 23
THE TIVOLI, BRISBANE (GA/18+) – WEDNESDAY JUNE 27
NIGHTQUARTER, GOLD COAST (GA/18+) – FRIDAY JUNE 29
TICKETS ON SALE 12PM, WEDNESDAY APRIL 11
Fan pre-sale: 11am, Monday April 9 until 11am, Wednesday April 11
View The Presets HI VIZ JUNE TOUR 2018 Teaser HERE
Access media assets HERE
FOLLOW THE PRESETS:
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Credit: Maclay Heriot
“Hannah’s voice is a little Stevie Nicks-ie and the jangly guitars sound like they’re lifted from an interstitial scene in Singles, but you know sometimes you hear a song and you just like it.”
– NOISEY
“Heartfelt, clever ruminations at the intersection of indie rock and alt-country”
– ROLLING STONE
“Led by the powerful vocals of Hannah Joy, the trio deal in infectious indie pop-rock.”
– SUNDAY TIMES CULTURE
Aussie trio Middle Kids will release their debut album Lost Friends next month, and today they share new single “On My Knees”. The band explain the track is “about rejecting the value system of the individual as the prime unit of society. It’s also about how suffering and disappointment can help change our perspective in a healthy way. When we stop focusing on ‘winning’ and can submit to something bigger, or to each other, we are better people.” Listen HERE.
On Lost Friends, Hannah Joy, Harry Day and Tim Fitz bring back their knack for haunting hooks, lyrical poignancy and irresistible indie rock appeal that critics praised in their self-titled first EP, released in February 2017. This radiant collection of new songs conjures melodic nostalgia for some of songwriting’s very best, rich in heartfelt build and beautiful simplicity.
Middle Kids made a powerful debut last year with the release of their internationally acclaimed self-titled EP, featuring singles “Edge of Town” and “Your Love”. The band dazzled at several SXSW and The Great Escape showcases, made their U.S. television debut on Conan and supported legendary acts like Ryan Adams and The War On Drugs.
The new album, Lost Friends, is the kind of album that sucker-punches you in the gut, revealing its nuances only after repeated listens. The songs’ edges are jagged, the production clean, stray imperfections imbue warmth and a human touch. Middle Kids craft classic hooks and riffs that tangle up in your brain like licorice and choruses that linger long after the song has faded. And they’ve bonded over a greater sense of what their music should accomplish.
Lost Friends will be released on May 4th through EMI Music Australia and is available now to pre-order HERE on limited lilac coloured gatefold vinyl, gatefold CD, and digital download.
Lost Friends track-listing:
01. Bought It
02. Mistake
03. Edge Of Town
04. Maryland
05. On My Knees
06. Don’t Be Hiding
07. Hole
08. Please
09. Lost Friends
10. Never Start
11. Tell Me Something
12. So Long Farewell I’m Gone

Lost Friends cover art
Middle Kids Lost Friends National Tour
Presented by triple j
Tickets on sale now from www.middlekidsmusic.com/tour
AUSTRALIA
Wed 9 May Rosemount Hotel, Perth WA
Thu 10 May Mojo’s Bar, Fremantle WA
Fri 11 May Fat Controller, Adelaide SA
Fri 18 May Woolly Mammoth, Brisbane QLD **SOLD OUT**
Sat 19 May Woolly Mammoth, Brisbane QLD **NEW SHOW**
Wed 23 May Corner Hotel, Melbourne VIC **NEW SHOW**
Fri 25 May Karova Lounge, Ballarat VIC
Sat 26 May Corner Hotel, Melbourne VIC **SOLD OUT**
Sun 27 May Sydney Opera House, NSW (VIVID LIVE) **NEW SHOW**
Middle Kids international tour dates
Tickets from www.middlekidsmusic.com
US
June 01 Nelsonville, OH @ Nelsonville Music Festival
June 03 New York, NY @ Governors Ball
June 05 Boston, MA @ Brighton Music Hall
June 08 Pontiac, MI @ Crofoot Ballroom – Pike Room
June 09 Chicago, IL @ Lincoln Hall
June 11 Kansas City, MO @ recordBar
June 12 St. Louis, MO @ The Ready Room
June 13 Nashville, TN @ The High Watt
June 15 Washington, DC @ Rock & Roll Hotel
June 16 Dover, DE @ Firefly Music Festival
June 18 Raleigh, NC @ The Pour House Music Hall
June 19 Atlanta, GA @ The Masquerade – Purgatory
June 22 Austin, TX @ Antone’s Nightclub
June 21 Houston, TX @ White Oak Music Hall (Ustairs)
June 23 Dallas, TX @ Club Dada
June 26 Los Angeles, CA @ Lodge Room
June 27 San Francisco, CA @ The Independent
June 29 Portland, OR @ Mississippi Studios
June 30 Seattle, WA @ Tractor Tavern
Follow MIDDLE KIDS
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The 8th edition of Pitchfork Music Festival Paris will take place on 1, 2 & 3 November 2018 at the Grande Halle de la Villette. Get ready for 3 days of heady musical action this Autumn in Paris!
Since 2011, the festival has made the Grande Halle de la Villette its home, right in the heart of Paris’ 19th arrondissement. Spread over 3 days, the festival offers music lovers a bold line-up that’s like no other, showcasing the best of the international indie scene.
We’re extremely excited to announce the first names: Bon Iver, whose beautiful melodies and delicately written songs we all know and love so well; the extravagant and unconventional Fever Ray, aka Karin Dreijer Andersson (one half of Swedish duo The Knife), who’s back with Plunge, her first album in 8 years; oddball eternal teenagerMac DeMarco brings his happy-go-lucky fragility; and finally, Devonté Hynes’ most indie-funk, R&B-pop alter-egoBlood Orange will be there, with his hotly anticipated new album up his sleeve.
Since 2016, Pitchfork Paris has spread its musical wings with Pitchfork Avant Garde. Spanning Paris’ Bastille neighbourhood, come discover the new indie guard over two nights of music, on 30 & 31 October.
Pitchfork Music Festival Paris is produced by Super Parisian booking and events agency, producing tours for French and International artists – and the American media Pitchfork.
— INFO
3-day pass on sale on April 5th ( €100 > €120 > €135) : http://www.digitick.com/index-
Day tickets ( €45 > €50 > €55) : not on sale yet
Links:
Website : https://
Facebook Event : https://www.facebook.com/

HEAR: “Tiger”
https://open.spotify.com/
https://itunes.apple.com/us/
https://soundcloud.com/
Today, California based indie-pop duo The Gloomies release their infectious new single “Tiger”.
Front man Andy Craig and drummer Chris Trombley began their music career together when they
met in 2013 and played in the band SACCO. They have since created songs that exhibit a layer of
fantastical and hypnotic themes. Towards of end of 2015, The Gloomies quickly gained notoriety
after releasing their debut single “LSD” from the likes of NME, Noisey, DIY, EW, among others. A
5-song EP entitled ‘Blackout’ featuring the noteworthy track “Fire Escape” soon followed in Spring 2016.
Late in 2017 the band released the single, “Space”, which features guest vocalist Madeline Follin (Cults).
Stay tuned for news about their long-awaited debut album..
Catch ’em on the road in May with Cullen Omori (Sub Pop).
Tour Dates:
5/3 San Pedro, CA @ Brouwerij West *
5/4 San Diego, CA @ Soda Bar *
5/5 Los Angeles, CA @ The Echo *
5/6 San Francisco, CA @ Cafe Du Nord *
5/8 Portland, OR @ Bunk Bar *
5/9 Seattle, WA @ LoFi *
5/10 Vancouver, BC @ Astoria *
5/12 Boise, ID @ Neurolux *
5/13 Salt Lake City, UT @ Kilby Court *
5/15 Denver, CO @ Lost Lake *
5/17 Tucson, AZ @ 191 Toole *
5/19 Phoenix, AZ @ Yucca Tap Room *
* w/ Cullen Omori
facebook.com/thegloomies
twitter.com/thegloomies
instagram.com/thegloomies
soundcloud.com/thegloomies
————————————
With their debut LP Their Prime set for release May 25th worldwide via Sub Pop Records & Canada via Royal Mountain Records, Vancouver-based quartet Jo Passed are sharing the second single & video from the album with new track “Millennial Trash Blues”.
Director Justin Gradin offers this of the video: “A nightmare on the tip of an eyelash. An astrological garbage dump with burning snowflakes and a trap door. A wild teen awake in someone else’s dream.”
Jo has been part of the DIY music scene since his late teens. Initially it was just him and his high school best friend Elliot Langford against the world. They were the “freaky music weirdos” and they began their own band projects. Jo was pretty sure that it would be two of them riding into the sunset – or maybe the gloom – together. Personal circumstances and the phenomenon of the late 20s return of Saturn (for those who believe in astrology) got in the way. Their band Sprïng called it a day. That’s where the life of Jo Passed began. The idea of a band dynamic is far more appealing to Jo than solo projects, and the current incarnation of Jo Passed feels like its most robust yet.
Jo, along with his friend and drummer Mac Lawrie, moved across the country from Vancouver to Montreal. The two would play shows in Montreal and eventually tour the far right corner of North America. Upon Jo’s return to the west coast, multi-instrumentalist Bella Bébé officially joined the band in January of 2016, expanding Jo Passed from trio to a full quartet. Multimedia artist Megan-Magdalena Bourne began working with Jo Passed on a video project for the song “Rage” (from the Out EP). This creative partnership would eventually lead to her taking on the role of bassist for the band.
When not geeking out over The Zombies, or Nirvana, or Johann Sebastian Bach… Bella, Mac, and Megan have worked with Jo to realize the live experience of Their Prime, following two Jo Passed EPs titled Up and Out.
Preorders for Their Prime are now available through Sub Pop and Royal Mountain Records. LP purchases in North America through https://megamart.
Their Prime is a record about identity and the loss of time that happens as a direct consequence of being in the city with nowhere to rent, no time outside of employment and no realistic expectations to live up to. It encompasses that fear of being beyond the glory years, the most creatively fruitful period of one’s life. Those years were lost to contemporary struggles for working relationships, home, identity and space. “It’s me owning my worst nightmare,” he admits. “A lot of the Jo Passed project has been about confronting fears. I was afraid to move away from Vancouver to Montreal on my own. Afraid to leave musical relationships I had. Afraid to bare the full responsibility of a project. I’ve been putting out records and not ones anyone’s necessarily heard. Being open about those fears is a good way of dealing with them. You end up at this point where you hit 30 and you’re like, ‘Oh what happened? Am I done? Did I not activate my main creative energy?’ It’s a ridiculous idea but 30 feels a little like 1000 in rock n roll terms.” You can hear the frustrations and the jitters in the crashing loud-and-quiet motifs throughout the album’s twelve tracks, which offer up a patchwork quilt of sound, similar to Faust’s IV or Fugazi’s Red Medicine.
Jo Passed live dates:
Apr. 14 – Victoria, BC – Lucky Bar
May 12 – Toronto, ON – The Garrison / CMW (Royal Mtn. Records showcase)
May 25 – Vancouver, BC – Red Gate Arts Society
May 27 – Oakland, CA – Starline Social Club
May 28 – Los Angeles, CA – Moroccan Lounge
May 30 – Phoenix, AZ – Valley Bar
May 31 – El Paso, TX – Lowbrow Palace
Jun. 01 – Austin, TX – The Sidewinder
Jun. 02 – Fort Worth, TX – MASS
Jun. 04 – Nashville, TN – The End
Jun. 05 – Durham, NC – The Pinhook
Jun. 06 – Washington, DC – DC9*
Jun. 07 – Philadelphia, PA – Boot & Saddle*
Jun. 09 – Allston, MA – Great Scott*
Jun. 10 – Providence, RI – Fete Music Hall*
Jun. 11 – Montreal, QC – Bar Le Ritz
Jun. 12 – Ottawa, ON – Makerspace North
Jun. 13 – Detroit, MI – Marble Bar*
Jun. 14 – Columbus, OH – Ace of Cups*
Jun. 15 – Cincinnati, OH – TBC*
Jun. 16 – Chicago, IL – Sleeping Village*
Jun. 17 – Milwaukee, WI – The Cactus Club*
Jun. 18 – St. Paul, MN – Turf Club*
Jun. 19 – Winnipeg, MB – The Good Will Social Club
Jun. 20 – Saskatoon, SK – Amigos
Jun. 21-23 – Calgary, AB – Sled Island Festival
Jun. 27 – Portland, OR – Mississippi Studios
Jun. 29 – Seattle, WA – Barboza
*w/ Dick Stusso
Their Prime artwork:
Their Prime tracklisting:
1. Left
2. MDM (video)
3. Glass
4. Undemo
5. Facetook
6. Repair
7. R.I.P.
8. Millennial Trash Blues
9. You, Prime
10. Sold
11. Another Nowhere
12. Places Please
Links:
Jo Passed on Bandcamp
Jo Passed on Facebook
Jo Passed on Twitter
Jo Passed on Instagram
Jo Passed on Sub Pop Records
Big Scary Monsters are delighted to announce that they have signed Brighton-based quartet ORCHARDS and will be revealing further details of new material over the coming months.
The band head out on tour with Minnesota trio Tiny Moving Parts across the EU and UK next month, and to celebrate the news of their signing are pleased to be streaming brand new track ‘Luv You 2’ which is released 4th April 2018via all good digital service providers.
Listen and share here: https://soundcloud.com/
Commenting on the inspiration for the track, vocalist Lucy Evers said: “Most of the lyrics I write come to me in stages, but these words just flew out on to the paper. I penned the whole song within half an hour, just from one brief conversation with someone I was once friends with. We both fell in love with the same person, unbeknownst to each other at the time. I felt so inadequate in comparison to the other girls that this person was very obviously attracted to, but after a pep talk with my best friend I realised it wasn’t worth my energy and that if they didn’t want me well it was their loss, that I should rise above it and carry on regardless.
“I’d totally forgotten about those emotions and how they made me feel because I was too busy trying to be a boss-ass bitch (I’m definitely not cool enough to say that), but after bumping into one of the girls it all came flooding back. My favourite lyric in the song is ‘I don’t hate you because she raised me right, it’s just a pity you didn’t put up a fight’. I take a lot of inspiration from the amazing women in my life and none of them raised me to be defeatist. That’s what this song’s about – patience, understanding and never giving up – just continuing to grow.”
Previously described as a “glittery gateway drug” and combining left-field experimentation with startlingly prescient pop sensibilities, Orchards are following in the footsteps of luminaries Everything Everything and Foals with their accessible take on the instrumental complexities and effects wizardry of mathrock stalwarts like Tera Melos and TTNG.
Having so far appeared at festivals including Handmade, TRUCK, YNOT and Alternative Escape, they have also performed as part of the global music series Sofar Sounds and have been featured on playlists curated by Spotify & Buzzfeed.
Support from local and national radio from the likes of BBC Introducing, Juice Radio and BBC Radio 6 Music has been backed up by critical praise from press including The Line of Best Fit, DIY, CLASH, DORK, Wonderland, Indie Shuffle and a whole host of Hype Machine blogs and influencers.
Further details of new music TBA
Orchards 2018 UK/EU Tour Dates + Festival Appearances
07.04.18 – Southampton – Joiners – UK *
08.04.18 – Nottingham – Bodega – UK *
09.04.18 – Newcastle – Think Tank – UK *
10.04.18 – Glasgow – Stereo – UK *
11.04.18 – Leeds – Key Club – UK *
12.04.18 – Cardiff – Clwb Ifor Bach – UK *
13.04.18 – London – The Dome – UK *
14.04.18 – Birmingham – The Asylum 2 – UK *
15.04.18 – Manchester – Deaf Institute – UK *
17.04.18 – Paris – Backstage – FR *
18.04.18 – Cologne – MTC – DE *
19.04.18 – Hamburg – HeadCRASH – DE *
20.04.18 – Trier – Luckys Luke – DE *
27.04.18 – Leicester – The Cookie – UK (supporting TTNG)
06.05.18 – Newcastle – Hit The North – UK
12.05.18 – Exeter – Queer Punk Fest – UK
17–19.05.18 – Brighton – The Great Escape – UK
16.06.18 – Winchester – Winchestival – UK
20.06.18 – Orfu – Fishing On Orfu Festival – HUN
22.07.18 – Oxfordshire – TRUCK Festival – UK
17.08.18 – Bristol – ArcTanGent Festival – UK
* w/ Tiny Moving Parts
https://www.facebook.com/orchardslivehttps://www.youtube.com/c/orchardslivehttps://twitter.com/orchardslivehttps://orchardslive.bandcamp.comhttps://www.instagram.com/orchardslive
Today we’re excited to introduce you to Ghent-based trio Teen Creeps, who have just announced their debut album ‘Birthmarks‘ set for release April 6th. Combining a mixture of ’90s inspired alt rock with hard-hitting punk, the first single from the LP “Sidenote” is online now.
Speaking about the new track, singer-bass player Bert said “It’s about not fully committing to someone and getting nowhere because of it. Feeling something but holding it off because you don’t want to get hurt again. When I wrote the words I had just come out of a relationship and wasn’t ready yet for a new one. I met someone but things went sideways because of this.”
“The dancer in the video is Jules Jordens, an actor who is a friend of the band. He showed up with an entire dance routine that perfectly translates the vibe and energy of the song. Plus, watching him go at it brings smiles on our faces.”
Teen Creeps are a trio from Ghent. You may know drummer Ramses Van den Eede from weirdo rockers Hypochristmutreefuzz, singer-bass player Bert Vliegen from the slowcore bands Sophia and Horses or guitarist Joram De Bock from the former hardcore formation Deadender. But what the three do in Teen Creeps is something quite different.
They combine a mixture of alternative rock from the ‘90’s and punk that sounds both solid and melodious. The band itself describes its music laconically as ‘post-everything’, but you can clearly hear the influences of nineties bands Sonic Youth, Dinosaur Jr. and Jawbreaker. As well as those of contemporary bands like Cloud Nothings and Yuck.
“In fact, we usually play indie rock, but the kind of music to which the term originally referred in the ‘80’s and ‘90’s. That of bands like Superchunk and Archers or Loaf: guitar rock at the boundary between punk and melody. Not because we are nostalgic, but because we identify with the sound of that time. It is solid and energetic, but also melancholic and embodies lived experience. That is something that we are also striving for ourselves: it may ‘rock’, but we always put a lot of feeling into our music.”
Since its formation five years ago, Teen Creeps has performed as many shows as possible at home and abroad, appearing on stage at renowned festivals in the Benelux as Rock Herk, Absolutely Free Festival and Incubate. And playing clubs in Germany, France and Great Britain.
After an EP (2014) and a 7” (2015), Teen Creeps began work on their first full album. Their previous releases were all recorded in the rehearsal room, but for ‘Birthmarks’ they recorded in a real studio for the first time. The band went to London, where they worked with the producer Rory Attwell (Veronica Falls, The Vaccines, Yuck) at Lightship 95. A studio on a lightship anchored in the Thames.
“We got to know Rory when we were the opening act for his band Die! Die! Die! When it emerged that he had also worked as a producer on records of which we were fans, to us it seemed the perfect match. And indeed it was! The studio itself was a further reason for going to London. Because recording on a big, red boat naturally appeals to the imagination”, says guitarist Joram.
Through nine numbers, Teen Creeps adheres to its mixture of fuzzy guitars, melodious vocals and energetic drums on ‘Birthmarks’. But at the same time the band also pulls out all the stops. ‘Sidenote’ opens strongly, but is quickly followed by the poppy ‘Hindsight’. On ‘Mercury’, the bass guitar comes to the fore, and in ‘Good Intentions’ the tempo slows for the band’s best number so far. “We have tried to do new things within the framework in which we work. We remain true to ourselves, but we do not want to fall into repetition either”, says drummer Ramses.
Textually ‘Birthmarks’ has become a personal record, singer Bert explains. “It is an album about frustrations, shortcomings and disappointments. About misplaced hope and false expectations, about people hurting and being hurt and not being able to deal with it. Very personal for me, but that is something that I have learned with Teen Creeps: to make myself vulnerable in my texts. ‘Birthmarks’ contains the most honest lyrics that I have ever written. The title refers to events that you carry with you for the rest of your life, whether good or bad. Just as a birthmark is not necessarily beautiful or useful, it is forever.”
‘Birthmarks‘ artwork:
‘Birthmark‘ tracklist:
1. Sidenote (video)
2. Hindsight
3. Mercury
4. Will
5. Good Intentions
6. Thread
7. Hemispheres
8. Unravel
9. Forging Kindness
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Photo Credit: Latoya van der Meeren
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Nana Adjoa is the Dutch-Ghanaian singer-songwriter brimming with quiet confidence. Her new EP, Down at The Root (Part 2) combines the warm, musical simplicity of great song-craft, with the bold, multi-layered palette of artists such as Beck or Little Dragon.
Released today is the first track from the new EP “Honestly“, the follow up to the gorgeous Down at The Root (Part 1). The song is a self-described “outsider track” that grew from its simple piano backing into an altogether more vibey affair. “I didn’t even think it was going to make the record because it felt so different from the rest,” Nana says. “I guess it’s about how people are scared of the possibility of something bad happening. And that fear is really strange because you don’t know what’s going to happen. You never know what’s going to happen.” As Nana herself is proving – eventually you just have to let go.
Who Is Nana Adjoa…
Born in Amsterdam, Nana spent a portion of her childhood in the concrete environs of working class neighborhood the Bijlmer. “It’s not the nicest part,”she says with trademark modesty of an area described by the local chief of police as a ‘national disaster area’. Her father was a Ghanaian who’d came to Amsterdam in the 1980s, her mother Dutch (“very Dutch”). She describes her upbringing as fairly liberal until her parent’s divorce and their subsequent embrace of Christianity. ” The second part of my growing up was with some Christian values, but by this point I was getting to the age of making up my own mind,” she says. ” It was a bit ‘too late’ for me.” She speaks of a rift it cased in her family, with the Christians (Nana’s father, mother and brother) on one side and the non-Christians (Nana, her sister and the rest of the family) on the other.
Religion, along with questions about her own gender identity as well as growing up a half black person in a pretty white environment were all benchmarks that really shaped who Adjoa is and in turn her songwriting. “In fact, I think I still unconsciously use a lot of Christian ideas and metaphors in my music,” she adds.
Nana was accepted to study jazz (electric bass and double bass) at the prestigious Amsterdam Conservatory, however the reality wasn’t quite what she’d imagined.”It was very much like school,” she says, today. “We thought we wanted to go to the most difficult department, that we wanted to be the best, but it wasn’t a very fun experience.” A divide began to grow between the restrictive, theoretical compositions she was studying and the more melodic, free-flowing music she was playing outside.
Soon after she realized pursuing her own solo career and not academia was the direction for her she she formed a band and for the first time started recording her songs. The results are Down at The Root (Part 1) and Down at The Root (Part 2)
with Part 2. “It’s a really nice feeling when people actually listen to the music you created somewhere,” she says of an ever-growing fan base. “It’s still crazy.“
Follow Nana Adjoa:
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