Grammy Award winning Wynonna had shared a stirring cover of the classic John Prine song “Angel From Montgomery” from her upcoming EP Recollections; listen to the track HERE.
“I was sitting in the kitchen when I got the news that John had flown,” Wynonna explained. “I told Cactus I needed to sing ‘Angel From Montgomery’ that night because I needed to honour how much John had meant to me. I learned that song when I was a teenager, and now, forty years later, I’m still singing it, and hopefully passing it on to the next generation who will keep on singing it, too.”
Recollections marks both a literal and a figurative homecoming for Wynonna, who recorded much of the collection while quarantining on her Tennessee farm in the midst of the COVID-19 pandemic. Forced off the road for the first time in years, she found herself reconnecting with her roots as she sang once again for the sheer joy of it, performing a series of loose and lively covers with her husband, former Highway 101 drummer, multi-instrumentalist and producer Cactus Moser.
“I’ve learned a lot being at home these last few months,” Wynonna reflects. “When there’s no touring, no concerts, no band, no lights, no action, all that’s left is you and the song. All that’s left is your gift.”
It was precisely that freedom that led Wynonna to Recollections, a project so spontaneous and organic she didn’t even realise she was making it at the time. “This EP was a labor of love without the labor,” she laughs. “As a songwriter, you can get bogged down in your own craft sometimes, but there’s something so liberating about letting go of all that and just inhabiting someone else’s writing.”
“I feel like I’m right back where I started,” she continued. “Like I’m 18 all over again. When I sing these songs, it feels like I’m coming home.”
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The world’s premier electronic music cruise returns with 30+ artists, live performances, mixed visuals, and #GCFAM parties, with major talent all weekend long.
Miami, FL (Sept 20, 2020) – Whet Travel, the leader in independent music cruise experiences, prepares for one of their largest Groove Cruise Virtual Sail Aways Live streaming events to date. The weekend of Sept. 25-27 will see 30+ live performances from worldwide headliners such as Tritonal, Autograf, Jorn Van Deynhoven, Mark Sixma, Solarstone, and more. Thanks to their super-tech hub based in FL, the 3-day massive is able to host these acts from all over the world; alongside adding live mixed visuals atop of the artists. The Groove Cruise Night Swim After Hours series will also be taking place, which are renowned for their 24+ hour sessions feat. costume changes, pizza deliveries, and more. Viewers will be able to donate for rewards on the Groove Cruise Twitch to help both artists performing and the Whet Foundation; also known as Whet Travel’s 501c3 nonprofit that focuses on giving back to those facing hardships and creates exciting experiences for underprivileged children in South Florida, the Caribbean and Mexico.
The floating-festival-gone-virtual will kick off on Friday, September 25, 2020, and the weekend will host all live performances; plus donation incentives like exclusive Groove Cruise merchandise, Artist Activities, and backstage experiences aboard their upcoming Miami sailing this Jan 7-11, 2021! Their previous Sail Aways hit an all time high with just over 640,000 live viewers – totaling up to 6.19 million total minutes watched on the GC twitch, their main streaming platform . As a top tier twitch partner, Groove Cruise was featured on the Twitch frontpage throughout the weekend; plus saw organic support from Amazon Music and was a trending fundraiser on Tiltify. It’s obvious to see that the GC Captains, also known as those who make up their community, are always excited to dance all weekend long with their favorite music cruise. The Whet Travel team has expressed nothing, but positivity towards continuing to give their vast music community a fun weekend and support within these hard times.
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WHO: Anyone interested in donating to help support the incredible talent performing or the Whet Foundation will be able to during the stream for rewards and prizes such as GC merchandise, Artist Activities, and backstage experiences during their next Miami sailing Jan 7-11, 2021.
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WHAT: This live stream event will feature artists from all over the world, performing from locations such as the United Kingdom, The Netherlands, Poland, Miami, Las Vegas, Los Angeles, San Francisco, and more; plus live visuals will be added to simulate a real in-person show. The Whet Foundation is a 501c3 that was started 8 years ago and all donations are tax deductible.
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WHEN: September 25-27, 2020 for approximately 9 hours per day.
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WHY: What’s important during this time is supporting the people who make up our diverse community; giving back to both the artists who represent Groove Cruise, the Captains who make up our Groove Cruise Family, and to those underprivileged who we are able to extend a hand to is the only thing that makes sense for us during the pandemic and aboard our music cruise experiences.
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HOW: Our tech team has been online streaming collectively for over 20 years and will be having all streams from artist homes going into their mega-center in Florida with added live visuals and then out to the world across all Groove Cruise, artist, and media channels.
For the latest Whet Foundation updates, visit the Groove Cruise website, and follow the event on Twitch, Facebook, Instagram and Twitter.
About the Whet Foundation
The Whet Foundation is a Florida based 501c3 organization that offers grass roots disaster relief for those experiencing hardships and creates exciting experiences for underprivileged children in South Florida, the Caribbean and Mexico. Through our Community Captains and Destination Donation programs, we strive to excite the lives of those less fortunate in a fun and engaging way while positively affecting an entire generation.
“Crocodylus have nailed this one” 5/5 stars – Declan Byrne triple J Home & Hosed
“Social Climber’ is a fun garage-y number that’ll be running around your head all day” – Life Without Andy
“An absolute blast” – AU Review
Sydney’s Crocodylus have dropped a nostalgic new video for their current single “Social Climber”, lifted from their forthcoming Social Climber / Camouflage 7” vinyl, set for release on October 16 via Bargain Bin Records.
The video for “Social Climber” was captured in Ginkin, NSW on a particularly cold day in August. Holed up in the tiny regional town working on their debut album, on the final day of the writing trip it started snowing, so Crocs grabbed their gear, dashed outside and started filming. The video is interspersed with their favourite tour footage collected over the last four years, giving it an air of both nostalgia and hope. The video premiered on triple j Unearthed last night and is essential viewing.
On the video, drummer Mikel Salvador says: “It was snowing, which was super lucky. Always feel like we get really lucky with the weather in our videos, like the sky in “Adrenaline”, or the sunset in “Ghosts”. Jamieson (Kerr – Director/Cinematographer) also used some old lenses from the 60s to shoot it, and it really kinda gives it that old vibe, although to me it looks a lot older than the 60s, feels like we’re in France in 1916 or something. We only had like 20 minutes or snow for that shoot too, so we were hurrying all over the place, same with the shots of us playing our instruments, it’s kinda hard to tell but it was full-on raining during that part and all our nice gear got soaked!
“The flashbacks in the video harken back to old times, it wasn’t a conscious decision to look back to pre-COVID days in the music scene, Jamieson has been working on this video for a year or so, gathering footage and all that. He’s been filming and hanging out with us for almost four years now and has gotten a lot of footage and special moments that we’ve all shared together. The current state of the music scene and the world is a fitting context for these scenes however it was not intended. It’s a lovely feeling watching that old footage and coming to terms with the current situation, but also getting excited for when we can do it all again.”
Recorded right before Sydney went into lockdown earlier this year, the double A-Side 7″ features soon-to-be-released “Camouflage”, boasting a classic Crocs feel, and current single “Social Climber”, which was written four years ago and reveals a different side to the Northern Beaches trio.
A jangly garage rock anthem-in-waiting, “Social Climber” is the band’s most poignant song yet and was embraced upon its release earlier this month. Premiering on triple j’s Home & Hosed, “Social Climber” has landed a spot on triple j Unearthed and Edge Radio rotation, and is currently among the top 10 most played on Three D Radio. “Social Climber” was also earmarked as Track of the Day on the AU Review, one of Life Without Andy’s Five Fresh Tracks and Something You Said’s Top 10 Tunes of the Week.
PRE-ORDER HERE
Rising genre-blending R&B/Hip Hop trio Your Grandparents comprised of vocalists DaCosta, Jean Carter, and ghettoblasterman – return today with their latest single ‘Tomorrow‘. Listen HERE, watch HERE.
‘Tomorrow‘ is an upbeat, smooth funk track co-produced by ghettoblasterman, Chris Nelson, and GRAMMY Award-winning producer Cole M.G.N. (Beck, Blood Orange, Christine and the Queens). Of the track, the band share, “Tomorrow is a funkadelic cry for reassurance from a lover.”
‘Tomorrow‘ is the latest offering from Your Grandparents’ forthcoming debut album and follows their recent critically acclaimed lead single ‘So Damn Fly‘, which earned high praise from the likes of The FADER, HYPEBEAST, Ones to Watch, UPROXX, Notion, Rated R&B, and more.
In April 2019, Your Grandparents self-released their eclectic breakout debut EP, Been Cold, that included fan-favorite track, ‘My Only One featuring neo-soul R&B songstress UMI. Following the EP release, the Los Angeles-based trio headed out on a sold-out West Coast tour with fellow SoCal singer-songwriter Cuco. In the midst of growing as a powerful music group in the past year, each artist has managed to create success independently in their own right. Most notably, Jean Carter’s feature on Cuco’s ‘Bossa No Se‘, which has clocked over 70 million streams.
Stay tuned for much more to come from Your Grandparents who are set to release their debut full-length album later this year via Sony Music-owned distributor The Orchard.
‘Tomorrow‘ by Your Grandparents is out now,
buy/stream it here.
Stay connected with Your Grandparents:
Instagram | Twitter | Facebook
Where are you currently based?
I’m from Sydney’s Northern Beaches! I have lived here my whole life.
What’s been happening recently and how has your Covid experience been?
My Covid experience was confusing and frustrating at times as I’m sure it has been for most people but I was also very blessed that my girlfriend moved in with me just before it all went crazy. We got a lot of time to hang out, relax and get a lot of song writing done.
How did you first start playing music?
I started playing piano in primary school. After a few years, I stopped and then ultimately picked up guitar instead. In high school my mates and I used to steal the guitars from the music room and jam in the park across the road. That was where I really found my passion for music.
Your new single ‘Trophy’ is out now, what influenced the sound and songwriting?
My song writing never really feels influenced by anyone as I usually let my mind go blank and just see what comes out. The melodies that my vocals found were mostly just me dancing with the instrumental and the lyrics came from somewhere deep in my subconscious. The project I’m currently working on focusses on themes of ambition, hunger and pride, so to me Trophy feels like the track that best embodies the project as a whole.
How did you go about writing Trophy?
I had spent the last couple of weeks writing, recording, sending emails, finalising features and filming videos when I woke up to the realisation that I was finally at the point in my career that I had been dreaming of. I finally have business to attend to at all times and people who are waiting to hear what I create. This song was me allowing myself to be proud of that while still being aware of how much work I still have to do.
Where and when did you record/produce and who did you work with?
I recorded this track with Espa at his studio in Five Dock. My homie Ollie Roland mixed it for me in one massive 10 hour session. I drove to his house at 8pm and told him I needed this track to be perfect. I ended up driving home at 6am in the morning feeling very accomplished but mostly exhausted.
Where can we listen/buy?
Trophy is on every major streaming service! If you wanted to buy the song on Itunes or whatever people do these days that would be great too! The best way to support me is by joining up as a member on my website lanstanmusic.com
What do you like to do away from music?
Not much. If I’m not listening to or creating music, I’m sorting things out on the business end.
Who are you listening to at the moment?
Recently, I’ve been loving watching The Kid Laroi’s run unfold. His album was as good as I could’ve hoped for and has already made a massive shift in the way Australian hip-hop is perceived.
What’s planned for the remainder of 2020 going into 2021?
Just to keep dropping music! I spent the first half of the year organising a massive run for the back end. Now I’m working to make sure there’s a new song out every few weeks.
Favourite food and place to hangout?
Bacon Egg Roll! I just have to try and not eat one every day. My favourite place to hang out is the studio. When the vibes are good in there, nothing beats it.
Official Website | Facebook | Instagram | YouTube | Triple J Unearthed
Today Death Bells announce their new album New Signs of Life and share its title-track, a grandiose statement, influenced by the theme song of HBO’s classic television program Six Feet Under. The album is due 25th September via Dais Records, pre-order here: https://n-s-o-l.com/
The LA-via-Australia duo deliver a shopping list of personal neuroses charged with wry optimism in ‘New Signs of Life‘, dressing it with jagged guitars, brass, and percussion that provides a deliberate pace for Death Bell’s new chapter. As method gives way to melody, ‘New Signs of Life’ exudes an urgent hope laced with drive and verve
“We started writing ‘New Signs of Life’ in Calgary whilst on tour around this time last year. More than anything, the song is about resilience in the face of change. It’s a very deliberate statement and sets the tone for what’s to come musically from us,” the band explain.
Death Bells is the longtime musical collaboration between Will Canning and Remy Veselis. Formed in 2015 during their late adolescent years in Sydney, Australia, the act has proven to be a mainstay in the alternative underground musical landscape both in their homeland and overseas during their five-year history. Blurring the lines of post-punk and garage rock, Death Bells has morphed and transformed as the two members have grown up throughout their late teenage years living together into early adulthood. With Canning’s distinctive baritone and the kinetic collection of reverb-drenched leads by Veselis being a constant during their musical output, the two made the permanent move 7,000 miles away to Los Angeles, California in 2018 where the current incarnation of Death Bells has blossomed.
Following the releases of their debut E.P, much-loved first album, and seven-inch single on Funeral Party Records and their 2019 single on Metropolitan Indian, Death Bells have joined the Dais Records family for their highly anticipated sophomore album New Signs of Life. Three years in the making, the release sees the act embrace their diverse tastes to deliver unforgettable hooks and more expansive sounds across its nine graceful songs.
Engineered and mixed under the attentive eye of Colin Knight at Paradise Studios throughout mid-to-late 2019, New Signs of Life is the band’s most complete work to date. Along with classic Death Bells brooding romanticism, the themes of the record divulge personal insight into their move across the world and both the strained and new relationships that have materialized throughout their existence. Slated for release on September 25th, New Signs of Life is as advertised – it is the career-defining new chapter to commence the new decade.
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At only 21 years of age, Sydney’s Lanstan is consistently pushing himself toward wider praise as he weaves a wide range of hip-hop influences with introspective and self-aware songwriting. Today, he unveils his latest project, the bold and ambitious ‘Trophy’.
Following on from ‘Blueprint’ earlier this year, Lanstan has kept the same energy when it comes to his new single: he is an artist who knows what he wants and he’s undeterred when it comes to his strive for success. Making his debut back in 2017 with viral hit ‘Garn Servo’, Lanstan moved quickly to keep the momentum growing, fleshing out his body of work into 2019 with the release of ‘Dream State’ (produced by Kuren) and ‘Go To Sleep’. While the vibe of each song differs, what remains the same is Lanstan’s dynamism and enthusiasm for the craft. And it’s the same with ‘Trophy’. “I usually begin writing any song with one standalone melody. I feel like within any instrumental there is only one perfect melody and my first task is always to find it. Once I’ve found it, the rest of the song seems to build itself naturally around it. With ‘Trophy’ I heard the melody instantly and sang it out loud during my first listen of the beat. The entrancingly rhythmic flute and guitars seemed to tell a story of pain and struggle, but at the same time felt victorious.” Lanstan
Throughout his burgeoning career, Lanstan has been open about his journey in exploring different sounds and establishing an identity on track that sets him apart. With ‘Trophy’, he’s introducing himself to newcomers and showing his longtime fans the type of artist he’s flourishing into as 2020 rolls on out.  PRAISE FOR LANSTAN
“Hailing from Sydney’s Northern Beaches, 21 year old Lanstan is one of Australian hip-hop’s brightest up and comers.” “The melodies in this are hard to deny, it feels bold without being too egotistical…” “Lanstan has continued to build his brand and loyal following through conceptually immersive projects.” ‘Trophy’ is released Friday, September 18th. |
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Obscura Hail
Facebook | Instagram | Twitter | YouTube | Unearthed
dotdashrecordings
remotecontrolrecords
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NOCON, the brand new art-punk project of Melbourne’s Jamie Timony (MOSSY/These New South Whales) and Jake O’Brien, today share new single ‘HOAX’ following its debut on triple j last night.
Out now on Dinosaur City Records, ‘HOAX’ is NOCON’s second single and follows the release of skuzzy punk track ‘AGAG’ (April 2020), which turned heads at triple j, double j, NME, Weirdo Wasteland, Tone Deaf, 2SER and Triple R among others, and landed rotation on FBi Radio and Edge FM.
Listen/download ‘HOAX‘ HERE.
Written, recorded and produced remotely by Jamie and Jake during a winter in isolation and mixed by Dean Tuza, ‘HOAX’ sticks to the parameters established with ‘AGAG’ with bendy guitars and driving bass, while leaning further into the band’s influences from trap, emo and cloud rap.
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The Brazilian singer-songwriter got inspiration from New York Times’ best selling book for this new track.
“There’s must be better angels… Who loves…” these are the words that Luiz Faria sings on his new single, from his upcoming album “Battle Scars”. The new track is an indie-pop style, led by the strong synth and vocals, while the lyrics tell the story about something that was with him during his quarantine in Brazil.
“I’m a huge fan of Cassandra Clare’s books and when I finished Chain of Gold, that ending got stuck inside my mind, and I was in shock because, you know, everything happening with the characters in such a waterfall way, so I got this idea to tell the story about that book and its personas”, said Luiz after finishing the recording session is his house in Brazil.
The song was produced by Jordie Saenz, a California-based music producer, who made songs from Love You Later, JAE BLAK and Super Whatevr. And they made it across the sea, uniting the willing to create something different.
“This song was out of my comfort zone, because it’s the first time that I wrote something from another person’s perspective and I gave Jordie all the creative license that he needed to make it happen. In the end, we are very happy with the track”, said Luiz explaining that he wrote the song in one morning.
Stream “No One Who Loves”:
SPOTIFY: https://open.spotify.com/track/1liWAQTqT0GcV9S6YKZRi9
APPLE MUSIC: https://music.apple.com/br/album/no-one-who-loves/1531538708?i=1531538722&app=music
DEEZER: https://www.deezer.com/br/track/1075504132
YOUTUBE: https://youtu.be/BvdOD9Bnhkc
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Where are you currently based?
I live on the Mornington peninsula in Victoria!
The boys are also originally from the area and Yara lives in Kew! It’s so nice being away from chaos of the city at the moment and having some calm!
What’s been happening recently and how has you Covid experience been so far?
It’s been challenging hey.
There have been lots of ups and downs but I feel that we are incredibly privileged to live in this beautiful part of the world and have access to all of the assistance and resources that we do.
I’ve taken this time to centre myself and write lots of new tunes.
Your new single ‘7Hundred25’ is out now, what influenced the sound and songwriting?
The subject matter of 7Hundred25 revolves around realisation and acceptance. We wanted an extremely gradual build and to make the song fee like it was forever growing.
7Hundred25 has this simplistic and raw energy to it and we wanted it to really develop during the recording process!
How did you go about writing the track?
For this track in particular, I created the foundation with a simple two chord progression. The melody had already came to me and I wanted to incorporate numbers into my writing. Once I started jamming it out in my bedroom, I recorded a demo with harmonies – this is when the magic started to happen and the tune really came together!
Where and when did you record and who with?
We recorded with Quin Grunden, partly at Boxhill Institute and partly in his studio.
This track is a part of a compilation album released through Cousin Will Records so we are stoked to be a part of it!
How did you approach the recording process?
I think this song had a really solid structure coming into the studio. We knew which elements that we wanted to incorporate but hadn’t fully refined them yet. 7Hundred25 was recorded over roughly six sessions and we had lots of time between our studio visits to evolve our ideas even further.
What programs/equipment did you use?
A stand out piece of equipment that we used for recording was the E-Bow. Our guitarist, Alex Marko, made the track shine with its beautiful, meditative, layered drone – it almost sounds like a violin!
Please tell us about the track vocals and instrumentation/harmony layers:
Vocals have always been at the forefront of our music. I resonate most with raw, powerful and emotive voices and lyricism.
We had so much fun adding all of the layers to the track and really adding that dynamic build.
I wanted the vocals / harmonies to become more emotional and prevalent as the song progressed and I feel that we achieved that.
We layered different sounds on Yara’s nord, had about 8 guitar tracks, a grand piano track, 2 bass tracks, a cymbal track, about 8 harmony tracks and the lead vocal track.
You run a charity organisation called Flo Events, please tell us about this:
Flo Creative Events is a not-for-profit events company that I co run with my beautiful artist friend, Shan Primrose. I guess our main focuses are creativity, community and charity.
We create various opportunities for people of various artistic backgrounds and local businesses. Shan and I put on wholesome events and quarterly magazines with each project donating money to important organisations. Flo is such a lovely community and we are super blessed to be a part of it!
What is your role in Fem Jams and what is Fem Jams all about?
Fem Jams is a project that I co run with Yara Alkurd and Pia Nesvara! These queens and I decided to create an empowering and inclusive jam space for all womxan.
Fem Jams occurs once a month at the Night Cat (out of isolation) and we curate an all female house band performance, paired with open jams once the energy is there!
We encourage woman to network and support one another in this space and in the broader community!
You also book gender equality driven nights at the Night Cat called ‘Sonic Textures’ please tell us more:
I miss Sonic Textures so much.
Tuesday nights (pre Covid) I hosted events at the Night Cat that always had equal female representation for an entire year.
It was such a beautiful space and I can’t wait to get back into the swing of things to discover more incredible emerging artists and showcase their talent!
Who are you listening to at the moment?
Lots of Lianne La Havas, Nasty Mars, Raveena and Lief Vollebekk!
Also heaps of local Aussie acts like Dulcie, Great Gable, Rissa, Benjamin Trillado, Indigo Mckeon and many more – what a great time to soak up all of the music!
What’s planned for the remainder of 2020 going into 2021?
We are planning to record and release an EP over the next 9 months. Unfortunately our national October Tour with Great Gable was postponed but we hope that we can get something going in 2021.
Favourite food and place to hangout?
At the moment I really miss The Night Cat – being able to work at or watch a stunning performance then head to Shawcross Pizza on Brunswick street to get a late night slice was always such a good time!
https://www.facebook.com/velvetbloom.music/
https://www.instagram.com/velvetbloom.music/
https://velvetbloom.bandcamp.com/
https://www.youtube.com/channel/UCLsOjd3he7oB58TqtCDNkgg?view_as=subscriber
With recent news that their Big Grief tour would only be going ahead in a limited format, Brisbane heavy hitters WAAX, while crushed to have had to take these measures are committed to make it up to their loyal fans with a special streamed performance.
WAAX will perform selections from their amazing debut Big Grief within Brisbane’s famous Tivoli in front of an intimate (and socially distanced) live audience.
Big Grief explores the very definition of the word grief in universal terms; it’s a mourning that as sentient beings in the modern world, with all its technological trappings, we should all be able to relate to.
As the band’s firebrand vocalist Maz DeVita states, “the whole album is about grief for so many things that I felt when we were writing the record. The way the world is at the moment, the environment, I talk about coal, I talk about problems in the past with my body image, and it’s almost like a big mourning. It’s definitely an outpouring of grief in every sense of the word.”
The show will be streamed live, and will not be available to view online following the event. Please note during the event you will not be able to pause, rewind or fast forward the stream.
“We are thrilled to be able to create this experience, we love our community so much. We want to still give something back to the rest of Australia since you’ve all supported us so much over the years. We’ll come back and visit as soon as we can, but before then please enjoy this live stream from the comfort and safety of your home.” – WAAX
OCTOBER 29TH, 2020 – 9:00-10:00PM AEDT
https://www.momenthouse.com/
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Released today, ‘TOMMY’S IN TROUBLE ft. CLYPSO + Phil ‘TOMMY’S IN TROUBLE ft. CLYPSO + Phil Fresh’ is the third track to be released from Kwame’s forthcoming EP, Please, Get Home Safe Out Friday October 30th The new single speaks on the warped perceptions and boundaries of society that an individual face often being villainized when being outspoken and providing voices on the unheard. The piece highlights two separate perspectives showcased through fellow Sydney artists CLYPSO and Phil Fresh. Both perspectives draw different themes and translate them through the musicality of the piece. “Table’s set and the tree is lit, TOMMY got himself in trouble”, as performed by CLYPSO in the song’s chorus, represents the movement against the parameters imposed by a society that limits creative output and the unity of race. The addition of Phil Fresh in the second half of the song to which accompanied by Kwame elevates the piece to a place where it’s no-holds-barred. The energy, character and conviction of both Kwame and Phil Fresh through their carefully thought out lyrics showcase the artists speaking out on the unheard, refusing to be villainized and oppressed. Whilst the piece may be from the point of view of Kwame’s personal experience, it acts as a voice to others who may face similar trials and tribulations irrespective of race, gender, sexuality and creative outputs. ‘TOMMY’S IN TROUBLE ft. CLYPSO + Phil Fresh’ follows ‘schleep.’ – a surprise flex track that dropped in March and further showcased the 22-year-old Ghanaian-Australian producer, writer, rapper, engineer’s unpredictability and flow. The track which won’t feature on Kwame’s upcoming EP has gone on to amassed over 1.5m streams and was performed live on day of release when U.S. rapper A$AP Ferg, whom Kwame supported in Melbourne, pulled the young artist up on stage during his sold-out Sydney show. |
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