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Courtney Barnett
Website | Facebook | Twitter | Instagram | TikTok
Where are you currently based?
Favourite food and place to hang out?
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THE LINDA LINDAS
ANNOUNCE
THEIR HIGHLY ANTICIPATED ALBUM
GROWING UP
OUT APRIL 8 ON EPITAPH
SHARE TITLE TRACK “GROWING UP”
WATCH | LISTEN
VIDEO DIRECTED BY HUMBERTO LEON
READ THE EXCLUSIVE INTERVIEW VIA ROLLING STONE
FEATURED ON NEW MUSIC DAILY ON APPLE MUSIC 1
Los Angeles-based, all-female punk band The Linda Lindas have announced their forthcoming album Growing Up. The highly anticipated release is due out digitally on April 8 and on physical formats June 3 via Epitaph Records.
Today, the band shares the title track “Growing Up,” written by vocalist/guitarist Lucia. Alongside the track, they release the music video directed by Humberto Leon, co-founder of fashion brand Opening Ceremony and owner of Los Angeles restaurant CHIFA. The video, completely shot on iPhone 13 Pro Max, features custom clothing from Rodarte & Batsheva, and eyewear from Warby Parker.
WATCH THE VIDEO FOR “GROWING UP” NOW
Humberto Leon on directing “Growing Up”:
“Directing my first video for The Linda Lindas was a dream come true because I love the message and voice the girls have, and I am a true fan. I was really inspired by the girl’s love of cats and wanted to take that to the next level and so the video is a conversation about turning points in their lives all being viewed through the gaze of their cats. It creates a narrative of whether the cats want to trade places with the girls or vice-a-versa.This video was extra special because I worked with the girls on designing the outfits with Batsheva, styling the looks with Rodarte and Warby Parker. The entire video was a collaboration between me and the girls. By shooting the video on iPhone 13 Pro Max, it created an intimacy with the video that felt like we were listening in on a day in the life of The Linda Lindas.”
On Wednesday night in the U.S, The Linda Linda’s will perform on The Late Show With James Corden. To celebrate the album announcement and release of their video for “Growing Up,” The Linda Lindas will also host a live streaming mini-concert from Leon’s CHIFA restaurant in east LA on February 4th. Fans can tune in at 1PM AEDT via Warby Parker’s Instagram to catch the show. The Linda Lindas will perform songs from their new album as well as previous releases. Tune in here. The band can also be seen discussing their new single and video with Zane Lowe for New Music Daily on Apple Music 1, now streaming.
TUNE IN HERE ON THURSDAY, FEBRUARY 4 AT 1:00PM AEDT
The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group soon after. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.
The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would put them smack in the middle of the cultural zeitgeist. “It can be comforting, in times like these, to be slapped cold by undeniable truth. And so it is with The Linda Lindas a band made up of four Asian and Latina teens and tweens [who] have generated a significant wave of attention in the three years since the band was founded,” said the New York Times. “And this new song, which Eloise said was inspired by a real-life experience, is a needs-no-explanation distillation of righteous anger. It’s severely relatable.”
A month later, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the band was more than ready to enter the studio where Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.
A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. With an ever-maturing writing prowess and expanded life-experience The Linda Lindas are Growing Up.
The Linda Lindas are Eloise (vocals, bass), Mila (vocals, drums), Bela (vocals, guitar), and Lucia (vocals, guitar).
Pre-order Growing Up HERE
Watch the video for Growing Up below.
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Crashing through with another addictive, thrilling release to tease the divinely warped and curious sonic mind of songwriter Jack McEwan, Perth’s Psychedelic Porn Crumpets present new single
‘Bubblegum Infinity’.
Taken from their forthcoming new album (their fifth), Night Gnomes, the single is both a fitting example of what to expect from the broader album as it is a timely reminder of the ease of which Psychedelic Porn Crumpets can weave many distinctive creative sounds in making something definitively their own.
Just as we saw with the band’s 2021 single ‘Lava Lamp Pisco’, ‘Bubblegum Infinity’ comes layered with rich guitars and a decidedly more rock feel. However, ‘Bubblegum Infinity’ stands apart with its careening melodies and hypnotic vocals; almost as if King Gizzard & The Lizard met up with Thee Oh Sees and roped in DMA’S for a session. You’d think the fusion of these vibes wouldn’t necessarily work – Psychedelic Porn Crumpets prove that it can.
“Our cute little playful member of the Night Gnomes club. I think there’s mixed opinions of this song in the group but I’m sticking by it. I like its pop sensibility and melancholy notions. It’s cheerful and good natured, it’s not trying to be something profound, more a statement of life at this time and by calling it ‘Bubblegum Infinity’, we’re showcasing that lighthearted vulnerability. So go easy on us, metal fans.
A lot of the album is about trying to work out what the F#@! is going on, in general life and obviously the period of time we’ve all found ourselves dormant in for the past two years. I started reading a few quotes from philosophers because, hey! They might know what’s going on, but mostly it was a bunch of cleverly worded gibberish that was drenched in self turmoil that thankfully, serendipitously, unbeknownst to me was the thing I found comfort in. That nobody has a clue what life is and we’re all winging it as we go! Cheers, William of Ockham.”
JACK McEWAN, PSYCHEDELIC PORN CRUMPETS
Particularly, when we put their new single in amongst the broader tapestry of Night Gnomes, ‘Bubblegum Infinity’ represents the balance between the previous eras of Psychedelic Porn Crumpets, and their vision for what’s coming next.
“The process for this album was a continuation from Shyga! I stepped up a few recording techniques and tried to hone in on the production side of things a little more, gave my mental train a fresh lick of paint and tried to make the album step up in quality from the previous four releases while still holding onto that ‘crumpet’ approach to songwriting.
In my mind it feels like a summary of everything we’ve previously released, a nice package for new fans to enjoy but also a nod to the ‘High Visceral’ days for the older fans.”
JACK McEWAN, PSYCHEDELIC PORN CRUMPETS
Following the Psychedelic Porn Crumpets tradition of matching chaotic visuals to their musical counterparts, the band linked up with filmographer Tay Kaka for a fun day out to bring ‘Bubblegum Infinity’ to life.
“The video was created by our good friend Tay Kaka, the idea is exactly as it looks really, having fun at a pop-up theme park. We strapped some go-pros to our noggins and acted like jovial children for the day, which was lucky we didn’t need much practice. One day we’ll be adults but for now we’re scraping the barrel for any glimmers of wondrous adventure we can find.”
JACK McEWAN, PSYCHEDELIC PORN CRUMPETS
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Where are you currently based?
I’m currently based in Naarm (Melbourne).
How did you first start playing music?
I learnt the piano when I was really young and picked up the guitar in my teens after watching videos of Led Zeppelin. I also vividly remember my Dad playing Elvis and Roy Orbison covers with his friend; I was always surrounded by music growing up.
What’s been happening recently?
Aside from releasing new music for the first time in over two years, I’ve been celebrating the Lunar New Year with friends and family which has been nice! I’ve also been working on more new music so I think I’ll release it soon.
Your latest single ‘Running Through The Dark’ is out now, what influenced the sound and songwriting?
The song encapsulates the chaotic mood I was in at the time. I had a lot on my mind and I was quite stressed, a lot of which I had internalised. It was at the start of the pandemic when we were in lockdown, and I wanted to write a song which felt like I was escaping the thoughts in my head. As we were stuck at home all the time, I wanted the song to have a “tunnel vision” feeling, and I wanted to feel like I was running through the streets at night. The sound of the song is influenced by abrasive guitar solos of the 80s, like the spacey, “chorusey” sounding ones that Metallica, Van Halen, and The Cure were creating. The sound of the song is also influenced by the repetitive drum machine beats you hear in Kraftwerk songs, and the manic, neon-lit atmosphere in Wong Kar-wai movies.
How did you go about writing Running Through The Dark?
Running Through The Dark was actually written unintentionally. During lockdown, I was bored and decided to do a Vapour Trail (by RIDE) cover, so I was playing around with some synth sounds and drum machine beats. I got sidetracked after finding some sounds I liked and I ended up going with it and writing Running Through The Dark. The Vapour Trail cover never happened.
Please tell us about the recording/production process:
After experimenting with the synth and drum machine sounds, I recorded them onto my computer and created some loops. I would then play the loops repeatedly whilst playing around with my guitar to find something that worked. I would do this with each instrument, layering each one until the loops started to feel cohesive and take the form of a song. I would then bounce some of the audio track loops out to my phone, which I would then play through my mic’d up guitar amplifier. This process makes the audio tracks sound more “present” and “real”. My friend taught me that trick! I then mixed the song myself and sent it off to Will Yip for mastering.
Who are you listening to at the moment?
My two most recently played artists on Spotify are Mazzy Star and Turnstile (their new record is so good).
What do you like to do away from music?
I like to think a lot, and I also like to watch films.
What do you have planned for 2022?
Although it’s difficult making plans at the moment, I want to release more music and hopefully play some shows. I’m also playing live guitar in my friends’ band so that should be fun as well. I also want to collaborate with some friends, something I haven’t really done in years.
Favourite food and place to hangout?
Hmmm my favourite food is probably roti canai. I used to eat it with my parents whenever I went to Malaysia to visit my grandparents. It’s hard to find an authentic roti canai in Melbourne, so my favourite place to hangout would be wherever I can find some.
Running Through The Dark is out now.
Bandcamp | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
We sat down with Tom…
Where are you currently based?
In Rye, on the Mornington Peninsula. Along with half of Victoria right now!!!
What’s been happening recently?
Busy working my day job as a locksmith! Our new album “New Rituals” is due out early Feb with a new single too, so, planning a new video for that, as well as some sort of live filmy kinda thing. Rehearsing for some shows which we are really hoping will go ahead and not get canceled or postponed again!!!
Your 7th album ‘New Rituals’ will be released on Feb 4, what influenced the sound and songwriting?
I was listening to Against Me ‘White crosses’ a lot, The Bronx IV, Bad religion ‘Age of Unreason’ and Off With Their Heads ‘Home’ when I was writing tunes for this record.
Sound wise I tried to clean up the guitar tones a little bit, to get some more clarity and punch in the songs, But mixing wise I was happy to leave it to Steve Evetts to just work his magic. I guess choosing him to mix was the biggest influence on the sound of the record!
How did you go about writing the album?
Most of the songs i wrote at home and then showed them to the band, we worked on the arrangements together in a jam room. We did a little bit of co-writing, but not as much as in the past. Families, jobs and covid got in the way of that a bit, but i don’t think the record has suffered from that, we just kept writing until we had enough good songs to get it done.
Where and when did you record/produce/master and who with?
We recorded the album with Sam Johnson at his studio ‘Holes and corners’ in South Melbourne. That was great for me, coming to the city, getting uber eats and going to the South Melbourne market! Sammy is super cool to work with, we’ve known him from bands and touring and what not for decades so it was very easy to just plug into the sessions and get to work. Lockdowns were a real pain, but we got it done eventually.
Steve Evetts mixed the record in America, this worked really well for me too!!! Not being there for mixing, he would just interpret things the way he does, and then presented a mix to us. It was good because some of the songs were getting quite old for us, so his fresh ideas were appreciated a lot. Funnily enough, he had never heard ‘rain’ by Dragon before, so the mix of that was exciting to hear!!
How did you approach the recording process?
We recorded in 3 or 4 song blocks. We did 4 of those sessions over what felt like years!! Sometimes we played around with arrangements and stuff in the studio, which is rare for us, but mostly the songs were ready to track so it was a pretty quick process once we got in there. Drums first, layout the bed, then vocals after.
Jon Toogood sings the verses and pre chorus’ on Be The One which is awesome, i just went to his house and we tracked that upstairs in his spare room. That was so great, watching the greatest frontman in rock tracking one of your songs!!!
What programs/equipment did you use?
Guitar wise I used a lot of single coil telecasters, into an old Hiwatt turned up to 10 and a Marshall JMP. Cam had his SG into a Fender supersonic and a JCM 800 mostly.
Sammy has a custom Neve style thing he has running into protools. We used a Kemper for some overdubs, it’s so easy to dial up a sound with that thing, with a bunch of guitars like les pauls, telecasters with P90’s more SG’s, firebird, rickenbacker and Colesy’s (luthier Adam Cole) famous nashville tuned old guitary thing!!!
How will you be supporting the release of New Rituals?
PLEASE LET US PLAY……..we just wanna play. I fixed a lock at the local church last week, so i’m hoping they put in a word with hillsong or something.
The only way we know how, to release an album, is to play it live. So hopefully we will be doing that.
What motivates you to keep writing and playing music?
Writing wise, I just want to get better at it, it’s a really fun journey. I can lose hours at night in my little room caught up in a song. It’s like every song you write is the best one you’ve ever made, until your manager hears it and says ‘ it didn’t really grab me’ or ‘i’ve heard better’ which really is motivation in itself!!!
Who are you listening to at the moment?
Face To Face’s latest album ‘No way out but through’
Weezer ‘Van Weezer’
The Daniel Johns podcast
Turnstyle ‘Glow On’
Gyroscopes entire back catalogue!
What do you like to do away from music?
Hanging with the kids, as much surfing as my old bones can take, avoiding work, a couple of beers with mates whilst our kids run wild!
How’s the punk scene changed since the band first started?
Wow, it’s hard to remember the smell of the old Arthouse or the Punters club, the Annandale in Sydney, it’s mainly the venues for me, i still see a lot of the old faces, but the places have changed so much.
And bloody facedagram, all the things we did in those days, I’m pretty happy there were no mobile phone cameras documenting that!!
What’s planned for 2022?
GIGS!!!!
I’ve got some new tunes, a plan for a different kind of release that I think we could get off the ground quite quickly.
A holiday up North????
Favourite food and place to hangout?
I love Pho. breakfast, lunch or dinner. I’ll take it.
Hanging in my yard listening to the waves, in between screaming boys and the terrible music they listen to. Oh wow. I’ve turned into my mother……. I’m going to have a valium and a glass of brandy….
Melbourne cultural taste-makers and BIPOC music label Yo CiTY are thrilled to announce the arrival of their free summer film series, Flix & Chill. Presented by Yo CiTY Connect, the events arm of the label, Flix & Chill will combine film, music, food & drink and community in a free all-inclusive family friendly affair each Saturday in February. Carlton’s Argyle Square, or Piazza Italia, will come alive across four themed sessions this month with DJs, live music, delectable food and beverage options and film screenings of local and international BIPOC filmmakers, showcasing the vast and unique voices of Melbourne’s global village.
Featuring live music and DJ sets from C-Pash, Mel Taylor, Calle Luna, Soli Tesema, Soulectric, Soju Gang, DJ Guzman, Truckload, Collette, Claddy and Yo CiTY’s own Brotha Asanti, each instalment of Flix & Chill will present a selection of short and feature length films from some of the world’s finest filmmakers, bookended by some of our city’s most exciting music talent. Screenings will include the likes of 2021’s Award Winning Crime Drama Short Film Step Back, South African Short Film TINASHE, BlackFeet Films’ multi-nominated and Award Winning short The Truth About Lies, and South African film Miracle by Award winning Director Bongekile Ndaba, among others. Each evening will embody a different theme—Around The World, Love, Just People, and Afrika—with both the film and music components exploring their week’s curatorial selection. The month-long residency boasts a sunset vibe filled with art and culture in a way that adds to the much-needed vibrancy of our recovering city while supporting local artists and businesses.
The team from Vola Foods will be serving their Cameroonian cuisine at each event introducing audiences to their mouthwatering signature dishes using native Cameroonian spices cooked on rustic grills. Get ready to feast on Vola Food’s menu favourites including Joll Rice and Stew, Suya and Plantains, Burning Fish and Puff Puff with caramel and chocolate.
Of course movie going favourites, popcorn, ice creams and a selection of non alcoholic drinks will also be available, so there is something for everyone.
Founded in 2020 on the back of Melbourne lockdowns, Yo CiTY is Melbourne’s premiere label and talent management company that showcases bespoke happenings to bring like minded people together and understand and celebrate issues that are pertinent to BIPOC experience. Championing new music and art from Black, Indigenous and Creatives of Colour, Yo CiTY has a firm commitment to storytelling that is fierce, tenacious and relationship building. The fully independent team curates exclusive experiences where art-makers from across the creative spectrum—including visual, oral, sonic, fashion, digital, entrepreneurs and more—collaborate with musicians in a way that elevates each other’s practice and ultimately bridges the revenue gap within the creative industry.
This latest series of events is just the beginning for what the collective have in store for 2022. Be sure to check out Yo CiTY’s social media to stay up to date with all upcoming news and events, and pop the following Flix & Chill dates in your diary for some of the best weekends you’ll experience this summer.
Yo CiTY Connect presents Flix & Chill
Supported by PBS and Beat
SATURDAYS IN FEBRUARY 2022
LOCATION: Argyle Square, 13-19 Argyle Pl N, Carlton
TIME: 5pm – 11pm
FREE ENTRY
Theme – Around The World
Saturday 5
Soju Gang – DJ
Soli Tesema – live performance
Sophie’s Film
Fishbone – film
Homebound – film
Becki – film
DJ Guzman – DJ
Theme – LOVE
Saturday 12
DJ Guzman
Mel Taylor – live performance
They Were Not You – film
The Truth About Lies – short film
C-Pash – DJ
Theme – Just People
Saturday 19
Collette – DJ
Calle Luna – live performance
OTAR – Film
CHENGE – Film
Step Back (2021) Award Winning Crime Drama Short Film | MYM – Film
Fejiro – Film
Truckload – DJ
Theme – Afrika
Saturday 26
Claddy – DJ
Soulectric – live performance
Long Distance – short film
Oga John – short film
Miracle – short film
The Independent State of Nandi (South African Short Film)
FRACTURED : An Ndani Short Film
TINASHE: 17.45min
Brotha Asanti – DJ
This event is supported by the City of Melbourne and the Victorian Government.
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This week, Melbourne band The Stained Daisies released Individuality (Is Fine As Long As We Do It Together) — the first single from forthcoming EP Give It To ’em, set for release in late February 2022.
Following six lockdowns, a couple of hoe-downs, a naughty rub-down, and at least one meltdown, The Stained Daisies are back for another bite of the biscuit with their most exciting release to date.
A musical exploration of the confines and traps of identity politics, focusing on ‘the group’ versus ‘the individual’, Individuality (Is Fine As Long As We Do It Together) is the band’s first foray into poetic punk. In the words of bass player and vocalist Jack Davison:
“‘Individuality (Is Fine As Long As We Do It Together)’ aims to make people realise that at a base level, we’re all just kooky little individuals trying to figure out this big bad world.”
With a sometimes collaborative, sometimes individual writing process commonplace for The Stained Daisies, bass player and vocalist Jack Davison took the lead for this track. After waking up one morning with the chorus in his head, he swiftly recorded all of the instrumentation before jotting down the lyrics to the verses. Three months later, after playing the track live several times, Individuality (Is Fine As Long As We Do It Together) was recorded by the entire band at Max Duckers ‘Cellar Sessions‘ studio in Coburg.
The track’s title is a quote from an episode of American war comedy-drama television series M*A*S*H — in which army Major Frank Burns famously declares the statement while discussing military uniforms and the army’s attempt to make its personnel look, talk, and act the same. Davison explains:
“When I first heard the line, I thought it was so clever, so I pocketed it away in my brain for later use. Then one morning, it just popped into my head, and Bob’s your uncle.”
Conceptualised during the lockdown of 2021, when, to keep sane, Davison immersed himself in film and literature centred around the rise of identity politics and the positives and negatives that it ensues, he began to delve deep into the homogenisation of groups and labels at large. In Davison’s own words:
“Sweeping generalisations such as; ‘all teachers vote labour,’ ‘all Black Americans vote Democrat’, ‘all left-leaning Australians watch ABC’ and ‘all right-leaning Australians watch Sky News’ can be dangerous. The prevalence of these types of stereotypes makes it easy to forget that groups encapsulate individuals, and, at an individual level, everyone is different and unique.”
With varied musical tastes and influences within the band, the single is a sonic shift away from the band’s usual style of blues and rock — with Davison taking inspiration from punk outfits like Dr Sures’ Unusual Practise. On his influences for the single, Davison continues:
“We’re good mates with Dougal Shaw [of Dr Sure’s Unusual Practice], and he has always inspired us in the way that he writes about politics. In terms of the lyrical content, he was a major influence for this track and the body of work that will follow”.
The artwork for the single is by local Melbourne artist and graphic designer Emily Wright. Her depiction of seven identical humans standing in a line, with one unique being emanating from another, perfectly encapsulates the track’s core theme: the group versus the individual. In Davison’s concluding words:
“The track is a floor stomper, intended to be listened to loud. If you wanna feel the driving rhythm, then crank it right up!”
Individuality (Is Fine As Long As We Do It Together) is available on all major streaming platforms now. The Stained Daisies will launch their new single at The Tote Hotel on March 11. Details HERE.
Where are you currently based?
I’m currently based in Sydney, Australia.
How did you first start playing music?
As my parents would confirm, I was always a shy and reserved child. I needed to be confident I could do something perfectly before attempting it. Strange, I know. But that’s where the music came in; I grew up in a household that loved The Eagles and other bands of the sort. By four years old, I realised music was my escape. I was no longer anxious. I was no longer scared, only excited. Innocently beautiful beginnings that have led me to a wonderful world of creatives and friends.
What’s been happening recently?
Over the past year, I have indeed found my sound and direction in the industry, from making EDM pop to indie, stripped back tunes like ‘compromised.’ I wrote a lot, some good, a lot not so good (like I’m sure everyone does). Both with others and by myself. I made a choice in 2021, after moving from Melbourne to Sydney, that I would spend time refining my craft rather than proving to people that I was “doing things” online, and that’s exactly how ‘compromised’ came about.
Your latest single ‘Compromised’ will be released on February 10, what influenced the sound and songwriting?
‘Compromised’ draws inspiration from all arms of the indie scene. We wanted to create an epic, symphonic ending that encapsulated the breakdown and heartbreak in the lyrics. We drew influence from tracks such as ‘All I Want’ by Kodaline to achieve this.
For the overall vibe, I was, and still am, heavily influenced by the likes of Chelsea Cutler and Holly Humberstone for both the sound and songwriting.
How did you go about writing Compromised?
‘Compromised’ came about in typical pandemic zoom session fashion. I had never written with Noah Vernon (my co-writer) before, but for some reason felt like I could tell him about everything I had been going through. It’s funny to look back at that moment now; little did I know it would form such a beautiful friendship.
The song foundations came from a song called ‘Runaway’ by Half.Alive. I had noticed the person I was seeing casually at the time liked it, and we thought it would be a cool idea to flip the band name and title into a sad-girl tune about how confused I was.
I find that weird, quirky ideas always create the most remarkable and unique songs.
What’s the story behind the single?
2021 was a weird year for me.
From initial excitement to complications and compromised moments, I learnt a lot about myself and who I am in relationships (unlabelled or not).
Sometimes things in life are hard to explain. Not always black and white. Not always meant to work out, no matter how much you want them to.
Written in a time when things were so intense, so caring, yet so hurtful. Weirdly I’m still trying to find the words to define what I went through. Amid an entangled situationship, I lost a friend, someone I would’ve done anything for, picked up the phone at any moment. I compromised a lot, and that’s where this song comes in.
Where and when did you record/produce/master and who did you work with?
I was more than excited to work with Ben Oldland on this track. From the minute we sent over the song, he got it. He got the references. He got the end goal. Noah and I talked about how insanely talented he was and how right he was for the project. His creativity and skill are insane, and I’m honoured to have collaborated with him on my 2022 releases.
Nick from Panorama Mastering put the final touches on a song so dear to my heart.
How did you approach the recording process?
It was different from how I had previously recorded tracks as it was entirely over Zoom. Creating the right vibe and tone in the room is hard virtually, but the boys made it seamless and easy.
I always include co-writers in every stage of the process, so Noah was a part of all of the recording because a song is a team effort, no one person.
What’s planned for 2022?
I’m more than excited for 2022. I have a few more releases planned, but I see this year as a one of growth and establishing myself in the indie scene.
Please tell us about your future direction as a songwriter?
My aim as a songwriter is to continue to write music and lyrics that are different but real, honest and vulnerable. I want to find ways to say things that people can’t articulate because, from personal experience, I know how finding a song that explains exactly what you’re going through can make it just a little bit easier.
Who are you listening to at the moment?
I love Gracie Abrams – especially her most recent album, ‘This is What It Feels Like’
I actually have a playlist filled with all the songs I listened to throughout the making of the track.
https://open.spotify.com/
What do you like to do away from music?
Away from music, I’m a graphic designer. I also love working out, playing any sport I can get my hands on and listening to podcasts.
Favourite food and place to hangout?
I love hanging out at the local national park; you will literally find me there every day.
Favourite food would have to be ice cream or Vietnamese Pho.
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LEWIS CANCUT
Magic Circle mixtape
February 25
PRE-ORDER VINYL HERE
Stay connected with Lewis CanCut:
Bandcamp | Facebook | Instagram | YouTube | Twitter | SoundCloud
Photo Credit: Simon Fazio
MARCH 4-14 – TICKETS ARE ON SALE NOW!
Brunswick Music Festival is overjoyed to announce its return in 2022 for its 34th year running. The 10-day event will span March 4 to 14 and once again soak in the fresh air of BMF’s breezy outdoor venue at Gilpin Park.
Featuring curated live music line-ups in Brunswick’s best live music venues, plus pop ups in some unassuming places, Brunswick Music Festival returns live music to Melbourne’s most beloved inner city suburb in a relaxed, safe and sustainable way.
With a dreamy outdoor environment reminiscent of the The ‘Sup, much of this year’s festivities will descend on Gilpin Park. Situated mere moments from the hustle of Sydney Road, the Gilpin Park stage proved an unforgettable highlight of 2021’s sell out program, providing friends, families, and live music fans the opportunity for a low key lounge with their live music.
The venue will host performances by Adalita, Birdz, Body Type, Didirri, Flyying Colours, Gordi, Gregor, HTRK, Irish Mythen, Kaiit, MOD CON, RAT!hammock, Ziggy Ramo and HEAPS more.
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