DUE MAY 6 VIA EPITAPH RECORDS
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Where are you currently based?
We’re in sunny North London.
How did Superbloom form?
Sam (our drummer) and I have been friends for years. We used to play at one of our local venues, The Green Room in Welwyn Garden City, in separate bands when we were kids. This was back in the day when people went out to gigs on a Tuesday night, just for fun! We had a lot of mutual friends and ended up playing in a band together. Many years and musical projects later, we started Superbloom.
What’s been happening recently?
Well the bleakness of the pandemic finally seems to be coming to an end, so the last few months have been pretty good by comparison!
Since the start of the year we’ve been focused on releasing Smile. This involved adding the finishing touches to the mix, creating the artwork and music video, contacting blogs and radio stations etc. It’s been a lot of work, but thankfully it’s been totally worth it. Now we’re looking forward to putting together a new live set and getting out on the road.
Your latest single ‘Smile’ is out now, what influenced the sound and songwriting?
It was one of the first songs we wrote together as a band, and is ironically one of the most technical. Having just started a fresh new project, we were building from a blank canvas and experimenting with different sounds and writing styles. I think this experimentation led to the track being quite progressive. Having said that, as a vocalist I like to write catchy, hooky melodies, so hopefully it still has that sing-along feel.
How did you go about writing Smile?
It was quite a while ago now, so this is testing my memory… I just remember me and Sam bouncing ideas off each other in my old home studio (bedroom at the time!). It was the product of a laptop, an interface, a guitar, some programmed drums and a cheap vocal mic. Most of our songs start off this way. Once the bones are there we head into the rehearsal studio and really get to work.
I do remember the bass riff at the start being a very last-minute addition though. Now I can’t imagine it any other way!
Where and when did you record/produce/master and who did you work with?
We recorded Smile at Broadfields Studio in Watford, London with Tom (Mitch) Mitchener. I think it was around 2018. Mitch produced, engineered, mixed and mastered the track. He basically became part of the band for the week we were there recording our first batch of songs. It was invaluable having his creative input, given we only have two core members.
How did you approach the recording process?
We’d worked at several music studios with several producers in the past, so we knew exactly what we wanted (and didn’t want). Not only from the sound we produced, but the studio experience as a whole. We always try to have solid demos recorded and be well rehearsed before heading into the studio, as this saves time, money and keeps stress to a minimum. It just means you can really enjoy yourself and have fun with it. We even knew what kinds of effects we wanted on different sections of the guitars and vocals, it was just down to Mitch to dig out the right pedals. He always seemed to get it right first time!
You have an album on the way, what can we expect?
We’re a pretty new band, so we’re still searching for the sound that makes us, ‘us’. I guess this could be misinterpreted as a negative thing, but we don’t see it that way. At the moment we’re just enjoying the journey and relishing the challenge. So, album-wise, I’d expect something diverse. It’ll still fall under the Alternative Rock umbrella, for sure, but there’ll be a lot of variety from track to track.
Who are you listening to at the moment?
I’ve always listened to a wide range of music. Looking at my Spotify recent searches, the latest are Kenny Wayne Shepherd, All Them Witches, Steven Wilson, The Mysterines and Alanis Morissette. Kind of eclectic, but that’s good, right?
What do you like to do away from music?
My day job and music seem to take up more or less my entire life. But aside from that I like to keep fit. I spend a fair bit of time in the gym and play a lot of sport (mainly football). I’m also a pretty avid cook and love cooking up a feast for friends. We’ll come on to my love of food later…
What’s planned for 2022?
We’re gagging to get out and play more shows. As I said before, the pandemic has really limited us in that respect, so that’s a big ambition for the rest of the year. We’ve got a few things in the pipeline, so keep an eye out for dates!
We’re also working towards the launch of our first full-length album, so that’ll keep us busy.
Favourite food and place to hangout?
I like this question. I love food. My favourite is probably pizza, and curry. And nachos. And everything.
I’m getting more and more anti-social as I get older, so hangouts aren’t what they used to be. I like going out for some food and a few drinks somewhere local, so I don’t have to worry too much about the calamity that is public transport. I also like playing sport, so maybe on the football pitch? It’s always nice having a few beers in the bar after too.
Instagram – https://www.instagram.com/
Facebook – https://www.facebook.com/
Spotify – https://open.spotify.com/
YouTube – https://www.youtube.com/
Soundcloud – https://soundcloud.com/
The release of this album feels like a milestone for you and for fans alike; how does it feel to have this collection be so definitive as your sound?
It feels incredible, a huge part of why I wrote this record was to have a full piece that screams this is Just A Gent and this is who I am. Part of me wishes I had done it sooner but I’m stoked it’s finally here
Talk us through some of your favourite moments of the album, and the importance of each of the collaborators you worked with on it: how did you go about linking up with the guests we hear on the album?
I’ve been putting together the album for a couple years now and some of the ideas have been sitting around for years and years. I think a few of my favourite moments are the more recent tracks I created to fit the record like lightspeed and planet oasis. I really enjoyed creating those, just drifting off into my imagination and letting them be whatever they wanted and I love how it brings me back to that when I listen.
In terms of collaborations these are all friends who I’ve worked with in the past or been working with in some capacity for a while. For this record I just wanted to work with people I cherished and creatives I trust. Everyone on this record has their own unique taste and they all stay true to themselves.
When you listen back through this record; what stands out the most to you about how your skills as a songwriter/producer have evolved over the last few years?
When I listen back, I think I’ve stopped thinking as much about what everyone else is going to think and I’m just making music that I want to hear myself. I think as a producer I’ve tried to take a step back and focus a lot more on the songwriting / sonics of these tunes. I usually have a tendency to overdo it, add to many elements, push the mix way to loud etc. So with this record I went for a less is more approach and really tried to nail the sounds and sonics of the guts of the ideas rather than overcomplicate them.
Do you think, in making this album, your approach to music making in general has changed in any particular way?
Absolutely, I’ve never committed to finishing so many songs for 1 project and its certainly stressful. In the past I’ve just worked at my own pace and really refined things before they were released but the more I worked on this record like I had previous projects it was just neverending. I think I had to find a point in all these songs where I said enough is enough and really pick and choose the best elements/ best tracks and recycle the rest. Originally tnjs would of been a 24 track double LP but had to make some sacrifices for the sake of my sanity
If this is the jump off point for a new Just A Gent fan, what kind of energy do you hope is instilled in them through listening to it?
I hope they can find some creative energy. My goal with this entire record is to inspire people to create and innovate. Even if that’s not the outcome, whatever they take from the record is why I do this. Sharing these songs/sounds in the hopes people can feel what I have felt during writing them and finishing them. Music still blows my mind everyday, how powerful of an effect it can have on your mood or a certain situation. If my sounds are enough to fluctuate someone’s choices into a more positive place than I’ve done my job
Australian dance and beats-driven music is properly having a *moment* right now – what is it about this sort of music being made out of this country that is really nailing it?
I think it’s been this way since I have been in the scene. Aussies have always been one step ahead and it’s not because we want to be ahead of the curve, it’s because we are just making it for fun. We are fortunate to be surrounded by such talented artists here that preach about just being creative, having fun with it and trying to stretch our imaginations to the limit. It’s so good to see so many friends/comrades killing it in the worldwide scene and I never doubted any of them. If you create to your own taste and make music for you then I don’t see how you can ever fail.
Are you listening to any artists or producers right now who feel in any way influential on the way you’re looking at music, creatively?
Always! At the moment I’ve really been loving Magdalena Bay. They are out of LA, I’ve only recently discovered them and I can’t get enough. Their new track dreamcatching has one of the coolest video clips I’ve ever seen and their sound is just so pretty and perfect. They just get it.
The album already feels set up for the live scene – what are you looking forward to the most about getting the new music ready for tour?
Now that I’ve finally got a full record I’m just keen to play it out. I have never tested any of these songs to audiences because this record has come together during the last couple years. I can’t wait to see how people react to the songs live and on a huge system where I’m hoping it sounds it’s best. This will be the first tour where I’m gonna be really showing what just a gent is rather than DJing and playing a bunch of times I like. Very excited ?
https://www.facebook.com/JustaGent
Among the stellar supports is Sydney artist/producer Cabu, who brings a whole new meaning to the saying ‘smooth as butter’ with his luscious R&B and house infused grooves. Having amassed 50Mil streams and over 750k monthly listeners on Spotify alone, Cabu’s most recent releases have been featured on Triple J, Dj Complexion’s Future Beats radio, Soundistyle, Majestic Casual, Soulection Radio, BBC 1Xtra, Maison Kitsune and many more. Both DJing and live, Cabu has also supported local and international heavyweights such as FKJ, Emotional Oranges, Cosmo’s Midnight, BOO Seeka, Slumberjack & Kilter. With an array of releases locked and loaded, the future is set to be a big one for Cabu.
Photo by: Megan Donnelly
jnr. have well and truly snatched the spotlight with fiery debut single ‘Remember’. Crackling with energy, this trio of Sydney based musicians and producers have brought a fresh sound to the Australian music scene by channeling electrifying indie-pop.
Distorted and playful vocals adorn refined and rhythmic pop production, creating a supremely catchy tune that is reminiscent of iconic front runners 1975, LANY, and No Rome.
jnr. is made up of Ben Siva, Nico Scali and Max Jacobs who have been writing music together for close to 10 years. Between writing, producing and performing themselves, they have been involved in a wide variety of talent such as Loretta, Khaled, Chris Lanzon, SADBOii and Rageflower just to name a few.
It was only in 2020 that they pivoted their attention toward a singular focussed project. The result: a collection of pop production tracks adorned with earnest and self-reflective lyrics. The first of which is sampled in ‘Remember’. By taking the time to hone their skill and synchronicity as a band, their future as unique players in the Aussie pop landscape is incredibly exciting.
This single features a complex underpinning in the lyricism – offering a tension in the push-pull dynamic between bright pop sounds that reveal a darker experience. This space of uncertainty is where lead singer Ben says his artistry flourishes, “‘remember’ deals with grief, nostalgia, and the moment you are forced to put yourself in your parent’s shoes. I think anyone can relate to wanting to remember someone or something from their childhood, but the song has a deeper meaning for me. I’m always drawn to darker lyrical themes and uplifting instrumentals – that push and pull always attracted me to some of my favourite artists.” Ben Siva, jnr.
By embracing the ebb and flow of the complexities of inner emotions and personal experience, it paves the way for a genuine connection between artist and their music, “The feeling of knowing oneself is essential to being human. So the writing process was really me thinking about who I would be without my memories.” Ben Siva, jnr.
The accompanying visualiser explores this space of darker uncertainty. Feeling more like a fever dream than a music video, a retro TV flickers on static whilst pulsating lights and pacing strangers in the background add a layer of surrealism. This, coupled with the unique effects and experimental visual production is a really special addition to already a fantastic song.
Without a doubt, jnr. know what they’re doing and will leave you wanting more.
Official Website | Triple J Unearthed | Facebook | Instagram | Youtube
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Photo Credit: Tristan McKenzie
TOURING NORTH AMERICA, UK AND EUROPE IN 2022
As the countdown to the release of their fifth studio album Night Gnomes enters its final stages, Psychedelic Porn Crumpets are back to further tease their next phase of delightfully kooked magic with the release of new single, ‘Acid Dent’.
The release of ‘Acid Dent’ comes as the West Coast firebrands prepare for not only the release of their new album, but a long-awaited return to live touring; with already announced dates for North America, Europe and the UK.
‘Acid Dent’ – like singles ‘Bubblegum Infinity’, ‘Dread & Butter’, ‘Bob Holiday’ and ‘Lava Lamp Pisco’ before it – is a masterclass into how Psychedelic Porn Crumpets can have a kaleidoscope of influences and sonic ideas at their disposal, yet never lose sense of their core sound and identity. The new single spotlights guitars and fuzz with flair, while the rhythms buoy Jack McEwan’s hypnotic vocals seamlessly.
A pure avenue for escapism, ‘Acid Dent’ leans into the effects of, well, psychedelics, as McEwan takes listeners on a trip of his own.
“My goodwill ‘Drugs are bad for you kids’ song. And to be perfectly honest they probably are. But good luck telling that to the youth of today I tell ya! It’s not like that safe ‘60s pot we used to smoke. Not like the prescribed methamphetamine us ‘50s housewives were doing! Not like that Cretic Wine us Romans would devour.
Every generation has their means of escapism and for some reason here in Perth, or at least when we were in our heyday you could purchase mushrooms and acid from any decent supermarket. So it’s inevitable we’re gonna be munching jumpers and chatting to fences in a few decades, but as for now, well… we’ve seemed to somehow milk a career out of it. Who’d have thought. But yeah, it’s probably not going to end well, hence my newly appointed position on drug safety. Then again, someone also once told me, “Hell hath no fury like a man who’s pressed pause on his drug abuse”, so now I’m slightly more perplexed as to where I stand. Anyway, good luck to everyone, enjoy yourselves but remember nobody wants to pick up your marbles after.” JACK McEWAN, PSYCHEDELIC PORN CRUMPETS
For the ‘Acid Dent’ music video, the band reunited with director and artist Ollie Jones – the creative genius behind the claymation music videos fans will remember from Psychedelic Porn Crumpets’ SHYGA! The Sunlight Mound era. This time around, the action takes place at ‘PPC Chemicals’, with hijinx ensuing in classic Psychedelic Porn Crumpets style.
“I’ve always been a fan of the the horror sub genre ‘ MELT MOVIES ‘ films like Street Trash, The Blob and Body Melt. So when I was given the title of the track, I knew what I wanted to do right away. A simple story of a guy who after a freak accident is granted the powers to melt everything he touches and how it escalates in a comedy of errors throughout the video. Think the Skittles advert only more gruesome.” Oliver Jones
As fans and industry followers around the world await the release of Night Gnomes (April 22nd), Psychedelic Porn Crumpets continue to rack up the acclaim off the back of their 2022 releases to date. Over 1.2 Million streams have been accumulated across ‘Bubblegum Infinity’, ‘Bob Holiday’ ‘Dread & Butter’ and ‘Lava Lamp Pisco’, with radio love continuing to stream in from the likes of triple j, BBC Radio 1, KCRW, KEXP, FLOOD FM and more.
Editorially, Psychedelic Porn Crumpets have been consistently elevating their presence in Australia and abroad thanks to praise from outlets including Rolling Stone Australia, Brooklyn Vegan, Entertainment Tonight, Tinnitist, Music Feeds and Under The Radar.
Acid Dent / Night Gnomes artwork
PRAISE FOR PSYCHEDELIC PORN CRUMPETS
“Psychedelic Porn Crumpets are continuing their musical evolution on all fronts.”
Rolling Stone Australia
“…an atomic blast of a listening experience, featuring some of the band’s fastest, loudest material yet.”
Triple J (SHYGA! The Sunlight Mound)
“…a carefully curated narrative of psych-rock that delves deeper into the sounds presented on their previous releases.”
Milky Milky Milky (SHYGA! The Sunlight Mound)
“…one of Perth’s finest exports and most inventive bands…”
Backseat Mafia
UK / EUROPE TOUR
Tickets through www.psychedelicporncrumpets.
Thursday, August 11th Hole44 Berlin
Friday, August 12th Molotow Hamburg
Sunday, August 13th Tivoli Utrecht
Monday, August 15th The Forum Tunbridge Wells
Wednesday, August 17th Brudenell Social Club Leeds SOLD OUT
Thursday, August 18th Rescue Rooms Nottingham
Sunday, August 21st Junction Cambridge
Monday, August 22nd Think Tank Newcastle SOLD OUT
Tuesday, August 23rd Saint Luke’s Glasgow SOLD OUT
Thursday, August 25th Band On The Wall Manchester SOLD OUT
Friday, August 26th O2 Institute Birmingham
Saturday, August 27th Thekla Bristol SOLD OUT
Monday, August 29th The 1865 Southampton
Tuesday, August 30th Concorde 2 Brighton
Thursday, September 1st Electric Brixton London
Friday, September 2nd Norwich Arts Centre Norwich SOLD OUT
Saturday, September 3rd Manchester Psych Fest Manchester
Tuesday, September 6th La Maroquinerie Paris
Wednesday, September 7th Trix Club Antwerp
Thursday, September 8th Vera Groningen
Friday, September 9th Doornroosje Nijmegen
Sunday, September 11th De Muziekgieterij Maastricht
US TOUR
With support from Acid Dad (except Atlanta)
Tickets through www.psychedelicporncrumpets.
1st October Independent San Francisco, CA
3rd October Star Theater Portland, OR
4th October Biltmore Vancouver, BC
5th October Crocodile Seattle WA
7th October The Urban Lounge Salt Lake City, UT
8th Orange The Globe Denver, CO SOLD OUT
9th October The Globe Denver, CO SOLD OUT
11th October 7th Street Entry Minneapolis, MN
12th October Empty Bottle Chicago, IL
13th October Empty Bottle Chicago, IL SOLD OUT
14th October El Club Detroit, MI
15th October The Axis Club Toronto, ON
17th October Bar Le Ritz Montreal, QC
18th October The Sinclair Boston, MA
20th October Le Poisson Rouge New York, NY
21st October Underground Arts Philadelphia, PA
22nd October Union Stage Washington, DC
24th October Exit/In Nashville, TN
25th October Terminal West Atlanta, GA
27th October Satellite Bar Houston, TX
28th October The Parish Austin, TX
29th October Deep Ellum Art Co Dallas, TX
1st November Casbah San Diego, CA SOLD OUT
2nd November El Rey Theatre Los Angeles, CA
Acid Dent is out now!
Night Gnomes is released April 22nd.
Website | Facebook | Twitter | Instagram | YouTube
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I’ve recently just released my new single Wanted More, along with performing at The Vanguard for the single launch and sharing original released and unreleased music. I have also been recording, writing and producing some new music along with performing at multiple venues and events, including opening for QLD Pop Artist Erin Foster at Factory Theatre.
Previous Support for Wesley Black
‘Better With You’ – First Play on Triple J Home & Hosed (Nov 22)
“WB bringing driving melodies and a thumping beat that’ll take you on his ride right to the stars. Obsessed with the vocal treatment, laden with pop textures and still leaving space for a few hardhitting rap verses.” 4.5 / 5 (Pip Rasmussen, Triple J)
[About ‘Better With You’]
“Wesley Black’s shown us he can rap but on this one he’s flexing a pop side to his brain that’s equally impressive!” 4.5 / 5 (Declan Byrne, Triple J)
[About ‘Better With You’]
“Wesley’s ‘ANGEL’ project from earlier in 2021 went fkn hard but he’s flipped it here with the driving production and melodic wash. I’m into hearing this versatility.” 4 / 5 (Dave Ruby Howe, Triple J)
[About ‘Better With You’]
“Better With You is a vulnerable track, and one that’ll resonate with both old and new fans alike.” – Cool Accidents
“… songs like OUTLAW! and Eleven are glimpses of his brilliance in its best form shown thus far, showing his craft as a multi-faceted emcee that can move between flavours and energies with ease.” – Pilerats
“OUTLAW! is a heavy mix of electronic and trap elements alongside high energy vocals with a music video full of powerful scenes and vivid imagery.” – MILKY
Swapping out his pulsing trap beats from previous releases, for laid-back acoustic guitar topped with his slickly spun lyrics, Wesley Black released his sleek indie-pop/ alt hip-hop single ‘King Of The World’ on March 4.
Black is now taking that tune to the sky, piloting his Angel Airlines plane in the accompanying music video directed and visual effects by Nathan Simich.
In all of its full airborne glory, the music video sees Black in the cockpit of a Boeing 747. After reaching cruising altitude, Black leaves his co-pilot in command. Before they know it, the plane stall’s, sending Black to cockpit to find his co-pilot unconscious. Unable to get control of the aircraft, Angel Airlines 747 descends from the skies, as they brace for impact.
Amazingly, Black manages to stumble his way out of the fiery explosion but finds, in a dream-like state he finds himself on a strange island with some mysterious company.
Following the narrative of the song which is centred around a relationship that makes one feel like the king of the world, the music video acts as a metaphor about Black finding his form again. Black states:
“The music video transports the story of the song into a new world, literally. The music video takes this to the next extreme; after experiencing great heights following creating my first EP, represented by me flying the plane of ‘Angel Airlines’, I crash violently into the unknown, with nothing to lose. Scared and confused, I pass through the mysterious terrain and find a sense of love – something to take me back to the heights and desire I know best. The video can be interpreted in a few ways, especially the ending, but to myself, I return to form and fade away in this unknown world, but somehow know everything is going to be fine.“
The track has already seen support from Triple J, Triple J Unearthed (first play and Top 5 tracks of the week), AAA Backstage, Out Now Mag, idobi radio, Livewire AU and more. Previous releases have also seen support from the likes of Cool Accidents, Tone Deaf, Pilerats, Scenestr, MILKY, Aus Music Scene and more.
Wesley Black’s newest single ‘King Of The World’ and accompany music video are out now.
Follow Wesley Black
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Where are you currently based?
We’re based out of Brisbane.
How did you first start playing music?
Ian and I found each other on a musicians website in the classifieds section… they used to be a thing back in the day. We then reached out to other people we knew within our networks to find everyone else. We’ve had 2 new members since forming, but once we all had an obligatory day of hanging out and eating pizza (gotta honor those pop punk roots), that was it. I couldn’t think of a better bunch of guys to be squished next to for hours on end while touring in a disproportionately small car.
What’s been happening recently?
Our guitarist Rohan just had his first child, so he’s been learning how to nail Dad jokes and dodge wee in between shows. The rest of us have been doing a bunch of stuff behind the scenes preparing for this release. But now that’s out, it’s back to working on our live show… aka booking a practice room and talking shit for hours, oh yeah… and playing music.
Your album ‘Time To Breathe’ is out now, what influenced the sound and songwriting?
This album is like a time capsule of the past few years. Each of us have really meaningful songs on there, or parts of songs that are real life. Whether that be heartbreak, falling in love… or looking at where you’ve come from or where you might be at – the release is influenced by our lives.
How did you go about writing the album?
We had taken a bit of a break prior to recording, so we had a fair few complete songs that we’d worked on during that time. We also had a lot of ‘songs in progress’ and random ideas that needed sorting. So we decided to book a writing/pre-production session over a few days with Troy Brady (ex Amity Affliction). He brought a new perspective to things and helped us narrow the list, focus on the good, bin the bad and finalise the outline of the album.
What does this album mean to you?
This album represents a turning point for the band. I feel like we’ve stepped out from the shadow of our youth, and embraced a deeper, more honest side of ourselves. This vulnerability has given us more depth – something we were lacking in before. I know for a lot of us it also represents a release to all of those feelings and situations. It feels good to finally have it out there.
Where and when did you record/produce/master and who with?
We recorded in Brisbane in early 2020 with Troy Brady as our engineer and producer. Beau McKee mastered the album.
How did you approach the recording process?
After our pre-production and writing session with Troy, we booked in with him to get to work. We’d already done a lot to refine the tracks, so we really just needed to figure out what our ‘new’ sound would be. It was important that we honored our pop-punk roots, while expanding and modernising our sound. We had a rough idea and a few loose references, but once Troy started recording he really helped bring the album to life.
Please tell us about your single ‘Give Me a Second’ how it came about and what the tracks mean to you?
As a band, our music has always been quite “positive”, with our lyrics usually looking at the bright side of every situation. For this track (and many off the album) we wanted to be more honest and transparent about those less desirable times. Times when you know you’ve fucked up, or feel hopeless and there’s nothing left to do but scream and beg for forgiveness. Nothing but time will help. For me, this song is an expression of that feeling of helplessness and sometimes you just need to sit with those emotions, put a soundtrack to your feelings, and let time do its thing.
Who are you listening to at the moment?
We have extremely varied tastes and right now it’s everything from pop powerhouses like Adele and Ed Sheeran through to Halsey, or BMTH, ADTR and MGK. I personally love me some pop punk/emo so lately I’ve been vibing with Super American. Also, loving the new music our old friends in Stand Atlantic have been releasing – ‘hair out’ is a freakin’ bop.
What do you like to do away from music?
I enjoy a cheeky beach trip with my girlfriend and our dogs – or anywhere out in nature. I also ride motorbikes and find that a lot of my creative thoughts come when I’m riding.
What’s planned for 2022?
We just released an album, so we’re going back to what we love most: live shows. We want to share our music with as many people we can this year, and nothing beats the energy from a bunch of like-minded people jamming out together. We’re also starting to bring together some ideas for new songs, so probably a bit of writing too.
Favourite food and place to hangout?
Anywhere there’s seafood. I will eat the shit out of a moreton bay bug… oh, and Guzzies – classic.
Favourite place to hang out is at band practice. Couple of beers with some of your best mates talking shit and jamming… nothing better.
Facebook | Instagram | Twitter | Triple J Unearthed | Website | YouTube
Photography: Juan Castro
Photography: Juan Castro
DAFFODILS ANNOUNCE NEW EP +
BLISSED-OUT NEW SINGLE ‘HOW DO YOU KNOW?’
STAY THE NIGHT EP OUT JUNE 17
+ TOURING AUSTRALIA THIS APRIL
ALONGSIDE THE LAZY EYES SUPPORT
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TOUR DATES
Thu April 21 – The Royal Bondi, Eora / Sydney (FREE ENTRY)
Fri Apr 22 – The Vic On The Park, Eora / Sydney (FREE ENTRY)
Sat Apr 23 – Northcote Social Club, Naarm / Melbourne* (TIX)
*supporting The Lazy Eyes
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