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CVLTFEST, Alpha Wolf’s special one off heavy music festival makes its debut this Sunday at Melbourne Pavilion, Kensington.
This truly spectacular line up curated by the band themselves features Alpha Wolf as the headliners and with friends Silent Planet (USA), DEEZ Nuts (their first show back in Australia in nearly 4 years), Currents (USA), The Beautiful Monument, To The Grave, Bloom, Vengeance and Future Static.
On top of the killer performances, there will be a free photobooth and Deathwish Barber & Tattoo stand. There will be food trucks with vegan and non vegan options and market stalls including Greyscale Records, Sharptone Records, UNFD, Gehenna Clothing, Wearalmost Clothing and Sea Shepperd.
While they don’t do anything in halves and continue to push boundaries, CVLTFest is no exception. Each band on the line up will donate 10% of merchandise commission to an organisation of their choice and all festival brand merchandise profits will be donated to a charity by Alpha Wolf.
While the road has been far from easy for Alpha Wolf and they refuse to let anything stand in their way. Throughout the chaotic and turbulent times they find themselves, the band released their sophomore album ‘a quiet place to die’ to critical acclaim including a #6 spot on the ARIA charts and a nomination for Best Heavy Album at the ARIA awards. Selling out multiple sold out runs around Australia, two European runs under their belt, the band have just returned home from a huge North American run as direct support to ERRA and performing in Europe with Polaris on their headline run. In August, the band released a split EP with UK’s Holding Absence.
If you haven’t got your ticket yet, we urge you to do so before you miss out.
Tickets on sale from destroyalllines.com
DESTROY ALL LINES & ALPHA WOLF PRESENTS
CVLTFESTFEATURING
ALPHA WOLF
SILENT PLANET (USA)
DEEZ NUTS
CURRENTS (USA)
THE BEAUTIFUL MONUMENT
TO THE GRAVE
BLOOM
VENGEANCE
FUTURE STATIC
SUNDAY 30 OCTOBER 2022
MELBOURNE PAVILION 18+
135 – 157 RACECOURSE ROAD, KENSINGTON
Tickets on sale now from destroyalllines.com
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His steady stream of releases including the free-flowing ‘Wet‘, ‘Light It’ and ‘Make It Snow ft. Dante Knows’ as well as his commission for the McDonald’s U.S. biennial global conference ‘Matter To Me’ and collaboration with rapper Big Skeez on their anthemic single ‘Where Yuh From’, helmed Fang’s artistry to new heights – high rotation from triple j Unearthed, FBi Radio and SYN FM, RAGE and MTV alongside praise from Complex Australia for his “wild and charismatic flows”, “head-bop-inducing percussion of dancehall” by Acclaim Magazine and “ferociously delivered bars” by Purple Sneakers amongst others.
Coupled with a blockbuster appearance at BIGSOUND, Gold Fang continues to cement his place at the forefront of local tastemakers and so-called Australia’s thriving Afro-Caribbean creative community: be it kicking off the year as triple j Unearthed‘s Feature Artist, a Semi-Finalist in Acclaim Magazine’s All-Stars as well as one of Red Bull’s 2022’s Australian Rappers to Watch, his commission for the McDonald’s U.S. biennial global conference ‘Matter To Me’ and his explosive freestyle for Red Bull’s 64 Bars alongside his sync involvement with Champion for their ‘Collegiate’ campaign and with JD Sports modelling for the new Adidas Trefoil line, Gold Fang proves no matter what lane, he keeps on winning.
‘Big Natty Rasta‘ is out now via NLV Records,
buy/stream it here.
TOUR DATES
Wed 5 Nov – Oxford Art Factory – Eora / Sydney*
Sat 19 Nov – The Corner Hotel – Naarm / Melbourne*
Sat 10 Dec – The Operatives ‘WE ARE 18’ – Naarm / Melbourne
Sun 18 Dec – North Gong Sundays – Dharawal / Wollongong
* supporting The Terrys
Stay connected with Gold Fang:
Instagram | Facebook | Soundcloud | Tik Tok
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ON SALE from Monday 31st of October 2022 – 12PM AEST
Every now and again there is a truly magical double bill. The combination of NATHANIEL RATELIFF and THE NIGHT SWEATS and ST PAUL & THE BROKEN BONES is every bit that and more. Bring your dancing shoes!
NATHANIEL RATELIFF and THE NIGHT SWEATS are based in Denver, Colorado. They mix rock ‘n’ roll swagger with classic soul, R&B and a touch of country. They will make their long-awaited return to Australian shores following their explosive Australian shows in 2019.
ST PAUL & THE BROKEN BONES from Birmingham Alabama, are known for their powerhouse soul, funk rock with their charismatic singer Paul Janeway, and are returning to the Bluesfest and touring as an audience favourite.
They are a Musical Experience Like No Other!
All Bluesfest Touring artists will be playing Bluesfest Byron Bay next Easter Long Weekend, from Thursday 6th – Monday 10th April 2023. Tickets on sale at www.bluesfest.com.au.
REGISTER FOR PRE-SALE HERE:
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Where are you currently based?
Currently based in Manly! Sydney, Australia.
How did you first start playing music?
I started playing guitar throughout school, and slowly grew into singing and piano. Everything just kind of snowballed until I was confident enough to write my own stuff!
What’s been happening recently?
Moved house, finished touring, finishing up a new project, getting a lot more exercise and sleep in! The good stuff I guess.
Your latest single ‘ Dancin’ in the rain” is out now, what influenced the sound and songwriting?
I went through a massive RnB phase throughout lockdown, and went through about 6 months of experimenting with the type of sound that you can hear in the song.
How did you go about writing ‘Dancin’ in the rain’?
It came rather quickly actually! I had the sax sample recorded for a long time and wrote the song around that! The theme of the song is architected around the people that are close to me, and how they make me feel.
Where and when did you record/produce/master and who with?
I recorded most of the song at my home studio in Sydney, and then completed a final mix with Dan Natoli at Kiln Studios.
What’s the Sydney music scene like at the moment?
To be honest, whenever I’m asked this question, I don’t really know what to say. Sometimes it’s great and there’s a real sense of optimism within the shows I attend and shows of my own. However sometimes it can seem bleak, and there feels like this constant pressure to make artists into more than artists (content providers, accountants, media guru’s, etc).
What are your favourite venues to play and why?
I think my favorite venue has got to be my hometown venue of The Lansdowne. I grew up watching so many of my favorite artists play there, and was such an insane feeling when I got to sell it out myself a couple of times!
You have an upcoming tour, where are you headed and what do you most enjoy about touring?
Touring can be amazing, and can also be grueling. If I’m doing a solo part of the tour, airports can become a bit annoying after a while. We end the tour with a huge Byron show, which should mean the band and I get a bit of time in the sun!
Please tell us about any upcoming music/albums:
I have a new project in the works, which should be on the horizon early next year.
Who are you listening to at the moment?
Honestly, a lot of dance music, particularly house and jazz house. It’s such a fun and refreshing mixup to my normal stuff, and super fun to dj.
What do you like to do away from music?
I’m a pretty chill morning guy, and like the simple things like exercise, beach and reading. I also like just organizing day things with my partner and friends and making the most of the time we have!
What’s planned for the remainder of 2022 going into 2023?
I finish touring in mid-November and then I have the rest of the year off! Very exciting. I’m going to spend a little bit of it completing a new project, and then I’m going to relax!
Favourite food and place to hangout?
Anything to do with sashimi. I’m due for some actually.
Official Website: https://olyshermanmusic.com/
Facebook: https://www.facebook.com/
Twitter: https://twitter.com/
Instagram: https://www.instagram.com/
Youtube: https://www.youtube.com/
Triple J Unearthed: https://www.abc.net.au/
Title: Move Like That
Label: Terms & Conditions
Femme powerhouse Sam Blacky returns with another sultry house single, “Move Like That” on Mexican duo Tom & Collins‘ label Terms & Conditions. Blacky is heavily inspired by her global travels and the music she encounters along the way, and this new release carries a distinctive Latin flair. With an energetic pulse driven by a steady bassline and kick drums, Blacky also layers in a catchy vocal riff with the title’s namesake that encourages the listener to get on their feet and “Move Like That.” In the same vein as Blacky‘s previous single “Colombiana,” the new track is perfect for steamy nights on the dance floor or any time you’re looking for a groovy pick me up.
“This single was inspired once again by my love for Latin dance music, and that’s why we wanted to go with Terms & Conditions. I have known Tom & Collins for many years, so to finally come together on a project is the only thing that made sense for this track.” – Sam Blacky
Samantha Black is a multitalented DJ/producer and creator professionally known as Sam Blacky. Originally from San Diego, Sam spent several years in Australia, where she first fell in love with producing music and performing live. Since moving back to Los Angeles, music and performing have taken a front seat in her life. Sam has performed live across the world from 2017 to the present day, from Mexico to Ibiza to Bali, at some of the premier electronic festivals and clubs on the planet. During the pandemic, Sam released a series of videos on Youtube called “A New World,” live streaming sets from some of her favorite places in Mexico, giving viewers a taste of vacation vibes even while staying safe at home. Following the release of her first EP on her own label, Stabby Records, Sam has also released singles with Repopulate Mars and now Terms & Conditions as well as an official remix for the viral Tik Tok single “Gaslight” by Inji. She is currently working more remixes and collabs with Inji and others as well as a new EP with Jackson Englund.
Title: Existential
Label: Pilot./UKF
Justin Hawkes charged onto the DnB scene under his Flite moniker with the self-released track Blue Spark in 2013, with Liquicity featuring the seminal track on their influential YouTube channel. His ability to span soft-toned character to sheer euphoric brilliance through the dark, earth-shaking depths of bass music soon found him many fans, including some of the world’s top DJs, such as Andy C, Porter Robinson, RL Grime, Netsky, Friction, Sub Focus, Wilkinson and many more.
His relationship with UKF started when they featured his releases Featherfall and Colorless in 2014, released on Bass Explorer’s label Sup Yo! And Liquicity Records, respectively. His 2017 EP ‘The Cure,’ however, dropped on Liquicity, truly marked a momentous shift in his music career, releasing a flurry of bangers on labels such as Hospitality, Monstercat, and UKF and a slew of festival appearances in Europe and the US.
In 2020 dropped the Flite moniker in favor of Justin Hawkes, arising like a phoenix from the ashes with roof-tearing releases Lift Off The Roof (D&B Arena) and The Underground. He channeled his experiences in the US rave scene with songs such as IJDK and a remix for REAPER’s Barricade. And even though these releases were incredibly successful, the controversy surrounding the Flite moniker, with personal attacks against Hawkes’ honor during a global pandemic and huge politically uncertain times, left a serious mark – one that he would explore on his debut album ‘Existential.’
“Existential manifests as a self-portrait,” says Hawkes. “It weaves between my thoughts, philosophy, and history, both within my career as a Drum & Bass artist in America and internally through the unknown future. The title itself represents the existential scenarios that have formed who I am, exploring my journey through crisis, the weight and forgotten wisdom of the past, and even the sometimes-comedic power of being an outlier.”
Having grown up in a small town in Virginia, Justin wasn’t born into the DnB scene. Influences such as Justin’s early stint in his school’s marching band playing trumpet and his love for blues, rock, jazz, folk, and gaming, have found their way onto the album. His family was deeply entrenched in more ‘traditional’ American music genres such as Country and Americana, with his uncle Andrew Hellier playing guitar for Modern Yesterday and Rotoglow. His family, as well as his family’s influences, can be heard on the standout single ‘Better Than Gold,’ featuring none other than his uncle on vocals and father on mandolin and acoustic guitar. If there was ever a genre-busting tune, this Country Rock-meets-DnB would be it.
But it’s not all fun and games – Existential explores deeper themes, such as the idea that humanity is encouraging its own extinction and what it means to be alive at a time when the world feels like it’s collapsing in on itself. Tragedy, humanity is one such track that describes the many beautiful yet tragic paradoxes humans go through or create for themselves.
Featuring 15 tracks that showcase Hawkes’ flawless and diverse style as a producer, ‘Existential’ feels less like an album and more like a sonic journey through the artist’s psyche. From the opening notes of tracks like ‘Inheritance’ and ‘Arbiter’ (featuring PAV4N from Foreign Beggars), which convey power and intensity, to the more mellow and rock-infused ‘The End of an Empire,’ Hawkes brings a fix for a very wide palette of emotions. Says Hawkes: “I’m a big film guy, often leaning towards the existential questions and mysterious possibilities of human progress. The organic and moving sounds of composers like Jon Hopkins and Hans Zimmer really interest me as well, and that played a key part in my mindset while producing the album. I am pleased that ‘Existential’ as a body of work grasps the essence of what makes me think, feel, and makes me myself, all within a musical format I am exceptionally passionate about.”
Where are you currently based?
I am based in Naarm (Melbourne).
How did you first start playing music?
Off my brothers iPod! And eventually I just figured out how to make my own.
What’s been happening recently?
Well, I’ve been getting used to having a song out again after 5 years and taking it all in. I’ve been working to pay the bills and working on my music!
Your latest single ‘My God’ is out now, what influenced the sound and songwriting?
I just started off with a simple beat I made and melody. I don’t think anything in particular inspired it. Maybe just lived experience and trying to have fun with the lyrics. I wanted to do some wordplay with pop culture references so the movie ‘Friday’ with Ice Cube and Chris Tucker, Kill Bill, Michael Jordan & Dr Phil influenced that!
How did you go about writing My God?
I love 808’s, and I was playing around with an 808 melody on GarageBand & then experimented with some percussion samples and slam/kick FX and MIDI trumpets and as I was doing the beat making process, I came up with a melody and then wrote lyrics.
Where and when did you record/produce/master and who did you work with?
Over a year ago now, I was in a little bedroom and created the demo. I then took the demo to HAMLEY (producer) who beefed everything up and then Matt ‘Xiro’ Fioravanti mixed and mastered it.
How did you approach the recording process?
After having my version of the demo for a while, I got used to the original vocals I did and was pretty set on them being in the final mix. When I’m doing it on my own time I don’t feel pressure because I can take as long as I like and choose my environment. But I had to let go of what I was comfortable with, re-record them better quality and try to have the same energy as the demo which ended up sounding more powerful in the end.
You’ve recently taken a break from music to work on yourself, please tell us about this
process:
When I put my first song ‘Ocean’ out 5 years ago, I didn’t realise the extent of how much I had going on for myself personally and mentally which put a halt on me focusing on my music. I got addicted to drugs and I didn’t know I was addicted until I was really in the depth of it. I made a choice and didn’t realise the implications it would have. When I knew I wanted help, I made a choice to try and get it. I had definitely tried to get help in the past, but when it worked for me is because I wanted it for myself. Music definitely played a big part in my recovery because when the lockdowns hit, I just threw myself into creating music again.
How did you go about teaching yourself to produce and make beats?
GarageBand, and a lot of YouTube tutorials!
Who are you listening to at the moment?
JK-47. I love his realness and lyricism. A new inspiration of mine too! I can’t wait to see him play at First & Forever – A Celebration of Blak Excellence festival in November and all of the other incredible artists on the lineup.
What do you like to do away from music?
Talk to my cat Chonky, spend time with my loved ones, do backyard hairdressing for friends and myself, converse with people and learn how they see the world and experience it and I like stretching/yoga, I just want to do it more regularly!
What’s planned for the remainder of 2022 going into 2023?
Staying focused on my music and getting it out there! I have a hard drive full of songs I’ve been writing and I just can’t wait for the world to hear them. More released music, more time with friends and family, getting back into live performing, keeping healthy and staying open to learning from every experience!
Favourite food and place to hangout?
Asian food, especially dumplings. My favourite place to hangout is in my bedroom studio. Whilst eating dumplings.
PLAY/LISTEN
Got a heap of people to feed? No problem, Fonda’s got your back.
Introducing Fonda Catering at ‘tu casa’ (your house) – bringing the epicness that is Fonda Mexican to you.
The new catering menu is here just in time for the warm weather and silly season antics. No matter the occasion, Fonda has it handled. Perfect for spring carnival celebrations, birthdays and private or corporate events. So, throw out the chicken sandwiches and tell the office manager that there will be no fruit platters at this year’s work Christmas party, Fonda has it covered.
In Mexico, a ‘fonda’ is a home that serves the community delicious and simple food that has been lovingly prepared. Taking this concept one step further, Fonda’s catering menu gives you the tools to turn any event into a hostess haven. The menu features a whole new lineup of never-before-seen Fonda dishes exclusive to the catering menu, bringing your guests on a culinary journey, fuelled with high-quality, fresh, Australian produce.
Fonda Catering Menu
Order Fonda catering online at fondamexican.com.au. Each box contains 30 pieces.
Tortilla Crisps – $70
Corn Ribs – $120
Chipotle Mac & Cheese Croquettes – $135
Chicken Taquitos – $165
Sweet Potato & Lentil Empanada – $125
Corn & Black Bean Empanada – $125
Chilli Con Carne Empanada – $135
Pork Sliders – $200
Sparked by a desire to plate up mouth-watering Mexican like no other, leading culinary institution, Fonda, was born from humble beginnings.
Over a decade ago, Tim McDonald and Dave Youl were on a mission to satisfy their cravings for fresh, flavour-packed Mexican food in a venue that felt like home. When they noticed a gap in the Australian market, a light-bulb moment followed. The pair set off on a culinary expedition across Mexico, scouting the best bites and most welcoming hangouts in the country. Returning inspired, with full bellies and big dreams, the duo dived into their restaurant venture. Fonda was born.
Transporting the heart and soul of Mexico to Australian shores, Fonda burst onto the scene in 2010 with a flagship in Swan Street, Richmond. The monumental launch attracted hour-long queues and earned the brand a cult following. Fonda has since become synonymous with perfected Mexican street food, with standouts including its legendary tacos and moreish margaritas.
Following enormous consumer demand, nine restaurants have opened across Sydney and Melbourne. Locations include Richmond, Windsor, Hawthorn, Knox, Chadstone, Flinders Lane, Collingwood, Surry Hills and Bondi, and for Fonda fans with an appetite for more – watch this space!
No matter which restaurant diners head to, they can expect Fonda’s signature relaxed atmosphere, welcoming hospitality, and playful décor popping with bright injections of colour. In Mexico, a ‘fonda’ is a home that serves the community delicious and simple food that has been lovingly
prepared. Inspired by this concept, Fonda’s menu encourages guests to take a memorable culinary journey together, fuelled with high-quality, fresh, Australian produce.
Hungry diners’ only task is to pick from the extensive list of fan favourites found on the eat-in and takeaway menus. The coveted offering includes market-fresh fish tacos, herbed mushroom quesadillas, slow-cooked beef brisket burritos, grilled corn, and nachos with house-made guacamole and pico de gallo, to name a few.
A show-stopping cocktail list transports diners to a beach side Mexican bar, where thirsts can be quenched by an impressive range of margaritas featuring classic, chilli mango and watermelon & lime, alongside a selection of cerveza, cider, local vino and non-alcoholic beverages. Inside the kitchen, Tim and Dave have nurtured the hospitality teams like their own family, building a positive and engaging culture that glows from the inside out.
What sets Fonda apart from the competition extends far beyond the menu. The commitment to its guests and dedication to continually inspiring and developing its team is what delivers the unique experience diners know and love.
As the saying goes, “mi casa, su casa”, so head to a Fonda near you to experience the Mexican magic.
For more information visit: www.fondamexican.com.au
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Previous Support For Evergreener
Debut single ‘Deciduous’ added to Triple J’s Short.Fast.Loud playlist
“With both a modern and 90s edge to it, Deciduous bursts with angst, emotion and riffs.”
(Hysteria Mag) [About ‘Deciduous’]
“Evergreener, have turned that notch beyond eleven with their explosive new single”
(AAA Backstage) [About ‘Deciduous’]
“What I like about their new single Deciduous is the raw energy (I love the sound of the guitars, above all), the performance (great drumming!) and the overall no-frills/straightforward attitude of the band.”
(Given To Rock) [About ‘Deciduous’]
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