The Partae
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event

HARLEY GIRL drops high-energy new EP The Music, delivering club-ready chaos and...

December 4, 2025

Live at the Gardens announce epic March 2026 season | Royal Botanic...

December 4, 2025

Interview: Sola Rosa on Rebirth, Rhythm and the Making of ‘Jupiter’ –...

December 4, 2025

JULES ANNOUNCES IT’S COMING ON CHRISTMAS EP

December 4, 2025

44 Ardent’s New EP ‘Me, Again’ Marks a Powerful Return to the...

December 4, 2025

Interview: bbyclose steps into her own world with ‘ego’ – confidence, contrasts,...

December 4, 2025

Callum Padgham Turns Life’s Chaos Into Gold on ‘Everything is a Blessing’

December 4, 2025

Legendary NZ producer SOLA ROSA teams up with IVA LAMKUM once again...

December 3, 2025

AUSTRALIA’S BIGGEST GUITAR SHOW LAUNCHES IN SYDNEY

December 3, 2025

FROM THE BACKYARD TO THE WORLD STAGE: SUMMER JAM GOES NATIONAL WITH...

December 3, 2025
Monthly Archives

November 2022

Music News

Darcy Fox

by the partae November 25, 2022
written by the partae

Where are you currently based?

I’m based on Wurundjeri land.

What’s been happening recently?

It’s been a busy few months! I released my first single in a little while, “Ashamed”, last month and have been getting everything prepared to launch my album next year.

I also recorded a cheeky little Christmas song to thank my supporters for waiting so patiently for my new music.

Your latest track ‘She Loves Christmas Time’ is out now, what influenced the sound and songwriting?

The song itself was influenced by my fiance who, as you can probably guess, adores Christmas. The sound was influenced by Phoebe Bridgers and girl in red’s holiday songs, which aren’t in-your-face festive, and stay true to their indie style.

Please tell us about the LGBTQIA+ storyline and why this is important to you:

It’s important to me to share LGBTQIA+ storylines that aren’t about being queer. It shouldn’t be a novelty to hear a queer holiday song – but unfortunately it is. I hope that it provides authentic representation to our community, and maybe even inspires someone else to do the same.

How did you go about writing She Loves Christmas Time?

This song started out as a little ditty for my fiance – I never planned to release it. But I knew it could mean something to a big group of people who are looking for representation, not just us.

Where and when did you record/produce/master and who did you work with?

I had the joy of creating this song with Cory Jach – he brought my simple, stripped-back vision to life with help of James Bowers on keys. In keeping with my indie inspiration, I didn’t want high-energy jingle bells. I love the sound we landed on.

How did you approach the recording process?

To be honest, I didn’t give myself much time! I made the split decision to release this song, so Cory and I worked quickly to refine the sound. It’s the quickest song I’ve ever made!

What does this single mean to you?

It’s the first song I’m releasing about my fiance, so it’s very special to me. It probably has the most sentimental value of any of my songs!

Who are you listening to at the moment?

Kelsea Ballerini’s new album. It has such an old school Shania Twain vibe and I can’t stop spinning it!

What’s planned for 2023?

My album is dropping! But I think I’ll release a few more singles first. Watch this space.

https://www.darcyfoxmusic.com/

November 25, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

MAGGIE SLATER channels frustration and passion on new single ‘PULP’

by the partae November 25, 2022
written by the partae

 

Photo by: Tegan Beswick

Returning with her first new music for the year, Queensland indie artist Maggie Slater nails passion, frustration and catharsis on ‘Pulp’. The title itself is visceral, as is Slater’s presence on the track.

Following on from previous releases such as ‘Stability’ in 2020 and of course, her debut album In Bloom in 2019, Slater is at a new creative peak with ‘Pulp’ – the perfect entry to a whole new chapter as an artist.

“Stared at the sky ‘til it matched your eyes / The way you say my name is like a lullaby / I just wanna be the one / That you kiss goodnight…”

Written during the first lockdown of 2020 in her hometown of Kuranda, ‘Pulp’ originated during a period of upheaval for Slater. Having relocated to Melbourne to further her artistic career, she found herself back home in Queensland at the beginning of what we all know became an elongated period of time put on pause.

Inspired by the Gillian Flynn novel Gone Girl, ‘Pulp’ explores the toxicity of relationships from a young person’s perspective. Through her lens, Slater injects raw emotion into the composition, breeding an engaging and charismatic hit of indie-rock.

“‘Pulp’ explores the detrimental impact of unhealthy early relationships that many young people, particularly women, experience when they’re young. The song examines this dynamic retrospectively, making space for feminine frustration and pulling influence from female-fronted rock bands of the ‘90s and ‘00s.”
MAGGIE SLATER

For the music video, Slater brought the song to life with the help of her best friends, shooting the clip in Brunswick. Directed by Hugo Morgan and co-produced by Slater and her housemate Ella, the music video for ‘Pulp’ was inspired by real life conversations and concepts.

 

“She [Ella] really related to the song after hearing it for the first time, as she’d had a very similar experience to me in her first relationship. Then one night we were up late chatting in the living room about these shared experiences, vignettes…then things just kind of went from there.” 

“We really wanted to capture the ups and downs of these turbulent, chaotic, toxic relationships and their often very addictive and destructive nature. To capture the kind of innocence and nuance of these dynamics, that are often undiscussed.”
MAGGIE SLATER

Single Art by: Ella Parkinson and Tige Sixel-Miller

Recent years have seen Slater emerge as a strong new voice out of the East Coast indie circuit. Her debut headline tour saw Slater sell out The Brightside in Brisbane, and make significant impact at venues in Cairns, Melbourne and on the Gold Coast. She has supported artists including Kate Miller-Heidke, Didirri, Mama Kin and Greta Stanley, all the while consistently building a fan base that has followed her from release to release.

PRAISE FOR MAGGIE SLATER

“Slater’s voice is delicate but there is also an edge of melancholy that permeates the song with a sense of angst.”
AMNplify

In November, Slater will launch ‘Pulp’ with a special show in Melbourne, supported by Radio Free Alice and My Giddy Aunt.

MAGGIE SLATER ‘PULP’ LIVE SHOW

Sunday 20 November The Workers Club Melbourne
Supported by Radio Free Alice, My Giddy Aunt
Tickets

PULP is out November 16th.
Triple J Unearthed | Facebook | Instagram | Youtube

 

 

November 25, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

Sydney’s YAWDOESITALL releases anticipated debut EP, LIFE I CHOSE

by the partae November 25, 2022
written by the partae

 

Photo by: Yewande Willis

 

 

Encompassing themes of self-empowerment, overcoming and reflection, Ghanaian-Australian hip hop artist and producer Yawdoesitall delivers his long awaited debut EP, Life I Chose.

A series of observations and thoughts collated and delivered on a record that thrives with a variety of sounds, the Life I Chose EP perfectly represents a creative who has been at the fore of some remarkable and original hip hop compositions in recent years.

Since 2020, Yawdoesitall has been refining and finessing his sound out of studio spaces in Sydney, against a backdrop of social upheaval and unpredictability, as many artists were forced to do. And during this time, he was able to pose different questions to himself – questions that he found ways to navigate ways toward answering, through the music. Life I Chose reflects these processes, while ultimately dishing up Yawdoesitall’s personality with precision: an engaging and charismatic performer who wears boldness with pride.

PLAY/LISTEN

 


Featuring recent releases ‘HOLD ON’ and ‘G.Y.M.’, Life I Chose is a seven-track EP that revels in different energies. The harder edge of a song like ‘G.Y.M.’ beautifully contrasts the vibrancy of a song like ‘EHLUMENTS’. For fans of early Kanye West and contemporary-day Kendrick Lamar, there will be moments on Life I Chose that will grab immediately. And then for fans of biting lyricism in the vein of Headie One or Dave, Yawdoesitall’s flex on songs like ‘LIGHTS’ and ‘ONLY ONE HERE’ stand out as more than impressive. 

 

Clashing guitars meet gospel vocals; soulful R&B licks thread with cocky rap production – reflective of the exciting way hip hip and its adjacent lanes are currently moving, Life I Chose establishes Yawdoesitall as a striking artist to keep an eye on.

“Life I Chose documents my journey into Yawdoesitall. It’s a decision, it describes my step into creativity. In my family, I stepped out of the usual “Be a doctor, be a lawyer” and what was expected of me, instead, taking a risk. To instead pursue the arts, taking photos and making music. From the start of the EP, it goes from me feeling like I’m the only one here who wants more for myself, and feeling like I’m the only one who sees that there is more to achieve.”

“The process felt long. It feels like a timestamp on the progress of Yawdoesitall. There is one of the first songs I ever wrote on the EP and there are songs that I only wrote a few months ago!”
YAWDOESITALL

Since breaking out with music back in 2018, Yawdoesitall has proven himself as a consistent talent as a songwriter and producer. Delivering solid release after solid release leading u to 2020 – which saw collaborations with Maina Doe and Tawanda on ‘ARMADILLO’ and ‘TEST DRIVE’ respectively earn him more widespread attention – the momentum surrounding Yaw’s material grew in strength. To date he has accrued over 300,000 streams to date, continued support across Australian radio including triple j, FBi Radio, 4ZZZ, 3RRR and Radio Adelaide; Spotify and Apple Music via various editorial playlist placements; and industry praise as one of BIGSOUND’s Top 50 (2020).

This year, Yawdoesitall supported Baker Boy on a multi-date regional tour of Victoria, giving him an opportunity to tease some of the unreleased Life I Chose material live for the first time.

PRAISE FOR YAWDOESITALL

“A Ghanian-Australian artist based in Western Sydney, Yawdoesitall creates in an immersive brand of experimental, progressive hip-hop which fuses together genres as he combines gorgeous instruments to make eclectic sounds filled with bright energy, intricate production and witty lyricism.”
ROLLING STONE AUSTRALIA

“Turn it up, flash the cash and don’t be shy! Yawdoesitall’s confidence through the roof on this one…”
TRIPLE J, DECLAN BYRNE (‘G.Y.M.’, 2022)

“That build that begins around the 1:40 mark is so cinematic and powerful with Yawdoesitall’s effortless delivery guiding you all the way.”
TRIPLE J UNEARTHED, ABBY BUTLER (‘G.Y.M.’, 2022)

“Keep an eye out for new music from the young man who seems to be defining and refining his sound with each release.”
LIFE WITHOUT ANDY

The LIFE I CHOSE EP is out now.
Triple J Unearthed | Facebook | Instagram | Youtube | Twitter

 

November 25, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

Wesley Black Collaborates With Indie-Rock Group Dear Sunday For His New Single ‘Sleepless Nights’

by the partae November 25, 2022
written by the partae

‘Better With You’ – First Play on Triple J Home & Hosed (Nov 22)

“WB bringing driving melodies and a thumping beat that’ll take you on his ride right to the stars. Obsessed with the vocal treatment, laden with pop textures and still leaving space for a few hardhitting rap verses.” 4.5 / 5 (Pip Rasmussen, Triple J)
[About ‘Better With You’]

“Wesley Black’s shown us he can rap but on this one he’s flexing a pop side to his brain that’s equally impressive!” 4.5 / 5 (Declan Byrne, Triple J)
[About ‘Better With You’]

“Wesley’s ‘ANGEL’ project from earlier in 2021 went fkn hard but he’s flipped it here with the driving production and melodic wash. I’m into hearing this versatility.” 4 / 5 (Dave Ruby Howe, Triple J)
[About ‘Better With You’]

“Better With You is a vulnerable track, and one that’ll resonate with both old and new fans alike.” – Cool Accidents

“… songs like OUTLAW! and Eleven are glimpses of his brilliance in its best form shown thus far, showing his craft as a multi-faceted emcee that can move between flavours and energies with ease.” – Pilerats

“OUTLAW! is a heavy mix of electronic and trap elements alongside high energy vocals with a music video full of powerful scenes and vivid imagery.” – MILKY

Stream ‘Sleepless Nights ft Dear Sunday’

Boorloo/Perth’s alternative hip-hop posterboy, Wesley Black, explores new melancholic indie-rock undertones in his new single ‘Sleepless Nights ft Dear Sunday’ (out November 25).

Following the success of his debut EP, Wesley Black substituted trap beats and modern hip hop instrumentals for acoustic guitar with raging success in his track ‘King Of The World’. Receiving over 90,000 streams on Spotify and finding virality across YouTube, Wesley Black’s new wave alternative hip hop spoke for itself and found its own audience.

‘Sleepless Nights ft Dear Sunday’ takes the concept of guitar work found on ‘King Of The World’, and has taken it up a notch.

Combining indie-rock electric guitars alongside his traditional trap production has brought a fresh flavour to Wesley Black’s alternative hip hop sound. Club speakers are driven from the upbeat pulsating percussion, filled with a melancholy undertone of modulated electric guitars and bass synthesisers. The bright driving production is overshadowed by melancholic and sincere lyrics about finding closure in a relationship that’s run its course.

Boorloo/Perth indie-rock outfit Dear Sunday assist in adding the melancholic indie dimension to this track, helping stitch together this unique collaboration between two worlds and building the bittersweet reminiscence that comes alongside the closure of a finished relationship.

Wesley Black provides insight into working with Dear Sunday and the message behind ‘Sleepless Nights’:

“Sleepless Nights is one of those songs that sounds a lot happier than it really is. In reality, I wrote this song at a pretty down time in my life, where all I wanted was to hear back from someone I hadn’t spoken to in ages. When the time finally came, we spoke for the entire night and I had no intentions of sleeping; unfortunately for me, that was essentially the last time we spoke, but I treasured that moment so much I wrote this full song about it; everything I loved and hated about that situation and relationship.

I was super grateful to have Dear Sunday able to lift the song and bring it together with me, I feel like they brought a new life to this track and helped me put a spin on the sadder lyrics in their indie rock ambience.”

Wesley Black has exploded in the media landscape since his debut EP in 2021, finding support from Triple J, Tone Deaf, Pilerats, Out Now Magazine, MILKY, Scenestr, Aus Music Scene, Cool Accidents and so much more.

Put your head to the pillow, but don’t sleep on Wesley Black’s new track, ‘Sleepless Nights ft Dear Sunday’ drops on all major platforms on November 25.

Follow Wesley Black

Facebook | Instagram | Youtube | Bandcamp

Spotify | Apple Music | Soundcloud | Triple J Unearthed

November 25, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

Circles Drop Their Highly Anticipated EP ‘The Stories We Are Afraid Of | Vol. 1’ ‘The Stories We Are Afraid Of | Vol. 1’ EP – Out Now

by the partae November 25, 2022
written by the partae
Stream ‘The Stories We Are Afraid Of | Vol. 1’

Australia’s progressive metal giants, Circles, shape a new era with the release of the first part of their long-awaited two-part EP – ‘The Stories We Are Afraid Of | Vol. 1’. Out Now via Wild Thing Records.

After the international success of their previous album ‘The Last One’ which landed #3 on AIR Independent Albums, #47 ARIA Digital Albums, and #4 on TheMusic’s Album of the Year 2018, to say that their new EP has been anticipated is an understatement.

Produced during the extensive lockdowns in Melbourne, Circles‘ new EP emphasises the importance of self-reflection and self-realisation in the face of despair and hopelessness, and illustrates the first steps in finding the strength to make positive, empowering change in oneself.

Circles’ Ben Rechter discusses the themes of ‘The Stories We Are Afraid Of | Vol. 1’: “The overarching theme of Vol.1 is one of a loss of identity and purpose, and trying to recapture a sense of wonder and passion for life that was once a core part of you. Musically, we went into these writing sessions with a focus on being more direct than on previous albums, steering away from crowding songs with heaps of different riffs for the sake of having more riffs that we personally like in there.”

‘The Stories We Are Afraid Of | Vol. 1’ was mastered by Luke Cincotta (Karnivool & Dead Letter Circus) and was self-produced and mixed by Circles’ guitarist Ted Furuhashi. The addition of precisely developed synthesiser lines, integration of electronic percussion and refined samples brings another dimension to Circles’ new EP.

The progressive giants’ recent three singles have seen rotations on domestic and international radio stations, as well as curation from Spotify and Apple Music editorial playlists. ‘Sleepwalking’, ‘Dig’ and  ‘Echo’  have all been featured by The Racket on Triple J. Playlist success includes Spotify’s All New Metal, Progressive Metal, Homegrown + Heavy and Rock Out playlists in addition to Apple Music’s New Music Daily, Heaps Heavy and The New Rock. Media support from domestic and international media outlets includes Heavy Mag (AU), Hysteria Mag (AU), Kill Your Stereo (AU), Metal Hammer (UK), Sonic Perspectives (US), The Prog Report (US) and more.

Circles recently came back in full touring force with a memorable Australian tour across the East Coast and Adelaide in collaboration with Destroy All Lines & Wild Thing Presents. Their advanced touring experience has seen them at internationally acclaimed prog festivals such as Progfest (Australia), Euroblast (Germany) and Progpower (USA) as well as opening for The Dillinger Escape Plan, Periphery, Opeth, Fear Factory, TesseracT, Twelve Foot Ninja and many more globally recognised acts.

Cementing the next era for this prog-powerhouse, ‘The Stories We Are Afraid Of | Vol. 1’ is OUT NOW via Wild Thing Records on all major platforms and via CD and Vinyl via the Wild Thing Music Store.

Circles – The Stories We Are Afraid Of | Vol. 1

BUY / STREAM The Stories We Are Afraid Of | Vol. 1

AUS (and ROW): wildthingmusic.com
Europe & UK: eu.wildthingmusic.com
North America: us.wildthingmusic.com

Previous support for Circles

‘Sleepwalking’ and ‘Echo’ – First Play on Triple J (The Racket)

‘Sleepwalking’ added to Spotify’s Homegrown + Heavy, All New Metal
and Apple Music’s Heaps Heavy

‘Dig’ added to Spotify’s Rock Out and Apple Music’s The New Rock

“. . . One of Australia’s most successful international prog experts . . .”
(Maniac) [About ‘Dig’]

“Their music soars as much as it djents, the vocals and harmonies, delivered by the three members across the front of the stage, are absolutely on the money, and it is all delivered with a tightness and precision that only comes from being together for well over a decade”
(The Music) [‘Sleepwalking’ AUS Tour Live Review]

“With more sonic meat than your local butcher and a simultaneous scintillating assault and caress of the senses on full display via Sleepwalking, 2022 is shaping up to be a particularly eventful one for Melbourne’s Circles”
(Hysteria) [About ‘Sleepwalking’]

“Some things in life are worth the wait . . . and it gives me pleasure this week to grace Melbourne rock outfit Circles as our featured artist”
(HEAVY Magazine) [About ‘Sleepwalking’]

‘The Last One’ (2018) landed #3 on AIR Independent Albums, #47 ARIA Digital Albums, #4 TheMusic’s Album Of The Year (Writers’ Poll), and reached close to 3 Million Spotify streams worldwide.

“Circles have crafted a modern progressive tapestry with plenty of wider appeal”
(Metal Hammer – UK) [About ‘The Last One’ Album]
Website
Spotify
Instagram
YouTube
November 25, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Neav

by the partae November 25, 2022
written by the partae

Where are you currently based? 

The Central Coast, NSW 

How did you first start playing music? 

Ever since I was super young, I’ve always sang and danced about making up little tunes but I think It wasn’t until my Mum took me to singing lessons that I started to properly play music. I played violin for a little while as a kid and then I moved to guitar and singing as my key instruments. I first started playing music live when I was about 11 or 12 and have done so ever since. 

What’s been happening recently?

I just released my debut EP “ELEGY” and had my launch at the Australian Institute of Music which was super fun. 

You’ve just released your debut EP ‘ELEGY’ at the ripe old age of 18, what influenced the sound and songwriting?

I was experimenting with sound and what I want the production of my songs to sound like. When I was in the process of writing “Silence Song”, I realised I was really leaning towards alternate and dark pop sounds. I think thematically, the EP stems from a place of moving on to better things, transitioning into better places and having hope in moments of self-reflection. 

How did you go about writing the EP?

I wrote a lot of it solo however I also collaborated with a range of different producers and songwriters to create the songs that you now hear on the EP. Some of the writing process consisted of me just picking up a guitar and hitting records on my voice memos, while other times I collaborated online writing and recording bit by bit. 

Where and when did you record/produce/master and who did you work with?

I recorded in a couple different places and worked with a few different people for the creation of the EP. I got to work in Forbes Street Studios with Mario Spate, Studios 301 with Jess Deskovic, The Music Cellar with Rod McCormack, and The Nest Studios with Tristan Barton. I also recorded a few vocals in my home studio and worked with David Turley online recording and writing. 

How did you approach the recording process?

I make sure my vocals are feeling good, usually I will have a tea and make sure my voice is warmed up. I’ll then work with the producer I’m working with to record takes of the song. I love layering my vocals and creating beds of harmonies for my lead vocals to sit on. As for other instruments, a lot of it is synthesised or electronic but i love recording my favourite cole clark angel 2 model guitar. If I’m recording from home, I just go through the song chronologically and methodically and make sure I have heaps of takes and layers for the producer to work with. 

You worked with a talented bunch of producers to make this EP, how did these associations come about?

I’ve won a couple awards that have given me connections such as winning the Listen Up Music Songwriting Prize that got me connected with Jess Deskovic. As for other connections, they usually happen through my label or publishers. I’ve been really lucky to work with such talented and kind people.

Did music always seem to be the path you were meant to follow?

Music has always been a prominent feature of my life, however, I didn’t really realize it could be something I could pursue as a career until a few years ago. It just makes sense to me as music was always the one thing I felt comfort in when everything else seemed difficult or too much. 

How does it feel releasing your first EP?

It feels pretty surreal just because it has felt like such a long time coming in releasing singles and music videos and creating content for it to finally be out in the world. I am just overwhelmingly happy to have it out as my first body of work and feel that it’s a really special thing to have a physical thing that acts as almost an extension of yourself to add to your portfolio of stuff you’ve created. 

Who are you listening to at the moment?

I listen to a range of different stuff and that changes all the time, but I’m loving Kimbra’s new songs at the moment, BANKS, Dora Jar, Adele and Vera Blue. 

What do you like to do away from music?

When I’m not listening to, writing or performing music, I can usually be found spending time out with my favourite people and going out having fun with friends and family, whether that’s at concerts, events, the beach or just out for food and drinks. As a writer, I also really love reading and delving into imaginary worlds that people have built in their heads as I find that super inspiring and helpful for building vocab when I’m songwriting. I am a huge movie buff and could quote quite literally any disney or early 2000’s kids film. I also love trying new things, going to new places, adventuring, getting outside in the sun -not for too long cause i’ll burn as i’m super white-, and i also love just putting my creativity to the test in whatever way i can.  

What’s planned for the remainder of 2022 going into 2023?

I am going away on two trips in December this year, Thailand with my best friend and then I’m cruising around Vanuatu with my family for christmas. In and around then, I’m finishing off my diploma in music production and sound engineering and doing little solo gigs. Nothing is set in stone for next year music wise but we are planning to organise a band show to celebrate the EP early 2023. I’m also planning to get out there much more with my band, supporting other artists and touring as much as I can. I want to push myself to collaborate with more artists as well next year. 

Favourite food and place to hangout?

I love food and trying new foods so much but my favourite has got to be sushi and japanese style cuisine. I also love curry and south aisian style food too. I love sour patch kids and weird food combos as well like salt and vinegar chips with beetroot dip. There are a few nice restaurants and bars where I live that are great to hang out with friends but the beaches where I live are amazing too so I love to hangout there as well. 

Debut EP ‘Elegy’ is out now via Double Drummer.

Official Website | Facebook | Instagram | Twitter | Youtube | Triple J Unearthed

November 25, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

HOLLY ALISON serves up party-ready earworm ‘DOING BETTER’ ft Ramzie

by the partae November 24, 2022
written by the partae

Photo by: Aaron Leslie

PLAY/LISTEN

Central Coast artist Holly Alison makes a welcome return with a supercharged new single ‘DOING BETTER’. The track oozing with pop-trap vibes was written after she endured a toxic relationship, it’s her most confident release to date. Ramzie features on the song thriving in his unique rap swagger.

“The song was written about a psycho ex-girlfriend who used to tell me I would never get any better than her (insert emotional damage tik tok trend haha). My best friend actually warned me away from her early on but I didn’t listen. Then all throughout the relationship I was told to get out of it but silly me just kept rolling with it. When I finally got out of the relationship, I realised how toxic it was. I also HATED that I lost myself so much in the relationship and felt like I couldn’t stick up for myself so it was my mission to chuck a Taylor Swift and write a break-up song that had a positive swing. When I wrote the song, I had also found MUCH MUCH better sooooooo she was wrong haha.”  Holly Alison

‘DOING BETTER’ with its intoxicating blend of club beats and polished pop hooks had a dream team bringing it to life. Holly once again teamed up with her friend, Australia’s newest R&B superstar producer, songwriter and singer Boy Soda on her release. 

“I started with the thought process of creating a song which allowed me to speak my mind out loud. It is something I didn’t really have the balls to do in my previous relationship so I thought why not write a song instead haha. I then messaged Brae (Boy Soda) and asked if he was keen to write with me. We wrote 2 songs together, one of them being DOING BETTER.” Holly Alison

 Completing the entire demo in Boy Soda’s home studio on the NSW Central Coast, Holly sent the track to renowned producer Liam Quinn (Peach PRC) that night. 

 

“He was super keen to jump on it so we organised a session together. Initially the song didn’t have a bridge, however, during the session we realised it would sound SOOOO SLICK with a rapper in it. So we added a bridge in! Liam suggested a few people who it would suit, and so we ended up contacting RAMZIE. RAMZIE hit back immediately and sent through an initial DRAFT. I LOVED it so we put his rap in. The rest is music history!” Holly Alison

Single Art by: Jordan Leonard

Holly Alison has been consistently ticking off personal milestones over the last year achieving over 650K streams on Spotify alone,  40k streams on YouTube and triple j airplay.

PRAISE FOR HOLLY ALISON

“This one just embraces you and is so comforting and feels so right.”

Declan Byrne, triple j

This is the kinda pop you listen to when you’re cooped up in your bedroom, dreaming of a new crush, pouring over the pages of a diary. 

Gemma Pike, triple j

‘DOING BETTER’ is out Now!

Facebook | Instagram | Youtube | Twitter | Triple J Unearthed 

November 24, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

KRUMPLE KRINK releases escapist inspired, psych-pop single ‘CONNECTED TO DISCONNECTION’

by the partae November 24, 2022
written by the partae

Photo by: Eva Burkhardt @forevaart_music

 

Blending elements of psych, indie, pop & rock, Perth based multi-instrumentalist and producer Krumple Krink has today unveiled his final release for the year, aptly titled ‘Connected To Disconnection’. Astutely recognizing the escapism sought by all humans, in many different forms, it’s set not to critique or offer comment, but merely to recognize that we all participate in games of escapism, to journey away from the mundaneness of our day-to-day lives. This point of connection sees Krumple Krink use layered sonics, uneasy sounds and vibrant, electrical instrumentation to build a world for audiences to find their own moment of escape. 

Recorded at his home studio in Perth, and produced entirely by himself, Krumple Krink worked to layer multiple tracks of instrumentation to find just the right textures and timbre for the track. After finalising production, he then teamed up with the esteemed Rob Grant of Poons Head Studios (Tame Impala, POND) who handled the mixing and mastering for ‘Connected To Disconnection’. The result, a thick and layered sonic world, that still cuts through with sharpness and brightness throughout. 

“The song is about escapism. It’s not looking to say anything about escapism, just pointing out its existence in every single person’s life. For each person, that escapism takes a different form. Sometimes that form is positive to our lives, sometimes it’s not. But we all participate in games of escapism from the mundaneness of our everyday lives. “Connected To Disconnection is meant to sound electric – like it has little shots of energy travelling in it” Krumple Krink

“Connected To Disconnection rides the line between chaos and calmness, blending extremity with serenity to give a feeling of intense bliss. This song has a lot of layered sounds, which work together to create a unique, excited yet easy-flowing texture. I recorded it at my home studio over a few days, looking for a blend of animated sounds that fight for your attention.” Krumple Krink

To accompany the sonic soundscape of ‘Connection To Disconnection’, Krumple Krink was able to work with two flow artists, Charlotte Noonan & Shelby Jewel, using fire and LED props to create a background set light show, in front of which the two performed. Desiring to absorb the viewers’ attention as much as possible, the video continues to draw upon escapism to absorb audiences and transport them to another realm. Filmed by Ward Media, with incredible lighting by Seton Douglas-Smith (Orion Audio Visual) the video features an animated laser show, which Krumple Krink will be incorporating into future live performances, alongside the track.

“The experience of shooting the music video with Ward Media was deeply inspiring and felt like a sort of escapism in and of itself. The immersive music video coupled with the song is supposed to absorb the viewer’s attention and transport them to another place, which I think serves as proof of what the song is about – escapism. I spent a large portion of the video shoot getting carried away at the prospect of the lasers and constantly asking for more lasers.” Krumple Krink

Emerging from Perth’s melting pot of indie & psych inspired artists, Krumple Krink is 22-year-old musician and producer Yannai Goldberg, Having made a name for himself in the United Kingdom as a guitarist & busker, his style of percussive guitar carried him across to Perth, Australia. With strong praise from Rag Talent & Happy Magazine for previous single ‘Fear of Death’, the guiding touch of acclaimed producer Rob Grant (Tame Impala, POND) is sure to lead Krumple Krink to the forefront of psych-experimental songwriters in Perth and eventually, across Australia.

PLAY/LISTEN

PRAISE FOR KRUMPLE KRINK

“As though he were a musical magician, KRUMPLE KRINK skilfully fuses seemingly-opposing ideas, feelings and genres into one song; creating an effortless, sonically-soothing masterpiece that pulls from a myriad of influences.”

Happy Magazine

“Krumple Krink brings on a crisp and colourful approach to psych-pop with an array of gorgeous textures. There is a sense of being a part of something bigger. It feels warm and welcoming and it’s impressive how it can do that so quickly. All this becomes addictive and infectious and really makes you want more from [this guy].”
Ragworld

‘Connected To Disconnection’ is out Wednesday, November 9th

Triple J Unearthed | Facebook | Instagram | Youtube

November 24, 2022 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

THE GOOD THINGS FESTIVAL REVEAL MAPS & TIMETABLES AND THE ADDITION OF MORE ARTISTS

by the partae November 24, 2022
written by the partae

Only 8 more sleeps until Good Things Festival will be here igniting the mosh pits along the east coast of Australia.

Headlined by one of the world’s most electrifying and successful rock bands BRING ME THE HORIZON, the stacked line-up also includes Australian iconic and gold-selling larrikins TISM performing for the first time in 19 years, American heavyweights DEFTONES, pioneers of SoCal punk NOFX will perform their 1994 iconic album ‘Punk In Drublic’ in full including all your favourites as well as THE AMITY AFFLICTION, GOJIRA and ONE OK ROCK to name a few.

JXDN and 3OH!3 are no longer able to perform due to circumstances beyond our control but in fantastic news we welcome OCEAN GROVE and TEENAGE JOANS to the line up.

Aussie oddballs OCEAN GROVE freely fuse rock, metal, grunge, hip-hop & Brit-pop influences, pioneering what can only be described as Oddworld Music. The eclectic trio hailing from Melbourne recently released their third LP Up In The Air Forever in April 2022 to critical acclaim and have since been on a global assault touring their new brand of Oddworld Music. Having just returned from their debut headline tour across the UK & Europe in October 2022 and off the back of their biggest headline shows in Australia to date, OCEAN GROVE are set to make 2023 a career-defining year with the promise of a lot more new music around the corner…

After taking out the triple j unearthed high crown in 2020, TEENAGE JOANS, the Adelaide two-piece have not slowed down, taking out #87 in the 2021 H100, releasing single ‘Something About Being Sixteen’ and playing two sold out co-headline shows with TOWNS in Brisbane and Melbourne. They have shared the stage with Violent Soho, Ruby Fields, The Hard Aches, Clowns, The Chats, Bugs, Amy Shark and Sly Withers and performed at Summer Sounds, Mountain Goat Valley Crawl, Yours & Owls, Laneway Festival 2019 as part of the Girls Rock! Showcase and were a highlight performance at A Day Of Clarity and Stonecutters Festival’s.

We recently welcomed these additional artists..

YOU AM I are one of the most successful and internationally admired Australian bands. Centered around the prolific songwriting skills of singer/guitarist Tim Rogers, their breakthrough came at the inaugural Lollapalooza-style Big Day Out concert in January 1993. With three number one albums, a handful of ARIA awards and 11 albums under their belts, YOU AM I cement themselves as one of Australia’s most esteemed bands.

For a lot of bands, chaos & insanity are used as colourfully descriptive words for their character; for Japan’s PALEDUSK, they’re somewhat of an understatement. The electronic-metalcore powerhouse leaves absolutely nothing behind as they carve a path that is truly one of a kind. Word has spread like wildfire about these young kids from the Japanese island of Kyushu and it doesn’t seem to be slowing down. See them before they become the next global sensation that everyone is talking about.

From their immersive sonic aesthetics to their high-octane live shows, there’s nobody quite like Melbourne cinema-core masterminds THE GLOOM IN THE CORNER. Recently adding to The Gloom Cinematic Universe with their blistering sophomore album Trinity, THE GLOOM IN THE CORNER are primed to whisk your breath away onstage with their sharp storytelling, unwavering melodics and nuanced, explosive heaviness. Prepare for a sonic spectacle for the ages this December.

Deathcore flag bearers TO THE GRAVE have been focussed on dominance since their inception and show no signs of slowing down. After their 2019 record Global Warning elevated them to global awareness, they have been set on a warpath across the world to bulldoze audiences with a visceral live experience and a confronting message that demands your attention. They’ll be appearing at the Melbourne and Brisbane events only.

THOSE WHO DREAM, an exciting Australian alternative rock duo are a multifaceted creative project of siblings Josh and Cooper Meyer. Their captivating energy and revealing lyrics has not only earned them the acclaim of NME, Pop Buzz, Rock Sound and Alternative Press; but more importantly, a cult-like following around the world.

Start planning your day as the maps and timetables are here!

FRIDAY 2 DECEMBER – FLEMINGTON RACECOURSE, MELBOURNE
SATURDAY 3 DECEMBER – CENTENNIAL PARK, SYDNEY
SUNDAY 4 DECEMBER – BRISBANE SHOWGROUNDS, BRISBANE 

GOOD THINGS FESTIVAL LINE UP:

Bring Me The Horizon | Deftones | NOFX (performing ‘Punk In Drublic’ in full + all your favourites) | TISM (Exclusive: First shows in 19 years!) | The Amity Affliction | Gojira
ONE OK ROCK | Sabaton | Polaris | Millencolin

In Alphabetical Order:

Blood Command | Chasing Ghosts | Cosmic Psychos | Electric Callboy
Jinjer | Kisschasy (Performing ‘United Paper People’ In Full) | Lacuna Coil
Nova Twins | Ocean Grove | Paledusk | RedHook | Regurgitator | Sleeping With Sirens
Soulfly | Teenage Joans | The Gloom In The Corner | The Story So Far | Thornhill
THOSE WHO DREAM | To The Grave* | YOU AM I

*To The Grave not appearing in Sydney

DATES AND VENUES:
Friday 2nd December – Flemington Racecourse, Melbourne (LIC AA 15+)
Saturday 3 December- Centennial Park, Sydney (18+)
Sunday 4 December – Brisbane Showgrounds, Brisbane (LIC AA 15+)

Tickets on sale now at www.goodthingsfestival.com.au

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

November 24, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

NEAV releases her cinematic pop debut EP ‘ELEGY’ Featuring the new single ‘To Love’

by the partae November 23, 2022
written by the partae

Photo by: Nick Langley 

 

Central Coast artist NEAV (aka Niamh Watson) releases her 6-track debut EP ‘Elegy’ today. 

NEAV collaborated with a talented group of musicians and producers to bring her musical vision to life. She worked with Mario Späte (Washington, Montaigne); Jess Dess (King Princess, Brockhampton); Rod McCormack (Paul Kelly, Gina Jeffreys); David Turley (Millie Turner); and Tristan Barton (Greta Stanley). Two songs from her debut EP won the contemporary/pop category of the national Australian Songwriters Association Awards. The songs were ‘Silence Song’ in 2020 and ‘Tragic Drama’ in 2021. 

“ELEGY has been in the works since the beginning of 2020. Silence Song was the breakthrough track for me as it was the moment when I discovered who “NEAV” was sonically. I had written and released songs in the past but this one felt different. Little did I know it would act as the catalyst for my debut EP.”

NEAV 

PLAY/LISTEN

Inspired by fellow Australian artists such as Vera Blue and G-Flip, NEAV uses her voice as a true instrument whilst showcasing her innate ability to produce songs that are instantly memorable. When writing her debut EP, NEAV took cues from one of her idols St Vincent. 

“One thing that stood out to me that I will always take into account when I am writing my own music is the importance of tension and release as a listener. This rule that she (St Vincent) sticks to really resonates with me because I think that the element of surprise and enjoyment in music is what makes a good piece of music.” NEAV 

    

NEAV’s sophisticated approach to songwriting, and her rhythmic phrasing when singing illustrates her powerful intelligence that belies her youthful experiences. She writes from a place of heartfelt ideas with honesty and vulnerability. NEAV admits that she was extremely shy and didn’t say much throughout primary school, and no one knew she could sing or play guitar. She managed to hide that up until the  very last day of primary school when she performed in the school talent show and ended up winning. 

NEAV’s 6 track debut EP was recorded and mastered at The Nest in Surry Hills with Tristan Barton (Greta Stanley). It features previously released singles: ‘Talking To The Devil’, ‘Built The Same’, ‘Silence Song’ and the current single ‘Say Goodbye’, plus 2 new songs.

“Working before, during and after lockdown periods with a group of super talented songwriters, producers and sound engineers has been a hectic yet beautiful experience. The rest of the EP came together afterwards, with each song that was created I challenged myself to be more vulnerable and push the boundaries of who “NEAV” is as an artist. We spent a long time deciding what songs made it onto the EP and made sure that they all fit the concept we went with regarding the title. Because of this, the finished project is something that I can truly say I am proud of and can’t wait for it to be out in the world.” NEAV

Neav EP artwork by Nick Langley

18 year old NEAV is signed to Sydney indie label Double Drummer (Greta Stanley, Dominic Breen, Cousin Tony’s Brand New Firebird) and ORiGIN Music Publishing (Gotye, Megan Washington, Lior). NEAV’s burgeoning reputation as a live performer has seen her open for and share a stage with artists such as Greta Stanley, Bec Sandridge, The Moving Stills, Dan Sultan, Imogen Clark, Cousin Tony’s Brand New Firebird, Little Quirks, Elaskia and Molly Millington in well known venues across Sydney, Newcastle and the Central Coast.

With the release of her debut EP, NEAV is proving she’s one of Australia’s most enthralling and brightest new artists. 

PRAISE FOR NEAV

Say Goodbye: “NEAV’s clearly got the voice and the songs keep getting stronger with each release too!”

Declan Byrne, triple j

Say Goodbye: “It’s still super early for NEAV but already you can hear a clarity and purpose. It’s emotionally charged throughout.”

Dave Ruby Howe, triple j Unearthed

Say Goodbye: “Hands down the strongest (and my favourite) release of yours yet. Consider my heart wrenched!”

Abby Butler, triple j

“Big vocal from you here NEAV amidst some subtly clever production.”

Tommy Faith, triple j Unearthed

“The future is extremely bright for NEAV” 

Rolling Stone Australia

“It’s a rollercoaster of musicality, one which her vocals do justice to all the way through”

Life Without Andy

Debut EP ‘Elegy’ is out now via Double Drummer.

Official Website | Facebook | Instagram | Twitter | Youtube | Triple J Unearthed

November 23, 2022 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

BASSINTHEGRASS music festival announces 2023 line up

by the partae November 23, 2022
written by the partae

It’s the news music fans across the nation have been waiting for – the 2023 BASSINTHEGRASS Music Festival line-up has been released, and some of Australia’s biggest names are on the bill!

After another record-breaking year in 2022, the Territory’s biggest and best all-ages music festival returns to Darwin’s iconic Mindil Beach on Saturday, 20 May, 2023, with the below artists set to take to the stage (in alphabetical order):

Amy Shark

Angus & Julia Stone

Babe Rainbow

Baker Boy

Guy Sebastian

Hooligan Hefs

Jack Botts

L D R U

MAY-A

Ocean Alley

Peach PRC

The Presets

San Cisco

Spacey Jane

Steph Strings

Tones and I

After a sell-out event in 2022 that attracted almost 16,000 people from across Australia, BASSINTHEGRASS has become a must-do on the national music festival calendar. Aussie music phenomenon Tones and I said she loves the Top End.

“I’m really looking forward to getting back to Darwin after playing New Year’s Eve 2020. It was a great memory and I loved the city,” she said.

Guy Sebastian said he can’t wait to head north to take part.

“I am so stoked to be heading up to Darwin to play live with my band at BASSINTHEGRASS. I love heading to the NT – the vibe up there is always electric, and the energy I get from everyone up north always leaves me and the band buzzing with how much they love music and life. See you next year, legends!” he said.

Delivered by Northern Territory Major Events Company (NTMEC) on behalf of the Northern Territory Government, BASSINTHEGRASS continues to evolve each year.

“Last year’s BASSINTHEGRASS was absolutely huge, it really was amazing,” NTMEC Head of Events and Operations Coryn Huddy said.

“This year music fans can expect an equally memorable time, not just at the festival, but also experiencing all the unique tourism experiences the Territory has to offer.”

A limited number of General Admission tickets are available for $120. Once they are gone, Final Release tickets will go on sale for $140. Those looking for a premium festival experience can purchase a limited LA COCO ticket for $285, which includes express entry, plus access to the exclusive LA COCO space, with its cruisy beach vibe. Think shady places to relax, cool cocktails and swaying palm trees. LA COCO also features private bars and amenities, an LED screen, limited-design BASS stubby cooler, and more.

All BASSINTHEGRASS tickets include a $50 Travello voucher to be used on a Territory tourism experience.

Last year’s BASSINTHEGRASS sold out well in advance, and 2023 looks set to follow suit. Grab your ticket now at www.bassinthegrass.com.au.

 

November 23, 2022 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Riverboats Music Festival Returns In 2023 With Marlon Williams, Spiderbait, C.W. Stoneking and more!

by the partae November 23, 2022
written by the partae

RIVERBOATS MUSIC FESTIVAL RETURNS IN 2023 WITH MARLON WILLIAMS, SPIDERBAIT, C.W. STONEKING AND MORE!

Tickets on sale now

Multi-award winning Riverboats Music Festival has today announced the lineup for its 2023 event, scheduled to take place at a new temporary location at Echuca’s Victoria Park Reserve from February 17-19, 2023. 

Staged on Yorta Yorta country, Riverboats 2023 will present performances by Marlon Williams (NZ), Spiderbait, C.W. Stoneking & His Primitive Horn Orchestra, The Rolling Stones Revue featuring Adalita, Phil Jamieson & Tex Perkins, The Whitlams, Felix Riebl, Alice Skye, Tami Neilson (NZ), Thornbird, Katy Steele, Andy Golledge Band, WILSN, Bones & Jones, Watty Thompson, Bud Rokesky and MC Brian Nankervis (Rockwiz).

The new venue is a notable modification to this year’s program. The festival’s traditional home at Aquatic Reserve on the banks of the Murray River has transformed into a natural wetland as a result of region’s recent flooding, resulting in a temporary relocation for Riverboats’ 11th instalment.

“Echuca-Moama has gone through an incredibly challenging period over the last few weeks, and our hearts go out to all those affected by the recent floods.

Riverboats has been part of the Echuca-Moama community for over 10 years now, and whilst we’re sad to be leaving Aquatic Reserve next year, we can’t wait to put on a spectacular show at Victoria Park in a few months time”
says Festival Director Dave Frazer.

In partnership with Murray River Paddlesteamers, Riverboats 2023 will once again offer a limited series of intimate sideshows aboard the historic PS Pevensey paddlesteamer. Music fans will be given the opportunity to cruise down the river to the soundtrack of Alice Skye, Felix Riebl, Andy Golledge, WILSN, Bones & Jones and Watty Thompson.

Having sold out in just six days last year, tickets to Riverboats 2023 are likely to be in high demand. Access to the family-friendly event start from just $75 and traditionally move very quickly following the program announcement.

Dave Frazer reflects, “Riverboats will once again deliver a remarkable lineup of Australian artists in 2023, with some award-winning Kiwi’s thrown in for good measure. To be able to present international acts of the calibre of Marlon Williams alongside homegrown legends including Spiderbait, The Whitlams and C.W. Stoneking is a truly exciting thing, and we can’t wait to get back to Echuca-Moama in a few months’ time”

Tickets on sale now at riverboatsmusic.com.au

2023 RIVERBOATS MUSIC FESTIVAL LINE-UP

Marlon Williams (NZ)

Spiderbait

C.W. Stoneking & His Primitive Horn Orchestra

The Rolling Stones Revue featuring Adalita, Phil Jamieson & Tex Perkins

The Whitlams

Felix Riebl

Alice Skye

Tami Neilson (NZ)

Thornbird

Katy Steele

Andy Golledge Band

WILSN

Bones & Jones

Bud Rokesky

Watty Thompson

MC Brian Nankervis (Rockwiz)

Riverboats Music Festival: 17-19, 2023 | Echuca-Moama

Tickets on sale now at riverboatsmusic.com.au

Riverboats Website Riverboats Website
riverboatsmusic riverboatsmusic
@riverboatsmusic @riverboatsmusic
November 23, 2022 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

SUPER FUN DAY FESTIVAL RETURNS IN 2023 WITH DUNE RATS, FIDLAR, PATTI HARRISON + MORE

by the partae November 23, 2022
written by the partae

SUPER FUN DAY FESTIVAL RETURNS IN 2023
WITH DUNE RATS, FIDLAR, RUBY FIELDS, PATTI HARRISON + HEAPS MORE!

.

COMEDY AND MUSIC MERGE FOR THE ULTIMATE FUN DAY OUT IN BRISSY ON MARCH 18

Super Fun Day is set to return to Brisbane in March 2023! Bringing together comedy and music in one unbelievably fun format, Super Fun Day has rounded up the best of both worlds with Dune Rats, FIDLAR (USA), Ruby Fields, Pale Waves (UK), Beach Bunny (USA), Ocean Grove, Patti Harrison (USA) and The Reytons (UK) leading the massive 2023 lineup. 

The festival will also feature (in alphabetical order) Dan Rath, Danielle Walker, Frenchy & The Talent, Hevenshe, Hot Department, John Cruckshank, Juno, Late November, The Moving Stills, Karaoke With Shaggy Knees and more to be announced across two stages at Eatons Hill Outdoors + Ballroom on Saturday March 18.

Giving a new meaning to the term ‘mixed bill’, Super Fun Day combines music and comedy in a uniquely uplifting format. Making its debut in early 2022 the festival immediately established itself as one of the standouts of the summer.

Dune Rats will make a very special detour from their European tour to headline Super Fun Day in 2023. No joke, Dunies will fly back to Australia for one hell of a hometown show, featuring their ARIA nominated album, Real Rare Whale. For the first time since 2013, they’ll be reunited with their longtime SoCal mates FIDLAR who have come storming back from a three-year hiatus clutching a handful of new singles from an EP hitting our ears in early 2023.

Next up, we’ve got a whole round of firsts: Manchester indie pop punks Pale Waves will make their long-awaited return to this side of the world (and their first trip to Brissy), arriving with their brand new album Unwanted and Chicago-based indie pop band Beach Bunny will premiere their self-assured songs in Australia in March 2023.

Lauded American comedian and actress Patti Harrison will also make her Australian debut at Super Fun Day. Known for her appearances in Paul Feig’s Feature A Simple Favor and television shows High Maintenance, Search Party, The Tonight Show and Full Frontal, Patti has also amassed an impressive list of TV writing credits including Netflix’s I Think You Should Leave and Big Mouth.

Indie rockers The Reytons are a word of mouth sensation in the UK whose meteoric rise is just astonishing. A completely independent, unsigned band from South Yorkshire, their debut album reached #11 on the UK charts and tickets to their shows are a hot property with the band selling out arenas in a matter of hours. Their Australian debut at Super Fun Day is not to be missed!

For more information and ticketing head to www.destroyalllines.com

triple j, Destroy All Lines and Young Henrys Present

SUPER FUN DAY

Saturday 18 March 2023
Eatons Hill Outdoors & Ballroom, Brisbane

Early bird pre sale begins Friday 25th November 9am local.
Sign up for early bird presale here

General public tickets on sale Tuesday 29th October 9am local.
Purchase tickets here

For more information and ticketing head to www.destroyalllines.com

Destroy All Lines Destroy All Lines
Destroy All Lines Destroy All Lines
@DestroyAllLines @DestroyAllLines
November 23, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

DZ DEATHRAYS EXPAND THEIR THRASHING LEGACY WITH NEW SINGLE ‘PARANOID’

by the partae November 23, 2022
written by the partae
Photo by David Herington

PRAISE FOR DZ DEATHRAYS

ARIA Best Hard Rock/Heavy Metal Album (Bloodstreams, Black Rat)
AIR Best Independent Hard Rock or Punk Album (Bloodstreams, Black Rat, Bloody Lovely
AIR Best Independent Punk Album or EP (Positive Rising: Pt 1)

“Brilliant videos and songs and a great sense of humour and style”
Mark Ronson

“They speak to my soul. It just feels good listening to their music”
MAY-A

“More than worth going deaf to”
Pitchfork

“This album has the potential to make your little sister want to
shave her head and invest in mock leather hotpants”

NME Magazine UK

“Moody Aussie noisemakers DZ Deathrays bring the concept album back to life. Again…”
Kerrang (4/5)

“It’s built on the intuitive interplay between Parsons and Ewbank, whose heavily textured playing doesn’t always sound like guitars — more like a twin malevolent force that every so often waxes celestial, like sunlight spearing through storm clouds.”
The Australian (4/5)

“Throughout Positive Rising: Part 2, undoubtedly DZ Deathrays’ most guitar-heavy record to date, Shane Parsons regulates vocal nuances like never before, guitarist Lachlan Ewbank slays multitudinous ways and Simon Ridley’s drumming can only be described as majestic”
STACK

“it’s blindingly obvious that these tracks were carefully constructed to absolutely smash
venues to pieces when translated to a live setting”

Dead Press UK

“DZ Deathrays have gone beyond the noise and energy (which was excellent) that they had from the start and have created something truly epic, memorable and monumental. If there is any justice in this world, they should be huge.”
Wall of Sound (10/10)

Indispensable post-punk trio DZ Deathrays today release their anthemic new single, ‘Paranoid’. LISTEN HERE.

‘Paranoid’ is a driving track, punctured by syncopated rhythms, buzzing feedback and a fiery chorus. DZ’s sound sings through the piece, with heavy double and triple-octave riff instrumentals reverberating on the lyrics: “Oi, oi, ya paranoid, hanging at the back waiting to get destroyed.” The track features notable nods to classic Aussie rock; percussive built-up introductions, howling vocals and driving repetition, demonstrating DZ Deathrays‘ lasting ability to deliver carnage-inducing riffage.

Speaking to the meaning behind ‘Paranoid‘, lead vocalist and guitarist Shane Parsons says, “I think at the time I was thinking about the way I kept questioning myself in different aspects in life. Loosely it’s about that, wanting to go in a certain direction with something but having this lingering thing stopping you or setting up roadblocks here and there.”

“The track was a real collaborative effort with Simon and Nathan Sheehy, who produced the record with us, putting the drums together. Nathan had a particular direction that the drum performance needed to go to and once we got it all together it was a really fresh approach to that part of the song for us. There’s also demo parts in there too, including Lachlan’s partner Eileen yelling “Oi, oi, ya paranoid” into a phone after chorus one and the out-of-phase claps that bring in the song.”

The multi-ARIA winning group have come a long way since the first house party gig they formed for, cultivating a global following for their addictive punk energy and sheer volume. From their inception, DZ Deathrays remain one of the most recognisable acts in the contemporary Australian rock canon, most notably with the success of their debut album Bloodstreams which made DZ synonymous with thunderous. Quickly followed by their second album Black Rat signifying a maturer sound, they expanded beyond their garage roots into an award-winning machine, touring the world countless times over, supporting The Foo Fighters stadium tours, Ratatat, Biffy Clyro, Grinspoon and more, headline slots across The Tivoli, The Enmore and The Forum, to collaborating with a Wiggle.

Amongst DZ‘s enduring fanbase they remain festival favourites with performance tallies across multiple years at Splendour In The Grass, Falls Festival, St. Jerome’s Laneway alongside international appearances at SXSW, Reading and Leeds Festival, and multiple entries in triple j‘s Hottest 100. Coupled with their more recent LPs Bloody Lovely and their critically-acclaimed twin concept albums, Positive Rising: Part 1 and Part 2, the project of Shane Parsons, Simon Ridley and Lachlan Ewbank has long cemented DZ Deathrays‘ staple status – it’s not every day that a band gets stronger and more popular with time. Looking to the future they affirm that the party never dies.

‘Paranoid‘ is out now, buy/stream it here.

Stay connected with DZ Deathrays:
Website | Facebook | Instagram | Twitter | YouTube | Bandcamp

November 23, 2022 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Festival X line-up update

by the partae November 23, 2022
written by the partae

Due to unforeseen circumstances, Megan Thee Stallion will not be able to travel to Australia to perform at Festival X.

Whilst our goal is to present the best experience for fans, despite our best efforts, it will not be possible to find a replacement at such short notice.

However, with over 30 artists making up this year’s line-up – including Calvin Harris, Don Toliver, Boys Noize, Green Velvet, Nina Kraviz and so many more – we are looking forward to catching you on the dancefloor for Festival X and officially kicking off summer 2022!

If you have any concerns, please visit Moshtix Customer Service and register your enquiry before 5PM on Friday 25th November.

AUSTRALIA’S BIGGEST TOURING FESTIVAL RETURNS TO KICK OFF SUMMER 2022

LIMITED 16+ TICKETS ON SALE NOW (GOLD COAST ONLY)

CALVIN HARRIS | DON TOLIVER

BOYS NOIZE | GREEN VELVET | JOHN SUMMIT | LUUDE | MARLO | NINA KRAVIZ | SUB FOCUS (DJ SET & ID) | TCHAMI | WILKINSON (DJ SET)

ANNA LUNOE | BABYFACE MAL | BADRAPPER | BEAUZ | BLASTOYZ | CHACE |
CHOOMBA | COSMIC GATE | FRANKY RIZARDO | HALIENE | KEY4050 (feat JOHN O’CALLAGHAN & BRYAN KEARNEY) | LAURA KING | LEN FAKI | NIFRA | NORA EN PURE | PROSPA | SUNSET BROS TAGLO | TYSON O’BRIEN

Saturday 26th November 2022 – Melbourne – Flemington Racecourse | 18+
Sunday 27th November 2022 – Gold Coast – Metricon Stadium | 16+
Friday 2nd December 2022 – Adelaide – Bonython Park | 18+
Saturday 3rd December 2022 – Sydney – Sydney Showground | 18+
Sunday 4th December 2022 – Perth – Claremont Showground | 18+

Final release GA tickets and limited VIP tickets are available now across Melbourne, Gold Coast, Adelaide, Sydney and Perth, alongside a limited number of 16+ tickets (Gold Coast only) – for further details please see Youth Policy below.

Tickets available via www.festivalx.com.au.

Festival X is presented by Hardware and Onelove (joint founders of Stereosonic) and touring giant, Live Nation.

FESTIVAL X YOUTH POLICY | 16+ TICKET HOLDERS GOLD COAST

Youth ticket holders must be accompanied by an adult/guardian who is 18 years or older.

There is a limit of 3 youth ticket holders per adult/guardian. These can be purchased as a combo ticket at a special bundled price.

ID for all patrons ages 16 – 17 will be required.

Youth ticket holders will be required to wear a wrist band.

Full details of the youth policy can be found at Festivalx.com.au

For complete tour, ticket and VIP Experience information, visit:
FestivalX.com.au & livenation.com.auAbout Live Nation Entertainment
Live Nation Entertainment is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, Live Nation Advertising & Sponsorship and Artist Nation Management.
For additional information, visit: livenationentertainment.com

About Hardware
Hardware currently presents Piknic Electronik, PURE, Babylon In The Park, Transmission, A State of Trance, Elrow, Reminisce and Tell No Tales. In 2007 Hardware collaborated with Onelove to produce Australia’s multi-award-winning national dance music juggernaut Stereosonic and prior to that, the award winning Two Tribes Festival from late 90s to late 2000s. Celebrating over 30 years, it’s the longest running electronic event organisation in Australia winning countless accolades.
For additional information, go to: hardwaregroup.com.au

November 23, 2022 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • HARLEY GIRL drops high-energy new EP The Music, delivering club-ready chaos and emotional release
  • Live at the Gardens announce epic March 2026 season | Royal Botanic Gardens Melbourne
  • Interview: Sola Rosa on Rebirth, Rhythm and the Making of ‘Jupiter’ – The First Signal of a Bold New Era
  • JULES ANNOUNCES IT’S COMING ON CHRISTMAS EP
  • 44 Ardent’s New EP ‘Me, Again’ Marks a Powerful Return to the Music That First Defined Him

Recent Comments

  • Shannon Austbo on RUNYAMOUTH hits the scene with explosive debut single HEAD ON A STICK
  • Anna on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Claire P on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Joe Travers on Trevor Kidd Teams Up with INXS and The Tea Party Legends for Explosive New Track “Sunshine”
  • Will s on Exploring Ego: Inside Pallas Haze’s Groovy Musical Odyssey Interview

Archives

  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2025


Back To Top
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event