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Monthly Archives

August 2022

Music InterviewsMusic News

Kaipora 

by the partae August 10, 2022
written by the partae

Where are you currently based?

San Diego.

How did you first start playing music?

Ronnie and Kevin met in advanced band in middle school. Kevin playing the saxophone and Ronnie in percussion.

What’s been happening recently?

Recently we’ve just been playing bigger and bigger shows and showing people the possibilities of live electronic music.

Your latest single ‘Hold On’ will be soon, what influenced the sound and songwriting?

Our friend McFiddles had this vocal he jammed over a track we were making and it turned into this deep banger.

How did Hold On come about?

It was one of those songs that just started happening with one idea and kept falling into place. Started with the vocals.

Where and when did you write/record/produce/master and who did you work with?

We wrote and produced this about a year ago with McFiddles at our studio.

How did you approach the recording process?

Our approach is to let it record, jam and choose the best and groovy parts.

Any shows coming up?

We having burning man coming up and same same but different festival.

Who are you listening to at the moment?

At the moment we’ve been listening to thundercat, kaytranada, and lots of bass music.

What do you like to do away from music?

We like to explore the outside and play the occasional video game.

What’s planned for the remainder of 2022 going into 2023?

The plan is to keep grinding and recording more tunes. We are about to release a full length album of all bass hip hop vibes.

Favourite food and place to hangout?

Burritos and beach.

@kaip0ra
KAIPORA.net
August 10, 2022 0 comments
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Festival NewsMusic News

Awakenings 2022

by the partae August 10, 2022
written by the partae

Words: Domenico Frascino

Awakenings goes all out to celebrate its 25th anniversary. After 2 years of Covid-induced drought, Awakenings came back in 2022 with a double weekender: 4 nights and 2 days during the Easter weekend and a three-day Summer edition on a brand new location with a first ever campsite from July 29th to 31st. 

We attended Awakenings Summer Festival and saw a major expansion. The biggest techno festival in the world added a campsite and an extra day to the techno weekender, making Awakenings the first multi-day techno festival in the Netherlands. 

Even a historic organisation like Awakenings needs some changes every now and then. The festival that takes place in summer has been relocated from its historical spot in Amsterdam to the south of the Netherlands. The multi-day festival took place at the breathtaking venue of Beekse Bergen, a safari resort where the imposing futuristic stage architecture creates a clear contrast with the wild green woods and delightful lakes and water spread in the festival area.

This created the perfect background for the festival. Over 130 of the best international techno artists performed at  the 11 majestically designed stages. The large lineup allowed an extremely diverse selection of techno and electronic music. Techno legends like Jeff Mills, Richie Hawtin, Ricardo Villalobos, and Seth Troxler shared the stage with hot DJs such as Amelie Lens, Tale of Us, and Maceo Plex. The menu also included a more industrial and dark techno lineup with Dr. Rubinstein, Adiel, I Hate Models, 999999999, as well as house and disco vibes from the Blessed Madonna, Dam Swindle, and Denis Sulta. This diversity allowed for dancing to different styles of music attendants like.    

Along with the music, the numerous art shows and installations added a unique and out-of-this-world character to the festival. Throughout the day, party-goers can easily bump into interactive live art performances, immersive multi-sensory sound and light installations, optical and water shows, making the festival a full artistic experience. 

The Awakenings organisation has also put a great effort into sustainability, social responsibility, and inclusivity. Recycle stations were spread all around the festival areas to make sure that the waste is reduced to the minimum. Hungry festival-goers could enjoy healthy and vegan options at the numerous food stands. Last but not least, people were able to contribute to relevant causes with donations to reduce their CO2 emissions and to back associations supporting humanitarian help in Ukraine and the LGBTQ+ rights.

As usual, people are what makes this festival truly special! Awakenings is one of the world’s leading techno festivals and attracts an extremely international crowd. Out of the 100.000 people who attended over the weekend more than 75 nationalities were represented. The carefully styled outfits, shiny clothing and bright smiles  and of course the best techno there’s to offer brought together people from all around the world to dance together once again after a long time of pandemic.

August 10, 2022 0 comments
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Festival NewsMusic News

WILDLANDS LINEUP IS HERE

by the partae August 10, 2022
written by the partae

SIGN UP TO PRESALE

The wildlands lineup is here! Taking place in December/January in Brisbane, Perth and Adelaide, the festival has announced their lineup featuring Dom Dolla, Diplo, Yeat, Denzel Curry, Aitch, Kaytranada, Tkay Maidza, Honey Dijon and BENEE.

Joining them will also be Yung Lean, Shygirl, Remi Wolf, Kanine, SG Lewis & many more.

The historically sold-out event has opened presale registrations, registrations close 16th August.

The festival will kick off in Perth on December 30, heading to Adelaide on January 2nd and finally Brisbane on January 7th. Discover a vibrant oasis filled with the biggest and most exciting dance, electronic and hip-hop acts from Australia paired with Wildlands’ world-class stage designs, production and decor.

The overwhelming response to the 2019 event was entirely positive with a rarely seen sold-out inaugural event headlined by global superstars Tyler, The Creator and RÜFÜS DU SOL, placing Wildlands as a staple fixture in Brisbane’s summer festival circuit.

Wildlands is presented by Untitled Group and Beyond The Valley and supported by triple j. Untitled Group is the largest independent music promoter in Australia and the masterminds behind festivals such as Beyond The Valley, Pitch Music & Arts, Grapevine Gathering, Wildlands, For The Love, Ability Fest & more.

Join them on a Wild expedition across Australia!

Full Lineup In A-Z Order

Aitch* / BENEE / Bicep (Live) / Charlotte De Witte* / Cloonee / Denzel Curry / Diplo / Dom Dolla

Holy Goof / Honey Dijon / Jay1* / Jesswar / JK-47 Jnr Choi* JOY.* / Kanine  Kaytranada

Kee’ahn* / KLP^ / Kota Banks* / Memphis LK* / Mia Rodriguez / Ninajirachi*  Patrick Topping / Remi Wolf SG Lewis* / Shygirl* / Sofia Kourtesis~ / Tkay Maidza / Willo / Yeat* / Yung Lean*

*NOT IN ADELAIDE    ~BRISBANE ONLY    ^ADELAIDE ONLY

Perth – December 30th, Stadium Park at Optus Stadium

Adelaide – January 2nd, Ellis Park

Brisbane – January 7th, Brisbane Showgrounds

Presale registrations close: Tuesday 16th August 3pm AEST

Presale goes on sale: Tuesday 16th August 6pm AEST

General Public Onsale: Wednesday 17th August 12:30PM AEST

Get Connected:

https://wildlandsfestival.com.au/

https://www.facebook.com/WildlandsFestival/

https://www.instagram.com/wildlandsfestival/

August 10, 2022 0 comments
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Festival NewsMusic News

HONEST CROOKS RELEASE NEW SINGLE AND MUSIC VIDEO “SERPENT OF OLD” AUSTRALIAN TOUR AUGUST 2022

by the partae August 10, 2022
written by the partae
Photo Credit: Aidan Griffith

Today, Newcastle heavy hardcore kings Honest Crooks release their crushing new single Serpent Of Old. The new single drops just in time for the bands Australian tour supporting US hardcore act Xibalba which kicks off on August 18, full details below.

Serpent Of Old is straight up heavy hardcore mixed with elements of death metal in what is the bands most brutal track to date. Chunky guitars, pummelling drums and singer Brodie Graham’s visceral vocals are a sign of what’s to come from one of Australia’s premiere heavy acts.

“Serpent Of Old is an interpretation of The Fall Of Man in the bible and the concept of Original Sin. Adam and Eve meet the Serpent in The Garden Of Eden who convinces them to eat the forbidden fruit, introducing the unholy knowledge of shame and evil.” – Honest Crooks

Today the band also drop a video for the the track, watch it below.

WATCH THE VIDEO FOR SERPENT OF OLD

Established in regional NSW late 2014, Honest Crooks set one goal; to make a name for themselves in the Australian heavy music circuit.

DIY mentality put “Hellsworth’s Heaviest” on the map with successful headline tours setting them up for direct support slots to rising bands Alpha Wolf and Justice For The Damned then to international heavyweights such as Antagonist AD, Harms Way and Xibalba.

Creating their own amalgamation of death metal and hardcore, Honest Crooks brought a crushing mosh driven performance to festival appearances alongside Knocked Loose, The Acacia Strain, Kublai Khan, Terror, Malevolence and more.

Having amassed over 1.5 million Spotify streams across just 3 EP releases, joining forces with EVP Recordings has their long awaited debut LP set to be released in early 2023.

Honest Crooks are
Brodie Graham – Vocals
Calum Johnstone – Guitar
Sam McCloud – Drums
Lewy Glass – Bass

Stay tuned for more news on Honest Crooks.

LISTEN TO SERPENT OF OLD

Watch the video for Serpent Of Old below.

XIBALBA 
AUSTRALIAN TOUR 2022
with
HONEST CROOKS
THURSDAY AUGUST 18 – WOOLY MAMMOTH, BRISBANEFRIDAY AUGUST 19 – LA LA LA’S, WOLLONGONG

SATURDAY AUGUST 20 – CROWBAR, SYDNEY

SUNDAY AUGUST 21 – THE BASEMENT, CANBERRA

THURSDAY AUGUST 25 – VOLTA, BALLARAT

FRIDAY AUGUST 26 – SINGING BIRD STUDIOS, FRANKSTON

SATURDAY AUGUST 27 – THE BENDIGO 18+, COLLINGWOOD

SUNDAY AUGUST 28 – THE BENDIGO AA, COLLINGWOOD

TICKETS AVAILABLE HERE 

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Music News

KAIPORA Release ‘Hold On’

by the partae August 9, 2022
written by the partae

KAIPORA is a genre-bending, live-electronic duo that consists of two powerhouse musicians. Vocalist KevinRodriguez (@krawd_lives) captivates audiences and navigates musical universes through a multitude of instruments, including the electric guitar, keyboard, saxophone, didgeridoo, and more. Then there’s bass-master extraordinaire Ronnie Holguin (@rwnjmz) who grounds each performance in entrancing rhythms and controls the heartbeat of the experience with a live beat pad and keyboard combo.

Their sound weaves together threads from their favorite genres— Heavy Bass, House, HipHop, and Dance — and the complexity of their performances are inspired by the intrinsic beauty of nature. Kevin and Ronnie honed their skills throwing renegade festivals anywhere they could set up their speakers.

They played in locations across the West Coast from the forests of Northern California to the beaches of Southern California ,permanently tying their roots to Mother Earth and leading them  to their moniker: KAIPORA (“Caipora” being the Brazilian folklore’s “Protector of the Forest”).The duo has headlined festivals and graced the same stages as Charlesthefirst, Clozee, and LSDREAM. You can catch one of their unforgettable live performances at this year’s Lightning in a Bottle in May2022.

KAIPORA

Website: https://www.kaipora.net/

YouTube: https://www.youtube.com/channel/UCrfnmIFVRGoYZ4VY9bTYU_g 

Facebook: https://www.facebook.com/kaip0ra

SoundCloud: https://soundcloud.com/kaiporamusic

Instagram: https://www.instagram.com/kaip0ra

Live Performance: https://www.youtube.com/watch?v=jVMt91gjdHM

KAIPORA –  Socials w/ Hyperlinks: Website, YouTube, Facebook, SoundCloud, Instagram

August 9, 2022 0 comments
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Eats & Drinks

5 Most Popular Cocktails Of All Time

by the partae August 9, 2022
written by the partae

The classic cocktails first created at the turn of last century have undergone numerous iterations over the decades to reflect the tastes of drinking culture today. They can be enjoyed as part of a happy hour wind down at a bar, as summer refreshments by the ocean, or alone at home as mealtime indulgences.

Furthermore, these iconic drinks have a staying power that proves the recipes work every time and each mix works to enhance the base spirit ingredient, fruity additives, and sweet or sour notes. While different bars and lounges may have their own versions of the drinks, they manage to stay true to the old-fashioned techniques that make these liqueurs timeless.

Here are the five most popular cocktails of all time:

Negroni
As the current title holder of world’s most popular cocktail of 2022 and still one of the most popular of all time by drinks publications, the Negroni is a definitive favorite drink. This punchy, three-ingredient, Italy-originating cocktail is surprisingly easy to make—just mix equal parts of Campari, vermouth, and a dry gin.

Additions, such as Champagne or Cava, can be poured in, as well as a slice of lemon as garnishing. Moreover, bartenders enjoy serving Negroni with Mezcal as a base spirit that can be ordered as an aperitif at lounges and speakeasies, such as at 36 Below, to enhance the flavors of food and snacks. The Negroni’s white variation is an aromatic wine, and White Vermouth gives it its distinct pale-yellow color and bittersweet taste.

Mojito
Described as the ‘perfect summer drink’, with lower-than-average alcohol content, the minty sweet Mojito remains one of the top favorites among popular classic cocktails. This bubbly beverage consists of rum, mint leaves, crushed ice, limes, sugar, and a clear tinted carbonated drink, sparkling water, or soda water. It’s all served in tall glassware, with a straw to finish it off.

What makes this tasty Cuban gem so unique is that it has very few variations, unlike other cocktails, and these are only slight deviations from the original. Some have fruit additions, such as pineapple and coconut blended or blue curacao, with syrups and herbs, such as basil. However, the base ingredients and preparation are kept the same to retain the distinct two-toned green and white color look.

Martini
The Martini is among the most versatile and creative popular cocktails today because it can be ordered in so many variations. Classic Martinis are made simple with London Dry Gin and Dry Vermouth, then strained into a Marinin glass and stirred with ice.

The more modern types of Martinis are drinks where vodka replaces gin and is mixed with one or more flavorings. These include Apple Martinis with apple schnapps and lemon juice, and the Espresso Martini with coffee liqueur. There are also specialty Martinis that contain sherry, chocolate, and saké, a Japanese rice wine, that are served with Asian dishes.

Piña Colada
This creamy tropical delight from Puerto Rico reminds drinkers of fruit smoothies with a mix of cream of coconut or coconut milk, rum, and pineapple. The modern-day version is served with blended or crushed ice, and garnished with a pineapple slice and a cocktail umbrella at beach-based bars and restaurants.

Traditional Piña Coladas use white or light rum to even out the flavor profile, and allow all the ingredients to come through. Many drinkers who prefer a more sour and pungent taste request lemon or lime additions or a dark and spicy rum to counteract the sweetness. Despite this, either version is known to go well with fish dishes, such as shrimp and spicy tuna toppings.

Margarita
Another three-ingredient cocktail is the Margarita, which is made of tequila, lime juice, and an orange liqueur to give it a sour taste. Its name was purportedly taken from the Spanish word for ‘daisy,’ which was a predecessor of the drink during the prohibition era and has remained popular ever since.

A Margarita’s glass rim is lined with lime to allow ground sea salt to stick to it.

This adds some zest to its flavor profile when drinkers take a sip. This can also be served straight, on the rocks, frozen, or in a shaved ice blend. These days, Margarita recipes consist of sliced fruits, as well as juice and syrup mixes for a refreshing sweetened summer drink. They include apple, peach, watermelon, and blood orange, served in a drinking jar with a lime wedge on the rim for garnish.

Conclusion
The most popular cocktails of all time are a variation of their original forms, created over years of different cultural influences and mixology creativity. Most liqueur enthusiasts and bartenders are familiar with these drinks, which can be ordered at almost any bar because of how classic they are.

Most of these cocktails are fruit-based, with either a sour or sweet profile, and a base alcohol that gives them their respective identities. Drinkers can enjoy them with compatible foods or request slight ingredient changes according to personal taste.

August 9, 2022 0 comments
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Festival NewsMusic News

Announcing the return of Gold Sounds Music Conference

by the partae August 9, 2022
written by the partae

From 13-16 October, Central Victoria’s biggest music conference is set to return for its second year. Designed to bring together the Victorian regional and Melbourne music communities, the conference features panels, workshops, networking events, and a dedicated youth program.

Held on Djarra Country in the centre of Castlemaine and programmed by Fionna Allan, the conference sessions will cover topics including:

Music & Identity

Touring – Regional & Beyond

Festival Programming

Working in Creative Teams

Music & Activism

Copyright & Licensing

Songwriters in Conversation

Grants & Funding

Breaking Down the Barriers

and more to be announced.

Gold Sounds Music Conference will also feature in-depth songwriting workshops, music interview training and other practical sessions.

The full program for Gold Sounds 2022 will be announced in late August, with tickets on sale 1 September, 2022.

The event will include collaborations with APRA AMCOS, Australia Council for the Arts, Community Media Training Organisation, FReeZA, Music Victoria, Regional Arts Victoria, Support Act, and more to be announced.

Last year’s inaugural conference featured keynote speeches by industry heavyweights Jen Cloher and Liz Stringer alongside workshops run by two of the region’s biggest stars, Dallas Woods and Jess Ribeiro. Held as Victoria was emerging from lockdown, the Conference was part of Music Victoria’s Regional Music Development program and attracted more than 100 people from the music industry and community across the weekend and won the Mount Alexander Shire Council Community Event of the Year.

August 9, 2022 0 comments
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Music InterviewsMusic News

Vlade Kay

by the partae August 9, 2022
written by the partae

Where are you currently based?  

It’s hard to name one place, now I’m focusing on writing new music and recording it, that’s why  we travel a lot with my team to work with different songwriters, producers and meet people from  industry all around the world. For example we had writing camps in LA, Dubai, London, south of  France and by the way, I’d love to be in LA now. For sure we will go there soon. 

How did you first start playing music?  

Music has always been a major part of my life. Mostly because I come from a musical family, my  father is a drummer and my mother is a singer, so I spent my childhood on the backstage and  from a young age I was singing and playing piano and flute. Also back then, every week we were  making small concerts at our place for all the neighbors. It was a great time! 

What’s been happening recently?  

Recently I’ve been recording a lot and preparing new materials, we finally finished the EP, so I will  release it very soon, right after ‘Dynamite’. For me it was really important to choose right songs  and get all details close to perfect. 

Your new single ‘Dynamite’ is out on August 5, what influenced the sound and songwriting?  The lyrics are based on my own experience. 

It’s about feelings that burst out and cannot be controlled. I’m sure that everyone can relate to it. So I just wanted to share my feelings with people. 

How did you go about writing Dynamite?  

Honestly, it was a team work, definitely magic happened! 

We were in studio for a couple of days songwriting. Dynamite was written 2 years ago, that time  we tried to find the right sound, but I didn’t feel that version should be released as it was. 

And recently we got back to the song again and finally made it the way you hear it now. We caught the right moment, my team was inspired by the song again, the melody got stuck in  my head for days so I realized, it’s a time to drop it.. 

Where and when did you record/produce/master and who did you work with?  I’ve been working with the same crew for the last 4 years, we kinda feel each other so it’s  definitely a match. I see how they also get inspiration from what we do together, and they believe  in me, it’s very important feeling.  

How did you approach the production process?  

We changed the song few times and then realized that it would be cool to make a rock ballade  format. We got inspired by greatest rock bands and decided to use Lenny Kravitz guitar style 

As a rising artist you’ve already collaborated with DJ Snake and Dimitri Vegas & Like Mike,  how was each experience and who would you like to collaborate with in the future?  I still can’t believe that we did it together, it is a big-big honor for me!  

They are huge professionals with strong teams in all aspects from music to management You need to learn from the best, right? 

Soon I will drop a new collaboration with another big name, for now I keep it a secret! The song is massive, I’m sure people will love it. 

Who are you listening to at the moment?  

I listen to different music, lately I have a lot of pop rock songs in my playlist, like Maneskin, Harry  styles. 

Can’t wait to hear some new names in the same style! I love it! 

What do you like to do away from music?  

For efficiency, in every sphere it’s important for me to switch activities.  

Currently I focus on improving my music performance. 

Everyday I have dancing classes, vocals, studio, rehearsals etc.

What’s planned for the remainder of 2022 going into 2023?  

I will release my first EP and few music videos soon. 

Planning another album, preparing new shows – can’t wait to perform on stage again!

Instagram | Facebook | Spotify

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Fashion & CultureMusic News

The Bad Seeds and The Presets welcomed into the Australian Music Vault

by the partae August 9, 2022
written by the partae
Photo credit: Jason Lau
Visitors to the Australian Music Vault (AMV) have the opportunity to explore electronic music in Australia through a dedicated display curated in collaboration with Mess Electronic Sound Studio (MESS) until March 2023. The display features machines used by music makers The Bad Seeds, The Presets and B(if)tek.

Electronic music in Australia has a long history with this display focusing on two main themes: made in Australia and used in Australia.

“In the made in section we feature the Optronics workstation (featuring the incredibly rare VCS-1 made in the UK), the Transaudio synths built here in Melbourne ca. 1975, the ETI 4600 and the Fairlight paraphernalia. In the used in section we have a sampler used by The Bad Seeds, a Korg MS-10 used by The Presets, a B(if)tek drum machine and a musical toy synth that featured in the work of the duo Plastic Platypus at the Clifton Hill Community Arts Centre concert series in the late 1970s,” said MESS co-founder Robin Fox.

The display at the AMV brings together a variety of electronic genres and technical innovations which recognise that the electronic music making community in Australia has been not only vibrant and strong, but also exists at the very forefront of the industry.

Interestingly, the Fairlight CMI Synthesiser, which is an Australian invention, became an international sensation used by the likes of Kate Bush, Peter Gabriel and Stevie Wonder.

“Music has and always will underpin revelry and electronic music is no exception. But there is more to the story. The history of electronic sound and music is also the history of innovation and extraordinary creation,” said Fox.

 

From the early experiments of Percy Grainger, through the radical works of composers like Keith Humble, Ros Bandt and Cindy John to the more recent work of musicians such as Gotye, Severed Heads, Alison Wonderland, Kardajala Kirridarra and The Presets, electronic instruments have provided musicians with the means to work beyond the boundaries of traditional music making.

“Electronic music is often unfairly dismissed simply as a vehicle for drug fuelled hedonism. At MESS, we work to educate people about just how much more there is to it. Sculpting sound with voltage is a beautiful artistic alchemy. When you shape voltage into audible information you are literally massaging one of the fundamental forces of the universe and using that information to communicate feelings and ideas that are virtually impossible to express in words,” said Fox.

MESS is a unique not-for-profit organisation dedicated to the creation of electronic sound and music in all its forms. At the heart of MESS is a significant collection of over 500 rare electronic sound and musical machines. MESS is dedicated to the preservation and accessibility of these machines with the collection used both to highlight and preserve the history of electronic music, and to support the creation of electronic sound and music in all its forms in a welcoming and accessible space. Bookings to use the collection can be made via the MESS website.

As a living collection, all the instruments at MESS are available for everybody and anybody to play at their publicly accessible studio in North Melbourne. They are also used in live performances by members, resident artists and by the MESS Synthesiser Orchestra.

The MESS collection holds instruments from many important moments in the history of electronic sound. This includes the invention of the internationally significant Fairlight Computer Musical Instrument, the ground-breaking curriculum of Melbourne’s La Trobe University Music Department, and the creative output of the Clifton Hill Community Music Centre.

The MESS display will be at the Australian Music Vault until March 2023. Entry is FREE.
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Music InterviewsMusic News

Thousand Fingers

by the partae August 9, 2022
written by the partae

Welcome to The Partae! How is everything in your world after the pandemic?

Everything is going much better than I planned, actually. My brands are growing fast and getting great feedback from the scene. 

Why did you start Follow The Fingers records? What was the inspiration? What was the aim?

It became one of my life goals after spending many years in the industry. I wanted to create a record label & recording studio joint brand where like-minded artists can freely express themselves.

How important is artwork and format do you think in 2022?

At the end of the day, you are selling music, but the image is important too. It should definitely reflect the total concept of the release and also link to the format of the record label. In Follow The Fingers, we work with different designers for the releases. Most recently, we worked with Italian artist Elisa. She explains of her art that the images were originally an experiment. “I wanted to explore the relationship between music and abstract visuals, and I wanted to investigate the role of technology in the production of art. I used Frax, an open source app that allows users to create their own fractals, infinitely complex patterns that are self-similar across different scales. I also wanted to modify my fractals even more, so I manually modified colours, light and movement in each picture. Finally I used Runway ML, a machine learning software that allows creators to explore different uses of Artificial Intelligence. By feeding the archive of images I had from Frax into Runway, I was able to obtain new and totally unique graphics.”

And what about videos and social media? Do they play a role in getting the label out there?

Of course!

What is the signature sound of the label? What defines it musically?

Our sound draws on an image of a post-apocalyptic future, but it’s not a simple replicate of the Mad Max theme. It is more modern and in harmony with machines. It respects every theme and area of post-apocalypiıc life. There’s the post-apocalyptic love story, the post-apocalyptic world of vikings…limited by imagination only.

Tell us about the new VA. How did you select the artists for this?

A few of the artists have releases on Follow The Fingers already. However, I am always finding new artists on the internet and reaching out. They are people who I’ve come across on music streaming or download platforms.

How has the label evolved since you first started it?

The label is constantly growing its roster and getting more recognition with each release. When it comes to the releases, originality is giving us a big distinction from other labels. Every release gets a new blog feature, premiere, radio play or gesture of support from top artists. 

How do you manage that while staying true to the original and core sound?

You just work with the right artists at the right time. The industry evolves/changes all the time and I should be listening to a lot of music and foresee where the scene is going. That’s how I can pick original creatives on my same wavelength.

What have been the best releases or the ones you’re most proud of so far?

I’m proud of all our releases but my favourite three are Into The Mist EP, Poison Lips EP, and She Said EP.

What else are you doing forward to/have you got coming up?

Oh, we have a lot of exciting sounds coming along! Apart from that, nowadays, I am working on a new compilation of ADE.

 

 

FOLLOW THE FINGERS // RECORDS & STUDIO

www.followthefingers.com

SOCIALS 

Landing Page – https://biglink.to/thousandfingers

Instagram – https://www.instagram.com/thsndfngrs/

Youtube – https://www.youtube.com/c/ThousandFingers

Spotify – https://open.spotify.com/artist/6pDwIptiCrEeRzTfc7mLrn?si=5JqNVA38RWCM_6WrpwCNoA

Apple Music – https://music.apple.com/us/artist/thousand-fingers/1474256556

Soundcloud – https://soundcloud.com/thsndfngrs

Facebook – https://www.facebook.com/thsndfngrs/

ResidentAdvisor – https://ra.co/dj/thousandfingers

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Festival NewsMusic News

Phil Jamieson @ The Curtin Hotel, 4th August 2022

by the partae August 9, 2022
written by the partae

Photography + Words – Darren Chan

Phil Jamieson is the consummate frontman leading his legendary rock band Grinspoon, who  I had the pleasure of seeing headline the Springloaded Festival earlier this year.

Tonight, Phil Jamieson performed as a solo artist performing his debut solo album ‘Somebody Else’.  In a more cozy intimate venue, the Curtin Hotel, Phil and the band came onstage to a rapturous applause and cheering. Along with guitar sideman Davey Lane of You am I (and The Pictures who opened the night), they launched into the guitar heavy track on “Trouble”.

Tonight we got to see and hear Phil’s songwriting and creativity extend to more melodic pop, from the catchy “Kapow”, indie pop “Rebecca”, the western “YCBM”, to the brit-rock album opener “Somebody Else”. Brilliant stuff.

August 9, 2022 0 comments
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Music InterviewsMusic News

Sheph.ART & Barry Saleh

by the partae August 8, 2022
written by the partae

Where are you currently based?

Hey! Great to be here today, we’re currently based out in Southwest Sydney, Liverpool to be specific!

 

How did you two come together to create music?

Sheph.ART: We actually met years ago, both on a construction site as electricians! One day, we were working on a large job together when I played some of my own music on the speakers. The conversations that brewed since then have never stopped! We went on to create music together, open our own Music Studio and have lots more in the works.

 

What’s been happening recently?

Barry Saleh: As we’re both producer and artists, our lives revolve around music 24/7! At this very moment, we are working on some large scale EPs for the artists that work with us as well as planning our next release.

Sheph.ART: I mirror what Barry said! Our publicist always tells us that we need more coverage of us outside our studio, but it’s the music that drives us forward, whether it’s learning, creating or executing on what we’ve set out to do. We have a lot more in works as business owners working in the music industry. Currently, we are also expanding our team of producers, finding more talent to work with and expanding our portfolio of music!

 

‘Action’ is your debut single together, what influenced the sound and songwriting?

Sheph.ART – “Action’ is a reference to the people who have doubted my musical, creative and business abilities, always being nowhere to be found when crunch time was imminent and now would like a seat at the table to bear the fruits of my labor. I specifically made the production as gritty as possible without losing its melodic essence in order to take the listener through an emotional rollercoaster to feel the hunger that I felt going through the motions of being able to get to where I am today and looking to go forward from here.”

Barry Saleh –  “In the opening verse I wrote through the eyes of my brother and the experiences that I witnessed him live through. I paint a picture of unhealthy memories in a reminiscent/braggadocious manner and take listeners all the way through to the present moment of growth and obstacles that are faced when it comes to people doubting and having ill intentions. The first person writing approach we took throughout the track strengthens relatability and understanding as it allows listeners to consume our lyrics as if they are the personas living the narrative or as if we are speaking directly to them in conversation.”

 

Please describe your collaborative process?

Sheph.ART: As Barry and I work together on a daily basis as producers, we have nailed our collaborative process down to the tee. From a production standpoint, we both have areas of expertise that we like to give to each other, for example, I love laying down the Melodies on keys and Barry is a killer guitarist! We both decide on the vibe of the track and go from there. Action’s instrumental is gritty yet melodic and takes the audience through a journey so for us as musicians, it’s all about what the track needs, we let go of any ego and do what’s right for the record.

Barry Saleh: In regard to the collaborative process for writing, we always go off the feeling of the beat, usually when we start writing together, we always end up writing about the same feeling, but if we don’t whoever nails the hook first, we go off of that as the topic. Sheph and I have had similar yet different experiences in life and so we tackle that topic from a different perspective. I agree with Sheph, when it comes to the record, we are a means of delivering a message, but if the message doesn’t sit right for the record, there are no hard feelings, you scrap it and move on. We’re tough critics of each other and so will challenge each other.

 

Where and when did you record/produce/master and who did you work with?

Sheph.ART – Being artist/producers, Barry and I, produced, tracked and engineered in our own studio BeatsWithSheph. I find that being a producer makes me a better artist and being an artist makes me a better producer all allowing me to have the flexibility to tell many stories in the one record. For example, Being a producer/artist, I used the melodies in the chorus and my verse of “Action”  to tell a story in itself. Although the beat and the main vocals can sound upfront and in your face, the listener has the option to listen a little more in depth and find that there is a flow of movement in the record that showcases the euphoric feeling of success through grit, hunger and hustle.”

 

How did you approach the recording process?

Sheph.ART – There are a few ways that I like depending on the feeling of the beat, sometimes, I will record melodies first and comp it together and write and record from there. Other times, I have the lyrics written, memorised (always memorised) and then when I record, it’s all about the delivery. This is not just something I hold for myself as an artist, but something I talk about with the artists that I engineer for. Engineering starts during the recording process and focusing on the delivery is everything.

Barry Saleh – Sheph and I take our engineering experience into the studio when we record, whenever we are tracking for each other, we understand even as seasoned recording artists, there are still nerves at the start of any recording process, getting that out of the way is when the recording really starts. From there it’s about finding every take that has been delivered the best. Making sure that our engineering vocalware is catered for the vocals of the artist (even if it’s ourselves), choosing a mic that suits the voice of the artist and the tone of the record.

 

What do you have planned for Action?

There is so much happening for Action! We have quite a few blogs, radios and endorsements coming our way for this record and the love is appreciated! We aren’t stopping here though, there is going to be another record dropping shortly for you all to bump to and a few other projects in the works! Keep an eye out!

 

Who are you listening to at the moment?

Sheph.ART – I’ve been bumping KAYTRANADA and Anderson.Paak!

Barry Saleh – I love listening to Burna Boy, JID and a range of Arabic music!

 

Any live shows coming up?

Barry Saleh – “At the moment, there are a few live shows in the works and will be finalised in the coming months! Performing has always been part of my life since a young age and there is no feeling like performing and seeing your fans in the crowd singing the words of your records!”

Sheph.ART – “Touring is definitely on the to do list, but right now, for me, it is more about creating a strong digital presence and growing my skills for when it’s time to perform.”

 

What’s planned for the remainder of 2022 going into 2023?

We love this question!

Currently, we have a fair few projects in the works, not just for our artistry, but for business! Keep an eye out for “Sheph Division” “BeatswithSheph” and everything that encompasses it! Our organisation has doubled over the past few months and we don’t plan to stop, so if you’re an artist, producer or engineer who is looking for the next step in there career, we’re on the hunt to find you and help you grow!

For our records, we plan to come out with more records that are just going to blow you away!

 

Favourite food and place to hangout?

Sheph.ART – I’m an avid cook so I love a good home cooked meal, but I like to spice it up so I cook at my BeatswithSheph studio haha!

Barry Saleh – Love me good meal from Classic Burger! Can’t go wrong there! With our busy schedule sometimes ordering Uber Eats is time efficient and having great options open till late in Liverpool is a plus!

 

PLAY/LISTEN

Sheph.ART  Instagram | triple j Unearthed

Barry Saleh  Instagram | triple j Unearthed

August 8, 2022 0 comments
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Festival NewsMusic News

KING STINGRAY ANNOUNCE NATIONAL ALBUM TOUR + DROP NEW SINGLE ‘LUPA’ KING STINGRAY’S DEBUT ALBUM IS OUT NOW!

by the partae August 8, 2022
written by the partae

Celebrating the release of their long awaited debut album, King Stingray will rip ’round the country this October, on their largest national tour to date, bringing their good vibes and huge choruses to the masses.

Kicking things off at The Triffid in Brisbane, the band will then make their way south to Sydney’s Manning Bar and Melbourne’s Croxton before rounding things up at The Gov in Adelaide, Fremantle’s Freo.Social, and ending things back in the NT at Darwin Railway Club.

Tickets are on sale Thursday 11 August at 10am AEST, BUT eager fans can get early access to pre-sale tickets from Wednesday August 10 by signing up up here.

The band have also just dropped a video for the album opener, Lupa. Written by lead singer Yirrŋa Yunupiŋu, ‘Lupa’ translates from Yolŋu Matha languages as ‘Poor man, rich life’ and holds a fist in the air for marginalised people around the world.

Yirrŋa, a Gumatj clan songman, says the intention behind the song is “to make people happy and proud”. Lupa is catchy as hell, and somehow immediately relatable, even if it’s sung in a language group spoken by around just 16,000 people in Arnhem Land.

Filmed and directed by long time friend of the band, Sam Brumby, the Lupa video whisks us away to the band’s stunning hometown of Yirrkala to celebrate the lupa way of life – being financially broke but rich in friends, family and culture.

King Stingray’s do-it-yourself ethos and connection to home and family resonates through every song on their debut album, which was finally released on August 5 to critical acclaim.

Surfing an epic wave of live shows through 2022, the band have shared stages with Ball Park Music and Midnight Oil, performed during the AFL’s ‘Dreamtime at The G’ match, delivered a mind-blowing set at Splendour in the Grass, and wowed the nation with their powerful cover of Coldplay classic “Yellow” for triple j’s Like A Version.

With no signs of slowing down, King Sting are ready to electrify venues in all cap cities.

Let’s Go!

triple j, Handsome Tours & Select Music present

KING STINGRAY – ALBUM TOUR

TICKET PRESALE BEGINS ON WEDNESDAY 10 AUGUST AT 10AM AEST.
SIGN UP FOR ACCESS HERE

GENERAL ONSALE THURSDAY 11 AUGUST AT 10AM AEST
BUY TICKETS

SUN 02 OCT – THE TRIFFID, MEANJIN (BRISBANE)
FRI 07 OCT – MANNING BAR, WARRANG (SYDNEY)
SAT 08 OCT – CROXTON, NAARM (MELBOURNE)
FRI 14 OCT – THE GOV, TARNDANYA (ADELAIDE)
SAT 15 OCT – FREO.SOCIAL CLUB, BOORLOO (PERTH)
SAT 22 OCT – DARWIN RAILWAY CLUB, GARRMALANG (DARWIN)

KING STINGRAY – ‘KING STINGRAY’

TRACKLIST

1. Lupa
2. Hey Wanhaka
3. Get Me Out
4. Let’s Go
5. Raypirri
6. Milkumana
7. Sweet Arnhem Land
8. Malk Mirri Wayin
9. Camp Dog
10. Life Goes On

PRE-ORDER VINYL NOW!

Vinyl comes in limited edition colours with exclusive artwork available at the following retailers, shipping from November 11. Fans and vinyl collectors are recommended to pre-order now to avoid the disappointment of missing out!

King Stingray (Opaque Orange) – Artist Store exclusive
King Stingray (Opaque Yellow) – JB-Hi-Fi exclusive
King Stingray (Transparent Blue) – All retail

About King Stingray:

King Stingray is a story of lifelong friendship and two cultures coming together. Growing up together in Yirrkala in North-East Arnhem Land, founding members Yirrŋa Yunupiŋu (frontman) and Roy Kellaway (guitar) have been playing and making music together for as long as they can remember.

Yirrŋa and Roy formed King Stingray with mates Dimathaya Burarrwanga (rhythm guitar backing vocals and yidaki), Campbell Messer (bass) and Lewis Stiles (drums). The band seamlessly blend ancient indigenous melodies with surf, indie and funk influences to create a unique sound of their own: Yolŋu surf-rock.

Propelled by the instant success of their first five radio singles, “Hey Wanhaka”, “Get Me Out”, “Milkumana”, “Camp Dog“and “Let’s Go” the band soared to unexpected heights in the lead up to their debut album King Stingray which was released on August 5, 2022.

Hailed as “one of the most exciting acts in the country today” (NME), the band have taken out triple j’s ‘Unearthed Artist of the Year‘ J Award for 2021, as well as NME Australia’s ‘Best New Act From Australia‘ Award and Rolling Stone Australia’s ‘Best New Artist‘ 2022.

Surfing an epic wave of live shows through 2022, the band have shared stages with Ball Park Music and Midnight Oil, performed during the AFL’s ‘Dreamtime at The G’ match, delivered a mind-blowing set at Splendour in the Grass, and wowed the nation with their powerful cover of Coldplay classic “Yellow” for triple j’s Like A Version.

King Stingray King Stingray
@kingstingrayband @kingstingrayband
August 8, 2022 0 comments
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Festival NewsMusic News

NATIONAL INDIGENOUS MUSIC AWARDS 2022 National Indigenous Music Awards Winners

by the partae August 7, 2022
written by the partae
Under the Larrakia stars, the country’s finest artists were celebrated in a ceremony hosted by writer, actor and comedian, Steven Oliver. It included amazing performances including a highlight from King Stingray, as well as a touching tribute to the late Uncle Archie Roach and an unforgettable performance by Manuel Dhurrkay and Shellie Morris inducting Gurrumul into the NIMA Hall of Fame.

Steven Oliver, a descendant of the Kukuyalanji, Waanyi, Gangalidda, Woppaburra, Bundjalung and Biripi peoples, was an immaculate host. He kept the crowd enthralled with his quick-wit and charm as the awards flowed to the best of the best on First Nations music.

To celebrate the life of the beloved Uncle Archie Roach, the entire NIMAs cast combined to lead a rendition of Archie’s iconic track “We Won’t Cry”, in front of a teary crowd. The performance will go down as one of the most poignant in NIMA history as they honoured the legacy of a powerhouse musician, storyteller and philanthropist whose imprint has already spanned generations, and will continue to do so.

The night’s big winner was Yolngu man Baker Boy, who took home trophies for the coveted Artist of the Year and Album of the Year for his debut record, Gela.

Gumbaynggirr and Bundjalung indie artist Jem Cassar-Daley’s fast rise to success won her New Talent of the Year after the 2021 release of her debut EP, I Don’t Know Who to Call.

Yolngu surf-rock band King Stingray have received the coveted Song of the Year award for their single, ‘Milkumana,’ which signals the kind of success projected for their debut album, released on Friday.

Producing the finest First Nations clips of the year were Barkaa, the Malyangapa and Barkindji woman who was awarded Film Clip of the Year for her banging tune, ‘King Brown,’ and Indigenous Outreach Projects who earned Community Clip of the Year.

The Archie Roach Foundation Award went to Brewarrina on Ngemba rapper, drummer and speaker Dobby.

The NIMAs also celebrated the life and important work of Gurrumul, inducting him into the Hall of Fame as a part of the ceremony. He was tributed with a performance by his brother and Saltwater Band co-founder, Manuel Dhurrkay.

King Stingray treated us to a taste of their new record in an electrifying set. Birdz and Fred Leone teamed up to form a killer Hip-Hop duo, while Emma Donovan and the Putbacks put on a soulful show.


Yirrmal graced the stage with his singing, sharing Yolngu language, and the Red Flag Dancers performed traditional dance.

Noongar artist Bumpy put on a stunning set as the much-deserved winner of this year’s NIMAs triple j Unearthed contest.

NIMAs Creative Director Ben Graetz was proud to be involved in yet another stunning ceremony, saying he’s, “So honoured to be a part of such an incredible night tonight. To be at the Amphitheater with community, celebrating together in person will be something I will remember for a very long time. Also to remember, honour and pay tribute to Dr G and Uncle Archie was a true highlight.”

The evening was brought to your airwaves by NITV, Viceland, triple j and Double J in the first in-person ceremony that the NIMAs have been able to safely hold since 2019.

NATIONAL INDIGENOUS MUSIC AWARDS

2022 National Indigenous Music Awards Winners

Artist of the Year
Baker Boy

Album of the Year
Baker Boy – Gela

New Talent of the Year
Jem Cassar-Daley

Song of the Year
King Stingray – Milkumana
Songwriters: Roy Kellaway / Gotjirringu Jerome Yunipingu

Film Clip of the Year
Barkaa – King Brown
Directed & Produced by: Sonder Films
Executive Producer: Vyva Entertainment

Community Clip of the Year
Numbulwar, NT – Loud & Proud
Directors & Producers: Indigenous Outreach Projects
/Matthew Mastratisi /Franceska Fusha / Lesley Phillips/Jordan O’Davis
Numbulwar Community & School

Hall of Fame
Gurrumul

Archie Roach Foundation Award
Dobby

August 7, 2022 0 comments
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Music News

FRENCH ELECTRONIC TRIO SENSE RELEASES REFLECTIVE & UPBEAT NEW SINGLE ‘CLOUD 9’, ANNOUNCES UPCOMING EP

by the partae August 7, 2022
written by the partae

Last Friday, French trio Sense released their latest electropop single ‘Cloud 9’ and hinted at their upcoming EP to The Partae, expected later this year. The track features UK singer-songwriter, bailey, who brings a simple and confident melody to a powerful atmospheric beat. Sense breaks from their previous chill and lofi beats and dives into a more organic and intimate sound with their latest track. Listen to Cloud 9 on every platform here.

“For us, Cloud 9 marks a new dimension for the band. While separated over the past 2 years, we dreamed of gathering for a few weeks to create something that would be truly us, a mix of all our feelings at this exact moment. We’ve been fascinated by what we call “happysad”, a feeling of nostalgia experienced before a moment is even over. We wanted to convey this into music and used everything we had around us: from cutlery to water bottles and even our voice for the first time.” Sense

Cloud 9 was produced after the band’s reunion in late 2021. Driven by the feeling of living every moment together at its most, the group has produced its most organic EP yet.

Watch the vlog of the band’s reunion on YouTube.

https://distrokid.com/hyperfollow/sense/cloud-9-feat-bailey

https://www.facebook.com/listentosense/

https://www.instagram.com/listentosense/

https://music.apple.com/us/artist/sense/1367688761

 

August 7, 2022 0 comments
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