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Monthly Archives

April 2021

Acebergtm Debuts Global R&B & Rap Influenced EP "Far From Home," following His Single "Danca." Out Now on SJW Entertainment
Music News

Acebergtm Debuts Global R&B & Rap Influenced EP “Far From Home,” following His Single “Danca.” Out Now on SJW Entertainment

by the partae April 20, 2021
written by the partae

Artists: Acebergtm
Title: Far From Home EP
Label: SJW Entertainment

Download / Stream

Hot on the heels of the release of his single – “Danca,” the Nigerian newcomer Acebergtm gives himself another great introduction to the world with his debut EP “Far From Home.” Featuring “Danca” and five brand new tracks, “Far From Home” is an eclectic and sultry fusion of R&B and rap that spans from the breezy melodies and catchy vocal hook of “Rockstar” to the Latin-influenced romance of “Bella” to the EP‘s most hard-hitting track “Loyal.” Acebergtm demonstrates a dynamic style that draws inspiration from artists such as Drake, J. Cole, and Burna Boy, fitting fans with tracks that will go from the club to the bedroom. This talented artist signed to SJW Entertainment and is now part of a growing global community, with “Far From Home” hinting at a very promising future.

“As a kid growing up in a city populated with creatives, ‘Far From Home‘ was inspired by the thought of me trying to be abstract. As a rapper trying to show more versatility and fitting into my own niche in the music industry, the EP represents a journey, untold stories, and the passion for being extraordinary” – Acebergtm

Hailing from Lagos, Nigeria, Acebergtm grew up with exposure to a variety of different music genres and fell in love with hip-hop and rap, citing Wyclef Jean as one of his earliest inspirations. In tandem with music was his passion for songwriting and poetry, which led him to begin writing his own songs at age 15. He eventually entered the studio circuit, networking with different producers and fledgling artists such as Kel P, Phantom, Tempoe, WineXroll, JFred, Fredibeat, Oshobeats, Mcomms, and Graydon. During those early years, he cut his teeth as both a rapper and a singer in the Nigerian music scene. Now ready to take on a global circuit, Acebergtm makes a strong debut with “Far From Home,” and we can’t wait to see what the future holds for him.

More info on Acebergtm / SJW Entertainment:
 

Acebergtm: Facebook | Instagram | Twitter | Spotify
SJW Entertainment: Website

 

April 20, 2021 0 comments
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Quentyn
Music InterviewsMusic News

Quentyn

by the partae April 19, 2021
written by the partae

Where are you currently based?

First of all, thanks for interview! My studio is based in Amsterdam, I live in the city center next to the canals and I really like it there. Walking around in this neighborhood in the evening, for me is the perfect setting to get inspiration from.

How did you first start playing music?

I started DJing at local clubs very long ago, learning how to beat match and playing with vinyl. Just at the moment I got that under control, the technology had evolved and the CDJs came with a sync button, which made the art of beatmatching less relevant. To be able to stand out again I thought it was the right time to start making my own music and so bought FL Studio (this was in 2007), which after a while I switched for Logic Pro.  

What’s been happening recently?

I spent a lot of time in my studio developing my own sound, as want to explore the space in-between indie bands and electronic club music. I just released my album called ‘Enroute’.

Your album Enroute which is a collection of single releases dating back to 2017 is out now, what influenced the sound and songwriting over this period?

After we parted Volt & State in 2016, I wanted to focus on making music without looking at what label to release on, or what would be right to do career-wise. Also with Volt & State we did lots of shows, what made me adjust all music we made, into playable version for the crowd to enjoy live. The music I make now, still has the progressive house melodies but is not 100% for clubs or festivals, but also very suitable for listening. 

How did you go about writing the music?

When I’m in the studio I always start with writing a melody as a base, and I’m super picky about that. Sometimes I can spend 3 months straight, only writing melodies on a piano preset. If they don’t completely blow me away, I don’t finish them and just continue searching for perfect loop that exactly brings me the emotions I’m looking for. 

Where and when did you record/produce/master?

The melodies of the first records, such as Moving On, Arrive, On Your Mind, Higher and Hold You Now, were made in Paris (France) and in Arnhem (The Netherlands) where I lived during the Volt & State era. The other tracks mostly from Amsterdam as I currently live there.

What programs/equipment did you use?

Logic Pro, Dynaudio bm5a mk2 speakers, Apogee soundcard, Korg MS 10 and a basic keyboard.

Josha Daniel is featuring artist on 4 tracks, how did you come to work together and what do you like most about his voice?

A few years ago, we (Volt & State) were working on a track with Devi from NEW_ID, when he invited us to come along to a live show of the band where his brother was playing in. I really liked that show, and later in the Armada studios we met again and found out we shared the same taste and ideas about music. Josha is also working in that crossover field between dreamy energetic electronic music mixed with indie band influences, which I think is really unique. Also I was blown away by his songwriting and voice. The fact that he can write, sing but also is a super talented producer, having his own style, I think is really special.

What’s your vision for the Quentyn project and your label Enroute Records?
With Quentyn (and my label Enroute Records) I focus on music that makes you feel you’re in a movie, cruising at night or daydreaming at a party. It’s right in that space between indie-bands and electronic club music – often influenced by the 80’s. What I used as inspiration for my album Enroute, soundwise would be if Swedish House Mafia or Avicii would meet Justice, Roosevelt, M83 or Metronomy. Also CHVRCHES, Miike Snow and Eric Prydz have been great influences for me.

With Enroute Records I want to build that bridge between Indie bands and EDM, genre wise it could be described as Synthpop, Indietronica, Electropop, Indie Dance but I’m not sure there really is a name for this genre yet.

Who are you listening to at the moment?

Currently to Cobra Man, Metronomy, Roosevelt, Still Corners, Vargas & Lagola, Thomas Azier, Luttrell, Solomon Grey, Apparat, Justice, Klahr, problem solved and M83. Most of the time tho, I’m listening to the ‘work in progress’ Soundcloud playlist of Josha Daniel’s second album, it’s almost finished and the tracks are insane!  

What do you like to do away from music?

I think about music way too much so mostly it would be chilling with friends, while talking about music haha. I love to take my little boat and go on the Amsterdam canals with my friends or chill in the parks. I love walking or running at night to get inspiration. My family lives in Norway and also really love to visit them over there. 

How has your musical style changed since your previous alias Volt & State which you parted ways in 2016?

More freedom, which feels great!

What’s planned for 2021?

First we’re going to release remixes from my album tracks. I’m very excited about this as the remixers will be J.Laser (toured and collaborated with M83), Big Data, Roisto and Anoraak. After this I have some collaborations lines up with Lodola, Pikes, Antoine Larsen, Kashika and Andrew Shier. Some of these tracks will even be more indie band influenced. Also super excited we’re going to release Josha Daniel’s second album on Enroute Records, I think this really outstanding!

Favourite food and place to hangout?

Eating pizza near the Amstel during the summer, would be my favorite spot and food combination. Already looking forward to that!

https://instagram.com/quentynmusic

​https://facebook.com/quentynmusic

​https://soundcloud.com/quentynmusic

​https://twitter.com/quentynmusic

www.quentynmusic.com

April 19, 2021 0 comments
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DVBBS Release High-Energy Track "Fool For Ya" - The First Single From Upcoming Album "SLEEP"
Music News

DVBBS Release High-Energy Track “Fool For Ya” – The First Single From Upcoming Album “SLEEP”

by the partae April 17, 2021
written by the partae

Artists: DVBBS
Title: Fool For Ya
Label: Ultra Records

Download / Stream

Canadian duo DVBBS makes an electrifying statement with their newest track “Fool For Ya,” the first single from their forthcoming album “SLEEP.” When it seems like the world has been dormant for over a year amid the global pandemic, “Fool For Ya” serves as an alarm clock to wake you up to the new age. DVBBS throw it back sonically to their earlier releases with driving basslines, high-energy melodies, and catchy vocal riffs to make for a nostalgic and yet fresh banger that is ready for the festival main stages across the globe. The new release teases the tone for the “SLEEP” album, making us wonder what else DVBBS has up their proverbial sleeves. “Fool For Ya” follows the duo’s recent releases – “I Don’t” with Johnny Orlando, “Too Much” with Dimitri Vegas & Like Mike as well as their 2020’s summer anthem “Tinted Eyes,” featuring blackbear and 24kGoldn, which is still going strong on Spotify with 1M streams weekly. Stay tuned for more tracks from “SLEEP” album and the full release coming soon!

“‘Fool For Ya‘ is the alarm clock to our new album ‘SLEEP‘. Every song off this album represents a dream… Imma Fool For Ya.” – DVBBS

Few producers have risen to the top in the electronic music scene as quickly as DVBBS, who captured the industry’s attention with hits like “Tsunami“, “IDWK“, and, “Not Going Home” and never let it go. The Canadian brothers Alex and Christopher have been continuously cultivating their sound since their debut in 2012, and have racked up an impressive display of collaborations with renowned names from diverse musical backgrounds. From hip hop superstar Juicy J to the NERVO twins, DVBBS continues to prove there’s nothing they can’t accomplish. The brothers have played everywhere from Lollapalooza to Tomorrowland, though they’ve been busy in the studio during the global pandemic. Keep an eye out for more new music from DVBBS coming to airwaves near you!

 

More info on DVBBS / Ultra Records:

DVBBS: Facebook | Instagram | Twitter | Spotify
Ultra Records: Facebook
 | Instagram | Twitter | Spotify

 

April 17, 2021 0 comments
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Bambi O'Hara
Music InterviewsMusic News

Bambi O’Hara

by the partae April 17, 2021
written by the partae

Where are you currently based?

I live in Sydney, Australia. I’m from Tasmania originally, and I moved here just over a year ago now.

 How did you first start playing music?

I have always been a singer, but it was when I got my first guitar that I started properly playing music. I taught myself from YouTube, and started turning my poetry into songs.

What’s been happening recently?

I’ve just started rehearsing with my band! It’s really fun and exciting. We will be doing more stripped back versions and we have Harpist too, which will be so amazing to perform with! It sounds very dreamy. All of the band are female too. There will be some epic acapella vocal harmonies happening haha.

Your new single ’10:45′ will be released on Friday April 16th, what influenced the sound and song-writing?

I was listening to a lot of Roy Orbison and Perfume Genius around the time “10:45” was written, and it was during COVID last year too! It’s original title was actually “Sun Dial”, and I wanted the song to sound bright and happy… like the sun! But, then my lyrics took a sad turn haha, and I started singing about how all of these amazing things were “Too Good to be True”, which is the pre-chorus. So “10:45” really took on a life of its own throughout the writing process. I love that though.

 How did you go about writing 10:45?

The process of this song was pretty organic. I co-wrote and co-produced this with my partner Tim McArtney, and we wrote the song on the grand piano, with just vocals, recording sections at a time. Most of the song was written within the first 2 days, by the third day we were deeeep in production land! I don’t like forcing anything whilst writing, so I just let the song take on a life of its own. The chords itself are quite bright and “happy” sounding, but then the vocal melody is super melancholic. I love this contrast.

What does 10:45 mean to you?

The meaning behind “10:45” to me, is recognising when you’re in a really good place in your life with someone, where everything seems to be going smoothly, and you so start to doubt. The chorus repeats “Don’t tell me it’s too good, Don’t tell me it’s too good, to be true”, and I feel like it’s that point in time, where you’re freaking out a bit, cause you’re waiting for something bad to happen?! Yet, when you’re in that good place, you’re wearing rose-tinted glasses, so you don’t really want to know the truth. Then I sing “Tell me, Tell me, Tell me” in the backing vocals, which is my subconscious almost anticipating and waiting for something bad to happen. So there’s this push and pull in “10:45”, of wanting to know the truth but trying to live in the moment.

Where and when did you record/produce/master and who with?

I recorded, co-produce and co-wrote “10:45” with my producer, and partner Tim McArtney. The song writing itself only took a couple of days. We spent a LOT of time together adding a lot of production to this track, particularly lots of vocal harmonies, and even got our friend Dora to come play violin throughout the track! I always get my music mastered with Little Wing Sound, George Georgiadis is fantastic.

How did you approach the recording/production process?

As always, very organically! I love using a lot of midi strings layered with real strings, to create a really lush and buzzy effect. I also love trap drums mixed with layers and layers of vocal harmonies and strings. Tim and I also find ourselves sifting through fun atmospheric soundscapes, or using plug-ins like Crystallizer or Tremolator (Soundtoys), on strings and voice, and speeding up time/momentum of the effect! My favourite plug-in by far is probably Tremolator. I’m obsessed with it. I love putting it on my vocals.

What programs/equipment were used? 

Instruments used in “10:45” were the Yamaha C7 grand piano, Fender 1971 Tele, Moog Sub 37 anddd we even recorded our own snare sample on a Black Beauty snare drum (they sound amazing). Used a bunch of plug-ins, mainly Valhalla reverbs and Kush Audio plug-ins.

How did the concept for the music video come about?

I wanted to create something visually bold, yet beautiful and surreal. I am obsessed with surrealist style movies, with clever use of colour and intense/confusing storylines. I was inspired by my favourite directors David Lynch (Twin Peaks, Blue Velvet), Darren Aronofsky (Black Swan, Mother!) and Stanley Kubrick (The Shining).

Where and when did you film and who did you work with?

We shot the “10:45” film clip in Stanwell Park and Avalon Beach, haha! There were some studio scenes, beach scenes, and underwater swimming scenes. I was swimming in a sea pool in Stanwell Park at 10:45pm ironically hahaha. It was absolutely freezing. For the second part, we had to shoot in Avalon because I borrowed this amazing old vintage Harvester Scout truck. The truck is a heritage listed vehicle, so you could only drive it in a registered area. It was also very old… You probably wouldn’t want to drive it very far, or for very long. Haha.

I worked with Sam Brumby for this film clip, and it was just the two of us brainstorming ideas, based on the surreal movies and directors that I really love – David Lynch, Darren Aronofsky, Stanley Kubrick. Sam Brumby is a really talented and amazing director, and such a great guy to work with in general.

What did you find most challenging and rewarding during the creation of the music video?

I really loved absolutely every aspect of it!

The hardest part was definitely trying to swim underwater for long periods of time.

Who are you listening to at the moment?

 Zella Day & Weyes Blood. They just released a song together called ‘Holocene’ . It’s beautiful.

What do you like to do away from music?

Painting and Ice-Skating.

What’s planned for 2021?

To try and release as much music as possible, and finally play gigs! Fingers crossed.

Favourite food and place to hang-out?

I adore this cute café in the middle of Surry Hills called ‘Kawa’. Great coffee, hash browns and vibe.

“10:45” Music Video: https://www.youtube.com/watch?v=eoRYhW_Ul20

Instagram: https://www.instagram.com/bambioharamusic

Spotify: https://linktr.ee/bambiohara

April 17, 2021 0 comments
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JOHN FM Releases EP American Spirit on XL Recordings Music video for 'February' out now
Music News

JOHN FM Releases EP American Spirit on XL Recordings Music video for ‘February’ out now

by the partae April 16, 2021
written by the partae
Photo Credit: Dominic Jones

Today, Detroit-based singer and producer John FM has announced he’ll release his new EP American Spirit with XL Recordings / Remote Control Records. Initially self-released late last year on Bandcamp, American Spirit is an extraordinary project filled with the unique, dismantled Hi-Tech Soul music that John FM has tacitly become known for. Available today on all digital streaming services with vinyl to follow on June 25th, the news of the re-release is accompanied by a music video for the EP’s lead track ‘February’ filmed by John FM’s frequent collaborator Omar S, over the course of a sporadic day trip to the Capital of Funk in Dayton, Ohio. Watch the video for ‘February’ HERE and check out the details of the upcoming American Spirit vinyl release HERE.

‘February’ opens the EP with a soundbite of a storm and a song from a local elder instructing that “We burn the wicked with the real hot, hot fire.” With additional arrangements and mixing by Detroit DJ and producer Black Noi$e, the introductory clip gives way to a smothered soul ballad that according to John FM tells the story of a love triangle and a break-up.

“At the close of 2020’s long, hot summer of racial reckoning in America, the DJ and producer surfaced with his sober collection of songs entitled American Spirit that trace the last five years of his personal and musical journey,” writes DeForrest Brown, Jr. in a bespoke essay for John FM’s American Spirit that can be read in full HERE. Originally released as a 5-song project digitally, the vinyl release out June 25th will feature a hypnotic reimagining of the EP’s lead single ‘Forever‘ by New York producer AceMo.

With FADER exclaiming, “Detroit techno’s soul has found its latest flag-bearer,” off the back of John FM’s 2017 projects Where My Roots Lie (FXHE) and ‘Ricochet / …And Then Leave‘ (The Trilogy Tapes), American Spirit is the project to solidify that, with Resident Advisor noting, “the full breadth of John FM’s primary instrument, his voice, comes across.” While John FM has been an active part of the Detroit underground music scene for the best part of the last decade, lending his voice most recently to tracks for house and techno music pioneer Omar S’s 2020 release You Want and New York producer AceMo’s single ‘Where They At???‘ American Spirit puts John at the forefront of his musical narrative and the result is captivating. 

Stream / Download John FM – American Spirit EP: https://john-fm.ffm.to/american-spirit

John FM – American Spirit
Side A
A1. February
A2. Holester
A3. InterimSide B
B1. Lockjaw (7 Deadly Winnin’) FT. L
B2. Forever
B3. Forever (AceMo Live Forever Mix) *Vinyl Only

John FM – American Spirit is out now via XL Recordings / Remote Control Records
John FM
Instagram | Twitter
April 16, 2021 0 comments
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BEACH BUNNY RELEASE NEW VERSION OF 'CLOUD 9' WITH TEGAN AND SARA
Music News

BEACH BUNNY RELEASE NEW VERSION OF ‘CLOUD 9’ WITH TEGAN AND SARA

by the partae April 16, 2021
written by the partae
  • Beach Bunny release a new version of their single ‘Cloud 9’, featuring Tegan and Sara, following the track’s viral success on TikTok
  • There have been more than 1.3 million TikTok videos created using ‘Cloud 9’
  • ‘Cloud 9’ has reached #86 on the Spotify chart and #7 on the Spotify Viral chart, and is averaging 3 million streams per day

Beach Bunny have released a new version of their single ‘Cloud 9’, joined by Tegan and Sara. The platinum-selling duo joins the Chicago-based band for a punchy new spin on the track, with updated lyrics to include gender neutral and feminine pronouns.

Listen to ‘Cloud 9 (feat. Tegan and Sara)’ here

Tegan and Sara say, “We’re massive fans of Beach Bunny, and when we heard ‘Cloud 9’ for the first time fell in love with the brilliant lyrics and addictive melody. We love that Lili was up to let us experiment with changing the pronoun in the chorus to she. The efforts made to make the song relatable to everyone, isn’t just about inclusivity, we think it’s a great indication of the flexibility and creative spirit of the band at its core!”

This month, ‘Cloud 9’, which was released on Beach Bunny’s 2020 debut LP Honeymoon, has re-emerged, thanks to a new viral TikTok trend featuring the song. The song is earning more than 3 million streams per day, now with over 78 million total streams. On TikTok, there have been more than 1.3 million videos created using the song. Last week, the song reached #86 on the Spotify chart and #7 on the Spotify Viral chart. In the US, it’s #15 on the Billboard Hot Alt Songs chart, #10 on the Rolling Stone Trending 25 chart, and #5 most-added at Alternative Radio.

Beach Bunny capped off 2020 gracing many Best Albums Of The Year lists for Honeymoon, including from The New York Times, Rolling Stone, LA Times, and Consequence of Sound. Earlier this year, the band released the four track EP Blame Game, which led to their late night TV debut on Jimmy Kimmel Live! performing ‘Good Girls (Don’t Get Used)’. The EP received praise from The New York Times, Entertainment Weekly, Stereogum and The FADER, marking the start of another banner year for the Chicago natives.

Praise for Beach Bunny: 

“A pent-up torrent of hard truths… the unifier is Trifilio’s voice: sweetly pleading, sweetly exasperated, sweetly resigned, sweetly vengeful.” – The New York Times

“Universally relatable songs about intimacy and insecurity.” – Entertainment Weekly

“You won’t be able to keep from falling in love with this band.” – Nylon

Beach Bunny formed as a bedroom solo pop project by Lili Trifilio, and quickly earnt a fervent audience. After expanding the project to a full band and releasing a handful of EPs, Beach Bunny are now one of the US’s most exciting indie rock bands. 

Beach Bunny – ‘Cloud 9
(feat. Tegan and Sara)’
Single out now through Liberator Music/Mom+Pop

Buy/stream here

BEACH BUNNY
Website
Facebook
Instagram
Twitter
YouTube
Spotify
April 16, 2021 0 comments
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ILUKA & LIME CORDIALE JOIN FORCES ON NEW SINGLE 'MESS' + VIDEO OUT NOW
Music News

ILUKA & LIME CORDIALE JOIN FORCES ON NEW SINGLE ‘MESS’ + VIDEO OUT NOW

by the partae April 16, 2021
written by the partae

Praise for ILUKA

“We’re so drawn to Iluka – a gorgeous, stirring voice that grabs you by the guts and doesn’t loosen its grip for a moment” – Tone Deaf

“If this is indeed the first taste of things to come for the Sydney-based songwriter, you’ll want to keep a very close eye on what comes next” – Happy Mag

“ILUKA has already proven herself as an all-round tastemaker, with a treasure trove of bright choruses and gilded film clips behind her.” – Life Without Andy

“Until the rest of the world steps up and realises how wonderful ILUKA is I guess we’ll just have to centralise the ILUKA Fanclub HQ to this corner of the office. She only writes good songs.” – Dave Ruby Howe

ILUKA today releases her infectious new collaboration ‘Mess’ featuring the inimitable Lime Cordiale. Premiered on triple j’s Good Nights earlier this week, ‘Mess’ is an ode to the wild abandon of youth in all its heartache and glory and confusion, a celebration of innocence, the lonely and unruly nights and the love gone stray; bittersweet and full of sparkle. This latest release from the Sydney singer-songwriter continues to highlight ILUKA’s versatility and unmatched ability to deftly bridge the gap between retro indie pop and soul.

Produced by Aron Forbes (Billie Eilish, Halsey, Banks), ‘Mess’ is a sparkling, theatrical pop anthem featuring nostalgia-tinged lyrics coupled with doo-wops layered over bright piano chords. The combination of ILUKA’s distinctive vocals are perfectly complemented by Lime Cordiale’s Louis Leimbach who’s smooth and sultry tones reminisce on the night that was.

Of the writing of the song ILUKA writes “I have been friends with Louis and Oli (Lime Cordiale) for years and so when I had the idea for the song I sent it straight through to them as a rough voice memo, warts and all. I envisioned it as a story between two lovers reflecting on a past relationship and a more carefree time in their life. They loved the song and idea so together we fleshed it out and ‘Mess’ was born!”

“When she played the first acoustic phone recording of ‘Mess’ we were hooked and definitely a bit chuffed to be asked to collab on the track” Lime Cordiale continues “Iluka has always been an artist that has really impressed us.” Lime Cordiale writes “We grew up playing together, sharing stages in venues and house parties throughout the Northern Beaches of Sydney and eventually touring Australia. An incredible songwriter and performing artist who we are big fans of.  ‘Mess’ really captures the beauty of the dazed and foolish moments we had growing as artists and friends together. Warehouse dwellings and carefree nights.”

LISTEN TO ‘MESS’ HERE

Alongside the track, ILUKA also releases the official video. Directed by Sophia Devries and filmed in an old converted church in the Blue Mountains, the video perfectly encapsulates the wild and unbridled spirit of youth exploring the aftermath of the night before.

Of the video, Sophia Devries writes “The ‘MESS’ music video was a hybrid vision between Iluka and me, we both wanted to create a surrealistic, almost dream-like environment the characters exist in. The highly-stylised aesthetic draws inspiration from the likes of Wes Anderson and Glen Luchford. We had such a talented team to bring this vision to life including DOP Jack Shepherd and colourist Matt Fezz. It was shot at an amazing old church that has been restored as a home in the Blue Mountains.”

‘Mess’ is the follow up to ILUKA’s previous singles ‘Willing To Break’ and ‘A Beautiful Done’ which were released late 2020 and is OUT NOW via BMG.

About ILUKA

Growing up in the Blue Mountains, ILUKA felt an undeniable pull to songwriting and alongside her Father, she spent years channelling her artistic energies inside her into music. Skip forward a decade or so later (and with countless worldly experiences under her belt) ILUKA found herself at the renowned Stella Sounds Studios in LA working with Grammy-nominated producer Justin Stanley (Mark Ronson, Beck). After spending the last year toiling in LA and Nashville and working with writers and producers all over America, ILUKA has transcended the traditional genre confinements to form her own variation of pop music. Now she tells universal tales of hope and love, struggles and sacrifice through a meticulously modern lens – pop music with a soul and purpose.’

Listen to ‘Mess’ here
OUT NOW

Follow ILUKA
WEBSITE | FACEBOOK | INSTAGRAM | YOUTUBE | SPOTIFY

Follow Lime Cordiale
WEBSITE | FACEBOOK | INSTAGRAM | YOUTUBE | SPOTIFY

April 16, 2021 0 comments
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Watermelon Boy & Big Boss - Just Start Party
Music News

Watermelon Boy & Big Boss – Just Start Party

by the partae April 16, 2021
written by the partae

Two mighty Melbourne producers unite for a magical moombahton moment. Watermelon Boy’s reconnaissance of rhythms from the global south, meets head on with bass music badass Big Boss for the insatiable Just Start Party.  Leading with robo-española over a crunchy carnival beat, the rhythm of Just Start Party rides uphill like a rollercoaster ‘til the inevitable plunge. With tasty use of flute, tuned percussion and organic tones, this track is 1st degree dancefloor arson. Both producers have big releases coming this year so the timing of this collaboration is delicious and opportune.

PLAY

https://biglink.to/JustStartParty

https://www.instagram.com/watermelon__boy/

https://www.instagram.com/bigbossgotpix/

April 16, 2021 0 comments
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CRUMB Announce new album Ice Melt, out April 30th
Music News

CRUMB Announce new album Ice Melt, out April 30th

by the partae April 15, 2021
written by the partae
Photo Credit: Crumb by Third Pupil
“Compelling” – NME
“Soothing yet hypnotic” – DIY
“Melodies that squirm and stay in your brain” – The Fader
“Gorgeous – they can’t stray far wrong” – Crack 

Today, Crumb announce their new album, Ice Melt, out April 30th via their own label Crumb Records / Remote Control Records. Convening in Los Angeles to work with producer Jonathan Rado, Crumb tapped into atmosphere-creation like never before, building experimental compositions that are at turns head-nodding and surrealist, energetic and euphoric. Lila Ramani characterises the album as a “return back down to earth,” a deeply felt examination of “real substances and beings that live on this planet.”

The cultivation of road-worn musicians exploring brand-new sounds, toolsets, and thematic concepts, Ice Melt sees the band pushing themselves into territory they could never have anticipated five years ago. When the pandemic began, changing the ways we relate to each other and to the world, Crumb was halfway through recording the project. The severity of lockdown lent an unmistakable, and irrevocable, weight to the thematic threads that course through Ice Melt—themes of disconnection and dislocation, of changing shape and experiencing new states of being. There is also, despite it all, peace—deep, beautiful relief—the unspeakable euphoria of safety, of taking a step forward and knowing the ground will catch you.

Ice Melt is the follow up to Crumb‘s critically-acclaimed debut Jinx, which Pitchfork described as having a “hypnotic quality [that] grows ever more romantic and tense with repeat listens,” and includes the previously-released singles ‘Trophy‘, ‘Balloon’ and ‘BNR‘. The band teased the album earlier this month with a billboard on LA’s Sunset Boulevard composed of all their past project covers, with the billboard eventually revealing the full Ice Melt cover art.

Crumb – ‘BNR’ (Official Video)
Stream / Download: 
https://crumb.ffm.to/bnr-balloon

Crumb’s second album, Ice Melt, takes its name from the coarse blend of salts that you can buy from your local hardware store for $9.99 a bag. When sprinkled on your wintry steps, this mixture absorbs water and gives off heat, transforming the snow and ice into a viscous, briney slush and, eventually, nothing at all. Beginning with the dynamic chaos of ‘Up & Down‘, and ending with Crumb’s closest thing to a lullaby, Ice Melt’s ten tracks combine, like ice sculptures melting into a glistening puddle, into the liquid record of a tumultuous, cathartic journey to safer ground. “Is it like magic or a dream?,” frontwoman Lila Ramani sings on the title track, weaving mythological undercurrents into mundane earthly processes. “It all drips down into the sea.”

From the start, Crumb was a nebulous project, stitched together from various locations, inspirations, experiences, and relationships. Even in their early days, living in jam-packed Boston apartments in 2016, the group knew that cohesion was best achieved through plumbing their individual strengths—Ramani’s earliest songwriting, which catalysed the group’s first two EPs, Crumb (2016) and Locket (2017); Bri Aronow’s knack for building (dis)affecting soundscapes; Jesse Brotter’s melodic bass playing, a Crumb mainstay; and Jonathan Gilad’s drums, which give the music an otherworldly vitality. Even as their fan base grew, they chose to remain independent, self-releasing each album, and now Ice Melt, through their own label, Crumb Records. These early decisions have made Crumb a project of self-discovery, four creative minds converging around an idea that is always shifting and reforming.

Early 2020 found the members of Crumb convening in Los Angeles to work with producer Jonathan Rado, engineer/mixer Michael Harris, and walls of instruments and vintage hi-fi recording equipment at Electro-Vox Studios and Sonora Recorders. Working with Rado and Harris allowed Crumb to tap into atmosphere-creation like never before, building experimental, hypnotic compositions that are at turns head-nodding and surrealist, energetic and euphoric. Spectral synth drones buoy lilting bass and drums through noise guitar interruptions, digital glitch, and processed vocals on ‘Trophy‘. ‘Balloon‘ builds into a warbling disco with helium-sucking alien voices inviting you to dance.

Ramani, who made many of the album’s initial demos on a trip to Los Angeles in 2019, characterises the album as a “return back down to earth,” a deeply felt examination of “real substances and beings that live on this planet.” Ice Melt finds Ramani’s vocals in deeper interplay with her indelible guitar lines, which weave in and out of every track, the tones of each calibrated for the specific feeling of the moment. Aronow, inspired by their interest in the uninhibited nature of improvisation, transmutes colors and textures into the sonic backdrop of each track, creating the layered, synth-anchored nervous system of the album.

And if Ramani and Aronow provide something like the heart and gut to Ice Melt, Gilad and Brotter provide the bodily grounding, the arms and the legs of the project’s multiplex anatomy. Gilad’s thrashing, leveling percussion—using an expanded palette of samples and drum machines alongside his live kit—provides a focused, rhythmic vessel while allowing the album to reach ecstatic heights. And beyond Brotter’s bass, dexterous and elegant as ever, his attention to creative detail is apparent in every measure and miniscule production choice—well exemplified by his delicate backing vocals, which add a tenderness to tracks like the mercurial ‘Tunnel (all that you had)‘.

Pre-save / Pre-order Crumb – Ice Melt: https://crumb.ffm.to/icemelt

Crumb
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SHAD shares new single 'Out of Touch'
Music News

SHAD shares new single ‘Out of Touch’

by the partae April 15, 2021
written by the partae
Photo credit: Justin Broadbent

Toronto-based rapper Shad today releases a brand-new song ‘Out of Touch’, a bright, RnB-spiked track featuring the multi-talented pHoenix Pagliacci. This memorable new offering marks the return of the rhymer and the first taste of forthcoming music coming later this year on Secret City Records / Remote Control Records. 

“’Out of Touch’ is basically the thesis statement for this upcoming collection,” explains Shad. “It’s about how our individual sense of wholeness can’t be disentangled from our collective well-being. It’s about the idea that we belong to each other.”

Shad’s body of work has been streamed over 30 million times and 4 of his albums have been shortlisted for the prestigious Polaris Music Prize, including his most recent musical odyssey 2018’s A Short Story About A War. He’s a critically acclaimed JUNO Award winner and a seasoned live performer. Shad is also known for hosting the Netflix Original Hip-Hop Evolution docuseries, which won an Emmy and a Peabody award, and is a former host of CBC Radio’s flagship arts & culture program ‘q.’ His latest releases have been covered in Rolling Stone, Complex, The Ringer, Fader, NPR, and beyond. His music has been heard in Snowpiercer, The Murders, Tall Boyz and more.

Shad – ‘Out of Touch’
Stream / Download: 
https://found.ee/OutofTouch

Shad
Website | Twitter | Instagram | Facebook
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Rising Sydney indie pop artist TAYLOR B-W releases new single ‘NUNCHUCKS’
Music News

Rising Sydney indie pop artist TAYLOR B-W releases new single ‘NUNCHUCKS’

by the partae April 15, 2021
written by the partae

Blending together cool-girl pop sensibilities with a knack for rich alt-R&B notes, Taylor B-W unleashes her new single, ‘Nunchucks’. Built against a rich combination of production, percussion and soaring vocals, the song is packed with fun attitude and spirit to match.

As her first release for 2021, ‘Nunchucks’ is a great introduction to Taylor B-W for newcomers though for fans who have been following the talented artist, this is simply a fired up new addition to a strongly growing body of work.

For ‘Nunchucks’, Taylor worked with producer Shivaji at the latter’s Central Coast studio after laying vocal arrangements from home in Marrickville. With influences ranging from Kimbra to BANKS and Halsey, ‘Nunchucks’ is driven by a sense of having fun and living for yourself.

“The song is about giving up on a relationship; I’ve done as much as I can, there’s nothing else worth fighting for in this partnership. So why bother?  It’s a no strings attached pop song: nothing deep, just fun.” Taylor B-W

Bringing her fun and sassy nature to the music video for ‘Nunchucks’, Taylor hit a number of locations (including the Sydenham basketball courts and Newtown’s Vintage @ 313) with Moose Visuals to bring her ideas to life.

“Having always been inspired by ‘90s music and culture, including the bright outfits and cheeky attitudes of R&B female groups and artists like TLC, Salt ‘n’ Pepa, Janet Jackson and The Spice Girls, I wanted to give a nostalgic nod to that era by incorporating the ‘90s vibe into the whole look of the single.” Taylor B-W

 

RAISE FOR TAYLOR B-W

“Oh my days girl low-key singin’ like Mary J. over those Banks-esque beats I’m here for the marriage of these worlds That skilled control sounds effortless for you.”
Triple J, Ilai Swindells

“She has quickly established her penchant for crafting tracks that feel simultaneously dynamic and well thought-out; they’re always bursting at the seams with explosive energy, but never sacrifice musical acumen.”
Happy Magazine

To mark the release of ‘Nunchucks’, Taylor B-W is turning it up at a sold out Django Bar at the Camelot Lounge in Marrickville this March!

‘Nunchucks’ is out now.
Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

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April 30th will mark the official release date of Biting The Life Nectar by Billy Reeves. This will be the fourth studio album by the New Zealand born, Melbourne based artist, Reeves’ first full length album in nearly two years. Biting The Life Nectar takes an in-depth dive into the mind of Billy Reeves over the year long album creation process, the affects of the global pandemic, anxiety and more. “This is the first time I’ve really just made an album about me, as fun as it is to create worlds and stories for my music, I felt it was time to just be my fully authentic self.” - Billy Reeves The entirely self produced 12 track project contains features from a slew of artists including Ramaj Eroc, Ben Ivories, Tèbir and Priya Francis. The genre bending album combines elements of Hip-Hop, Alternative R&B and Electronic. Biting The Life Nectar includes singles “Mama (feat. Ben Ivories)” and fan favourite “Good Fit”. BITING THE LIFE NECTAR - TRACKLIST 1. WEIGHT 2. ANXIOUS (FEAT. RAMAJ EROC) 3. FRECKLES (FEAT. TÈBIR AND PRIYA FRANCIS) 4. GOOD FIT 5. WHAT IF YOU FLY? 6. YOUNG LORD 7. SMELL THE FLOWERS 8. GROWING PAINS 9. MAMA (FEAT. BEN IVORIES) 10. LOOK UP (FEAT. BEN IVORIES) 11. LOVE 12. SLUMP / THE OTHER SIDE The latest single from "Biting The Life Nectar" can be streamed here: https://www.gate.fm/viaDcN2 www.facebook.com/realbillyreeves www.instagram.com/realbillyreeves twitter.com/realbillyreeves soundcloud.com/realbillyreeves
Music News

BILLY REEVES ANNOUNCES FOURTH ALBUM – ‘BITING THE LIFE NECTAR’ The project is set to release on April 30th on all major streaming platforms

by the partae April 15, 2021
written by the partae

April 30th will mark the official release date of Biting The Life Nectar by Billy Reeves.

This will be the fourth studio album by the New Zealand born, Melbourne based artist, Reeves’ first full length album in nearly two years.

Biting The Life Nectar takes an in-depth dive into the mind of Billy Reeves over the year long album creation process, the affects of the global pandemic, anxiety and more.

“This is the first time I’ve really just made an album about me, as fun as it is to create worlds and stories for my music, I felt it was time to just be my fully authentic self.” – Billy Reeves

The entirely self produced 12 track project contains features from a slew of artists including Ramaj Eroc, Ben Ivories, Tèbir and Priya Francis. The genre bending album combines elements of Hip-Hop, Alternative R&B and Electronic.

Biting The Life Nectar includes singles “Mama (feat. Ben Ivories)” and fan favourite “Good Fit”.

BITING THE LIFE NECTAR – TRACKLIST
1. WEIGHT
2. ANXIOUS (FEAT. RAMAJ EROC)
3. FRECKLES (FEAT. TÈBIR AND PRIYA FRANCIS)
4. GOOD FIT
5. WHAT IF YOU FLY?
6. YOUNG LORD
7. SMELL THE FLOWERS
8. GROWING PAINS
9. MAMA (FEAT. BEN IVORIES)
10. LOOK UP (FEAT. BEN IVORIES)
11. LOVE
12. SLUMP / THE OTHER SIDE

The latest single from “Biting The Life Nectar” can be streamed here:
https://www.gate.fm/viaDcN2


www.facebook.com/realbillyreeves

www.instagram.com/realbillyreeves

twitter.com/realbillyreeves

soundcloud.com/realbillyreeves

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JXCKY
Music InterviewsMusic News

JXCKY

by the partae April 15, 2021
written by the partae

Where are you currently based?

I’m currently based in Melbourne, Victoria – I hover around the Sunshine and Richmond suburbs!

 

How did you first start playing music?

I was always fascinated with writing absolutely anything, whether it was fictional or based on my personal life. I had no prior knowledge of singing or songwriting until I started writing my own songs in my last year of high school and learnt the rest at university through a songwriting degree!

What’s been happening recently?

Recently, I’ve been honing and tightening up my sound in terms of production on old and new songs and creating demo after demo where possible! Also my alma mater, JMC Academy, nominated my first single ‘Lockdown Lover’ for an award! Super stoked!

 

Your new single ‘System’ is out on April 30 which is a shift in sound from r&b and pop to something more darker with rock, what influenced the sound and songwriting?

This shift in genre and sound to dark-pop/rock is long overdue. I realised a few years ago that I had suppressed feelings of rage, revenge and rebellion relating to past relationships and situations that would come out in the form of angry songs. I love expressing myself through R&B and pure pop music but it’s so much more fun being bad.

 

How did you go about writing System?

Daniel Roughley – my bassist, co-writer, partial housemate and music guru – sent over a track he made that sounded nothing like ‘System’ does now. It was more like ‘Green Light’ by Lorde and… I wanted to write something similar to that – the desperate and chaotic need and fight for freedom from someone toxic. I wrote all of ‘System’ to that first track and before we knew it, we went through numerous changes and landed on dark-pop/rock.

 

Where and when did you record/produce/master and who did you work with?

The track was initially recorded at my house during Stage 4 lockdown before deciding to record it elsewhere in a proper studio set-up. However, we decided to go with the initial vocal takes as we felt it suited the song best! It was produced by Daniel and mastered by Nicholas Di Lorenzo of Panorama Mastering.

 

How did you approach the recording process?

As someone who has only been singing for 4 years, I find my best vocal takes happen when there’s no pressure from anyone else. I tend to overthink when people are in the room and I need to be with someone I’m incredibly comfortable with. Doing it on my own meant that I could take my time, feel the song and not become fixated on or nervous from potential judgement. 

 

What programs/equipment did you use?

The latest version of Logic Pro X with a Rode NT1-A Condenser Microphone, Audio Technica headphones and Focusrite Scarlett 2i2 as the audio interface.

 

Who are you listening to at the moment?

I have an obsession with UPSAHL right now! Her writing is insane and her use of chromatics… soooo juicy. I’m also listening to REI AMI and Olivia Rodrigo!

 

What do you like to do away from music?

I love exploring new places and travelling! I got bit by a travel bug after my Bali trip which was right before the pandemic started. I’m waiting impatiently for international borders to open!

 

What’s planned for 2021?

A music video for ‘System’ could very well be dropped soon… but otherwise, you’ll definitely hear more singles in the lead-up to a dark-pop E.P! 

Favourite food and place to hangout?

Check out Delhi Streets in the city, superb Indian food! And… my favourite place to hangout isn’t even an actual place! It’s a late night drive carpooling with mates to Maccas/rehearsals or a day drive to somewhere far, far away!

Link to JXCKY’s socials: 

Facebook – https://facebook.com/jxckymusic

Instagram – https://instagram.com/jxckymusic 

Twitter – https://tiktok.com/jxckymusic

YouTube – https://www.youtube.com/channel/UCB9KPzeyHmQ0C0j4S95vtxg

Spotify – https://open.spotify.com/artist/6BaMvb4XicSCtYWqjXw3hV

TikTok – https://www.tiktok.com/@jxckymusic

April 15, 2021 0 comments
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Taylor B-W
Music InterviewsMusic News

Taylor B-W

by the partae April 15, 2021
written by the partae

Describe the significance of the track to you at the time of writing, and now?

When writing Nunchucks in 2019, I immediately knew it was special because I hadn’t written a song like this before.  I was used to writing wistful pop songs that had a number of revisions and drafts, however writing Nunchucks was easy because I was really driven by the percussive beat provided by the composer David Shivaji, so the lyrics just flowed out, without too much thought.  As this was my first delve into pure, fun pop, plus still being one of the most popular songs in my set when I perform live, Nunchucks holds a special place in my heart.

How would you describe the scene you’re currently creating music in – how inspired are you by your peers and the energy in your community when it comes to new music?

I am super inspired by what is coming out of the Australian pop music market at the moment, despite Covid-19 doing its best to thwart creativity and performance.  Perhaps it is because my peers now have the time and energy to create new music, maybe even change direction, and to perhaps re-think what they are doing, that we are already hearing a rejuvenation of sound and performance.

It has been a very difficult time for so many because of lockdowns, venue closures and restrictions, however, Aussie music has still thrived and I am constantly inspired by the energy that artists are putting in, making phat beats and tracks to ensure their listeners don’t miss out on music because it is what we all need.  It’s given me the boost to continue to push through and release more music!

Did you have any stand out influences when putting this track together?

Yes I did! When Shivaji and I first got in contact about writing together he asked me to send him a playlist with songs that I was vibing with at the time, just to get inspiration.  From that playlist, he created a beat mostly inspired by Kimbra’s Top Of The World.

Once we got into the studio to flesh it out together, I started using Billie Eilish’s Bellyache chorus, with that driving bass line, as the main inspiration for the chorus of Nunchucks.

How would you describe your ambition and approach to making music in general now, compared to when you first started? What is your driving intent as an artist?

The funny thing is, I still feel like I’m just starting as my own artist, even though I’ve actually been in the music industry for years.  I guess, when I was first coming out of Uni, making music and songwriting was only a hobby for me – I really wanted to focus on an acting career first – so I thought I had all the time in the world to leisurely pursue music.

As years went on and life happened, my desire for music became stronger so it was only a couple of years ago that I really knuckled down and pursued my music career with a vengeance!  I made the decision to never take my voice and my music for granted again and I have been non-stop since.  I am extremely passionate about this ever-changing music industry and my place in it, especially because indie artists have more control over their own career than ever before.  This industry, as much as it is about the music, it is first and foremost a business.  It is a very different world now and these days artists do everything themselves, plus have to find time to earn a living AND create music.  But my ambition and hunger is even stronger, and I’m growing and learning more about my own artistry and the music biz.  It’s challenging but I thrive in a challenge.

If people are coming to your music for the first time with this song, what’s the impression you hope to leave on them?

I want a first-time listener to be left wanting more! Nunchucks is a short, straight-to-the-point pop song that reflects my fun and sassy personality a lot so I want a potential follower to see and listen to Nunchucks and want to be my friend, soppy as that is… because I certainly want to be theirs!

What are you looking forward to the most in 2021?

Releasing a lot more music!  It’s embarrassing to say that I only released one track early last year, a song called Dreams, and then my poor followers were left in the dark for too long… you know, COVID n’ all.  I mean, sure, I updated my followers constantly through my mailing list and social media, plus I was live streaming weekly for quite a few months, then performing sold out live shows once restrictions began easing, but my online song catalogue was looking pretty bare for 2020.

In saying that, 2020 was a big year for writing and spending time in the studio, and now I have a bunch of songs ready to go that will be released in 2021!  I’ve also just recently signed with online distributor, Believe Music, which has given me the kick-up-the-butt I’ve needed to finally get more music out to my listeners.  So watch this space!

Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

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DJ / PRODUCER MOTi PRODUCES WORKOUT MUSIC UNDER THE NAME BODYWORX BODYWORX makes music for fitness app of Dutch actress and influencer Yolanthe Cabau
Music News

DJ / PRODUCER MOTi PRODUCES WORKOUT MUSIC UNDER THE NAME BODYWORX BODYWORX makes music for fitness app of Dutch actress and influencer Yolanthe Cabau

by the partae April 15, 2021
written by the partae

Research shows that we are becoming increasingly unhealthy, partly because people exercise less during the lockdown. If it is up to Dutch DJ / producer MOTi something must be done about this. Since the start of the lockdown, he has been at home just like his fellow DJs colleagues, but doing nothing is not an option. Working from his studio MOTi started to focus on a new project called BODYWORX, with which he produces workout music.

MOTi started BODYWORX in 2019 as he was looking for music that could motivate him during his workouts, but couldn’t find it anywhere. He started experimenting with dance music and uplifting lyrics and made songs that work perfect for your workout. Despite the fact that he immediately received a lot of positive reaction, after putting the music online, BODYWORX became a serious project during the first lockdown early 2020. This was partly due to the fact that more people had to exercise at home and the need for good workout music rose. Within no time BODYWORX amassed 45 million streams and those numbers are still rising rapidly. Collaborations soon followed with popular brands like Les Mills, FunXtion and most recently with Dutch actress and influencer Yolanthe Cabau for her CABAU lifestyle app.

MOTi: “I started making music under the name BODYWORX to motivate myself during workouts. After the first releases I received a lot of positive reactions and I noticed that there was a great need for this kind of music, so I continued with it. Now BODYWORX has become bigger than I could have imagined at first.”

Listen to BODYWORX on Spotify

CABAU LIFESTYLE

On March 24, the Dutch actress Yolanthe Cabau, who played alongside Mark Wahlberg in the movie Pain and Gain, launched her own lifestyle app focused on women empowerment. Via the app you can follow various workouts, classes and programs, for which BODYWORX produced the music. You can find videos of High Intensity Interval Training (HIIT), but also follow yoga and meditation sessions and you can also find everything about nutrition and mental health. New training videos will be added every three months with music from BODYWORX.

Website: https://cabaulifestyle.com/

MOTi

In 2008 the Dutch DJ / producer MOTi catapulted into the house scene. Due to his diverse sound and enormous drive in the studio, he became a household name in no time and his music is streamed over a billion times. MOTi has collaborated with big names from within the scene such as Tiesto, R3hab and Martin Garrix with whom he scored a Beatport #1 hit with the track “Virus”, but also with superstars such as Major Lazor, Ty Dolla Sign and Wyclef Jean. With his music he graced the stages of Ultra Music Festival, Tomorrowland, Electric Daisy Carnival and Electric Zoo and played in the biggest clubs around the world. In 2018 MOTi started his own independent label ZERO COOL RECORDS and gathered more than 100 million streams within the first year. He scored his most recent success with BODYWORX, under that name he produces music that suits your workout perfectly.

Follow MOTi via

Spotify

Instagram

Facebook

Twitter

YouTube

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