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IZZY DAY RELEASES DEBUT SINGLE MOTIONS

by the partae June 23, 2020
written by the partae

Today, Gold Coast born, now Melbourne resident, Izzy Day, drops a video for her debut single Motions.

For Motions, Izzy Day has teamed up with Melbourne electro-hip hop producers The Munkyds, with the with the result being a beautiful ambient mix of electronic, soul, folk and hip hop.

 “Motions is about finding fluidity in love. It’s about learning to surrender to the fluctuating moments of being in a relationship. It’s a song about the discovery of the shadows and light we see in each other, as individuals, yet finding a way to navigate these reflections of ourselves, together” Izzy Day

Using her dynamically layered live music production; Izzy Day is able to create an atmosphere that cannot be ignored. Izzy’s unique, heartfelt music productions, allow her audiences to create a space, feel and surrender to the moment, joining her for the journey. Izzy infuses her rich distinctive vocals along with luscious soulful textures and hip-hop beats, leaving her audiences captivated and inspired to the core.

Izzy’s creations are not only rich in dynamics musically, but also lyrically. In her own words “My lyrics are a reflection of my own journey through life in the moment it unfolds, but also a way to express and connect to the true essence of who we really are.”

Izzy was exposed to a medley of music genres and artists from an early age, her first inspiration being her multi-instrumentalist father.

Beginning her career as a vocalist at the age of four and as a guitarist and songwriter at fourteen, she clearly has always had music running through her veins. Mastering the art of live looping, she became her own band, performing multiple shows along the east coast and playing at various festivals. She is now based in Melbourne, immersing herself in many new musical ventures, further pursuing her dream.

The Munkyds, or The ‘kyds’, as they are often referred to, started making music in a bedroom, with stockings as pop filters and egg cartons stuck to the walls for acoustics. Over time they grew to develop a sound that caught the attention of Rodney ‘Darkchild’ Jerkins, which led to their first placements in Australia (Get ‘em girls remix – Jessica Mauboy featuring Snoop Dogg and Stan Walker’s Choose You Remix).

Since then The Munkyds have worked with music icons Jermaine Dupri and Eddie Weathers (So So Def), Che Pope (G.O.O.D Music), Max Gousse (Formally of Def Jam), Aaron Reid (Hitco) and more, learning from legends of the industry to develop their production repertoire and create a unique sound as artists in their own right.

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June 23, 2020 0 comments
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WAYSIDE DROP VIDEO FOR NEW SINGLE SHINE (ONTO ME)
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WAYSIDE DROP VIDEO FOR NEW SINGLE SHINE (ONTO ME)

by the partae June 23, 2020
written by the partae

WAYSIDE
DROP VIDEO FOR NEW SINGLE
SHINE (ONTO ME)

Wayside, who formed in 2017, are Thomas Davenport and Josh Ehmer.

New single Shine (Onto Me) is a colourful, warm and positive song driven by guitars and dark, heartfelt vocal melodies with themes of love, self-care, and that feeling where you wish you could share the pain with someone, so their burden is lessened.

Shine (Onto Me), produced by Wayside and recorded by Lachlan Mitchell (The Jezabels, The Vines), is the first piece of new music from the band since the self-titled EP was released in 2017.

“This song is about someone really close to me, who has lived through my worst nightmare and lost the most important thing to her / in her life, yet she’s always giving back where she can and loving in every way that she can” vocalist Thomas Davenport

June 23, 2020 0 comments
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BRAIDS New Album Shadow Offering out now Share 'Here 4 U' video
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BRAIDS New Album Shadow Offering out now Share ‘Here 4 U’ video

by the partae June 23, 2020
written by the partae
Praise for Shadow Offering

“Shadow Offering is the start of a new chapter, one robust enough to hold the intense emotions in their lyrics.” – Pitchfork, 7.2

“The music – lush electronic textures, delicate piano melodies and driving rhythms – is cinematic in scope, offering Armageddon and salvation in turn.” ★★★★ Uncut

“…[Shadow Offering] feels like the culmination of what Braids have been building towards over the last 10 years. It’s glimmering and assured, an album that’s constantly refining and one-upping itself. The Canadian band’s songs have always been massive, bursting at the seams with ideas, but they’ve never sounded as good or as crystallized as they do on Shadow Offering.”  – ★★★★ Stereogum (50 best albums of 2020 so far)

“‘Shadow Offering,’ is beautiful and heart wrenching, pulling on listeners’ heartstrings. The album offers a sanctuary by easing anxiety and fueling hope, acting as a sort of security blanket for these unnerving times.”  ★★★★ Clash Magazine

“a gloriously intricate fourth outing […] Braids have refined themselves, ready to offer mature, emotional soundscapes of understanding.” ★★★★ ½ The Line of Best Fit

“Braids are incisive, and conjure up a kind of confiding emotional warmth; Death Cab For Cutie’s Chris Walla’s rich production is the ideal match.” – NME

“Raphaelle Standell-Preston sings with openhearted earnestness.” – The New York Times

“The whole thing builds to a frantic final third in which the chaos and confusion is palpable.” – The Fader (About “Snow Angel”)

 “a bouncy good time; in the tug-of-war between mind and matter, these pulsing synths are clearly on the side of the body.” – Consequence of Sound (About “Young Buck”)

Montreal indie trio release Braids brand new album Shadow Offering, co-produced by Chris Walla via Secret City Records / Remote Control.

Today Braids also release the official video for the opening track ‘Here 4 U‘. They share the inspiration behind the song: “Here 4 U is an oldie in our books. The original demo dates back four or five years, written while Austin and I spent a few months snowbirding in Los Angeles. It was one of the first songs we wrote for Shadow Offering, but the last we finished. We nearly lost this one on the cutting room floor, but in finding the album’s identity in the final weeks of mixing, so too did this song. In a way, it encapsulates the process of making this record – bursts of excitement and exploration, stretches of self-doubt, long days, long months, and the blissful self-discovery of finding our voice for this album. 

Here 4 U is a song about love, about a fleeting relationship, about the aftermath, and about the desire to be there for someone in a new light. “The fear of love, the fear of what it means to give, and what it takes, to protect it.” It’s the swirling thoughts as love falls apart, and the pillars to hold on to throughout.”

The album finds the band at their most personal, unabashedly flexing a new sense of confidence through songs that reach a higher level of artistry and collaboration. A luscious and expansive release, Shadow Offering leads us through a sonic tapestry of narrative. With heartbreaking honesty and precision, listeners traverse a nuanced and complicated world: one full of beautiful contradictions. Although the album directs itself at the failures of people to love and be loved, it also seeks to restore justice and attain blissful union. It’s arc crests through the dark towards the light and learns how to dance with the dizzying rhythms of the heart. The songs bubble, sustain, dissolve, expand, and retract.

Purchase / Stream Shadow Offering: https://braids.lnk.to/shadowoffering

Braids
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June 23, 2020 1 comment
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A. SWAYZE & THE GHOSTS ANNOUNCE DEBUT ALBUM PAID SALVATION + DROP NEW SINGLE 'CANCER' & VIDEO
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A. SWAYZE & THE GHOSTS ANNOUNCE DEBUT ALBUM PAID SALVATION + DROP NEW SINGLE ‘CANCER’ & VIDEO

by the partae June 23, 2020
written by the partae

Ivy League Records are thrilled to announce that Tasmania’s A.Swayze & the Ghosts will release their debut album, Paid Salvation, on Friday 18 September. At a time when some young bands seem more concerned with social media followers than having something to say, Paid Salvation is a refreshingly real breath of fresh air, one that restores your faith in the incendiary, uplifting and subversive power of punk rock.

To celebrate the announce, the band have released the addictive, synth-punk flavoured single ‘Cancer’ along with the video, directed by and featuring the band’s notably charismatic and enigmatic lead singer, Andrew Swayze.

“I love this track’s elements of early house music in its Oberheim DMX drum machine, repetitive bass-line and guitar silence in sections” – Andrew Swayze

On the band’s blistering debut record Paid Salvation – recorded in Northcote with producer Dean Tuza (These New South Whales, Stella Donnelly) – Swayze pulls no punches, using the group’s urgent and tightly wound music as a backdrop against which he can purge himself of the myriad frustrations he has with the world around him. Taking aim at social media (“Connect to Consume”), ecocide (“Beaches”), tall poppy syndrome (“Rich”), mob-rule and herd mentality (“Marigold”), it seems little escapes his ire, even God and the Bible get a good lashing. It’s safe to say we’re not in standard garage punk territory.

On first listen, it would be easy to take the album on face value, enjoying it purely for its many musical pleasures: energetic guitar interplay, pummeling rhythms, basslines that groove and an infectious shout-along melodic sensibility that runs throughout. But that’s the real power of Paid Salvation. While it’s a hell of a lot of fun, it’s also deadly serious.
“It really shits me off when bands have this pedestal and they have the ability to influence so much around them and they waste it by singing about stupid shit. If you’re given this audience, I think you have to have something to say. And I definitely intend on abusing that right.”  Swayze says

“I want people to go, ‘I love that song it makes me dance but I also appreciate the honesty. I want the melodies and the instrumentals to be accessible for people from all sorts of backgrounds, but I also want everyone to fucking listen to what I’m saying as well. And I especially want young men to hear songs like ‘Suddenly’ and ‘It’s Not Alright’ and think about what they’re saying rather than just listening to them and going, ‘Yeah I’m all jacked up on this rock song!’ he laughs. With AS&TG, the music is the sugar that makes the medicine easier to swallow.

Over the last two years A.Swayze & the Ghosts have performed at Falls Festival, Splendour in the Grass, The Great Escape, BIGSOUND (in many ‘best of’ lists across STACK, triple j, Double J, The Music), A Festival Called Panama and Boogie Festival. As well as shows alongside Shame, Total Control, Nude Party, Frank Carter & The Rattlesnakes, West Thebarton, Jet, The Vines, Batpiss & The Stems to name a few. The band have been championed overseas by BBC 6 Music, Beats 1, KEXP, CLASH, NME & Brooklyn Vegan, whilst on home soil, supported by community radio, triple j, Double J, The Music, Beat & more.

Paid Salvation
A. Swayze & the Ghosts

Album out Friday 18 September 2020 through Ivy League Records
Available to pre-order here

Paid Salvation tracklisting:
1. It’s Not Alright
2. Suddenly
3. Nothing Left To Do
4. Connect To Consume
5. Marigold
6. Paid Salvation
7. Mess of Me
8. Rich
9. News
10. Beaches
11. Cancer
12. Evil Eyes

A. SWAYZE & THE GHOSTS

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June 23, 2020 0 comments
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ARCA Shares new single 'KLK' featuring ROSALÍA New album KiCk i out this Friday Featuring appearances from Björk, Shygirl & SOPHIE
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ARCA Shares new single ‘KLK’ featuring ROSALÍA New album KiCk i out this Friday Featuring appearances from Björk, Shygirl & SOPHIE

by the partae June 23, 2020
written by the partae
Early praise for KiCk i

“the record to elevate her from electronic music’s experimental sandbox to pop music’s vanguard” – Pitchfork 

“KiCk i feels like her breakout moment, a well-deserved coronation” – Stereogum

“a perfect piece of modern pop” – BBC Radio 6Music (Time)

“We’ve long struggled to box Arca into a single genre, and KiCk-i bursts out of genre conventions entirely, as a glorious expression of life.” – Loud and Quiet 9/10

“KiCk i is the coronation of Arca as a pop star.” – Stereogum

Today Arca has premiered a new single featuring Rosalía. The two contemporary pop stars have revealed their first official collaboration in the form of a cyberpunk reggaetón song titled ‘KLK‘, which is on Arca’s album KiCk i, due out this Friday June 26th on XL Recordings / Remote Control.  This iconic relationship was revealed to the public last year when Rosalía used Arca’s vocal recordings as an interstitial in her Latin GRAMMY Awards performance, taken from a recording Arca made just a month earlier while working on her own project. As Rosalía exclaims on the song, “aquí con me Ale estamos bendecidas.”  Listen via the image below.

For the instrumental/beat of ‘KLK,’ Arca worked with long-time friend and collaborator, Venezuelan producer Cardopusher, who features on the song as co-producer. Cardopusher and Arca first met back in Caracas while playing gigs together, and are now both based in Spain; ‘KLK‘’s hypnotic bounce serves to both celebrate and deconstruct the reggaetón they both grew up listening to, while Rosalía’s additional vocals entwine with Arca’s to suggest mischief, sensuality and collaboration – a call for unity in celebrating life in virtue of the unknown.

Arca, KiCk i defines a new era of multiplex harmony for the Venezuelan artist, singer, DJ, performer and experimental music composer.  With appearances from Björk, Rosalía, Shygirl and SOPHIE, this is the first time Arca has invited collaborators into her world, previously having lent her sound to some of the decade’s most avant-pop artists. To introduce the project, she first shared ‘Nonbinary‘ and her singles ‘Mequetrefe‘ and ‘Time,’ which is featured in Chanel’s new short-film HERE, presenting their 2020/21 Cruise Collection. With them. declaring, “Arca’s work is beyond innovative…her vision for the future of pop is so thrilling,” and Pitchfork noting Arca’s ability to “continue to create a singular world,” Arca, a nonbinary Latinx transwoman, is redefining the role of the diva for a new generation as Stereogum exclaims, “KiCk i feels like her breakout moment, a well-deserved coronation.”

Pre-order / pre-save Arca – KiCk i: https://arca.ffm.to/kicki

Ahead of June 26th releases: Pre-add KiCk i in advance of its release and enter-to-win the heels Arca wore in the ‘Anoche’ music video. More information on her IG HERE, enter to win HERE.

Ahead of and on July 17th:  KiCk i will be available on vinyl (single LP in a gatefold jacket, with a 16-page booklet of original art by Arca) and CD (in a black trigger ejector case). Also special KiCk i vinyl bundles will be available with t-shirts featuring album artwork by Carlota Guerrero and Nonbinary visual by Frederik Heyman. More available at Arca’s new merch store HERE.

Listen to Arca ‘KLK’ feat. Rosalía: https://arca.ffm.to/k_l_k

Arca
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June 23, 2020 0 comments
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Julian Jordan delivers a marvelous summer feel-good track with ‘Nobody Knows’ feat. Feldz

by the partae June 22, 2020
written by the partae

You can always count on Julian Jordan to get your head bobbing and heart racing with both bangers and radio-friendly gems. After making waves with ‘Without You’ featuring Brooks and the track still being high in the Beatport charts several weeks after release, it’s now time for Jordan to bring you one of the undoubted anthems of the summer season in the form of ‘Nobody Knows’ on STMPD RCRDS.

This summer-ready track starts off with enticing plucks reminiscent of early 2010s progressive house. A deep, full bassline joined by light percussion instruments makes way for Feldz’ luminous vocals. Melancholic piano chords underpin the rich chorus after which a clean and satisfying drop combined with looped vocals allows the listener to get up and dance around or close their eyes and unwind in the sun. Here is a track perfect for every setting. Whether you’re envisioning yourself in a club or having a day at the beach, ‘Nobody Knows’ fits it all.

This glorious summer tune is the result of the remarkable collaboration between Julian Jordan’s producing skills and Feldz’s powerful vocals. Unable to play live in a club during these times, Julian decided to regale his fans with a radio-friendly and feel-good track!

Julian Jordan ft. Feldz, Nobody Knows is out now on STMPD RCRDS

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June 22, 2020 0 comments
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GHOATTE HORDOUR Releases new EP Death Divine Enemy
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GHOATTE HORDOUR Releases new EP Death Divine Enemy

by the partae June 22, 2020
written by the partae

Winter Solstice celebrates the longest hours of darkness in a day which seemed fitting for the latest release from Ghoatte Hordour, an Australian based blackened symphonic metal band. This is the side project for the Smith Street Band guitarist Lee Hartney.

Death Divine Enemy elaborates on his sci-fi-esque, post-apocalyptic, dystopian worlds end. Lyrically it further delves into his anti religion, anti authoritarian, misanthropic sentiments. Brutally evil, yet melodically beautiful.

Death Divine Enemy is the follow up to the 2018 release Blackened Blood on the Suthourn Altar, described by Hysteria Mag as “a tight five track EP that seeps with grim undertones and haunting melodic strains.”

Out digitally everywhere today via Pool House Records, Death Divine Enemy is also available on a limited run of CDs from www.ghoattehordour.bandcamp.com

Stream / Purchase – ghoattehordour.lnk.to/deathdivineenemy

Ghoatte Hordour – Death Divine Enemy
1. Return to the Emberstorm
2. Godkiller
3. Dethroned in the After
4. Death Divine Enemy
5. Vidah Inahzu
Ghoatte Hordour – Death Divine Enemy is out now via Pool House Records / Remote Control Records.
www.poolhouserecords.com.au
www.remotecontrolrecords.com.au
June 22, 2020 0 comments
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Rolling Blackouts Coastal Fever | Watch The Video For Latest Single 'Cameo'
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Rolling Blackouts Coastal Fever | Watch The Video For Latest Single ‘Cameo’

by the partae June 22, 2020
written by the partae

Sideways To New Italy
Rolling Blackouts Coastal Fever

Album out now through Ivy League Records
Available to buy/stream here

Sideways To New Italy tracklisting:
1. The Second Of The First
2. Falling Thunder
3. She’s There
4. Beautiful Steven
5. The Only One
6. Cars In Space
7. Cameo
8. Not Tonight
9. Sunglasses At The Wedding
10. The Cool Change

ROLLING BLACKOUTS COASTAL FEVER

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June 22, 2020 0 comments
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BAD COP / BAD COP NEW ALBUM THE RIDE, OUT NOW
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BAD COP / BAD COP NEW ALBUM, THE RIDE, OUT NOW ON FAT WRECK CHORDS

by the partae June 22, 2020
written by the partae

Bad Cop / Bad Cop’s new studio album The Ride, is out now on Fat Wreck Chords. The Ride was recorded throughout much of 2018 and 2019 by Johnny Carey and Fat Mike (D-Composers), and boasts all of the elements of BCBC’s sound: big guitars, lock-step bass and drums, intricate vocal harmonies, and plenty of attitude.

Listen to The Ride –  Youtube, Spotify, Apple Music, Amazon Music

In a time of chronic rage, happiness is revolutionary.

Bad Cop / Bad Cop has done angry. The band’s 2017 full-length, Warriors, was recorded in the aftermath of the 2016 presidential election. The Los Angeles quartet’s new full-length, The Ride (Fat Wreck Chords, June 19th), shows what happens when you come out the other side of that anger.

“It’s not that I am just stoked or blind to suffering,” says singer-guitarist Jennie Cotterill. “I think anger is a legitimate and understandable reaction to injustice and wrongdoing. It’s just that for myself, I am trying to move past ‘reaction’ into productive ‘response.’”

The message BCBC is sending this time around is less about wagging your finger at others, or giving the middle one to the Man, than it is about self-love and acceptance. As Cotterill puts it, “Love is a more powerful truth than anger.” That positivity fuels many of The Ride’s tracks: “Originators,” “Simple Girl,” “Community,” “I Choose,” “Perpetual Motion Machine,” and “The Mirage” exude confidence, gratitude, and compassion. In 2020, such things qualify as contrarian.

“These are political statements—self-love is a huge fucking statement,” affirms singer-guitarist Stacey Dee. “Self-love means putting a fix on the problems at home before trying to fix everything in the world. It’s asking people to find it in themselves to create the life that they really want to have so they’re not in turmoil, so they’re not in a place of stress and sickness.”

Dee speaks from experience. In 2018 she was hospitalised twice for different ailments, then discovered she had stage one breast cancer at the end of the year. Fortunately it was highly treatable, but the experience was life-altering. Dee captures it with brutal frankness on “Breastless,” whose bright melodies belie the struggle described in the lyrics.

“Certain Kind of Monster” and “Pursuit of Liberty”—both written and sung by bassist Linh Le—are blistering repudiations of the current administration’s treatment of immigrants.

The former is an imagined conversation with an ICE agent, and the latter juxtaposes her family’s immigration to the U.S. from Vietnam in 1975 to current events, something she’s never explored musically.

The perspective behind The Ride lends it an undeniable maturity, without losing its power. Recorded throughout much of 2018 and 2019 by Johnny Carey and Fat Mike of production team the D-Composers, the album boasts all of the elements of BCBC’s sound: big guitars, lock-step bass and drums (the latter by powerhouse drummer Myra Gallarza), intricate vocal harmonies, and plenty of attitude.

It’s just that this time, the attitude is encouraging, not raging. Nowhere is that more apparent than lilting album closer “Sing With Me.” Built around acoustic guitar, piano, and Cotterill’s voice, it’s an exhortation to “sing with me / or sing your own song / I don’t mind, just as long as you find / a voice.”

Dee adds, “If people are listening to our songs and they’re going to sing along to them, they’re going to start owning some of those words. And in owning some of those words that gives them some strength and power going forward. That’s really the biggest gift that I could give to anybody.”

“Stronger in every way” aptly describes Bad Cop / Bad Cop in 2020. The anger may have taken a back seat on The Ride, but what’s taken its place is even more powerful.

BAD COP / BAD COP – THE RIDE OUT NOW

Tracklist

1. Originators
2. Certain Kind of Monsters
3. Take My Call
4. Simple Girl
5. Breastless
6. Perpetual Motion Machine
7. Community
8. Pursuit of Liberty
9. The Mirage
10. I Choose
11. Chisme
12. Sing With Me

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June 22, 2020 0 comments
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DUBOSS teams up with Imanbek for debut single 'Voyage, Voyage', an ode to the glorious 80's hit
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DUBOSS teams up with Imanbek for debut single ‘Voyage, Voyage’, an ode to the glorious 80’s hit

by the partae June 20, 2020
written by the partae

Newcomer DUBOSS is a child of the 80’s who is making the feel-good music you need right now. Recently signed to Sony Music, DUBOSS’ fresh, positive and uplifting debut single ‘Voyage, Voyage’ arrives at the perfect time!

Since lockdown started all across Asia in early February, DUBOSS had the vision to produce a song related to one of his passions: travelling. He teamed up with Imanbek to finish his debut single ‘Voyage, Voyage’, a glorious edit of the 80’s hit by Desireless which invites everyone to go on a musical journey despite being at home. “Old good major hits are exactly what gives inspiration to any artist in any period of history”, says Imanbek.

As DUBOSS says himself: “I produced this revival as a tribute to the original song which brings hope and celebrates the freedom to travel. It takes me back to listening to it with my parents when I was a kid and has very positive memories. I hope it can transmit the same type of emotions to people around the world.”

The track channels the sounds of dramatic European pop in its glorious vocal and trance synths, before slamming into a bouncing slap house groove with jaunty melodies creating a playful feel. It’s exactly the sort of joyful music you can expect to hear coming out of the studio of DUBOSS and dominating dancefloors over the next few years.

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June 20, 2020 0 comments
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Calvin Logue debuts on Heldeep Records  with the fierce techno of ‘Resonance EP’ Out now via Heldeep Records Scottish producer Calvin Logue has already been championed by the likes of Carl Cox, Pete Tong, Adam Beyer and Nicole Moudaber thanks to his stellar tracks on the likes of Spinnin’ Deep. Now he arrives for his debut outing on Heldeep Records with two absolute juggernauts. Whirring synths give a dizzying feel to ‘Resonance’ as a muted arpeggio plucks a melody subtly and splashy percussion drives the track forward. The synth comes into focus, with clever use of LFO to give it a wobbling, unstable, intense feel. The chord progression is held in greater focus in the breakdown as the sustained notes of the lead line build the tension. As the drop hits, in cuts a sprightly 8-bit style lead riff that adds more colour to the proceedings while heavily reverbered claps and FX heighten the atmospheric feel. Another huge track that takes its time and rewards patient listeners (and dancers). Thundering acidic techno is the order of the day on ‘Control’. A juddering bass arpeggio and thudding kicks provide the foundations for the track as haunting FX pan across the stereo field. Dramatic percussive hits cut through the darkness as the cymbal rides and off-beat claps pick up the rhythmic energy and all the while a menacing acid line rises into focus. A hazy female vocal snippet and a teasing snare build gather more tension. The sinister breakdown lays on more dark 303-style tones and intensifies the already menacing feel. It’s a masterclass in maximal minimalism, with an uncluttered arrangement creating a huge feel.   ‘Resonance EP’ is out now on Heldeep Records! About Heldeep Records: International superstar Oliver Heldens founded Heldeep Records to create a platform to showcase the new music of budding producers after receiving 1000s of demos. Since 2014, Heldeep Records has grown from a modest imprint into a fully-fledged label, featuring respected mainstay acts like ALOK, Chocolate Puma, & Dada Life as well as hosting stages at leading festivals across the globe like Tomorrowland, Mysteryland, Electric Forest, Spring Awakening Music Festival and South West Four. Heldeep artists are showcased weekly on Heldeep Radio, which is syndicated across 91 stations, in 66 countries and reaches 118 million people a week. CONNECT W/ CALVIN LOGUE Instagram Facebook Twitter SoundCloud Spotify CONNECT W/ HELDEEP RECORDS Facebook Instagram Twitter Spotify SoundCloud Website
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Calvin Logue debuts on Heldeep Records with the fierce techno of ‘Resonance EP’ Out now via Heldeep Records

by the partae June 20, 2020
written by the partae

Calvin Logue debuts on Heldeep Records 

with the fierce techno of ‘Resonance EP’

Out now via Heldeep Records

Scottish producer Calvin Logue has already been championed by the likes of Carl Cox, Pete Tong, Adam Beyer and Nicole Moudaber thanks to his stellar tracks on the likes of Spinnin’ Deep. Now he arrives for his debut outing on Heldeep Records with two absolute juggernauts.

Whirring synths give a dizzying feel to ‘Resonance’ as a muted arpeggio plucks a melody subtly and splashy percussion drives the track forward. The synth comes into focus, with clever use of LFO to give it a wobbling, unstable, intense feel. The chord progression is held in greater focus in the breakdown as the sustained notes of the lead line build the tension. As the drop hits, in cuts a sprightly 8-bit style lead riff that adds more colour to the proceedings while heavily reverbered claps and FX heighten the atmospheric feel. Another huge track that takes its time and rewards patient listeners (and dancers).

Thundering acidic techno is the order of the day on ‘Control’. A juddering bass arpeggio and thudding kicks provide the foundations for the track as haunting FX pan across the stereo field. Dramatic percussive hits cut through the darkness as the cymbal rides and off-beat claps pick up the rhythmic energy and all the while a menacing acid line rises into focus. A hazy female vocal snippet and a teasing snare build gather more tension. The sinister breakdown lays on more dark 303-style tones and intensifies the already menacing feel. It’s a masterclass in maximal minimalism, with an uncluttered arrangement creating a huge feel.

‘Resonance EP’ is out now on Heldeep Records!

 

About Heldeep Records:

International superstar Oliver Heldens founded Heldeep Records to create a platform to showcase the new music of budding producers after receiving 1000s of demos. Since 2014, Heldeep Records has grown from a modest imprint into a fully-fledged label, featuring respected mainstay acts like ALOK, Chocolate Puma, & Dada Life as well as hosting stages at leading festivals across the globe like Tomorrowland, Mysteryland, Electric Forest, Spring Awakening Music Festival and South West Four. Heldeep artists are showcased weekly on Heldeep Radio, which is syndicated across 91 stations, in 66 countries and reaches 118 million people a week.

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June 20, 2020 0 comments
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Artist: Project 46 Title: Live Forever Label: Self-release Release date: June 19, 2020 Project 46 pay homage to Avicii on "Live Forever," which is their fourth single since returning from a 4-year hiatus this year. It delivers all the elements we grew to know and love from one of electronic music's most prolific names on iconic tracks like "I Could Be The One," "Fade Into Darkness" and "Crime" Project 46's collaboration with Avicii himself from 2013. Opening with organic guitar instrumentals, the Canadian duo eases into uplifting melodies that gradually evolve into a progressive build-up and drop. Combined with hopeful vocals that are characteristic of Avicii's music, "Live Forever" will evoke a wonderful nostalgia that brings back the golden age of progressive house. Canadian duo Ryan Henderson and Thomas Shaw, better known as Project 46, is known for their melodic, progressive sound that never fails to inspire and uplift listeners. They began Project 46 in 2011 and were active until 2016, with releases on Ultra Records, Monstercat, Armada, Mixmash, and collaborations such as "Last Chance" with Kaskade (which was featured on Kaskade's "Atmosphere" album), "Collide" with Laidback Luke, "Crime" with Avicii, "Daphne" with Paul Oakenfold, and "Home" with Feenixpawl, to name a few. 2020 marks the comeback of Project 46, and we are looking forward to more beautiful, vocal-driven dance tracks coming from the talented duo later this year! More info on Project 46: Facebook | Soundcloud | Twitter | Spotify
Music News

Project 46 Release New Track “Live Forever” in Honor of Avicii

by the partae June 20, 2020
written by the partae

Artist: Project 46
Title: Live Forever
Label: Self-release
Release date: June 19, 2020

Project 46 pay homage to Avicii on “Live Forever,” which is their fourth single since returning from a 4-year hiatus this year. It delivers all the elements we grew to know and love from one of electronic music’s most prolific names on iconic tracks like “I Could Be The One,” “Fade Into Darkness” and “Crime” Project 46‘s collaboration with Avicii himself from 2013. Opening with organic guitar instrumentals, the Canadian duo eases into uplifting melodies that gradually evolve into a progressive build-up and drop. Combined with hopeful vocals that are characteristic of Avicii‘s music, “Live Forever” will evoke a wonderful nostalgia that brings back the golden age of progressive house.

Canadian duo Ryan Henderson and Thomas Shaw, better known as Project 46, is known for their melodic, progressive sound that never fails to inspire and uplift listeners. They began Project 46 in 2011 and were active until 2016, with releases on Ultra Records, Monstercat, Armada, Mixmash, and collaborations such as “Last Chance” with Kaskade (which was featured on Kaskade‘s “Atmosphere” album), “Collide” with Laidback Luke, “Crime” with Avicii, “Daphne” with Paul Oakenfold, and “Home” with Feenixpawl, to name a few. 2020 marks the comeback of Project 46, and we are looking forward to more beautiful, vocal-driven dance tracks coming from the talented duo later this year!

Project 46 release new track "Live Forever" in honor of Avicii (out now) More info on Project 46:

Facebook | Soundcloud | Twitter | Spotify

 

June 20, 2020 0 comments
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Apollo Hill
Music InterviewsMusic News

Apollo Hill

by the partae June 19, 2020
written by the partae
Where are you currently based?
 
Los Angeles
 
How did you first start playing music?
 
When I was 5 or 6 my Dad made me pick up the violin but didn’t stick with it too long. Also played the saxophone for a bit when I was 10.  When I turned 11, I was given an acoustic guitar as a gift and after my cousin showed me a few chords, I became obsessed. It’s all I did. 
 
What’s been happening recently?
 
These past few weeks have honestly been a bit hectic. It’s hard not to be consumed, along with everyone else, with what’s going on with the police and the unjust killings of Black people in the U.S., along with this whole COVID-19 pandemic fiasco. There’s alotta frustration and dissatisfaction going around that I know for a fact everyone can feel. The last few years, leading up to this year I was very apathetic to the current way shit was going in the world. Although, I was aware, I wasn’t doing shit about it. As fucked up as it’s been for a lot of people, I feel like this year is a wake up call and seeing everyone mobilize for these protests gave me the confidence to actually take action. But the fact that most of us are realizing how fucked up this world is, and we’re all coming together to do something  about it so we can make shit better in our own ways, there’s beauty in that. Still, alotta work has to be done but there’s hope.
You’re releasing your debut EP ‘ VIVID WORLD XPRS PT. 1’ what influenced the sound and songwriting for this EP?
 
Struggling with relationships, dealing with anxiety, paranoia & depression, self-medicating, and overall dissatisfaction with the way shit is. 
How did you go about writing the music?
 
Melodies first. Whether it’s on guitar or keyboard. Then I add bass. I usually try to write the hook before I add the drums. 
 
Where and when did you record?
 
Fullerton, CA. Spanning from 2017-2019. 
What programs/instruments did you use?
 
Ableton. Guitar & keyboard. 
 
Did you work with anybody else?
 
Everything was self produced, written, recorded, and mixed. For “Poison” though, my friend helped me write the last line of the hook. 
 
Please tell us about the track ‘BLOOM’ how did this song come about and what does it mean to you?
 
Whenever I write these songs, I don’t really think about what I’m gonna write. It kinda just comes out, specifically talking about the lyrics.  I guess alotta the song deals with all the shenanigans me and my ex would get into. Just doing stupid, reckless shit, tom foolery. I just  wanted to write a catchy song people can go crazy to in a mosh pit and if the youth can go crazy to this shit, I know I did my job lol. 
How has your new music progressed since your previous tracks such as ‘ POISON’ and ‘WHEN THE SUN DON’T SHINE’?
 
I’ve been getting closer and closer to the sound I was tryna get at 16. I’ve always been very heavy into R&B and Rock and 
back then I was adamant about eventually blending the fuck outta the 2 to the point where you can’t tell what my shit sounds like. 
 
Please tell us about your musical journey up until this point:
It’s been awhile. Been recording music since I was 16 and it was at that point I knew music is what I’m meant to do while I’m here. I’ve had my share of great moments and shit moments with it  but this shit comes with alotta risk and uncertainty. No matter what happens with it, I can always rely on music whenever I’m going through some shit. 
 
What do you like to do away from music?
 
I’m boring as fuck honestly. If I’m not making music, I’m probably watching a dark ass movie, drinking beer and smoking cigs. 
 
Who are you listening to at the moment?
 
Alotta old R&B & rock. The Gap Band, SWV, Aaliyah, Bill Withers, Grover Washington Jr., Nirvana, Fall Out Boy, Taking Back Sunday, and Green Day. I don’t listen that much to new music, but Frank Ocean, The Internet, & XXXTENTACION (LLJ) are magical. 
 
What’s planned for 2020?
444 
 
Favourite food and place to hangout?
 

I’m gonna sound like a basic Californian female but: Tacos and the Beach. Fuck getting in the water though, but sticking my feet in the sand is next level.

https://www.instagram.com/apollohillworld/
June 19, 2020 0 comments
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Festival NewsMusic News

Tickets & Packages for Tomorrowland Around the World, the digital festival, are available as of today

by the partae June 19, 2020
written by the partae

Enjoy the spectacular two-day digital music festival experience together with friends of all ages and places 

Music fans across the globe can start planning their full day/weekend entertainment experience at Tomorrowland Around the World, the digital festival. After releasing its full line-up earlier this week and giving the People of Tomorrow a first exclusive sneak preview into the dazzling new Tomorrowland location it has been crafting over the past few months, tickets for the two-day digital music festival experience are now available as of today, 15:00 CEST via tomorrowland.com – welcoming everyone from all corners of the world, for one weekend only. Tomorrowland offers several options for tickets: a day ticket costs €12.50, while a weekend ticket costs €20.00 and includes a week of video-on-demand content to relive the entire experience. Special Home Party and People of Tomorrow Packages give friends of all ages and places the opportunity to make their experience even more special and enjoy this unique event together. Everyone from all over the world is able to buy a ticket, and the ticket sale will continue until the day of the start of the digital festival.

Tomorrowland Around the World will take place on Saturday July 25 and Sunday July 26 2020 between 16h00–01h00 CEST, bringing together more than 60 of the planet’s biggest names in electronic dance music on 8 different stages and the world’s best technology in 3D design, video production and special effects. Confirmed to be part of this astonishing digital festival are world-class artists Adam Beyer, Amelie Lens, Armin van Buuren, Charlotte de Witte, David Guetta, Dimitri Vegas & Like Mike, Kölsch, Lost Frequencies, Martin Garrix, Paul Kalkbrenner, Steve Aoki, Tale of Us, Tiësto, Timmy Trumpet and many more. Tickets to this magnificent new world are available as of today, 15:00 CEST via tomorrowland.com. A weekend ticket (€20.00) gives you access to Tomorrowland Around the World on both days, allowing people to fully immerse themselves in the unique experience. It also includes 1 access code to the Relive platform on tomorrowland.com, where fans can enjoy all the wonderful performances again for one week – available between July 27 and August 2. A day ticket (€12.50) gives you access on either Saturday or Sunday, access to the Relive platform is not included.

The People of Tomorrow are invited to experience and celebrate this unique event together with their music-loving friends. Tomorrowland offers groups of friends around the world a lot of different specially curated options to throw the ultimate party at home, including several really cool Home Party and People of Tomorrow Packages that will definitely bring home entertainment to the next level. The Home Party and People of Tomorrow Packages have been carefully put together, offering a bunch of special Tomorrowland gadgets such as the exclusive Tomorrowland Bracelet and event poster – Around the World edition, the limited-edition Tomorrowland x JBL Flip 5 Speaker, the official Tomorrowland flag, Tomorrowland LED cups and bottle openers, foam LED sticks, confetti poppers and the Tomorrowland card game. Each Home Party Package also includes 5 access codes to the Relive platform to keep the home party going by reliving all performances again for one week after the digital festival.

Dressing up with your best festival outfit, putting up tents in your back garden to create your own DreamVille, setting up a big screen, inviting your beloved ones for a nice barbecue with music and an amazing festival experience, decorating your balcony or throwing a party in your living room – Tomorrowland Around the World, the digital festival, is all about uniting through the power of music in a responsible and safe way. Tomorrowland hopes that hundreds of thousands of people will unite in a responsible way with small Tomorrowland gatherings at people’s homes – from Canada to Australia, from Japan to Brazil and everywhere in between. Especially during the weekend where normally Tomorrowland Belgium would take place, the People of Tomorrow truly have the power to unite the world.

Tomorrowland is using the world’s best technology in 3D design, video production, gaming and special effects to bring together 8 different stages with a stellar line-up of the most prominent artists in dance music, all of them premiering brand new music and video content to be discovered exclusively on tomorrowland.com over the course of the weekend.

Tomorrowland Around the World, the digital festival
•    Saturday July 25 and Sunday July 26, 2020.
•    Between 16h00–01h00 CEST.
•    ‘Time-zone-friendly’ for visitors from Asia and North and South America.
•    Open for people of all ages and places.
•    Accessible exclusively on tomorrowland.com.
•    Ticket sales start on Thursday June 18, 15:00 CEST via tomorrowland.com.
•    Everyone from all over the world is able to buy a ticket, and the ticket sale will continue until the day of the start of the digital festival.
•    Day ticket costs €12.50.
•    Weekend ticket costs €20.00 and includes a week of video-on-demand content to relive the entire experience.
•    Special People of Tomorrow packages and Home Party packages are available. More info can be found here.
•    Info and updates: tomorrowland.com
•    Please find Tomorrowland images here.
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June 19, 2020 1 comment
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There’s something exciting to remember about the different musical undulations Myd has followed over time. Because they all lead to the album he’s about to release. Of course, it all starts with Club Cheval, his original collective with whom he honed and then imposed his talents as a producer and forged his love of club music. If we stuck to the title of the track « Together We Stand », we would think that Myd has composed a simple declaration of love to the community, that of the party that is free and welcoming, or that of his audience, whom he has met these last months on tour and who were there on every date ready to spread with him the right energies. It’s a bit like that, but when you listen to the choirs better, when you pay attention to the deep voice that guides you and to the rhythms of the song, you feel that the community is also a circle, that holds you together little by little to convince you, without really having a choice, that together we are happy. Finally with « Together we stand » Myd produces a piece in several shades, which is at times nostalgic, but which is also the culmination of his search for a solar and luminous sound.
Music News

MYD DROPS NEW SINGLE AND VIDEO FOR “TOGETHER WE STAND”

by the partae June 19, 2020
written by the partae

There’s something exciting to remember about the different musical undulations Myd has followed over time. Because they all lead to the album he’s about to release. Of course, it all starts with Club Cheval, his original collective with whom he honed and then imposed his talents as a producer and forged his love of club music.

If we stuck to the title of the track « Together We Stand », we would think that Myd has composed a simple declaration of love to the community, that of the party that is free and welcoming, or that of his audience, whom he has met these last months on tour and who were there on every date ready to spread with him the right energies. It’s a bit like that, but when you listen to the choirs better, when you pay attention to the deep voice that guides you and to the rhythms of the song, you feel that the community is also a circle, that holds you together little by little to convince you, without really having a choice, that together we are happy.

Finally with « Together we stand » Myd produces a piece in several shades, which is at times nostalgic, but which is also the culmination of his search for a solar and luminous sound.

DON’T MISS THE LIVE SHOW

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June 19, 2020 0 comments
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