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Category:

Music News

Where are you currently based? I am based in Amsterdam & Apeldoorn in The Netherlands. In Amsterdam I love the city life and Apeldoorn is a much more quiet place. It is more like the countryside which is a great place for me to rest and to find inspiration. How has your COVID19 experience been so far? I’m lucky to be healthy and that the people around me are as well. Of course it’s been rough just like for everyone else.Ii get my energy from touring and playing shows, meeting new people and discovering new cultures, and from exploring different countries so to be at home for such a long time was boring. But it also made me realise how much I love my fans and how grateful I am for the life I am living. How did you first start playing music? I started drumming when I was 5 years old and I actually never stopped doing that. I started saving money for a DJ set when I was 12 and discovered FL Studio when I was 13. From that moment on I was hooked to producing music. I remember getting home from school and immediately start making music, even when a class got cancelled I went home to produce haha. What do you attribute to your success? I think it’s my out of the box thinking with producing and constant motivation to be the best at my craft. I try to just be myself and produce what I like to produce. That really helps me to stay motivated and inspired during my creative process. I don’t like to act like I’m somebody else so what you see is what you get. I love performing and producing and I think people like the ‘’realness’ when it comes to artists. Your latest track 'Nobody Knows' is out now, what influenced the sound and songwriting? I got the vocal from my label STMPD RCRDS and I was instantly hooked. I was driving home and immediately had the ideas for the production in my head. I started recording the ideas on my phone and when I got home I started working them out! It was a really nice creative journey because I always love to challenge myself. Feldz really delivered some amazing vocals and it's crazy but I never even met her! So we worked via email and the result is amazing! I’m very happy to have worked with her on this record! How did you go about writing Nobody Knows? See my previous answer. Where and when did you record/produce and who did you work with? I was at my home studio because all the studio complexes were closed due to COVID-19. Working at home can be amazing but also very different than going somewhere to work. You really need to motivate yourself to stay in your home studio so I’m lucky to be very hardworking, it keeps me going. What programs & instruments did you use? FL Studio, a lot of synths and a laptop:) Your track with Brooks 'Without You' rode in the Beatport charts for many weeks, how did you come to with with Brooks? We do a lot of sets together, and we had some amazing back 2 back sessions. Fans really loved it so we came up with the idea to build a special intro for Tomorrowland. When we made the intro and tested it live, the crowd’s reaction and the reactions we got online were amazing. I got messages every day saying ‘when does that track with Brooks come out!’ so we thought it would be even better to make it a collab. It took a few months and during ADE we finished it and tested the whole track live for the first time. How did this track come about? See my answer above. What or who influences your music? The answer is pretty simple: life around me. Everything that happens to me or things I see give me inspiration. I think my music is also my way of expressing myself! Who are you listening to at the moment? I love to just put my Spotify on shuffle and let everything come by haha! I’m listening a lot of Kanye West at the moment. He is one of my favorite artists of all time. What do you like to do away from music? Kickboxing, going to the gym, discovering restaurants and keep up with the latest fashion. Please tell us about your YouTube series, how it came about and what you aim to achieve: My main goal was to give my fans more insight into my life as a DJ/producer, but also my personal life. I like that I can use my Instagram to show only the best parts of my life but I felt like my fans needed some more ‘realness’. So that's when I thought making a YouTube series would be the perfect look inside my life. I want my fans to feel connected with me even though they are at home. Especially during these times it’s a good way to still connect with fans and show them that I’m just a normal guy that loves to make music, party and tour! What can we expect from your upcoming releases? I have a pretty big stack of tracks ready to be released. A lot of tracks with my signature ‘’Julian Jordan sound’, and also some crossover tracks, still with the signature but on which I try new things. There’s definitely a lot to be excited about! What's planned for the remainder of 2020? Hoping to be back on tour very soon haha! But I don’t like to just sit and wait so I’m busy with a lot of exciting concepts and projects to keep everyone entertained and keep myself busy! You will get to see a lot of that in the upcoming episodes of my series. Favourite food and place to hangout? For Italian food: Fiko Amsterdam, and for Japanese food: Momo Amsterdam.
Music InterviewsMusic News

Julian Jordan

by the partae July 13, 2020
written by the partae

Where are you currently based?

 

I am based in Amsterdam & Apeldoorn in The Netherlands. In Amsterdam I love the city life and Apeldoorn is a much more quiet place. It is more like the countryside which is a great place for me to rest and to find inspiration.

 

How has your COVID19 experience been so far?

 

I’m lucky to be healthy and that the people around me are as well. Of course it’s been rough just like for everyone else.Ii get my energy from touring and playing shows, meeting new people and discovering new cultures, and from exploring different countries so to be at home for such a long time was boring. But it also made me realise how much I love my fans and how grateful I am for the life I am living.

 

How did you first start playing music?

 

I started drumming when I was 5 years old and I actually never stopped doing that. I started saving money for a DJ set when I was 12 and discovered FL Studio when I was 13. From that moment on I was hooked to producing music. I remember getting home from school and immediately start making music, even when a class got cancelled I went home to produce haha.

 

What do you attribute to your success?

 

I think it’s my out of the box thinking with producing and constant motivation to be the best at my craft. I try to just be myself and produce what I like to produce. That really helps me to stay motivated and inspired during my creative process. I don’t like to act like I’m somebody else so what you see is what you get. I love performing and producing and I think people like the ‘’realness’ when it comes to artists.

 

Your latest track ‘Nobody Knows’ is out now, what influenced the sound and songwriting?

 

I got the vocal from my label STMPD RCRDS and I was instantly hooked. I was driving home and immediately had the ideas for the production in my head. I started recording the ideas on my phone and when I got home I started working them out!
It was a really nice creative journey because I always love to challenge myself. Feldz really delivered some amazing vocals and it’s crazy but I never even met her! So we worked via email and the result is amazing! I’m very happy to have worked with her on this record!

 

Where and when did you record/produce and who did you work with?

 

I was at my home studio because all the studio complexes were closed due to COVID-19. Working at home can be amazing but also very different than going somewhere to work. You really need to motivate yourself to stay in your home studio so I’m lucky to be very hardworking, it keeps me going.

 

What programs & instruments did you use?

 

FL Studio, a lot of synths and a laptop:)

 

Your track with Brooks ‘Without You’ rode in the Beatport charts for many weeks, how did you come to with with Brooks?

 

We do a lot of sets together, and we had some amazing back 2 back sessions. Fans really loved it so we came up with the idea to build a special intro for Tomorrowland. When we made the intro and tested it live, the crowd’s reaction and the reactions we got online were amazing. I got messages every day saying ‘when does that track with Brooks come out!’ so we thought it would be even better to make it a collab. It took a few months and during ADE we finished it and tested the whole track live for the first time.

 

What or who influences your music?
The answer is pretty simple: life around me. Everything that happens to me or things I see give me inspiration. I think my music is also my way of expressing myself!

 

Who are you listening to at the moment?

 

I love to just put my Spotify on shuffle and let everything come by haha!
I’m listening a lot of Kanye West at the moment. He is one of my favorite artists of all time.

 

What do you like to do away from music?

 

Kickboxing, going to the gym, discovering restaurants and keep up with the latest fashion.

 

Please tell us about your YouTube series, how it came about and what you aim to achieve:

 

My main goal was to give my fans more insight into my life as a DJ/producer, but also my personal life. I like that I can use my Instagram to show only the best parts of my life but I felt like my fans needed some more ‘realness’.   So that’s when I thought making a YouTube series would be the perfect look inside my life. I want my fans to feel connected with me even though they are at home. Especially during these times it’s a good way to still connect with fans and show them that I’m just a normal guy that loves to make music, party and tour!

 

What can we expect from your upcoming releases?

 

I have a pretty big stack of tracks ready to be released. A lot of tracks with my signature ‘’Julian Jordan sound’, and also some crossover tracks, still with the signature but on which I try new things. There’s definitely a lot to be excited about!

 

What’s planned for the remainder of 2020?

 

Hoping to be back on tour very soon haha! But I don’t like to just sit and wait so I’m busy with a lot of exciting concepts and projects to keep everyone entertained and keep myself busy! You will get to see a lot of that in the upcoming episodes of my series.

 

Favourite food and place to hangout?

 

For Italian food: Fiko Amsterdam, and for Japanese food: Momo Amsterdam.

https://www.facebook.com/itsjulianjordan

https://www.instagram.com/itsjulianjordan/

https://twitter.com/julianjordan/

https://soundcloud.com/julianjordan/

https://open.spotify.com/artist/2vUCVkeZjzDcaoX4gagHdV

https://www.julianjordan.com/youtube.com/channel/UCZyINKAa5O4FH15Zbw3L32w
July 13, 2020 0 comments
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“PLAY DEAD know how to utilise the ‘less is more’ ethic in their song writing perfectly" When The Horn Blows  “A mighty lashing of punk” Charlie Ashcroft (Amazing Radio)  “We love an act that knows how to make an entrance and that’s exactly what South London outfit, PLAY DEAD, have done.” CLOUT  Shaun is the second single from south London garage punk trio, PLAY DEAD. Following their debut, Whitstable, which received wide praise from the likes of When The Horn Blows, Clunk Magazine, Left Bank Magazine and Joyzine, Shaun shows the grittier side of PD while maintaining their idiosyncratic tongue-in-cheek.  It’s a story about Ollie's nan's boyfriend, a gentle giant with a short fuse who got arrested for punching a man off his bike in Brixton. He enjoys pies, pints and Coldplay.  About Born out of bedroom boredom, PLAY DEAD are three teenagers from Herne Hill with sharp tongues and an appetite for noise.  Influences The Chats, Slaves, IDLES, The Streets, Shame, Sleaford Mods  Members Joe Blair – Guitar + vocals Ollie Clarke – Bass + backing vocals Louis Englefield – Drums 
Music News

PLAY DEAD SINGLE ‘SHAUN’

by the partae July 13, 2020
written by the partae

“PLAY DEAD know how to utilise the ‘less is more’ ethic in their song writing perfectly” When The Horn Blows 

“A mighty lashing of punk” Charlie Ashcroft (Amazing Radio) 

“We love an act that knows how to make an entrance and that’s exactly what South London outfit, PLAY DEAD, have done.” CLOUT 

Shaun is the second single from south London garage punk trio, PLAY DEAD. Following their debut, Whitstable, which received wide praise from the likes of When The Horn Blows, Clunk Magazine, Left Bank Magazine and Joyzine, Shaun shows the grittier side of PD while maintaining their idiosyncratic tongue-in-cheek. 

It’s a story about Ollie’s nan’s boyfriend, a gentle giant with a short fuse who got arrested for punching a man off his bike in Brixton. He enjoys pies, pints and Coldplay. 

About Born out of bedroom boredom, PLAY DEAD are three teenagers from Herne Hill with sharp tongues and an appetite for noise. 

Influences The Chats, Slaves, IDLES, The Streets, Shame, Sleaford Mods 

Members Joe Blair – Guitar + vocals Ollie Clarke – Bass + backing vocals Louis Englefield – Drums 

July 13, 2020 0 comments
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Henry Green
Music InterviewsMusic News

Henry Green

by the partae July 13, 2020
written by the partae

Where are you currently based?

I’m based in a small, sleepy town in the countryside, about half an hour outside of Bristol, England.

How did you first start playing music?

Like a lot of children, I asked for a guitar for Christmas one year and that was my first introduction to music. I had lessons for a couple of years, but my interest was always in discovering the instrument myself, working out how I wanted to play it and that carried through to other instruments, and eventually production.

What’s been happening recently?

I finished the new record early this year, and now I’m taking this time to experiment with ideas for the next record. I rarely have these sustained periods of flow, my inspiration generally comes in short bursts, so I’m just enjoying this moment and trying to understand what the next record will be.

Your new album ‘Half Light’ is out now, what influenced the sound and songwriting?

The main influence was a struggle to express. I never intended for this record to be so intimate, but the sound of Half Light reflects the process.

How did you go about writing the album?

The process was kind of fragmented. Off the back of the last record, I jumped in to a few different projects and didn’t really focus on album two for a while. I’d be working on very loose ideas, sketches that I thought had potential.. but rarely structured, never taking on a solid form. We moved out of the city mid 2019, and I knew that I’d have to dive properly in to the process as soon as we moved in. But I just hit a wall, self doubt started to creep in and I didn’t believe that I was capable of making a record. It was only September time that I made a breakthrough.. I wrote the opening track ‘All’, and the rest followed in four or five months.

Please tell us about your mindset before, during and after the release and how this contributed to the album and how and what affected you:

It certainly feels strange now it’s released. It’s such a personal record, I really wrestled with these tracks and it’s difficult to see them in any other light than the one they were conceived in. I’m so pleased that these songs are connecting with people, that they can take on a whole new meaning to others.

Where and when did you record/produce and who with?

I produced the whole record in my loft. In hindsight, I wish the process had been a little more collaborative. I love working at my own speed, and I enjoy having that flexibility and control, but I really missed that connection with others. The brightest moments were with other creatives.. Andreya came over for a couple of sessions, my friend Jade came to record saxophone. I also worked remotely with Ghostly Kisses, Melis and Niamh Fahy (strings).

What programs/instruments did you use?

I work in Logic Pro, but I try to work outside of the box as much as possible. I’m always trying to find a balance between electronics and acoustic elements. I used a lot of acoustic guitar on Half Light, but not as a writing tool or a human element to anchor each track down, but more as a texture. I’d resample or manipulate a lot of takes, almost forming parts out of smaller fragments as opposed to writing them on the guitar itself. Most of the synth sounds on the record are from my Prophet, or Moog. Alongside that, most of the percussion on the record is formed out of found sound, field recordings etc.

What did you find most challenging and rewarding during the creation of the album?

The reward definitely came in those moments of quick release. After prolonged periods of little movement, having those days where the ideas would flood were special. The challenging part was not being able to express myself or manifest those ideas more regularly. I’d spend days trying to force ideas and would end up feeling so much worse because of it.

What do you like to do away from music?

I really enjoying cooking! It’s always been another passion of mine. I can see a lot of similarities between the two.

Who are you listening to at the moment?

I’ve been listening to my label mates Zola Blood’s recent EP, and my friend Liam Mour’s new EP. Both are ace. Also, two of my best mates have started releasing under the name Aforest. They’ve been holding on to these brilliant songs for a long time, so it’s great to see them finally released and being well received.

What’s planned for the remainder of 2020?

A lot of plans are on hold, due to the pandemic, so I’m focusing on new music for the rest of the year. I’m so fortunate to have my studio space at home, I love having a space that’s always accessible. I’m taking it slow at the moment, not forcing anything but thankfully, the ideas are flowing naturally. So I’m just trying to enjoy that, enjoy the process.

Favourite food and place to hangout?

Favourite sweet food.. Almond Croissants. Favourite savoury food.. I love Nasi Goreng, or a Thai Curry. Or a burger.. I love burgers.

And favourite place to hang out.. not particularly adventurous but I just love walking my dog around the fields around where we live.

Buy/stream: https://orcd.co/halflight

July 13, 2020 0 comments
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https://www.facebook.com/MARVELL.OFFICIAL/
Music InterviewsMusic News

Marvell

by the partae July 13, 2020
written by the partae

What is your name and role within Marvell?

Tom Marvell, lead singer.

Where are you currently based and what is the music scene like there?

We are based on the Northern Beaches, Sydney. The music scene here is a weird one, we have so many great bands getting around and not enough great venues.. Moonshine Bar in Manly was the probably the venue of choice for bands up and coming, but since the renovation has since lost that reputation! Mona Vale Pub aka “The Parkhouse” has seen the opportunity and stepped up live music and is now the best place to see bands weekly, obviously pre-COVID, we have had crowds upwards of 500 people there. Would love to see more venues make it a weekly thing to have local and traveling bands play and let the talent around to have a platform to show off.

How did you first start playing music?

Mum and dad always had a musical talent, Max (my brother and co-lead singer) and I grew up with mum singing and dad playing guitar. That lead to us learning various instruments, and eventually both learning guitar; Max was always the singer and happy to put on a show for the family but for myself,, I never really started singing until I was 17 and even then was too shy to sing infront of anyone. Since then, singing to an audience has become my favourite thing to do! The only time I ever get nervous to sing is if there is no one in the crowd, you could put us In front of 50,000 people tomorrow and we would thrive!

How did Marvell form?

Before we had a band, Max and myself decided to give the music thing a go and started writing music, which led to us getting into the studio and recording our first EP in Melbourne. After it was finished, our producer Jan and his manager Michael Parisi said to us, “The next thing you need to do is get yourself a shithot band,” so we started recruiting as soon as we got home. I had been telling our guitarist Jesse that we were starting a band for years, so he was the first call we made. He was in straight away! Followed by our OG drummer and life long friend BJ who was also keen, we then tried a few bass guitarists and ended up meeting a young Harry Frank, who settled in nicely and that gave us the full line up. Since then, we have had a few line up changes with, Theo Henry taking over on the drums and Dylan Frost on bass guitar.

Your new single ’19 Homes’ is out now, what influenced the sound and songwriting for this track?

The sound of that track really just came from that Kings of Leon style riff at the start that transformed from acoustic guitars to an almost bluesy rock anthem. It was written almost entirely by Max when we were looking for a house to rent at the time and must have been turned down by about 20 real estate agents. The pure frustration turned into “19 homes in 90 days”…we later got a great house and an even better song, so in the end it all worked out.

How did you go about 19 Homes? Where and when did you record and who with?

We recorded the song in Melbourne with producer Jan Skubiszewski at his live-in style farmhouse studio, Red Moon Studios.

It’s honestly one of my favourite places in the world, an absolute please to write and record music there.

How did you approach the recording process?

We were without a bass guitarist, and had only had our new drummer Theo onboard for about three weeks, so Jan (producer) became our bass guitarist. We basically spent the first two days just playing through songs, re-writing parts and getting our drummer and jan up to speed on the material. It was so much fun and it all came together rather smoothly, so after that we were popping out a new finished track every two days.

What equipment/programs did you use?

Jan has his studio beautifuly set up with an insane collection of acoustic and electric guitars, boxes of pedals, Hammond organs, crazy percussion instruments, multiple guitar amps and an amazing ear for setting up room mics all through the barn turned studio! As for the programs, that’s just numbers and letters to me!

What did you find most challenging and rewarding during the creation of 19 Homes?

Well Jesse our lead guitarist ended up shooting himself in the hand with an arrow from a bow that I had brought down to the studio for down time activities; we hadn’t even recorded a full song and thought he was going to be off the guitar for months. After a long night in the hospital and getting surgery on the hand, the arrow had missed all bones, tendons and nerves and walked in and finished the record like a fucken boss!

Who are you listening to at moment?

I’ve got a strange array of music going at the moment, I’ve fell in love with a few of THE VANNS’ new tracks, but also have had other bands/artists playing loudly at work like Brad Cox, Counting Crows, CCR, even James Blunt.Then all the standards on the radio…

What do you like to do away from music?

I’m a carpenter by trade, so that tends to keep me pretty busy but if I’m not working or at the local pub, I’m always keen on a good snob lunch, watching the footy, heading down to the snow, or curling up and sleeping on the couch.

What’s planned for the remainder of 2020?

We have a few things in planning for the remainder of this crazy year including a long awaited tour, but it’s just too hard to be sure of anything for this year anymore

Favourite food and place to hangout?

I love my food and I love my snob lunches! Two favourite places to eat on the Northern Beaches at the moment would be BERTS in Newport, all the seafood there is insane, especially the anchovies and oysters !!

And SAKÉ in Manly, the toothfish and prawn dumplings are crazy delicious and the cocktails are crazy good, just be ready to empty the wallet !

 

https://www.facebook.com/MARVELL.OFFICIAL/

July 13, 2020 0 comments
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TRIPLE ONE SHARE NEW SINGLE 'LOVEROSE' THE FIRST FROM THEIR DEBUT ALBUM
Music News

TRIPLE ONE SHARE NEW SINGLE ‘LOVEROSE’ THE FIRST FROM THEIR DEBUT ALBUM

by the partae July 12, 2020
written by the partae

PRAISE FOR TRIPLE ONE

“The next-gen of voices in Aussie hip-hop who aren’t afraid to broaden the definition of the scene they run in”
GQ Australia

“Triple One have been redefining the sound of Australian hip-hop”
Redbull Music

“They have this Brockhampton-style energy in the sense of free will and creativity”
Zane Lowe (Beats Radio 1)

“A versatile and creative force you can’t take your eyes off”
Life Without Andy

“Unexpected – and groundbreaking”
Pilerats

Butter
ARIA Gold

Sydney supergroup Triple One today share ‘Loverose’, the first single from their highly-anticipated debut album. Watch HERE and listen HERE.

After years of dominating the Australian hip-hop scene, Triple One has finally given fans a glimpse of their first full-length release. That comes in the form of ‘Loverose‘, a reflective yet triumphant single that blends their preference for overcast melodies, venomous bars, and bombastic production. The song features pensive lyrics about sacrifice, the tentative nature of success, and what it means to achieve something in both their personal and professional lives; tying these real-life experiences with other-worldly space metaphors.

The atmospheric video was directed by Tyson Perkins and Marty Bugatti, and reflects the themes of ‘Loverose‘ through a series of alien landscapes, resulting in a cinematic experience housed in an eerie, post-apocalyptic planet. Vocalist Marty Bugatti shares that “Loverose is a song about the flawed nature of intimate love. Humans are an imperfect creation and also mortal. This makes love a lot harder, but also a lot more beautiful.” Producer Billy Gunns describes the track as about “being close to something that you’ve been wanting your whole life,” addressing Triple One’s undeniable ascension throughout the past few years.

Triple One’s debut album is slated for release in the near future. The release of ‘Loverose’ follows three EPs and a torrent of standalone singles that have catapulted the foursome from underground buzz act to garnering national and international acclaim, including their ARIA Gold-certified mental health anthem ‘Butter‘ and radio favourites ‘So Easy‘ and ‘Handyman‘. Triple One’s notoriously chaotic live gigs include a sold-out national tour in 2019, and show-stealing sets at Listen Out, Hidden, and Falls Festival. Along the way, they’ve impressed and surprised with their insatiable, all-consuming appetite to continuously venture into uncharted artistic terrain, and a rebellious desire to constantly fold new sounds and textures into their brand of unbounded, unclassifiable hip-hop.

‘Loverose‘ by Triple One is out now, buy/stream it here.

Stay connected with Triple One:
Website | Facebook | Twitter | Instagram | Youtube

July 12, 2020 0 comments
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Soulful UK-based singer songwriter Alex Lleo releases introspective and melodic new single ‘4:05’
Music News

Soulful UK-based singer songwriter Alex Lleo releases introspective and melodic new single ‘4:05’

by the partae July 12, 2020
written by the partae

UK artist Alex Lleo has been creating lush, soulful melodic music since childhood, touring and performing as a teen throughout the UK and Europe at the turn of the decade, then breaking onto the scene with two back-to-back releases in 2018. Three-track EPs Park Studios, JQ and Emanate each caught the attention of fans and industry alike with their raw honesty and contagious mellow vibes, garnering Alex Lleo an international, dedicated fan base. Now the rising artist is thrilled to reveal his first new material in two years, with his stunning new single ‘4:05’ out Friday 10 July via AWAL.

Grounded in acceptance and undulating with reciprocal gratitude for both himself and others, Lleo recalls a moment of introspective clarity on ‘4:05’. Wrapped up in exquisite vocals, a soft tinkering of keys and warm guitar melodies that stick with you long after the final strum, ‘4:05’ is an emotive number as familiar as a home, yet fresh like a long-awaited summer holiday. Recorded in New York City with Alex Lleo’s full six-piece band and produced by Sahil Ansari, ‘4:05’ is a stunning display of Lleo’s uncanny ability to somehow stop you in your tracks and propel you forward in the same breath.

STREAM ALEX LLEO ‘4:05’ ON BANDCAMP
STREAM ALEX LLEO ‘4:05’ SPOTIFY / APPLE MUSIC

“‘4:05’ seemed a unanimous choice to start us off. I think everyone just instinctively knew how this one needed to be, ‘cruisey’. It also felt pretty fitting from a personal point for me. The idea for this one came during a moment of weird uncertainty about not only my music, but some relationships that had suffered thanks to some poor decision making. This idea of ‘go out for yourself for once’ was set as a sort of reminder to anyone that often puts others before themselves, to take time out and recharge. It was my attempt at trying to acknowledge and thank those people in my life, whilst simultaneously prompting the value of independence for everyone!” – Alex Lleo

Growing up in the small town of Lickey Hills in Worcestershire, England, Alex Lleo has always found inspiration in nature, constantly referencing it in his work and seeking it out in his travels, touring extensively throughout the UK, Europe, and most recently the U.S which lead to recording a bulk of new material in New York. Cutting his teeth with a formative residency in the alps of Norway, Alex Lleo’s seasoned musicianship has since seen him support the likes of Leif Vollebekk and Matt Corby, plus headline his own shows in Scotland, and back home at London’s famous St Pancras Old Church.

‘4:05’ is out Friday 10 July via AWAL
Spotify / iTunes / Apple Music
Bandcamp

‘4:05’ Credits
Alex Lleo – Composer, Vocals, Acoustic Guitar
Quinn Devlin – Fender Rhodes, Piano, Juno 60, Rainstick
Zach Calluori – Electric Guitar
Andy Shimm – Electric Bass
Jordan Wolff – Drums
Eli Aleinikoff – Tenor Sax, Soprano Sax
Sarah Cicero – Vocals
Sahil Ansari – Producer, Mixer, Engineer, Shakers, Tambourine, Maraca
Mastered by Christian Wright, Abbey Road

Alex Lleo Website
Alex Lleo Website
Alex Lleo Facebook
Alex Lleo Facebook
Alex Lleo Instagram
Alex Lleo Instagram
July 12, 2020 0 comments
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AUSTRALIAN RAP DUO, PISTOL PETE & ENZO, RETURN STRONGER THAN EVER WITH NEW SINGLE ‘THE TOP’
Music News

AUSTRALIAN RAP DUO, PISTOL PETE & ENZO, RETURN STRONGER THAN EVER WITH NEW SINGLE ‘THE TOP’

by the partae July 12, 2020
written by the partae

Biordi Music is proud to present Pistol Pete & Enzo’s first new release under their label ‘The Top’. The new single, which goes by the same title – ‘The Top’ – is out now and is the beginning of a new journey for the Australian rap duo, who have returned harder and stronger than ever.

Pistol Pete & Enzo are well known within the industry for their raw and lyrical bars and ‘The Top’ remains true to their style while also showcasing a more diversified version of themselves. Through the new single it is evident that one of their greatest strengths in the Rap Game is the use of word play. From one-liner puns such as “Put ‘em on the board cause they’re never gonna notice (know this)” to references from renown Disney movies, “if they’re lying (lion) about the king then they can get scarred,” the duo have no trouble piecing together sophisticated and unique lyrics. ‘The Top’ delivers a strong message of resilience and perseverance, an insight to their life and come-up as they make a significant return to the scene.

Pistol Pete & Enzo say, “’The Top’ is a track that showcases our versatilities in the current Australian rap game. Being in this game for some time now we’ve copped lot of love but also a lot of hate. In this track we are stating that ‘The Top’ is where we are heading regardless. This track is uplifting and has a feel-good vibe, but at the same time we stay true to our ways and we still talk our talk. ‘The Top’ is just the start of our new journey and in due time we will be there!”

 

‘The Top’ is released through Biordi Music, written by Pistol Pete & Enzo and produced by RELYT.

July 12, 2020 0 comments
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Multidisciplinary Geelong-based folk artist Momoko Rose announces single release for introspective art piece, 'Humans Weep', a product of the $10,000 Emerging Artist Grant awarded to the Rose in 2019 for Queenscliff Music Festival. An artist unafraid to explore wounded subjects and raw emotions, Rose navigates current family trauma and the uneasy revelations that are uncovered from past estranged maternal circumstances. Through assessment and acceptance of her childhood and unfortunate household breakdown resulting in financial hardship, Rose birthed 'Humans Weeps', a web of misery built by social constructs and existential conflict.    "'Humans Weep' is written from the perspective of being overwhelmed with life to the point of apathy. The simple opening lyric "Duller than a bad dream, not even tragic like a movie scene" sums up how sometimes life can deal you a bad hand that you can't even extract any drama or poetry from, it just leaves you raw," Rose explains.   "I wrote this song in what was the aftermath of an extremely overwhelming family conflict, which caused a complete paradigm shift in my outlook on life. It was a surreal feeling because even though I had clarity and felt better than I had about myself since I was born, I also truly thought that I could not feel or lose any more than I already had at the time. It's pretty devastating for anyone to realise that while their childhood obviously had issues (which is normal) it was still not as great as we thought or would have liked it to be. These realisations and sense of loss from everything happening left me breaking down into tears most days, then every week and then every so often until I could regain a sense of stability. If not for my partner and close friends, I don't know if I would have made it through this trying time. Braving this has given me a newfound confidence and I now accept what has happened to me without regretting the decisions I have made along the way.  While 'Humans Weep' may not specifically be about these events, it was definitely birthed from them and their context which marks a pivotal point in my life." Written in 2018 and recorded late last year in the home studio of Isaac Barter (Didirri, BATTS) with her permanent band, Rose explores a new sonicscape, aesthetically trying to capture dawn/dusk as a landscape through sound with warm mellow guitars contrasting cold violins, still cricket sound grabs and intimate melodies. "Sonically, this was a pretty new direction for me. From the beginning, I wanted to convey a sense of monotony in the song due to its themes of apathy towards life. I tried to do this by only moving between two (sometimes three) chords for the majority of the song through the verses and with these specific chords the only change between them is one note moving by a semitone," Rose says.  "This was a purposeful choice which was honestly pretty restraining for me as I normally try to embellish songs with chord/key/rhythm changes, so to keep it interesting was a challenge. However, this lets the lyrics shine through which I believe are the strongest part of the song. Overall, the sonic vision for this song is an audible departure from the acoustic nature and intensity on my debut EP." Humans Weep will be available for streaming on all major platforms and will likely be on an upcoming EP titled "Anticlimactic Girl" set for release in 2021
Music News

Momoko Rose Announces New Single ‘Humans Weep’

by the partae July 12, 2020
written by the partae
Multidisciplinary Geelong-based folk artist Momoko Rose announces single release for introspective art piece, ‘Humans Weep’, a product of the $10,000 Emerging Artist Grant awarded to the Rose in 2019 for Queenscliff Music Festival.An artist unafraid to explore wounded subjects and raw emotions, Rose navigates current family trauma and the uneasy revelations that are uncovered from past estranged maternal circumstances. Through assessment and acceptance of her childhood and unfortunate household breakdown resulting in financial hardship, Rose birthed ‘Humans Weeps’, a web of misery built by social constructs and existential conflict.

“‘Humans Weep’ is written from the perspective of being overwhelmed with life to the point of apathy. The simple opening lyric “Duller than a bad dream, not even tragic like a movie scene” sums up how sometimes life can deal you a bad hand that you can’t even extract any drama or poetry from, it just leaves you raw,” Rose explains.

“I wrote this song in what was the aftermath of an extremely overwhelming family conflict, which caused a complete paradigm shift in my outlook on life. It was a surreal feeling because even though I had clarity and felt better than I had about myself since I was born, I also truly thought that I could not feel or lose any more than I already had at the time. It’s pretty devastating for anyone to realise that while their childhood obviously had issues (which is normal) it was still not as great as we thought or would have liked it to be. These realisations and sense of loss from everything happening left me breaking down into tears most days, then every week and then every so often until I could regain a sense of stability. If not for my partner and close friends, I don’t know if I would have made it through this trying time. Braving this has given me a newfound confidence and I now accept what has happened to me without regretting the decisions I have made along the way.  While ‘Humans Weep’ may not specifically be about these events, it was definitely birthed from them and their context which marks a pivotal point in my life.”

Written in 2018 and recorded late last year in the home studio of Isaac Barter (Didirri, BATTS) with her permanent band, Rose explores a new sonicscape, aesthetically trying to capture dawn/dusk as a landscape through sound with warm mellow guitars contrasting cold violins, still cricket sound grabs and intimate melodies.

“Sonically, this was a pretty new direction for me. From the beginning, I wanted to convey a sense of monotony in the song due to its themes of apathy towards life. I tried to do this by only moving between two (sometimes three) chords for the majority of the song through the verses and with these specific chords the only change between them is one note moving by a semitone,” Rose says.

“This was a purposeful choice which was honestly pretty restraining for me as I normally try to embellish songs with chord/key/rhythm changes, so to keep it interesting was a challenge. However, this lets the lyrics shine through which I believe are the strongest part of the song. Overall, the sonic vision for this song is an audible departure from the acoustic nature and intensity on my debut EP.”

Humans Weep will be available for streaming on all major platforms and will likely be on an upcoming EP titled “Anticlimactic Girl” set for release in 2021

 

July 12, 2020 0 comments
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Adelaide's JOSH KROEHN makes his mark with the revealing new single, 'NEVER FOUND'
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Adelaide’s JOSH KROEHN makes his mark with the revealing new single, ‘NEVER FOUND’

by the partae July 12, 2020
written by the partae

Adelaide indie songwriter Josh Kroehn is marking his first release for 2020 in the striking ‘Never Found’. Letting his natural tone and lyrics take prominence, the acoustic driven song is an evocative release from the young artist, who is continuing to define his creative identity on record.

With influences ranging from Ben Howard to City and Colour and Bon Iver, it is clear that Josh Kroehn holds particular focus when it comes to articulating his songwriting in an especially emotional way. Previous releases have praised Kroehn for his musicality as a guitarist and depth as a songwriter, while ‘Never Found’ is showing maturity in his output.

Recorded at Island Studios in Adelaide, ‘Never Found’ came together at the end of last year, documenting personal change and realisation. Releasing this music in a period of lockdown and forced self-reflection, Kroehn acknowledges the significance of the song to him now. “I’ve found that the more I stay true to myself, the less involved I feel in certain relationships and friendships. I feel like in the past, I’ve tried becoming something I’m not in order to keep people happy, which I don’t want to do anymore as it took its toll on my own happiness.” Josh Kroehn

‘Never Found’ is one of the songs that Kroehn has incorporated into what will become his debut album, which is starting to take its final form. Until then, Kroehn is using this opportunity to introduce himself to more listeners and preparing for post lockdown music and touring opportunities. Along with the release of his new single, a music video for ‘Never Found’ accompanies. “The music video was directed, filmed and edited by myself. It tries to tell the story of how times have changed and I am a different person now, who perhaps was never a different person at all, but rather was led by a desire for acceptance.” Josh Kroehn

PRAISE FOR JOSH KROEHN

“His artistry is truly one of a kind and you can’t find another Josh Kroehn anywhere else”
Buzz Music

“The Adelaide based musician crafts rich, textured rock tunes that stretch out far beyond any particular genre…”
Happy Mag

“A modern exposition of confessional rock.”
AMNplify

‘Never Found’ is out now.
Website | Facebook | YouTube | Triple J Unearthed | Instagram

July 12, 2020 0 comments
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Sydney indie rock group MARVELL return with new single, '19 HOMES'
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Sydney indie rock group Marvell return with new single, ‘19 Homes’

by the partae July 11, 2020
written by the partae

Diving straight into the strong and driving rock influences, Sydney’s Marvell are back with another bright single for 2020 in ‘19 Homes’. The track comes at a turning point for the group, as they anticipate a brand new chapter for the band looking ahead at new music.

 For fans of bands including Kings of Leon, Foo Fighters or Boy and Bear, Marvell have distilled a charming, rogue-ish energy into the new single, making ‘19 Homes’ an immensely fun track to sink one’s teeth into. A familiar sound for those schooled up on the five-piece’s raucous style, ‘19 Homes’ is also a perfect introduction for any newcomers to the Marvell fold.

Recorded with award-winning producer and composer Jan Skubiszewski (John Butler, Dan Sultan) out at Red Moon Studios in the Macedon Ranges, ‘19 Homes’ is a result of sessions spent refining and continuing to define the sonic identity of the band. Off the back of March’s ‘Brainwash’ release, and with more music still in the wings, ‘19 Homes’ provides a great snapshot of where the band is now.

Pouring a love of classic songwriting in with fresh and contemporary indie-rock influences, Marvell’s music is grounded in melody and emotional storytelling. Between brothers Max and Tom Marvell’s distinctive vocals and a rhythm section that is relentless in its energy, Marvell is coming through stronger than ever as the music community continues to rebuild and take steps back into the spotlight, as lockdown restrictions ease.

The band worked with director Tom Muir and producer Daniel Pollock in bringing the music video for ‘19 Homes’ together – taking the idea of an open house and turning it on its head, flourishing into a fun, house party setting instead. Yearning for the time where we can do it again in real time, the video serves as a little substitute for what is on the horizon.

PRAISE FOR MARVELL

“This one is passionate and has me thinking of Stereophonics. A big sound from Marvell.”
Triple J, Declan Byrne

“They definitely left some debris in the Canberra music scene and it left us wanting more!”
BMA Mag

‘19 Homes’ is out now!
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July 11, 2020 0 comments
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Melbourne based Tremorverse Records bring together music students with compilation album Songs From Home
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Tremorverse Records bring together music students with compilation album ‘Songs From Home’ featuring Trad Ukiyo & Eve. and more!

by the partae July 11, 2020
written by the partae

Back in April, local label Tremorverse Records put the call out for music students across the globe to take part in an isolation curation of sorts, for a chance to be featured on their compilation album Songs From Home. Created in collaboration with Melbourne’s Box Hill Institute, Songs From Home brings together emerging artists from Music Institutions throughout the world to share songs created in response to the unprecedented times we’ve found ourselves living in.

Music students responded and we are proud to release an 11-track album, traversing everything from neo-soul to alt-folk, and electronica to ambience. With songs to soundtrack either the deepest of meditations or the loudest of house parties, Songs From Home presents a powerful snapshot of the immense creativity of our extended music community, with something for everyone surely to be found in its tracklist.

TREMORVERSE COMPILATION SONGS FROM HOME
TRACKLISTING

1. ‘On Hold’ – Trad Ukiyo
2. ‘Modern Logic’ – Eve.
3. ‘Lately’ – ReWire
4.  ‘Tremor2020’ – Hack
5. ‘Heat’ – Icy, The Freeze
6. ‘No Face’ – No Face
7. ‘AM Meditations’ – Jameson Clarke
8.  ‘Alpine Camp’ – The Nice Age

9. ‘A Song Of Songs’ – Jödanr
10. ‘Lord I Believe In You’ – Tony Thomas
11. ‘Are You Still  There?’ – Keka Oetro 

The compilation’s focus tracks feature songs and first releases from some artists including ‘On Hold’ by Melbourne neo-soul four-piece Trad Ukiyo, the lo-fi RnB mantra of ‘Modern Logic’ by Eve., the dreamy self-titled sounds of No Face, plus Hack’s dancefloor filler ‘Tremor2020’, and ReWire’s Stevie Wonder cover of ‘Lately’. The album obliterates genre boundaries by exploring the many multimodal soundscapes that music students have to offer.

“We are honoured to be apart of ‘Songs From Home’ — a wonderful initiative bringing creatives together, during what has been nothing short of an eventful 2020.

‘On Hold’ represents a journey of self reflection and solace. It could be a time, place, person; be what it may, we hope it serves as a vessel for inner peace and resilience. Thank you again to Tremorverse Records for this opportunity.”
– Gabrielle, Adriano, Brandon and Fergus (Trad Ukiyo)

Songs From Home is available to stream via AWAL from Friday 10 July, with all funds raised from the compilation going directly to the students involved, giving these emerging acts a leg-up through this time of great difficulty. So head to Tremorverse Records’ Bandcamp page and be sure to snag yourself a copy!

Songs From Home compilation out Friday 10 July via Tremorverse Records and AWAL.

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July 11, 2020 0 comments
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THE LEMON TWIGS Release new single 'Live In Favor Of Tomorrow' Songs For The General Public out Friday 21 August
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THE LEMON TWIGS Release new single ‘Live In Favor Of Tomorrow’ Songs For The General Public out Friday 21 August

by the partae July 11, 2020
written by the partae

The Lemon Twigs have done it again with another shot of adrenaline straight into the vein of the American pop scene. ‘Live In Favor Of Tomorrow’ is a euphoric dance in the clouds which brings you close enough to God to slap him five. Time is an antiquated illusion when you play this puppy loud. Judy Garland twerks on Galileo to the sound of jangly guitars and drumming we haven’t heard since Jerry Lewis jammed with Lars Ulrich at Woodstock 2069. Every-day horror is a day at the beach in the land of the infinite. Is that a mushroom cloud, or the Buddha doing a cannonball at his holy summer pool party? These are the kinds of thoughts likely to ripple through your mind during the song’s relentless 3 minutes and 24 seconds. So take your shirt off and take a dive into infinity with The chosen Lemon Twigs.

The D’Addario brothers wrote, recorded and produced the forthcoming album entirely on tape at their Long Island home studio, Sonora Studios in Los Angeles, and Electric Lady in New York City. ‘Live In Favor Of Tomorrow’ is preceded by “excellent” (Flood) lead single ‘The One‘ and “thrilling” (NME) sax-driven single ‘Moon.’ Songs For The General Public is out August 21 on 4AD / Remote Control.

The prodigiously-talented duo first emerged as The Lemon Twigs in 2016 with their debut LP Do Hollywood, whose show-stopping melodies mined from every era of rock quickly earned fans in Elton John, Questlove, and Jack Antonoff. Go To School, the ambitious 15-track coming-of-age opus, followed in 2018 and solidified the band’s reputation for building grand walls of sound around an audacious concept.

The 12-track album will be released on August 21 digitally and on CD, limited translucent red vinyl (only available via indie stores and the 4AD Store) and standard black vinyl. Pre-order here: thelemontwigs.ffm.to/songsforthegeneralpublic

The Lemon Twigs – Songs For The General Public
1. Hell On Wheels
2. Live In Favor Of Tomorrow
3. No One Holds You (Closer Than The One You Haven’t Met)
4. Fight
5. Somebody Loving You
6. Moon
7. The One
8. Only A Fool
9. Hog
10. Why Do Lovers Choose Each Other
11. Leather Together
12. Ashamed
The Lemon Twigs – Songs For The General Public is out Friday 21 August via 4AD / Remote Control Records
thelemontwigs.com
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July 11, 2020 0 comments
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DMA’S release new album THE GLOW and share new single ‘Criminals’ Due to unprecedented pre-sale demand – six new & final shows added, 18 dates in total! Tix on sale today at noon The band appeared on The Project last night - watch here DMA’S will hold a virtual album listening party with fans tonight at 9.30pm AEST via their Facebook & YouTube DMA’S Live – THE GLOW special airing at 3pm on Channel 9 tomorrow (Sat 11th July) Today it is with great excitement that I OH YOU present DMA’S highly anticipated third studio album, THE GLOW, with a spotlight on the band’s new single ‘Criminals’. Recorded and mixed by multi-Grammy Award winning producer Stuart Price (The Killers, New Order, Madonna) at the historic Westlake Recording Studios in Hollywood, THE GLOW is a step up for the band in every sense. With two top #10 ARIA albums, 4x ARIA-nominations, and multiple ARIA Platinum and ARIA Gold singles already under their belt, THE GLOW marks a leap forward for DMA’S that is bigger, bolder and brighter than ever, and shows just how far they’ve come.  DMA’S 2016 debut album Hill’s End was recorded in guitarist Johnny Took’s rundown Newtown apartment, where they would start the day by flipping a mattress up against the wall in an attempt to block out the traffic noise from a nearby highway. This time, working with one of the world’s most renowned producers (in a studio once frequented by Quincy Jones) the band were able to take their song writing to the next level, resulting in an anthemic pop record that sees the band fulfil their world-class potential with a collection of songs destined for arenas. From the New Order meets Pet Shop Boys dance vibes of ‘Life Is A Game Of Changing’ to the heartfelt, Lennon-esque ‘Learning Alive’, THE GLOW is a collection of fresh, impassioned songs that push the boundaries of what DMA’S “are” while proving their unwavering ability to write sensational and timeless songs. THE GLOW’s huge first single ‘Silver’ debuted into the world in late 2019 and has become DMA’S fastest streaming song to date (with over 8.5 million streams in the space of a few months). Quickly championed by fans across the country, ‘Silver’ was voted #20 in triple j’s Hottest 100 of 2019 (their 6th consecutive year in the countdown). Follow-up single ‘Life Is A Game Of Changing’ took the band to another level, premiering on the UK’s BBC Radio 1 and landing ‘Record Of The Week’ on the UK’s Radio X, later receiving official remixes from dance royalty Orbital, Melbourne producer Willaris. K and Martin Buttrich. The album’s title track ‘The Glow’ was added to Daytime Playlist at Radio X, and latest single ‘Criminals’ which premiered via Richard Kingsmill on triple j earlier this week, is proving to be one of the biggest pop moments on the record.   “This song is my favourite off the record, I love the way it turned out and we had a lot of fun recording it.” - Tommy O’Dell THE GLOW has seen plenty of early support from the likes of The Sun (UK), Dork, Q Magazine (4 stars), Uncut (7/10), Clash (8/10), NME AU, Rolling Stone AU and Consequence of Sound. This week has been a huge release week for the band, seeing them appear on The Project, The Today Show, Triple M Hot Breakfast, ABC TV and across daily newspapers, with much more to come! 8/10 “One of the most riotous new live bands, DMA’S have managed to bring that energy to the studio and fully deserve to bask in the glow of their success.”  - Long Live Vinyl “An album evenly weighted with dance elements and full-blown pop excitement.” - The AU Review 4/5 “Amid another hatful of huge choruses, this third LP delves deeper into the deft shoegaze-y texturing of synths and guitars the trio started on 2018’s For Now.” - Q Magazine 8/10 “Stimulating and surprising, it is a remarkable result that allows guitars to count as much as the inclusion of digital beats and sequencers, and one where pop sensibility is as essential as exploration.” - Clash   8.5/10 "The Glow isn’t just another album in the band’s discography. It sounds like a coming of age, an album that is limitless in its imagination and one that defies genre limitations..The Glow combines different musical styles that showcases the Australian trio at their very best." - The Line Of Best Fit 4/5 "Every moment of ‘The Glow’ sees the band step up...It’s not just the music that’s on another level: lyrically, ‘The Glow’ sees DMA’s at their most vulnerable, most excitable and most inspiring...‘The Glow’ is a hyper-charged record of dance and decadence. A bold step forward that sees DMA’s coming into their own." - NME To celebrate the release of THE GLOW, this week DMA’S announced an intimate run of stripped-back shows at Sydney’s Factory Theatre in July/Aug. Due to unprecedented pre-sale demand for the first 12 dates revealed, last night the band added an additional and final six shows. In line with updated regulations around live entertainment, the band will be playing to limited capacity crowds, with the multiple shows giving more fans a chance to be some of the first in the world to hear their new material live for the very first time. Tickets go on sale today at noon, head to frontiertouring.com/DMAS for tickets. Having performed a sold out show at London’s iconic 5,000 capacity O2 Academy Brixton before the world went into lockdown, these new dates are DMA’S first gigs in many months, with local fans scoring the chance to be the very first in the world to witness the band’s latest material live on stage. Those eager to remember the joy of DMA'S live can tune into Channel 9 this Saturday (Jul 11) for a very special screening; 'DMA'S Live - THE GLOW' at 3:00PM AEST. From bedroom recordings and Sydney pubs to standing shoulder-to-shoulder with some of the biggest names in music, THE GLOW is a record about embracing change and taking risks. Every achievement is the result of DMA’S unwavering dedication to their craft. THE GLOW sees the band expand the limits of their production style and use of texture and sound, while still retaining the integrity of who they are as writers. And boy, has the risk paid off. Tune into DMA'S Facebook and YouTube tonight at 9.30pm AEST to join Tommy, Johnny and Mason for a virtual listening party, as they live stream THE GLOW in full for the first time and take questions from fans throughout. DMA'S UNPLUGGED & INTIMATE SYDNEY JULY & AUGUST 2020 Presented by Frontier Touring, I OH YOU and Secret Sounds Thursday 30 July | Factory Theatre | Sydney, NSW | 18+ 6.30pm show 9.00pm show ticketek.com.au | Ph: 132 849 Friday 31 July | Factory Theatre | Sydney, NSW | 18+ 6.30pm show 9.00pm show ticketek.com.au | Ph: 132 849 Saturday 1 August | Factory Theatre | Sydney, NSW | 18+ 6.30pm show 9.00pm show ticketek.com.au | Ph: 132 849 Thursday 6 August | Factory Theatre | Sydney, NSW | 18+ 6.30pm show 9.00pm show ticketek.com.au | Ph: 132 849 Friday 7 August | Factory Theatre | Sydney, NSW | 18+ 6.30pm show 9.00pm show ticketek.com.au | Ph: 132 849 Saturday 8 August | Factory Theatre | Sydney, NSW | 18+ 6.30pm show 9.00pm show ticketek.com.au | Ph: 132 849 Thursday 13 August | Factory Theatre | Sydney, NSW | 18+ 6.30pm show 9.00pm show ticketek.com.au | Ph: 132 849 Friday 14 August | Factory Theatre | Sydney, NSW | 18+ 6.30pm show 9.00pm show ticketek.com.au | Ph: 132 849 Saturday 15 August | Factory Theatre | Sydney, NSW | 18+ 6.30pm show 9.00pm show ticketek.com.au | Ph: 132 849 THE GLOW DMA'S Album out now through I OH YOU Available to buy/stream here THE GLOW tracklisting: 1. Never Before 2. The Glow 3. Silver 4. Life Is A Game Of Changing 5. Criminals 6. Strangers 7. Learning Alive 8. Hello Girlfriend 9. Appointment 10. Round & Around 11. Cobracaine DMA'S
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DMA’S RELEASE THIRD STUDIO ALBUM THE GLOW + SHARE NEW SINGLE ‘CRIMINALS’ + PLAYING EXCLUSIVE ‘UNPLUGGED & INTIMATE’ SYDNEY SHOWS – JULY/AUGUST 2020

by the partae July 11, 2020
written by the partae
  • DMA’S release new album THE GLOW and share new single ‘Criminals’
  • Due to unprecedented pre-sale demand – six new & final shows added, 18 dates in total! Tix on sale today at noon
  • The band appeared on The Project last night – watch here
  • DMA’S will hold a virtual album listening party with fans tonight at 9.30pm AEST via their Facebook & YouTube
  • DMA’S Live – THE GLOW special airing at 3pm on Channel 9 tomorrow (Sat 11th July)
Today it is with great excitement that I OH YOU present DMA’S highly anticipated third studio album, THE GLOW, with a spotlight on the band’s new single ‘Criminals’.

Recorded and mixed by multi-Grammy Award winning producer Stuart Price (The Killers, New Order, Madonna) at the historic Westlake Recording Studios in Hollywood, THE GLOW is a step up for the band in every sense. With two top #10 ARIA albums, 4x ARIA-nominations, and multiple ARIA Platinum and ARIA Gold singles already under their belt, THE GLOW marks a leap forward for DMA’S that is bigger, bolder and brighter than ever, and shows just how far they’ve come.

DMA’S 2016 debut album Hill’s End was recorded in guitarist Johnny Took’s rundown Newtown apartment, where they would start the day by flipping a mattress up against the wall in an attempt to block out the traffic noise from a nearby highway. This time, working with one of the world’s most renowned producers (in a studio once frequented by Quincy Jones) the band were able to take their song writing to the next level, resulting in an anthemic pop record that sees the band fulfil their world-class potential with a collection of songs destined for arenas. From the New Order meets Pet Shop Boys dance vibes of ‘Life Is A Game Of Changing’ to the heartfelt, Lennon-esque ‘Learning Alive’, THE GLOW is a collection of fresh, impassioned songs that push the boundaries of what DMA’S “are” while proving their unwavering ability to write sensational and timeless songs.

THE GLOW’s huge first single ‘Silver’ debuted into the world in late 2019 and has become DMA’S fastest streaming song to date (with over 8.5 million streams in the space of a few months). Quickly championed by fans across the country, ‘Silver’ was voted #20 in triple j’s Hottest 100 of 2019 (their 6th consecutive year in the countdown). Follow-up single ‘Life Is A Game Of Changing’ took the band to another level, premiering on the UK’s BBC Radio 1 and landing ‘Record Of The Week’ on the UK’s Radio X, later receiving official remixes from dance royalty Orbital, Melbourne producer Willaris. K and Martin Buttrich.

The album’s title track ‘The Glow’ was added to Daytime Playlist at Radio X, and latest single ‘Criminals’ which premiered via Richard Kingsmill on triple j earlier this week, is proving to be one of the biggest pop moments on the record.

“This song is my favourite off the record, I love the way it turned out and we had a lot of fun recording it.” – Tommy O’Dell
THE GLOW has seen plenty of early support from the likes of The Sun (UK), Dork, Q Magazine (4 stars), Uncut (7/10), Clash (8/10), NME AU, Rolling Stone AU and Consequence of Sound. This week has been a huge release week for the band, seeing them appear on The Project, The Today Show, Triple M Hot Breakfast, ABC TV and across daily newspapers, with much more to come!
8/10 “One of the most riotous new live bands, DMA’S have managed to bring that energy to the studio and fully deserve to bask in the glow of their success.” 
– Long Live Vinyl

“An album evenly weighted with dance elements and full-blown pop excitement.”
– The AU Review

4/5 “Amid another hatful of huge choruses, this third LP delves deeper into the deft shoegaze-y texturing of synths and guitars the trio started on 2018’s For Now.”
– Q Magazine

8/10 “Stimulating and surprising, it is a remarkable result that allows guitars to count as much as the inclusion of digital beats and sequencers, and one where pop sensibility is as essential as exploration.” – Clash

8.5/10 “The Glow isn’t just another album in the band’s discography. It sounds like a coming of age, an album that is limitless in its imagination and one that defies genre limitations..The Glow combines different musical styles that showcases the Australian trio at their very best.”
 – The Line Of Best Fit

4/5 “Every moment of ‘The Glow’ sees the band step up…It’s not just the music that’s on another level: lyrically, ‘The Glow’ sees DMA’s at their most vulnerable, most excitable and most inspiring…‘The Glow’ is a hyper-charged record of dance and decadence. A bold step forward that sees DMA’s coming into their own.” – NME

To celebrate the release of THE GLOW, this week DMA’S announced an intimate run of stripped-back shows at Sydney’s Factory Theatre in July/Aug. Due to unprecedented pre-sale demand for the first 12 dates revealed, last night the band added an additional and final six shows. In line with updated regulations around live entertainment, the band will be playing to limited capacity crowds, with the multiple shows giving more fans a chance to be some of the first in the world to hear their new material live for the very first time. Tickets go on sale today at noon, head to frontiertouring.com/DMAS for tickets.

Having performed a sold out show at London’s iconic 5,000 capacity O2 Academy Brixton before the world went into lockdown, these new dates are DMA’S first gigs in many months, with local fans scoring the chance to be the very first in the world to witness the band’s latest material live on stage. Those eager to remember the joy of DMA’S live can tune into Channel 9 this Saturday (Jul 11) for a very special screening; ‘DMA’S Live – THE GLOW’ at 3:00PM AEST.

From bedroom recordings and Sydney pubs to standing shoulder-to-shoulder with some of the biggest names in music, THE GLOW is a record about embracing change and taking risks. Every achievement is the result of DMA’S unwavering dedication to their craft. THE GLOW sees the band expand the limits of their production style and use of texture and sound, while still retaining the integrity of who they are as writers. And boy, has the risk paid off.

Tune into DMA’S Facebook and YouTube tonight at 9.30pm AEST to join Tommy, Johnny and Mason for a virtual listening party, as they live stream THE GLOW in full for the first time and take questions from fans throughout.

DMA’S
UNPLUGGED & INTIMATE

SYDNEY
JULY & AUGUST 2020
Presented by Frontier Touring, I OH YOU and Secret Sounds
Thursday 30 July | Factory Theatre | Sydney, NSW | 18+
6.30pm show
9.00pm show
ticketek.com.au | Ph: 132 849

Friday 31 July | Factory Theatre | Sydney, NSW | 18+
6.30pm show
9.00pm show
ticketek.com.au | Ph: 132 849

Saturday 1 August | Factory Theatre | Sydney, NSW | 18+
6.30pm show
9.00pm show
ticketek.com.au | Ph: 132 849

Thursday 6 August | Factory Theatre | Sydney, NSW | 18+
6.30pm show
9.00pm show
ticketek.com.au | Ph: 132 849

Friday 7 August | Factory Theatre | Sydney, NSW | 18+
6.30pm show
9.00pm show
ticketek.com.au | Ph: 132 849

Saturday 8 August | Factory Theatre | Sydney, NSW | 18+
6.30pm show
9.00pm show
ticketek.com.au | Ph: 132 849

Thursday 13 August | Factory Theatre | Sydney, NSW | 18+
6.30pm show
9.00pm show
ticketek.com.au | Ph: 132 849

Friday 14 August | Factory Theatre | Sydney, NSW | 18+
6.30pm show
9.00pm show
ticketek.com.au | Ph: 132 849

Saturday 15 August | Factory Theatre | Sydney, NSW | 18+
6.30pm show
9.00pm show
ticketek.com.au | Ph: 132 849

THE GLOW
DMA’S
Album out now through I OH YOU
Available to buy/stream here

THE GLOW tracklisting:
1. Never Before
2. The Glow
3. Silver
4. Life Is A Game Of Changing
5. Criminals
6. Strangers
7. Learning Alive
8. Hello Girlfriend
9. Appointment
10. Round & Around
11. Cobracaine

DMA’S

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July 11, 2020 0 comments
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BLACK RABBIT GEORGE UNVEILS HYPNOTIC NEW SINGLE ‘FINGERS RADIO’ AND ANNOUNCES ALBUM RELEASE DATE
Music News

BLACK RABBIT GEORGE UNVEILS HYPNOTIC NEW SINGLE ‘FINGERS RADIO’ AND ANNOUNCES ALBUM RELEASE DATE

by the partae July 11, 2020
written by the partae

QLD Gold Coast-based artist Black Rabbit George has just revealed the release date for his new album ‘Warren’ (due August 28) and his mesmerising new single ‘Fingers Radio’ – produced and mixed by the artist himself at his home studio.

‘Fingers Radio’ is a dreamy melting pot of psychedelia, folk and indie-rock. The sweeping track is driven by its steadfast rhythmic section, deft guitar work and ethereal vocal melodies that hover elegantly above. Unwavering from start to finish, ‘Fingers Radio’ never loses its momentum and immerses the listener into a pensive dream like state.

The Black Rabbit describes the motivation behind ‘Fingers Radio’:

“I spent a lot of time isolated at home toying with ideas I’ve had over the years. I’ve pretty much lived in the studio for the last 6 months, just toying with where I can take the things I’ve learnt and how they all make sense together. ‘Fingers Radio’ is one of the songs that came from these sessions.”

Black Rabbit George is a new incarnation for Tijuana Cartel’s guitarist/singer/songwriter Paul George. It’s an opportunity for Paul to further explore the acoustic guitar that is at the heart of Tijuana Cartel and to pursue his long-time interest in folk and roots music.

“Tijuana Cartel remains a core driving force in my life and I’d never want to leave it behind,” explains the Black Rabbit. “But at the same time, I want to follow a path that embraces the great loves in my life: my guitar and the wealth of stories that life simply places in your way.”

Black Rabbit George’s previous releases have been strongly supported by the likes of triple j, Double J, FBi Radio, PBS FM, 4ZZZ, RTR FM, Radio Adelaide, Bay FM and online blogs. He’s toured the country extensively multiple times and earned himself a small, but cult like following that come out in droves when he’s performing.

‘Fingers Radio’ is available worldwide now


Click to stream ‘Fingers Radio’

BLACK RABBIT GEORGE  UNVEILS HYPNOTIC NEW SINGLE ‘FINGERS RADIO’ AND ANNOUNCES ALBUM RELEASE DATE

FOLLOW BLACK RABBIT GEORGE

FACEBOOK | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

July 11, 2020 0 comments
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AC/DSHE Saturday 11th July, 8pm
Festival NewsMusic News

Upcoming Shows at Cherry: AC/DSHE & Davey Lane and Band – Live streamed shows from Cherry to your loungeroom

by the partae July 11, 2020
written by the partae

Honour Bon Scott and 40th anniversary of Back in Black…
Live streaming the awesome Acdshe Australia from 8pm!

On Saturday 11 July at Cherry Bar we honour Bon Scott with a special performance from our favourite (and the best!) AC/DC tribute act in the world Melbourne’s own AC/DSHE featuring the one and only Laura Davidson on lead vocals. On this unmissable night of rock AC/DSHE will celebrate the 40th anniversary of the release of ‘Back In Black’, the album dedicated by Angus and Malcolm Young to their fallen hero Bon Scott, by playing the album live track-for-track followed by blasting through some of the very best of Bon Scott’s unforgettable AC/DC bangers.

Live stream from 8pm in the comfort of your own home, direct from the Cherry stage!

Get tickets for the stream
Davey Lane
Wednesday 15th July, 8pm

Join us (online) on Wednesday July 15th as we live stream Davey Lane, direct from the Cherry stage! We’re delivering sensational performances every week whilst the COVID battle continues, beamed out from the live music capital of the world…

With a now two decades on lead guitar for You Am I along with fronting neo-mod rockers The Pictures, Davey Lane should need no introduction. Outside of these vital contributions, he remains an in-demand mercenary for local and international greats the like of Crowded House, Jimmy Barnes, Todd Rundgren, Vika & Linda Bull, Robyn Hitchcock, The Saints and one off supergroups such as The Wrights. Collaborative efforts that assist in the development of his craft, Davey continues to display a knack for true pop sensibilities, big choruses and a surreal turn of phrase.

Taking time out from the studio finalising 3rd LP “Don’t Bank Your Heart On It”, this performance is not to be missed!

Get tickets for the stream
July 11, 2020 0 comments
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