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Music News

Braxton keeps up his run of remarkable releases with his brilliant remix of Matt Fax feat. RBBTS ‘Set Your Sails’ on Colorize, out now. The label invited him to choose any track from Fax’ album ‘Progressions’ to rework, a vote of confidence fully justified by the result.   The Brighton-based producer is a by-word for quality and thoughtful composition, finding favour as a regular with imprints including Anjunadeep and Colorize. He has put lockdown to best possible use already, with his recent double A side ‘Torn/Chiaroscuro’ (Anjunadeep) gaining attention from Phil Taggart, Jaguar’s BBC Introducing Dance Show, and more.   His entrancing rework of the driving dance-led cut from French DJ/producer Matt Fax adds dreamy synth chords and a breakbeat element, giving full rein to the haunting, sumptuous vocals of European duo Anne Kalstrup and Hendrik Burkhard aka RBBTS. ‘Set Your Sails’ (Braxton Remix) is Out Now. Get it here: https://colorize.ffm.to/0227r1 Hey Braxton, thanks for speaking with us! Congrats on your new release, the absolutely stellar remix of Matt Fax ‘Set Your Sails’. Can you tell us how this remix came about?  Thank you for having me! Well Colorize got in touch with Matt’s new album and let me choose a track to remix, there were a couple on there I liked but this one really stood out.  Have you got much of a relationship with Matt Fax too, or is it more the label? How did you pick this song as the one you wanted to remix, what swayed you?  I think it was the vocals mainly, I prefer to remix tracks with vocals because it gives me more flexibility to bring something different to the track. I had a go at remixing another track but I struggled to do something meaningful with it, then this one came along and I could really get stuck in.   A lot of the tracks you’ve released have these really special vocals. Is this something you look for in a track you want to remix, is it one of the key components that grabs you?  Yeah absolutely, a lot of the music I make has a kinda anthemic quality, sometimes it’s subtle and sometimes it’s really in your face. I like my tracks to sit somewhere between the club and headphones, and vocals really help me to get that balance across. And when it comes to making an original track, what is it that you tackle first? Do you pick or write a vocal, then create the track around it, or the opposite?  It’s usually the opposite, but there’s never a right or wrong way really, the most important thing I’ve found is to let the track develop as naturally as possible. Sometimes vocals it will happen early on in the writing process, and it’ll involve humming along some sort of topline idea before getting the vocals down properly. Other times I’ve gotten to the ‘end’ of the process with a track before deciding I want vocals on it. I try and keep all options open at every stage as it allows much more freedom to experiment during the writing process.  What can we expect from you in the rest of 2020? You’re an Anjunadeep favourite, will we be seeing your name on the label again this year?  I very much hope so, it’s a label I’ve admired for such a long time now and to be working with them is still a little bit mind-blowing :)  And on a more personal note to finish – what has this time in lockdown taught you?  I learned that people deal with complex situations in completely different ways and we all need to show a lot more empathy in order to better understand each other. Thanks for your time!  No, no……Thank YOU! x
Music InterviewsMusic News

Braxton

by the partae September 4, 2020
written by the partae

Braxton keeps up his run of remarkable releases with his brilliant remix of Matt Fax feat. RBBTS ‘Set Your Sails’ on Colorize, out now. The label invited him to choose any track from Fax’ album ‘Progressions’ to rework, a vote of confidence fully justified by the result.

 

The Brighton-based producer is a by-word for quality and thoughtful composition, finding favour as a regular with imprints including Anjunadeep and Colorize. He has put lockdown to best possible use already, with his recent double A side ‘Torn/Chiaroscuro’ (Anjunadeep) gaining attention from Phil Taggart, Jaguar’s BBC Introducing Dance Show, and more.

 

His entrancing rework of the driving dance-led cut from French DJ/producer Matt Fax adds dreamy synth chords and a breakbeat element, giving full rein to the haunting, sumptuous vocals of European duo Anne Kalstrup and Hendrik Burkhard aka RBBTS.

‘Set Your Sails’ (Braxton Remix) is Out Now. Get it here: https://colorize.ffm.to/0227r1

 

Hey Braxton, thanks for speaking with us! Congrats on your new release, the absolutely stellar remix of Matt Fax ‘Set Your Sails’. Can you tell us how this remix came about? 


Thank you for having me! Well Colorize got in touch with Matt’s new album and let me choose a track to remix, there were a couple on there I liked but this one really stood out. 

Have you got much of a relationship with Matt Fax too, or is it more the label? How did you pick this song as the one you wanted to remix, what swayed you? 


I think it was the vocals mainly, I prefer to remix tracks with vocals because it gives me more flexibility to bring something different to the track. I had a go at remixing another track but I struggled to do something meaningful with it, then this one came along and I could really get stuck in.  

A lot of the tracks you’ve released have these really special vocals. Is this something you look for in a track you want to remix, is it one of the key components that grabs you? 

Yeah absolutely, a lot of the music I make has a kinda anthemic quality, sometimes it’s subtle and sometimes it’s really in your face. I like my tracks to sit somewhere between the club and headphones, and vocals really help me to get that balance across.

And when it comes to making an original track, what is it that you tackle first? Do you pick or write a vocal, then create the track around it, or the opposite? 


It’s usually the opposite, but there’s never a right or wrong way really, the most important thing I’ve found is to let the track develop as naturally as possible. Sometimes vocals it will happen early on in the writing process, and it’ll involve humming along some sort of topline idea before getting the vocals down properly. Other times I’ve gotten to the ‘end’ of the process with a track before deciding I want vocals on it. I try and keep all options open at every stage as it allows much more freedom to experiment during the writing process. 

What can we expect from you in the rest of 2020? You’re an Anjunadeep favourite, will we be seeing your name on the label again this year? 

I very much hope so, it’s a label I’ve admired for such a long time now and to be working with them is still a little bit mind-blowing 🙂 

And on a more personal note to finish – what has this time in lockdown taught you? 


I learned that people deal with complex situations in completely different ways and we all need to show a lot more empathy in order to better understand each other.

Thanks for your time! 


No, no……Thank YOU! x

 

September 4, 2020 0 comments
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Music News

2020 AIR Awards – Independent Label Of The Year Nominees

by the partae September 4, 2020
written by the partae

The 2020 AIR Awards will celebrate the success of the Australian Independent recorded music sector on Thursday 1st October, thanks to the continued support of the South Australian Government. The event has traditionally been a closed-door industry invite only event, this year, it will be held from Adelaide’s Lion Arts Factory as a hybrid virtual event that will be broadcast via YouTube. To watch the awards, subscribe to our YouTube channel HERE.

AIR is also thrilled to announce the nominees for the 2020 Independent Label Of The Year Award are:

ABC MUSIC | SPINNING TOP RECORDS | ELEFANT TRAKS | I OH YOU | SWEAT IT OUT

Thanks to moshtix; Australia’s most trusted independent ticketing company and supporting partner of the 2020 AIR Awards, the recipient will receive a digital marketing package valued at $10,000 to help showcase their talent to the music public.

In 2019, Chapter Music took home the Best Independent Label award. Chapter Music Co-founder Guy Blackman commented on the win, “We were very chuffed to win Best Independent Label at the AIR Awards last year, especially knowing that it was voted for by our peers in independent music. Running a label can be a fairly behind the scenes, anonymous task, so having people take notice and express their appreciation meant a hell of a lot. Best of luck to all this year’s nominees!”

AIR will hold its 2020 Indie-Con Australia conference virtually this year on the 1st and 2nd of October – Tickets and program to be announced soon.

Follow AIR and join the conversation:
air.org.au | twitter.com/ausindies | facebook.com/australianindies | instagram.com/ausindies
@australianindies | @southaustralia | #AusIndies | #indieconaus | #ADLCoM | #SeeSouthAustralia | #ADLcityofmusic

September 4, 2020 0 comments
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Seattle band's sophomore album features singles 'Take A Chance', 'Turns Blue', 'High School (Don't Like Them)' and '(God Damn!) What I Am' Seattle trio Naked Giants today share their second studio album The Shadow, released via New West Records. A culmination of experiences lived over a hectic three years of touring worldwide and meticulously honing their skills as songwriters, the album is an impactful release for Naked Giants as they continue to make their mark internationally as a dynamic group.  Already, 2020 has seen Naked Giants release a slew of songs from the new album; leading with ‘Take A Chance’ in June, ‘Turns Blue’ and 'High School (Don't Like Them)' in July and more recently, the cracking ‘(God Damn!) What I Am’.    To listen to The Shadow, you’re invited to get to know Naked Giants a little better. The record was made as the band’s live reputation grew around the world off the back of the release of their 2018 debut album SLUFF, and tours with Car Seat Headrest (both as his live band and as main support band). The music that features on this album demonstrates maturity in songwriting, the further development of an already strong musical partnership, and a dive into a rich soundscape. Dictated by a wide range of influences from rock to post-punk and grooves in spades, The Shadow is a journey of Naked Giants’ artistry - made to be immersed in. “In the years since our previous album SLUFF was recorded, we have toured around the world, honed our musical skills and found our own little place in the music industry - but we have also seen our share of shadows, and it is through acknowledging these shadows that we grow the most. Each song on The Shadow examines an aspect of this growth through a different musical lens, adding up to a series of rock and roll vignettes of light, shadow, anxiety and responsibility.” Naked Giants  The 11 track album was recorded in Portland, Oregon with Chris Funk of The Decemberists on production, Adam Lee (Stephen Malkmus & The Jicks) on mixing and John Baldwin (Benjamin Booker, The White Stripes) on mastering duties.   The music is frantic, fun and leaves rooms to explore experimentation amongst the tightly composed arrangements that come together seamlessly. ‘(God Damn!) What I Am’ is a perfect example of Naked Giants’ all-in approach to playing with harmony, punk-tinged rhythms and gritty swagger. Chest thumping percussion and rousing vocals make the song perfect for sweaty live venues, primed for audience participation. The Shadow plays with tone and mood well too, going from the punchy highs of ‘Television’ and ‘(God Damn)...’ to the more melodic and paced out sounds of ‘The Ripper’ and ‘Turns Blue’. The album gives the listener time to breathe without losing momentum.   “We threw in all our influences, from the usual suspects of punk rock and new wave to spaced-out 80’s balladry, fuzzy garage-metal and psychedelic desert folk (with synths and tape loops added to taste). And with Chris Funk leading the way, our somewhat scatterbrained sprawl of musical and conceptual ideas are tied together in an artful way.” Naked Giants Steadily building up their reputation as a tremendous live act, Naked Giants were named Seattle’s best live band by The Seattle Times at the end of 2018 and Rolling Stone named the band one of the “30 Best Artists We Saw” during SXSW that year as well.  The Shadow is available across digital platforms, on compact disc, and standard black vinyl.  A limited Coke Bottle Clear Vinyl Edition will be available at Independent Retailers and is also available via NEW WEST RECORDS.      PRAISE FOR NAKED GIANTS  “A one-of-a-kind band.”  Paste Magazine   “Naked Giants might just be your new favorite band (we promise!).”  Alternative Press   Naked Giants The Shadow Track Listing:  1. Walk Of Doom  2. High School (Don’t Like Them)  3. Take A Chance  4. Turns Blue  5. (God Damn!) What I Am  6. The Ripper  7. Unpeeled  8. Television  9. Better Not Waste My Time  10. The Shadow  11. Song For When You Sleep  The Shadow is out now! Website | Facebook | Twitter |  YouTube | Instagram  
Music News

Seattle’s Naked Giants unveil new album ‘The Shadow’

by the partae September 4, 2020
written by the partae

Seattle band’s sophomore album features singles ‘Take A Chance’, ‘Turns Blue’, ‘High School (Don’t Like Them)’ and ‘(God Damn!) What I Am’

Seattle trio Naked Giants today share their second studio album The Shadow, released via New West Records. A culmination of experiences lived over a hectic three years of touring worldwide and meticulously honing their skills as songwriters, the album is an impactful release for Naked Giants as they continue to make their mark internationally as a dynamic group.

 Already, 2020 has seen Naked Giants release a slew of songs from the new album; leading with ‘Take A Chance’ in June, ‘Turns Blue’ and ‘High School (Don’t Like Them)’ in July and more recently, the cracking ‘(God Damn!) What I Am’.

To listen to The Shadow, you’re invited to get to know Naked Giants a little better. The record was made as the band’s live reputation grew around the world off the back of the release of their 2018 debut album SLUFF, and tours with Car Seat Headrest (both as his live band and as main support band). The music that features on this album demonstrates maturity in songwriting, the further development of an already strong musical partnership, and a dive into a rich soundscape. Dictated by a wide range of influences from rock to post-punk and grooves in spades, The Shadow is a journey of Naked Giants’ artistry – made to be immersed in.

“In the years since our previous album SLUFF was recorded, we have toured around the world, honed our musical skills and found our own little place in the music industry – but we have also seen our share of shadows, and it is through acknowledging these shadows that we grow the most. Each song on The Shadow examines an aspect of this growth through a different musical lens, adding up to a series of rock and roll vignettes of light, shadow, anxiety and responsibility.” Naked Giants 

The 11 track album was recorded in Portland, Oregon with Chris Funk of The Decemberists on production, Adam Lee (Stephen Malkmus & The Jicks) on mixing and John Baldwin (Benjamin Booker, The White Stripes) on mastering duties.

The music is frantic, fun and leaves rooms to explore experimentation amongst the tightly composed arrangements that come together seamlessly. ‘(God Damn!) What I Am’ is a perfect example of Naked Giants’ all-in approach to playing with harmony, punk-tinged rhythms and gritty swagger. Chest thumping percussion and rousing vocals make the song perfect for sweaty live venues, primed for audience participation.

The Shadow plays with tone and mood well too, going from the punchy highs of ‘Television’ and ‘(God Damn)…’ to the more melodic and paced out sounds of ‘The Ripper’ and ‘Turns Blue’. The album gives the listener time to breathe without losing momentum.

“We threw in all our influences, from the usual suspects of punk rock and new wave to spaced-out 80’s balladry, fuzzy garage-metal and psychedelic desert folk (with synths and tape loops added to taste). And with Chris Funk leading the way, our somewhat scatterbrained sprawl of musical and conceptual ideas are tied together in an artful way.” Naked Giants

Steadily building up their reputation as a tremendous live act, Naked Giants were named Seattle’s best live band by The Seattle Times at the end of 2018 and Rolling Stone named the band one of the “30 Best Artists We Saw” during SXSW that year as well.

The Shadow is available across digital platforms, on compact disc, and standard black vinyl.

A limited Coke Bottle Clear Vinyl Edition will be available at Independent Retailers and is also available via NEW WEST RECORDS.

PRAISE FOR NAKED GIANTS

“A one-of-a-kind band.”
Paste Magazine  

“Naked Giants might just be your new favorite band (we promise!).” 
Alternative Press

Naked Giants The Shadow Track Listing: 

1. Walk Of Doom
2. High School (Don’t Like Them)
3. Take A Chance
4. Turns Blue
5. (God Damn!) What I Am
6. The Ripper
7. Unpeeled
8. Television
9. Better Not Waste My Time
10. The Shadow
11. Song For When You Sleep

The Shadow is out now!
Website | Facebook | Twitter |  YouTube | Instagram

September 4, 2020 0 comments
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Music News

Adam Webster

by the partae September 4, 2020
written by the partae

That undeniable feeling when you suddenly smell fried food by the seaside. Smooth dreamy vibes and sparkling stratocasters. Premiere solo release by Collingwood’s Adam Webster (Colour Picture Book, The Funky Truth) “Sunshine and Onion Rings” is the soundtrack to the dog days of summer.  Adam Webster has an affinity for dogs, rivers, and towns with small populations.

“It just feels so good to take yourself less seriously. This song came together so naturally and easily it was just so much fun to work on.” This track is a slight departure from the pure analog tape recordings of Colour Picture Book’s 2018 vinyl release.  After really getting to play with all the classic analog tools of my dreams at Revolution on the last record, I think I got a bit of it out of my system. I just didn’t really care how I got the sounds this time. I was just messing around, there were no rules or expectations. If it sounded good, felt good, we kept it. You know what happens to your soul when you smell some hot eats on the pier, by the water… it’s about that feeling, that vibe… and if you’re as lucky as I am, there are people who can light that same feeling up inside you no matter where you are.” – Adam Webster
September 4, 2020 0 comments
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FKA twigs and acclaimed filmmaker Hiro Murai have collaborated to produce a seven-minute fantasy film for 'Sad Day', from FKA twigs’ acclaimed second album MAGDALENE. Co-conceived by the pair and directed by Murai, 'Sad Day' is Murai's first music video since his GRAMMY award-winning video for Childish Gambino's 'This Is America' in 2018, which won in the Best Video of the Year category. The 'Sad Day' film is the culmination of three years of training in the art of Wushu for FKA twigs, who originally took up the discipline in 2017 under the guidance of Master Wu of the Shaolin Wushu Centre, the highest-ranking Wushu master in the west. As twigs herself states “everything I’ve previously done with my body, all the training and dancing, has led to this point.” Filmed in FKA twigs' London hometown, it sees twigs "finding magic in the city I've lived in for over ten years" with the musician and filmmaker starring alongside co-star Teake - who twigs cast through social media - as they battle on the streets of London. In part inspired by a line in FKA twigs' 'Home With You' ("never seen a hero like me in a sci-fi") and representing just how far we will go for love, 'Sad Day' sees FKA twigs becoming the hero she wanted to see growing up but never saw in mainstream cinema. The video premiered exclusively on national U.S. television by FX, within FXX’s Cake, and is now available for streaming everywhere, including FX on Hulu. About FKA twigs: Throughout her career, including three EPs (EP1, EP2 and M3LL155X), her Mercury Prize and Brit Award-nominated debut album LP1, and latest release MAGDALENE, FKA twigs has established herself as one of the most innovative artists, performers, producers, and directors of her generation. MAGDALENE was named one of the best albums of 2019 by outlets including NPR, The Guardian, The New Yorker, Billboard, Complex, PAPER, TIME, USA Today and Vice, among others, and received a GRAMMY Award nomination for 'cellophane' as Best Music Video. Pitchfork declared, “with limitlessly innovative songwriting and production, the cinema of twigs’ music has never been more affecting. MAGDALENE is not just on the vanguard of pop, it’s in a breathtaking class of its own.” FKA twigs has taken a complete approach to every facet of her art and career, and has been honoured with a Webby Special Achievement Award for her “incredible contributions to digital culture and for constantly using the internet to create and distribute experimental art.”  She’s directed and starred in campaigns for Nike, Google Glass, Calvin Klein and Apple, and made her big-screen debut in Honey Boy. About Hiro Murai:  Hiro Murai is an Executive Producer on FX's award-winning series Atlanta and directed seven episodes of Atlanta Robbin’ Season, including one of the most talked-about episodes in television, “Teddy Perkins.” Murai won a PGA Award for Outstanding Producer of Episodic Television, Comedy for Atlanta in addition to receiving three Emmy Award nominations and a DGA Award nomination for the show. Atlanta was recently renewed for a third and fourth season. Last year, Murai won a GRAMMY for Best Music Video for his collaboration with Childish Gambino, 'This Is America', which has garnered over 690 million views on YouTube. Murai has also directed select episodes of HBO’s acclaimed series Barry and recently directed Amazon’s Guava Island, the musical film starring Rihanna and Donald Glover. He also directs and serves as Executive Producer on the upcoming HBO Max series, Station Eleven. Stream / Purchase MAGDALENE: https://fkatwigs.ffm.to/magdalene Praise for FKA twigs - MAGDALENE "Tahlia lays herself so bare you want to cover her up so she doesn’t catch a chill. It’s on repeated listens her ineffable vision becomes clearer — she is a holy mystery unto herself." - Herald Sun, Album Of The Week ★★★★★ "It’s hard to see this as anything less than a landmark work from an artist operating at the height of her power. Befitting its title, Magdalene is a triumph born from nothing less than pure devotion." - The Saturday Paper "FKA twigs’ sonic outlook continues to be one fully defined in her vision." - The Big Issue, ★★★★ "Magdalene is a personal triumph over adversity." - The Music, ★★★★ "FKA twigs is a pioneering voice and leading light." - STACK "a masterpiece” - The Sunday Times  "MAGDALENE is as holistically complete as any pop record released this decade ... an exceptional and empowering account of an artist in full control of their sound." - Loud & Quiet, 10/10 “The avant-R&B artist is an eccentric visionary on her masterful second album.” - Rolling Stone “the experimental pop shapeshifter is mightier than ever” - Pitchfork “Otherworldly FKA twigs might be, but this is a record of real substance” - Q Magazine  “A powerful declaration of creative autonomy” - the WIRE  “Reflective Transcendence” - The Wall Street Journal  “It is an unsparing, anguished release in which we see an artist laid bare and tapping into a more natural and resonant version of her sound and self. It is the fullest and most developed work from FKA Twigs to date.” - The Line Of Best Fit “In tasting despair, Tahliah Barnett has returned 10 times stronger - in spirit and voice" - UNCUT  9/10 “Twigs still finds ferocious power in her music, her femininity, and her sexuality. But on MAGDALENE, she tampers that ferocity with a radical sensitivity and vulnerability that indicate a broader maturation in her artistic development.” –  The Quietus  FBi Radio - Album Of The Week Edge Radio - Recommended  FKA twigs - MAGDALENE 1 thousand eyes  2 home with you 3 sad day  4 holy terrain ft. Future 5 mary magdalene  6 fallen alien  7 mirrored heart  8 daybed 9 cellophane  FKA twigs - MAGDALENE is out now via Young Turks / Remote Control Records.    FKA twigs Website | Facebook | Twitter | Instagram theyoungturks.co.uk remotecontrolrecords.com.au
Music News

FKA TWIGS Collaborates with Hiro Murai on ‘Sad Day’ video Taken from acclaimed second album MAGDALENE Available everywhere now! Premiered exclusively by FX Networks on U.S. national television!

by the partae September 4, 2020
written by the partae

FKA twigs and acclaimed filmmaker Hiro Murai have collaborated to produce a seven-minute fantasy film for ‘Sad Day’, from FKA twigs’ acclaimed second album MAGDALENE. Co-conceived by the pair and directed by Murai, ‘Sad Day’ is Murai’s first music video since his GRAMMY award-winning video for Childish Gambino’s ‘This Is America’ in 2018, which won in the Best Video of the Year category.

The ‘Sad Day’ film is the culmination of three years of training in the art of Wushu for FKA twigs, who originally took up the discipline in 2017 under the guidance of Master Wu of the Shaolin Wushu Centre, the highest-ranking Wushu master in the west. As twigs herself states “everything I’ve previously done with my body, all the training and dancing, has led to this point.” Filmed in FKA twigs‘ London hometown, it sees twigs “finding magic in the city I’ve lived in for over ten years” with the musician and filmmaker starring alongside co-star Teake – who twigs cast through social media – as they battle on the streets of London.

In part inspired by a line in FKA twigs’ ‘Home With You’ (“never seen a hero like me in a sci-fi”) and representing just how far we will go for love, ‘Sad Day’ sees FKA twigs becoming the hero she wanted to see growing up but never saw in mainstream cinema. The video premiered exclusively on national U.S. television by FX, within FXX’s Cake, and is now available for streaming everywhere, including FX on Hulu.

About FKA twigs:
Throughout her career, including three EPs (EP1, EP2 and M3LL155X), her Mercury Prize and Brit Award-nominated debut album LP1, and latest release MAGDALENE, FKA twigs has established herself as one of the most innovative artists, performers, producers, and directors of her generation. MAGDALENE was named one of the best albums of 2019 by outlets including NPR, The Guardian, The New Yorker, Billboard, Complex, PAPER, TIME, USA Today and Vice, among others, and received a GRAMMY Award nomination for ‘cellophane’ as Best Music Video. Pitchfork declared, “with limitlessly innovative songwriting and production, the cinema of twigs’ music has never been more affecting. MAGDALENE is not just on the vanguard of pop, it’s in a breathtaking class of its own.”

FKA twigs has taken a complete approach to every facet of her art and career, and has been honoured with a Webby Special Achievement Award for her “incredible contributions to digital culture and for constantly using the internet to create and distribute experimental art.”  She’s directed and starred in campaigns for Nike, Google Glass, Calvin Klein and Apple, and made her big-screen debut in Honey Boy.

About Hiro Murai: 
Hiro Murai is an Executive Producer on FX’s award-winning series Atlanta and directed seven episodes of Atlanta Robbin’ Season, including one of the most talked-about episodes in television, “Teddy Perkins.” Murai won a PGA Award for Outstanding Producer of Episodic Television, Comedy for Atlanta in addition to receiving three Emmy Award nominations and a DGA Award nomination for the show. Atlanta was recently renewed for a third and fourth season. Last year, Murai won a GRAMMY for Best Music Video for his collaboration with Childish Gambino, ‘This Is America’, which has garnered over 690 million views on YouTube. Murai has also directed select episodes of HBO’s acclaimed series Barry and recently directed Amazon’s Guava Island, the musical film starring Rihanna and Donald Glover. He also directs and serves as Executive Producer on the upcoming HBO Max series, Station Eleven.

Stream / Purchase MAGDALENE: https://fkatwigs.ffm.to/magdalene

Praise for FKA twigs – MAGDALENE

“Tahlia lays herself so bare you want to cover her up so she doesn’t catch a chill. It’s on repeated listens her ineffable vision becomes clearer — she is a holy mystery unto herself.” – Herald Sun, Album Of The Week ★★★★★

“It’s hard to see this as anything less than a landmark work from an artist operating at the height of her power. Befitting its title, Magdalene is a triumph born from nothing less than pure devotion.” – The Saturday Paper

“FKA twigs’ sonic outlook continues to be one fully defined in her vision.” – The Big Issue, ★★★★

“Magdalene is a personal triumph over adversity.” – The Music, ★★★★

“FKA twigs is a pioneering voice and leading light.” – STACK

“a masterpiece” – The Sunday Times 

“MAGDALENE is as holistically complete as any pop record released this decade … an exceptional and empowering account of an artist in full control of their sound.” – Loud & Quiet, 10/10

“The avant-R&B artist is an eccentric visionary on her masterful second album.” – Rolling Stone

“the experimental pop shapeshifter is mightier than ever” – Pitchfork

“Otherworldly FKA twigs might be, but this is a record of real substance” – Q Magazine 

“A powerful declaration of creative autonomy” – the WIRE

“Reflective Transcendence” – The Wall Street Journal 

“It is an unsparing, anguished release in which we see an artist laid bare and tapping into a more natural and resonant version of her sound and self. It is the fullest and most developed work from FKA Twigs to date.” – The Line Of Best Fit

“In tasting despair, Tahliah Barnett has returned 10 times stronger – in spirit and voice” – UNCUT  9/10

“Twigs still finds ferocious power in her music, her femininity, and her sexuality. But on MAGDALENE, she tampers that ferocity with a radical sensitivity and vulnerability that indicate a broader maturation in her artistic development.” –  The Quietus 

FBi Radio – Album Of The Week
Edge Radio – Recommended 

FKA twigs – MAGDALENE1 thousand eyes
2 home with you
3 sad day
4 holy terrain ft. Future
5 mary magdalene
6 fallen alien
7 mirrored heart
8 daybed
9 cellophane

FKA twigs – MAGDALENE is out now
via Young Turks / Remote Control Records.
  
FKA twigs
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JOSH PYKE RELEASES 6TH STUDIO ALBUM ROME - OUT TODAY + SHARES NEW SINGLE & VIDEO I THOUGHT WE WERE A RIVER
Music News

JOSH PYKE RELEASES 6TH STUDIO ALBUM ROME – OUT TODAY + SHARES NEW SINGLE & VIDEO I THOUGHT WE WERE A RIVER

by the partae September 4, 2020
written by the partae
“…Pyke has a knack for crafting melodies that take you out of your malaise, providing comfort and peace.” Jeff Jenkins, Stack Magazine

“…it is up there with his finest work.” 4 stars, Cameron Adams, Herald Sun

Josh Pyke has today released his highly anticipated, sixth studio album, Rome – a collection of 11 songs that captures Pyke’s signature melodies and harmonies, while exhibiting his unique approach to storytelling.  Pyke has also shared his sixth single from the album today, I Thought We Were A River, alongside a beautiful, animated video clip created by his Leg Up Project winner, Lisa Vertudaches.

A moody, introspective, and contempaltive record, Pyke wanted Rome to be a departure from his previous albums, leaning on the place he’d found himself since his last LP But For All These Shrinking Hearts was released 5 years ago. The saying “All roads lead to Rome” became especially poignant to Pyke during this time, as he explains, “We can’t escape who we are, and unless we face it and evolve, we risk becoming ruined civilisations”.  A deeply personal album, Pyke touches on themes of love, loss, acceptance, doubt, anxiety, growth and what ‘home’ is, an aspect sure to resonate with fans and their perception of home given this current COVID-19 pandemic. “Rome started as an album for me. As a way to process things I don’t know how else to deal with. It’s entered the world during a tough time for us all, but I don’t want that to define this record,” Pyke says of releasing the record in the midst of the global crisis, “To say that it’s been challenging releasing music during COVID is a big understatement. Not just because of the difficulties we’re all facing just being a day to day human being during this, not just because of the very real difficulties the music industry faces during this time, but also because as an artist, I’m in love with the art that I create, I think Rome is my best work, and  I want it to flourish, to have a life of its own, and to reach as many people as possible.”

The latest single, I Thought We Were A River is about accepting life for all its flaws and taking control of it.  The video was worked from conception to completion by Lisa Vertudaches, the winner of Pyke’s Leg-Up Project. The project saw Pyke enlist an up-and-coming talent that had faced challenges during COVID-19 to help them create an animation for the track. “The Arts in this country have been underfunded forever, and I just reckon if there’s a chance to do something in a small way, it would be remiss of me not to, since I was the beneficiary of a leg up when I started out,” explains Pyke. “It was awesome to be able to provide an opportunity for a fellow creative during this time, and she’s done a stellar job!”

To coincide with the release, Pyke has collaborated with Crowbar Sydney to release his very own Rome Shiraz, with thanks to Tim Sporal of Minim & Boomtown Wines in Castlemaine (Vic), it is available to order now.

Rome is out now via Wonderlick Entertainment / Sony Music Entertainment Australia

Listen to Rome
Watch video I Thought We Were A River

ROME Tracklist
1. Old Time’s Sake
2. Doubting Thomas
3. I Thought We Were A River
4. Home
5. Still We Carry On
6. Don’t Let It Wait
7. The Closing Eye
8. You’re My Colour
9. I Don’t Know
10. Old Songs Now
11. Where Goes The Girl

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dave the band - 'Slob Stories' Out Now
Music News

DAVE THE BAND RELEASE THEIR DEBUT ALBUM, SLOB STORIES TODAY WATCH THE VIDEO FOR NEW SINGLE, CAPSULE HEAD TO INSTAGRAM FOR ‘WHICH DAVE ARE YOU?’ FILTER ALBUM LAUNCH SHOW TONIGHT!

by the partae September 4, 2020
written by the partae
“dave the band have delivered a no-frills, DIY masterpiece, positioning themselves at the forefront of the Australian punk world. Next step: world domination.” – Hysteria Magazine
“We’re so proud of the music coming out of Australia, and dave the band is undeniably at the forefront of the sound we love.” – Tone Deaf
“dave the band has undoubtedly put itself on the map with this release and you’d be doing yourself a disservice not to check it out. This is a stellar first album from the lads and they’re only just getting started.” – Wall Of Sound

One of Newcastle’s best kept secrets and exciting 3-piece indie-rock band, dave the band, have released their long-awaited debut album, Slob Stories out now via believe. 

Slob Stories was recorded in Chicago with none other than Steve Albini (Nirvana, The Pixies), who perfectly captured the band’s raw energy and brain-to-page intensity of Noah’s songwriting. Building off the promise of a string of early EPs, Slob Stories is a fully realised work of emotional scale and scope and shows a different side to Noah’s song writing.
To celebrate the release, they have released the video for latest single, Capsule. Capsule follows the singles, Ultrahard, Get Smart, Fine! and Where You Are.

“I had the idea for capsule when I heard a friend talking about his trip to Japan where he’d stayed in a capsule hotel. It was written just as winter was ending and I was reflecting on the last few months that had passed. We’ve always been influenced by Cloud Nothings, but this is the track that makes me think of them the most. Gabe and Max are chugging away so hard in the verses that all I need to do is strum each chord once and it feels like the song becomes this living and breathing thing that we are engulfed in when we play it.”Explains vocalist, Noah Church.

 

So, ‘Which Dave Are You?’. Are you Dave Grohl from Foo Fighters? Or are you Dave Le’aupeppe from Gang of Youths OR are you Dave McCormack from Custard, Dave Brubeck or dave.? Well, head to Instagram and download your dave the band filter and find out yourself. Our friends at Pilerats show you how it’s done here.

Tonight, dave the band will be performing 2 album launch shows at The Cambridge Hotel in Newcastle. Tickets for the second show with Mahalia is sold out, but there are a handful of tickets still available for the all-ages show with Milky Thread.

FRIDAY 28 AUGUST
DAVE THE BAND ALBUM LAUNCH SHOWS
THE CAMBRIDGE HOTEL, NEWCASTLE
6PM SHOW 
SUPPORTED BY MILKY THREAD
TICKETS AVAILABLE FROM HERE
7PM SHOW
SUPPORTED BY MAHALIA – SOLD OUT!

Combining a punk, DIY ethos with heartfelt and honest songs, dave the band are much more than your typical rock band, drawing influences from artists such as You Am I, Built To Spill, Pixies and Custard; introduced to them by their music fanatic, vinyl-collecting parents.
dave the band have performed with some of their biggest influences such as You Am I, British India, Dune Rats, The Hard Aches and Bootleg Rascal as well as playing events such as Gumball, No Worries Festival, Moruya (Touch Sensitive, The Vanns), Raave Tapes, Shut Down, The Argyle House (Good Boy, Kwame) and The Cambridge Hotel’s Boxing Day Party (Dear Seattle, Rackett, Maddy Jane).

Newcastle has seen its fair share of loud rock bands over the years, but few have been as raucous and high energy as dave the band in full flight.

BUY SLOB STORIES HERE

 

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Auspicious local bedroom producer SH Gemini today introduces himself with the debut track 'In Your Eyes' out via Medium Rare Recordings. At only 20 years of age 'In Your Eyes' is a compelling and mature debut from this self-taught auteur. Built on a classic house bed the infectious track swells with a texture of synths and deep vocals with a melody that's sure to linger for days. Speaking on the song's creation SH Gemini says "It was born through me just having fun writing music in my bedroom, but with support from the team at Medium Rare, I felt for the first time this ability to finish a song & that it could be the one to set the stage." Honing his craft since the age of ten, it’s a talent he’s nurtured with care and patience and points to a wealth of stellar releases yet to come. SH GEMINI 'In Your Eyes' OUT NOW
Music News

SH GEMINI INTRODUCES HIMSELF WITH DEBUT TRACK ‘IN YOUR EYES’

by the partae September 4, 2020
written by the partae

Auspicious local bedroom producer SH Gemini today introduces himself with the debut track ‘In Your Eyes’ out via Medium Rare Recordings.

At only 20 years of age ‘In Your Eyes’ is a compelling and mature debut from this self-taught auteur. Built on a classic house bed the infectious track swells with a texture of synths and deep vocals with a melody that’s sure to linger for days.

Speaking on the song’s creation SH Gemini says “It was born through me just having fun writing music in my bedroom, but with support from the team at Medium Rare, I felt for the first time this ability to finish a song & that it could be the one to set the stage.”

Honing his craft since the age of ten, it’s a talent he’s nurtured with care and patience and points to a wealth of stellar releases yet to come.

SH GEMINI
‘In Your Eyes’
OUT NOW

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TOTTY REMINISCE ABOUT TOURING ON NEW SINGLE 'SAME BED' + ANNOUNCE 'GARDEN' EP RELEASE
Music News

TOTTY REMINISCE ABOUT TOURING ON NEW SINGLE ‘SAME BED’ + ANNOUNCE ‘GARDEN’ EP RELEASE

by the partae September 4, 2020
written by the partae

“…this follow up EP is TOTTY in full bloom. The Wollongong grunge trio are a life raft for those who prefer their contemplation of restlessness and detachment to be loud and under-polished.” – Rolling Stone Australia

In an ode to a life of touring that once was, TOTTY today reveal their new singe and video ‘Same Bed’, a third glimpse into their rescheduled ‘Garden’ EP which will surface on November 6th via Ratbag Records/BMG. PRESAVE HERE.

‘Same Bed’ speaks to the monotony of touring and travelling from state to state to sleep in what seems like the same hotels, something that the band now look back on fondly. “Same bed is about life on the road, touring from show to show. When you’re traveling every hotel room feels the same and often you’ll drive all through the night to get to the next venue to do it all again.” Singer Kel says, she continues “The song was written last year before COVID with our previous bass player Max. It’s been sad to reflect on that time while in lock down but the song really makes me happy to have experienced it all with some amazing people. I really hope we get to do those tours again soon but it’s so important to stay safe in the mean time.”

Due to the unravelling of 2020 their hotly awaited EP release is a little later than planned and a little lite on the live touring TOTTY love so much but most importantly it’s full of good times, a sentiment summed up by the Rolling Stone review.

Last year the Wollongong shed-rock three piece lifted the lid on the first single from the EP in ‘Lucky’ which immediately resonated with radio. It was swiftly added to rotation at triple j and sat in their Top 50 Most Played for a month, ultimately reaching #13. They then completed their own headline tour full of sold out dates, and fronted the camera for an Aus Music Month shoot with General Pants. The second offering came at the end of last month with the release of ‘Fairies’, a loud and more grungier track showing off their raucous energy.

Never ones to shy away from the tour van, TOTTY spent the start of 2020 on a national tour with Dune Rats, Ruby Fields and Dear Seattle and have played alongside names like SKEGGS, Hockey Dad and Slowly Slowly as well as graced the festival stages of Falls Festival, Yours & Owls, Fairgrounds, Farmer and the Owl and Grow Your Own and they can’t wait to get back out to those same beds soon.

TOTTY
‘Same Bed’
OUT NOW

‘Garden’ EP
OUT NOVEMBER 6TH

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CROCODYLUS DROP NEW SINGLE 'SOCIAL CLIMBER'
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CROCODYLUS DROP NEW SINGLE ‘SOCIAL CLIMBER’

by the partae September 4, 2020
written by the partae

‘Sydney’s Crocodylus are back and they’ve bought a fresh new single with ‘em called “Social Climber”, out today via Bargain Bin Records. 

A jangly garage rock anthem-in-waiting, “Social Climber” shows off Crocodylus at their most dynamic, with the trio thriving within the light and the shade, as the whisper-quiet bits pave the way for the parts so loud they’ll rattle your windows. It’s also Crocodylus’ most poignant song yet, with singer Josh Williams’ refrain of ‘I tried so hard’ a particular point of emotional resonance right before an immense, cathartic breakdown. The single had its first spin last night on triple j’s Home & Hosed and can be heard below.

Frontman Josh Williams explains: “This song’s about being in a relationship with someone who’s climbing the non existent social ladder. It’s about trying to make the relationship work but it all becomes too much. Manipulation and jealousy comes into play as well as some 12 string and organ action. The song was written a few years ago and it’s sick to see it finally recorded with a full band.”

“Social Climber” arrives after a massive start to 2020. Riding high after the release of their 2019 EP, Enjoy, which saw the band tour across Europe with everyone’s favourite ratbags The Chats and culminated with a string of sold out headline shows in Melbourne, Adelaide and their hometown of the Northern Beaches, everything was coming up Crocs until, well, we all know how the story of this year goes… It’s all good though, in the past month Crocodylus slayed some socially distanced live shows in Sydney and Wollongong, with the former’s tickets completely snapped up in just 12 hours.

And in other good news, the band have used their downtime wisely to work on their forthcoming debut album, slated for release in 2021. If you’re not on-board yet, it’s not too late – we saved you a seat.

CROCODYLUS – SOCIAL CLIMBER

STREAM HERE

Crocodylus Band Crocodylus Band
@crocodylusband @crocodylusband
@crocodylusband @crocodylusband
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September 4, 2020 0 comments
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Where are you currently based? West Leederville in Perth. I have a small home studio where I write and record and the band rehearse there.  What's been happening recently and how has your Covid experience been so far? Well we’ve just started to rehearse more because shows are happening again over here so we’ve just been dusting off the saddles. The covid thing didn’t really affect me that much because I don’t really have a life anyway. I’m always in my music room. Business as usual really.  Your new single 'The Reason' is out now, what influenced the sound and songwriting? The funny thing is when you release a song it takes ages to get to that point and was usually written years ago. So I don’t recall what influenced that particular song. I don’t think it would have been anything specific.  How did you go about writing the track? I think I had the main synth hook and chord progression laying around for a little while and then I kinda had a breakthrough with the vocal delivery and then it all just flowed after that. I don’t remember it being a hard song to work out.  Where and when did you record and who with? It was recorded at the start of the year at Blackbird Studios with Dave Parkin. I also recorded some parts at my place.  What programs/equipment did you use? I use Logic. So I will usually have a demo done and then we go into the studio and redo some, or all of it again. I programmed the drum beat you hear at the start in Logic. Then Jamie came in and laid down the live drums. I think the synths were combination of soft synths and a Roland Juno. I used my Telecaster guitar but I can’t remember the amp we used. We use all sorts of equipment I can’t keep track.  Who are you listening to at the moment? Bob Dylan  What do you like to do away from music? I like to play tennis  What's planned for 2020?  More live shows. We will have a video for The Reason coming out soon that we’ve been recording at my place also. I think we might go back into the studio before the end of the year to record more songs that will probably come out in two years time where I get asked questions about them that I can’t remember the answers for. I have a Christmas song that I’ve had around for a long time that I wanna record. Maybe get around to doing that.  Favourite food and place to hangout? Probably Mexican food. The Bird which is a small live music venue where Emma works.  https://open.spotify.com/artist/06dE3zZujjtXjLRhXEVYsx?si=3FLbRV9WQxyN46xegPy56g https://www.instagram.com/bigorangetheband/ https://www.facebook.com/bigorangeband.perth/ https://bigorange.bandcamp.com/ https://twitter.com/wearebigorange
Music News

BIG ORANGE RELEASE BRAND NEW SINGLE ‘THE REASON’

by the partae September 4, 2020
written by the partae

Hailing from Perth, Western Australia, alt-rock group Big Orange return with their new single, ‘The Reason‘.

The brainchild of songwriter and multi-instrumentalist Daniel Davis, they are heavily influenced by the classics such as Tom Petty, Bruce Springsteen and The Rolling Stones. The pop craftsmanship of Daniel’s songwriting is both refreshing and captivating. Following their July release ‘Apocketlipstick’, Big Orange follow up with their new track ‘The Reason’, delivers an upbeat vibe with underlying tones of sadness.

The track’s theme explores addictive love and the emotional battle within.

“It’s a paradox. The source of joy and the source of pain- it’s bittersweet”, says Daniel.

Their roots to hometown Harvey in the south-west of WA inspired the band name and is where they originally formed. Daniel’s vocals and guitar is complemented by life-long friends Tom Garvey on bass, Emma Adams on synths and percussion, and Jamie Gallacher on drums.

The band has maintained a loyal following since inception and has played alongside legends, Big Country, Jebediah and Ash. With extensive national airplay on FBI Radio and Double J, the group has also had regular features in RTRFM’s Sound Selection which landed them in the station’s Top 50 Most Played Tracks of 2018. Big Orange has been featured in Spotify’s ‘Chords & Cardigans’ Playlist and recently been featured in Bandcamp’s ‘New and Notable’ List. 

‘The Reason’ is out NOW.

CONNECT ONLINE WITH BIG ORANGE

https://www.facebook.com/bigorangetheband/

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JAZZPARTY Sign to Remote Control Release Live EP Live At The Evelyn Hotel, "It's Monday Night Somewhere"
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JAZZPARTY Sign to Remote Control Release Live EP Live At The Evelyn Hotel, “It’s Monday Night Somewhere”

by the partae September 4, 2020
written by the partae

Remote Control Records is thrilled to announce the signing of Melbourne’s cult outfit JAZZPARTY. To celebrate the signing, the band have released a live EP It’s Monday Night Somewhere which reminds us live music in Australia is truly unique, necessary and irreplaceable.

The EP features a handful of tracks collected over five years of JAZZPARTY’s infamous Monday Night residencies recorded via Open Live at The Evelyn Hotel.

Picture this, a seemingly quiet Monday night is turned on its head when you walk through the doors of Melbourne music hot spot The Evelyn Hotel. It’s sweaty, packed and you can hear people laughing and shouting, see them drinking and dancing. You can taste the cold beer in these soaked recordings and feel the heat of bodies packed in close. Unrehearsed, slightly unhinged but free to explore and push, this is the band in their element. Their happiest place.

“We decided to release these even though they are imperfect, maybe even a little cringe worthy for us at times” says Loretta Miller, JAZZPARTY’s enigmatic front woman. “This release is about the energy that’s created on these nights, that have allowed us to grow our music naturally in front of an audience. There are times the band will have never heard a tune before and Darcy (Band Leader, Saxophone) will write out a last minute chart and direct and we’ll all just see what happens. It’s risky but it’s the most free and excited I ever feel on stage.”

Sometimes the show is loose, sometimes a soaring triumph and the band thrive on each other’s playful, rowdy, good time energy. The audience is very much the eighth or ninth member of the band because no one can be sure how many players are actually on the stage at a JAZZPARTY gig. In their time as a band JAZZPARTY have brought their euphoric performance to Golden Plains, WOMADelaide, Wave Rock Weekender, Melbourne International Jazz Festival and supported the likes of Lee Fields, Hot 8 Brass Band & Lake Street Dive.

The live recordings feature some of Melbourne’s greatest players and musical guests aplenty, including Harry James Angus, Hue Blanes, Tracey Miller (Loretta’s mother) and Nick Martyn (Las Mar).

JAZZPARTY is Loretta Miller (Vocals), Gideon Preiss (Piano), Donnie Stewart (Trombone and Trumpet), Dom Hede (Drums), Jules Pascoe (Double Bass), Darcy McNulty (Saxophone), Grant Arthur (Trombone) and Eamon McNellis (Trumpet).

Download / Stream via jazzparty.lnk.to/liveattheevelyn

JAZZPARTY – Live At The Evelyn Hotel “It’s Monday Night Somewhere”

1. You Don’t Know What I Go Through
2. Bad Neighbourhood
3. Magic Man
4. I’m Gonna Sit Right Down and Write Myself A Letter
5. Early In the Morning

JAZZPARTY – Live At The Evelyn Hotel, “It’s Monday Night Somewhere” is out now via Remote Control.
JAZZPARTY
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RAJ MAHAL UNLEASHES NEW SINGLE 'GLIMPSE FT. DANTE.KNOWS' + ANNOUNCES FORTHCOMING RAW DAWG EP
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RAJ MAHAL UNLEASHES NEW SINGLE ‘GLIMPSE FT. DANTE.KNOWS’ + ANNOUNCES FORTHCOMING RAW DAWG EP

by the partae September 4, 2020
written by the partae
Photograph by Jordan Munns
PRAISE FOR RAJ MAHAL

“Raj Mahal’s future is dominating our rap world”
Pilerats

“No matter what mood you’re in, Raj will find a way to scream, spit, or sing you right into the middle of the mosh pit”
Acclaim

“The Sydney based rapper fuses bars with elements of punk and electronic, making for a sound that’s perfectly suited for mosh pits.”
Complex

“Raj’s music is uncompromising and unlike anything else coming out of the country right now”
Life Without Andy

Western Sydney via Boston artist Raj Mahal today shares his latest track, ‘Glimpse (ft. Dante.Knows)’, the lead single unleashed from his forthcoming EP RAW DAWG. Listen HERE.

For the Boston born rapper, re-locating to Australia was a decision made to find himself both emotionally and musically. Inspired by his uncles, key members of Boston’s small hip hop scene, Raj Mahal began rapping as a teenager, when pursuing a career in football was his primary focus. Before long, with his family’s influence and an unsuspecting introduction to a producer several oceans away, Mahal put football on the bench and took the plunge. No longer holding back with his drone laced blows, Mahal hopes to craft a lane for hip hop’s formidable storytelling origins to return to the local spotlight.

Produced by Domba, his longtime collaborator and close friend, ‘Glimpse’ is designed to hit the most primal receptors of your brain and body. Melding the experimental electronic stylings of Danny Brown and A$AP Ferg with the hardened, menacing lyrical prowess of Jay Electronica and Chief Keef, the chilly, minimalist production of ‘Glimpse’ pairs a glitching melody with the blown-out bass of a Kenny Beats track and Raj’s deep, guttural rumble of a voice.

Raj Mahal says “Glimpse is raw and nasty, filled with authentic Carribean flavor that influenced my entire childhood, being that my parents are from Haiti and Jamaica. If you grew up as a West Indian in Boston or New York, you’ll know what I’m talking about. If this is what “commercial” Raj Mahal is capable of, then it’s not looking good for these other rappers.”

‘Glimpse’ is a fittingly stark insight into the mental state that birthed the jagged and abrasive RAW DAWG EP, which is set to be the artist’s first major release since 2017’s full-length project, Neva Safe, following on from a string of standalone singles that has seen his stock skyrocket in his adopted country’s hip hop scene. In between then and now, Mahal has collaborated with the likes of Triple One, Nerve, Dro Carey, Yibby and more, has performed as one quarter of Savour the Rations, his group with Gibrillah and Domba, and has opened for Wiley, YG and Smokepurpp on their Australian tours. With the release of RAW DAWG, Raj Mahal promises zero restraint, and has no hesitation making sure you won’t forget it.

‘Glimpse ft. Dante.Knows‘ by Raj Mahal is out now,
buy/stream it here.

Stay connected with Raj Mahal:
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HAPPY. UNVEIL NEW SINGLE 'LIARLIAR' AND ACCOMPANYING LYRIC VIDEO
Music News

Happy. – Unveil New Single ‘Liarliar’ And Accompanying Lyric Video

by the partae September 4, 2020
written by the partae

SUPPORT FOR PREVIOUS SINGLE ‘A CURE FOR WELLNESS’

“It’s through this juxtaposition between the trio’s vibrant melodies and vulnerable lyricism that they demonstrate what a wonderfully important band they are.“
– Rock Sound (UK)

Added to Spotify playlist ‘New Punk Tracks’

Added to Apple Music playlists ‘Breaking Rock’ and ‘New in Alternative’

 


Emo/pop-rock band Happy. have just revealed their latest single ‘Liarliar‘ off their sophomore album ‘Imposter Syndrome‘ – due October 30.

“Each song on our new record ‘Imposter Syndrome’ is a reflection of our experience with it as musicians over the last few years,” explains vocalist/guitarist, Tate Logan. “This includes some of the greatest moments of our entire lives, while others reflect struggle and extreme lows. ‘Liarliar’ is the most honest and straightforward depiction of my experience with depression. We chose to express this visually by breaking the fourth wall between us and our fans. This video is a representation of a therapy session, something I was once extremely familiar with that ultimately saved my life.”

‘Liarliar’ is the third single, following ‘A Cure for Wellness‘ and ‘Sick is the New Sane‘, from the band’s forthcoming new album, ‘Imposter Syndrome’, due out on October 30 via Rude Records. Produced by Marc McClusky (Weezer, Motion City Soundtrack, The Front Bottoms), the album is a narrative on the band’s personal experience with the effects of Imposter Syndrome. They explain, “From the lows of depression, anxiety, and addiction, to the highs of traveling, making friends and living the dream, this record is our everlasting chase for ‘success.’” The album is available for pre-order here: https://happy.lnk.to/impostersyndrome.

Happy. are Tate Logan (vocals), Sean Bowick (drums) and John Palmer (guitar). Formed in 2016 in Columbia, SC, the group launched with their 4-song EP, ‘The Endless Bummer‘, which was later released on tapes through Ohio’s Real Life Cassette Girls Records. Following this release, Happy. spent the next year dissecting their sound and writing new songs, creating music that promotes positivity, personal growth, and self-defined happiness. The result was their 2018 debut full-length album, ‘Cult Classic‘, which was produced by Cartel’s Will Pugh. Now, they are gearing up for the release of their aforementioned sophomore album ‘Imposter Syndrome’, due out on October 30 via Rude Records.

‘Liarliar’ is available worldwide now through Rude Records

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Melbourne’s On Diamond reveal psychedelic new single ‘Candle’– an ominous reflection examining the dangers that present themselves when it comes to ugly, covered up truths
Music News

Melbourne’s On Diamond reveal psychedelic new single ‘Candle’– an ominous reflection examining the dangers that present themselves when it comes to ugly, covered up truths

by the partae September 4, 2020
written by the partae

“A stunning collection of artistically nuanced songs.. On Diamond’s ability to match themes with music becomes more pertinent with each listen.”
★★★★ — Nick Crameri, Sungenre

“This band manages to do something rare these days which is to create/craft a unique sound.. If you want some pointers then it can be described as Murray Street era Sonic Youth in terms of avant rock guitar elements combined with Sandy Denny like vocalese, and in respect of contemporary Aussie music the nearest comparison would be Tropical Fuck Storm, or that band’s predecessors The Drones.”
— Bob Osborne, Aural Delights (UK)

Fearlessly traversing a multitude of genres while probing the deeper parts of the human psyche, Melbourne’s On Diamond return with intriguing new single ‘Candle’. The band broke barriers with their eponymous 2019 debut, featuring the head-turning singles ‘How’, ‘Poison Blood’, and ‘Light’; their genre-defying sound garnering instant success. Now, the beloved quintet are back and excited to reveal their next alt-pop oddity in the introspective mantra that is ‘Candle’.

Out today via Eastmint Records, ‘Candle’ is the first we’ve heard from the band since their critically acclaimed self-titled album earned nominations for The Australian Music Prize and Music Victoria Awards’ Best Album and landed Album Of The Week on RRR, PBS and 4ZZZ. Without skipping a beat, the band’s new single continues with the same impressive momentum, opening with an eerie atmospheric loftiness before breaking into a punchy crescendo of clanging cymbals, psychedelic, reverb-drenched guitar riffs and densely layered ethereal vocals.

“A stunning collection of artistically nuanced songs.. On Diamond’s ability to match themes with music becomes more pertinent with each listen.”
★★★★ — Nick Crameri, Sungenre

“This band manages to do something rare these days which is to create/craft a unique sound.. If you want some pointers then it can be described as Murray Street era Sonic Youth in terms of avant rock guitar elements combined with Sandy Denny like vocalese, and in respect of contemporary Aussie music the nearest comparison would be Tropical Fuck Storm, or that band’s predecessors The Drones.”
— Bob Osborne, Aural Delights (UK)

Fearlessly traversing a multitude of genres while probing the deeper parts of the human psyche, Melbourne’s On Diamond return with intriguing new single ‘Candle’. The band broke barriers with their eponymous 2019 debut, featuring the head-turning singles ‘How’, ‘Poison Blood’, and ‘Light’; their genre-defying sound garnering instant success. Now, the beloved quintet are back and excited to reveal their next alt-pop oddity in the introspective mantra that is ‘Candle’.

Out today via Eastmint Records, ‘Candle’ is the first we’ve heard from the band since their critically acclaimed self-titled album earned nominations for The Australian Music Prize and Music Victoria Awards’ Best Album and landed Album Of The Week on RRR, PBS and 4ZZZ. Without skipping a beat, the band’s new single continues with the same impressive momentum, opening with an eerie atmospheric loftiness before breaking into a punchy crescendo of clanging cymbals, psychedelic, reverb-drenched guitar riffs and densely layered ethereal vocals.

“A truth candle is a magic candle fashioned by the mystics in The Forgotten Realms – a world in Dungeons and Dragons. It acts as a truth serum and all who fall under its power are compelled to tell the truth. This song recalls a moment in my late teens when I learned a painful familial truth. It was extremely jarring but at the same time it revealed the root of a darkness I’d felt my entire life, which in a strange way brought a sense of relief. The song is also a reflection on recognising the ugly, covered up truths present in our society and how we decide to respond to and engage with these truths.” — Lisa Salvo, On Diamond

Comprising an all-star line-up featuring members of Jaala, Grand Salvo and Jazz Party, On Diamond presents an interactive group dynamic both in the studio and on stage. Led by Lisa Salvo with bandmates Scott McConnachie (guitar), Hannah Cameron (guitar/vox), Maria Moles (drums), and Jules Pascoe (bass), On Diamond’s unique and now-quintessential sound includes hints of rock, noise, alt-pop, folk and improvised music, bonded by freedom of expression and experimentalism. ‘Candle’ serves as another example of On Diamond’s fortitude, and their resolve to produce music that is both personal and meaningful to them, and liberating in the many different sounds they work within. As a result, they continue to make their mark on Australian music — more bold and daring than ever.

‘Candle’ is out now via Eastmint Records
Spotify / iTunes / Apple Music / Bandcamp

‘Candle’ Credits
Written by Lisa Salvo, Produced by On Diamond
Recorded in January 2020 by Neil Thomason at Head Gap
Mixed by Joe Talia
Mastered by Adam Dempsey
Photography by Laura Du Ve
Design by Lisa Salvo

September 4, 2020 0 comments
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