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Music News

HACHIKU announces debut album 'I'll Probably Be Asleep' & shares title track
Music News

HACHIKU announces debut album ‘I’ll Probably Be Asleep’ & shares title track

by the partae September 16, 2020
written by the partae
PRAISE FOR HACHIKU

“Hachiku’s globe-trotting has made for more worldly pop, and her songs have a homespun feel that is both intimate and magical, assured and hard to pigeonhole.” – Brooklyn Vegan

“Hachiku’s music sounds like if Wes Anderson recorded Beach House’s second record Devotion.” – The Music

“Her music is brave, bold and extremely well-crafted. Not only the sound and the production, but the writing, while innocent at times, evokes real and raw emotions. Hachiku may well be the Björk of the bedroom pop generation” – SXSW Music Preview

“There is nothing undercooked about this majestic piece of music, a haunting ethereal plod through raw emotion, with Ostendorf’s icy voice rhythmically plucking each syllable.” – The Guardian

Bedroom-producer Hachiku aka Anika Ostendorf returns today with her first original material of the year. The track ‘I’ll Probably Be Asleep’ is a dream-pop jam on yearning for other experiences & feelings with growling guitars, vigorous drum-machines, topped with gentle, omniscient vocals. It’s lifted off her forthcoming debut album of the same title also announced today and set for release on November 13th via Milk! Records / Remote Control Records.

Of the track, Ostendorf says, “In essence, it is like an escapist’s testament about the wish to gain sovereignty over your thoughts. Freud’s id vs superego. The thought of wanting to be part of something but the idea of it being way more enticing than the reality. Musically I wanted it to sound like a chainsaw playing the lead melody in an organ ensemble. It’s the only song on the album that I recorded with the band and their parts really lift it from bedroom pop to stadium power rock.”

The track is accompanied by a video by director Roxie Halley who has worked on many of Hachiku‘s clips. “This being our fourth music video together, we have already established a really dreamy, theatrical and playful visual language, and I wanted to stay true to that. ‘I’ll Probably Be Asleep’ draws on the camp, colourful and psychedelic visuals of cult 70’s horror, while dealing with honest emotional themes at its core” says Halley.

Originally from Germany, 26-year old Ostendorf moved to Australia from London as a biology exchange student. In Melbourne, she found both a job and music community at Milk! Records and expanded her bedroom project into a band. Since releasing her self-titled debut EP in 2017, Hachiku has taken her catchy melodies, highly tasteful, textural guitar playing and shimmering walls of sound across the world touring with the likes of Courtney Barnett, The Breeders, Jose Gonzales, Jen Cloher and Snail Mail, Stella Donnelly, Aldous Harding and Hand Habits across the US, EU and Australia.

Hachiku – ‘I’ll Probably Be Asleep’ (Official Video)
Pre-order / Pre-save Hachiku – I’ll Probably Be Asleep: https://ffm.to/hachikuipba.syz

Hachiku – I’ll Probably Be Asleep is out November 13th via Milk! Records / Remote Control Records
Hachiku
Website | Facebook | Twitter | Instagram
Milk! Records
September 16, 2020 0 comments
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FUTURE ISLANDS share new single & video 'Moonlight'
Music News

FUTURE ISLANDS share new single & video ‘Moonlight’

by the partae September 16, 2020
written by the partae

Third song from As Long As You Are out Oct 9
Tickets for global livestream concert on sale now!

Today, Future Islands have shared ‘Moonlight’, the third new song from forthcoming album As Long As You Are out 9 October via 4AD / Remote Control Records. The song is paired with a video directed by Will Mayer (BADBADNOTGOOD) and starring Matthew Gray Gubler (Criminal Minds, 500 Days of Summer) and Callie Hernandez (La La Land, Alien).

Samuel T. Herring says of the song, “’Moonlight’ is a song about love in a depressive state. It’s about recognising the holes in ourselves and recognising the circular whole of others. ‘Moonlight’ is about acceptance because that’s what love allows us all. “I couldn’t see, I had a cloud in my arms, but if I asked you would you say, It’s only rain, nothing more.””

To coincide with the release of their sixth full-length album As Long As You Are, Future Islands will perform their only show of 2020 which will be livestreamed to Australian audiences on Saturday 10 October at 8PM AEST. The Baltimore group have been road warriors for over a decade, touring extensively every year without fail, but 2020 is the first year the band will not hit the road since 2008. Instead, for their 1,235th live show, the group will move online for a one-off global livestream event. ‘A Stream of You and Me’ will be filmed in Maryland and feature a bespoke one-off light show created by light artist Pierre Claude (The Strokes, Phoenix, Gesaffelstein). The broadcast will be directed by Michael Garber (Phoenix, Bon Iver, Kamasi Washington). For further details, and to purchase tickets, head to Handsome Tours.

As Long As You Are looks to the past as well as the future, confronting old ghosts and embracing a new hope. It is an album about trust, full of honesty, redemption and “letting go”, allowing old wounds to heal and bringing painful chapters to a close. The album features previously released singles ‘Thrill’ and ‘For Sure’. Signalling a new era for Future Islands, touring drummer Mike Lowry officially joins as a fully-fledged member and songwriter bolstering the founding trio of William Cashion, Samuel T. Herring and Gerrit Welmers. Together, the four-piece took on official production duties for the first time, co-producing As Long As You Are with engineer Steve Wright at his Wrightway Studios in Baltimore. Given time to allow the songs to slowly come to life, these 11 new songs of post wave synth-pop are as euphoric and uninhibitedly joyful as anything the band has done in their 14-year career.

As Long As You Are will be available digitally, on CD, standard black vinyl, petrol blue vinyl (4AD and indie stores only), fluorescent orange vinyl (band store only) and cassette (4AD Store, band store and US indies only). To pre-order, head to futureislands.ffm.to/aslongasyouare.

Future Islands – As Long As You Are is out Friday 9 October
via 4AD / Remote Control Records.
Future Islands
Website | Facebook | Twitter | Instagram
4AD.com
remotecontrolrecords.com
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Music InterviewsMusic News

Caspia

by the partae September 16, 2020
written by the partae
Where are you currently based?

Currently based in Brunswick Heads, Northern NSW.

 
What’s been happening recently and how has your Covid experience been so far?
 

When this time came upon us, I had a mini freak out and decided to get up at 5AM everyday, run 6km and write for an hour. For 10 weeks, 6 days a week. It was kind of my way of being able to control something in a time that had completely collapsed. It was a hectic time but I found great clarity and ultimately created a whole new sense of value on sleeping in!


How did you first start playing music?
 

Music was my teenage angst outlet. I picked up a guitar at 13 and remember vividly walking into my teachers studio and he was playing Little Wing by Jimi Hendrix. I new it was all over when I heard that intro.


Your new single ‘Trick Of The Light’ is out now, what influenced the sound and songwriting?
 

The main sonic influence on this song was my previous single ‘Alone’ . We’d recorded that the day before and when we came in the next day, we decided to write this song in aq similar session using an iNtimate piano sound, drenched in analogue synthesiser. Kind of my heaven TBH.

 
How did you go about writing the single and who did you work with?
 

The song was written by Joel Quatermain and myself. He’d ducked out to grab coffee and the chords had formed some structure. By the time he’d come back, he picked up the lyrical direction and we we’re off. Finishing the song at 1:00am in a north Melbourne pub, scrawling something dodgy down on a beer coaster.

 
How did you approach the songwriting process?
 

The songwriting process on this song was unusual to how I normally work. When you set out to ‘Write a song’, There’s a lot of factors involved. The main one for me is who I’m working with. As Joel and I already have a great friendship, this song was basically an extension of a lot of conversations around the concept of saying you’re OK when really you’re not.

 
What did you find most challenging and rewarding during the creation of Trick Of Light?
 

The most satisfying for me was on the final day of tracking, the song was pretty much complete. It’s hard to describe the feeling of when you feel something is missing because sometimes its just a feeling. But we trusted, set the mic up and I sang a few harmonies that now reside in the chorus. This was a massive win as its probably one of my favourite aspects of the song. Solidifying the notion of trusting your gut.

 
Where can we listen?
 

All the good place, Spotify, Apple Music, youtube, the radio.

 
What do you like to do away from music?
 

I’m a birding enthusiast! So I spent most of my time away from the studio, with an old camera trying to track down some real beauty’s. It helps me clear the mind and be engulfed in something truly special. 

 
Who are you listening to at the moment?
 

I’m in love with the new Sufjan Stevens song, Video Game. I’ve always been a massive fan and now, after 15 years since releasing an album like ‘Illinois’, to come out with thIS? I’m blown away.

 
What’s planned for the remainder of 2020 going into 2021?
 

Good question, right now it’s just about writing and getting better at my craft.

 
Favourite food and place to hangout?
 
Fav food hangout would have to be Old Maids in Brunswick Heads. Burgers are next level!

https://www.instagram.com/caspiamusic/

https://www.facebook.com/caspiasounds/
September 16, 2020 0 comments
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A record number of people visited Moscow Music Week 2020 Moscow Music Week 6th annual showcase festival and conference took place in Moscow from 2nd to 5th September with over 100 artists distributed across 24 thematic showcases and over 5000 visitors — a record number for MMW, which is especially remarkable considering the pandemic year with all its cultural events cancellations. Online showcases with live streams from Budapest, from the Moscow events and the live stream of MMW x IMI 2020 educational program were watched 55K times, which not only significantly enlarged the audience and festival’s borders, but also offered an opportunity to partially «visit» the festival to people outside Moscow. Festival’s program presented a diverse multi genre line-up (MMW special feature often compared with American analogue — SXSW, which take place since 1987): from Caucasian peoples traditional music, contemporary fem-punk and new Russian wave to jazz, experimental improvisation and techno within day and night events. Among MMW musical program participants are Turkish band Lalalar, CENTR, Hadn Dadn, SOYUZ (Belarus), Bad Zu, Zaur Nagoev, Intourist,  Lucidvox, Fardi, USSSY, CEO Of Everything, Dima Midborn, Wooden Whales, Lutik and many more. No matter how niche each of the offered directions of the music scene was (each wrapped in one or the other showcases), Moscow Music Week managed to get a full-house — organizers report about clubs and conference space full of people. Eugeniy Gorbunov (Intourist and Glintshake bands participant): «MMW 2020 was very soulful. Like all that could happen considering all oddities of this year, the festival gained humble homey form and helped to take some kind of stock of the last several years, which very much changed Russian independent scene. It had a very soothing effect on me — it became obvious that all artists are very different, that there’s no one paradigm (like pervasive post-punk in 2014), at the same time everyone is on one common creative wave, nobody competes no one (at least at the moment) and everyone feel like a part of cool company and at the same time of a boundless chaos, where everything can happen. I see that together we create a new enabling environment for society consciousness evolution. Young musicians today are much more conscious and responsible than 10 years ago, and further it will get better». Participating in MMW 2020 for many artists became the first performance after quarantine and let not only perform at one of the main stages of the country and show themselves to music journalists, promoters, booking agencies and labels representatives, but also reconnect live communication with listeners. Nikita Rasskazov (V-A-C foundation showcase curator): «MMW 2020 became a restoring connection event not only between artists and listener, but also with «workmates». If one can maintain dialogue online, for the others it’s very important to communicate within reality, which in turn often leads to the birth of new ideas and creation of the music of the future». Moscow Music Week x IMI (Institute of the Musical Initiatives — main partner of MMW educational program) conference program gathered musical industry professionals, who discussed the most vital and pressing issues affecting Russian market players including music distribution, digital marketing, working with streaming services and much more, in a difficult year that has changed the course of the industry. Among the themes raised within conference by representatives of the Russian and foreign clubs and festivals, marketing agencies, streaming and record labels were such topics as the search for a balance between creative work and management; future of the festivals in the terms of new reality, what will happen if restrictions will continue for the next year and how the events economy will change; how the perception of the clubs changed and do they have the ability to secure visitors from COVID; whether the musical spaces lost their credibility and many more. Among lectors, moderators and open tables participants were: Pavel Kamakin — partner of 16 Tons company group and eponymous club art director, Daria Shulga — Afisha Picnic director, Ksenia Shapovalova — Melnitsa agency and Park Live festival marketing director, Gleb Lisichkin — ONErpm digital distribution international company marketing director. Tatiana Makarova (MMW x IMI 2020 conference director): «The main target of the festival and conference was to create a strong, independent musical community. And despite all twists and turns, already now we can say with confidence that we are on the way to reach it. There is a lot to be done, but the foundation for the industry in Russia to develop, improve and become independent has already been laid». Once again, the organizers of Moscow Music Week showed a cut of the young Russian scene, presented new names that will potentially be popular tomorrow to the visitors and proved that love for music can break all obstacles and overcome any restrictions. FACEBOOK INSTAGRAM VKONTAKTE
Festival NewsMusic News

Moscow Music Week announces conference and full line up

by the partae September 16, 2020
written by the partae

A record number of people visited Moscow Music Week 2020

Moscow Music Week 6th annual showcase festival and conference took place in Moscow from 2nd to 5th September with over 100 artists distributed across 24 thematic showcases and over 5000 visitors — a record number for MMW, which is especially remarkable considering the pandemic year with all its cultural events cancellations. Online showcases with live streams from Budapest, from the Moscow events and the live stream of MMW x IMI 2020 educational program were watched 55K times, which not only significantly enlarged the audience and festival’s borders, but also offered an opportunity to partially «visit» the festival to people outside Moscow.

Festival’s program presented a diverse multi genre line-up (MMW special feature often compared with American analogue — SXSW, which take place since 1987): from Caucasian peoples traditional music, contemporary fem-punk and new Russian wave to jazz, experimental improvisation and techno within day and night events.

Among MMW musical program participants are Turkish band Lalalar, CENTR, Hadn Dadn, SOYUZ (Belarus), Bad Zu, Zaur Nagoev, Intourist,  Lucidvox, Fardi, USSSY, CEO Of Everything, Dima Midborn, Wooden Whales, Lutik and many more.

No matter how niche each of the offered directions of the music scene was (each wrapped in one or the other showcases), Moscow Music Week managed to get a full-house — organizers report about clubs and conference space full of people.

Eugeniy Gorbunov (Intourist and Glintshake bands participant): «MMW 2020 was very soulful. Like all that could happen considering all oddities of this year, the festival gained humble homey form and helped to take some kind of stock of the last several years, which very much changed Russian independent scene. It had a very soothing effect on me — it became obvious that all artists are very different, that there’s no one paradigm (like pervasive post-punk in 2014), at the same time everyone is on one common creative wave, nobody competes no one (at least at the moment) and everyone feel like a part of cool company and at the same time of a boundless chaos, where everything can happen. I see that together we create a new enabling environment for society consciousness evolution. Young musicians today are much more conscious and responsible than 10 years ago, and further it will get better».

Participating in MMW 2020 for many artists became the first performance after quarantine and let not only perform at one of the main stages of the country and show themselves to music journalists, promoters, booking agencies and labels representatives, but also reconnect live communication with listeners.

Nikita Rasskazov (V-A-C foundation showcase curator): «MMW 2020 became a restoring connection event not only between artists and listener, but also with «workmates». If one can maintain dialogue online, for the others it’s very important to communicate within reality, which in turn often leads to the birth of new ideas and creation of the music of the future».

Moscow Music Week x IMI (Institute of the Musical Initiatives — main partner of MMW educational program) conference program gathered musical industry professionals, who discussed the most vital and pressing issues affecting Russian market players including music distribution, digital marketing, working with streaming services and much more, in a difficult year that has changed the course of the industry. Among the themes raised within conference by representatives of the Russian and foreign clubs and festivals, marketing agencies, streaming and record labels were such topics as the search for a balance between creative work and management; future of the festivals in the terms of new reality, what will happen if restrictions will continue for the next year and how the events economy will change; how the perception of the clubs changed and do they have the ability to secure visitors from COVID; whether the musical spaces lost their credibility and many more. Among lectors, moderators and open tables participants were: Pavel Kamakin — partner of 16 Tons company group and eponymous club art director, Daria Shulga — Afisha Picnic director, Ksenia Shapovalova — Melnitsa agency and Park Live festival marketing director, Gleb Lisichkin — ONErpm digital distribution international company marketing director.

Tatiana Makarova (MMW x IMI 2020 conference director): «The main target of the festival and conference was to create a strong, independent musical community. And despite all twists and turns, already now we can say with confidence that we are on the way to reach it. There is a lot to be done, but the foundation for the industry in Russia to develop, improve and become independent has already been laid».

Once again, the organizers of Moscow Music Week showed a cut of the young Russian scene, presented new names that will potentially be popular tomorrow to the visitors and proved that love for music can break all obstacles and overcome any restrictions.

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September 16, 2020 0 comments
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COSMIC GATE ANNOUNCE TWO-PART DIGITAL CONCERT SERIES TO TAKE PLACE THIS OCTOBER!
Festival NewsMusic News

COSMIC GATE ANNOUNCE TWO-PART DIGITAL CONCERT SERIES TO TAKE PLACE THIS OCTOBER!

by the partae September 16, 2020
written by the partae

Stream Dates: October 3rd & October 17th
Ticket Link: cosmicgate.tixr.com

When its come to creatively streaming their way through lockdown, Cosmic Gate have known few bounds. From New York City’s rooftops to initiating Miami’s balcony raves, where there’s been a Cosmic will, there’s been a Cosmic way.

In October though, Nic & Bossi will go beyond the simply groundbreaking to take premium-livestreaming to its zenith. Long story short: if you can’t come to Cosmic Gate, Cosmic Gate are gonna come to you. And better yet, in the comfort of your own home! CG will perform two concerts from Miami’s The Temple House dream-factory – a place where the only real limitation is the artist’s imagination. Globally recognised and award winning for its 360-degree projection mapping, the venue will host the concerts in their digital environment, delivering shows the exact likes of which have never been seen before.

On Saturday October 3rd, Cosmic Gate will perform For Your Mind – a two-hour concert, backed  – or more accurately mapped – by retina wowing, purpose-created visuals. Featuring a wealth of new and exclusive CG-composed music, each track will be accompanied by its own thematic take-you-there graphics. Music featured will include new Cosmic Gate & Andrew Bayer collab ‘The Launch’, as well as the CG remixes of Andrew Rayel’s new single ‘Everything Everything’ and their exceptional take on Joe Smooth’s endlessly hope-filled ‘Promised Land’. Also playing their part will be recent CG releases ‘Universal Love’ & ‘Your Mind’, and the desk-hot latest & greatest from trance music’s highest-achievers. Two weeks later on Saturday October 17th Nic & Bossi will be back with their second concert The Classics (more details of which will follow). You can check out this amazing teaser video and catch a glimpse of what’s in store here!

Living in different cities and unable to meet during lockdown has been a surreal experience for two artists accustomed to spending 50 weeks a year together. The concerts will be the first time Nic & Bossi have spun together in six months, doubtless adding an extra expectation to the performance.

Nic says: “naturally we hold out hope that the current situation doesn’t rule out every event for the rest of 2020. Like many though, we don’t like the way it’s looking”. Bossi continues: “we live to play for our fans and if we have to be creative to do that, that’s what we’re gonna do. So we’re doing two unique events that’ll allow us all to club ‘apart-but-together’ in the absolute mask-free safety, and with the added thrill that we’re going to be able to take you hundreds of ‘places’ we otherwise couldn’t!” Talking about the venue, Nic continues: “The Temple House is a place where – digitally – our wildest ‘wanna-play-there’ dreams come true. So for two Saturdays in early autumn, push back your couch, zoom up the brightness (& volume!) and join us for some shows that’ll bring us together for an experience we’ll never forget!”

Tickets for Cosmic Gate In Concert are $9.99 USD for each show or $15.99 USD for both events, with limited early bird tickets (at a 20% discount rate) available now through cosmicgate.tixr.com . You can find regional streaming times for the show below, which will also be available to watch/re-watch video-on-demand-style two hours after their first broadcast.

Berlin 12.00am CET
New York 6.00pm EST
Los Angeles 3.00pm PST
Melbourne 8.00am AEST
Singapore 6.00am SGT

Tixr’s live chat will also be enabled, allowing you to talk with friends locally and internationally throughout the show. Limited virtual meet & greet tickets are also available, allowing you and other fans from around the world to video-chat to Nic & Bossi just prior to concert time. The site’s also carrying a limited edition merchandise line featuring a dedicated t-shirt, Cosmic Gate In Concert flag and CG’s most recent album, ’20 Years: Forward Ever Backward Never’.

Cosmologists: its time for us come together as one and make livestreaming special again! Cosmic Gate bring the party to your place October 3 and October 17. More details at cosmicgate.tixr.com

For more information check socials:
www.facebook.comm/cosmicgate
www.twitter.com/cosmicgate
www.instagram.com/realcosmicgate

September 16, 2020 0 comments
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podcast with Spike (Me First and the Gimme Gimmes)
Music News

Podcast with Spike (Me First and the Gimme Gimmes)

by the partae September 16, 2020
written by the partae

https://overcast.fm/itunes1512911888/strano-podcast

www.stranopodcast.com

September 16, 2020 0 comments
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Music InterviewsMusic News

A Is For Arrows

by the partae September 16, 2020
written by the partae

Where are you currently based?

Toronto, Ontario

How did you first start playing music?

My mom put me in guitar lessons when I was younger and I actually hated them! Crazy, right? It made me put the guitar down for years. Funny that I’d figure out my passion was music years later. After I graduated highschool, I started putting covers up on youtube and that was it! I was in love with music. I didn’t want to do anything else, especially when I started writing my own lyrics.

What’s been happening recently and how  has your Covid experience been so far?

A lot of writing, my goal right now is one song a day! The covid experience has been an emotional rollercoaster for sure. At the beginning it was tough, my anxiety was pretty bad- I had a lot of fear around the whole situation, but as time went on I started to get into a great routine. I learned how to manage my anxieties by exercising more frequently…also, I go for long walks and listen to new music and I’ve been connecting with friends(distanced and outside). Finding ways to make this new normal feel like the old normal.

Your new single ‘Can’t Stop’ is now, what influenced the sound and songwriting?

YES! Well, I’m obsessed with arpeggiated bass. If I could have it in every song, I would. At the time, I was listening to a lot of ‘Now, Now’ – they’re this amazing indie band that I love. I was inspired by their lo-fi 80’s pop sound, so at first I wasn’t even trying to write a song. I was just trying to produce a beat that kind of emulated what the songs on their album made me FEEL. They made me feel care-free, that hands up, driving through the night, wind in your hair type of vibe.  

How did you go about writing ‘Can’t Stop’?

After I made the beat, It kind of sat there for a while, not really inspiring anything but one day, out of nowhere -one line and a melody popped into my head. “can’t stop lovin you” just spilled out. A couple months after that, I held a writing camp in a log cabin in the middle of the woods with zero reception (a recipe for a horror film) and finished the song with my artist/producer friends. I think it’s pretty obvious what it’s about haha. It was just one of those songs that had to be written. 

Where and when did you record and who with?

The song was actually written last November 2019. It stayed a demo until the middle of July 2020. In order to get this song to the world, we basically worked every night for a month. Late nights trying to get it right!  I worked with one of my writing partners Ben Nudds and producer Joel Stouffer. Ben was there for all of my vocal booth breakdowns haha.

What programs/instruments did you use?

I use logic when I demo a song or a beat. I usually play some guitar and the rest are programmed instruments!

What do you like to do away from music?

Photography 

Who are you listening to at the moment?

Dominic Fike

What’s planned for the remainder of 2020 going into 2021?

Work, work, work, work, work… and i’m so down for it. 

Favourite food and place to hangout?

Pho is my favourite food right now. Probably always haha! My favourite place to hangout is definitely my place of course! Couldn’t find a better vibe!

 

https://www.facebook.com/aisforarrows

September 16, 2020 0 comments
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Follow & Stream RICHARD Facebook | Twitter | Instagram Amazon Music | Apple Music | Spotify | YouTube
Music News

RICHARD RETURNS WITH LATEST SINGLE ‘THE ONE’

by the partae September 16, 2020
written by the partae

AVAILABLE FOR STREAMING AND DOWNLOAD HERE

With silky vocals and heartfelt songwriting, Vancouver pop artist Richard returns with his hopeful new single “The One“. Sure to be one of the next biggest voices on the Canadian pop scene, “The One” is available today on all major streaming platforms.

STREAM “THE ONE” HERE

On the new track, Richard notes:
“The One is a very important song to me. It was the first song written and recorded out of all of the sessions I’d done last year. This song is about falling in love. Sometimes we are in a position in life where we need change or help, and sometimes you stumble upon ‘The One’ to make that change.“

Richard’s new single follows his early 2020 release “Proud,” an anthemic tribute of appreciation to the strong women who surround him in life, which garnered over 330K streams across platforms. The two singles prelude his upcoming debut album, Richard, a stunning full-length debut which was co-written and recorded between Vancouver and L.A. alongside veteran songwriters Brian Howes, JVP, and Ryan Stewart.

This charismatic pop recording artist, singer/songwriter and guitarist builds on a CV already stacked high with countless accolades and awards, two EPs, and performances on marquee stages from Toronto to Los Angeles and many points in between as both headliner and sought-after supporting artist.

A 2019 recipient of the 25 Under 25 Award from the Surrey Board of Trade as well as a Surrey Arts & Business Award in the music category, Richard’s most recent achievements include, the 2018 Don Weldon Memorial Award at the Calgary Stampede, a Peninsula Arts Foundation Scholarship, plus recently stateside songwriter’s retreats and vocal camps, high-profile management with K Music Management, and countless competitions, video shoots, writing sessions and event hosting gigs.

For more information, please visit www.richardmusicofficial.com

Follow & Stream RICHARD
Facebook | Twitter | Instagram

 Amazon Music | Apple Music | Spotify | YouTube

September 16, 2020 0 comments
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SUPERLOVE UNVEIL NEW SINGLE ‘THINK ABT U’
Music News

SUPERLOVE UNVEIL NEW SINGLE ‘THINK ABT U’

by the partae September 15, 2020
written by the partae

SUPPORT FOR ‘THINK ABT U’

“Blending the most gut-busting of riffs with one of the most sing-along ready choruses you will hear all year, they have delivered a real statement of intent that will be stuck in your frontal lobe for weeks on end.”
– 
Rocksound (UK)

Premiered on Kerrang! Radio


Bristols exciting noise-pop band Superlove are back with their new single ‘THINK ABT U‘.

The band, who recently signed to Rude Records, will release their new EP later this year which will include ‘THINK ABT U’ and their first single ‘I Love It‘. This follows their previously self-released material which has garnered over 400,000 streams to date & found them fans within the alt rock scene after sharing stages with Roam, Dream State, Stand Atlantic & Vukovi.

SUPERLOVE are:
Jacob Rice – lead vocals and bass
Jon Worgan – guitar and vocals
Alex Matthews– drums

Stay tuned for more new music coming soon and touring information for 2021.

‘THINK ABT U’ is available worldwide now through Rude Records

FOLLOW SUPERLOVE

FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | APPLE MUSIC

September 15, 2020 0 comments
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LONDON TOPAZ ANNOUNCES STREAM FROM AVALON AIRPORT HANGAR PRESENTED BY UNTITLED GROUP
Festival NewsMusic News

LONDON TOPAZ ANNOUNCES STREAM FROM AVALON AIRPORT HANGAR PRESENTED BY UNTITLED GROUP

by the partae September 15, 2020
written by the partae

SATURDAY 19TH SEPTEMBER: 8PM AEST 

(3AM PDT, 11AM BST)

LOCATION: LONDON TOPAZ FACEBOOK PAGE

IMAGES & ASSETS

“London Topaz refuses to drown in lockdown” – Mikey Cahill (The Age)

“Taps into emotion and also movement the same way a Hayden James, or RÜFÜS DU SOL track would.” – Purple Sneakers

“London Topaz is his own force, and isn’t just another producer following in the footsteps of his predecessors.” – Happy Mag

“His music feels like an organic extension of himself, and his desire to portray this energy throughout his art is infectious.” – PONDER

After featuring on Untitled Group’s Virtual Day Party series, which saw more than half a million households tune in globally, London Topaz is giving us a glimmer of joy, announcing he will be broadcasting a special one-off headline stream from the Avalon Airport Hangar. London Topaz is providing the opportunity for music lovers to connect with each other whilst confined to their homes. The stream will be presented by Untitled Group, Baxter Vodka, Red Bull and Soda Shades.

Filmed from the monumental 8400sqm Avalon Airport Hangar kitted out with Untitled Group’s signature expanse of impressive lighting and production, London Topaz will be showcasing his versatility with deep melodic sounds entwined with some of his own signature productions.

With a style reminiscent of top-tier electronic artists such as RÜFÜS DU SOL and Disclosure, London Topaz’s sound has captured the attention of dance music enthusiasts globally. Building on his impeccable discography that has already clocked over 3 million streams, 2020 has seen London Topaz release successful tracks such as ‘Be Mine’ and ‘Drown’.  Despite the pandemic he has reached new heights this year, with releases being supported by triple j (click here for recent triple j Mix Up) and a series of out-of-this-world performances including Untitled Group’s Virtual Day Party alongside Dom Dolla & Torren Foot, Beyond The Valley, For The Love, as well as a sold out headline show.

Curating a profound, raw and emotive force, join London Topaz on Saturday 19th September at 8PM AEST.

RSVP HERE

(Facebook event going live at 4:30PM AEST)

FACEBOOK | INSTAGRAM | TWITTER | SOUNDCLOUD | SPOTIFY 

September 15, 2020 0 comments
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BIGSOUND announces 2020 keynotes: Tom Morello, Kev Carmody, Tones And I, Amy Shark, Nat's What I Reckon + more!
Festival NewsMusic News

BIGSOUND announces 2020 keynotes: Tom Morello, Kev Carmody, Tones And I, Amy Shark, Nat’s What I Reckon + more!

by the partae September 15, 2020
written by the partae
BIGSOUND 2020 has dropped the mic on its first (and hopefully last) ever 100% virtual program on October 21 and 22, bringing together a stacked first announcement of keynote presenters to lead a program to re-future a challenged industry with positivity, connection and reality.
Tom Morello (Rage Against The Machine, Audioslave, Prophets Of Rage, the Nightwatchman) leads the first announcement with a presentation exploring his life as a musician and activist. BIGSOUND will also host a line up of special in-conversation sessions with the legendary Kev Carmody and ARIA-award winner Amy Shark, as well as a keynote presentation from global superstar Tones And I. Rhoda Roberts and Ziggy Ramo will discuss the Indigenous future of the music industry while American Grammy-nominee Mumu Fresh will discuss career, community and survival in 2020.
BIGSOUND will also welcome Australia’s hero of COVID, culinary crusader Nat’s What I Reckon, who will present an exclusive BIGSOUND cooking show. I OH YOU’s Johann Ponniah will zoom by for a keynote, while globally respected tour and production manager and founder of CrewCare Australia Howard Freeman (Big Day Out, INXS, AC/DC, Eminem, Neil Young, Prince, Rolling Stones) will host a poignant session exploring the hard realities of life on the road, the impacts it has on mental and physical health, and creating a culture of help-seeking.
“Join me at BIGSOUND to talk music, activism, and how the guitar can be a divining rod for truth and justice. The world is at a dangerous crossroads and it’s time to feed the poor, fight the power, and rock the f**k out.” – Tom Morello
—————————————————————————————

“Very few artists radiate and live their purpose the way that Tom Morello does, his power, conviction and guitar shredding sound is like no other”, said BIGSOUND Creative Director Janne Scott. “This keynote is a personal dream of mine and an absolute privilege for BIGSOUND to present, delivered at a time when we could all use a little Morello magic.”

With COVID-19 restricting travel, BIGSOUND 2020 will be the first event in its 19 -year history to go completely free and virtual, in recognition of the difficult times the industry is currently facing and the need more than ever to have a place to come together regardless of location or means. With over 2,000 already registered, the virtual space will enable BIGSOUND’s panel discussions, keynotes and seminars the ability to reach and connect with more people than ever before.
“BIGSOUND has been the meeting place of the music community for nearly two decades and the determination for this event to not only go ahead, but to thrive in a virtual environment is essential for our industry.” said QMusic CEO Angela Samut.
“BIGSOUND has been a leader for years in looking to future business models, mental health and a place of fairness and justice for First Nations peoples working in the music industry as well as giving tomorrow’s Australian icons a platform to learn and be discovered. Never have these things been more important. Never has BIGSOUND been more important.”
BIGSOUND’s second announcement and full program schedule will be unveiled at the end of September along with The BIGSOUND50, this year’s hottest Australian artists who will be exposed to the world and participate in a national and international networking program designed for the times.
BIGSOUND’s First Nations House in partnership with Spotify will also be a key feature of the full program, offering important discussion, learning and understanding, as well as showcasing some of our finest First Nations talent from around the country.
“BIGSOUND 2020 is the perfect opportunity for the music community to come together and take stock of where we find ourselves both nationally and globally after the last six tumultuous months” said Conference Programmer Tom Larkin.
“Featuring some of the most prolific Keynotes we have ever programmed, the conference itself will lead conversations around future facing concepts that are brave, nuanced and shine a light towards recovering a more sustainable industry.”
FREE registration for BIGSOUND 2020 is now open at www.bigsound.org.au
BIGSOUND 2020 FIRST KEYNOTE SPEAKER ANNOUNCEMENT
Tom Morello
Kev Carmody
Tones And I
Amy Shark
Rhoda Roberts
Ziggy Ramo
Nat’s What I Reckon
Mumu Fresh
Howard Freeman
Johann Ponniah
WEBSITE  | FACEBOOK  |  INSTAGRAM |  TWITTER
September 15, 2020 0 comments
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Today, Sydney punk rock band Kids Of Yesterday announce their debut album Escape Planet, to be released Friday November 6. The first single to drop is the punk rock banger Reefer Madness.  Reefer Madness draws heavy influence from the film of the same name released in the 1930's and seeks to undo the damage it caused to an industry that could quite literally save our species. The song harps back to the classic punk of Bad Religion, NOFX with a touch of Frenzal Rhomb. Reefer Madness introduces listeners to Kids Of Yesterdays comedic side. Kids of Yesterday is the brainchild of singer/ guitarist / chief songwriter Duncan Davidson. The band first formed in 2010 in the jam room of a Tempe share-house. Over the years founding members Duncan Davidson and Joseph Lamond have been joined by many talented musicians in the line up, as the band gigged frequently throughout Sydney, while self-releasing several EPs.  2020 saw the band enter The Grove studios on the central coast of NSW to record their debut album with producer Jack Nigro (DMA's, Skegss, Vacations). The result being one of the best punk rock albums to come out of Australia in a very long time.
Music News

Kids Of Yesterday Announce Debut Album Escape Planet

by the partae September 15, 2020
written by the partae

Today, Sydney punk rock band Kids Of Yesterday announce their debut album Escape Planet, to be released Friday November 6. The first single to drop is the punk rock banger Reefer Madness.

Reefer Madness draws heavy influence from the film of the same name released in the 1930’s and seeks to undo the damage it caused to an industry that could quite literally save our species. The song harps back to the classic punk of Bad Religion, NOFX with a touch of Frenzal Rhomb. Reefer Madness introduces listeners to Kids Of Yesterdays comedic side.

Kids of Yesterday is the brainchild of singer/ guitarist / chief songwriter Duncan Davidson. The band first formed in 2010 in the jam room of a Tempe share-house. Over the years founding members Duncan Davidson and Joseph Lamond have been joined by many talented musicians in the line up, as the band gigged frequently throughout Sydney, while self-releasing several EPs.

2020 saw the band enter The Grove studios on the central coast of NSW to record their debut album with producer Jack Nigro (DMA’s, Skegss, Vacations). The result being one of the best punk rock albums to come out of Australia in a very long time.

KIDS OF YESTERDAY – ESCAPE PLANET – FRIDAY NOVEMBER 6
TRACKLIST1. Twenty Fifteen (This is the Year)
2. Reefer Madness
3. Cause Tomorrow
4. Horsin’ Around
5. Saviour Tales
6. In Teh Net
7. OH MY GAIA!
8. Hell Sells
9. Take a Look
10. Gorilla War
11. To The Light (Phase Transition)
12. The Directors Cut
13. Woman of Stars
14. Illumination
15. Mad World
16. Escape Planet

ABOUT KIDS OF YESTERDAY

Sydney-based punk rock band KoY (Kids of Yesterday) first formed in 2010 in the jam room of a Tempe share-house. Over the years founding members Duncan Davidson and Joseph Lamond have been joined by many talented musicians in the KoY line up, as the band gigged frequently throughout Sydney, released several EPs, gained high rotation air time on stations such as Triple J Unearthed, headlined Home Grown in 2013, and toured interstate before taking a break over the last few years.  Ten whole years may have passed since those early days in Tempe, but the passion and drive for the KoY project never lapsed, with Davidson continuing to write new material for the band even during their hiatus. 2020 has seen Davidson and Lamond join forces once again, stripping KoY back to a duo, and releasing the bands much-anticipated debut album, ‘Escape Planet’ – set for release this November

September 15, 2020 0 comments
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merci, mercy Releases Video For 'Fall Apart' + Announces Debut EP + Headline Sydney Show
Music News

merci, mercy Releases Video For ‘Fall Apart’ + Announces Debut EP + Headline Sydney Show

by the partae September 15, 2020
written by the partae

“A knack for navigating palpable tensions, and translating them into refined, guitar-led melodies.” – V Magazine

 

“The energy is high and the music is as vibrant as her hair.” – Ones To Watch

 

“Boisterous and triumphant in its presentation…” – Lyrical Lemonade

 

“‘Fall Apart’ is a relatable reflection on cynicism in oneself.” – Coup De Main

 

“Her vocals are mellow, similar to Billie Eilish or Beabadoobee.” – EARMILK

 

“Combining youthful, quirky lyrics with an intensely catchy beat…” – EUPHORIA.

 

“The toe-tapping song weaves introspective and complex lyrics.” – Blanc Magazine

 

“Generating infectious electronica-infused pop…” – Atwood Magazine

 

merci, mercy creates disarming pop anthems that are instilled with a profound sophistication and spellbinding insight of youthful disarray. Today, fresh from her debut live-streamed performance via ISOL-AID over the weekend, the 19-year-old shares the clever video for her current single ‘Fall Apart’, along with some further exciting news for fans – the announcement of her debut EP and her first ever live show at Sydney’s Oxford Art Factory next month.

Due for release on October 16 via Liberation Records, no thank you, no thanks offers a snapshot of merci, mercy’s life at the age of 18. Featuring the previously released songs ‘Fucked Myself Up’, ‘Fall Apart’ and four additional alternative pop anthems that draw on both her personal experiences and observations, the EP shines a light on mental health, self-doubt and the trials associated with love.

“It was quite a therapeutic process for me to write these songs and I hope they might connect with people who have been through similar experiences,” merci, mercy shares.
The bright clip for ‘Fall Apart’ was directed by Charli XCX-collaborator Bianca Bosso and Sam Murphy from The Interns, who have played a key role in bringing the unique world of merci, mercy to life. Here we have the animated world of the young artist colliding with her real self for the first time.
“I was so excited to film my first video. I was a little nervous, but my sister bought champagne to loosen up during filming, and after a few takes, it was so fun. I love how Bianca has built an entire animated world for me, and with this video it’s just taken it to the next level.”

WATCH:

 https://www.youtube.com/watch?v=ouM7EhXFkZc

‘Fall Apart,’ was produced by Edwin White (Vance Joy) and Joel Quartermain (G Flip, Meg Mac), and mixed by Spike Stent (CHVRCHES, Grimes, Post Malone) and juxtaposes the artist’s tough girl exterior with her tender heart. Spinning on triple j locally and added to a long list of playlists across Spotify, Apple Music and Amazon, the song has enamoured fans, and in conjunction with debut single ‘Fucked Myself Up’, has seen her streaming numbers grow to over 4 million.

Meanwhile, that aforementioned first single has found a home on airwaves throughout Europe, receiving spins across radio stations in Austria, Belgium, France, Germany and Switzerland, including full playlist adds to Eldoradio, Flux FM, Das Ding and Couleur 3.

Blessed with having the experience of living abroad as a young teen, merci, mercy is now back in her home country of Australia and ready to let the world in on her story. Lucky fans in her hometown of Sydney will have the opportunity to see her performing songs on the eve of her debut EP release at the Oxford Art Factory. Tickets are on sale now in limited quantities.

 

 

MERCI, MERCY – DEBUT HEADLINE SHOW

Thursday October 15
Oxford Art Factory, Sydney
Tickets on sale NOW here

no thank you, no thanks EP
merci, mercy

EP out 16 October 2020
through Liberation Records
Available to pre-order hereno thank you, no thanks EP tracklisting:
1. Tequila & Lemonade
2. Fucked Myself Up
3. Fall Apart
4. Something You Like
5. Wonder What It Feels Like
6. The Very Very End

 

MERCI, MERCY

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September 15, 2020 0 comments
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Raro
Music News

RARO – SYDNEY BASED ALTERNATIVE HIP HOP ARTIST RELEASES NEW EP ‘WARM BLOODED’

by the partae September 14, 2020
written by the partae
Sydney based Alternative Hip Hop artist Raro has released his new EP ‘Warm Blooded’.

The EP was premiered exclusively via Good Intent.

Raro creates a truly unique brand of music that will burrow into your cerebral cortex. He debuted in 2019 with the release of his single ‘Cat N Mouse’, which was aired on FBi Radio. The music video was quickly added to rotation on MTV’s Call & Response program.

The multitalented artist then followed up with the release of his debut album ‘Planet Cool’, which has been aired on multiple radio stations throughout Australia. The debut was highly praised by fans and propelled Raro to new heights, whilst being compared to heavyweights such as Brockhampton, Childish Gambino and Tyler The Creator.

Raro recently released his single and music video ‘Aversion’, which was the first offering from his new EP.

‘Aversion’ was quickly added to rotation on radio stations across Australia and received positive attention from AAA Backstage, Good Intent, AMNplify and many more outlets.

New EP ‘Warm Blooded’ is available for download on all major online stores.

“A compelling mix from Raro with the samples working seamlessly in.”
Declan Byrne – Triple J
– Click To Stream –
‘Warm Blooded’ EP
‘Aversion’ Music Video 
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September 14, 2020 0 comments
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Music News

CASPER UNVEILS THE POWER OF COLLABORATION IN NEW SINGLE ‘TRICK OF THE LIGHT’

by the partae September 14, 2020
written by the partae

“Big feeling in this track. Its got a Safia style grandiosity to it” Dave Ruby Howe, Triple J Unearthed

“I’m liking when CASPIA goes large and sends you spinning with his dramatic pop Oomph” Declan Byrne, Triple J Unearthed

“ALONE is a shimmering and sultry slice of indie-electronic listening bliss.” Happy Mag

CASPIA follows up his debut single ‘Alone’ with his uplifting new song TRICK OF THE LIGHT. His distinctly intimate vocals and electronic sewn songwriting bare all, unveiling the power of collaboration. CASPIA is the solo project by Byron Bay based Multi-instrumentalist ANT BEARD from Caravãna Sun.

TRICK OF THE LIGHT was co-written/ produced by Eskimo Joe’s JOEL QUATERMAIN (Merci, Mercy, Meg Mac) and was written pre-lockdown in Melbourne FEB, 2020. Premiered on PILERATS, this song is already making waves as CASPIA makes it two from two.

“For me, TRICK OF THE LIGHT helped to reveal the parts of myself that have been conditioned. The more we observe how we become our own trick of the light, the more we can value our authentic self.” says CASPIA

CASPIA has gained global notoriety for his highly developed sense of control and restraint in his work, as well as a breath-taking level of emotion and personality in his performance.

 “The inspiration behind TRICK OF THE LIGHT was an observation of how others promote the best parts of themselves in order to fit in to society, to feel ‘good enough’. Although, as we finished up our writing session in a north Melbourne pub, scrawling lyrics on a napkin, we knew this song was about us. We shifted the lyrics from 3rd to 1st person and the song was finished”.

TRICK OF THE LIGHT is complemented by an intimate VIDEO produced by Cr38or, Renae Saxby & Caspia. It showcases Caspia’s true openness and desire to lead with honesty and transparency in a bid to truly connect.

“This incredibly creative experience truly highlighted the power of collaboration and how artists can come together to create something, greater than the sum of its parts. Capturing a raw performance to camera was paramount as we pushed past my perceived barriers and ended up positioning me well outside my comfort zone, yet somehow truly myself”.

Gaining huge momentum off the back of his debut single ALONE premiered by TheMusic.com, which saw over 100k views in the first 2 weeks of release, TRICK OF THE LIGHT will feature on his upcoming E.P.,  set for release in mid November

 

September 14, 2020 0 comments
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