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BEYOND THE VALLEY UNVEILS ITS SET TIMES AHEAD OF ITS MONUMENTAL 10TH...

December 18, 2025

Franklin + Soli @ The Palais Theatre, Melbourne, 16th December 2025

December 18, 2025

YUBIK JOINS FORCES WITH ADRIATIQUE & VINCENT VOSSEN ON MELODIC HOUSE/TECHNO TRACK...

December 18, 2025

WILDLANDS REVEALS SET TIMES

December 17, 2025

SLEAFORD MODS release new single ‘No Touch ft. Sue Tompkins’ – 2026...

December 17, 2025

The Rions announce Australian regional tour for Feb 2026

December 17, 2025

Wanstock 2026 Announced for Sydney & Melbourne with 1927, Dragon, Loverboy, Pseudo...

December 17, 2025

Interview: Minh on Heartbreak, Growth, and the Freedom of Moving On With...

December 17, 2025

Interview: Cait Lin – Finding Clarity in the In-Between on GRADIENTS

December 17, 2025

Spilt Milk Photography – Sun 14 Dec, 2025 – Gold Coast

December 17, 2025
Category:

Music News

Multi-Gold and Platinum punk rock band RISE AGAINST is back with a provocative and dynamic new album, Nowhere Generation, the group’s first new studio effort in four years. On the upcoming release, the outspoken band points a finger at big business and politics for stacking the social and economical deck against Millennials', Gen Y’s, and Gen Z’s pursuit of The American Dream. Musically, the album is blazing, aggressive punk rock; lyrically, the eleven songs were inspired in part by input from band members' young children and Rise Against’s community of fans. Said McIlrath,“Today there is the promise of the American Dream, and then there is the reality of the American Dream.  America’s 'historical norm' that the next generation will be better off than the one that came before has been diminished by an era of mass social, economic, and political instability and a sell-out of the Middle Class.  The brass ring that was promised by hard work and dedication no longer exists for everyone. When the privileged climb the ladder of success and then burn it from the top, disruption becomes the only answer.” Rise Against - McIlrath, Joe Principe/bass, Brandon Barnes/drums, and Zach Blair/lead guitar - recorded Nowhere Generation at The Blasting Room in Fort Collins, Colorado, under the tutelage of Jason Livermore, Andrew Berlin, Chris Beeble, and long-time producer/engineer Bill Stevenson (Black Flag, The Descendents). Stevenson has worked with the band on nearly all of their acclaimed releases since their sophomore effort, 2003’s Revolutions Per Minute, and is often described as Rise Against’s fifth member. “Bill is our not-so-secret weapon,” Principe explained.“He really has helped shape the band; he gets what we want to do and will go with us when we think outside the box. He’s the perfect producer for the style of music we play because he has an insane pop sensibility and the hardcore side to him as well."   In addition to the communal call to arms embedded in Nowhere Generation’s dynamic title track, there’s the fast and furious anti-establishment manifesto Broken Dreams, Inc., the moody ballad Forfeit, Sudden Urge, a true nod to the band’s rock’n’roll side with an overall punk-vibe, the simplicity of The Numbers with a melody that will stick in your head, and the surprise pop candor in Talking To Ourselves, a standout song about wanting to be heard and wondering if anyone is listening. “It describes a lot of what Rise Against does,” says McIlrath, “to speak and scream when we feel there are things that are happening that aren’t being addressed."  “When I was growing up,” said Principe, “I listened to bands like 7 Seconds, Bad Brains, Minor Threat, and Bad Religion. All of those bands’ music had a sense of hope with the world, a truly positive global view of what life can be. From the beginning, we’ve wanted Rise Against to have that same positivity, to have our music be an inspiration for people to bring about change in their own lives, they just have to put forth the effort and speak up.”
Music News

Rise Against ‘Nowhere Generation’ Out Now

by the partae June 4, 2021
written by the partae
RISE AGAINST
NOWHERE GENERATION
RELEASE DATE: FRIDAY 4 JUNE
(LOMA VISTA RECORDINGS)

“We are the Nowhere Generation…We are the kids that no one wants
We are a credible threat…To the rules you set…A cause to be alarmed.”

“I’ve come to realize that people want honesty and that music can be a catalyst for change.  I think in many ways, we’ve been on a mission to rile people up, and I feel very lucky to be able to do that.  Our hope on this record is to jostle people awake, even it if makes you uncomfortable.”— Tim McIlrath

Multi-Gold and Platinum punk rock band RISE AGAINST is back with a provocative and dynamic new album, Nowhere Generation, the group’s first new studio effort in four years. On the upcoming release, the outspoken band points a finger at big business and politics for stacking the social and economical deck against Millennials’, Gen Y’s, and Gen Z’s pursuit of The American Dream. Musically, the album is blazing, aggressive punk rock; lyrically, the eleven songs were inspired in part by input from band members’ young children and Rise Against’s community of fans.

Said McIlrath,“Today there is the promise of the American Dream, and then there is the reality of the American Dream.  America’s ‘historical norm’ that the next generation will be better off than the one that came before has been diminished by an era of mass social, economic, and political instability and a sell-out of the Middle Class.  The brass ring that was promised by hard work and dedication no longer exists for everyone. When the privileged climb the ladder of success and then burn it from the top, disruption becomes the only answer.”

Rise Against – McIlrath, Joe Principe/bass, Brandon Barnes/drums, and Zach Blair/lead guitar – recorded Nowhere Generation at The Blasting Room in Fort Collins, Colorado, under the tutelage of Jason Livermore, Andrew Berlin, Chris Beeble, and long-time producer/engineer Bill Stevenson (Black Flag, The Descendents). Stevenson has worked with the band on nearly all of their acclaimed releases since their sophomore effort, 2003’s Revolutions Per Minute, and is often described as Rise Against’s fifth member. “Bill is our not-so-secret weapon,” Principe explained.“He really has helped shape the band; he gets what we want to do and will go with us when we think outside the box. He’s the perfect producer for the style of music we play because he has an insane pop sensibility and the hardcore side to him as well.”

In addition to the communal call to arms embedded in Nowhere Generation’s dynamic title track, there’s the fast and furious anti-establishment manifesto Broken Dreams, Inc., the moody ballad Forfeit, Sudden Urge, a true nod to the band’s rock’n’roll side with an overall punk-vibe, the simplicity of The Numbers with a melody that will stick in your head, and the surprise pop candor in Talking To Ourselves, a standout song about wanting to be heard and wondering if anyone is listening. “It describes a lot of what Rise Against does,” says McIlrath, “to speak and scream when we feel there are things that are happening that aren’t being addressed.”

“When I was growing up,” said Principe, “I listened to bands like 7 Seconds, Bad Brains, Minor Threat, and Bad Religion. All of those bands’ music had a sense of hope with the world, a truly positive global view of what life can be. From the beginning, we’ve wanted Rise Against to have that same positivity, to have our music be an inspiration for people to bring about change in their own lives, they just have to put forth the effort and speak up.”

PRE-ORDER NOWHERE GENERATION HERE

WATCH/LISTEN

 

June 4, 2021 0 comments
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RAT CITY REVEAL NEW TRACK ‘RATHER BE’ WITH ISAK HEIM OUT ON JUNE 4 VIA SONY MUSIC NORWAY
Music News

RAT CITY REVEAL NEW TRACK ‘RATHER BE’ WITH ISAK HEIM OUT ON JUNE 4 VIA SONY MUSIC NORWAY

by the partae June 4, 2021
written by the partae
Having already garnered more than 35 million Spotify streams on ‘Kind of Love’, their first collaboration together, award-winning producers Rat City and Isak Heim have proven to be a strong team when it comes to creating catchy pop songs. They now return with summer banger ‘Rather Be’. Out on all platforms Friday June 4th.

The track was created last summer, but there’s no negative vibes from the pandemic here. It all started on a zoom session with the Canada-based songwriter Faouzia (John Legend, David Guetta, Kelly Clarkson etc.), followed by several online sessions with the songwriter Autumn Rowe (Dua Lipa, Ava Max, Pitbull, Leona Lewis etc.) before Isak Heim added the final touches and a killer lead vocal. This was Rat City’s first time starting a track via Zoom, something that became a necessity for many writers over the last 18 months, and they describe the process as “unique, and surprisingly a lot of fun!”.

Rat City produced Dagny’s track ‘Somebody’ which won her both Track of the Year at P3 Gull 2020 (P3 is equivalent to BBC Radio 1) and was nominated for Song of the Year at Spellemann 2020 (the Norwegian Grammys). Their debut artist single ‘Kind of Love’ catapulted to #1 on Shazam and #1 on Norwegian radio for 7 consecutive weeks. Crossing well over 50 million combined streams, and spending 20 weeks on Spotify’s top 20 chart. The band has also collaborated with major talents such as Kiesza and Tungevaag, and Rick the Kid.
Based in Norway, Rat City are completing work on their debut album which is expected to be released prior to the end of the year.

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Tijuana Cartel - Reveal Psychedelic New Record 'Acid Pony'
Music News

Tijuana Cartel – Reveal Psychedelic New Record ‘Acid Pony’

by the partae June 4, 2021
written by the partae

TIJUANA CARTEL

REVEAL PSYCHEDELIC NEW RECORD ‘ACID PONY’


SUPPORT FOR SINGLES OFF ‘ACID PONY’

“Matching psychedelic textures to dappled electronics, the group’s beatific sound helps you escape from yourself.”
Clash Magazine (UK)

“Some iterations have flamenco-esque hand claps, some feature middle eastern string instrumentals, and others contain front man Paul George’s captivating vocals.”
This Song Is Sick (USA)

“If you like LCD Soundsystem then I’ve got a treat for you.”
Indie Shuffle (ZAF)

“Dancing melodies and playful sampling that all come together in a song that really connects with the earth and the cultures that have bloomed from it .”
Pilerats (AUS)

“This is so great, a mesmerising and consuming mix of rootsy acoustic sounds in a spacious electronic world.” – 4/5 stars
Declan Byrne – triple j (AUS)

 


Gold Coast-based electronic-dance outfit Tijuana Cartel have just revealed their exuberant new record ‘Acid Pony’ – produced by band members Carey O’Sullivan and Paul George.

‘Acid Pony’ is seven tracks of mind-altering guitar-driven indie music that explores a myriad of concepts and genre elements, while spotlighting the components that have come to define Tijuana Cartel’s sound.

Opening track ‘Sufi’ introduces the listener to five minutes of instrumental virtuosity, with reverberated riffs permeating the track’s spectral atmosphere. This leads into the second track ‘Minimal Stuffing’, which continues with a similar aesthetic, allowing intricate acoustic guitars and sweeping electronics to create a sense of vividness.

Track three ‘Strandzha’ begins with mantra vocals, artistic percussion and illumining guitars, as the song explores elements of world music. Following that is the fourth track ‘Tommy Franklin’, which blends fundamentals of modern pop music with unique layers of syncopated instrumentation that pulse and swell before the song transitions into the conversant fifth track ‘Over and Over’. Oscillating synthesisers blend with sedative vocals to showcase Tijuana Cartel’s chemistry and skill in a euphoric way.

Penultimate track ‘Ishkur’ crescendos into a defying fusion of bass-heavy dance elements, as the instrumental flows into final track ‘Middle Something’, with high energy percussion and frenzied guitars. As terraced layers of instruments rise and fall from the mix, the song profusely hauls towards its finale, capping off a comprehensive record of tentative psychedelic music that excels with wistful capacities.

To support the release, Tijuana Cartel will be embarking on a monumental album tour, appearing in multiple capital cities and regional Australian towns. This continues on from previous persistent touring schedules, performing internationally, numerous sold-out headline tours and appearances at prominent festivals including Falls Festival, Splendour in the Grass, Subsonic Music Festival and Nannup Music Festival.

Singles off ‘Acid Pony’ have been widely embraced by the likes of Australian radio stations triple j, triple j Unearthed, Double J, 3RRR, 2SER, Radio Adelaide, 4ZZZ, and RTR FM. They’ve also received support from tastemaker blogs Clash Magazine (UK), Indie Shuffle (ZAF), This Song Is Sick (USA), Pilerats, Acid Stag, The Music, Forte Mag, AAA Backstage and Something You Said.

‘Acid Pony’ is available worldwide now

 


TIJUANA CARTEL
‘ACID PONY’ TOUR
All tickets on sale via tijuanacartel.com

SAT JUN 12 | THE STABLES BY WILD HORSES, MELBOURNE VIC
SAT JUN 19 | BYRON BAY MUSIC FESTIVAL, BYRON BAY NSW
FRI JUL 2 | THE ZOO, BRISBANE QLD
SAT JUL 3 | MIAMI MARKETTA, GOLD COAST QLD
FRI JUL 9 | THE BASEMENT, CANBERRA ACT
SAT JUL 10 | MARLIN HOTEL, ULLADULLA NSW
SUN JUL 11 | LA LA LA’S, WOOLLONGONG NSW
SAT JUL 17 | MARY’S UNDERGROUND, SYDNEY NSW
SUN JUL 18 | THE RHYTHM HUT, GOSFORD NSW
SAT JUL 31 | ROOTBOUND FESTIVAL, RAVENSHOE QLD
SUN AUG 1 | PORT DOUGLAS YACHT CLUB, PORT DOUGLAS QLD
FRI AUG 6 | EARP DISTILLERY, NEWCASTLE NSW
SAT AUG 7 | NARABEEN RSL, NSW
THU AUG 12 | SOOKI LOUNGE, BELGRAVE VIC
FRI AUG 13 | THE HOWLER, MELBOURNE VIC
SAT AUG 14 | THE BRIDGE HOTEL, CASTLEMAINE VIC
SUN AUG 15 | THE BARWON CLUB, GEELONG VIC
SAT AUG 28 | FEDERAL HOTEL, BELLINGEN NSW
FRI SEPT 17 | SETTLERS TAVERN, MARGARET RIVER WA
SAT SEPT 18 | FREO SOCIAL, FREMANTLE WA
SUN SEPT 19 | INDIAN OCEAN HOTEL, SCARBOROUGH WA
SAT OCT 2 | THE ROEY, BROOME WA
FRI OCT 8 | ROYAL OAK, LAUNCESTON TAS
SAT OCT 9 | UNI BAR, HOBART TAS

* More dates to be announced 

Album Track Listing:

1. Sufi
2. Minimal Stuffing
3. Strandzha
4. Tommy Franklin
5. Over and Over
6. Ishkur
7. Middle Something


FOLLOW TIJUANA CARTEL

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC | WEBSITE
 

June 4, 2021 0 comments
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PERRY P IS ON HIS QUIET GRIND WITH HIS NEW SINGLE ‘ON THE LOW’
Music News

PERRY P IS ON HIS QUIET GRIND WITH NEW SINGLE ‘ON THE LOW’

by the partae June 4, 2021
written by the partae

Perry P, a fairly new name to the hip hop scene in Australia, once again brings some heat to the table with his newest record ‘On The Low’. It comes two short months after his well received second single ‘6IXTY P.’, which debuted on Spotify’s prominent Drip and Mellow Styles playlists. 

‘On The Low’, like the Perth artist’s previous music, fuses melodic and energetic vibes, creating an upbeat record fit for fans of the hip hop genre. Perry P cleverly takes advantage of autotune in his vocal performance to maintain the mood over the whole record, while the bass heavy instrumental by MiddieBeats complements the energy throughout the song. 

Perry P uses his music as an outlet to put his manifestations out to the world, and talk about his journey through life. ‘On The Low’ is yet another chapter where the artist portrays his quiet grind with the team that he started his journey with. 

“To me it’s a realisation that the life I wanna live is only a step away, that all the work being put in will soon pay off in the biggest ways. The title ‘On The Low’ represents the quiet grind I’ve been on to make things happen, me having my head down trying to piece things together, and that I won’t allow any outside thoughts and opinions to enter my inner matrix on my way up.” 

Perry P may be a new name in Australian hip hop, but he is definitely one to watch! ‘On The Low’ is now available on all streaming platforms.

LISTEN/PLAY

ABOUT PERRY P 

Hailing from Perth, Australia, not many have a style and cadence as unique as his when compared to his peers within the city. Influenced by this generation’s melodic rap wave, Perry has found ways to bend and push his auto tune driven sound to new bounds, most notably in his first release “Starr Alpha”, a haunting divergent track filled with surprises aimed to give you an outer world experience. 

Only new to the scene Perry has already taken his artistry to new heights, recently dropping a highly anticipated track in “6IXTY P”, an energetic piece with production lead by fellow label head and producer 6iixty, and setting the bar for how to come onto a feature on “Pull Up” by artist Kayps, another Perth local. 

With limited discography, not much needs to be added as the current music speaks entirely for itself, we only join the journey of this rising talent as he steps forward to lead the charge for all music goers like himself, watch close as one of the fastest rising rappers from the west coast of Australia leaves his imprint on the game. 

“The best way I can describe it is, imagine yourself in a space shuttle swerving through meteors at light speed, but everything you hear sounds like an echo and far away, even if it’s right next to your ear. At the same time your booster is powered by a 24 inch chrome spinner with a sub attached to it powered by koolaid, that’s me, that’s Perry P.” 

http://instagram.com/perrypleasurre/ 

https://www.youtube.com/channel/UCIz_rXDR4S5ei9pb7kvbyNg

June 4, 2021 0 comments
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TELENOVA Announce debut EP Tranquilize EP Tour Dates Announced
Music News

TELENOVA Announce debut EP Tranquilize EP Tour Dates Announced

by the partae June 3, 2021
written by the partae
Praise for Telenova

“Enchanting, alluring and instantly stylish stuff” – Declan Byrne, triple j

“really nice polished pop with an electronic edge and a nice quirky sensibility. Where it all comes together here for me is the singer Angeline Armstrong…there’s a sweeping cinematic feel” – DJ Raul Campos, KCRW

“A skilfully constructed cut of emotive pop… Brilliant as the lush instrumentation and clever production is, frontwoman Angeline Armstrong absolutely steals the show with a pitch-perfect vocal that just lands perfectly.” – Double J

“‘Bones’ has the grand, string-laden scale of Portishead-era trip-hop with a faster, dance music beat and unsettling lyrics – ‘I was dreaming of blue skies in California/While you were loading your gun’.” – NME

“‘Cinematic indie pop at its finest. It sounds at once nostalgic while thoroughly modern, and is sure to get stuck in your head from the very first listen.” – Purple Sneakers

“If this impassioned performance is any indication, Telenova have an uncanny ability to please any crowd and electrify any venue.” – Milk Bar Mag

Melbourne three-piece Telenova today announce their debut EP Tranquilize will be released Friday 2nd July via Pointer Recordings / Remote Control Records. Off the back of their sold-out ‘Bones’ single tour, and to celebrate the EP release Telenova will return to Sydney and Melbourne, as well as playing debut shows in Brisbane and Adelaide. Full tour dates below, tickets on sale this Friday.

The EP announcement follows on from the bands two singles ‘Tranquilize’ and ‘Bones’. Both singles have seen incredible support from Spotify (including New Music Friday AUNZ, Indie Arrivals, Broad Chords [cover], Fresh Finds AUNZ, Radar AUNZ, Just Chill, Local List, Office Stereo), Apple Music (Heaps Indie, Alt Pop, New In Indie, New Music Daily, Indie Anthems, indie & chill),  Amazon (Australia Now, Breakthrough Australia), and Soundcloud (Fresh Pressed Australia, Emerging Indie, Soundcloud Radio). ‘Bones’ has remained in the Top 50 most played tracks on triple j since release, and both singles have seen consistent support from community radio across the country with recurring appearances in the Top 10 AMRAP Metro Chart. Indie tastemaker Mood On The Roof has also showcased live performances of ‘Bones’ and ‘Tranquilize’ – watch via the images below to get a taste of what the band are capable of bringing to the live sphere.

Assembled by Chris Walla (Death Cab For Cutie) at an APRA SongHubs writing camp in early 2020, Telenova combines the alluring vocals of multi-disciplined creative Angeline Armstrong, alongside the refined musicality of Edward Quinn (Slum Sociable) and Joshua Moriarty (Miami Horror). With an air of quiet confidence, thanks to their self-directed cinematic aesthetics and trip-hop influenced production, Telenova trade in a sound that’s unequivocally Melbourne yet global in scope.

Pre-save / Pre-order Telenova – Tranquilize via telenova.lnk.to/tranquilize_EP

Telenova – Tranquilize EP Tour Dates

Friday 20 August – Black Bear Lodge, Brisbane
Saturday 21 August – The Lab, Adelaide
Saturday 28 August – Northcote Social Club, Melbourne
Friday 10 September – Lansdowne Hotel, Sydney

Tickets on sale Friday 4th June via telenovamusic.com

Telenova – Tranquilize EP is out Friday 2nd July
via Pointer Recordings / Remote Control Records.
Telenova
Website | Instagram | Facebook | Bandcamp
June 3, 2021 0 comments
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DARKSIDE Share new single 'Lawmaker' Long-awaited second album Spiral Released July 23 via Matador Records
Music News

DARKSIDE Share new single ‘Lawmaker’ Long-awaited second album Spiral Released July 23 via Matador Records

by the partae June 3, 2021
written by the partae
L-R Nicolás Jaar, Dave Harrington
Photo Credit: Jed DeMoss

Today, DARKSIDE release a new single ‘Lawmaker‘ – taken from their second full-length album, Spiral, out July 23rd via Matador Records / Remote Control Records. Written and recorded in 2018, the album was mixed by Rashad Becker and mastered by Heba Kadry.

Late last year, the band emerged with the song ‘Liberty Bell‘ and announced the existence of a new album. That news was followed in April with a formal announcement and another piece of music, ‘The Limit‘.

DARKSIDE is an American rock band formed in Providence, Rhode Island in 2011. The group consists of Chilean electronic musician & vocalist Nicolás Jaar and American multi-instrumentalist Dave Harrington. Jaar and Harrington first met while studying in Providence through their common friend and saxophonist Will Epstein. In the summer of 2011, they toured Europe and Australia in support of Jaar’s breakthrough debut album Space Is Only Noise.

Upon returning to Providence, they continued to write together, releasing their self-titled EP in 2012 and their critically acclaimed debut album Psychic on Matador Records in October 2013. The album was met with glowing reviews, including a 9.0 from Pitchfork and the New York Times calling it “the soundtrack to a lost David Lynch sci-fi movie.”

In the years that followed the Psychic tour in 2014, the musicians moved on parallel and occasionally intersecting paths. Jaar would release five albums under his name and two collections of club music as Against All Logic. Harrington worked as a producer and composer, releasing two albums with his Dave Harrington Group. During that time he also played some 300 shows in NYC and Brooklyn, becoming deeply entrenched with a wide-ranging community of improvisers and collaborators, performing and recording with Yuka Honda, Brian Chase, Ilhan Ersahin, Genesis Breyer P-Orridge, Joe Russo, Innov Gnawa, Angel Deradoorian, The Master Musicians of Jajouka, Nels Cline, and more.

In the summer of 2018, Harrington and Jaar rented a small house on Lenni-Lenape territory, which is present-day Flemington, New Jersey. The group spent a week there, making a song a day. While it would take another year and a half to complete their second album, six songs from the band’s new record Spiral were written and recorded during this initial session.

“From the beginning, DARKSIDE has been our jam band. Something we did on days off. When we reconvened, it was because we really couldn’t wait to jam together again,” says Jaar.

Harrington echoes this, “It felt like it was time again,” he said. “We do things in this band that we would never do on our own. DARKSIDE is the third being in the room that just kind of occurs when we make music together.”

Pre-order / pre-save DARKSIDE – Spiral: https://darkside.ffm.to/spiral

DARKSIDE
Website / Twitter / Instagram

June 3, 2021 0 comments
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DAINE CONSOLIDATES HER TRIBUTE TO HIGH ENERGY SOUNDS ON 'DAINECORE' NEW THREE TRACK RELEASE 'BOYS WANNA TXT / DYING / DAINECORE' OUT NOW
Music News

DAINE CONSOLIDATES HER TRIBUTE TO HIGH ENERGY SOUNDS ON ‘DAINECORE’ NEW THREE TRACK RELEASE ‘BOYS WANNA TXT / DYING / DAINECORE’ OUT NOW

by the partae June 3, 2021
written by the partae
Photo by Oliver Van De Lugt

ACCLAIM FOR DAINE

“Teen angst’s freshest voice”
V Magazine

“It feels healing and painful; like looking directly at a solar flare”
The Guardian

“A nihilistically detached voice”
The FADER

“Daine’s tracks echo Midwestern emo greats, while simultaneously providing a dark-pop twist”
PAPER

“Irresistible nostalgia”
Pigeons and Planes

“The Filipino-Australian is a voice for the digital generation”
NME

Following on from the hi-octane sonic blast of her ericdoa-featuring, Dylan Brady and Ryan Jacob-produced single ‘boys wanna txt’, today, 18-year-old emo-pop icon in waiting daine completes her love letter to the hyperpop community with a new three-track release, ‘boys wanna txt/dainecore’. In a similar vein to her Danny L Harle & Lonelyspeck produced ‘Ascension/Angel Numbers’ drop, the project provides another insight into daine’s diverse sonic palette; a direct reflection of the internet-based subculture’s genre-eschewing eclecticism. LISTEN AND WATCH HERE.

Produced by Australian production specialist and starcity collective affiliate Miniskirt with additional sounds from club heroine Ninajirachi, new track ‘dainecore’ embodies this versatility in sound perfectly – taking its main pulse from a jersey club-infused beat, before being thrown into an amalgamation of distorted melodies and pitched glitches amidst a slowed and throwed finale. daine’s vocal performance stays dynamic throughout – at one moment singing in hushed tones, the next delivering an irresistible chorus imbued with similar angst to emo icons such as From First To Last or Hawthorne Heights. Paired alongside another Miniskirt-produced track, ‘dying’, it’s a wild, unpredictable ride, but one that travels through daine’s rapidly expanding musical DNA, maintaining a relentless sense of fun without ever losing sight of her alternative roots.

To coincide with the release of ‘boys wanna txt/dainecore’, daine has also unveiled a brand new performance video for ‘dainecore’ directed by Sean Finney. Set in a cavernous, fog-filled atmosphere, daine emerges through the smoke – exorcising her own demons with an energy-filled performance that adds a brooding new dimension to the track’s distortion-filled yearning. Watch it HERE.

The video acts as a powerful warm-up for daine’s highly anticipated debut performance. Taking place on the new date of July 9 at Victoria’s Kindred Studios, the show will reflect daine’s DIY ethos, with a hand-curated lineup of friends and special guests from across Melbourne’s underground & hardcore scenes. Tickets are officially sold out but stay tuned for more live plans from daine worldwide.

In the space of a year, daine has gone from releasing her debut single, to leading a new generation of DIY artists building uncompromising sonic worlds from their own bedrooms via her own output and her own online party series, Nocturne. Transposing her love of midwestern emo into her own future-facing wrought atmospheres, daine has captured imaginations globally by recontextualising her influences in a way that is inventive, explosive, and above all unique. ‘boys wanna txt/dainecore’ is just a small glimpse into the capabilities of an artist opening their diary in real-time, inviting the listener further in with each chapter.

‘boys wanna txt / dying / dainecore‘ is out now via Warner Music,
buy/stream it here.

Stay connected with daine:
Website | Instagram | Twitter | Youtube | Tiktok | Soundcloud

June 3, 2021 0 comments
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Dive Index
Music InterviewsMusic News

Dive Index

by the partae June 3, 2021
written by the partae
Refolded: Waving At Airplanes Remixes is the sixth full-length album from electronic composer/producer Will Thomas’ collaborative Dive Index project. The original LP was received with critical acclaim last Spring; it’s now been revisited by Will over lockdown, delivering an altogether darker, more atmospheric sound. 
 
Out now on Neutral Music with remixes from Mercury Prize-winning producer Mike Lindsay and Plumbline, and fresh reworks of the originals, this is a brilliant, thought-provoking LP that makes for addictive listening.

Where are you currently based? 

Hey there, I’ve been back and forth between New York City and Los Angeles for many years and have finally settled permanently on the west coast. Due to some unforeseen circumstances during the pandemic, I moved my studio to Ojai – about 90 minutes north of LA.  It’s a beautiful area. Very peaceful.

How does the sound of your new album Refolded – Waving at Airplanes Remixes differ from the original Waving At Airplanes album?

For the original album, I set up parameters to use specific sound sources which were a modular synth, piano and some acoustic guitar.  I wanted the tracks to have a continuous, sonic thread beyond the vocals of Natalie Walker and Merz. For the new remixes, we had the freedom to experiment with different musical styles so, while the originals are somewhat subdued, the remixes are more immediate, beat-heavy, and venture into some darker territory. 

What initially inspired you to remix the album?

The pandemic put a halt on in-person collaborations so I thought a great project would be to revisit the songs from Waving At Airplanes and come up with some new interpretations. Normally, I would farm out the remixes to other producers, but I was playing around with the vocal tracks and was really keen on doing some myself.  I asked Mike Lindsay if he wanted to remix one of the songs and he was up for it so I was thrilled to have him involved. 

How did the collaboration between Natalie Walker and Merz come about, and how do the two feature on the album?

I worked with both Natalie and Merz way back on the Dive Index album, Mid/Air which was a wonderful collaboration.  They both are phenomenal talents and I was so honored to work with them again on Waving At Airplanes.  I sent them both a handful of demos and they picked multiple songs so the album ended up being just the two of them. We alternated the track order – Natalie, then Merz and so on – which created a nice dialog between their voices.  As far as the remix album, it really came down to which vocals were ‘remix-able’, if that makes sense. And some worked better than others so the selections came together organically. 

Can you tell us a bit about the original production of the EP? 

Since I used mostly modular synth, piano and acoustic guitar on the original versions, I made a conscious decision not to use those instruments at all for the remixes. This was to make sure there was a clear distinction of sound sources used for each version.  When I was packing up my studio to move, I rediscovered a few pieces of gear that I haven’t used in quite a while. Mostly analog synths from the 80s like a Roland JX3P and an Oberheim Xpander.  It was great to get reacquainted with these old friends. 

What’s the creative process like behind a Dive Index release, and how does this differ from your other projects such as Plumbline?

Plumbline is primarily an instrumental project and Dive Index is vocal oriented with somewhat traditional song structures so that’s the main difference between the two. Working on Plumbline material is more of a solo affair, except when working with Roger Eno. And since I know the Dive Index songs will ultimately have a vocal track, I have to approach those songs with that in mind and leave room for the voice within the sonic space. 

What are your favourite tracks from the new album, and why?

Oh geez, that’s like asking a parent which kid they like best.  I know this isn’t fair, but I truly like each one for different reasons. And the ones that I felt weren’t working, didn’t make the cut.  Now that said, Mike Lindsay’s remix of ‘She’s Exploding’ is certainly a stand out for me simply because Mike took it to a place that I wouldn’t normally go. And it’s wonderful to get lost in all of his sounds. 

What does the rest of 2021 hold for Dive Index?

I hope we can do some shows in the fall. Nothing is booked at the moment but thankfully things are opening up so live music is alive and well.  Finally!  

Buy Now here On Bandcamp

https://www.facebook.com/diveindex/

https://www.instagram.com/diveindex/

https://twitter.com/diveindex

 

June 3, 2021 0 comments
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Music InterviewsMusic News

Harkness Releases ‘The Occasion’

by the partae June 2, 2021
written by the partae

Today, Harkness will release “The Occasion” – a completely enigmatic tune that showcases the talents of what some people call the art-rock Daft Punk of Canada!

“Listening to Harkness I was completely blown away by his grasp of vocal harmony and arranging. His song writing and unique production is some of the best I’ve heard in years.”  – Roger Manning (Beck/Jellyfish/TLQ)

Using a pallet of instruments as diverse as tuba and steel drums, all radiating over upbeat grooves – his sound utilizes colorful cascading vocal harmonies, electric guitars and incredible arrangements.  Musically speaking he sings, plays guitar, bass, piano and drums and also produces everything himself. He counts Prince and Todd Rundgren, both of whom also worked this way, as major inspirations. Listening to Harkness though, it is more likely that Soft Bulletin era Flaming Lips, Tame Impala and Jellyfish will come to mind.

LISTEN/PLAY

harknessmusic.com
instagram.com/harknessmfa
June 2, 2021 0 comments
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McDermott & North
Music InterviewsMusic News

McDermott & North

by the partae June 2, 2021
written by the partae

Georgia’ for those who might be coming to the band for the first time – how do you think this song represents the central core of the McDermott & North sound?

I would say that the sound of ‘Georgia’ is more of a change of pace with our sound. It’s a song you could slow dance to. It’s intimate, slow and romantic.

Can you tell us a bit about how the genesis of the song has matched the final result?

When we first wrote the song it was much slower and on an acoustic guitar. It has definitely changed a lot since the original version, hopefully for the best.

What significance does this song in particular hold for you as a songwriter now?

This song is significant because it was the beginning of a run of Bluesy-sounding songs. After writing Georgia, we went on to write a bunch of songs with the same Blues rhythm and feel.

As an indicator of what we’re still to hear from McDermott & North – what makes ‘Georgia’ such strong single to lead into this new chapter with?

It’s a strong single for the new chapter because it’s a taste of something different. We’re trying to keep our sound as diverse as possible through different types of songs.

What was 2020 like for the two of you creatively? How did you find navigating that last year as a duo?

We spent a lot of time in our van busking around Australia, going to small country towns, so we were fortunate to spend a lot of time playing in front of people even if that was just busking. We also spent a lot of time writing while in lockdown, which is always nice.

Had you been listening to any particular artist / band who has influenced you throughout the last year?

Not too many new artists to be honest, besides Phoebe Bridgers. We have been listening to a lot of her stuff. Her lyrics are pretty potent while also being tongue in cheek, it’s a pretty effective mix I feel. We constantly find ourselves drawing from the 60/70s and still finding some brilliant bands we haven’t heard before. 

What do you think you learned about yourself as a songwriter and about one another as a group?

The importance of perseverance as an artist! It has been inspiring to watch the industry quickly adapt to the unprecedented state of the world during the pandemic, as well as the rebirth of the local music scene and gigs.

What’s exciting you about new music moving forward into 2021?

I think what we’re most excited about is getting out there and playing some live gigs around the country, playing our music to new audiences. As for new music, we have a few tunes up our sleeves, and we’re going into the studio with some exciting people too! We’re truly excited to share it all with you when it’s done, we think it’s going to be a great year. 

Website | Facebook| Twitter | Instagram | YouTube | Triple J Unearthed

June 2, 2021 0 comments
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PERRY P
Music InterviewsMusic News

PERRY P

by the partae June 2, 2021
written by the partae

When and how did you first get into making music? 

I first got into rapping at 7 years old, my sister was the one who convinced me to do it. Music had been around my family since I can remember so when it came to making it, it was second nature, it helped that I used to mimic all the rappers I saw on tv, that’s where I got my style and swag from and copied everything they did. Otherwise when it came to writing and recording my sister played a big part in that. 

How would you describe your music style to someone who doesn’t know You? 

I would say my style is very melodic and energetic with most songs, I use auto tune in ways to captivate and maintain a particular mood whether it’s dark or uptempo. A lot of the tracks I’ve been recording today just seem to be very catchy and easy to remember, something that goes a long way especially when made simple. In other ways my sound is very out there, I like to experiment with everything. 

The best way I can describe it is, imagine yourself in a space shuttle swerving through meteors at light speed, but everything you hear sounds like an echo and far away, even if it’s right next to your ear. At the same time your booster is powered by a 24 inch chrome spinner with a sub attached to it powered by koolaid, that’s me, that’s Perry P. 

Your new single ‘On The Low’ comes out on the 4th of June, what does the song mean to you? 

To me it’s a realisation that the life I wanna live is only a step away, that all the work being put in will soon pay off in the biggest ways. Throughout a lot of my songs, this track in particular I manifest and speak all of the things I want to happen in life into existence. 

The title ‘On The Low’ represents the quiet grind I’ve been on to make things happen, me having my head down trying to piece things together, and that I won’t allow any outside thoughts and opinions to enter my inner matrix on my way up. 

Another good example of this is the cover art, a young me with a crown on my head, meaning whatever successes happen, it was meant to. Shoutout to Ish for coming through with the sketch. . 

What’s the first song you remember liking? 

The first song I remember liking is Black and Yellow by Wiz Khalifa. There are plenty that I liked before that but this particular track hit me in a different way. I was around 7 or 8 when I first came across it, to this day it remains my favourite song of all time. 

Who are your biggest influences? 

I could go on and on if I was to really name all of my musical influences but growing up I was listening to every genre there was, not just hip hop, but in this case the ones that

influence my music the most today are, Kendrick, Schoolboy Q, Travis Scott and drake. They all influence me in a different way, whether it be on delivery, style or flow. 

I’m one of those people that really listen to music, not just listen, if you know what I mean. I guess it’s just the musical ear I’ve been given, being able to pay attention to the small and minor details and learn how to take and then turn them into my own thing. I really study the ones that come before me, it’s helped me evolve into the artist I am today, so I’ll always be learning, from Adele to Jay Z, my thoughts will always be focused on how the great ones did it and how I can apply that to myself and be better. 

Who is Perry P outside of the music game? 

Perry is a pretty quiet and private guy to say the least, just a hardworking lowkey individual. That changes when I’m around my friends though, I turn into a demon at times, especially if there’s loud music playing, crazy energy that can’t be tamed, it’s just my thing. But I’m your average joe, get along with everyone and just like to have a good time. One thing I pride myself on is bringing up the mood of the people around me, no matter the time or place. So if you ever find yourself in the same vicinity as me, gear up for action. 

What’s your outlook on Australia’s music scene at the moment? 

For a while now I’ve felt that the scene in Australia is gonna be crazy once it pops off, in my mind all it’s gonna take is for one person to really take off and that’s gonna open doors for so many others, especially within Perth. Right now we are doing our thing but it’s not yet at that stage where we’ve got the world’s attention on us, that’s what we’re striving for. Collectively we are destined to do amazing things and individually there are key names to look out for. 

Personally within my city, besides myself I feel like those guys are Young Pascal, Yourboymars, Trapboii and Nabiiou$, just to name a few, guys I see really pushing the bar, these are my peers so when I see them doing well it only motivates me. Give it a few years and Australia is gonna be a hotspot, I truly believe that! 

Who do you want to work with in the future? 

There are plenty of people I want to work with in future but to be honest I’m more excited to work with the same guys I’ve been working with currently, five years from now and onwards. Coming up with the same people you started with is a different feeling when you’re all together at the top, something I can’t wait for. 

Any shoutouts…. 

Shoutout to my mum for keeping my head straight and my siblings for playing MTV everyday when I was a kid, I took notes, now it’s about to take us a long way. 

Instagram: http://instagram.com/perrypleasurre/ 

‘ON THE LOW’ by Perry P will be out on all streaming platforms on 4th June, 2021.

June 2, 2021 0 comments
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SHAD Shares new single & video 'Work'
Music News

SHAD Shares new single & video ‘Work’

by the partae June 1, 2021
written by the partae
Photo credit: Justin Broadbent

After taking people by surprise last month by releasing ‘Out of Touch,’ the first brand-new song since 2018, Canadian rapper Shad is at it again and today unveils a punchy new track and its video titled ‘Work’, as premiered by Complex.

Shad tells us: “Like ‘Out of Touch’, ‘Work’ was another song written pre-pandemic that is (sadly) even more timely now. I knew I wanted to write a song specifically about two aspects of work: One, the way so many of our jobs are disconnected from a sense of meaning and purpose, and from the people and places they impact. And two, just the increasing precarity and scarcity of work. Also as with ‘Out of Touch”, I wanted the song to hold both the irony/humour and heaviness of our situation.” Produced by and featuring Skratch Bastid, this track was built on a blistering sample from art-rockers We Are The City and mixes old and new influences, taking Shad’s flexible flows into exciting new territory. Justin Broadbent who directed the video shares his inspiration behind the images: “I tried to make a classic, in-studio, rap video (think Rakim) but accidentally took an off-ramp, and it became way more grainy punk. As always, Shad delivers on the clever, collaged, comments – so I tried to do the same with the visuals. Watch it loud!”

The last single ‘Out of Touch‘ received an overwhelmingly positive response by media and fans alike and was picked up by Brooklyn Vegan, Exclaim!, Strombo, KEXP, American Songwriter and many more. The single also saw Shad landing on billboards and playlist covers across streaming platforms. In addition, last month the renowned Brooklyn-based DJ J. Period released ‘Globetrottin’, a brand-new song featuring Shad and Masego. ‘Globetrottin’ is a playful storytelling track on J. Period’s EP, which also features Black Thought, Dave Chappelle, Lin-Manuel Miranda, and a host of others.

Shad is one of Canada’s most revered rappers, a peerless wordsmith who embodies hip-hop’s power to entertain and educate. Since releasing his DIY debut in 2005, the Toronto-based MC has pushed his style of socially conscious yet infectiously playful hip-hop across five increasingly ambitious albums that have received widespread critical acclaim and coverage in outlets like Rolling Stone, Complex, The Ringer, Fader, NPR, and more. To date, Shad has racked up over 30 million streams, a Juno Award for Rap Recording of the Year (for 2010’s TSOL), and four placements on Canada’s prestigious Polaris Music Prize shortlist, most recently for his 2018 concept-album opus, A Short Story About a War. His music has also been heard on TV shows like Snowpiercer, The Murders, Tall Boyz and more. His mission to inspire and inform goes beyond his own music: a former host of CBC Radio’s flagship arts and culture program q, Shad can currently be seen talking shop with the legends of rap on the Emmy/Peabody Award-winning Netflix Original docuseries, Hip-Hop Evolution. 

Shad – ‘Work’ (Official Video)
Stream / Download: https://found.ee/ShadWork

Shad
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June 1, 2021 0 comments
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BACHELOR (Jay Som's Melina Duterte & Palehound's Ellen Kempner) Debut album Doomin' Sun is out now! Share new video for 'Back Of My Hand' Doomin' Sun Fest Livestream + Telethon announced
Music News

BACHELOR (Jay Som’s Melina Duterte & Palehound’s Ellen Kempner) Debut album Doomin’ Sun is out now! Share new video for ‘Back Of My Hand’ Doomin’ Sun Fest Livestream + Telethon announced

by the partae June 1, 2021
written by the partae
Photo credit: Tonje Thilese

Praise for Bachelor

“two slow-burn songwriters who sound like they compounded each other’s daring on their first single, ‘Anything at All’…the track continually builds and bristles, starting with a skulking bass line and peaking with an onslaught of frenetic guitars.” – The New York Times

“The songs combine vivid imagery rooted in intimacy and desire with a gnawing fear of climate change and walking alone at night, among other things. The relationship between ambient anxiety and warm, immediate comfort provides the album’s central tension, in its own way a reminder of why it’s nice to have a friend when everything else seems to be crumbling.” – Pitchfork

“collaborations between artists we know and love can turn into really inspiring music and that’s just happened [with Bachelor]” – NPR Music’s Bob Boilen on All Songs Considered

“‘Anything At All’ an expertly designed piece of indie rock: a tasteful bass bump anchors the track, while guitars, synths, and pianos flicker anxiously during the verses before a big guitar hook that’s all carom and crunch, like a tidal wave on repeat.” – Rolling Stone

“A groovy ballad all about unrequited, queer love, the sound feels fresh and new for both artists”  – Billboard

“highlight the duality between restraint and release…Bachelor appears to be a push for both Kempner and Duterte into a more eerie, post-punk direction that doesn’t compromise on intimacy.” – them.

“a sparkling mix of both artist’s distinctive sounds.” – NYLON

“an explosive new team-up dripping with fuzz…’Stay in the Car’ careens wildly, thrillingly, and full of feverish promise.” – MTV

“When two indie rockers beloved in their own right team up for a collaborative project, you know you’re in for a treat.” – UPROXX

Bachelor — the collaborative project of Palehound’s Ellen Kempner and Jay Som’s Melina Duterte — release their highly-anticipated debut album, Doomin’ Sun, via Milk! Records / Remote Control Records! With an ominous eye to extreme fandom, the duo has also released their new ‘Back Of My Hand‘ video, directed by Ellen Kempner.

The band shares: “For the “Back Of My Hand” video, we wanted more than anything to make something fun given the limited time and options available due to the current pandemic. Ultimately deciding to put Ellen in the director’s chair as well as film at her home with a skeleton crew. Our final single is about the dark side of fandom and we wanted to exaggerate that as much as possible in our video concept. When it came to choosing an artist to obsess over we quickly chose Harry Styles as we both are truly big fans!”

With early support from the likes of Pitchfork, The New York Times, Rolling Stone, NPR Music and more, Doomin’ Sun is a record steeped in friendship. Written and recorded in Topanga, CA over the course of two weeks in January of 2020, pre-pandemic, Doomin’ Sun finds Kempner and Duterte hybridizing their individual songwriting talents, producing a collection that slips between moods with ease and showcases their lyrical prowess. While the album features collaborations with the likes of Big Thief’s Buck Meek and James Krivchenia, as well as Duterte’s partner and Routine-counterpart Annie Truscott of Chastity Belt, the record was largely made by the two musicians in isolation as a fitting precursor to the forthcoming year. Creating the space to explore significant themes from queerness to climate change, the collection also finds Bachelor experiencing pure, unadulterated joy: the kind of joy that can only come from creating, laughing, and having a ridiculous amount of fun with a close friend.

To celebrate the album release they have also announced Doomin’ Sun Fest, a massive, free/donation-based livestream festival + telethon to benefit and uplift  Seeding Sovereignty. The festival will take place on Friday 11th June from 8AM AEST, and features the likes of Tegan & Sara, Courtney Barnett, Benjamin Gibbard, Sylvan Esso, Adrianne Lenker (Big Thief), Jeff Tweedy, Japanese Breakfast, Julien Baker, Tank And The Bangas and more.

Buy / Listen Doomin’ Sun: https://bachelor.ffm.to/doomin-sun

Bachelor
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June 1, 2021 0 comments
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Corduroy Spaceship reveals striking sophomore EP, Life In Hollywood
Music InterviewsMusic News

CORDUROY SPACESHIP

by the partae May 31, 2021
written by the partae

What significance does this record have to you now, that it’s out there and you can look back on it as a completed record?

The record loses significance in some way to me after it’s been released. When I’m writing and recording it seems like this mammoth task and I imagine once I finish it I will feel really accomplished. But it kinda turns out the other way. I won’t listen to the record for maybe 2-4 weeks after it’s been released, then I’ll hit it up and kinda feel like ah well that’s kinda cool I guess?? What do I do now..? What’s next? It’s a weird rollercoaster of emotions.

How long did the recording of this EP take and if there was, what was something you learned about yourself as an artist during that process?

Roughly 18 months I think. There was a lot of delay due to lockdown here in Melbourne. Every time I’m involved in some kind of recording or record or whatever I seem to learn to be less and less hard on myself. I’m learning to take my foot off the gas when an obstacle comes my way. Instead of doubling down and hoping for the best. 

Is there any one song that stands out to you as a favourite (and why)?

Life In Hollywood is definitely the track I want people to hear. It’s something new for me with the guitar taking the backseat and letting the vocals and synth drive. It’s new territory for me and I want people to notice that more than anything else. 

Was there a moment when making this EP where you thought, ‘This is turning into something that I wasn’t expecting’ – did the initial vision you had for it change in the final product?

As soon as I started recording Life In Hollywood I was like, ‘Holy shit I haven’t been here before.’ I was trying to work out what the guitar was supposed to do, but it became obvious early on that it wasn’t needed. Homage Part 1 & 2 were going to be one bigger song but at some point got split up and book ending the EP. 

Was much of the material written pre-lockdown or during?

About 50/50. I wrote the bassline for She Wants You about 4 years ago. Life In Hollywood came in the depths of lockdown.  

Thinking about the music you’re wanting to make in the future, how does this EP capture this energy?

I’m excited about playing more synth and keys for sure, to broaden my knowledge a bit. This EP in particular I have really grown to love writing and playing bass, so I think these instruments that usually take a back seat role will come to the forefront in future recordings. 

Being in Melbourne, how much of an escape has music been for you over the last 12 months?

It’s been an escape and a prison. I had more time than ever to sit down and write and record, but it was almost the only thing I did during lockdown. Writing and recording is usually my happy place but during lockdown I didn’t really have any other place to escape to. Music felt like a chore at times.

 

The Life In Hollywood EP is out now.

 

PLAY/LISTEN

Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

May 31, 2021 0 comments
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Where are you currently based? I'm currently based on the Northern Beaches of Sydney. I'm in the city a lot too for uni and gigs so it's a lot of back and forth between where I live and Sydney city.  How did you first start playing music? I come from a very musical household so music was always around as I was growing up. My Dad is a music teacher and my Mum is a music therapist so it was kind of inevitable that I would end up in music as well! The first instrument I had proper lessons on was the violin. I played violin for about 6 or 7 years and I owe so much of who I am as a musician to those really formative years of playing violin. My teacher taught me how to listen and how to feel music and gave me all the foundations I needed to continue music through songwriting and other instruments. I picked up some other instruments through primary school and highschool like I played the flute for a while and had keyboard and singing lessons. One day I picked up my Dad's bass guitar and pretty much instantly fell in love with it and have been playing bass ever since. Guitar is probably my main songwriting instrument, I wouldn't say I'm Jimmi Hendrix or anything but I do have my favourite chord shapes and can hold a rhythm.  What's been happening recently and how has your Covid experience been? Recently lifes been pretty hectic with studying and teaching and gigging and writing. I keep pretty busy but I'm really grateful that all the things I'm busy with are things that I enjoy. Covid last year definitely had me in a bit of a musical slump. I was feeling a lot of pressure from social media and other people in the industry to use lockdown and isolation as a time to create and pump out content and I think all of that pressure ultimately turned me away from music for a bit. I also felt like I needed to give myself permission to not have to be productive for once and just get through the lockdowns as best as I could. I feel refreshed and re-inspired this year as things are gradually getting back to normal and I'm excited to keep collaborating, gigging, writing and learning as much as I can about music.  Your new single 'Good Mood' is out now, what influenced the sound and songwriting? For this release I really wanted to share another side of my music with people. My last EP which was recorded in Nashville before Covid was very acoustic, down tempo sort of stuff which is definitely a big part of my songwriting catalogue, but for this track I wanted to share the more funky, upbeat side of myself as an artist. I was influenced by a lot of R&B artists for this track like Erykah Badu, ELIZA, H.E.R, Cleo Sol and Ravyn Lenae. In terms of the songwriting, a big part of writing this track was about letting go of having to have these really profound and metaphorical and I guess complex lyrics and instead just marinating on the simple idea of being in a good mood. At first I wasn't sure about how repetitive the chorus is as I've never written a chorus with so few words before, but I gradually started to appreciate the simplicity of it and how it gave more space for the instrumentation to really drive the vibe of the track.   How did you go about writing Good Mood? Like almost all of my songs, Good Mood started out with just me and my guitar. The chords were the first thing that I got excited about and then pretty quickly I'd written the chorus and the melody for the verse. I actually didn't think about the song too seriously or as my next release until I was on a family holiday and was going through all my voice memos and I got really excited when I was listening to Good Mood and pretty much decided then and there that it would be my next single. I wrote the rest of the lyrics for the verse and the bridge as soon as I got home and then I actually stumbled on the key change by accident and decided to stick with it!   What does Good Mood mean to you? Good Mood is all about celebrating those moments where you forget your troubles, you forget why you were crying in the first place and you actually just enjoy the moment and enjoy your life. It's definitely not a song to say that you have to be in a good mood all of the time because firstly that's just not realistic and secondly there isn't really a good mood without a bad mood. It's more about embracing the ups and downs and actually treausing those good moods to help you get through the bad ones. The song definitely helps me to remind myself that I do have good days, days so good that I write a song about it! It really helps me to stay optimistic and hopeful that the good days will always be around the corner.  Where and when did you record/produce/master and who with? The bulk of Good Mood was made in my humble bedroom studio. I also worked with Mel Ertler on keys and Ryan Park on lead guitar at the studios at the Con. We had a couple of sessions where we recorded lots of ideas and collaborated on some different parts to develop the track a bit more. I started recording and producing it around September of last year and wanted to release it in November or December but then life happened and the Northern Beaches went into lockdown and the track lost a lot of momentum. Thankfully my friend Chelsea Warner helped me revive it by producing some drum tracks for it which really brought it to life. She is an absolute legend, I can not recommend her enough for any production needs. My Dad also came into the Con studios one day and was my engineer for recording the lead vocals which was also helpful for reigniting my motivation for releasing the song. My partner Max mixed the track from his home studio. It was so great to work with him because I could be as fussy as I wanted! And he is also very talented at mixing so it was a pleasure. The final step was sending the track off to Studios 301 to be mastered and Harvey O'Sullivan did a really great job of it.  How did you approach the recording process? The recording process for this track was very different to the recording process of my last EP. Hypothesis for Happiness was all recorded in one day at a studio in Nashville with session musicians. That process was great and such an awesome learning experience but for this release I wanted to try the process of recording and producing over time and in different environments. It was great in terms of having lots of creative space to experiment and listen and re-experiment. It was also great for collaborating with different people in different spaces. I will say though, self producing a project without any concrete deadlines is really hard for keeping up motivation and momentum for the project, but we got there in the end!  What programs/equipment did you use? Logic Pro X is my musical home. I've tried many times swapping over to Ableton or Pro Tools but every time without fail I end up back on Logic! I think because I grew up playing Garage Band on the iPad every day as a kid, Logic feels really familiar and kind of connects me to my own artistic development over the course of my life. I played my Mini Maton and my red Fender Squire guitars on the track as well as my Lakland Skyline bass. Mel and I used Komplete Kontrol sounds by Native Instruments on the midi keys and Ryan used Guitar Rig by Native Instruments for his guitar tracks.  Please tell us about you experience with studying music: I'm studying Contemporary Music Practice at the Conservatorium of Music in Sydney. There are some huge pros to studying music, meeting like minded people is definitely the main thing that I have enjoyed. Not only do those people become friends but they become collaborators and colleagues. Another pro is having structure and deadlines. I think there's a lot of music that I've made for uni over the past three years that wouldn't have been made otherwise. The structure and deadlines really help to get songs finished. Studying music isn't always easy though. Just like with every degree, there are going to be subjects that you just have to get through or subjects that are vastly different from how you expected them to be. Another challenge is the constant question of what does this get me? People always ask me what job will this degree get me and it's a really difficult one to answer. I guess we all chose to study music because we love it, not because we want a regular, well-paying job. If you want a regular well-paying job, music probably isn't the most direct path to that. So I guess my answer to that question of what does this get me is hopefully a life full of music and various opportunities opening up, and uni is just a launchpad to get us started.  What new music/projects do you have on the way? I'm working on a concept EP at the moment. I won't give away too much but it explores a lot of themes about living with creativity and how to live a satisfied life as a creative person. I'm also starting to recruit some female musicians to form a bit of a girl band to play some of my original music. Gender equality in the music industry is something that I care deeply about and I always want to be a driving positive force for women to have the same opportunities and experiences available to them as our male counterparts.  Who are you listening to at the moment? I've been listening to a fair bit of Jazz lately as I'm taking a Jazz vocal course at uni. Ella Fitzgerald is my absolute favourite Jazz singer, I have a poster of her and Louis Armstrong on my bedroom wall. In terms of other more modern artists, Eryn Allen Kane is an absolute queen. So is Charlotte Day Wilson, she has such a unique, buttery voice. I'm also very hyped for the new Hiatus Kaiyote album to come out. I've been a huge fan of theirs for many years and I love the tracks they've released already so I'm very excited! On a more mainstream note, I am a little bit obsessed with Silk Sonic (Anderson Paak and Bruno Mars). I just love how they're bringing motown back into the mainstream and exposing a lot of pop music listeners to a new genre.  What do you like to do away from music? I love travelling, not that there's much of that going on at the moment but even just exploring more of the state is something I love to do on uni breaks. I'm really into kickboxing at the moment too. It's a good outlet for any anger or frustrations I have that I can let out on the punching bag so that I can be a polite and nice person for the rest of the day! I am a little bit of a gamer girl too, I love my nintendo switch and my computer games.  What's planned for the remainder of 2021? I've learnt over Covid that the near future is so out of my control. These random Covid breakouts and on again - off again lockdowns make it really hard to plan for the rest of the year which has actually been good practice for me to stay in the moment more and accept that I can't control what the rest of the year looks like. That being said, I would like to release another EP by the end of the year and hopefully develop a new live set up so I can start doing my own original gigs at local venues on the Beaches.  Favourite food and place to hangout? There's a place in Redfern near the University of Sydney where me and some friends always go after our Jazz vocal workshops called Terra Cotta Roasters and they have this burger that has all of my favourite foods on it. Haloumi, hash browns, avocado, fried eggs and tomato relish. That with an oat milk latte is pretty much the ultimate dining experience for me. I also have a huge sweet tooth like I could eat sour patch kids every night if that was healthy!  Stream "Good Mood" here: https://linktr.ee/abbyfullermusic  https://abbyfullermusic.com https://www.youtube.com/channel/UCcqm2v6RZxeP1dlQmQ6Brzg  Instagram: @abbyfulllermusic Facebook: Abby Fuller MUSIC  SoundCloud: Abby Fuller MUSIC
Music InterviewsMusic News

Abby Fuller

by the partae May 31, 2021
written by the partae
Where are you currently based?
 
I’m currently based on the Northern Beaches of Sydney. I’m in the city a lot too for uni and gigs so it’s a lot of back and forth between where I live and Sydney city.
 
How did you first start playing music?
 
I come from a very musical household so music was always around as I was growing up. My Dad is a music teacher and my Mum is a music therapist so it was kind of inevitable that I would end up in music as well! The first instrument I had proper lessons on was the violin. I played violin for about 6 or 7 years and I owe so much of who I am as a musician to those really formative years of playing violin. My teacher taught me how to listen and how to feel music and gave me all the foundations I needed to continue music through songwriting and other instruments. I picked up some other instruments through primary school and highschool like I played the flute for a while and had keyboard and singing lessons. One day I picked up my Dad’s bass guitar and pretty much instantly fell in love with it and have been playing bass ever since. Guitar is probably my main songwriting instrument, I wouldn’t say I’m Jimmi Hendrix or anything but I do have my favourite chord shapes and can hold a rhythm.
 
What’s been happening recently and how has your Covid experience been?
 
Recently lifes been pretty hectic with studying and teaching and gigging and writing. I keep pretty busy but I’m really grateful that all the things I’m busy with are things that I enjoy. Covid last year definitely had me in a bit of a musical slump. I was feeling a lot of pressure from social media and other people in the industry to use lockdown and isolation as a time to create and pump out content and I think all of that pressure ultimately turned me away from music for a bit. I also felt like I needed to give myself permission to not have to be productive for once and just get through the lockdowns as best as I could. I feel refreshed and re-inspired this year as things are gradually getting back to normal and I’m excited to keep collaborating, gigging, writing and learning as much as I can about music.
 
Your new single ‘Good Mood’ is out now, what influenced the sound and songwriting?
 
For this release I really wanted to share another side of my music with people. My last EP which was recorded in Nashville before Covid was very acoustic, down tempo sort of stuff which is definitely a big part of my songwriting catalogue, but for this track I wanted to share the more funky, upbeat side of myself as an artist. I was influenced by a lot of R&B artists for this track like Erykah Badu, ELIZA, H.E.R, Cleo Sol and Ravyn Lenae. In terms of the songwriting, a big part of writing this track was about letting go of having to have these really profound and metaphorical and I guess complex lyrics and instead just marinating on the simple idea of being in a good mood. At first I wasn’t sure about how repetitive the chorus is as I’ve never written a chorus with so few words before, but I gradually started to appreciate the simplicity of it and how it gave more space for the instrumentation to really drive the vibe of the track.
 
How did you go about writing Good Mood?
 
Like almost all of my songs, Good Mood started out with just me and my guitar. The chords were the first thing that I got excited about and then pretty quickly I’d written the chorus and the melody for the verse. I actually didn’t think about the song too seriously or as my next release until I was on a family holiday and was going through all my voice memos and I got really excited when I was listening to Good Mood and pretty much decided then and there that it would be my next single. I wrote the rest of the lyrics for the verse and the bridge as soon as I got home and then I actually stumbled on the key change by accident and decided to stick with it!
 
What does Good Mood mean to you?
 
Good Mood is all about celebrating those moments where you forget your troubles, you forget why you were crying in the first place and you actually just enjoy the moment and enjoy your life. It’s definitely not a song to say that you have to be in a good mood all of the time because firstly that’s just not realistic and secondly there isn’t really a good mood without a bad mood. It’s more about embracing the ups and downs and actually treausing those good moods to help you get through the bad ones. The song definitely helps me to remind myself that I do have good days, days so good that I write a song about it! It really helps me to stay optimistic and hopeful that the good days will always be around the corner.
 
Where and when did you record/produce/master and who with?
 
The bulk of Good Mood was made in my humble bedroom studio. I also worked with Mel Ertler on keys and Ryan Park on lead guitar at the studios at the Con. We had a couple of sessions where we recorded lots of ideas and collaborated on some different parts to develop the track a bit more. I started recording and producing it around September of last year and wanted to release it in November or December but then life happened and the Northern Beaches went into lockdown and the track lost a lot of momentum. Thankfully my friend Chelsea Warner helped me revive it by producing some drum tracks for it which really brought it to life. She is an absolute legend, I can not recommend her enough for any production needs. My Dad also came into the Con studios one day and was my engineer for recording the lead vocals which was also helpful for reigniting my motivation for releasing the song. My partner Max mixed the track from his home studio. It was so great to work with him because I could be as fussy as I wanted! And he is also very talented at mixing so it was a pleasure. The final step was sending the track off to Studios 301 to be mastered and Harvey O’Sullivan did a really great job of it.
 
How did you approach the recording process?
 
The recording process for this track was very different to the recording process of my last EP. Hypothesis for Happiness was all recorded in one day at a studio in Nashville with session musicians. That process was great and such an awesome learning experience but for this release I wanted to try the process of recording and producing over time and in different environments. It was great in terms of having lots of creative space to experiment and listen and re-experiment. It was also great for collaborating with different people in different spaces. I will say though, self producing a project without any concrete deadlines is really hard for keeping up motivation and momentum for the project, but we got there in the end!
 
What programs/equipment did you use?
 
Logic Pro X is my musical home. I’ve tried many times swapping over to Ableton or Pro Tools but every time without fail I end up back on Logic! I think because I grew up playing Garage Band on the iPad every day as a kid, Logic feels really familiar and kind of connects me to my own artistic development over the course of my life. I played my Mini Maton and my red Fender Squire guitars on the track as well as my Lakland Skyline bass. Mel and I used Komplete Kontrol sounds by Native Instruments on the midi keys and Ryan used Guitar Rig by Native Instruments for his guitar tracks.
 
Please tell us about you experience with studying music:
 
I’m studying Contemporary Music Practice at the Conservatorium of Music in Sydney. There are some huge pros to studying music, meeting like minded people is definitely the main thing that I have enjoyed. Not only do those people become friends but they become collaborators and colleagues. Another pro is having structure and deadlines. I think there’s a lot of music that I’ve made for uni over the past three years that wouldn’t have been made otherwise. The structure and deadlines really help to get songs finished. Studying music isn’t always easy though. Just like with every degree, there are going to be subjects that you just have to get through or subjects that are vastly different from how you expected them to be. Another challenge is the constant question of what does this get me? People always ask me what job will this degree get me and it’s a really difficult one to answer. I guess we all chose to study music because we love it, not because we want a regular, well-paying job. If you want a regular well-paying job, music probably isn’t the most direct path to that. So I guess my answer to that question of what does this get me is hopefully a life full of music and various opportunities opening up, and uni is just a launchpad to get us started.
 
What new music/projects do you have on the way?
 
I’m working on a concept EP at the moment. I won’t give away too much but it explores a lot of themes about living with creativity and how to live a satisfied life as a creative person. I’m also starting to recruit some female musicians to form a bit of a girl band to play some of my original music. Gender equality in the music industry is something that I care deeply about and I always want to be a driving positive force for women to have the same opportunities and experiences available to them as our male counterparts.
 
Who are you listening to at the moment?
 
I’ve been listening to a fair bit of Jazz lately as I’m taking a Jazz vocal course at uni. Ella Fitzgerald is my absolute favourite Jazz singer, I have a poster of her and Louis Armstrong on my bedroom wall. In terms of other more modern artists, Eryn Allen Kane is an absolute queen. So is Charlotte Day Wilson, she has such a unique, buttery voice. I’m also very hyped for the new Hiatus Kaiyote album to come out. I’ve been a huge fan of theirs for many years and I love the tracks they’ve released already so I’m very excited! On a more mainstream note, I am a little bit obsessed with Silk Sonic (Anderson Paak and Bruno Mars). I just love how they’re bringing motown back into the mainstream and exposing a lot of pop music listeners to a new genre.
 
What do you like to do away from music?
 
I love travelling, not that there’s much of that going on at the moment but even just exploring more of the state is something I love to do on uni breaks. I’m really into kickboxing at the moment too. It’s a good outlet for any anger or frustrations I have that I can let out on the punching bag so that I can be a polite and nice person for the rest of the day! I am a little bit of a gamer girl too, I love my nintendo switch and my computer games.
 
What’s planned for the remainder of 2021?
 
I’ve learnt over Covid that the near future is so out of my control. These random Covid breakouts and on again – off again lockdowns make it really hard to plan for the rest of the year which has actually been good practice for me to stay in the moment more and accept that I can’t control what the rest of the year looks like. That being said, I would like to release another EP by the end of the year and hopefully develop a new live set up so I can start doing my own original gigs at local venues on the Beaches.
 
Favourite food and place to hangout?
There’s a place in Redfern near the University of Sydney where me and some friends always go after our Jazz vocal workshops called Terra Cotta Roasters and they have this burger that has all of my favourite foods on it. Haloumi, hash browns, avocado, fried eggs and tomato relish. That with an oat milk latte is pretty much the ultimate dining experience for me. I also have a huge sweet tooth like I could eat sour patch kids every night if that was healthy!

Stream “Good Mood” here: https://linktr.ee/abbyfullermusic 
https://abbyfullermusic.com
https://www.youtube.com/channel/UCcqm2v6RZxeP1dlQmQ6Brzg 
Instagram: @abbyfulllermusic
Facebook: Abby Fuller MUSIC
SoundCloud: Abby Fuller MUSIC
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