What are your names and roles within Sametime?
Sam Aitken – Vocalist
Tim Aitken – Vocalist, Keys/Synths, Guitar

Where are you currently based?
Caloundra, Sunshine Coast
How old are you both now?
Tim (22) and Sam (19)

How did you first start playing music?
We started by busking at the local markets here in Caloundra. We would set up out the front of a nail salon and play from 8am to 1pm, almost every sunday at the ages of 12 and 9. We entered any busking competition that we could and won, using the prize money to buy better gear.

What’s been happening recently?
We’ve just released a new song called ‘Moving On’ which is on the EP we are releasing on September 2nd. We’ve been fortunate enough to play some gigs during COVID here in QLD but we are very used to booking gigs, cancelling, rescheduling and cancelling again.
We are doing what most small independent artists are doing post-release, hitting refresh and hoping people listen to our song.

Please tell us about the instruments you play and how you came to play multiple instruments:
Tim: I was about 10 years old and my toy batman quad bike broke so my parents bought me a guitar and put me in lessons. When we started busking, guitar lessons became the hour every week that I could learn new songs for busking. I was never taught anything technical on the guitar, I just learnt songs and from those songs I learnt the chords/shapes.

We also had this crappy keyboard at home that my Dad would play. He taught me some basic chords and how to use a sustain pedal. I taught myself the rest of what I know by just experimenting with chords and notes and playing till something sounded good.

Sam: I used to bang two paintbrushes on everything when Tim would play guitar so I was put into drum lessons when I was about 7. When we started busking I played the Cajon but when we started playing in pubs, I moved to a stand up cocktail drum kit. This was so I could still be at the front of the stage as a lead vocalist but also be the drummer of the band.

You write and collaborate with numerous producers and musicians, how do these collabs come about and how do you usually approach the process?
Before COVID we would fly/drive down to Sydney for a week and do sessions organised by the Sony publishing team. Every collaboration is different, everyone is unique with their songwriting approach in one way or another. We always go into a session with songs to reference, recent projects to give direction (if needed) and a big fat smile on our face because our job is to make music.

You both signed a worldwide deal with Sony Music Publishing at 14 and 16 years of age, how did this come about and how has the experience been?
We had just done a charity concert that was filmed and recorded properly. We played most of our original songs, one being our first ever single “Where The Wind Blows”. Dicko (our manager) was in Sydney catching up with the team at Sony Music Publishing and showed them the video of us playing the song. Two weeks later we met them in Brisbane and signed with them that week.

The experience has been great, we were allowed the time and resources we needed to develop our sound into what it is today. Without Sony we wouldn’t have met a lot of our friends and close collaborators. We wouldn’t have had the session with Fletcher Matthews that led to ‘Get To Know Ya’ and then the rest of the EP.

The team at Sony Music Publishing are the best and we are so thankful for everything they do. One of our goals is to become the most versatile songwriters on their roster in the next couple of years.

You’ve been playing together for ten years, how has your musical relationship evolved over that period?
When we were younger, playing music together was probably the only thing we liked to do together. We used to say it was the only time we got along, which could’ve been true but back in our prime busking days you would’ve thought we were the best brothers.

Playing music together for so long means words are no longer needed, we both know each other’s patterns instinctively, we both know what to do if the other is struggling to sing. You wouldn’t expect a 22 and 19 year old to have a decade of gigging experience under their belt but our live shows prove it to you.

Off stage, the relationship has evolved from Tim being the primary songwriter to now both of us. We are both good enough at producing that we can make our own good quality demos. Music is no longer our hobby, it’s a full time job for us so we both want to make this work and one can’t do it without the other.

You’ve just released disco infused gem ‘Moving On” how did this track come about?
I think it was when we were exiting the eye of the COVID storm when we wrote this track. We are all booked and ready to go down to Sydney to work with Fletcher on writing two more tracks and finish the EP. The borders were then closed due to another outbreak and we were forced into yet another Zoom session. By then we had a streamlined process when writing and recording via Zoom as we had to do it for two tracks earlier in 2020.

Being the fourth song we had written together, there was a level of trust and respect there that led to getting more personal. We told Fletcher a couple of things that had happened to us over the last couple of years, one being the story that would then become ‘Moving On’. It was another ordinary night out when someone made a decision that would result in something far worse than a hangover the next morning. The song is about moving on from that time in our lives.

Your EP ‘Maybe We Can Get High’ will be out on September 2, what influenced the sound and songwriting?
We took a lot of influence from acts like Daft Punk, Parcels, Jungle, Dua Lipa, Troye Sivan, Years & Years, PNAU and many more. The high falsetto group vocals are a big trope of disco pop and something that we really enjoy the sound of. We wanted our music to physically move people so every song has a big fat drum and bass.

How did you go about writing the EP?
At the start of 2020 we took a trip to Sydney where we had our last few in-person writing sessions and on our last day there we wrote what was our first single off the upcoming EP ‘Get To Know Ya’. After that everyone went into lockdown and the only way we could have sessions was over zoom. So this whole EP was written and recorded over zoom, which we think is pretty cool.

Where did you record/produce/master and who with?
We wrote and recorded everything via zoom from our house in Queensland with Fletcher Matthews who was in New South Wales. Fletch did an amazing job with the production of all the songs and Paul Blakey did the mastering of all the songs.

How did you approach the recording process?
It was definitely a whole new way of recording, but was something we had to adapt to pretty quickly if we wanted to collaborate with others because there was no other way of doing it. We managed to get used to it pretty quickly which helped a lot when making these songs.

What’s planned for the remainder of 2021?
We are just like every up and coming band trying to make it in this crazy industry, we just want to get out there and play live as much as we physically can, make people dance and have a good time doing it. We are going to keep writing and recording new music and start thinking about the next project.

Who are you listening to at the moment?
Between the two of us here’s some artists we are listening to at the moment together or separately;
The 1975, LANY,. Anderson .Paak, Troye Sivan, Phoebe Bridgers, Luke Hemmings, Holly Humberstone, Rich Brian

What do you like to do away from music?
We are polar opposites which is kind of funny, I (Sam) love to hang with mates at the beach, play golf, and party. Tim loves to sit inside and play video games with the occasional basketball game.

Favourite food and place to hangout?
Sam- The list could go on forever but i do love a good KFC feed and then go hangout at the beach.
Tim – Mexican food….I could eat Mexican food every day for the rest of my life, I’m a big spicy food person. Home is my favourite place to hang out, whether it be alone or with my friends. I’m a hermit and proud.

EP: Maybe We Can Get High? is out now – Play/Listen

Official website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

Hey Cold Smack Attack, great to talk to you! How are things? 

Glad to join you!

Can you give us a bit of an intro into this new artist project?

Cold Smack Attack is an project that’s here to bring back the fun in electronic music, it’s here to break musical barriers, to add a little help to the world recovering from this sad times.

What was your journey into producing and DJing to begin with? 

Dedicating my life to music has been the best decision I’ve ever taken. I’m a musician at heart, so I really enjoy what I do, alone in the studio and in front of thousands, I enjoy both things a lot. 

How have you dealt with the pandemic, what’s it been like for you?

It’s been rough for everyone, but I took everything on the music, and Cold Smack Attack was born. Music is my escape and this time was no less. I speeded months on lock in the studio and it definitely paid off. 

Have you been able to take any positives from the last year?

Definitely, it’s a mind state, I used this weird ass times to get away to music, and it turned into a whole new project that brings me and the listener a brighter day.

Tell us about your 8 releases in 8 weeks, why that number?

We are just launching the project and I’ve made so much amazing music that I wanna share with the world so we figured out that we throw a single out every week for 2 months, just to let people hear and understand the project. It’s a long way to go but we kicked off hard, most tracks entered the Beatport charts, so we here.

What was the inspiration behind the record?

Music from all different genres is the key. I listen to all sorts of music, specially all sorts of black music, and I translate the message to the dance music world. I like to bring inspiration from at least 3 different genres into one of my tracks when I’m cooking, learned that from Quincy Jones, and I truly believe that to make music reach a higher level this is key.

Did you create the tracks with the vision of playing them out? 

No doubt, and the way I do that is picturing myself on the dance floor, this is truly how I listen to music, how I produce and how I Dj. I cook what I wish for, that’s basically the idea.

Is it weird making music with no DJing and no crowd interactions?

Not really, it gave me a lot of space for freedom not having that constant pressure of having to create the next big banger that sounds inspired by the last big hit or the last record that I’ve been blasting on my sets, this time was definitely different in that sense, inspiration came from other places like I said, and the results speak for themselves.

What have you missed most about not partying and playing live gigs? 

As an artist, if you don’t share with others your art you are nothing, its all about sharing, so that’s obviously the part that gives me a bit of anxiety, not being able to share my passion for music with the crowd. Seems like this period its ending so I can’t wait to start rocking again!

What else have you got coming up?

We will release 2 tracks every month until the end of the year to make sure everyone understand the musical concept of Cold Smack Attack, and lets take it from there… one step at a time.

https://www.beatport.com/artist/cold-smack-attack/991226

What happens when you take emerging artists from the most isolated city in the world and pair them with local composers and a string quartet to reimagine their songs in the height of a global pandemic? Enter Perth’s latest innovative experience, Tender is the Night. Birthed by local multi-disciplinary artist and stalwart of the Perth music industry, Leigh Gardiner, in collaboration with creative consultant and composer, Rebecca Erin Smith, Tender is the Night is a series of performances that bridge and blur the lines of classical and contemporary music.

Gardiner had been brewing over the idea of synchronising support for his composer and musician friends for some time, but it wasn’t until the initial COVID lockdowns of 2020 hit that it was finally put into motion. In September 2020, the inaugural Tender is the Night event took place in a suburban backyard to a private audience of friends and family in a relaxed picnic setting. One year on, with the support of the City of Melville and a generous grant from the Department of Local Government, Sport and Cultural Industries under its belt, the event is thrilled to announce the imminent arrival of its first ever public edition with Tender is the Night volume five on Sunday 12 September. We were lucky enough to have a chat with both of the acts which will be performing at the event: headliners, Simone & Girlfunkle and support act, Tanaya Harper.

Hi Tanaya and Simone & Girlfunkle, hope you’re having a nice week! First up, let’s get to know you. Can you give us a little introduction into who you are and the type of music you each create?

Simone & Girlfunkle: Hi! We’re close friends of many years who share a love for singing in close harmony. We were once described as “Picnic At Hanging Rockcore” and yep, that sums us up.

Tanaya Harper: Hello! Well, I’m a Western Australian singer who loves hiking, and I’m also studying Nursing so I feel like I’m living a double life of creative brain versus policies and procedures brain. It’s hard to summarise, I guess the type of music I create is rather solemn, and usually has a lyrical focus on the experience of anxiety. It’s always been about internal struggles rather than the outside world and politics, but I have felt a recent shift where I’m writing more about the greater human experience rather than my own mental health journey. 

You’re both set to perform at the upcoming Perth event Tender is the Night, can you tell us a bit about how Tender is the Night began and what it’s all about?

S&G: Oh we are not qualified to answer this one! But what I can tell you is that it’s Leigh’s passion project. He has created some absolute magic. The string arrangements compliment the contemporary songs and add so many feelings. We went to the first one to see Tanaya and I was genuinely moved to tears by how beautiful the music and experience was.

TH: Well, Tender is the Night is the brain-child of local musician Leigh Gardiner. He would be best to answer this question, but from my understanding for a few years he had the grand idea of having a string quartet playing original arrangements written by a variety of local composers 

What can audience members expect when they attend Tender is the Night on Sunday 12 September at the Melville Main Hall? Tanaya, we understand you’ve performed at a previous event before?

S&G: They can expect something unlike the normal gig experience. The beauty of the strings lick your earholes whilst you feast on picnics. I can’t recommend it enough.

TH: Tender is the Night is the most beautiful gig I’ve ever played, hands down. It was such an honour to have a professional string quartet playing professional arrangements over my music, and I get to do it again! The first Tender was performed in Leigh’s backyard so it wasn’t heavily advertised which meant some friends and fans who would have wanted to come but missed out. The only thing that could possibly be better than the last gig is the fact that I get to sing in Melville Town Hall!! I sense another career highlight coming.

Can you tell us a bit more about the collaborations between yourselves and the composers & string quartet? How do you each approach reimagining your songs with these classical artists? What does that process look like?

S&G: For us, choosing the right songs to be arranged was quite difficult. We’ve been playing together for so long, we have so many songs we’d love to hear arranged for string ensemble. But I think we chose the right bunch! We had to omit some of our poppier favourites and pick some we thought might lend themselves to strings a little better. As far as collaborations between the arrangers and ourselves – we did a dodgy demo of the stripped-back songs and then left it to the pros! On the day as they play will be the first time we’ll hear these interpretations of the music. It’s a little nerve racking but also we’re pretty honoured, and of course excited to hear what the arrangers come up with.

TH: Pretty much what S&G said. I sent some very basic voice memo’s to Leigh who then forwarded them onto the composers. They did an incredible job with their arrangements. There are no rehearsals with the quartet, we purely test the intro’s and outro’s at soundcheck and then bam, we play the full set to the audience. It’s very serendipitous. I intentionally chose what I felt would be the most suitable songs (solo) – the only full band song is Don’t Go Outside, and I’ll also be performing an additional arrangement for my new single ’Montreal’. 

What are you most looking forward to about performing at Tender is the Night?

S&G: Hearing Tanaya’s set again! Performing in the centre of all that string sound loveliness. Also cheese picnics!

TH: Hearing Simone and Girlfunkle! And experiences what it sounds and feels like to perform in a Hall. I think my heart will melt.

What’s next for each of you? Any upcoming releases, other live performances or collaborations on the horizon?

S&G: We move like summertime slugs, so we’re taking our time working through a mountain of new material, trying to shape it into something beautiful and record-shaped. A few of our crew have recently become parents, so we’ve put no upcoming deadlines or pressures on ourselves at this moment in time. Everything will fall into place when it’s destined to, as it always does and we have something to share very soon.

TH: I have a new single (and EP) coming out very soon called ‘Montreal’. I’m very excited to release this one, it’s very close to my heart. It will be accompanied by a video clip filmed by Annie Harvey and Yardley Smeaton. The EP Launch will be on October 2 at Lyric’s Underground, with supports from Grace Sanders and Julia Wallace. 

I’m also going on a road trip to perform in the Great Southern; Ravensthorpe on September 17 and Esperance on 19th. I’m currently working on my debut album, so I might write some songs while I’m down there.

And finally, where can we keep up to date with your work? Give yourselves a plug!

S&G: Here are our links @simoneandgirlfunkle or Facebook

Or our music sits on Spotify, Apple Music or Bandcamp

TH: Instagram, Facebook, Bandcamp, Linktree, Spotify

Tender is the Night – Simone & Girlfunkle

Sunday 12 September 2021 

City of Melville Main Hall

10 Almondbury Rd, Booragoon, WA 6154

Support: Tanaya Harper

Tickets: $30 + BF via Trybooking

BYO food, drinks as well as rugs and cushions to sit on

Doors at 5:30pm