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Music News

Tom Morello Announces 'The Atlas Underground Fire' Out October 15. Listen To 'Highway To Hell' Ft. Bruce Springsteen & Eddie Vedder
Music News

Tom Morello Announces ‘The Atlas Underground Fire’ Out October 15. Listen To ‘Highway To Hell’ Ft. Bruce Springsteen & Eddie Vedder

by the partae August 5, 2021
written by the partae

ALBUM LAUNCHES WITH A CLASSIC COVER, REMAINDER OF TRACK LIST TO FEATURE IMPRESSIVE SLATE OF COLLABORATIONS ON ORIGINAL MATERIAL

HIGHWAY TO HELL FT. BRUCE SPRINGSTEEN AND EDDIE VEDDER
 AVAILABLE NOW

Following his critically acclaimed and groundbreaking 2018 album The Atlas Underground, Rock & Roll icon and two-time Grammy winner Tom Morello announced his latest project today, a follow-up album entitled The Atlas Underground Fire. Featuring a jaw dropping cast of collaborators including Bruce Springsteen, Eddie Vedder, Chris Stapleton, Mike Posner, Damian Marley and more, Morello’s insane guitar playing will be on full display taking the instrument into the future and forging an alternative/rock/EDM masterpiece with all-time legends and cutting edge firebrands.

Morello – co-founder of Rage Against The Machine, Audioslave and Prophets of Rage – will release this forthcoming album The Atlas Underground Fire on October 15 by Mom + Pop Music. The record is available for pre-order now HERE.  The album’s first single, available HERE, is the classic rock AC/DC rock anthem Highway to Hell featuring Morello, Bruce Springsteen and Eddie Vedder.

“Our version of Highway To Hell pays homage to AC/DC but with Bruce Springsteen and Eddie Vedder, brings this legendary song into the future. One of the greatest rock’n’roll songs of all time sung by two of the greatest rock’n’roll singers of all time. And then I drop a shredding guitar solo. Thank you and good night.” said Morello.

Tom Morello is widely known as a barrier breaking guitarist who continues to push the limits and prove the transformative power of music. Throughout his remarkable career, Morello has collaborated with everyone from Wu Tang Clan to Johnny Cash. On The Atlas Underground Fire, as he did in 2018’s The Atlas Underground, Morello took a path into new sonic territory with the project’s breadth of talented collaborators, transforming his sound. With his guitar leading the way, Morello continues to create powerful alloys of different genres.

The album, as testified by Morello, is a clear byproduct of very dark and challenging pandemic days.  Recording guitars on his phone, the album was made both creatively and technically from his home studio in Los Angeles, while sharing files with collaborators around the globe. “During lockdown I had no access to an engineer so I had to record all of the guitar parts on the voice memo of my phone,” said Morello. “This seemed like an outrageous idea but it lead to a freedom in creativity in that I could not overthink any of the guitar parts and just had to trust my instincts.”

And while Morello is known as one of the world’s greatest social justice crusaders who has written songs that quickly became manifestos, he said the pandemic allowed him a freedom on this album to follow more of the emotions and anxiety of the times. “This record was a life raft in a difficult time that allowed me to find new ways of creating new global artistic connections that helped transform a time of fear and anxiety into one of musical expression and rocking jams,” said Morello. To be sure, Morello isn’t done with social justice manifestos, and many of those threads can be found within this album, but unusual times created an altogether unique album.

The Atlas Underground Fire Track Listing:
01. Harlem Hellfighter
02. Highway to Hell (featuring Bruce Springsteen and Eddie Vedder)
03. Let’s Get The Party Started (featuring Bring Me The Horizon)
04. Driving to Texas (featuring Phantogram)
05. The War Inside (featuring Chris Stapleton)
06. Hold The Line (featuring grandson)
07. Naraka (featuring Mike Posner)
08. The Achilles List (featuring Damian Marley)
09. Night Witch (featuring phem)
10. Charmed I’m Sure (featuring Protohype)
11. Save Our Souls (featuring Dennis Lyxzén of Refused)
12. On The Shore Of Eternity (featuring Sama’ Abdulhadi)

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BREAKING NEWS: THE MEMBERS OF AMERICA’S PREMIERE SURF COMBO, BLUE STINGRAYS, REVEALED! BLUE STINGRAYS TO RELEASE VINYL ONLY RE-ISSUE OF CLASSIC ALBUM ‘SURF-N-BURN’ AVAILABLE ON SEPTEMBER 24 VIA EPITONE RECORDS FROM THE VAULT OF THE ‘SURF-N-BURN’ SESSIONS - LISTEN TO PREVIOUSLY UNRELEASED TRACK “GRITS AND EGGS”
Music News

BLUE STINGRAYS TO RELEASE VINYL ONLY RE-ISSUE OF CLASSIC ALBUM ‘SURF-N-BURN’

by the partae August 5, 2021
written by the partae

“The holy grail of modern surf guitar albums” – Ride The Wave Magazine

“A high water mark of the late 90s surf guitar genre” – Surf Or Bust Digest

Surf-N-Burn – the bodacious debut record by the Blue Stingrays – has rocked, rattled and rolled since its original 1997 release on Epitone Records. Now twenty-four years later and long out of print, Epitone will re-release this classic surf rock album on vinyl on September 24.

Upon its original release, the members of Blue Stingrays were touted as iconic yet anonymous surf rock pioneers. Now, after decades of whispers and speculation, the identities of these mysterious musicians have been officially confirmed as guitarist Mike Campbell (Tom Petty and The Heartbreakers/Fleetwood Mac/The Dirty Knobs), bassist Ron Blair (Tom Petty and The Heartbreakers) and drummer Randall Marsh (Mudcrutch).

Like those who roamed the globe and found the perfect wave, Blue Stingrays nailed the perfect sound when their first twang rang ‘round the world on their now legendary debut. To quote the original Surf-N-Burn vinyl jacket sleeve: “The most profound expression of the human condition ever communicated through art, the passion in man’s soul expressed through surf guitar and captured on record!”

Over the past two plus decades, wave breakers and beach combers alike have demanded that the genius swell of sound that is Surf-N-Burn become available again. California’s Epitone Records are happy to oblige. A vinyl-only re-issue of Surf-N-Burn will be released on September 24 on standard black vinyl, a trans blue color in indie retail stores and blue dream splash on the band’s webstore.

Pre-order the album HERE.

Also out today is “Grits and Eggs”, a previously unreleased song from the Surf-N-Burn sessions. A rippling tide of blown out breeze, listen to it HERE.

August 5, 2021 0 comments
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SHARE NEW VIDEO FOR "TWIST WITH ME" 'ICE CREAM TAMBOURINE' EP WILL BE AVAILABLE FRIDAY AUGUST 13
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BEACH PANIC SHARE NEW VIDEO FOR “TWIST WITH ME” ‘ICE CREAM TAMBOURINE’ EP WILL BE AVAILABLE FRIDAY AUGUST 13

by the partae August 4, 2021
written by the partae

Melbourne bop rockers BEACH PANIC! are today sharing their new single, “Twist With Me”, from upcoming EP, ‘ICE CREAM TAMBOURINE’ out Friday August 13.

BEACH PANIC! breathe new life into an era that laid foundation for early rock and rollers like Elvis Presley and The Beatles. “Twist With Me” leaves listeners with a desire to hit the town, meet up with your baby and dance the night away.

“Twist With Me was probably the easiest and quickest song we have ever written,” says the band.
“We were hanging out listening to ‘Surfin USA’ by The Beach Boys and wanted to make our own little nod to the song.

“At the time we were actively trying to make songs as simply structured as possible so we could really focus on creating a high energy surf-punk soundscape, once we wrote the hook for the chorus and made the bass follow the vocal melody we knew we were onto something absolutely bodacious.”

“Kindred” was the first to drop from forthcoming EP ‘ICE CREAM TAMBOURINE’ and explored the fear and vulnerability of falling in love, and sonically showcased exactly what BEACH PANIC! are all about. Premiering at TheMusic, who described the single as “a surfy, west coast synth tune dripping with nostalgia”, the old school Hollywood inspired music video was added to ABC’s RAGE playlist over the weekend and was praised by Hysteria Mag with a glowing: “Summer vibes have come early this year with Kindred”.

Adding a new dimension to the traditional band lineup, BEACH PANIC! is a surf-pop art project comprised of two musicians, Daniel Marinakis and Tom Mitchell, who share musical duties with alternative rockers Belle Haven, and creative mastermind and visual artist Yannica Stakelbeck-Keily. The group go by their own monikers, Tequila Sunrise (Yannica Stakelbeck-Keily), her long time partner Dr. M. Flamingo (Daniel Marinakis) and his best friend Daddy Longlegs (Tom Mitchell) whose lives converged in a creative household where the project was born.
The trio share a love for the charm and quirks of music from the 50s and 60s. The free loving, heart-on-your-sleeve themes mixed with hip shaking grooves is exactly what the members strive to bring together, and these elements have since become integral to the project. With the boys emotive punk rock upbringing and Yannica’s love for vintage style, the amalgamation of their hard hitting energy and groovy fashion sense makes BEACH PANIC! loud and confident. Together the band has created a special blend of tongue-in-cheek surf-pop rock music that bounces between being unabashedly honest and utterly rambunctious.

“Twist With Me” and “Kindred” are available now to stream and purchase everywhere. ‘ICE CREAM TAMBOURINE’ will be available Friday August 13.

August 4, 2021 0 comments
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GOLDING ANNOUNCE NEW SINGLE & VIDEO 'BOXING UNDERWATER' FEAT. CAILIN RUSSO
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GOLDING ANNOUNCE NEW SINGLE & VIDEO ‘BOXING UNDERWATER’ FEAT. CAILIN RUSSO

by the partae August 4, 2021
written by the partae

Indie electronic stunners Golding have today announced their neoteric new single Boxing Underwater, a meandering, expressive track that ponders – will the magnetic force that drew two people together still exist when those people are sober?  Co-written with beloved pop songwriter Jarryd James and featuring the breathtakingly understated vocals of Cailin Russo, Boxing Underwater is out today.

Boxing Underwater is evocative of indie-electro-pop influences such as RÜFÜS DU SOL, Running Touch, and Chet Faker, yet Golding continues to carve a unique path for themselves through their intricate, hooky vocal melodies, modern, sharp production, and clever lyrical turns that keep the listener guessing.  Boxing Underwater is particularly special, co-written alongside global superstar and master melodist Jarryd James, as lead singer Jay from Golding explains, “Jarryd has always been a huge inspiration and someone I’ve looked up to as an artist.  He’s always encouraged me to explore my musical freedoms and demonstrated the idea of ‘you can do anything’, there’s no rules in songwriting.  To finally be creating in a room with him was a special moment for me.”

Working alongside LA artist Cailin Russo was another snappy opportunity for Golding – and she is a perfect choice for this track, as her voice floats delicately amongst the hypnotic electronic bed of instruments.  Reflecting on their time working together, Jay remarks, “We didn’t realise that the song could grow even more until Cailin came on to feature.  I’ve been a fan of Cailin’s music for years and have always had her in the back of my mind as someone I’d like to work with.  Her vocals really helped set the tone and the mood of the song, all the pieces fell into place.”

The mood of the track is wistful, even a little melancholy, but undeniably beautiful.  There’s room for the listener’s interpretation, yet another alluring charm – the audience will interpret each word and each textural movement differently, as Jay explains, “I love how creatively vague the lyrics are.  I really want people to find their own meaning within the track and hope the lyrics can speak to people in their own way.  Boxing Underwater is a melodic expression that evokes emotion through the sonics of the track, allowing listeners to create their own sub-narrative and imagery in their minds.”

Filmed and directed by Nicholas Stevens (Havana Brown, Manu Crooks, Onefour) at Fastback Studios, the video for Boxing Underwater is engaging and beautifully shot, taking on a life of its own, as Matt explains, “It was really important to us to show varying sides of relationships, not just the good but the bad too. We wanted to capture the emotion of a real relationship so we were lucky enough to have real-life couple Mikalah and Zohar star in the clip, you can truly feel the love and chemistry between them as you watch the video unfold.”

After the success of their recent collaboration with Boo Seeka on Don’t Waste Your Love and previous single Alone. Together now on its way to notching up 2 million streams on Spotify alone (and spawning that ultracool Touch Sensitive remix), it’s a thrill to see this electrifying duo back again so soon, and with such a strong offering.  This really is just a taste of what is to come from Golding.

Boxing Underwater feat. Cailin Russo is out today.
Golding is Jay Bainbridge and Matt Bartlem.

Listen: BOXING UNDERWATER FEAT. CAILIN RUSSO
Watch: BOXING UNDERWATER FEAT. CAILIN RUSSO

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PUNK VETERAN & SINGER SONGWRITER JOEY CAPE RELEASES MUSIC VIDEO FOR "IT COULD BE REAL" NEW SOLO ALBUM A GOOD YEAR TO FORGET OUT AUGUST 13 VIA FAT WRECK CHORDS
Music News

PUNK VETERAN & SINGER SONGWRITER JOEY CAPE RELEASES MUSIC VIDEO FOR “IT COULD BE REAL” NEW SOLO ALBUM A GOOD YEAR TO FORGET OUT AUGUST 13 VIA FAT WRECK CHORDS

by the partae August 4, 2021
written by the partae
Photo: Athena Lonsdale

“A punk veteran’s introspective ballad, Cape sounds downright crushed on ‘It Could Be Real’, a hushed song in which he wonders, at 54, if he’s ever going to be cut out
for a lasting relationship.” – Rolling Stone

“’It Could Be Real’ explores the life of a single person, who has become complacent after failed relationships, yet still finds hope in connectedness through Cape’s mostly disenchanted lyrics.” – American Songwriter

“’It Could Be Real’ matches the themes of this album with some of Joey’s most melancholic music yet. It’s a somber, folky and very lovely song.” – Brooklyn Vegan

Fat Wreck Chords and singer-songwriter Joey Cape, frontman of iconic punk band Lagwagon, are excited to release the music video for “It Could Be Real,” the first single lifted from the Friday, August 13 release of his brand new solo LP, A Good Year To Forget . A song written from the perspective of a disenchanted single person—a person who has experienced the highs and lows of multiple failed relationships–“It Could Be Real” was directed by Sean McCue and Nina McCue and features comedian Joe Sib. Cape had the following to share about the video:

“Making the video for ‘It Could Be Real’ was so much fun–directors Sean and Nina McCue are so talented and really do it all. I was in good hands with them. The plot was based on the woes of the busker. Sean McCue has busked all over the world, something I have never done before. I respect those who do. It takes true dedication and I imagine the benefit is meagre. Still you see those people out there everyday everywhere in the world.

 I think one day was enough for me. Haha. A few old friends including comedian Joe Sib showed up. He is hilarious and made us all laugh the entire day.” 

Watch the music video for “It Could Be Real”

An album that was written during a year that saw Cape lose his father, separate from his wife of 20 years, contract COVID, and move back in with his parents as a result of a livelihood lost, Cape’s forthcoming solo album, A Good Year To Forget, is a warm and beautiful record that encapsulates all the trials and tribulations over those challenging 12 months.

Fat Wreck Chords will release A Good Year To Forget on August 13, 2021.

Pre-order A Good Year To Forget HERE

JOEY CAPE  – A GOOD YEAR TO FORGET  OUT FRIDAY AUGUST 13

Track List

A Good Year To Forget
Nickel and Lead
The Poetry In Our Mistakes
It Could Be Real
Check Your Ego At The Door
We Might Be Wrong
Saturday Night Fever
Under the Doormat
Infertile Ground
Heavy Lies the Head
Fictional

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Naarm/Melbourne duo Skydeck share new single 'No Change'; sophomore album Coupon out Friday August 27
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Naarm/Melbourne duo Skydeck share new single ‘No Change’; sophomore album Coupon out Friday August 27

by the partae August 4, 2021
written by the partae

“Hooks! hooks! Hooks!”
Declan Byrne via triple j

“Tinny pop informed by paranoid post-punk and inspired by the state of Australia today.”
 Noisey/VICE“Intelligent lyrics drift above the grooviest of bass lines, only to be halted by an obscure swirl of fuzz or a distant glitch. Every detail counts.”
Deafen County
BUY/STREAM ‘GUILTY OF’

Naarm/Melbourne’s Skydeck (AKA Dominic Kearton and Mitchum Clemens) today share new track ‘Guilty Of’. It’s the final single from the duo’s sophomore album, Coupon, out Friday August 27 via Dinosaur City Records, Osborne Again and Kingfisher Bluez digitally and on limited-edition 12” vinyl.

Listen HERE. Pre-order 12” vinyl HERE.

‘Guilty Of’ features Dom Kearton on vocals, channelling “drunk sad karaoke” energy as he pleads guilty over muffled synths, drum machines and a bouncing bass line.

Kearton says of the new single:

“The lyrics for this one are about the different types of phoney you are at different stages of your life. When I was younger I did a lot of weird and unnatural shit, trying to convince other people I was cool, taking things characters said in books I was reading and trying to pass them off as my own thoughts. It’s funny thinking back to that period of time and realising these days the only person I really lie to is myself.”

“Musically this song is a product of the environment it was recorded in. I never would have been able to record it in my share house, but luckily I was house sitting on Phillip Island and I could really lean in on the vocals. I sort of tried to channel a really sad drunk karaoke energy on the vocal takes and I’m pretty happy with the results. Treating a synth part as percussion is a move I pulled a few times on this album and I think it helps make the song less rigid and sloppier.”

‘Guilty Of’ follows Coupon singles ‘No Change’ and ‘Dogshot’, which saw praise and plays from the likes of ToneDeaf, triple j, Deafen County, BTR Today and Mindies, with rotation adds across FBi Radio, 2SER and RTRFM.

BUY/STREAM ‘GUILTY OF’

Skydeck Coupon

1. Dogshot
2. No Change
3. Guilty Of
4. Salt
5. Gut Guilt
6. Original Sin
7. Uptight
8. Plastic
9. Anthony

Pre-order Coupon on 12″ vinyl

Skydeck is the project of Naarm/Melbourne duo Dominic Kearton and Mitchum Clemens. Live, the two are joined by Liam Parsons (Good Morning), Dainis Lacey and Ambrin Hasnain (Cool Sounds). 

Taking inspiration from cold, post-punk sounds of the 1980s, Skydeck makes use of FM synthesis and the bright, clean and sometimes artificial sounds it provides,  contrasted with distorted guitars and upbeat bass lines.

Sophomore album Coupon is the follow-up to Skydeck’s Australian Music Prize-nominated debut Eureka Moment (2019). While Eureka Moment was pieced together bit by bit, with lyrics applied to old unfinished demos years later, Coupon sees the band writing and recording in unison.  Though writing and recording at the same time, founding members and long-time friends Mitchum Clemens and Dominic Kearton were physically separated throughout the entire process: one in Mexico and the other back home in Australia.

Coupon was as much an artistic endeavour as it was a way to stay connected with each other over long distances, with songs and ideas acting like letters back and forth. Evidence of this can be heard through field recordings and phone memos scattered throughout songs.

Eureka Moment gestured towards an anti-capitalist sentiment, while Coupon sees the band less focused on observing society’s issues from afar, rather reflecting on their involvement within them.

Coupon is set for release digitally and on limited-edition 12” vinyl on Friday August 27 via Dinosaur City Records, Osborne Again and Kingfisher Bluez.

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KEDR LIVANSKIY Announces album Liminal Soul out October 1 Shares lead single & video 'Stars Light Up'
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KEDR LIVANSKIY Announces album Liminal Soul out October 1 Shares lead single & video ‘Stars Light Up’

by the partae August 4, 2021
written by the partae
Photo Credit: Anastasia Pozhidaeva

Russian producer/musician Kedr Livanskiy returns with her expansive, timeless new record on which she pushes the boundaries of electronic songwriting. Liminal Soul plays like an opera as Livanskiy brings her crystalline voice to the forefront, channeling it into operatic choruses, looping falsetto, and one of her first full songs in English. This conviction is evident in the album’s instrumental arrangements as well – Livanskiy expertly fuses acoustic elements with electronic ones, deconstructing pop songwriting with Bjork-like prowess. The haunting vocal loop and house beat on lead single ‘Stars Light Up‘ sound almost underwater, distorting our sense of physical space and prompting us to “plunge into the night skies.”   Listen / Watch Stars Light Up’ HERE.

‘Stars Light Up‘, which sees its release across all digital platforms today via 2MR / Remote Control Records, comes with an introspective video captured on 8mm film in one of the oldest church complexes in Moscow by director Sergey Kostromin. Kedr describes, “White-hipped roof vaults – antique arches, but with a Slavic tint. This place is very personal to me. I feel the connection of antiquity, with those times when people turned their gaze to the sky in search of answers to their questions, in order to feel some kind of otherworldly energy and strength. ‘Look at the sky’ is sung in the song, urging people of our time not to lose contact with heaven – not necessarily in a religious sense, but rather a broader metaphysical one.”

Livanskiy’s previous record Your Need cemented her on the forefront of Russia’s burgeoning electronic / experimental music scene and was met with acclaim from both fellow DJs and press alike, earning her features in publications like The Guardian, Pitchfork (Read her Rising Feature), V, Bandcamp, Gorilla Vs Bear and more, as well as live gigs worldwide from Moscow to New York City.

The infectious pop energy of Your Need is still present on Liminal Soul, but this time it’s more refined; a single element in an elaborate arsenal. Rather than rebelling against the upbeat nature of Your Need, she opted to expound upon it: Liminal Soul takes the technicolor dance floor conjured on Your Need and drops it into the middle of a lush forest, striking a perfect balance between the electronic energy of contemporary life and the organic ease of the natural world.

“Urban being and intuitive organic life are inseparable within a man. That’s the boundary I intended to discover, an archaic pulse inside modern people.”

To do so required her first to push her own internal boundaries, including the use of her voice. In the past, Livanskiy’s vocals were used sparingly, a gentler element in a larger production tapestry. On Liminal Soul, though, she’s brought them to the forefront. With this liberation came the freedom to experiment with the voice as an instrument as well: in addition to ethereal choruses, Livanskiy also employs falsetto and looping operatic harmonies to bolster these songs. On ‘Boy‘, she sings in English, mournfully reflecting on the end of a relationship and growing older. Her presence on these tracks is more palpable as a result – Livanskiy is taking ownership in a way she hadn’t in the past.

On Liminal Soul she injects her infectious club beats with a dose of the natural, crafting a transcendent collection of deconstructed break pop. Contributions from Flaty and avant-electronic group Synecdoche Montauk on ‘Your Turn‘ and ‘Night‘ add texture to the album’s dancier tracks, while the use of older acoustic instruments on ‘Storm Dancer‘ and ‘Boy‘ add a sense of timelessness that furthers the otherworldly tone. From the angelic choral opener ‘Celestial Ether‘ to the moodier outro ‘Storm Dancer‘, the listener enters a state of suspended reality where they are transported to dark cityscapes and verdant rural sprawls, futuristic societies and ancient ones, all in the same stroke. In the end, Livanskiy doesn’t propose a single path forward. The point, instead, is to make peace with the fluctuation itself.

The album’s striking cover art, designed by Kedr and Flaty, reflects this theme as well: “It was essential to share the feeling of transition, of a space, which cannot be articulated,” she says. “The idea is that even in dark ages the light still glows somewhere inside.” 

Pre-order / pre-save Kedr Livanskiy – Liminal Soul: 2mr.lnk.to/LiminalSoul

Kedr Livanskiy – Liminal Soul

1. Celestial Ether
2. My Invisible
3. Boy
4. Stars Light Up
5. Teardrop
6. Night (ft. Synecdoche Montauk)
7. Your Turn (ft. Flaty)
8. Badlands
9. Storm Dancer

Kedr Livanskiy – Liminal Soul is out October 1  via 2MR / Remote Control Records
Kedr Livanskiy 
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Loch Hart announces more artists to its already impressive lineup!
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Loch Hart announces more artists to its already impressive lineup!

by the partae August 4, 2021
written by the partae

Loch Hart Music Festival announces seven more artists to its already impressive lineup!

Telenova, Dorsal Fins, Stevie Jean and more join Loch Hart Music Festival, happening this 19-21 November on the Great Ocean Road in Princetown.

First Release Tickets are now on sale, following a massive Presale launch that saw the festival selling more Presale Tickets than tickets sold in 2019.

Loch Hart is known for its picturesque location, diverse lineups, sustainability initiatives and broad festivals offerings. This year is shaping up to offer all that and more!

Two of the biggest additions to this second announcement are Telenova, Melbourne’s hottest supergroup fronted by multi-disciplined creative Angeline Armstrong, alongside Edward Quinn (Slum Sociable) and Joshua Moriarty (Miami Horror), and Dorsal Fins, cult pop-mystiques back five years on from their most recent release.

These first-class artists are joined by Libby Steel, Meraki Minds, Milo Eastwood, Stevie Jean and Washed Up Wizards, with more artists and comedians to be announced.

If the festival’s Presale launch is anything to go by, make sure to snap up your First Release Tickets ASAP.

First Release Tickets: www.ticketfairy.com/event/loch-hart-2021

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GRAMMY AWARD-WINNING, RAP LEGEND NAS ANNOUNCES NEW ALBUM KING'S DISEASE II OUT AUGUST 6 VIA MASS APPEAL
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GRAMMY AWARD-WINNING, RAP LEGEND NAS ANNOUNCES NEW ALBUM KING’S DISEASE II OUT AUGUST 6 VIA MASS APPEAL

by the partae August 3, 2021
written by the partae
Photo by Danny Clinch

Today Rap legend Nas announces his new album, King’s Disease II, via Mass Appeal.

King’s Disease II is a sequel to Nas’ GRAMMY Award-winning album King’s Disease, which was released in August 2020 to rave reviews.

In March, Nas scored his first-ever GRAMMY Award for “Best Rap Album” with King’s Disease. King’s Disease marked Nas’ first new album in two years. The album is entirely produced by Hit-Boy (JAY-Z, Beyoncé, Travis Scott) and Gabriel “G-Code” Zardes serves as the album’s co-executive producer. In addition, Nas’ collaboration with Pantone around the single ‘Ultra Black‘ to create the official colour, ‘Ultra Black by Nas‘ garnered a Clio Award.

Legacy Recordings, a division of Sony Music Entertainment, recently released an expanded digital edition of Nas’ It Was Written, in celebration of the groundbreaking hip-hop classic’s 25th anniversary. The expanded digital edition features Nas’ original album (in its entirety and classic running order) with the addition of bonus tracks ‘Silent Murder‘ and ‘Street Dreams‘ (Bonus Verse), previously unreleased through digital service providers. Available for streaming HERE.

King’s Disease II is out on August 6.

Stay connected with NAS:
Website | Facebook | Instagram | Twitter | YouTube

August 3, 2021 0 comments
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Music News

PREMIERE – Multi-Faceted Hip Hop Artist Undertow Pushes Through On New Single ‘On Sight’

by the partae August 3, 2021
written by the partae

Serving up one of the slickest videos of the year, multi-faceted hip hop artist Undertow releases  fresh visuals for his single ‘On Sight’ filmed by Kenna Filmz released via Likeminded Recordings.  

The single was written over a period of time pre/post CO-VID, and is about his life and how the  rapper lived, whether it was good or bad, he just keep moving forward. It references things that  were happening at the time of the writing.

He goes on to say, “Friends were going through various struggles, from breakups to heart-attacks,  this song is about how I perceived that at the time and how that affected me. From an artistic  point of view, the track is about doing what you want, maintaining your vision and integrity. Don’t  abide by the rules with art as it’s an expression of yourself,”  

“The message is no matter how buried you are in life, mental thoughts, day to day hardship, and  how down you feel, you just need to push on and get what you came here for,”

The accompanying visual overflows with energy and see’s Undertow roam through the streets of  Sydney with conviction. Capturing the glow of the city and it’s surroundings.  

Having made a bold and confident statement within his career, Undertow is no stranger to the stage. He has over 20 years tenure entertaining Australian and New Zealand audiences never swaying too far from the spotlight. Since releasing his debut LP ‘Minds Believing’ in 2010 to some great reviews and recognition. He then went on to release two albums and an EP with the act Kobra Kai. As a founding member the D&B/Grime/Hip Hop/Electronica act Kobra Kai made a huge impact on the Australian scene. Following that release, ’Light in the Distance’ dropped 2018  and a collaboration with Sydney producer O.T and Dj Maniak for 2019’s ‘Staircases’ release. 

Undertow has gone on to perfect his craft of connecting metaphors and syllables over crafted  instrumentals. Along the way he shared the stage with some of the best in the business, including  Caspa, Dizzee Rascal, Scratch Perverts, Dr Octagon, Lyrics Born, The Four Owls, Ocean Wisdom,  Jam Baxter, MIA, Footsie and more.

Undertow’s upcoming EP ‘On Sight’ sees him go back to his bass music roots, with production  handled by UK producers and all around a 140 BPM, his ability to switch in and out of modern hip  hop, grime and anything in between is what really makes this release stand-out.

 

PLAY/LISTEN

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SEB RELEASES DEBUT EP IT'S OKAY WE'RE DREAMING FEAT. 'SEASIDE_DEMO' OUT NOW VIA MOM+POP
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SEB RELEASES DEBUT EP IT’S OKAY WE’RE DREAMING FEAT. ‘SEASIDE_DEMO’ OUT NOW VIA MOM+POP

by the partae August 2, 2021
written by the partae
Photo by Shy Louise

PRAISE FOR SEB

“A perfect early summer jam”
The FADER

“The perfect summer song”
NME

“…bonafide lo-fi bedroom pop…”
The Line Of Best Fit

“A serious contender in a cut-throat industry”
Ones To Watch

LA-based pop polymath SEB has just released his debut EP, IT’S OKAY, WE’RE DREAMING, via Mom+Pop, a six-song excursion that includes his previously released singles ‘Coney Island‘, ‘THEY DON’T LIKE ME‘, and the bonus track ‘seaside_demo‘. LISTEN HERE.

Since emerging in 2020 with his first single ‘Boys Don’t Cry‘, SEB has steadily built a fervent fanbase and captured the attention of tastemakers worldwide, a process accelerated by the release of ‘seaside_demo‘, which has amassed a staggering 50+ million streams in just two months.

Carving out his own stylistic lane, SEB is as inspired by the emotionally charged songwriting of artists akin to Kurt Cobain and Joni Mitchell as by the boundary-breaking approach of artists like Tyler, the Creator, Kid Cudi, and Grimes. IT’S OKAY, WE’RE DREAMING explores his darkest truths as he questions how the past shapes who he is today – complete with an enthralling visual world inspired by cult movies Gummo and Donnie Darko.

“IT’S OKAY, WE’RE DREAMING serves as the first act to this whole journey,” SEB explains. “It fleshes out the mind-state I was in senior year where all these possibilities were about to open up, but at the same time, I’m starting to deal with the realities of growing up.” The EP’s stylistic diversity is, in part, influenced by SEB’s wildly varied upbringing, coming up in Chicago after hopping between New York, Haiti, Oklahoma, and Miami.

Upon returning to New York for college, he interned at the iconic Electric Lady Studios, where brief brushes with artistic giants spurred him to make the move to LA to focus on his music career. SEB explains, “the fact that I’m black makes it hard for people to just call my music pop. The whole point of my artistic existence right now is fighting for the idea that a single black artist, who writes and produces their own music, can stand right next to a Taylor Swift or Harry Styles.” IT’S OKAY, WE’RE DREAMING marks the first step in that journey.

IT’S OKAY, WE’RE DREAMING EP is out now, buy/stream it here.

Stay connected with SEB:
Instagram | Twitter | TikTok

August 2, 2021 0 comments
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Rewind With Steve Bell returns to commemorate the 25th anniversary of Regurgitator's debut album Tu-Plang
Music News

Rewind With Steve Bell returns to commemorate the 25th anniversary of Regurgitator’s debut album Tu-Plang

by the partae August 2, 2021
written by the partae

When Regurgitator appeared out of the Brisbane underground music scene in the early ‘90s they seemed like the band least likely to be snapped up by a major label. But defying the odds, they inked a deal with Warner that gave them full artistic control. Despite songs lashing music industry greed and spiked with radio unfriendly lyrics, Regurgitator landed in the charts, becoming a platinum-certified, festival-playing favourite.

In this season of Rewind, host Steve Bell sits down with the original Regurgitator line-up who recorded Tu-Plang: Quan Yeomans, Ben Ely and Martin Lee (the first time he’s spoken publicly in twenty years). They are joined by a behind-the-scenes team who helped get Tu-Plang out: DIY-inclined manager Paul Curtis, Warner’s A&R at the time of Tu-Plang Michael Parisi and album producer Lachlan “Magoo” Goold.

Together they weave a tale of how a band, who despite a central punk sensibility, defied expectations and signed with a major label. The trio then pushed against their corporate bosses with defiantly uncommercial ideas and an adventurous recording session in Thailand that included feral dogs, a biker gang, diarrhoea and a mixing desk controlled with toothpicks. Then came the hits, Alan Jones’ calling for them to be banned and the unusual twist of turning down the chance to break America.

Rewind With Steve Bell is available to stream via The Podcasts website and all your favourite streaming platforms, including Apple and Spotify.

About Regurgitator:

Emerging from Brisbane in the mid-‘90s as alternative music bludgeoned the mainstream, Regurgitator quickly established themselves as a surreal staple on both radio and the touring circuit. As well as lovingly indulging in six Big Day Out tours, Regurgitator also gave touring partners such as Red Hot Chili Peppers, Boredoms, Helmet, Pansy Division, and The Prodigy some fun for their money when it came to satiating crowds with sweaty, energetic, genre-bending rock.

About Rewind:

Rewind With Steve Bell launched in 2020 with a successful three-part oral history of Silverchair’s Frogstomp. The podcast quickly became the most played locally- produced music podcast upon release, peaking at #2 on Apple’s music podcast chart (held from the #1 spot by the blockbusting Dolly Parton’s America). Three follow-up seasons, featuring Billy Bragg, The Avalanches and Daryl Braithwaite have seen Rewind remain in Apple’s top 10, smash into Spotify’s music top 5 and trend around the globe (Great Britain, Japan, Canada, Sweden, Norway, Germany, France, Portugal, Argentina and more).

About Steve Bell:

In the 20 years since Steve Bell turned his back on a promising legal career to follow his passion of music he’s pretty much done it all, from managing bands and running a record label to owning a record store and dedicating years on-air to community radio. But since tumbling into the world of street press in mid-2000 it’s music journalism that has proved his true love, and he’s now parlayed those decades of interviewing artists for print and radio into the podcast world.

About Handshake Podcasts:

Rewind is a part of the Handshake stable that also includes one-on-one interview series The Green Room With Tiana Speter, NRL opinion series The Take With Willie Mason and pop culture show that doesn’t live up to its name, That Sucks.

QUOTES FROM THIS EPISODE OF REWIND:

Michael Parisi, former Warner A&R, about how he discovered Regurgitator accidentally on another band’s demo tape:

“It just so happened that when Ben sent me the demos for the new Pangaea stuff, it was a cassette actually, one side was a Pangaea record. The other side was these Regurgitator demos. And, I had a listen to it and I went, ‘what is this?’ And I remember ringing Ben going, ‘I love this more than Pangaea.’ So at the time I go, ‘Can I sign both?’ At the time my boss said, “Look, let’s just focus on one and if that works, then we can, you know, we can sign the other. So which one do you want to sign?’ I said, ‘I’m going to sign this Regurgitator band.’” listen to quote here

Ben Ely speaking about how the band reacted to going pop:

“I remember we had a rehearsal at Red Zeds one Friday night when we used to rehearse there, and Quan came in and he’s like, ‘I’ve written this song,’ and he said, ‘it’s a pop song.’’ We’re like, ‘What? You wrote a pop song. It’s like, ‘Dude, what are you, what are you doing?’ You know, we don’t do that. And then we played it and went, ‘Oh.’ I remember actually playing it in the rehearsal room. And I remember us all looking at each other and just kind of going… kind of freaked out. Cause we liked it. We felt guilty for liking cause we weren’t supposed to do it.” listen to quote here

Quan Yeomans on not enjoying fame:

“To be so successful so quickly and to do it in such a random seemingly random way to me, and to just have so much fun doing it as well as being incredible. So I do feel really, really lucky. But the industry thing, I mean, I never went, I tried to avoid all of the ARIA Awards. I remember, the year that we won five or six of them, I was just in bed, in a hotel room with my girlfriend watching it on TV. I mean, we just, I don’t think I watched at all. Um, it really wasn’t that important to me and that.” listen to quote here

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ANTOINE SHARES LATEST R&B GROOVE 'NO LUV REQUIRED'
Music News

ANTOINE SHARES LATEST R&B GROOVE ‘NO LUV REQUIRED’

by the partae August 2, 2021
written by the partae

Today, Naarm/Melbourne based artist Antoine shares his latest single ‘No Luv Required’, which marks the next phase of an already promising young career. Setting himself aside from his peers, Antoine’s love affair with early 2000s R&B comes through loud and clear on ‘No Luv Required’, transporting the listener to a time when artists like Ashanti & Usher reigned supreme. Following on from a slew of strong releases in 2020, Antoine has enlisted the help of producer ServidSounds for ‘No Luv Required’ which lifts the track from great to special, pushing their sound into the upper echelon of Australia’s burgeoning R&B scene.

Speaking on the release, Antoine explains; “‘No Luv Required’ is an upbeat vibrant take on a young love story before it all goes wrong. It’s about living in the moment and enjoying it with that special someone. You start to feel invincible as a team without any serious commitments which can be so rewarding. Just purely enjoying each other’s company in the present”.

Antoine also speaks on his sound; “R&B & HipHop is changing and I feel like I’m striking a balance between both old and new takes on the genre, allowing me to create something that’s different from what’s come before and what will come in the future”.

‘No Luv Required‘ is the beginning of a new era for the young Melbourne artist, loaded with more releases to come in 2021, along with a music video and collaboration with one of Australia’s leading R&B artists Timomatic. It’s time to get familiar with the name Antoine, as he’s about to level up and showcase his distinctive flavour & sound, which is set to make waves in the local and international R&B scene.

LISTEN TO ANTOINE – ‘NO LUV REQUIRED’

Praise for Antoine

“Antoine is able to connect flow with wordplay finding himself in the genre-blender of Hip-Hop and R&B”
– Music Group

“A masterclass in narration”
– Clash Magazine (UK)

“Poetic and Powerful”
– Declan Byrne | Triple J

“Antoine positions himself as one to watch”
– Pilerats

Hailing from Naarm/Melbourne, Australia, Antoine sets out to take us back to the 2000’s with his smooth, melodic voice along with hard-hitting production suitable for todays audience. Drawing heavy inspiration from his musically gifted family, Antoine seeks to redefine and reshape the R&B world with his infectious and catchy melodies. 2020-2021 has been a busy and productive time for Antoine, seeing him release a slew of accomplished and punchy singles such as ‘One Time’ & ‘New Bae Sh*t’ amassing tens of thousands of streams. Also putting a feature down on renowned Australian artist Blush’ko’s debut album ‘Afternoon Delight’, expect to see a lot more of Antoine in the near future.

Stream / Purchase ‘No Luv Required’

https://www.facebook.com/musicantoine
https://www.instagram.com/antoine_yc/
Spotify
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August 2, 2021 0 comments
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Wesley Joseph & MICHELLE drop singles from Two Inch Punch's A Month Of Sunday's compilation
Music News

Wesley Joseph & MICHELLE drop singles from Two Inch Punch’s A Month Of Sunday’s compilation

by the partae August 1, 2021
written by the partae
credit. Alex Kurunis
A MONTH OF SUNDAYS 
SHARES NEW AA-SIDE SINGLE FROM BREAKTHROUGH ARTISTS
WESLEY JOSEPH AND MICHELLE
OUT NOW ON TRANSGRESSIVE RECORDS.
TAKEN FROM THE UPCOMING FULL LENGTH PROJECT
OUT SEPTEMBER 3RD FEATURING
JESSIE WARE, JAMES VINCENT MCMORROW, THE JOY
AND MORE.

During the first few weeks of the Covid-19 lockdown, London-based producer Two Inch Punch had the idea of a collaborative project in which the artist and producer community, given their sudden slow down of pace, could have the opportunity to continue working, collaborating and making connections with fellow producers and musicians that they may already know but also hopefully connecting with those that they didn’t, and that they may have admired from afar.
Two Inch Punch has now curated a new project titled A Month Of Sundays and in the spirit of the collaborative nature of the project will be releasing a series of AA-side singles over the coming months, with the full album A Month Of Sundays: Volume 1 set for release Friday 3rd September on Transgressive Records. Further details, including a full list of the collaborators plus the tracklisting, will be revealed soon.

Proceeds from A Month Of Sundays: Volume 1 will be going to the independent charities Young Minds and Black Minds Matter. It’s vitally important that we support each other at this time, and hope that this project is able to provide a small offering of relief.

Following on from the critically acclaimed debut release, that featured brand new songs from Jessie Ware & James Vincent McMorrow and The Joy, A Month Of Sundays shares it’s second AA-side drop with singles from fast-rising new artists Wesley Joseph ‘Can’t Sleep’ and MICHELLE ‘Brasil’ who have collectively picked up acclaim from the likes of Pitchfork, The Fader, Dazed, Pigeons & Planes, NME, i-D, The Face and more.

Discussing working with Wesley and MICHELLE, Two Inch Punch offered the following.

“Wesley is one of my fav uk artists right now hands down. What I like about him is he’s entirely in his own lane and not concerned about being from a scene. That’s what makes him so magnetic, not trying to fit in anywhere, unapologetically himself and makes you want to get into his world – which he does so beautifully on this record.
MICHELLE are incredible. I became obsessed with their track “The Bottom”. I love their setup, they remind me a lot of old throwback psychedelic groups and 70s soul led bands, but with synths.

When we started making the embryonic music for this song, it came from a very soulful, funk inspired place. I made the beat with Flan Egg & Mack Jamieson, who are two of the most soulful producers around right now. I always look out for the records they have worked on. The astonishing bass on this was played so majestically by Gabe Noel, who is at the heart of so many amazing records over the years from Kendrick Lamar to Ethan Gruska, to Brent Faiyaz. When we had this piece it felt perfect for MICHELLE and I’m so glad they added their spin on it, absolutely owned the beat & made it their own! It’s one of the most important songs on this record. We are so proud of this one.

Both these two songs came together fairly quickly which is always the sign of a great record in my eyes. All the parts seemed to slot together, and they were both definitely the flagship songs that shaped the rest of the album and tone. We’re so glad they are coming out together, to truly paint the picture of the record.”
A Month Of Sundays: Volume 1 is available to pre-order on limited edition vinyl and CD, alongside donations to Young Minds and Black Minds Matter, here.
August 1, 2021 0 comments
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Wilder. - Reveal Blistering Title Track 'Bad Bad Luck' And Announce Debut EP
Music News

Wilder. – Reveal Blistering Title Track ‘Bad Bad Luck’ And Announce Debut EP

by the partae August 1, 2021
written by the partae

SUPPORT FOR WILDER.

“A pop-punk take on blistering post-hardcore.”
FLOOD Magazine (USA)

“…a lively new duo…”
The Noise (USA)

“A refreshing blast of pop-punk…”
BTR Today (USA)


Southern California indie-rock duo Wilder. have announced their debut EP, ‘BAD BAD LUCK’, due out August 27 on Rude Records. ‘BAD BAD LUCK’ is a high-energy and introspective collection of indie-punk songs reflecting largely on the band members’ experience as young adults in the church and their journey making a fresh start.

“After such a long time in anticipation, we are thrilled to finally release this EP,” shares the band. “It’s an accurate reflection of who we are today, and an ode to our journey up until now. From establishing our presence as artists over the past 10 years, to the pains of letting our old band go, as well as outgrowing certain relationships and leaving organised religion; This EP tells the story of it all. The page has finally turned, and it’s time to get wild!”

The EP features the singles ‘Oh No’, ‘See Through’ and ‘bitemytongue’, as well as the latest single and title track, ‘Bad Bad Luck’. Watch the official music video here: HERE. The ‘BAD BAD LUCK’ EP is available for pre-order here: https://music.ruderecords.com/badbadluckep.

Wilder. is the new project of Long Beach, CA musicians Stephen Ramos and Nick Sturz. Over the past decade, the two musicians have cut their teeth on the road and in the studio, performing dozens of tours across the states, recording albums and paying their dues. Having learned valuable lessons by means of failure, success and perseverance, the duo have formed Wilder., what they feel to be the most accurate representation of who they are as artists.

Their music as Wilder. is upbeat, infectiously melodic, and resemblant of the Southern California aesthetic from which it was created. Their aim is simple, and is even written onto Ramos’ Fender Telecaster – the band is now here, and things are about to get wild. But behind their vibrant imagery, their songs have underlying lyrical content full of honesty and angst, with a tongue-in-cheek attitude that leaves the listener wanting to know more of the story.

Previous singles have been widley embraced by the likes of SYN FM, Edge Radio, 4ZZZ, Kerrang! Radio (UK), Apple Music, Amazon Music, AAA Backstage, Something You Said, FLOOD Magazine (USA), Distorted Magazine (UK) and Bring The Noise (UK).

‘Bad Bad Luck’ is available worldwide now, via Rude Records


Click to stream ‘Bad Bad Luck’

FOLLOW WILDER.

FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | APPLE MUSIC | WEBSITE

August 1, 2021 0 comments
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