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Stay connected with Orion Sun:
Website | Soundcloud | Instagram | Facebook | YouTube
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Stay connected with Orion Sun:
Website | Soundcloud | Instagram | Facebook | YouTube
Previous Support for Dana Gehrman
Carol Lloyd Award Finalist (2020)
‘Find A Way’ #5 on AMRAP Regional Charts (2018)
“Perfect road trip music, with a vintage 70s sound that evokes rich nostalgia…an immense talent with an ability to effortlessly cross genres.” (Sounds of Oz)
“This has that sweet Stevie Wonder funk meets rockin’ blues vibe about it. At the same time, it feels really coastal and jammy.” (Nkechi Anele, Triple J)
“Dana’s songs are infectiously groovy and well-written. Her guitar tone is rich and so is her voice, smooth and older than her years.” (theMusic)
“Aside from being an adept guitarist and soulful vocalist Dana Gehrman proves to be a songwriter of substance with an authentic and relatable voice.” (Lisa Ditterich, 4ZZZ)
“Gehrman rewinds the clock to the golden age of groove-laden funk and emotive soul music.” (Aldora Britain Records)
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Untitled Group have just announced a Day Party featuring Denis Sulta at Birrarung Marr for a Pitch Music & Arts sideshow. Supporting the international headliner at his first Australian Sulta Selects party is Jayda G, Mella Dee, Sally C B2B Cromby & Claddy.
Renowned for bringing energy & good vibes to his unforgettable sets, master selector Denis Sulta rapidly emerged from the ever-fertile Glasgow scene and is now dominating the electronic music scene across the globe.
This Pitch Music & Arts sideshow will feature Untitled Group’s renowned world-class production & sound design within Melbourne’s iconic Birrarung Marr. On the edge of the Yarra, the park has been a meeting point for the Wurundjeri people for thousands of years.
Brace yourselves for Untitled Group to bring their day party magic to this culturally significant space in the heart of the Melbourne CBD.
Full lineup:
Denis Sulta
Jayda G
Mella Dee
Sally C B2B Cromby
Claddy
Tickets on sale Thursday February 10, 6pm AEDT
Get Connected:
THE THRILLING & DRAMATIC NEW SINGLE, CHOKE
IS OUT NOW
Colletto Bianco is the solo artist arrival of frontman Joel Martorana from Sydney based rock outfit, Endless Heights. With three critically acclaimed releases, triple j high rotation success, sold-out headline tours and touring with artists such as Taking Back Sunday, The Amity Affliction, The Story So Far and Basement – their live show quickly became a rite of passage in Australian alternative music.
On the back of ten years of international touring in the world of rock and roll, Joel debuts into the pop realm under Colletto Bianco.
Today, Colletto Bianco reveals it’s first masterpiece, Choke.
“Choke is a torturous dance between desire and fear. One’s overwhelming fear of self being hidden behind a veil of chaos, passion and lust. The debut single from Colletto Bianco exposes the impulse to indulge and distract instead of listening to your own conscience – using pleasure as a distraction to shy away from what is in front of you.” explains Joel Martorana.
The single is accompanied by a music video that is a true cinematic introduction to the thrilling, dramatic and tragic character project that is Colletto Bianco.
“Choke gives a brief insight into the daily life of this proud, chauvinistic and bold fool. Watching Colletto build credibility with his dons and (poorly) juggling a hidden second life from his beloved family who are eventually brought into his mess.”
The independently released music video is a shared passion project of immensely talented cast and crew which consists of director Mikey Hamer (The Jezabels), director of photography Jack Shepherd (Lime Cordiale),executive producer Chris Elder / Haus Party (Peking Duck) and produced by Joel Martorana himself.
The short film also features appearances from Joel’s real Sicilian family including his grandparents, father, brother and cousins.
Colletto Bianco is Italian for ‘White Collar’ – an ode to his heritage and a piss-take on his own sense of self, juggling a life of creativity with the corporate world.
Colletto Bianco will seduce you toward an opulent film noir style cabaret nestled underground in a secluded golden age clique. Swirling with dark pop, emo jazz and dirty martinis.
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All tickets on sale 9am local, Monday 14 February
Sign up for pre-sale access here
Missed out on Splendour tickets? Don’t worry, Secret Sounds has got your back! Splendour’s Official Sideshows of 2022 are finally here and set to roll into venues around the country this July!
This monster pile of tours is the biggest Official Sideshow announcement in the history of Splendour, so be sure to hold your hat as you get your head around this one…
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The good news doesn’t stop there with some of the most exciting acts of the moment joining the British indie rock icons on the mammoth run of shows…
HOBART
TUESDAY 7 JUNE – CITY HALL
THE WOMBATS + SPECIAL GUEST TO BE ANNOUNCED
ADELAIDE
THURSDAY 9 JUNE – ENTERTAINMENT CENTRE THEATRE
THE WOMBATS + SPECIAL GUEST TO BE ANNOUNCED
MELBOURNE
FRIDAY 10 JUNE – JOHN CAIN ARENA
THE WOMBATS + JAGUAR JONZE
SYDNEY
SATURDAY 11 JUNE – HORDERN PAVILION (SOLD OUT)
THE WOMBATS + JAGUAR JONZE
+
SUNDAY 12 JUNE (PUBLIC HOLIDAY EVE) – HORDERN PAVILION, SYDNEY (NEW!)
THE WOMBATS + THE VANNS + JAGUAR JONZE
CANBERRA
WEDNESDAY 15 JUNE – UC REFECTORY (SOLD OUT)
THE WOMBATS + SPECIAL GUEST TO BE ANNOUNCED
BRISBANE
FRIDAY 17 JUNE – RIVERSTAGE
THE WOMBATS + THE VANNS + JAGUAR JONZE
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After debuting its new imprint Fly Over Records with REGGIO‘s hard-hitting big-room house track “Fantasy” last month, NFT-backed label Purple Fly now welcomes Portugal‘s top DJ Diego Miranda and British/Greek duo Mad M.A.C. to their ranks with the new single “Moonlight,” featuring Brazilian singer/songwriter Lucas Pretti. The label keeps up their diverse repertoire with this groovy progressive gem, featuring soulful vocals and a deep, driving bassline that begs for late-night soirees. It’s a welcome addition to REGGIO‘s big-room release, setting up Fly Over to be positioned as a place for festival-oriented music and beyond. Although Fly Over serves as a space for growing artists, Diego Miranda has been making scenes in his native Portugal for over a decade. “Moonlight” is truly a global creation, with Diego joining forces with British/Greek duo MAD M.A.C., who earlier worked with the likes of Dimitri Vegas & Like Mike, Quintino, Yves V.
Purple Fly is an independent imprint utilizing cryptocurrency’s hottest frontier as a platform for the spectrum of electronic music, which previously released singles from the likes of Fatman Scoop, Shaquille O’Neal, DJ SODA, Ahin of MOMOLAND, BLVD., Laidback Luke, Sevenn, and more. Purple Fly‘s goal is to support collaborations of all forms of art, connecting music and stunning visuals for an immersive experience that spans the sonic realms of trance to trap. The label releases an NFT directly on its official website with each music drop, enabling artists to have access to direct support from their fan base while expressing their creativity. Diego Miranda has been voted as one of the DJ Mag’s Top 100 DJs for 11 consecutive years, and in 2022 he will perform at Tomorrowland for the 5th time in a row. He’s also the only Portuguese DJ nominated by his homeland’s MTV as the Best Portuguese Artist 2 years in a row. He previously released on Smash The House, Revealed, Mixmash, Sony Music, and more.
I’m in LA!
How did you first start playing music?
I started playing piano when I was a kid which eventually led me to songwriting and performing. I’ve always been a fan of music and I love being able to be an artist and make my own music now.
What’s been happening recently?
A lot! I have been busy recording and planning my song releases.
Your latest single ‘Shut Up!’ came out on Feb 4; what influenced the sound and songwriting?
I wanted to create a song that had attitude and spunk. The lyrics reference themes of royalty and taking back your power through your individuality. I wanted the production to be simple, but powerful because the lyrics are the focal point of the track.
How did you go about writing ‘Shut Up!’?
I wrote “Shut Up!” as a sequel to my song “Too Hot.” Both songs celebrate individuality and being authentic to yourself no matter how much others want to dim your light. It’s about blocking the haters and being confident in your identity.
Where and when did you record/produce/master?
The overall process for “Shut Up!” was very quick. I finished the writing, recording, and mastering in about 3 weeks. I made the song in December 2021 and I’m releasing it now!
How has the pandemic affected your process?
The pandemic has allowed me to focus on music and find my voice. I’ve been writing every day and formulating a pop sound that beat represents me as an artist.
What does your other current single ‘Too Hot’ mean to you?
“Too Hot” is special to me because it’s the song that inspired me to write more unapologetic pop songs like “Shut Up!” I want to bring that fierce pop energy back to the music industry like how it was in the late 2000s early 2010s.
Who are you listening to at the moment?
I’ve been listening to a lot of Noga Erez.
What do you like to do away from music?
I love being active whether that’s playing tennis, hiking, or rock climbing.
What’s planned for 2022?
The plan is to continue to release music and hopefully play some live shows!
Favourite food and place to hang out?
I really like sushi and Mexican food. If I’m not making music, I am usually hanging out outside like at the beach or in the hills on a hike.
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With the release comes a dynamic music video that is a rambunctious homage to the classic film, shot by Videohead (Phil Fresh, Lil Spacely, Mel Bailey) and directed by Raghav Rampal. On the collaboration, Rampal says, “Our main goal with this video was to pay homage to the 2003 original Oldboy by Park Chan-wook, but 1300-ify it. The movie is so iconic and stylised, and has a lot of jaw-dropping scenes, so our approach was to pick the scenes we thought were the most iconic, and put each rapper into those scenes, as if they’re Oh Dae-su, so it would feel like the movie. The team (Tara, Elle, Maggie & Elijah) put a lot of work into re-creating the locations, costume and make-up for the perfect 1300-to-Oldboy balance, which all came alive through Tom’s cinematography, and Adam’s editing. It was also just the funnest shoot we’ve all had!”
Transposing the energy of their records to an exhilarating, boisterous live show, 1300 have already claimed a slew of notable support slots, appearing alongside Genesis Owusu, PNAU, Shady Nasty, Jono Ma, Taka Perry, 3K, Kota Banks and more. Quickly consolidating their reputation as a multifaceted and burgeoning force in the scene, they have already amassed over 500,000 Spotify streams and garnered playlist support from triple j and triple j Unearthed as a Feature Artist, alongside earned praise from outlets for their “hip-hop-inspired brew that is as sharp as it is palatable” by Rolling Stone Australia, a “refreshing take on Korean rap” by Acclaim and “unmatchable chemistry” by Purple Sneakers amongst others.
Comprised of rappers rako, goyo, DALI HART, producer-singer Nerdie, and producer pokari.sweat, 1300 subsume the raw volatility of Soundcloud rap and the high-budget sheen of K-hip hop, formulating a sound that cannot be understood or defined in pure stylistic terms. Built from everything goes studio sessions, their music is instead caught in a state of endless dynamism that never ceases to electrify or surprise, bottling the potential of a group animated by their boundless creativity, the individual members coming together like particles in the Large Hadron Collider that is 1300. What ties it all together is the group’s uncompromising pursuit of raucous energy, a constant momentum, and intensity born in-studio sessions that is then given shape and sound through their music.
‘Oldboy‘ by 1300 is out now
buy/stream it here.
Stay connected with 1300:
Facebook | Instagram | YouTube | Soundcloud
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Kamasi Washington
Instagram | Facebook | Twitter
y-o-u-n-g.com
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Looking ahead to the release of his long awaited debut album Planet Oasis in April, producer and sonic curator extraordinaire Just A Gent gives fans another taste of the bigger picture in new single ‘Who Would Have Thought’.
A collaboration with West Coast hip hop firebrand Arno Faraji, the newest release from Just A Gent highlights both his love for finding new inspiration and sounds, and also his pure knack for bringing unique voices together into the mix with his own honed style. The execution of it all = effortlessly engaging for maximum entertainment.
Recorded by Just A Gent in Mindaribba on Wonnarua Country (Maitland, NSW), he reunited with Faraji after having first worked with him on the latter’s track ‘Bass Jumpin’. Working remotely with one another, ‘Who Would Have Thought’ was born and as Just A Gent says, Faraji’s added talents as a producer elevated the final product.
“‘Who Would Have Thought’ is a tune to listen to while you reflect back and appreciate everything you have done and all the hard work you put it to get to this point in your journey. We wanted to give you that nostalgic feel and take you to another world.
I made the beat earlier this year and having worked with Arno in the past on his tune ‘Bass Jumpin’ I instantly imagined him on this one, so I flicked it over to him and thankfully he loved it. A week later he flicked back a demo and after a call or two and some back and forths we had it. Arno is a kickass producer himself so he was able to record his takes at home and I just mixed them to taste.”
JUST A GENT
“I wrote the lyrics to this track a little while ago, as I was leaving a state of physical and mental exhaustion, trying to find ways to motivate myself and charge up. It was one of those times when the pursuit was also the reward and that was enough to inspire a lot outta me. “Who would’ve thought I’d make it this far” is like a mantra to inspire that long game hustle but also help you reflect on how far you came & keep going. If this track can work in a way that can inspire a thirst for more in anybody I’m happy!”
ARNO FARAJI
2021 was a busy year for Just A Gent, releasing a string of successful releases throughout the year including ‘Aliens’, ‘Island Fever’ and ‘Swallowed Up’ – all three dictating the journey the producer was charting for himself as he worked his way towards Planet Oasis.
The album, due out April 1st, will mark a touchstone moment for Just A Gent, whose career to date has seen him become an in-demand name on club and festival circuits, buoyed on by multiple EP collections that have shown his natural talent.
PRAISE FOR JUST A GENT
“Buying a one way ticket to whatever tropical location Just A Gent is going to. Such a slick, spacey groove.”
Triple J Unearthed, Dave Ruby Howe (‘Island Fever’, 2021)
“Magic! Swept up in it all.”
Triple J, Claire Mooney (‘Swallowed Up’, 2021)
“Just A Gent has an uncanny ability to blend hypnotic future bass and booming trap under a melodic umbrella.”
EDM.com
“…the artist has found a unique styling that only he can purvey.”
Dancing Astronaut
‘Who Would Have Thought’ is out now.
Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
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“Legacy on the whole seeks to trigger change in the here and now. “Aussie Aussie”, the album’s catchiest song, is a sardonic yet no-less-harrowing broadside against police brutality. “- Rolling Stone “But there’s a satirical edge to ‘Aussie Aussie’ that gives it a different flavour to a straight-up protest anthem. It’s tongue-in-cheek, managing to poke fun at what is a sacred cow to some parts of Australia’s cultural identity while simultaneously slaughtering it.” – triple j |
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Today Birdz releases the official video for his single ‘Aussie, Aussie‘, directed by award-winning Melbourne-based director, Lilah Benetti and produced by top filmmaker Tig Terera and cinematographer Jesse Lane. Lifted from his acclaimed second LP LEGACY, ‘Aussie, Aussie’ is in true Birdz style, unapologetic in its themes and a wider motif of the album, reading like an open letter to his son. The prominent rapper and proud Butchulla man, says of the song, “Aussie Aussie” is a song about the harsh realities we endure as Blakfullas and challenges the idea of “Aussie” nationalism – a concept that is dependent on the erasure of Blak voices. Blak deaths in custody, police brutality, forced child removal, these are realities that a majority of Australians are either still unaware of or remain wilfully ignorant towards. Governments and police attempt to silence us on a daily basis, denying the truth about what’s been happening since 1788. That’s why I write songs like “Aussie Aussie” – it’s giving voice to the unheard and a space for our truth to live unapologetically. I hope it can also provide a starting point for those wanting to learn more about what’s really going on in this country. “ The official video was shot on Wurundjeri Woi Wurrung Country and Dja Dja Wurrung Country, with the vision for the clip led purely by the music. The visual narrative follows a non-linear journey; we see layered representations of strength, community and carefree Blak joy while the ‘backseat’ perspective makes us feel like an onlooker as we move through the changing landscapes that follow a metaphorical ‘day in the life’ flow. Director Lilah Benetti explains further, “The audience is made aware of their own presence through Birdz close up performance. It’s delivered straight to the camera, directly to us, which is an important part of the overall communication of the concept. It is a really intimate and authentic performance and I think it really captures Birdz calm, charisma and attitude.” |
Birdz will embark on his national headline tour, beginning in Sydney on April 1, then Brisbane on April 2 and Adelaide on April 8, before making an appearance at Shepparton’s Land of Plenty Festival on April 9 then bringing his string of shows to a close at hometown Melbourne on April 22. Presented by triple j, Birdz’s national tour will be a celebration of his unique brand of honest, powerful hip-hop, showcasing music from LEGACY as well as favourites his fans know and love. Special guests will include Narli, The Ancient Bloods, Marlon x Rulla and Jay Gabriel.
Raised in Katherine, Northern Territory and now based in Naarm / Melbourne, Birdz took to crafting his career-shaping second record alongside the production hand of longtime collaborator and friend, trials, plus hand-selected some of Australia’s best-loved artists to feature including Fred Leone, Ngaiire, Thom Crawford and Missy Higgins. On release, the album was chosen as feature album on triple j and Radio Adelaide.
As one of Bad Apples Music’s most established signees, in 2021, Birdz appeared on ABC’s The Set with Missy Higgins, featured on triple j and ABC iview’s RAP IT UP documentary series and is the face of a nationwide ‘Strong Mob’ health campaign.
His 2017 debut album Train Of Thought was received with widespread acclaim. The album won the Australian Independent Record Label Associations’ title of Best Independent Hip Hop Album, was shortlisted for the Australian Music Prize, nominated for Music Victoria’s Best Hip Hop Album and was simultaneously loved by community radio.
BIRDZ 2022 AUS TOUR DATES
Presented by triple j
Friday, 1 April – The Lansdowne, Sydney NSW support Narli [TIX HERE]
Saturday, 2 April – The Brightside, Brisbane QLD support: The Ancient Bloods [TIX HERE]
Friday, 8 April – The Lab, Adelaide SA support: Marlon x Rulla [TIX HERE]
Saturday, 9 April – Land Of Plenty Festival, Shepparton VIC [TIX HERE]
Friday, 22 April – The Gaso, Melbourne VIC Jay Gabriel [TIX HERE]