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TRACKLIST
The Garden (Intro)
Meaning Of Our Love
Healer
Trust
Re-member (Outro)
Stay connected with Mariam Sawires:
Facebook | Instagram | SoundCloud | YouTube | Unearthed
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Los Angeles-based Your Grandparents make music that hints to the nostalgia of previous decades without feeling dated. The trio isn’t cemented to just one genre, either. The friends founded Your Grandparents, using the moniker as a nod to the elders who introduced them to classic artists and inspired their musical tastes, in 2014. Originally, the trio released rap music, but their work quickly grew to incorporate the various genres that have inspired their musicianship. When asked about the albums that have inspired them lately, the men rattle off a variety of projects including D’Angelo’s Voodoo, Erykah Badu’s Baduism, The Fugees’ The Score and Pink Floyd’s The Dark Side of the Moon.
Fueled by a recent trip to Paris, ghettoblasterman says the group’s forthcoming debut album Thru My Window is about “the different types of loves that you can encounter.” Far away from their native Los Angeles and experiencing the romantic challenges that come with dating in your early 20s, the three experienced the emotional and musical clarity that allowed them to finish the project in months. It’s their quickest creative endeavor to date. Thru My Window is also the first project where the trio could utilise other musicians and live instrumentation, resulting in their strongest productions to date.
‘So Damn Fly‘, the project’s lead single, is anchored around a psychedelic bassline and electronic guitar licks. The video, directed and produced by Your Grandparents, further displays the 70s era that inspired the single. The video for ‘Tomorrow‘, a song about pursuing a love interest despite the uncertainty it involves, borrows from the Blaxploitation films popularised in the same decade. Your Grandparents utilised various recording techniques to get the desired effect for their genre-blending debut album. The group credits their cohesive sound to their years-long friendship, which began when they were each about 13 years old. “Our tastes have kind of combined into one. There’s not a lot of communication on the creation end that has to happen. We just fall into place,” ghettoblasterman says.
‘Sunlight‘ is out now, buy/stream it here.
THRU MY WINDOW
The debut album by Your Grandparents
July 16
Pre-order here
TRACKLIST
So Damn Fly
Tomorrow
Sunlight
Comfortable
Intoxicated
Past Love
Red Room
Down the Road
Digest
Jasmine
Stay connected with Your Grandparents:
Instagram | Twitter | Facebook
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Stay connected with
Rich Brian: Instagram | Twitter | F
NIKI: Instagram | Twitter | Fa
Warren Hue: Instagram | Facebook | TikTok | YouTube | Twitter
88rising: Website | Facebook | Instagram | Twitter | YouTube
‘say something’ sees Clea’s warm and distinguishable vocals washing over a hypnotic, intoxicating beat. A song about the inevitability of change, and our frequent fight against it, ‘say something’ was premiered on-air via FBi and online via Atwood Magazine and arrives with a striking, world-class video from Sydney based director Jamin.
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Tremorverse Records unveil a second track and artist to feature on their upcoming compilation album, introducing Liv McLean and her melodic groove bender, ‘New Pair Of Eyes’. After announcing the news of their third compilation album earlier this year, debuting Alex Garla’s beautifully dank groove ‘No Love’, Tremorverse are hitting the ground running to cement Tremorverse Three as one of their greatest comps to date with the arrival of Liv’s stunning new track.
‘New Pair Of Eyes’ highlights precisely what Liv McLean is known for; tight, flawless harmonies and warm, raspy vocals. In the shadow of a fractured world, Liv spent the majority of 2020 in incubation, developing her unique style and flourishing in creative growth. From writing and arranging new works, Liv recognises melodic phrases through her electric guitar and her vocals that create layering melodies and magical, eerie harmonies. Her flexibility to immerse herself into fusing and fine-tuning the world of psychedelic soul with jazz fusion is what makes Liv’s sound, and indeed ‘New Pair Of Eyes’, disparate from other artists’ work.
“New Pair of Eyes is based on shifting your perspective and rather than focusing on all the difficulties one might face, finding something positive to focus on to get out of a negative headspace.” – Liv McLean
Drawing inspiration from Moses Sumney, Solange, Lianne La Havas and Radiohead, Liv McLean weaves elements of psychedelia, funk, and dance grooves all connected by her exceptional voice. This year has already bought promising opportunities for Liv. Immersing herself in the local scene supporting other artists has led Liv to perform alongside the likes of Priscilla Stanley, Charlie McCosh and Quarterback, all of which have performed sold out shows at The Workers Club early this year. Additionally, having a weekly residency at the Sorrento Hotel alongside astounding guitarist Nick Vargas in February and March has significantly grown Liv’s dedicated fan base and status as a certified one-to-watch. Delve into the gorgeous bent grooves of Liv McLean’s ‘New Pair Of Eyes’ and keep an ear out for Tremorverse Three dropping this winter.
‘New Pair Of Eyes’ is out now via Tremorverse Records
‘New Pair Of Eyes’ Credits
Performers Liv McLean and Keanu Long
Mixed and produced by Keanu Long
Mastered by Mikey Young
Artwork by Aidan Burgess
New Pair Of Eyes Lyrics
My eyes are getting pretty old
And my eyes can’t see what it is to unfold in front of them
When I watch the news, catching flight, rewrite then tag
And when I look around, there’s so much to prove
Wrestling word into my submission watching the world all under commission
I need a new pair of eyes shift my mind
Grappling under the knife
Do I choose to be safe or choose to fights
Widening out my perspective
Choosing to wipe out the negative
This ain’t no fantasy
My eyes they used to be less wise
But now my eyes are working with what they got right in front of them
What I see is not always what I get
So why not just look around
And dream of what I could get
Wrestling word into my submission watching the world all under commission
I need a new pair of eyes shift my mind
Grappling under the knife
Do I choose to be safe or choose to fights
Widening out my perspective
Choosing to wipe out the negative
This ain’t no fantasy
Open up your eyes
Where are you currently based?
At the moment, I’m in this really beautiful, quiet spot in the Grand Teton National Forest over in Wyoming, it’s absolutely wild out here!
Oh man, such a funny thought. Going to a small elementary school in southern Vermont, it was sorta an unspoken requirement to give some sort of musical instrument a try. I think in 1st grade my mom rented me a trumpet, but after a few months of absurd sound making, she returned the trumpet and came back with a snare drum. The rest is history. I stuck with playing the kit my whole life. I’d say the last 3-4 years I’ve really focused more on producing, but drums will always be closest to my heart. But yeah, I was lucky to have that push from my parents at an earlier age to grab something and see what happens.
What’s been happening recently and how has your Covid experience been so far?
So much has been happening! I’ve sorta packed up my life for the next 6+ months and just recently hit the road. We’ve been on the road for 28 days today and very much still acclimating to the go-go-go lifestyle. But we can talk more about that in a bit. As far as my Covid experience, it’s been waaay easier than others, which I’m grateful for. I was lucky to spend the majority of the thick of it in VT, where there was plenty of space and a pretty conscious community who’ve taken it seriously. Knowing buddies down in NYC and hearing about the extreme isolation, I’ve had it way easy. Dogs also help haha.
Your new single ‘Fulgurant’ is out now, what influenced the sound and songwriting?
Where and when did you record/produce/master and who with?
I’d say 75% of the song was written out of my small corner studio space in my living room at my old apartment in Burlington, VT. For the vocals I actually just brought my gear into a practice room at this spot called the Burlington Music Dojo. I’d rent out a weekly spot for practicing drumming mostly, but the room was treated super well, and I thought I might get a better take trying to record there. Seemed to work decently well! I finished the latter part of the track down at my childhood home in southern VT. Once I had it sounding the best I could, I sent it over to a good friend and amazing engineer Nick Squids, who did the mix and master and really took it to another level. Guy is a genius.
How did you approach the recording process?
I always feel pretty amature when it comes to recording live tracks in my songs. I don’t have anything fancy, but it always seems to end up clean and clear enough. I have a 2 track audio interface and a cheap condenser mic I use for just about everything. Outside of vocals, I recorded some guitar – I have this baby taylor that can’t hold a tune to save its life, but I love it so much. I always leave it in some random open tuning, and I just set up a mic in my living room while I was plucking a few chords that ended up working really well with the song. I also have this beautiful black tele, that I love adding huge held out chords with. I usually throw a fair amount of effects on the guitar stuff, you can get some really cool sounds that way. But yeah, it’s always recorded in the middle of my apartment type of thing.
What programs/equipment did you use?
I ended up using a combination of plugins between native, output, arturia for my synths, bass, and other instruments. There’s honestly way too many options out there these days haha. I feel like I could probably do more with less, but yeah, I’ll typically throw on a handful of effects from waves or soundtoys to really start distorting and manipulating the sound. I’ve been a huge fan of the soundtoys crystallizer and some of the maserati plugins from waves. I think my favorite part of the whole set up on this song was midi tracking my drum samples into this little electric kit I got off craigslist. It was the first time I was able to actually record what I was playing with a Teulu track. I feel like it gives it a better groove, and a good groove is so important. Even if it’s dragging or maybe off a bit.
I hear you’re living out of a converted 1989 Chevy van! How and why did this come about and how has the experience been so far?
Aha yes! It’s been a wild ride so far, that’s for sure. I think the whole idea started from a huge feeling of not really knowing where to go next. I moved back east with plans to move into the city, but COVID hit and sorta threw everything out the door, like it did for so many others. Not long after that, my girlfriend and I found this cheap, old 1989 chevy van that was already gutted, and we got to work building it at the beginning of the year. It then sorta morphed into “oh, we could really cut down on our consumption while doing this, and really minimize our overall footprint.” So not only could we figure out where the next home might be, but we could consume less, and waste less in the process. I also set up a pretty cool mobile studio, more to come from that soon though. It’s really easy to romanticize this idea of living on the road, which partly can be totally true. There’s also a lot of adjusting and acclimating to be done, and we’re still going through some of that now. Especially with two dogs along for the ride, haha.
Who are you listening to at the moment?
Oooooo, so much good music just dropped! I’m halfway through the new Tyler album, and he’s crushed it again. I just love his beats and all of his production, it’s so unique and good. I’ve also been really into this artist On Planets, wicked good lyrical cadence and his writing is really inspiring to me as of late. Oh man, and don’t get me started on the new Porter record. Another really good record just dropped from rum.gold that I’m super into.
What do you like to do away from music?
I’m a huge fan of winter, so taking the pups out snowboarding is something I do pretty often. Also a sucker for a good (and bad) scary movie, but you gotta have popcorn with it. Sorta random, but I picked up leather tooling from a good buddy over in Portland, OR, and really enjoy making simple leather goods out of recycled scraps. Anything that helps pull you out of the daily routine, and get you to think about bigger picture type stuff, I love.
What’s planned for 2021?
Crazy to think we’re already halfway through it! I’ve got a few more tracks to release, which feels good. I’m still a bit slow at finishing songs, so a big goal is to write a ton of new music while being on the road. And yeah outside of music, I’ll be on the road for the rest of the year, checking out some new potential spots to call home. The biggest thing I think is just trying to really focus on living as minimally as possible and recognizing what a privilege this all is.
Favourite food and place to hangout?
Oh man, tough question! Since I just spent the last week in Bozeman, MT, I’d say that’s been the coolest spot on the road so far. I was lucky to land there during a few Pride events, and the community there is so great. The food there is pretty awesome too, I had Bibimbap for the first time over there and it really hit the spot. Shout out to Whistle Pig.
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Stay connected with Luke Hemmings:
Instagram | Facebook | Twitter
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About imbi x Slim Set
imbi is an experience. Through intention, authentic expression and musical magick imbi transfers tantalising and tangible energies to audiences around the world. imbi uses fluid lyricism, poetry, harmony and the raw power of their voice to share vulnerable feelings and foster intimate moments with every individual they perform for/share space with. Having performed for audiences across so-called ‘australia’ and Aotearoa (N.Z.) imbi has left many strong impressions, continuing to expand their practice of performance and push the limits of crowd engagement/intimacy every time they sing.
Slim Set are a rapper-producer duo hailing from Western Sydney. They mangle electronic and rap sonics into a hybrid sound that’s unique in the Australian music landscape. Slim Set’s 2020 included a peak time set at Golden Plains, where they shared a stage with huge names like The Pixies, Sampa The Great and Hot Chip. They also took part in Conscious 2020, a music program run by Campbelltown Arts Centre, alongside A-Girl, Spvrrow and T-Breezy. They burst onto the Australian rap landscape in 2018 with ‘Cooked’ and ‘Lazy’, which ended 2018 as the #1 and #2 most played songs on FBi Radio. Those singles saw them nominated for three FBi SMAC awards and support international acts including The Streets, Flohio, AJ Tracey and Sir Spyro. They’ve also appeared as guests on Triple J Mixup and taken up the Wednesday Sunset slot on FBi Radio where they pushed the hottest talent out of West and South West Sydney every week.
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RELEASES COVER OF NO ROME’S
‘SEVENTEEN’
OUT NOW ON ASTRAL PEOPLE RECORDINGS / [PIAS]
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Where are you currently based?
Living in Sydney at the moment.
How did you first start playing music?
I’ve been singing all my life, and my mother is a piano teacher. I’d have the occasional lesson, but I didn’t take it too seriously. I liked learning things by ear, rather than reading music. I learned Oboe for 9 years at school, played for my HSC. Towards high school, I was introduced to Logic, where I started producing and recording covers (some of which might be available on Youtube – I warn you, it’s a cringefest.)
What’s been happening recently and how has your Covid experience been so far?
As a result of the lack of gigs and events, I’ve been scheduling writing sessions with new friends! I haven’t done much collaboration in writing and production, I find the process of creating a very personal thing, and I was too afraid to share that with anyone else. What I realize now is how beautiful it is to share that creative energy with someone else, and I love it.
Other than that, the quiet period before this upcoming release has ended, and now the responsibilities have snowballed! I was planning for months, so it’s really quite exciting to finally catch up on all that I had planned for bl!nk!
Your new single BL!NK is on the way, what influenced the sound and songwriting?
I kid you not, my reference track for this song was all I listened to for months. In the week I found this song, I think I’d already listened to it 100 times on day 3 (Spotify literally told me so). I’m A Kid by Jadu Heart was my sole inspiration for bl!nk. I was OBSESSED with its sound and the way it made me feel. I think bl!nk takes a slightly harder turn throughout, a little more of an edge to the lyrics and sound. I’m pretty bitter in this song. Lyrics tell all.
How did you go about writing BL!NK?
I was meeting with Alistair (Alistair Hayes, Sydney drummer, co-writer + producer) to write our first song. After discussing for a while, we decided to write something rebellious and sexy, very self-assuring and assertive. As I mentioned before, I was pretty bitter at this point in my life, so a storyline wasn’t hard to find. We took inspiration in sound and feel from Jadu Heart, Ainslie Wills and Lucky Daye, to name a few.
Where and when did you record/produce/master and who with?
We recorded bl!nk in Alistair’s home studio, a.k.a, his bedroom. Started in November 2020 and finished soon after. We enlisted the help of our friend Oscar to mix the final demos, and I sent the final off to 301Studios for mastering.
What does BL!NK mean to you?
Bl!nk’s purpose actually changed for me, once we’d finished the song. I think that change results in the bridge, it hits pretty hard. It makes me feel alive and fierce and wicked! Originally I think I wanted to write something a little sly and witty. Something polite, but still truthful and a little bit sexy. As we kept writing, a darker attitude formed. The bridge turns into this rude, grungy therapy session. I basically let out everything I know I shouldn’t say, and I don’t care.
You’ll be filming a music video soon, for which track?
The music video coming up is for bl!nk!
How did the concept for the music video come about?
The concept is based very much on the cover for bl!nk. The story of the song also tells itself really, it’s easy to find inspiration in something that actually happened to you. I love dark colours, eerie photos. Picture black and white ghost documentaries… mixed with cute 90’s girls… that’s my aesthetic. OR I just like flash photography in the dark, that’s a safer angle. Let’s stick with that.
Where will you film and who with?
We’re hoping to go back to where I shot the cover artwork, on the way to North Head Lookout, Manly. I’ve asked Sydney Director + Photographer Maya Luana to help me with the project.
What do you like to do away from music?
I love cooking! And I have a problem with buying too many indoor plants.
Who are you listening to at the moment?
I’m eagerly awaiting Snoh Aalegra’s next album! By the time this interview is released, her album will be out! So I’m going to strongly bet that’s what I’ll be listening to. Lost You is a single Aalegra has released in anticipation of the album – it’s a blessing. Remi Wolf’s recent single Liz, Ocean Grove’s 2020 album Flip Phone Fantasy, Easy Life’s latest release skeletons, Mel Blue’s recent album Sanctuary Point, Pt.1 – I could go on! Those are current favourites.
Favourite food and place to hangout?
Usually, I try to eat pretty well… but my favourite cheat meal is at a friends place in Crows Nest, Plan B. They have loaded fries and savage burgers. Hangout locations change according to where the next gig is, as most of my friends are all independent artists.
The bl!nk video is yet to be released! And #spoiler another single is coming! Ending the year with a pretty fun dance track. I’m tying up loose ends for next years releases… stay tuned.
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LIGHTMAN JARVIS ECSTATIC BAND – BANNED
TRACKLIST
1. Olamim
2. Ancient Chain
3. Recurring Theme
4. Red Champa
5. Trillium
6. Nymphea
7. Bone of a Hound
8. Ein Sof
9. Lift My Heart
10. Elastic Band
11. Becoming
12. Mother’s Rope
13. Slick Oil
14. Stomach Pit
15. Tomb of the Patriarchs
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Now with the wind of her debut album beneath her wings, Maple Glider takes flight. Happy Mag has announced that Maple Glider is the winner of the 2021 Needle in the Hay competition – judged from over 3,000 entries. As a result, the goosebumps-inducing album closer ‘Mama It’s Christmas‘ will be pressed to 7” in the coming months. Speaking of vinyl, the first pressing of To Enjoy is the Only Thing is available in pearly green wax. It can be ordered in a bundle with a green tie-dye tee with the LP logo up-titled to To “Fang It” is the Only Thing… a personal saying of Tori’s, inspiring one of her tattoos.
To Enjoy is the Only Thing is out now via Pieater / Partisan Records,
buy/stream it here.
TRACKLIST
As Tradition
Swimming
View From This Side
Friend
Be Mean, It’s Kinder Than Crying
Good Thing
Baby Tiger
Performer
Mama It’s Christmas
TOUR DATES
Thu 23 Sep – Northcote Social Club – Naarm / Melbourne
Thu 30 Sep – The Vanguard – Warrang / Sydney
Tickets available at mapleglider.com
Stay connected with:
Maple Glider: Facebook | Twitter | Instagram | Youtube
Pieater: Pieater.net | Instagram | Twitter | Facebook | YouTube | Tumblr