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Photo Credit: Natalie Hewitt
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The Dictionary of Obscure Sorrows by John Koenig which defines made up words for indescribable emotions classifies the neologism “sonder” as the “profound feeling of realizing that everyone, including strangers passing in the street, has a life as complex as one’s own.” The Wrecks’ vocalist/producer Nick Anderson landed on “Sonder” as the title of their sophomore album. The third single off the album, the pondering “Where Are You Now” featuring girlhouse, is out today and Anderson says the song’s creation process “haunted [him] for almost two years.” Though Anderson says he wrote the “Where Are You Now” chorus only two weeks after their last album Infinitely Ordinary came out in May 2020, the final pieces to the track – Billy Nally’s live drums and the feature from girlhouse – were only added this past March. “The drums made it come to life, and Lauren Luiz’s part glues the whole track together. I love her voice and music, and I’m so happy with how this feature turned out,” he exclaims. |
The band’s most recent singles, the sparkling post-breakup anthem “Lone Survivor” and liberating alt-rock track “I Love This Part,” showcase that they’ve fully honed-in on and embraced their characteristic genre bending alt-rock, as well as having evolved and matured their sounds for this triumphal venture of a sea. Anderson says that experimenting with minor keys and calculated lyrics “Opened up [their] writing process. I’d say our lyrics have always been honest and vulnerable, and not only was I able to depend on that narrative compass once again, but I found it taking me to a whole new place this time creatively
Earlier this month The Wrecks announced their headlining Better Than Ever tour featuring support from girlhouse and Mothé. Kicking off in Fresno on June 10, the tour will visit Seattle, Chicago, Brooklyn, Atlanta, and more before concluding on July 23 in Los Angeles. Multiple shows have already sold out and second nights have been added in both L.A. on July 22 and San Francisco on June 10. The band will also be playing Milwaukee’s long-running Summerfest on June 24.
Sonder follows the release of the band’s 2016 debut EP We Are The Wrecks (their first single “Favorite Liar” currently has 36 million + streams on Spotify), their 2018 Panic Vertigo EP, their 2020 Static EP as well as their 2020 debut LP Infinitely Ordinary (58 million + streams on Spotify).
The Wrecks continue to rack up the massive fan base that has already given their top five singles on Spotify over 80 million listens. Poised for a wide-open road ahead of them, Nick Anderson and The Wrecks continue to charge into the limelight. Not too shabby for a kid from Wellsville, just two hours south of nowhere.
The Wrecks begun as vocalist/producer Nick Anderson’s sole endeavour and has since been rounded out by Aaron Kelley (bass), Nick “Schmizz” Schmidt (guitar) and Billy Nally (drums). The Wrecks also collaborated on a select number of tracks off Sonder with producers Westen Weiss (Meek Mill, Camila Cabello, Post Malone) and Dillon Deskin (Flo Rida, Will Sparks, Different Heaven, Myrne) to expand their sound.
PRAISE FOR THE WRECKS
“The Wrecks’ mix of ‘don’t quit’ and ‘who cares’ mentality seems to be setting them on the right track.”
Billboard
“Alt-rock band The Wrecks continue their 2022 with yet another jaw-dropping single that showcases their multifaceted and unparalleled talent.”
Ones To Watch
“This is alt-rock on fire. Burn, babies, burn.”
idobi
“Catchy, boisterous, clever.”
Buzzbands.LA
PLAY/LISTEN
Sonder is out June 10 via ONErpm
Congratulations on the release of this album – how does it feel for Now And Then to finally be out in the world?
Thank you! It’s crazy, it’s definitely a sense of relief (in a good way) because we’ve been working on it and holding onto it for so long. It feels weird talking about it because we weren’t able to for such a long time. I just hope that our fans can connect to the record in their own way and find their own moments and stories throughout it.
What do you think the album says about Eliza & The Delusionals as a band? What are you proudest of when it comes to Now And Then?
I think it’s definitely a more mature take on our sound. Creating it definitely felt like us taking the next step and forming a new era of the band. I think I feel proud of the fact that we were able to persevere through some of the most difficult times of our life throughout 2020-21 and still find the motivation and inspiration every day to get up out of bed and write songs. It really wasn’t an easy time for any of us, but it’s kind of like our trophy for making it out to the other side. I love this record, and I’m proud of us for being able to write an album that we feel is really honest and that we love so much.
You worked with a whole stack of legends on this album (Kon Kersting, Sarah Aarons and others): what did those experiences teach you about how you want to approach songwriting and making music, moving forward?
I think the writing sessions in particular definitely taught us to be more open minded when it comes to collaborating. We hadn’t really done any sort of co-writing before we did the sessions for ‘Now And Then’, so it was definitely a learning curve in some ways to be comfortable working with other people. The experiences were amazing though, and it’s brought us a new love for co-writing and collaborating with other artists! We’ve done 90% of our releases with Kon Kersting, so that part felt really comfortable and natural and it just felt right that he worked on the debut album with us!
Is there a track/s on the album that hold specific significance to you now, even after having sat with the music for as long as you have (why)?
For sure. I think as a songwriter it’s a good thing to sort of disconnect with your songs after a while, or maybe reconnect with them in a different way in the future. To me it’s a symbol of growth, and personally think it’s cool when bands change their sound and style as their careers move forward. In saying that, I’m still feeling really connected to most of the songs on the record because I feel like I haven’t had a chance to ‘over play them’ on tour yet haha. One in particular is ‘Save Me’, every time I listen to that song I feel so many things. I’m really proud of it.
You guys recently completed an East Coast tour – what was it like finally being back on stages?
It was honestly so good. I don’t think any of us realised how much we needed that back in our lives. It really felt like a piece of us was missing and we could finally feel whole again being on stage and seeing all of our fans there together enjoying our show. We always put everything we have into our live shows, and I don’t think we’ll ever take touring and shows for granted again. Life was too weird without it.
Do you feel like the way Eliza & The Delusionals approach performance now is different to how you did before the pandemic, having not been able to for so long?
Yeah, I would say so for sure. I think because we really only got to do one or two full tours with Ruby in the band and with our five-piece on stage lineup before the pandemic hit (which feels weird to think about!), so we’ve had a lot of time to rehearse and think about how we want things to look, sound and feel when we’re on stage. I think now that we can actually bring it into reality, it’s really cool for us and definitely a different experience to what fans would have seen at a pre-Covid show.
You’re in the US now after a long period of stop starts (thanks, pandemic), is it kinda surreal to finally be back over in America?
Honestly yeah. I think it took us a bit to realise that we were actually overseas when we first landed in the USA. It kind of felt like a dream. We’ve been here for a few weeks now and starting to settle into the different time zone, and being back in LA is definitely reminding us of how many amazing memories we made and how happy we were back in 2020. It’s bittersweet really!
There’s a new stack of Australian tour dates coming up too! What are you looking forward to the most about coming back with a full album up your sleeve?
I think we’ve just been so excited to play the new songs live and show everyone shows that are a step up to what we’ve been doing. It’s going to be our biggest headline tour to date, so we’re already super pumped to get back on stage across Aus!
‘Now and Then’ is released Friday, May 20th
Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
SUPPORT FOR ‘SUNSHINE SOMETIME’
“A slinky, soul-inflected piece of solid gold.”
Backseat Mafia (UK)
“Cut from an authentic paisley-print cloth, The Good Love dish out this ’60s psych-pop track with harmonies and starry-eyed vibes for days.” – ★★★★
Dave Ruby Howe – triple j Unearthed (AUS)
“A sweet, seductive love song for all.”
Atwood Magazine (USA)
“I feel like I’ve stumbled across a sick vintage store and yeah the threads are cool, but I’m hassling the disinterested store attendant asking what is this gold on the speakers!” – ★★★★
Declan Byrne – triple j (AUS)
First Play on triple j Unearthed’s TOPS Program
Darkinjung/NSW-based rock quintet The Good Love have just revealed their jovial accompanying video for new single ‘Sunshine Sometime’ – filmed, directed and edited by Harry Wills of Search Media.
Shot across Pickets Valley on New South Wales’ Central Coast/Darkinjung, the clip follows the group adventuring in band member Leroy Ashfood–Meehan’s old Defender, alongside live performance footage. Throughout the video, the band convey their whimsical personas through long tracking shots and interpretive scenes, adhering to the buoyant message that the song itself portrays.
The band explains the concept of the video:
“Shot on a rainy day, the clip features us goofing around in our favourite outfits, being our fun selves, which contrasts with the weather shown in the video and supports the notion of longing for ‘Sunshine’.”
To support the release, the band will embark on a tour across New South Wales, including stops at Eora/Sydney, Mheroo/Milton, Illawarra/Thirroul, Darkinjung/Wamberal and Illawarra/Kiama, to coincide with the release. This continues on from multiple sold-out headline shows and a national tour with Pacific Avenue.
Since its release, ‘Sunshine Sometime’ has seen support from the likes of triple j Unearthed. FBi Radio, 2SER, Atwood Magazine (USA), Milky and Australian Music Scene.
Taking cues from luminaries The Beach Boys, The Rolling Stones and The Beatles, The Good Love effortlessly brings the nostalgic sounds of 60s pop-rock into a contemporary setting. While the members are spread across New South Wales locations Cavanbah/Byron Bay, Birrigan Gargle/Yamba and the Darkinjung/Central Coast, they come together to create an infectious sonic footprint of effervescent tunes full of dancing and singalongs. The band mentions, “just the fact that we all live so far away from each other but come together for shows recording and practice is pretty unique, I think.”
‘Sunshine Sometime’ is available worldwide now
THE GOOD LOVE
‘SUNSHINE SOMETIME’ RURAL NSW TOUR
THU 19 MAY | THE VANGUARD, EORA/NEWTOWN NSW
FRI 20 MAY | OCEAN VIEW BEACH CLUB, DARKINGUNG/WAMBERAL NSW
SAT 21 MAY | KIAMA BOWLO, ILLAWARRA/KIAMA NSW
FOLLOW THE GOOD LOVE
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After announcing their expansion to South Australia and Queensland last week, Australia’s favourite wine and music pairing Grapevine Gathering have just spilt their lineup and it’s a corker! Featuring The Kooks for their first trip to Aus since 2018, dance music’s favourite duo Peking Duk, identical twins and singers of the unofficial Australian national anthem ‘Untouched’ The Veronicas, Brissy band Ball Park Music, dance pop quartet Confidence Man, and ‘Supalonely’ collaborator Gus Dapperton. They’ll be joined by Jack River, Alice Skye, Nyxen and Becca Hatch for 5 shows at wineries around the country.
If that wasn’t enough rieslings to go, lovable Instagram celebrities and all-round legends ‘The Inspired Unemployed’ will be hosting Grapevine Gathering at all 5 shows, performing changeover DJ sets, and various other shenanigans.
Grapevine Gathering will be complemented by the finest local food and produce on offer and of course a selection of the tastiest drops from each respective region. Located in the picturesque wine regions, partygoers will be treated to lush vineyards, rolling lawns and world-class wine.
Grapevine Gathering is returning to Victoria, New South Wales & Western Australia this October, and is expanding to Queensland & South Australia, ready to overwhelm your senses with the ripest of musical adventures.
Grapevine Gathering is brought to you by Untitled Group, the largest independent music promoter in Australia and the masterminds behind festivals such as Beyond The Valley, Pitch Music & Arts, Grapevine Gathering, Wildlands, For The Love, Ability Fest & more.
Cheers to Grape times!
Full Wineup
The Kooks
Peking Duk
Ball Park Music
Gus Dapperton
Jack River
The Veronicas
Confidence Man
Alice Skye
Nyxen
Becca Hatch
hosted by The Inspired Unemployed
Dates & Locations:
Saturday 1st October – Sandalford Wines, Swan Valley, WA
Sunday 2nd October (Public Holiday Eve) – Serafino Wines, McLaren Vale, SA
Saturday 8th October – Rochford Wines, Yarra Valley, VIC
Saturday 15th October – Roche Estate, Hunter Valley, NSW
Sunday 16th October – Sirromet Wines, Mount Cotton, QLD
Presale Registrations: http://arep.co/t/gg22
Presale registrations close 3pm AEST Wednesday 25 May
Presale begins 6pm AEST Wednesday 25 May
General Public On Sale 12pm AEST Thursday 26 May
Get Connected:
https://www.
https://www.facebook.com/
Photo Credit: Ross Hillier
South African artist Jeremy Loops has already played some of the world’s most prestigious venues (including a sell-out headline Brixton Academy show) with his high-energy music, and has since amassed over 234 million global streams, and growing. Today he announces his brand new album ‘Heard You Got Love’ and releases the single ‘Better Together’ for which he joins forces with none other than Ed Sheeran.
‘Better Together’ is an incredibly motivational track that was co-written by Jeremy, Ed, and Sheeran’s frequent collaborators Johnny McDaid and Steve Mac. Ed and Jeremy first met a few years ago and instantly hit it off, where the duo got chatting at the private party that followed Sheeran’s first stadium show in South Africa. “He said I was a better loop artist than he is,” Jeremy jokes. “Very kind, but not true! But we are very similar artists, in many aspects of our jobs. We spent the night hanging out and talking shop, and he suggested we write together.”
The single release comes alongside the announcement of Jeremy’s long-awaited third album ‘Heard You Got Love’ – an album of head-bopping anthems perfect for sunny days ahead. The record also includes a very special collaboration with his childhood favourites Ladysmith Black Mambazo called ‘This Town’, which was released last year.
Jeremy is a self-taught musician that picked up his first guitar in university. As his love for writing grew, the South African penned melodies while working aboard superyachts, where he worked his way up from deckhand to yachtmaster. Obsessed with squeezing music into every day on shore and evening on deck, Jeremy’s trusty loop pedal followed him around his tour of the seas.
Whilst working closely with the water, Jeremy was shocked to see the volume of waste in the industry. It is this experience that fuelled one of his many initiatives, Greenpop, the eco-project that has filled 400 green-free spaces with over 150,000 trees. As his career quickly developed, Jeremy has worked hard to offset any carbon emissions from touring and constantly puts social responsibility at the forefront of his movements. The long-time activist founded The Big Food Drive to deliver food supplies to some of the poorest communities in South Africa. The crowd-funded campaign built a food distribution network with other partners, that contributed towards 55,000 meals per week for 6 months for folks in need.
Jeremy has carefully merged these values into each corner of the record. He says, “My goal was to make something undeniably infections and every song speaks to something I care deeply about. This is the album I’ve always wanted to make and my hope is that some of the things I’ve written about will as much to others as they do to me.
‘Heard You Got Love’ allowed Jeremy to explore more technical aspects of recording than he has previously. The record came to life in Jeremy’s home studio in between daily dips in the ocean. Having collaborated with world-renowned artists such as Simone Felice (The Lumineers), Jake Gosling (Shawn Mendes), Tobias Kuhn (Milky Chance) and Carey Willets (Dermot Kennedy), Jeremy brought on a fleet of high end producers for the album, including Ed Holloway (Lewis Capaldi), Eg White (Adele) and Cam Blackwood (George Ezra).
Jeremy will set sail around the globe once again this year for his 2022 tour first stopping at London’s Apollo (Hammersmith) on 6th October.
PLAY/LISTEN
PRAISE FOR JEREMY LOOPS
“Even though Jeremy Loops isn’t Australian, you could mistake him for one of us”
Happy Mag
“Loops blew minds with the release of his Critical As Water.”
Music Feeds
“Gorgeous acoustic meditations with superb pop textures”
Clash
“Loops [brought] his stunning live show and mesmerising tunes to eager crowds around the country”
The Brag
“Superstar”
Songlines magazine
“Over the past decade Jeremy has become a household name in South Africa,”
Hotpress Magazine
“Vivid, bright and joyous”
1883 magazine
“more than just feel-good music. It’s arena level jams that have a resonating message intertwined within the melodies.”
Pancakes and Whiskey
“Rising Music Star”
The Sun
Better Together is out now
Heard You Got Love is out April 8th
Official Website | TikTok | Facebook | Instagram | Youtube | Twitter
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Hey Baby Luck! How are things?
Things are great! I’ve had a lot of fun being the featured artist over the last 4 years, and I’m very excited to finally release my debut solo EP with Plump Records!
What role does music play in your life and how long have you been involved in the industry?
Not to sound cheesy but music is my religion. From ancestors to people I’ve never met, music is how I connect with people, and myself. For me, music is evidence that we are all connected on a deeper level. And it’s been my companion since I was a baby – I slept with a small statue of Mozart when I was 2 years old. I’ve always danced, played piano, and sang. I made mix tapes for all my friends from elementary school on, including my best friend Kevin Knapp, and now I’m mixing records and making music with people I love, so it all feels very right, natural and aligned.
You have a great relationship with the Plump crew and you now release your own EP on the label, how did this come about?
Kevin is the closest thing to a big brother I have. We’re both only children, but we are chosen family members, and have been since I was 7 years old. Our parents are good friends, so my family would fly to visit Kev’s family from Oakland, California to Katy, Texas every New Year’s Eve when we were kids. During those trips, Kev and I would perform dance routines for our parents’ entertainment. We would play each other our favorite songs, and dream about one day making music together. We’ve always connected and maintained our friendship through music, even when we’ve lived very different lives on very different continents. When I got pregnant with my daughter in 2016, he called and said, “Ok, we have to finally make music together so we can stay connected” And so it was. Our first track was “Find Me” on Rebellion. It was so good, and so fun, and of course we’ve made a lot of music together since then. I’ve also directed award winning music videos for Hutchtastic, Kev’s partner in all things, including Plump Records, so it’s a natural next step to release my debut solo EP on Plump. I couldn’t be more happy about this, and can’t wait to share these bomb ass tracks with everyone!
What was your approach for these tracks?
I thought about how I wanted to feel, and what sounds I was loving at the time, and worked to create tracks that made it impossible not to dance. For Touchy Feely, my husband, rapper Old Man Saxon, and I created a song together, and selected one lyric from the song to be featured on the track. It’s crazy how one line can be pulled from an entire song and it just works, ya know? And for Fire, I was on the mic one night free styling and it just came to me – or the spirit came into the room – and it was easy to make a beat to work with those fuller lyrics. It’s always a dance between the lyrics and the beat – until you find that sweet spot and declare the song complete!
Do you have a preference between DJ’ing, producing, singing & directing?
I think everything is everything and all the creating feeds all the creating. When I’m writing for film or TV (my other job), it helps to mix records. Mixing forces me to stay digging’ in the crates, and I’m usually like, “Ok I can’t find something I love so I’m gonna make that shit.” And singing is always amazing – using my voice to create something from nothing is everything. I highly recommend it. It’s freeing and fun – like we are allowed to play – we are supposed to play – but we forget as adults that that’s what we’re made for. For me, singing is play. Directing, for me, is everything combined. It’s taking my producing background and my love of music and building a bridge between those worlds. I love collaborating – I love writing but it can get lonely – so directing is a chance for me to be with other humans in real time and make something magical. DJ’ing is so fun – sometimes I have to remember not to dance so much while I’m mixing! But for real, I envision DJ’ing quite a bit in the near future, and hope to see you on the dance floor soon.
What would you say is the proudest moment of your career so far?
As a vocalist, my proudest moment is seeing how many people loved “Drug Birds” (Sola). I couldn’t believe how well it was received – and it gave me the confidence to continue pursuing my dream of using my voice to connect with people and bring people together. In a fun, club environment ;). And as a music video director, when we won Best Underground Video at Clubbing TV Awards for my song with Kevin Knapp, “Cute” (Desert Hearts), I was so proud of our entire team! We made that video in March, right before COVID shut down the world, and it was a real labor of love and a bold statement of body positivity, performed beautifully by Hutchtastic. I loved making that video with our amazing cast and crew, and I love the message and boldness of the song, and I love putting music to images. So it was a true love affair inside and out.
Who are your current favourite music artists?
Aside from Kevin Knapp and Old Man Saxon, obviously, I love Solange, Erykah Badu, Helado Negro, Demuir, Bach, Michael Bibi, Saweetie (I’m from Oakland so naturally I love her and hip hop), Kendrick Lamar, Shermanology, and Pote, to name just a few.
What else do you get up to outside of music?
I write for TV and film, I co-host Unsent, a live show where brave souls get on the mic to share messages they wrote but never sent! I direct movies and music videos, I dance, I’m a Voice Artist for podcasts, I do yoga, mother my two wild daughters, make bomb pesto, meditate and rest! I also write a crazy ass newsletter called The Overshare, so I stay writing. You should def check it out. I get very private in public.
What’s next for Baby Luck in 2022 and have you set any targets for the future?
I’m working on a lot of new music these days. Fun times. I plan to release more soon as a solo and collaborative artist, in both the electronic and hip hop spaces. I would love to collaborate more with artists I admire, as a vocalist, producer and music video director. I also plan to DJ at future Plump events when the stars align, so I’ll see y’all there!
Pre-Order Link: https://www.beatport.com/
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Previous Support For Joan & The Giants
‘Just For You’:
“Poignant, heart-felt, and achingly raw”
(Scenestr)
“An emotional ballad that scales the mountain and takes you with them.”
4 / 5 (Declan Byrne, Triple J)
“Another impressive one for 2021 from Joan & The Giants. They’ve zeroed in on an emotional centre point like a professional dart player throwing bullseyes at your heart.”
4 / 5 (Dave Ruby Howe, Triple J)
‘Bloodstream’:
“Fans of Middle Kids will melt for this new one from Joan & The Giants. Really pretty songwriting and harmonies. I love the way this track builds with so much ease.”
4 / 5 (Claire Mooney, Triple J)
“It’s eerily romantic which is totally my brand. The build and drops in instrumentation are thrilling.”
4 / 5 (Celline Narinli, Triple J)
“Injecting this right now!”
4 / 5 (Declan Byrne, Triple J)
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Follow Joan & The Giants Spotify | Apple Music | Soundcloud | Youtube |
Where are you currently based?
I’m mostly based out of Toronto, Ontario in Canada.
How did you first start playing music?
I’ve been singing since before I could walk, apparently. I have always loved music passionately. I started classical voice training when I was five years old and began to teach myself piano by-ear when I was around eight or nine. I started writing music seriously when I was around fourteen, and I haven’t looked back since!
What’s been happening recently?
I have been spending a lot of time in the studio as of late. I’m currently working on a lot of special projects! This summer is going to be packed, and I can’t wait to share it all with everyone.
Your latest single ‘But I Do’ arrived on May 13, please tell us what influenced the sound and songwriting?
But I Do is one of the most vulnerable songs that I’ve written so far. It touches on pretty well every single insecurity I have ever struggled with, and forces my quiet thoughts out into the open. It’s like a page out of my diary. Sonically, it matches the lyrics. I wrote the piano part to actually sound like it’s moving in continuous circles, spinning around in a dizzy wave. There is a constant pulse throughout the track like a heartbeat, and it never settles. The entire song sounds like how it feels to be overwhelmed, full of tension that never releases, even until the very end. I cry almost every time I listen, it’s very cathartic.
How did you go about writing But I Do?
I wrote But I Do just over a year ago, last May. I was struggling pretty heavily with loneliness and was trying to distract myself, ultimately to no avail. One night, I sat down at the piano in my living room where most of my songs have been written, and the song just kind of spilled out of me. It was like an overflowing of every emotion and thought I had been experiencing.
Where and when did you record/produce/master and who did you work with
I recorded the song in October, 2021 with my producer, Steve Molella, out of his personal studio in Woodbridge, ON. The track was mixed by Jay Dufor, and mastered by Joao Carvalho – both out of Toronto, ON.
How did you approach the recording process?
I started workshopping the song with Steve in September, 2021. We fine tuned a few parts and then created a simple piano/vocal demo to share with my label. Everyone really loved the song, and so we re-tracked a few parts, and built the rest of the production around the piano and vocal.
What does this single mean to you?
I think this song is important to me because it marks a really pivotal moment in my life where I realized that no matter how busy or successful, etc I was, my happiness could not come from my circumstances alone. It wouldn’t matter how hard I worked, or how many people I pleased – I had to stop and let myself think for a moment. It was really within this tension of holding on and breaking down, that I remembered the things that actually mattered to me, and it set me down the right path again.
Who are you listening to at the moment?
I have been loving Sigrid recently. She has created such a fun, fresh spin on pop music. As the summer approaches, all I want to hear are her good vibes.
What do you like to do away from music?
I love hosting people! To me, it’s a lot like a concert, it brings people together and connects them. Making a delicious meal and inviting people into your space, making them feel special, it’s such a good feeling. I’m not very good at small talk either, I love to hear people’s stories.
What’s planned for the remainder of 2022?
This year will be a busy one! I have a very special project coming this July, which I am extremely excited for. I also can’t wait to get out and perform this summer! It’s been too long.
Favourite food and place to hangout?
As long as I’m with the people I love, it doesn’t really matter where I am (to be a bit sappy). If I could choose, however, it would probably be a really massive brunch with my friends on a patio somewhere, or charcuterie on my back deck, or pizza on the beach – well, actually, I can’t decide!
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Website: https://www.sophiafracassi.com