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Facebook: https://www.facebook.com/
The countdown is officially on! In just two weeks’ time, Tarwin Meadows will be heaving with the colossal sounds of UNIFY 2022 and the festival just got bigger! UNIFY is stoked today announce that Trophy Eyes have been added to the already mammoth weekend of heavy music goodness.
This huge news comes as the festival also releases the lineup for Maton Sunday Sessions and set times so you can get planning your return to heavy music Christmas now!
Just over five years since Trophy Eyes’ universally acclaimed sophomore album Chemical Miracle, the band are celebrating by playing the record in full at UNIFY 2022! Released in October 2016, Chemical Miracle was welcomed with rave reviews as it peaked at #8 on ARIA Australian Albums Chart. Chemical Miracle paved the way in getting the punk rock band from Newcastle to where they are now – conquering the globe with headline tours across North America, the UK and Aus, playing festival dates at Reading and Leeds (UK) and Disrupt Festival (US) as well as filling huge support spots on tour with Bring Me The Horizon. Trophy Eyes recently released new singles ’27 Club’ and ‘Bittersweet’, following up on their 2018 album The American Dream which enjoyed huge success at triple j, achieving Feature Album and lead single ‘You Can Count On Me’ breaking into the Hottest 100. No doubt about it, UNIFY is going to be electric when Trophy Eyes perform on the mainstage ahead of The Amity Affliction on Friday night!
When the carnage of the weekend has left you feeling a little worse for wear, it’s time to grab a coffee, sit back and relax to the sweet stripped back sounds of some of the country’s finest musos at Maton Sunday Sessions!
Kicking off from 10:15am – 1pm on the final day of UNIFY, Maton Sunday Sessions will round off a stacked weekend of killer sets and moshpit antics with unplugged sounds from…
BEN STEWART (SLOWLY SLOWLY)
BUGS (ACOUSTIC)
ALEX MOSES (COLUMBUS)
JOSHUA O’DONNELL (BANKS ARCADE)
Leading the charge is Slowly Slowly’s frontman Ben Stewart with his vivid lyricism and emotionally charged vocals. There’s an unshakable sense of comfort and resonance that takes a hold when Ben performs, be a part of it as he closes out UNIFY with his stunning set.
Bugs will amaze you with an acoustic performance of their heartfelt and authentic pop rock slowed down to help ease you into the real world after a whirlwind weekend of heavy music chaos.
Join Columbus’ vocalist and guitarist Alex Moses as he stuns you with acoustic renditions of the rock-trios earnest and relatable ballads.
That’s after Banks Arcade frontman Joshua O’Donnell warms up the stage, backing up the band’s debut UNIFY set with peeled back versions of their boundary breaking music.
ICYMI, Trophy Eyes and Maton Sunday Sessions artists aren’t the only additions to UNIFY lately with Slowly Slowly and Stories also added to the bill recently. UNIFY 2022 really is going to be one hell of a time!
Now it’s time to get your camping essentials together and plan your UNIFY weekend hustle because the 2022 set times are finally here!
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Where are you currently?
Clef – Gibsons, BC, Canada, planet Earth
Dolly – Vancouver, B.C.
Lin – Sunshine Coast, BC
How did you first start playing music?
Clef – I’ve been playing for so long that I don’t remember! But I’ve always been involved in something, whether it’s high school jazz band, composing an indie film score, a neo-soul vibe project, an extemporal spectacle band, or Bae Baracus!
Dolly – Learning to play the tin whistle in school…
Lin – Playing recorder, violin and piano as a kid
What’s been happening recently?
Clef – Mostly baby-raising, tryna live in the moment.
Dolly – A long break in Dublin, Ireland, where I’m from. Been surrounded by lots of trad music, maybe that will come out in future writing.
Lin – Not much right now, just coming out the other side of the holiday break, with the kids home from school (more local Covid measures) against the same intense backdrop that ended 2021…<grimace>
You’ll be releasing a remix and video of your single ‘Flex’ on Jan 14, what originally influenced the sound and songwriting for Flex?
Dolly – Being disconnected from people during the pandemic (and before, to be honest). Frustration at trying to communicate online and how it takes away the human element. People communicate much differently when they have to look into each other’s eyes, rather than from behind a screen. That sincere message is delivered in a slight tongue in cheek wrapper, as you can see from the video.
Clef – I think it was a tongue-in-cheek approach but I’ve learned that nothing serious comes out of taking yourself too seriously.
Lin – We wrote & recorded our album in a weekend last summer, and wanted some songs with an element of fun & danceability, in anticipation of live shows and people needing to let off steam. A couple of the songs had a nod to old piano-house and the basis for Flex also has a retro vibe. For some reason, it made me think of the 90s Berlin scene (no idea why as I’d never even been there) but Dolly had lived in Germany and we decided to try a ‘persona’ to deliver the message, which we thought worked really well for the track.
Why did you decide to remix Flex?
Dolly – It’s the clubbiest song we’ve done so far, it cries out for remixing.
Lin – Yeah, this is one of our faster songs at 125bpm and I wanted to do a moody half-time kind of approach as a b-side
How did you approach the remix process?
Dolly – For my part, I added more primal vocal sounds and swirls to add another layer
Clef – Shout out to Lin for remix! I just blipped and blooped on the remix 
Lin – Like all our tracks, this came together super fast and I threw it down in a couple of hours. Dolly sent some additional vocal parts and Clef sent some of his inimitable OP1 work… Our approach as a band is to not overthink things nor obsess over details, which I think is one reason why we have so much fun creating together.
What influenced the video concept?
Dolly – We agreed that if we were going to sing about flexing, the video needed to be fun and funny, kitsch and campy. Like “Physical” by Olivia Newton John.
Clef – I think that the concept for the video was pretty much there from the jump, what remained to be seen was how we’d pull off a concept as ambitious as that, and I gotta say, I am amazed by the outcome, I think this video is hilarious!
Lin – this has been a tough couple of years for everyone, and we just wanted to lighten things up a bit and keep things fun. Also, knowing that we were going to release in January, where traditionally people think about working out, it felt like this was the right route. The original concept had a whole cast of extras and a massive nightclub scene, but ya know, lack of budget, time and a pandemic scuppered that 🙂
Where and when did you film and who did you work with?
Lin – Massive thanks to Gibsons CrossFit for letting us have freedom to play in their amazing gym! And also to Tallulah for shooting and directing us. I edited the video and the team at LyricVids.Com in Toronto did some colour correction and VFX to give it added sparkle.
What did you find most rewarding and challenging whilst creating the video?
Clef – From my end the process was really easy and I was just excited to be there, but it felt like a good time all around and energy at the set was super positive and exciting. The difficulty for me was getting there in the cold, straight from a bartending shift.
Dolly – Rewarding: getting to perform and be silly in a CrossFit gym with a great group of people! Challenging: finding a time we were all available..
Lin – I’m not a video editor, but I’ve cut most of our videos out of necessity, so that presents some challenges but that said I’m really happy with how this turned out. The most rewarding thing was having 3 hours in this amazing gym, going in with not much of a plan, but just having the freedom to play! I’ve kept myself pretty isolated through the pandemic so it was amazing hanging with Dolly, Clef and Tallulah and letting loose a bit 🙂
Who are you listening to at the moment?
Dolly – Róisín Murphy and Fontaines D.C.
Clef – My buddy got me on the latest Yves Tumor LP from 2020 and WHOAMEMY
Lin – I’m loving Shad’s latest album ‘Tao’ and Little Simz ‘S.I.M.B.I.’
What do you like to do away from music?
Clef – Music is like religion for me so it’s hard to say I could do anything “away” from music but there are other things I’d like to do around music, especially in the technology domain. I’m very interested in how tech-driven solutions could give more control to artists in the production and distribution of their work and how to implement my IT knowledge into a musical space.
Dolly – Riding my motorcycle and my bicycle.
Lin – Growing vegetables without the use of chemicals.
What’s planned for 2022?
Dolly – Live performances, hopefully!
Clef – It’s gonna be a crazy year, a lot of things need to work out to make it tenable or else I’m gonna have to get off this planet!
Lin – Really hoping for us to play some live shows and to bring the fun vibe of Bae to some clubs and festivals later this year.
Lin – Pizza or Curry… I love being in the woods of British Columbia. Pizza or curry in the woods would be a magical thing, in fact that’s a pretty achievable goal for 2022.
https://www.facebook.com/baebaracus
https://www.instagram.com/baebaracus/
https://twitter.com/BaeBaracus
Where are you currently based?
I am currently based in Etobicoke, ON (just outside of Toronto), but Hamilton, ON is my hometown.
How did you start playing music?
I got started playing music in my hometown at Hamilton’s yearly music awards. Each year they held a Rising Star competition for up and coming artists to enter, and when I was about 15 I decided to give it a go with a song I had written. Having grown up playing piano, I always enjoyed being musical, but had never performed for the public out of fear.
That year I ended up placing third, and I don’t know what it was about that moment, but I decided right then and there that I wanted to pursue music as a career. A music degree and a bunch of milestones later, I’d say it’s going pretty good so far!
What’s been happening recently?
Recently I’ve been doing a lot of writing! The whole “pandemic” thing has really dwindled down the opportunity to perform live, so I’ve been trying to use the time to figure out what I want to say musically and work out a new show and material for 2022!
Your new single ‘Dial Tone’ is out now, what influenced the sound and songwriting?
The idea behind “Dial Tone” actually came from an episode of Letter Kenny. It’s slang for “a dull, boring person”: ie) John has all the personality of a dial tone. When I heard it used in that show I always thought that would make a good song title. Fast forward a few years and a couple boring conversations I couldn’t escape from; “Dial Tone” was born!
How did you go about writing ‘Dial Tone’?
When I decided to finally write it, I reached out to my friends Jesse Slack and Daryl Scott to co-write it with me because I knew the way they wrote would be a good fit for the tune. We really wanted to go for something lazy feeling but also sassy and luckily this was one of those songs that just seemed to come together really easily.
Where and when did you record/produce/master the single and who with?
“Dial Tone” was actually recorded this July! I was so excited about the song after we wrote it in March that I wanted to get it out right away. So I reached out to my producer Jeff Dalziel (who also mastered it) and we got cracking! Everything was recorded at his house, other than parts from the players that didn’t live locally who just recorded at their own houses. It’s crazy how much you don’t need a studio anymore to get the job done.
How did you approach the recording process?
This recording process was approached in what I would call a very typical modern country way. I sent Jeff a demo of the song with the idea and vision I had for it and he worked his magic! By the time I came to record my vocal, the track was basically completely put together. Atypical to that, is me getting to play the acoustic line in the song and add some creative input, which I really enjoyed getting to do on this track.
What’s the weirdest gig you’ve ever played and why?
OH MAN, just one? Lol. I’ve played in a few dive bars where I’ve gotten to see some pretty interesting things but I think the weirdest gig I ever played was the first gig I ever did with my band.
Right when I was first starting out, my college roommate, who I admittedly didn’t know very well, had her relatives in our dorm one time and they asked me if I wanted to play a private party they were throwing. I told them I’d love to, but my band didn’t yet have enough material to fill an evening. We knew 6 songs, to be exact. However, they said that that would be enough and hired me for the evening.
A few weeks later, my country band and I showed up to their event and proceeded to play 3, 2-song sets, where in between they had a classical pianist perform. It ended up being a really fun night but it was definitely the weirdest event I’ve ever performed.
How do you prepare for shows?
To be honest, I don’t really have a ritual that I do! Performing has become pretty second nature to me now (trust me, it never used to be) and usually I just show up and do my thing. I am lucky enough to have a band that I’ve been playing with for years, so that really takes away any worry that I might get before stepping on the stage.
Who are you listening to at the moment?
I am ALWAYS listening to Kacey Musgraves. I am pretty sure she will be my favourite artist until the day I die. But aside from her new album, I’ve been really digging what Ingrid Andress is saying, as well as Tennille Townes.
What do you like to do away from music?
I really like being creative, so in my time off I find myself doing things like scrapbooking, photography, web design, interior design, etc. Pretty much anything with the word “design” after it lol. I’m also a huge environmentalist, so I’ll spend a lot of time trying to make my lifestyle a bit more waste free, or educating myself on ways an individual can create a positive impact on sustaining this big ol’ body of water we call earth.
What’s planned for the remainder of 2021 going into 2022?
Most of 2021 will be about getting “Dial Tone” to as many ears as possible, but I will say that I’ve also got a little EP in the works that I’m hoping to get out to the world sometime in 2022.
Favourite food and place to hangout?
Ouuuu. A few different answers. My favourite place to “get” food is Valiant’s in Barrie, ON. My favourite food in general is pizza, and my favourite place to hangout I’d have to say, is my local watering hole TJ Osheas Irish Snug in Etobicoke, ON.
Twitter: @DiveBar_Diva
Facebook: /MackenzieLeighMeyer
Instagram: @divebar_diva
Website: www.mackenzieleighmeyer.com
A BIT OF A FIASCO: FANCYNORMAL to release Pop-Bop Pavlova piece, FIASCO
Miscommunication, misinterpretation & misunderstanding, well, we’ve all been there, and Melbourne duo FancyNormal have summed it all up in their latest pop-spritzer bop: FIASCO.
It’s a messy and chaotic ode to miscommunication & trying to understand your significant other. Like being a contestant in a rigged gameshow, where ‘every door you choose you lose’, FancyNormal raises a pinot noir to those who are just tired of guessing what the other is thinking in a relationship that lacks verbalisation.
The duo have had a momentous first year previously releasing their debut EP ‘Starters & Appetizers’ and an engaging remix EP release with Skio Music for their single, Ultra Passion. FIASCO is the cherry on top of what has been an incredible year of releases for Fancy.
Speaking about the single, the band says “it’s not an anti-lovesong per se, but more of an anti-rose-coloured-glasses view of what a real relationship looks like.” Guaranteed dance-a-bility, the track will make you feel heard and maybe even say omfg.
Feel like you’re just spinning a wheel, hoping you’ll open the correct suitcase sometimes? This is the song for you – a power-bop ballad filled with plenty to get grooving to. FIASCO will be released on all platforms this September 30.
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Courtney Barnett – ‘Before You Gotta Go’ (Official Video)
Listen / Download: https://courtney-
Courtney Barnett – ‘Rae Street’ (Official Video)
Listen / Download: https://courtney-
Courtney Barnett
Website | Facebook | Twitter | Instagram | TikTok
“Blending both organic and electronic instrumentation with absolute ease, as well as those infectiously catchy lyrics and melodies floating about, it’s clear to us that dekleyn have well and truly found their groove.” – Acid Stag
“…Nostalgic without being morose, blending melancholy and hopefulness.”- EARMILK
“Just another reason to get excited about you two. y’all are producing such a ridiculous amount of songs and never skip on quality.” – Abby Butler, triple j
BUY/STREAM: DEKLEYN – OVER AGAIN
Returning with their first solo single of 2021, and following the release of their 2020 self-titled debut album, today Sydney duo Dekleyn serve up their infectious pop single ‘Over Again’. Steadily making a name for themselves since 2017, the talented duo have independently released three EPs, in addition to their debut album, and a series of standalone singles, together boasting over 7 million streams across platforms. Known for their smooth vocals with heavy-hitting choruses, combining electronic elements and synths with guitar leads and melodies, the pair have strived to broaden the horizons of conventional indie-pop.
Teaming up with Mark Zito (Fractures) on co-production duties, ‘Over Again’ delivers a truly international pop palette, with Justin Kleyn’s vocals taking centre stage, alongside refined guitar licks, and a driving beat that delivers an equally perfect soundtrack to a warm summer’s night, or cosy winter’s morning.
Taking the story of a love that wasn’t destined to be, Dekleyn create an uplifting take on the memories of a past relationship, sharing “’Over Again’ is a fun upbeat tune about the ups and downs of a relationship, the rekindling of an old fire, and the attempt to make it all work out. It’s about making the best of a bad situation and trying to be in the moment and take it all as it comes.”
Made up of Justin Kleyn and Matthew DeCelis, Dekleyn have seen a plethora of support from all corners of the globe, whilst amassing a solid fan base with their ever evolving indie pop soundscape. Already championed by both triple j and Unearthed, as well as tastemakers such as EARMILK, Acid Stag, Beautiful Buzzz, Atwood Magazine, Going Solo, and more, the duo are continuing to impress with their effervescent productions and take on songwriting. Whilst recently signing with Raida Artists for bookings, Dekleyn have been prolific in their touring, with support slots for the likes of Confidence Man, Fergus James, Fractures, CLYPSO and Angus Dawson, whilst selling out their ‘Thrive’ EP launch show in Sydney.
Dekleyn’s new single ‘Over Again’ is out now.
For more info on Dekleyn, visit:
FACEBOOK | SOUNDCLOUD | TWITTER | INSTAGRAM | SPOTIFY | UNEARTHED
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MOLLY PAYTON
Slack out Oct 1
PRE-SAVE HERE
Stay connected with Molly Payton:
Facebook | Instagram | YouTube
Dyno is a techno DJ and producer based in Italy whose been releasing music since the ‘90s, and worked with labels ranging from UMEK’s 1605 to Coyu’s Suara. He also runs a label called Dyrwalk and via the imprint recently put out a new deep, dark and hypnotic release called Selva Oscura, which featured two of his own tracks. Excited to learn more about him, we invited Dyno to run through a few questions…
Hi Dyno, it’s great to be talking with you today. Where are you currently based?
Hi everyone, nice to meet you. I’m based in Pesaro, Italy, which is a small city between the sea and hills. In the beginning of my career, I moved my studio around between basements, garages and other buildings, but now I’ve a permanent set up in the hills near my home.
Could you describe your sound and style of music?
I’m very attached to analogue and old school sounds, but also blend in new digital sounds.
Mainly I produce techno, but my style is not always focused on just one style, especially when I’m experimenting with my analogue synths. Usually, my tracks are quite dark with a lot of energy, but I’m open minded, and make what feels right in the moment.
How did you first discover electronic music, and who are some of your main influences?
When I was a child, I loved listening to radio stations using my headphones. I was always excited by electronic sounds, which I later discovered were made using synthesisers. Around this time, my favourite song was “Stripped” by Depeche Mode. Even today, I still get goose bumps when listening to it, especially at two and half minutes, where it’s so good that I completely lose my mind. I also got influenced by other tracks such as “Radio Ga Ga” by Queen, “Save A Prayer” by Duran Duran, “21st Century Boy” by Sigue Sigue Sputnik, and lots more…
One day in a local music shop, I asked for them to recommend me some CDs of good electronic music. It was this point when I first heard “Phaedra” by Tangerine Dream, and from then I had no doubt that electronic music would be my future passion.
I understand that you recently dropped a new EP called Selva Oscura, could you tell us about the tracks and concept?
Selva Oscura consists of two deep and dark tracks with solid reverberation, searching for a deep and detailed sensation to impress the listener. This production was born from reminiscing about my passion for vinyl, and thinking about the illegal raves I DJ’ed at in the ‘90s.
What’s your studio setup like, and what are your favourite bits of equipment?
I’m now stable in my new studio located the middle of the hills, and I’m so happy that hopefully I won’t have to move it again. I design it meticulously, taking into account all the acoustic details plus shape of the room. It’s a pentagonal room with a 32 channel analogue mixer, three different sets of studio monitors, Audioscope Spectrum analyser and several original analogue synthesisers from Roland, Korg, Moog, Yamaha and others. I also use multiple effect pedals plus some other outboard gear, and I like using my analogue sequencer and modular synths. To complete the setup, behind my studio seat is a wall with thousands of vinyl records.
Can you tell us about your label Dyrwalk, as I’d live to know when you set it up, and which artists you have worked with?
Dyrwalk was a project started in 2010 with the aim of mainly releasing my own tracks. The label is a place where I could release music that I wanted to release without having to make tweaks or changes requested by other people, and have the freedom to experiment with new sounds and ideas. I’ve also released with many other labels, and across all those imprints I’ve worked with UMEK, Oliver Koletzki, Max Cooper, Sisko Electrofanatik, Solee, T78, Alex Dolby, Meat Katie, John Fleming, Khainz, Alex di Stefano and many more…
What other labels have you worked with, and what’s the release you are most proud of?
I’ve worked with lots of labels in my career including 1605, Suara, Bush Records, Traum, Yoshitoshi, Global Underground, Gain Records, JOOF Recordings, Mondo Groove, Hell Yeah, Mantra Vibes, Incorrect and many others…
To be honest, I’m most proud of two publications that are not actually techno. I like to call them my two tripping albums, as they are both very atmospheric, and I dedicated a lot of time to working on them. I’ve listed them both below…
Dyno – Pic Nic Nello Spazio – Hell Yeah Recordings
Dyno – Synthònia – Mondo Groove
What do you like to do away from music?
I’m a passionate collector and player of vintage videogames, so whenever I’ve some free time, I start to play!
What’s planned for the remainder of 2021 going into 2022?
In a few weeks, I’ll be releasing an EP on Gain Records with four new tracks, then at the end of the year I’ll be putting out a collection of my favourite productions from 2021, which will also include two previously unpublished tracks. In 2022 I’ll start to work more on experimental electronic music, which I’ll do in parallel to my new techno releases.
For anyone visiting your hometown, can you recommend a good place for food and favourite place to hang out?
If you want to eat good, and genuine Italian food, then here are my suggestions for good restaurants in the hills near my home Osteria del Giogo, Il Pergolato dalla Maria and La Vacchia Cantina. Nearer the sea, you can also find several good fish restaurants. I also love going into the some of the small taverns in the historical centre of Pesaro. If you want to have get some scenic views of the landscape, then you should also visit port side of the town.
Thanks for chatting today, is there anything else you would like to add before we finish?
Thanks for the interview, greetings also to all The Partae readers, and of course to people that support my music. It was a pleasure. Thanks Again.
https://www.beatport.com/release/selva-oscura/3467536
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Throughout 2021, Nina Las Vegas’ curated events moniker NLV Presents has put together an ongoing, curated mix series that aims to highlight some Australia’s best and brightest underground DJ’s. We’re now six months into the series, with a new mix released via Apple Music in the last week of each month. Last month, Wiradjuri woman Kritty took over, blasting a high-energy collection of tracks that reflect NLV Records’ ethos of repping underground club music. In September, Gamiliraay woman and sistergirl Emma Bastable AKA crescendoll is setting the pace. |
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Visuals by Kris Andrew Small
Emma is a Trans and First Nations advocate and solicitor based in Warrang (Sydney). During the day, she works as a solicitor at a community legal centre. She works predominantly on cases centred around homelessness, discrimination law, and policing – particularly in relation to Aboriginal and Torres Strait Islander people.
By night, she can be found both behind and in front of the decks at a range of electronic and queer club nights across the town.
As a DJ, Emma’s connection to music runs deep. She is interested in the idea of dance music as rebirth, and the power music holds in being able to construct and deconstruct some of life’s bigger themes, including death, creation, destruction and healing.
Her passion for representation remains central to everything she does, which is why her mix for NLV Presents is so important. “This is a mix recorded in Warrang during a period of really heavy news and lockdown,” Emma explains.
“I’ve also been doing a lot of thinking around the role of club music and dance in exploring and connecting with my identity, as a sistergirl and queer and trans woman, and the ways in which clubs and dancefloors serve as spaces in which we can think about and create new ways of being and existing, but which also are inherently political and can be problematic in terms of gentrification, lack of accessibility, and white, cis, able-bodied bodies being privileged.
“In this spirit, I wanted to dedicate this mix to The Block in Redfern and recognise the pivotal role it’s played in celebrations of First Nations culture, art and music, and the real trauma our community has experienced in its redevelopment and the ousting of activists, including the Aboriginal Tent Embassy.
“I invite the listener to remember that, pretty much wherever we are, we exist on stolen land, to recognise the role that bla(c)k people have played in the development of club music, and to celebrate the achievements of POC DJs, event organisers, and dancers. Hope you enjoy!”
Emma’s mix expertly blends sounds of resistance with a ferocity that can only be felt by something with such purpose. Tracks from Ariel Zetina, Merca Bae, Tygapaw, DJ SWISHA and Kush Jones sit neatly in this expertly tempered mix.
NLV Presents has continued to thrive due to Nina Las Vegas’ passion for bringing the sounds of the underground to our ears, with Kritty’s mix being another example of how much amazing talent is right at home.
Stream crescendoll – Tribute to the Block (1973—2015) [DJ Mix] on Apple Music
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NLV Presents logo by Kris Andrew Small Nina Las Vegas’ passion for bringing the sounds of the underground to life has remained central to the NLV Presents ethos. With a long and extremely fruitful presence in Australia’s underground, NLV Presents has historically brought some of Australia’s now heavy hitter’s to stages and clubs around the country, featuring Tkay Maidza, Cosmo’s Midnight, Swick, Wave Racer, Motez, Touch Sensitive, What So Not and more. On the overseas front, NLV Presents: International Edition’s saw the likes of Eclair Fifi, Sam Tiba, UNiiQU3, Djemba Djemba, Monki and MSSNGNO tour Australia for the first time. |
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UPCOMING NEW ALBUM TRUE LOVE
OUT THIS FRIDAY, OCTOBER 1 ON GRAND JURY
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