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Music Interviews

Teulu
Music InterviewsMusic News

Teulu

by the partae July 1, 2021
written by the partae

Where are you currently based?

At the moment, I’m in this really beautiful, quiet spot in the Grand Teton National Forest over in Wyoming, it’s absolutely wild out here!

How did you first start playing music?

Oh man, such a funny thought. Going to a small elementary school in southern Vermont, it was sorta an unspoken requirement to give some sort of musical instrument a try. I think in 1st grade my mom rented me a trumpet, but after a few months of absurd sound making, she returned the trumpet and came back with a snare drum. The rest is history. I stuck with playing the kit my whole life. I’d say the last 3-4 years I’ve really focused more on producing, but drums will always be closest to my heart. But yeah, I was lucky to have that push from my parents at an earlier age to grab something and see what happens.

What’s been happening recently and how has your Covid experience been so far?

So much has been happening! I’ve sorta packed up my life for the next 6+ months and just recently hit the road. We’ve been on the road for 28 days today and very much still acclimating to the go-go-go lifestyle. But we can talk more about that in a bit. As far as my Covid experience, it’s been waaay easier than others, which I’m grateful for. I was lucky to spend the majority of the thick of it in VT, where there was plenty of space and a pretty conscious community who’ve taken it seriously. Knowing buddies down in NYC and hearing about the extreme isolation, I’ve had it way easy. Dogs also help haha.

Your new single ‘Fulgurant’ is out now, what influenced the sound and songwriting?

This was an interesting song to put together. Structurally it sorta pulls you all over the place, which I ended up really enjoying in the end. Influence wise, I’ve always been obsessed with vocal manipulation and vocoders, from Daft Punk and Imogen Heap to Bon Iver and The Japanese House, so I pretty much always sit behind the keyboard singing and rambling over random chord progressions. That sorta mapped out the first half. I also love cinematic type stuff and film scores in general, which is what led into the second half of the song. I always find myself going back to M83 or Sigur Rós, and yeah that’s kinda where it all ends up. Winter time in VT is also pretty magical, so that definitely played a part too.

How did you go about writing Fulgurant?
It all started with this really cool synth I accidentally fell into. It was one of those random small plugins that came with a bundle I bought a while ago through Native. It blended so many washy layers together, so after telling myself to stop tinkering with it I had a really cool chord progression put together. From there, I knew I wanted to do some sort of vocodery layering as well, so I spent a ton of time working on that and trying not to overdo it with the amount of synth and vocal layers. Percussive textures are always something I focus a ton on, so getting those super crisp and clear was the third piece of Fulgurant. I spent a while looking for the perfect harp plugin, which was so hard to find, and sorta funny thinking back on it now. There’s this one small section where I have this huge strum from a harp that leads into the bridge type section, and the harp sorta handles the whole transition there. It took me a while to get that sounding right haha, but so worth it! Lyric wise, I didn’t know what the song was going to be about until I really took a step back and had a bit of a realization about some pretty heavy stuff, life and death, that kinda thing. For Fulgurant specifically, it’s all about seeing a family member age, and face some pretty serious dementia. Something a lot of people face, but never really confront outright. At the end of the day, we just have to be there for eachother, and that can be hard to do too.

Where and when did you record/produce/master and who with?

I’d say 75% of the song was written out of my small corner studio space in my living room at my old apartment in Burlington, VT. For the vocals I actually just brought my gear into a practice room at this spot called the Burlington Music Dojo. I’d rent out a weekly spot for practicing drumming mostly, but the room was treated super well, and I thought I might get a better take trying to record there. Seemed to work decently well! I finished the latter part of the track down at my childhood home in southern VT. Once I had it sounding the best I could, I sent it over to a good friend and amazing engineer Nick Squids, who did the mix and master and really took it to another level. Guy is a genius.

How did you approach the recording process?

I always feel pretty amature when it comes to recording live tracks in my songs. I don’t have anything fancy, but it always seems to end up clean and clear enough. I have a 2 track audio interface and a cheap condenser mic I use for just about everything. Outside of vocals, I recorded some guitar – I have this baby taylor that can’t hold a tune to save its life, but I love it so much. I always leave it in some random open tuning, and I just set up a mic in my living room while I was plucking a few chords that ended up working really well with the song. I also have this beautiful black tele, that I love adding huge held out chords with. I usually throw a fair amount of effects on the guitar stuff, you can get some really cool sounds that way. But yeah, it’s always recorded in the middle of my apartment type of thing.

What programs/equipment did you use?

I ended up using a combination of plugins between native, output, arturia for my synths, bass, and other instruments. There’s honestly way too many options out there these days haha. I feel like I could probably do more with less, but yeah, I’ll typically throw on a handful of effects from waves or soundtoys to really start distorting and manipulating the sound. I’ve been a huge fan of the soundtoys crystallizer and some of the maserati plugins from waves. I think my favorite part of the whole set up on this song was midi tracking my drum samples into this little electric kit I got off craigslist. It was the first time I was able to actually record what I was playing with a Teulu track. I feel like it gives it a better groove, and a good groove is so important. Even if it’s dragging or maybe off a bit.

I hear you’re living out of a converted 1989 Chevy van! How and why did this come about and how has the experience been so far?

Aha yes! It’s been a wild ride so far, that’s for sure. I think the whole idea started from a huge feeling of not really knowing where to go next. I moved back east with plans to move into the city, but COVID hit and sorta threw everything out the door, like it did for so many others. Not long after that, my girlfriend and I found this cheap, old 1989 chevy van that was already gutted, and we got to work building it at the beginning of the year. It then sorta morphed into “oh, we could really cut down on our consumption while doing this, and really minimize our overall footprint.” So not only could we figure out where the next home might be, but we could consume less, and waste less in the process. I also set up a pretty cool mobile studio, more to come from that soon though. It’s really easy to romanticize this idea of living on the road, which partly can be totally true. There’s also a lot of adjusting and acclimating to be done, and we’re still going through some of that now. Especially with two dogs along for the ride, haha.

Who are you listening to at the moment?

Oooooo, so much good music just dropped! I’m halfway through the new Tyler album, and he’s crushed it again. I just love his beats and all of his production, it’s so unique and good. I’ve also been really into this artist On Planets, wicked good lyrical cadence and his writing is really inspiring to me as of late. Oh man, and don’t get me started on the new Porter record. Another really good record just dropped from rum.gold that I’m super into.

What do you like to do away from music?

I’m a huge fan of winter, so taking the pups out snowboarding is something I do pretty often. Also a sucker for a good (and bad) scary movie, but you gotta have popcorn with it. Sorta random, but I picked up leather tooling from a good buddy over in Portland, OR, and really enjoy making simple leather goods out of recycled scraps. Anything that helps pull you out of the daily routine, and get you to think about bigger picture type stuff, I love.

What’s planned for 2021?

Crazy to think we’re already halfway through it! I’ve got a few more tracks to release, which feels good. I’m still a bit slow at finishing songs, so a big goal is to write a ton of new music while being on the road. And yeah outside of music, I’ll be on the road for the rest of the year, checking out some new potential spots to call home. The biggest thing I think is just trying to really focus on living as minimally as possible and recognizing what a privilege this all is.

Favourite food and place to hangout?

Oh man, tough question! Since I just spent the last week in Bozeman, MT, I’d say that’s been the coolest spot on the road so far. I was lucky to land there during a few Pride events, and the community there is so great. The food there is pretty awesome too, I had Bibimbap for the first time over there and it really hit the spot. Shout out to Whistle Pig.

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July 1, 2021 0 comments
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JODi
Music InterviewsMusic News

JODi

by the partae June 29, 2021
written by the partae

Where are you currently based?

Living in Sydney at the moment.

How did you first start playing music?

I’ve been singing all my life, and my mother is a piano teacher. I’d have the occasional lesson, but I didn’t take it too seriously. I liked learning things by ear, rather than reading music. I learned Oboe for 9 years at school, played for my HSC. Towards high school, I was introduced to Logic, where I started producing and recording covers (some of which might be available on Youtube – I warn you, it’s a cringefest.)

What’s been happening recently and how has your Covid experience been so far?

As a result of the lack of gigs and events, I’ve been scheduling writing sessions with new friends! I haven’t done much collaboration in writing and production, I find the process of creating a very personal thing, and I was too afraid to share that with anyone else. What I realize now is how beautiful it is to share that creative energy with someone else, and I love it.

Other than that, the quiet period before this upcoming release has ended, and now the responsibilities have snowballed! I was planning for months, so it’s really quite exciting to finally catch up on all that I had planned for bl!nk!

Your new single BL!NK is on the way, what influenced the sound and songwriting?

I kid you not, my reference track for this song was all I listened to for months. In the week I found this song, I think I’d already listened to it 100 times on day 3 (Spotify literally told me so). I’m A Kid by Jadu Heart was my sole inspiration for bl!nk. I was OBSESSED with its sound and the way it made me feel. I think bl!nk takes a slightly harder turn throughout, a little more of an edge to the lyrics and sound. I’m pretty bitter in this song. Lyrics tell all.

How did you go about writing BL!NK?

I was meeting with Alistair (Alistair Hayes, Sydney drummer, co-writer + producer) to write our first song. After discussing for a while, we decided to write something rebellious and sexy, very self-assuring and assertive. As I mentioned before, I was pretty bitter at this point in my life, so a storyline wasn’t hard to find. We took inspiration in sound and feel from Jadu Heart, Ainslie Wills and Lucky Daye, to name a few.

Where and when did you record/produce/master and who with?

We recorded bl!nk in Alistair’s home studio, a.k.a, his bedroom. Started in November 2020 and finished soon after.  We enlisted the help of our friend Oscar to mix the final demos, and I sent the final off to 301Studios for mastering.

What does BL!NK mean to you?

Bl!nk’s purpose actually changed for me, once we’d finished the song. I think that change results in the bridge, it hits pretty hard. It makes me feel alive and fierce and wicked! Originally I think I wanted to write something a little sly and witty. Something polite, but still truthful and a little bit sexy. As we kept writing, a darker attitude formed. The bridge turns into this rude, grungy therapy session. I basically let out everything I know I shouldn’t say, and I don’t care.

You’ll be filming a music video soon, for which track?

The music video coming up is for bl!nk!

How did the concept for the music video come about?

The concept is based very much on the cover for bl!nk. The story of the song also tells itself really, it’s easy to find inspiration in something that actually happened to you. I love dark colours, eerie photos. Picture black and white ghost documentaries… mixed with cute 90’s girls… that’s my aesthetic. OR I just like flash photography in the dark, that’s a safer angle. Let’s stick with that.

Where will you film and who with?

We’re hoping to go back to where I shot the cover artwork, on the way to North Head Lookout, Manly. I’ve asked Sydney Director + Photographer Maya Luana to help me with the project.

What do you like to do away from music?

I love cooking! And I have a problem with buying too many indoor plants.

Who are you listening to at the moment?

I’m eagerly awaiting Snoh Aalegra’s next album! By the time this interview is released, her album will be out! So I’m going to strongly bet that’s what I’ll be listening to. Lost You is a single Aalegra has released in anticipation of the album – it’s a blessing. Remi Wolf’s recent single Liz, Ocean Grove’s 2020 album Flip Phone Fantasy, Easy Life’s latest release skeletons, Mel Blue’s recent album Sanctuary Point, Pt.1 – I could go on! Those are current favourites.

Favourite food and place to hangout?

Usually, I try to eat pretty well… but my favourite cheat meal is at a friends place in Crows Nest, Plan B. They have loaded fries and savage burgers. Hangout locations change according to where the next gig is, as most of my friends are all independent artists.

What’s planned for the remainder of 2021?

The bl!nk video is yet to be released! And #spoiler another single is coming! Ending the year with a pretty fun dance track. I’m tying up loose ends for next years releases… stay tuned.

Mailing List: https://10onuhmt64w.typeform.com/to/gCJFTV2q
Instagram: https://www.instagram.com/jodiartist_/
Facebook: https://www.facebook.com/jodiartist
Spotify: https://open.spotify.com/artist/4UXBYyEazvEKmKR0pCzSfQ?si=qaP8MF8cQ8Wr96yzJQvn6A&dl_branch=1
June 29, 2021 0 comments
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Rashid Ajami
Music InterviewsMusic News

Rashid Ajami

by the partae June 28, 2021
written by the partae

Hey Rashid, congrats on your latest release, your TOR label debut! For our readers who might not have heard it yet, can you describe each of the tracks in three words/a sentence?

That’s a good question ! I would say…

“Never Knew” is soulful, nostalgic and raw.

“Chasing Ghosts” is industrial, haunting and warm. 

“Still Think of You” is melancholy, lush and dreamy.

You’ve had a really strong 12 months with releases on the likes of Tale & Tone, TOR, XYZ… What do you think was the reason behind this exciting collection of new tracks? Have you been having an extra creative phase?

I think these tracks came from a desire to create during lockdown. I had a few months of creative focus in which the tracks came together. They each have their own story and meaning behind them, but in the end they worked quite nicely as a collection, even though this was not what I initially intended. 

Where do you usually get your inspiration from, and has lockdown affected that (either in a good or bad way)?

My inspiration comes from nature, art and mainly from experiences in my life. But when it comes down to it the inspiration comes from within and is at a deeper level. It comes from being in the moment of creation fully. 

Where would be your dream gig or show when the world opens back up properly again?

My dream is to tour the world and play in multiple countries, meet new people, and have unique experiences. 

What’s next for you? We’ve heard that you’re big into NFTs and artwork, and are working on some cool installations… can you tell us more about that?

I will be launching my first NFT collection soon. It consists of 6 pieces all with unique visuals and music. I’m very excited about it and I really enjoyed the project! I’m looking at many new artistic projects that involve bringing together art, music, film and immersive experiences. Stay tuned for more updates!

Rashid Ajami’s ‘You Don’t Know Me’ EP is out now on Tale & Tone. His ‘Never Knew’ EP is Out Now on TOR, get it here.

PLAY/LISTEN

 https://www.instagram.com/rashidajami/

https://www.facebook.com/rashidajamiofficial

 

June 28, 2021 0 comments
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SRUJANIKA
Music InterviewsMusic News

SRUJANIKA

by the partae June 26, 2021
written by the partae
Where are you currently based?

The city of cyberpunk vibes and neon signs; my home away from home… Tokyo, Japan. What’s good?

How did you first start playing music?

Technically I used to play the flute quite diligently in my elementary school band but my real interest in music developed when I was going through a period of writer’s block in my late teens. No poetry was coming out, so I decided I needed a new outlet to express myself or I was going to combust. Then I discovered DAW’s and made little secret songs on my Apple Laptop with loops, beats and samples. It wasn’t until 2017 when I had a keyboard workshop in college where I really started to learn about music theory. A lovely professor from Yamanashi taught me about chords and how to play Fly Me To The Moon by Frank Sinatra. Finally in 2018 I got myself an Akai Mini and I was just blown away by the limitless possibility of musical creation. I’m telling you, it felt like the sky was the limit!

 
What’s been happening recently?

I just got my very first gig to perform my original music in the coming months and I am so nervous yet excited. Something about singing songs that I personally wrote as opposed to acting as somebody else just sends chills up my spine. But I think that’s what turns me on, because creativity is a high-risk energy. Will I fail or fly?

Your new single ‘Rise’ is out now, what influenced the sound and songwriting?

More like who. My producer and homegirl is an artist from Russia who goes by the title MILIAH but I call her by her first name, Emilia. She has been a wonderful creative collaborator and business partner whom I trust. I sent her a demo which had a street-like Travis Scott beat and she transformed it into this mystical, dream indie-pop, shoegaze rock hybrid that blew my mind. “This is how I imagine your song,” she told me. I just adored the little details she added to it which made it sound otherworldly, and I’ve been blown away by people’s response to it which has been overwhelmingly positive.

Often during our production phase, she asks me: “What do you want?” which instantaneously puts me in touch with my true desires for my art. Every instrument and effect is chosen just for me, and I fall in love with music a little harder. God do I need my guitars and 808’s! I’ve learnt a lot about communicating my artistic vision effectively to others which is a skill. It can get really specific sometimes, and leaves no room for “oh yeah that’s fine.” Nobody needs that. What is expected of me is to be nothing short of a bad bitch who knows what she wants and how to get it.

 
How did you go about writing Rise?
There is a book that has become my Bible. It’s called The Artist’s Way: A Spiritual Path towards Higher Creativity. In it, it has an exercise called Morning Pages where we’re supposed to write 3 pages straight from one’s stream of consciousness into a notebook. This is done to kill the censor within, or the inner critic, which had dominated my life for years. I didn’t even know if I was a real artist. I judged myself and my work too heavily to even create, let alone show people what I made. But once I was able to put pen to paper with no B.S excuses getting in my way, I began to write dozens of songs like never before. I had made music in the past, but not quite like that. I lost my mind and broke down crying in the process. I was a force of nature; a wildfire or a hurricane. The Dark Night of the Soul that I endured for months to see my end goal, which was creating a body of work, come into fruition was not in vain.

I finally emerged like a classic Phoenix from the ashes, and that’s when I wrote the lyrics to Rise in my journal at what must have been 3AM.

Where and when did you record?
It wasn’t until the end of November 2020 where I was half-alive yet somehow more fiery and alive than I’d ever been.

I was in my bedroom recording Rise on my phone. I didn’t even have a home studio back then, and this jerk producer told me that he’d stalk me like ‘A’ from the TV show Pretty Little Liars, sarcastically wished me good luck and that I wouldn’t find anyone to work with me and my ‘pseudo’ talent. I swear that just made me work ten times harder. Another producer whom I looked up to didn’t really respond to my request when I asked for the STEMS to his beats, unfortunately. But being told no is not the end. No is just the beginning of a creative career. I’ve gotten immune to it. There is a saying that rejection is God’s protection and that there is a better plan for you. So I don’t get disheartened anymore at seemingly lost opportunities. It’s important to never lose sight of the end goal and keep going no matter what.

These guys led me to think: “Why are there so many male producers? No shade, but where are the women in music? I want to work with a female creative in particular.” It was through the internet I googled specific communities and found She Is The Music, and it was there I was able to connect with Emilia. I listened to her song Wild and loved the production on it, so I reached out to her via Instagram DM’s. So in the end, I’m thankful for the doors that closed on me. I’m lucky to have built my goddess gang since then.

How did you approach the recording process?

It was honestly very simple, smooth and straightforward. Since I didn’t even own a mic back then, I actually just recorded three vocal takes on my Android phone (which goes to show how much technology has advanced) and emailed it to Emilia’s friend Dmitriy, who did the mixing and mastering on the track. It was as though all the obstacles that I had faced were finally removed and things started opening up for me.

How did the concept for the music video come about?

I thought I was going to leave Japan in May, so I wanted to capture the essence of the title ‘The Land of The Rising Sun’ by putting in a sunrise. We had the idea to shoot one day at night, and another during the day to showcase the video moving from darkness to light which is what the song is about.

Where did you film and who did you work with?

Through a Facebook group for filmmakers & videographers in Tokyo, I was able to connect with Guillaume Tauveron, a French director & filmmaker who was so sweet, kind and hilarious. Since he has shot in all the popular locations, we wanted to go somewhere unique so we shot at Makuhari Beach which was so much fun and made me grateful to be this free-spirited independent artist filming by the ocean. I want that beautiful time back. I used to fantasize about making a music video since FOREVER. It’s a dream come true not only to have made one but also put it on YouTube and have my own little artist channel. I used to pray for this. I’m really lucky.

You have an EP coming soon, please tell us about it:
YES! Some of my favourite rappers and rockstars have had alter ego’s like Megan Thee Stallion’s Tina Snow and David Bowie’s Ziggy Stardust. I wrote this song called Heart Candy which has S-A-S-S-Y lyrics like “you’ll never find a girl like me I’m hard to replace.” I was like, who is this girl? Sasha Fierce? There is a cute yet dangerous dolly sound on it that made me come up with a name for my very own alter ego & EP title Gothic Lolita Gem, which is more inspired by the Japanese fashion style than Nabokov’s novel. I don’t think I need a persona to create music, though. Everything is 100% me. I’m a shapeshifter though, so that might confuse people. One day I’m like a noir film and another I’m technicolor. I’m constantly changing, like a chameleon.

I’ve experimented with a lot of different sounds and styles on the EP and I have a feeling I’ll always be doing that. I can’t wait to release it! Stay tuned for it to drop sometime this year.

Who are you listening to at the moment?

Eve’s album Scorpion. I was born in the late 90’s so I’ve been having nostalgia for 00’s music. The track Stronger by Kanye West. I’m on some what doesn’t kill me makes me stronger type of energy. A Little Bit Dangerous by CRMNL, because I’ve been in villain mode after people came for my neck and failed. And I think the duo RHYME SO are sick. Their 360 video for ‘Hot’ with the virtual club was a visual experience to remember.

What do you like to do away from music?

The social isolation of the pandemic has really put me in an introspective state for the last 18 months. During this time I’ve become a 200 Hour YTT Kundalini Yoga practitioner which has brought me a lot of inner peace along with Deepak Chopra and Alicia Keys’ Divine Feminine meditation series. That reminds me, I need to complete my goddess Kali yoga challenge! She is a Hindu deity that embodies Shakti and despite her associations with death, doomsday, sexuality and violence, she is actually considered to be the loving mother of the universe. I am all about spirituality, liberation and raising consciousness. But I’m not one of those fake good vibes only type of people. I’m a lightworker and a shadow healer.

I love manifestation candles, crystals, divination, essential oils etc. I used to hide that side of me because I was scared people wouldn’t take me seriously, but I’ve learnt that when I step into alignment with my authenticity and everything I thought was ‘weird’, that’s where my people are. Spiritual babes are some of my favourite kinds of people because I know they’re committed to personal growth. I almost decided not to pursue music in favor of a more strictly truth-seeking path like a tantrika or a dakini, whom I have been told I was in a past life, until I remembered a quote by Marilyn Manson: “Music is the strongest form of magic’. My vibration increases tenfold when I’m creating songs – it’s so much fun!

What’s planned for the remainder of 2021?

I signed up for the Institute for Integrative Nutrition’s one year program this March so I’ll be continuing to study the modules for that course. Plus I just sent in my college applications for the fall semester so I’m hoping things go according to plan during these unprecedented times. I’m also learning how to DJ.

Favourite food and place to hangout?

Your girl is a true foodie who loves to travel. I just had the most delicious butter prawns and chilli crab from Singapore Seafood Republic for Father’s Day so I’m still basking in that post-meal glow. I am flirting with Ayurvedic recipes since I’m trying to up my wellness, but if you would have asked the old me, I’d have probably said strawberries with Godiva chocolate and Italian spaghetti. Things are slowly changing now. I switched up my pasta in favor of zucchini noodles, or affectionately called ‘zoodles’ which I thought were pretty delicious.

The pandemic has me fenced in, so when I’m craving fresh air I like to go to Kasai Rinkai Park and chill near the water and BBQ tables.

LISTEN/WATCH

https://www.instagram.com/srujanikamusic/

June 26, 2021 0 comments
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Health Club
Music InterviewsMusic News

Health Club

by the partae June 18, 2021
written by the partae

https://backl.ink/146802140To celebrate the release of Have Like Like that on Off Leash Records, we sat down with Lucas (PKA Health Club) for a chat about where things are for him and the music, right now.

Greetings Lucas, for those that don’t know about Health Club, how long have you been at this project and how would you describe the music?

Hello! I’ve been writing music under Health Club for around 3 or 4 years now.  When I first started the project I was listening to and influenced by a lot of soul, funk and neo soul, which led me to this sort of pop/neo soul output.  I’ve always really enjoyed lower tempos; they leave a lot of space between the beats and allow for more explorations in groove.

This new track of yours “Have It Like That” on Off Leash Records, is a funky, soulful record. The vocals remind me a little of early UK dance, but then there’s an almost American style janggly hip-hop beat plus some very Australian usage of the saw synths. Is it deliberate for you to merge styles or is that something that just happened organically?

I think initially I had leaned into some more of the UK feel on an earlier version – using some parallel harmony, 909s n what not but at some point, I just started from scratch and played with a new, more soulful angle.  It all just unwound from there and I found myself throwing a slap bass in the chorus.  I do love intentional use of juxtapositions or clashing of ideas but in this case, I think it just happened.

Are there specific influences that contributed to the tone of this track? If so, who are they?

Pharrell is always a massive influence, and if you get down to it a lot of the more current influences would also lead back to him too.  People like Lynda Dawn, kaytranada, Mndsgn & Toro y Moi; are very key components of the sound I’ve created with this release.  Can’t forget to mention Patrice Rushen, I don’t think I could go a couple days without listening to her.

Some of your more recent singles have been closer to a house/disco tempo. Are we gonna hear you stick around in these more open grooves for a while?

Definitely.  I’ve been DJing a lot over the past year or two – more than I have in years.  I’ve been listening to and playing heaps of late 80s and 90s stuff, especially Italo and Dream House.  I think I’d like to explore writing some actual club music very soon.

For the production nerds out there, are there any favourite instruments, plugins or tools that can be heard on “Have It Like That” and what do you like about them?

A lot of the lead and mono sounds on this one are from an sh101 remake.  The original was my first synth and when they brought the modern remake out, I had to get it.  I’ve used Soundtoys ‘Crystallizer’ for some of the lush background sonics too, definitely worth giving that thing some praise.  And, on every song, I’ve used the prophet 08 – in this case, for the big saw pads in the chorus.

No doubt, Electronic music is in a strange place worldwide with limited capacities and not much of a festival scene. How has Queensland been of late? Are you and your contemporaries able to go out and play shows? How do they feel?

It’s taken some time but we’re back to what feels like normal.  The limited capacity is still in place of course, and is quite a point of tension, with other areas of society seemingly “immune” to covid safety restrictions and procedures. Friends are throwing shows nearly every weekend, to smaller and maybe more dedicated crowds.  People are aware of the limited release, so the tickets are bought up quick and the attendance is always in high spirits.  I’ve even caught some shows from international artists which seems crazy.

On, that; If you could play support to any international headliner, who would it be and why would that be an awesome show for Health Club?

Probably someone like Erika De Casier or Toro y Moi. I feel like any show they would do would be awesome regardless of my involvement, and would be great to be a part of it.

What about in the studio? Who would be a dream collaboration for Health Club and why do you think it would work?

Adam Bainbridge (Kindness) or Joseph Mount (Metronomy).  They’re not exactly current influences on the music I’ve released but they’re two of the biggest contributors to my high school obsession with music.  They’re both artists that I feel pushed pop music in really interesting directions and reference some great records in their own ways.  I’d like to think over the years I’ve found a lot of the same influences that drove them to make their work and would hopefully have a common ground to draw inspiration from.

What’s next for Health Club is there anything you’d like to leave us with?

More music, and hopefully soon.  Earlier this year I played a live show with my friend Millie, the first I’d played in years.  It left me excited to work on it further and look into performing more live shows in the near future.

PLAY/DOWNLOAD

https://www.instagram.com/health_club__/

June 18, 2021 0 comments
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Rat City
Music InterviewsMusic News

Rat City

by the partae June 16, 2021
written by the partae

What is your name and role within Rat City?

 My name is Lasse Michelsen, and I’m a producer/songwriter and a member of Rat City.

Where are you currently based?

 Oslo.

What’s been happening recently and how has your Covid experience been?

 Right now, I’m on daddy’s leave, so it’s all about getting through the day with my nine month old daughter. It’s a lot of fun! Covid-19 hasn’t really affected our daily work as much as other businesses. We’re used to being stuck alone in the studio.

Your new single ‘Rather Be’, a collaboration with Isak Heim, is out now, what influenced the sound and songwriting?

 The sound is based on what we have released earlier, horns, live bass etc. Kind of an organic sound mixed up with house/disco-vibe. I have no clue what to call it… Since there are so many songwriters involved, I can only speak for myself, but I think it’s about cutting loose from a bad relationship or person.

How did you come to collab with Isak and how was the experience?

 We have worked with Isak on several previous releases, so it was very natural for us to ask him to sing on the song. He has an amazing voice!

Where and when did you record/produce/master and who with?

 All recordings are done in our own studio in Drammen (Norway). Phil Tan (U.S) on the mix and Sing Master on the master.

How did you approach the recording/production process?

Like we always do, press record and use your imagination.

What does ‘Rather Be’ mean to you?

 A lot! It’s one of a few records that we still love to listen to.

Who are you listening to at the moment?

 Kamara, she is really talented.

What do you like to do away from music?

 Fly Fishing, hunting and hiking in the mountains.

What’s planned for the remainder of 2021?

 Make more music!

Favourite food and place to hangout?

 A nice meal in the tent on the tundra after a long day of fishing.

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June 16, 2021 0 comments
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Joe Terror & Hollie Joyce
Music InterviewsMusic News

Joe Terror & Hollie Joyce

by the partae June 16, 2021
written by the partae

Where are you currently based?

 Hollie – I live between two places – Northcote and Ocean Grove, Victoria. Basically, part time city, part time coast life.
Joe- I am based in Brunswick, Victoria. I made the move to Melbourne almost five years ago from rural NSW.

How did you first start playing music?

Joe – I was always fixated on music from a very young age. I’d set up pretend microphones and make my family gather around for living room concerts, singing along to CD’s. When I got my first guitar, I was about eight years old. I’d lock myself in rooms and just listen to notes ring out for hours.

At the age of thirteen I began teaching myself songs on the guitar and jamming with a friend from high school, he was becoming a great guitarist, so in order to start our band I scored a drum kit scholarship at the Clarence Valley Conservatorium to be able to afford lessons and got my chops up on the kit.

Hollie – Yeh! I was pretty similar actually, I grew up in a family of performers so I was always surrounded by people performing music, dancing etc, basically a lot of big personalities. I started learning the piano with my Nanna, but quickly became uninterested in playing covers and wanted to write songs of my own. I would have books and books of little poems with this monophonic 80’s Casio that only played one note at a time but it had a recording function so I would layer parts for hours over the best/worst beats you’ve ever heard. I was probably 13 when I started having a crack at writing songs on guitar, dad bought me an SG shaped black Ibanez electric guitar but I never played it because I had my eye on his 70’s acoustic guitar that I still play to this day.

What’s been happening recently and how has your Covid experience been?

Joe – As you know Melbourne has just endured it’s fourth lockdown. This time around I have personally lost one The Stained Daisies show, of which we rehearsed for months in advance training extra band members, one Tug show on the 12th and we are still holding our breaths about whether we will be able to do the launch for DEA on the 18th of June.

Covid sucks.

Hollie – Thank goodness for the daily quiz.

Your new single ‘Dea’ is out now, what influenced the sound and songwriting?

Joe – I was at the back end of writing my last album “Songs to Track Down To”, a very mellow bunch of folk songs, when I decided to start writing and recording something that completely polarised what I was pushing out at the time. I began working on the “Queen of Smiles, Blues & the Devil” concept. I had planned that it was to be a straight up rock album with the same kind of poetic value that the previous album had, only yelling it this time. So I guess the sound and energy I was pushing in Dea was a product of me somewhat challenging myself to embrace an essence of anger whilst I worked on something very peaceful.

How did you approach the song writing process and how did you come to work together?

Joe – I approached Hollie online with the instrumental version of the track and asked if she would like to contribute some kind of vocal layering to flesh out the groove. Once she had done that we decided it wasn’t finished and Hollie agreed to throw some words at it. She was given the album name “Queen of Smiles, Blues & the Devil” and came back with what is now “DEA”.

Hollie – I remember constantly sending you updated versions of little clips being like, “do you like this?” “what about THIS?” until I realised you just wanted me to do my thing haha.

Joe, how was the experience working with Hollie?

Joe – Working with Hollie was everything you’d hope for in a collaboration. It was a great mix of fun and serious as we dipped into each other’s worlds for a moment.

Hollie, how was the experience working with Joe?

Hollie – Same! Working with Joe was just so easy considering we didn’t really know each other before this. I agree, a healthy amount of being ridiculous and then working hard.

Where and when did you record/produce master and who with?

Joe – The Instruments were all recorded and mixed by myself at my home studio in Brunswick. All of Hollie’s parts were recorded and mixed by Hollie on top of the instrumental track. It was then mastered by Aidan Bateman.

How did you approach the recording process?

Joe – My zoom R24 is my writing tool. I’ll have a riff or a groove and just keep adding layers of instruments into the recording device, and that is the product you hear. That’s how Joe Terror music has always worked.

Hollie – I basically imported the track Joe sent me into logic and just wrote everything directly in producing and mixing as I went along.

Who are you listening to at the moment?

Joe – This week I have been listening to “Still Sad”, a playlist by Mikey Young & Anthology records, a follow up to the 2019 “Sad About The Times”. It’s brilliant. Also, Big Thief Live at Bunker Studio, Pig Lib by Stephen Malkmus and the Jicks, Hurtsville by Jack Ladder and a heap of Sarah Mary Chadwick.

Hollie – I’ve been getting stuck into the album “On” by Altin Gün, Pete Drake, but mostly the song “forever”, The Kevin Fingier Collective and Imarhan.

What do you like to do away from music?

Joe – I enjoy working in the country and being in the bush. I have also recently taken a liking to bartending. It can be a fun social environment and somewhat keeps me out of trouble.

Hollie – I’m usually chipping away at something, whether it’s in the garden, or writing something, painting, drawing, cooking etc. I also tend to plant my feet either in the dirt or by the water.

What’s planned for the remainder of 2021?

Joe – I’ll be trying to tackle as many Joe Terror shows as I can in the next couple of months along with another few singles from the album. For the majority of September, I will be back in the country looking after a bunch of goats and recording some new stuff. Most of October I’ll be touring the East Coast with The Stained Daisies. Then maybe in November I can finally have the full album out and see out the year with Joe Terror shows.

Favourite food and place to hang out?

Joe – Space food sticks. On the moon.

Hollie – Wait woah, I want to be on the moon too so naturally I’ll also need some space food sticks, if you have any.

Joe Terror IG HERE

​Hollie Joyce IG HERE

Spotify link HERE

June 16, 2021 0 comments
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FFLORA
Music InterviewsMusic News

FFLORA

by the partae June 10, 2021
written by the partae

Hey Felipe, thanks for taking the time to speak with us! How are you?

I’m fine, even with this pandemic I try to remain calm, positive and focus on my productions, it’s a pleasure to talk to you.

Where are you in the world right now?

I’m in Presidente Venceslau, the city where I was born in the countryside of São Paulo, Brazil

How has the last year been for you in lockdown? Have you been able to take any positives from it?

It’s been a time full of ups and downs, in many moments it’s very difficult because I’m not sure when or how the return will be, but whenever is possible I always try to keep positive thinking, and like it or not, I ended up having more time to spend with my family and myself, I have used this creative leisure to inspire me even more in the productions that are going full steam.

You’re one half of the acclaimed duo Dashdot. What was your journey like to become a successful producer and DJ?

It’s been an amazing journey, where I collect memories and beats from the most different places and tracks. I’ve made countless friends, met wonderful people and had the pleasure of producing some of the soundtracks that are part of many people’s lives.

What is your favorite memory as Dashdot?

It’s hard to choose a particular memory, but I’ve always enjoyed the international tours, we’ve had the chance to play around Europe, Asia, Australia, North and South America 

What made you want to start your solo project FFLORA?

I was at a time in my life looking for more independence and a slightly more specific sound line, I already had the idea of ​​creating a parallel project, and this whole pandemic ended up accelerating this idea.

What was the inspiration behind the new track on Ame Records?

There were some incredible inspirational vibes that kicked in from time to time during these lockdown moments, and Colors is definitely one of my favorite quarantine productions. I hope that I can sign other tracks on Ame, a brand that I identify a lot with.

How was it making with no chance to play it out or have any crowd interaction?

This is one of the biggest differences on my production process, I’d always tested my songs countless times before releasing the final version. However, I had to adapt and somehow teleport myself into the minds of different people in the crowd pretending to be listening to the track. 

What would be your dream first gig back?

To tell you the through, I just want to be able to play again. Of course there are some special places and festivals, Like Ame Club itself, Warung, Green Valley, Lollapalooza, Rock In Rio and etc… But what I really want at this moment is to be able to play, doesn’t matter where.

What’s the thing your most excited about when we can return to live shows?

I’m looking forward to testing my quarantine productions, there’s a lot of music that I really believe in!
I’ve probably made more that 50 tracks these last months. 

Have you discovered any records in lockdown that you’re dying to play out?

I don’t think there’s a specific track, but there’s a lot of good stuff that was produced in quarantine, whether from Brazil or abroad.

What else have you got coming up?

I have a lot of news ahead of me, from new releases and lives sets and the development of an own label.

https://www.beatport.com/release/colors-feat-dcw-extended/3396530

https://www.instagram.com/fflora_music

June 10, 2021 0 comments
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LUCY PARLE Wins Teen category award at International Songwriting Competition Signs recording deal with Double Drummer New single 'Back Up' out now!
Music InterviewsMusic News

Lucy Parle

by the partae June 10, 2021
written by the partae

Where are you currently based?

 

I’m currently based on the Central Coast NSW Australia.

 

How did you first start playing music?

 

I first started singing lessons when I was 8 years old and then I started learning the guitar and piano when I was around 10.

 

What’s been happening recently?

 

I have recently won the Teen Category in the International Songwriting Competition for 2020 for my latest single ‘Back Up’. It has been the coolest experience winning this category because it has really boosted my confidence as an artist.

 

You’ve just released your new single ‘Back Up’ via Double Drummer, what influenced the sound and songwriting?

 

When I wrote this song I was influenced by artists like Taylor Swift and Julia Michaels. But I also took in influences from the song ‘Every Rose Has It’s Thorn’ by Poison because I love that songs production and it’s songwriting style.

 

How did you go about writing Back Up?

 

I wrote Back Up pretty quickly because it is about a personal experience I went through so the song was always all about the lyrics so when I was writing it I really focused on what I wanted to say and interesting ways to communicate what I was going through. 

 

Where and when did you record/produce/maser and who with?

 

I recorded Back Up with the best producer in the world Michael Carpenter and I recorded it at Love Hz Studios.

 

How did you approach the recording process?

 

Michael and I always approach recording with a scale. On one end of the scale is organic/ country and on the other end is electronic/ pop. I always wanted this song to be a little rocky but still organic and so I gave him some reference tracks and we went from there.

 

You’ve recently won the ISC TEEN Competition, how has this experience been and how have things change since?

 

Winning the ISC really pushed us to release Back Up which has been the coolest experience. It has also given me so much added confidence as a songwriter and artist which I treasure because sometimes being an artist can get overwhelming.

 

How do you juggle music with school?

 

I don’t! Haha just kidding. I definitely put music first because it’s what I want to do with my life so I think I balance it by trying to schedule when I’m going to get school work done so I don’t fall behind and I work on music the rest of the time.

 

Who are you listening to at the moment and who influences your sound?

 

I am currently listening to Julia Michaels’ most recent album as well as Delta Goodrem’s new album. I also love Emily Weisband, Harry Styles and Taylor Swift. 

 

What do you like to do away from music?

 

Most people who know me will know that when I’m not working on music I’m with my fur babies. I love my cats and my puppy and spending time with them is one of my favourite things in the world.

 

Does songwriting come easy?

 

For me, music tends to come in ebbs and flows. I often write a bunch for songs in the space of 2 months and then after that I won’t be able to write anything I like for the next 2 months. The trick is to not put pressure on yourself because that causes blocks. I’ve learnt that I can’t force myself to write and that when I’m in the right head space I am able to write so many songs that I really like. 

 

Do you have to find a quiet space and make an appointment with yourself to write or does inspiration come any time /anywhere?

 

I will often get inspiration from something someone has said or in dreams and other experiences and I will just write the idea in my notes on my phone. But to actually write a song I definitely need a quiet space to go. For me, I write at my piano in my bedroom because that’s what inspires me.

 

What’s planned for the remainder of 2021?

 

For the rest of 2021 I plan on continuing to release singles in the lead up to my debut album!

 

Favourite food and place to hangout?

 

Mexican… love it! Also Grill’d. My favourite place to hangout would have to be either at home or somewhere I feel like I can be myself.

Follow Lucy Parle

https://www.facebook.com/lucyparlemusic

June 10, 2021 0 comments
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Dive Index
Music InterviewsMusic News

Dive Index

by the partae June 3, 2021
written by the partae
Refolded: Waving At Airplanes Remixes is the sixth full-length album from electronic composer/producer Will Thomas’ collaborative Dive Index project. The original LP was received with critical acclaim last Spring; it’s now been revisited by Will over lockdown, delivering an altogether darker, more atmospheric sound. 
 
Out now on Neutral Music with remixes from Mercury Prize-winning producer Mike Lindsay and Plumbline, and fresh reworks of the originals, this is a brilliant, thought-provoking LP that makes for addictive listening.

Where are you currently based? 

Hey there, I’ve been back and forth between New York City and Los Angeles for many years and have finally settled permanently on the west coast. Due to some unforeseen circumstances during the pandemic, I moved my studio to Ojai – about 90 minutes north of LA.  It’s a beautiful area. Very peaceful.

How does the sound of your new album Refolded – Waving at Airplanes Remixes differ from the original Waving At Airplanes album?

For the original album, I set up parameters to use specific sound sources which were a modular synth, piano and some acoustic guitar.  I wanted the tracks to have a continuous, sonic thread beyond the vocals of Natalie Walker and Merz. For the new remixes, we had the freedom to experiment with different musical styles so, while the originals are somewhat subdued, the remixes are more immediate, beat-heavy, and venture into some darker territory. 

What initially inspired you to remix the album?

The pandemic put a halt on in-person collaborations so I thought a great project would be to revisit the songs from Waving At Airplanes and come up with some new interpretations. Normally, I would farm out the remixes to other producers, but I was playing around with the vocal tracks and was really keen on doing some myself.  I asked Mike Lindsay if he wanted to remix one of the songs and he was up for it so I was thrilled to have him involved. 

How did the collaboration between Natalie Walker and Merz come about, and how do the two feature on the album?

I worked with both Natalie and Merz way back on the Dive Index album, Mid/Air which was a wonderful collaboration.  They both are phenomenal talents and I was so honored to work with them again on Waving At Airplanes.  I sent them both a handful of demos and they picked multiple songs so the album ended up being just the two of them. We alternated the track order – Natalie, then Merz and so on – which created a nice dialog between their voices.  As far as the remix album, it really came down to which vocals were ‘remix-able’, if that makes sense. And some worked better than others so the selections came together organically. 

Can you tell us a bit about the original production of the EP? 

Since I used mostly modular synth, piano and acoustic guitar on the original versions, I made a conscious decision not to use those instruments at all for the remixes. This was to make sure there was a clear distinction of sound sources used for each version.  When I was packing up my studio to move, I rediscovered a few pieces of gear that I haven’t used in quite a while. Mostly analog synths from the 80s like a Roland JX3P and an Oberheim Xpander.  It was great to get reacquainted with these old friends. 

What’s the creative process like behind a Dive Index release, and how does this differ from your other projects such as Plumbline?

Plumbline is primarily an instrumental project and Dive Index is vocal oriented with somewhat traditional song structures so that’s the main difference between the two. Working on Plumbline material is more of a solo affair, except when working with Roger Eno. And since I know the Dive Index songs will ultimately have a vocal track, I have to approach those songs with that in mind and leave room for the voice within the sonic space. 

What are your favourite tracks from the new album, and why?

Oh geez, that’s like asking a parent which kid they like best.  I know this isn’t fair, but I truly like each one for different reasons. And the ones that I felt weren’t working, didn’t make the cut.  Now that said, Mike Lindsay’s remix of ‘She’s Exploding’ is certainly a stand out for me simply because Mike took it to a place that I wouldn’t normally go. And it’s wonderful to get lost in all of his sounds. 

What does the rest of 2021 hold for Dive Index?

I hope we can do some shows in the fall. Nothing is booked at the moment but thankfully things are opening up so live music is alive and well.  Finally!  

Buy Now here On Bandcamp

https://www.facebook.com/diveindex/

https://www.instagram.com/diveindex/

https://twitter.com/diveindex

 

June 3, 2021 0 comments
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Music InterviewsMusic News

Harkness Releases ‘The Occasion’

by the partae June 2, 2021
written by the partae

Today, Harkness will release “The Occasion” – a completely enigmatic tune that showcases the talents of what some people call the art-rock Daft Punk of Canada!

“Listening to Harkness I was completely blown away by his grasp of vocal harmony and arranging. His song writing and unique production is some of the best I’ve heard in years.”  – Roger Manning (Beck/Jellyfish/TLQ)

Using a pallet of instruments as diverse as tuba and steel drums, all radiating over upbeat grooves – his sound utilizes colorful cascading vocal harmonies, electric guitars and incredible arrangements.  Musically speaking he sings, plays guitar, bass, piano and drums and also produces everything himself. He counts Prince and Todd Rundgren, both of whom also worked this way, as major inspirations. Listening to Harkness though, it is more likely that Soft Bulletin era Flaming Lips, Tame Impala and Jellyfish will come to mind.

LISTEN/PLAY

harknessmusic.com
instagram.com/harknessmfa
June 2, 2021 0 comments
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McDermott & North
Music InterviewsMusic News

McDermott & North

by the partae June 2, 2021
written by the partae

Georgia’ for those who might be coming to the band for the first time – how do you think this song represents the central core of the McDermott & North sound?

I would say that the sound of ‘Georgia’ is more of a change of pace with our sound. It’s a song you could slow dance to. It’s intimate, slow and romantic.

Can you tell us a bit about how the genesis of the song has matched the final result?

When we first wrote the song it was much slower and on an acoustic guitar. It has definitely changed a lot since the original version, hopefully for the best.

What significance does this song in particular hold for you as a songwriter now?

This song is significant because it was the beginning of a run of Bluesy-sounding songs. After writing Georgia, we went on to write a bunch of songs with the same Blues rhythm and feel.

As an indicator of what we’re still to hear from McDermott & North – what makes ‘Georgia’ such strong single to lead into this new chapter with?

It’s a strong single for the new chapter because it’s a taste of something different. We’re trying to keep our sound as diverse as possible through different types of songs.

What was 2020 like for the two of you creatively? How did you find navigating that last year as a duo?

We spent a lot of time in our van busking around Australia, going to small country towns, so we were fortunate to spend a lot of time playing in front of people even if that was just busking. We also spent a lot of time writing while in lockdown, which is always nice.

Had you been listening to any particular artist / band who has influenced you throughout the last year?

Not too many new artists to be honest, besides Phoebe Bridgers. We have been listening to a lot of her stuff. Her lyrics are pretty potent while also being tongue in cheek, it’s a pretty effective mix I feel. We constantly find ourselves drawing from the 60/70s and still finding some brilliant bands we haven’t heard before. 

What do you think you learned about yourself as a songwriter and about one another as a group?

The importance of perseverance as an artist! It has been inspiring to watch the industry quickly adapt to the unprecedented state of the world during the pandemic, as well as the rebirth of the local music scene and gigs.

What’s exciting you about new music moving forward into 2021?

I think what we’re most excited about is getting out there and playing some live gigs around the country, playing our music to new audiences. As for new music, we have a few tunes up our sleeves, and we’re going into the studio with some exciting people too! We’re truly excited to share it all with you when it’s done, we think it’s going to be a great year. 

Website | Facebook| Twitter | Instagram | YouTube | Triple J Unearthed

June 2, 2021 0 comments
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PERRY P
Music InterviewsMusic News

PERRY P

by the partae June 2, 2021
written by the partae

When and how did you first get into making music? 

I first got into rapping at 7 years old, my sister was the one who convinced me to do it. Music had been around my family since I can remember so when it came to making it, it was second nature, it helped that I used to mimic all the rappers I saw on tv, that’s where I got my style and swag from and copied everything they did. Otherwise when it came to writing and recording my sister played a big part in that. 

How would you describe your music style to someone who doesn’t know You? 

I would say my style is very melodic and energetic with most songs, I use auto tune in ways to captivate and maintain a particular mood whether it’s dark or uptempo. A lot of the tracks I’ve been recording today just seem to be very catchy and easy to remember, something that goes a long way especially when made simple. In other ways my sound is very out there, I like to experiment with everything. 

The best way I can describe it is, imagine yourself in a space shuttle swerving through meteors at light speed, but everything you hear sounds like an echo and far away, even if it’s right next to your ear. At the same time your booster is powered by a 24 inch chrome spinner with a sub attached to it powered by koolaid, that’s me, that’s Perry P. 

Your new single ‘On The Low’ comes out on the 4th of June, what does the song mean to you? 

To me it’s a realisation that the life I wanna live is only a step away, that all the work being put in will soon pay off in the biggest ways. Throughout a lot of my songs, this track in particular I manifest and speak all of the things I want to happen in life into existence. 

The title ‘On The Low’ represents the quiet grind I’ve been on to make things happen, me having my head down trying to piece things together, and that I won’t allow any outside thoughts and opinions to enter my inner matrix on my way up. 

Another good example of this is the cover art, a young me with a crown on my head, meaning whatever successes happen, it was meant to. Shoutout to Ish for coming through with the sketch. . 

What’s the first song you remember liking? 

The first song I remember liking is Black and Yellow by Wiz Khalifa. There are plenty that I liked before that but this particular track hit me in a different way. I was around 7 or 8 when I first came across it, to this day it remains my favourite song of all time. 

Who are your biggest influences? 

I could go on and on if I was to really name all of my musical influences but growing up I was listening to every genre there was, not just hip hop, but in this case the ones that

influence my music the most today are, Kendrick, Schoolboy Q, Travis Scott and drake. They all influence me in a different way, whether it be on delivery, style or flow. 

I’m one of those people that really listen to music, not just listen, if you know what I mean. I guess it’s just the musical ear I’ve been given, being able to pay attention to the small and minor details and learn how to take and then turn them into my own thing. I really study the ones that come before me, it’s helped me evolve into the artist I am today, so I’ll always be learning, from Adele to Jay Z, my thoughts will always be focused on how the great ones did it and how I can apply that to myself and be better. 

Who is Perry P outside of the music game? 

Perry is a pretty quiet and private guy to say the least, just a hardworking lowkey individual. That changes when I’m around my friends though, I turn into a demon at times, especially if there’s loud music playing, crazy energy that can’t be tamed, it’s just my thing. But I’m your average joe, get along with everyone and just like to have a good time. One thing I pride myself on is bringing up the mood of the people around me, no matter the time or place. So if you ever find yourself in the same vicinity as me, gear up for action. 

What’s your outlook on Australia’s music scene at the moment? 

For a while now I’ve felt that the scene in Australia is gonna be crazy once it pops off, in my mind all it’s gonna take is for one person to really take off and that’s gonna open doors for so many others, especially within Perth. Right now we are doing our thing but it’s not yet at that stage where we’ve got the world’s attention on us, that’s what we’re striving for. Collectively we are destined to do amazing things and individually there are key names to look out for. 

Personally within my city, besides myself I feel like those guys are Young Pascal, Yourboymars, Trapboii and Nabiiou$, just to name a few, guys I see really pushing the bar, these are my peers so when I see them doing well it only motivates me. Give it a few years and Australia is gonna be a hotspot, I truly believe that! 

Who do you want to work with in the future? 

There are plenty of people I want to work with in future but to be honest I’m more excited to work with the same guys I’ve been working with currently, five years from now and onwards. Coming up with the same people you started with is a different feeling when you’re all together at the top, something I can’t wait for. 

Any shoutouts…. 

Shoutout to my mum for keeping my head straight and my siblings for playing MTV everyday when I was a kid, I took notes, now it’s about to take us a long way. 

Instagram: http://instagram.com/perrypleasurre/ 

‘ON THE LOW’ by Perry P will be out on all streaming platforms on 4th June, 2021.

June 2, 2021 0 comments
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Corduroy Spaceship reveals striking sophomore EP, Life In Hollywood
Music InterviewsMusic News

CORDUROY SPACESHIP

by the partae May 31, 2021
written by the partae

What significance does this record have to you now, that it’s out there and you can look back on it as a completed record?

The record loses significance in some way to me after it’s been released. When I’m writing and recording it seems like this mammoth task and I imagine once I finish it I will feel really accomplished. But it kinda turns out the other way. I won’t listen to the record for maybe 2-4 weeks after it’s been released, then I’ll hit it up and kinda feel like ah well that’s kinda cool I guess?? What do I do now..? What’s next? It’s a weird rollercoaster of emotions.

How long did the recording of this EP take and if there was, what was something you learned about yourself as an artist during that process?

Roughly 18 months I think. There was a lot of delay due to lockdown here in Melbourne. Every time I’m involved in some kind of recording or record or whatever I seem to learn to be less and less hard on myself. I’m learning to take my foot off the gas when an obstacle comes my way. Instead of doubling down and hoping for the best. 

Is there any one song that stands out to you as a favourite (and why)?

Life In Hollywood is definitely the track I want people to hear. It’s something new for me with the guitar taking the backseat and letting the vocals and synth drive. It’s new territory for me and I want people to notice that more than anything else. 

Was there a moment when making this EP where you thought, ‘This is turning into something that I wasn’t expecting’ – did the initial vision you had for it change in the final product?

As soon as I started recording Life In Hollywood I was like, ‘Holy shit I haven’t been here before.’ I was trying to work out what the guitar was supposed to do, but it became obvious early on that it wasn’t needed. Homage Part 1 & 2 were going to be one bigger song but at some point got split up and book ending the EP. 

Was much of the material written pre-lockdown or during?

About 50/50. I wrote the bassline for She Wants You about 4 years ago. Life In Hollywood came in the depths of lockdown.  

Thinking about the music you’re wanting to make in the future, how does this EP capture this energy?

I’m excited about playing more synth and keys for sure, to broaden my knowledge a bit. This EP in particular I have really grown to love writing and playing bass, so I think these instruments that usually take a back seat role will come to the forefront in future recordings. 

Being in Melbourne, how much of an escape has music been for you over the last 12 months?

It’s been an escape and a prison. I had more time than ever to sit down and write and record, but it was almost the only thing I did during lockdown. Writing and recording is usually my happy place but during lockdown I didn’t really have any other place to escape to. Music felt like a chore at times.

 

The Life In Hollywood EP is out now.

 

PLAY/LISTEN

Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

May 31, 2021 0 comments
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Where are you currently based? I'm currently based on the Northern Beaches of Sydney. I'm in the city a lot too for uni and gigs so it's a lot of back and forth between where I live and Sydney city.  How did you first start playing music? I come from a very musical household so music was always around as I was growing up. My Dad is a music teacher and my Mum is a music therapist so it was kind of inevitable that I would end up in music as well! The first instrument I had proper lessons on was the violin. I played violin for about 6 or 7 years and I owe so much of who I am as a musician to those really formative years of playing violin. My teacher taught me how to listen and how to feel music and gave me all the foundations I needed to continue music through songwriting and other instruments. I picked up some other instruments through primary school and highschool like I played the flute for a while and had keyboard and singing lessons. One day I picked up my Dad's bass guitar and pretty much instantly fell in love with it and have been playing bass ever since. Guitar is probably my main songwriting instrument, I wouldn't say I'm Jimmi Hendrix or anything but I do have my favourite chord shapes and can hold a rhythm.  What's been happening recently and how has your Covid experience been? Recently lifes been pretty hectic with studying and teaching and gigging and writing. I keep pretty busy but I'm really grateful that all the things I'm busy with are things that I enjoy. Covid last year definitely had me in a bit of a musical slump. I was feeling a lot of pressure from social media and other people in the industry to use lockdown and isolation as a time to create and pump out content and I think all of that pressure ultimately turned me away from music for a bit. I also felt like I needed to give myself permission to not have to be productive for once and just get through the lockdowns as best as I could. I feel refreshed and re-inspired this year as things are gradually getting back to normal and I'm excited to keep collaborating, gigging, writing and learning as much as I can about music.  Your new single 'Good Mood' is out now, what influenced the sound and songwriting? For this release I really wanted to share another side of my music with people. My last EP which was recorded in Nashville before Covid was very acoustic, down tempo sort of stuff which is definitely a big part of my songwriting catalogue, but for this track I wanted to share the more funky, upbeat side of myself as an artist. I was influenced by a lot of R&B artists for this track like Erykah Badu, ELIZA, H.E.R, Cleo Sol and Ravyn Lenae. In terms of the songwriting, a big part of writing this track was about letting go of having to have these really profound and metaphorical and I guess complex lyrics and instead just marinating on the simple idea of being in a good mood. At first I wasn't sure about how repetitive the chorus is as I've never written a chorus with so few words before, but I gradually started to appreciate the simplicity of it and how it gave more space for the instrumentation to really drive the vibe of the track.   How did you go about writing Good Mood? Like almost all of my songs, Good Mood started out with just me and my guitar. The chords were the first thing that I got excited about and then pretty quickly I'd written the chorus and the melody for the verse. I actually didn't think about the song too seriously or as my next release until I was on a family holiday and was going through all my voice memos and I got really excited when I was listening to Good Mood and pretty much decided then and there that it would be my next single. I wrote the rest of the lyrics for the verse and the bridge as soon as I got home and then I actually stumbled on the key change by accident and decided to stick with it!   What does Good Mood mean to you? Good Mood is all about celebrating those moments where you forget your troubles, you forget why you were crying in the first place and you actually just enjoy the moment and enjoy your life. It's definitely not a song to say that you have to be in a good mood all of the time because firstly that's just not realistic and secondly there isn't really a good mood without a bad mood. It's more about embracing the ups and downs and actually treausing those good moods to help you get through the bad ones. The song definitely helps me to remind myself that I do have good days, days so good that I write a song about it! It really helps me to stay optimistic and hopeful that the good days will always be around the corner.  Where and when did you record/produce/master and who with? The bulk of Good Mood was made in my humble bedroom studio. I also worked with Mel Ertler on keys and Ryan Park on lead guitar at the studios at the Con. We had a couple of sessions where we recorded lots of ideas and collaborated on some different parts to develop the track a bit more. I started recording and producing it around September of last year and wanted to release it in November or December but then life happened and the Northern Beaches went into lockdown and the track lost a lot of momentum. Thankfully my friend Chelsea Warner helped me revive it by producing some drum tracks for it which really brought it to life. She is an absolute legend, I can not recommend her enough for any production needs. My Dad also came into the Con studios one day and was my engineer for recording the lead vocals which was also helpful for reigniting my motivation for releasing the song. My partner Max mixed the track from his home studio. It was so great to work with him because I could be as fussy as I wanted! And he is also very talented at mixing so it was a pleasure. The final step was sending the track off to Studios 301 to be mastered and Harvey O'Sullivan did a really great job of it.  How did you approach the recording process? The recording process for this track was very different to the recording process of my last EP. Hypothesis for Happiness was all recorded in one day at a studio in Nashville with session musicians. That process was great and such an awesome learning experience but for this release I wanted to try the process of recording and producing over time and in different environments. It was great in terms of having lots of creative space to experiment and listen and re-experiment. It was also great for collaborating with different people in different spaces. I will say though, self producing a project without any concrete deadlines is really hard for keeping up motivation and momentum for the project, but we got there in the end!  What programs/equipment did you use? Logic Pro X is my musical home. I've tried many times swapping over to Ableton or Pro Tools but every time without fail I end up back on Logic! I think because I grew up playing Garage Band on the iPad every day as a kid, Logic feels really familiar and kind of connects me to my own artistic development over the course of my life. I played my Mini Maton and my red Fender Squire guitars on the track as well as my Lakland Skyline bass. Mel and I used Komplete Kontrol sounds by Native Instruments on the midi keys and Ryan used Guitar Rig by Native Instruments for his guitar tracks.  Please tell us about you experience with studying music: I'm studying Contemporary Music Practice at the Conservatorium of Music in Sydney. There are some huge pros to studying music, meeting like minded people is definitely the main thing that I have enjoyed. Not only do those people become friends but they become collaborators and colleagues. Another pro is having structure and deadlines. I think there's a lot of music that I've made for uni over the past three years that wouldn't have been made otherwise. The structure and deadlines really help to get songs finished. Studying music isn't always easy though. Just like with every degree, there are going to be subjects that you just have to get through or subjects that are vastly different from how you expected them to be. Another challenge is the constant question of what does this get me? People always ask me what job will this degree get me and it's a really difficult one to answer. I guess we all chose to study music because we love it, not because we want a regular, well-paying job. If you want a regular well-paying job, music probably isn't the most direct path to that. So I guess my answer to that question of what does this get me is hopefully a life full of music and various opportunities opening up, and uni is just a launchpad to get us started.  What new music/projects do you have on the way? I'm working on a concept EP at the moment. I won't give away too much but it explores a lot of themes about living with creativity and how to live a satisfied life as a creative person. I'm also starting to recruit some female musicians to form a bit of a girl band to play some of my original music. Gender equality in the music industry is something that I care deeply about and I always want to be a driving positive force for women to have the same opportunities and experiences available to them as our male counterparts.  Who are you listening to at the moment? I've been listening to a fair bit of Jazz lately as I'm taking a Jazz vocal course at uni. Ella Fitzgerald is my absolute favourite Jazz singer, I have a poster of her and Louis Armstrong on my bedroom wall. In terms of other more modern artists, Eryn Allen Kane is an absolute queen. So is Charlotte Day Wilson, she has such a unique, buttery voice. I'm also very hyped for the new Hiatus Kaiyote album to come out. I've been a huge fan of theirs for many years and I love the tracks they've released already so I'm very excited! On a more mainstream note, I am a little bit obsessed with Silk Sonic (Anderson Paak and Bruno Mars). I just love how they're bringing motown back into the mainstream and exposing a lot of pop music listeners to a new genre.  What do you like to do away from music? I love travelling, not that there's much of that going on at the moment but even just exploring more of the state is something I love to do on uni breaks. I'm really into kickboxing at the moment too. It's a good outlet for any anger or frustrations I have that I can let out on the punching bag so that I can be a polite and nice person for the rest of the day! I am a little bit of a gamer girl too, I love my nintendo switch and my computer games.  What's planned for the remainder of 2021? I've learnt over Covid that the near future is so out of my control. These random Covid breakouts and on again - off again lockdowns make it really hard to plan for the rest of the year which has actually been good practice for me to stay in the moment more and accept that I can't control what the rest of the year looks like. That being said, I would like to release another EP by the end of the year and hopefully develop a new live set up so I can start doing my own original gigs at local venues on the Beaches.  Favourite food and place to hangout? There's a place in Redfern near the University of Sydney where me and some friends always go after our Jazz vocal workshops called Terra Cotta Roasters and they have this burger that has all of my favourite foods on it. Haloumi, hash browns, avocado, fried eggs and tomato relish. That with an oat milk latte is pretty much the ultimate dining experience for me. I also have a huge sweet tooth like I could eat sour patch kids every night if that was healthy!  Stream "Good Mood" here: https://linktr.ee/abbyfullermusic  https://abbyfullermusic.com https://www.youtube.com/channel/UCcqm2v6RZxeP1dlQmQ6Brzg  Instagram: @abbyfulllermusic Facebook: Abby Fuller MUSIC  SoundCloud: Abby Fuller MUSIC
Music InterviewsMusic News

Abby Fuller

by the partae May 31, 2021
written by the partae
Where are you currently based?
 
I’m currently based on the Northern Beaches of Sydney. I’m in the city a lot too for uni and gigs so it’s a lot of back and forth between where I live and Sydney city.
 
How did you first start playing music?
 
I come from a very musical household so music was always around as I was growing up. My Dad is a music teacher and my Mum is a music therapist so it was kind of inevitable that I would end up in music as well! The first instrument I had proper lessons on was the violin. I played violin for about 6 or 7 years and I owe so much of who I am as a musician to those really formative years of playing violin. My teacher taught me how to listen and how to feel music and gave me all the foundations I needed to continue music through songwriting and other instruments. I picked up some other instruments through primary school and highschool like I played the flute for a while and had keyboard and singing lessons. One day I picked up my Dad’s bass guitar and pretty much instantly fell in love with it and have been playing bass ever since. Guitar is probably my main songwriting instrument, I wouldn’t say I’m Jimmi Hendrix or anything but I do have my favourite chord shapes and can hold a rhythm.
 
What’s been happening recently and how has your Covid experience been?
 
Recently lifes been pretty hectic with studying and teaching and gigging and writing. I keep pretty busy but I’m really grateful that all the things I’m busy with are things that I enjoy. Covid last year definitely had me in a bit of a musical slump. I was feeling a lot of pressure from social media and other people in the industry to use lockdown and isolation as a time to create and pump out content and I think all of that pressure ultimately turned me away from music for a bit. I also felt like I needed to give myself permission to not have to be productive for once and just get through the lockdowns as best as I could. I feel refreshed and re-inspired this year as things are gradually getting back to normal and I’m excited to keep collaborating, gigging, writing and learning as much as I can about music.
 
Your new single ‘Good Mood’ is out now, what influenced the sound and songwriting?
 
For this release I really wanted to share another side of my music with people. My last EP which was recorded in Nashville before Covid was very acoustic, down tempo sort of stuff which is definitely a big part of my songwriting catalogue, but for this track I wanted to share the more funky, upbeat side of myself as an artist. I was influenced by a lot of R&B artists for this track like Erykah Badu, ELIZA, H.E.R, Cleo Sol and Ravyn Lenae. In terms of the songwriting, a big part of writing this track was about letting go of having to have these really profound and metaphorical and I guess complex lyrics and instead just marinating on the simple idea of being in a good mood. At first I wasn’t sure about how repetitive the chorus is as I’ve never written a chorus with so few words before, but I gradually started to appreciate the simplicity of it and how it gave more space for the instrumentation to really drive the vibe of the track.
 
How did you go about writing Good Mood?
 
Like almost all of my songs, Good Mood started out with just me and my guitar. The chords were the first thing that I got excited about and then pretty quickly I’d written the chorus and the melody for the verse. I actually didn’t think about the song too seriously or as my next release until I was on a family holiday and was going through all my voice memos and I got really excited when I was listening to Good Mood and pretty much decided then and there that it would be my next single. I wrote the rest of the lyrics for the verse and the bridge as soon as I got home and then I actually stumbled on the key change by accident and decided to stick with it!
 
What does Good Mood mean to you?
 
Good Mood is all about celebrating those moments where you forget your troubles, you forget why you were crying in the first place and you actually just enjoy the moment and enjoy your life. It’s definitely not a song to say that you have to be in a good mood all of the time because firstly that’s just not realistic and secondly there isn’t really a good mood without a bad mood. It’s more about embracing the ups and downs and actually treausing those good moods to help you get through the bad ones. The song definitely helps me to remind myself that I do have good days, days so good that I write a song about it! It really helps me to stay optimistic and hopeful that the good days will always be around the corner.
 
Where and when did you record/produce/master and who with?
 
The bulk of Good Mood was made in my humble bedroom studio. I also worked with Mel Ertler on keys and Ryan Park on lead guitar at the studios at the Con. We had a couple of sessions where we recorded lots of ideas and collaborated on some different parts to develop the track a bit more. I started recording and producing it around September of last year and wanted to release it in November or December but then life happened and the Northern Beaches went into lockdown and the track lost a lot of momentum. Thankfully my friend Chelsea Warner helped me revive it by producing some drum tracks for it which really brought it to life. She is an absolute legend, I can not recommend her enough for any production needs. My Dad also came into the Con studios one day and was my engineer for recording the lead vocals which was also helpful for reigniting my motivation for releasing the song. My partner Max mixed the track from his home studio. It was so great to work with him because I could be as fussy as I wanted! And he is also very talented at mixing so it was a pleasure. The final step was sending the track off to Studios 301 to be mastered and Harvey O’Sullivan did a really great job of it.
 
How did you approach the recording process?
 
The recording process for this track was very different to the recording process of my last EP. Hypothesis for Happiness was all recorded in one day at a studio in Nashville with session musicians. That process was great and such an awesome learning experience but for this release I wanted to try the process of recording and producing over time and in different environments. It was great in terms of having lots of creative space to experiment and listen and re-experiment. It was also great for collaborating with different people in different spaces. I will say though, self producing a project without any concrete deadlines is really hard for keeping up motivation and momentum for the project, but we got there in the end!
 
What programs/equipment did you use?
 
Logic Pro X is my musical home. I’ve tried many times swapping over to Ableton or Pro Tools but every time without fail I end up back on Logic! I think because I grew up playing Garage Band on the iPad every day as a kid, Logic feels really familiar and kind of connects me to my own artistic development over the course of my life. I played my Mini Maton and my red Fender Squire guitars on the track as well as my Lakland Skyline bass. Mel and I used Komplete Kontrol sounds by Native Instruments on the midi keys and Ryan used Guitar Rig by Native Instruments for his guitar tracks.
 
Please tell us about you experience with studying music:
 
I’m studying Contemporary Music Practice at the Conservatorium of Music in Sydney. There are some huge pros to studying music, meeting like minded people is definitely the main thing that I have enjoyed. Not only do those people become friends but they become collaborators and colleagues. Another pro is having structure and deadlines. I think there’s a lot of music that I’ve made for uni over the past three years that wouldn’t have been made otherwise. The structure and deadlines really help to get songs finished. Studying music isn’t always easy though. Just like with every degree, there are going to be subjects that you just have to get through or subjects that are vastly different from how you expected them to be. Another challenge is the constant question of what does this get me? People always ask me what job will this degree get me and it’s a really difficult one to answer. I guess we all chose to study music because we love it, not because we want a regular, well-paying job. If you want a regular well-paying job, music probably isn’t the most direct path to that. So I guess my answer to that question of what does this get me is hopefully a life full of music and various opportunities opening up, and uni is just a launchpad to get us started.
 
What new music/projects do you have on the way?
 
I’m working on a concept EP at the moment. I won’t give away too much but it explores a lot of themes about living with creativity and how to live a satisfied life as a creative person. I’m also starting to recruit some female musicians to form a bit of a girl band to play some of my original music. Gender equality in the music industry is something that I care deeply about and I always want to be a driving positive force for women to have the same opportunities and experiences available to them as our male counterparts.
 
Who are you listening to at the moment?
 
I’ve been listening to a fair bit of Jazz lately as I’m taking a Jazz vocal course at uni. Ella Fitzgerald is my absolute favourite Jazz singer, I have a poster of her and Louis Armstrong on my bedroom wall. In terms of other more modern artists, Eryn Allen Kane is an absolute queen. So is Charlotte Day Wilson, she has such a unique, buttery voice. I’m also very hyped for the new Hiatus Kaiyote album to come out. I’ve been a huge fan of theirs for many years and I love the tracks they’ve released already so I’m very excited! On a more mainstream note, I am a little bit obsessed with Silk Sonic (Anderson Paak and Bruno Mars). I just love how they’re bringing motown back into the mainstream and exposing a lot of pop music listeners to a new genre.
 
What do you like to do away from music?
 
I love travelling, not that there’s much of that going on at the moment but even just exploring more of the state is something I love to do on uni breaks. I’m really into kickboxing at the moment too. It’s a good outlet for any anger or frustrations I have that I can let out on the punching bag so that I can be a polite and nice person for the rest of the day! I am a little bit of a gamer girl too, I love my nintendo switch and my computer games.
 
What’s planned for the remainder of 2021?
 
I’ve learnt over Covid that the near future is so out of my control. These random Covid breakouts and on again – off again lockdowns make it really hard to plan for the rest of the year which has actually been good practice for me to stay in the moment more and accept that I can’t control what the rest of the year looks like. That being said, I would like to release another EP by the end of the year and hopefully develop a new live set up so I can start doing my own original gigs at local venues on the Beaches.
 
Favourite food and place to hangout?
There’s a place in Redfern near the University of Sydney where me and some friends always go after our Jazz vocal workshops called Terra Cotta Roasters and they have this burger that has all of my favourite foods on it. Haloumi, hash browns, avocado, fried eggs and tomato relish. That with an oat milk latte is pretty much the ultimate dining experience for me. I also have a huge sweet tooth like I could eat sour patch kids every night if that was healthy!

Stream “Good Mood” here: https://linktr.ee/abbyfullermusic 
https://abbyfullermusic.com
https://www.youtube.com/channel/UCcqm2v6RZxeP1dlQmQ6Brzg 
Instagram: @abbyfulllermusic
Facebook: Abby Fuller MUSIC
SoundCloud: Abby Fuller MUSIC
May 31, 2021 0 comments
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