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Music Interviews

Music InterviewsMusic News

Jay Wood Interview

by the partae July 31, 2023
written by the partae

Where are you currently based?

Margaret River, WA.

What’s been happening recently?

In amongst my daily ritual surf check and hanging with my dog on the property, I have just released my first single ‘oh well’ and have been riding the wave of releasing new music!

How did you first start playing music?

I did guitar lessons when I was 12 for about two weeks before I got bored and quit (as kids do haha) Later I made friends with a girl when I was 16 who sung and played music, and I thought “I reckon I could do that” so I began to teach myself to play. My dad, (who also plays guitar) noticed I was trying to learn again and so he surprised me by swapping an old surfboard for a Cole Clark Fat Lady (complete with tales of touring Europe and a crack in the neck!), which he gifted me! LEGEND!

You’ve had a very traumatic and testing childhood due to a very severe car accident where you actually died and were revived, how has this affected your life and music?

My childhood was actually brilliant!

The car accident you refer to happened when I was 24 and on my way to dinner with friends. A drunk driver hit our vehicle and luckily a nurse was on her way home from shift and she was able to help before paramedics arrived. This incident profoundly affected my life as I was left disabled, with what’s called a Catastrophic Traumatic Brain Injury. Amongst many other faculties, I lost all ability to play music or remember my own songs. As you can imagine this was a devastating thing to realise.

It took you years to re-learn how to walk, how to function on a daily basis and how to play music again, for which doctors told her she would never be able to do, how did you defy the odds?

Learning to walk was done in the first few months in hospital but learning the rest of adult brain function is a different story! Doctors told me that I was “totally and permanently incapacitated”, meaning I would never work again in any capacity. This really didn’t sit well with me, so I decided I would prove everyone who either left me or told me I couldn’t, wrong. It was as simple and as complicated as making a choice. From there I began the painstaking journey of re-training and re-connecting my neural pathways in my brain at the Institute of Functional Neuroscience. This process took roughly 3 years, but the process to release music took about 5years. Turns out music is an incredibly healing thing and is fantastic for our brains.

Please tell us about what or who influences your music?

I write music purely from a place of creativity inspired by the throws of love and life itself. In my opinion love and life are synonymous.

What or who motivates you to release music?

I think the inner drive to overcome the difficult cards my life dealt me and to prove those who deserted, doubted and told me I’d not amount to anything, wrong! is the main motivator for me. However, and more importantly to that, I want to show people that they can overcome anything and create the life they want to live. No matter what, you have the privilege of choice. I grew up with a saying on the bathroom wall of my childhood home that said – “What happens to you does not matter. What you BECOME through those experiences is all that is significant. This is the true MEANING of life.” Unknown.

Life really helped me understand this saying in more ways than one!

Your latest single ‘Initial Pulse’ is a celebration of life and is your second single release from her upcoming 1st September EP, what does this single mean to you?

This song means a lot to me as it was the first song, I managed to write post-accident. It was a joint celebration of new-found love/connection, as well as the new ability to play music again.

What or who influenced the sound and song writing for this track?

I wrote this song when I experienced love for the first-time post-accident. It was written at a time that being able to create music was new again, as if a new chapter of my story had begun.

In terms of the sound, I didn’t want it to be too light considering the gravity of being able to write music again with this song. I felt in order for it to be authentic to me and my style of song writing, It needed to have depth and substance without creating a “heaviness” when listening to it.

The song ended up using the theme of new love, those first heartbeats for someone, as a metaphor for life in general. A fresh start and new beginning to life.

Where and when did you record and who did you work with?

I recorded this song at Norman Solander Studios in Perth, WA. My producer Darryn Ball was extremely patient working alongside me, within my capabilities and health setbacks.

The session artists who are in the song were each fabulous and included: Clancy Lethbridge (Bass), Jack Hill (Drums), Miranda Murray-Yong (Cello), Dennes Arto-Cruise (Lead Guitar), Alexis Naylor (Piano), Grace Newton-Wordsworth (BVs).

Please tell us about the 5 years that it took you to get to the point of re-learning music enough and building your function to create this EP:

I don’t think there’s enough time or space for me to answer this question adequately! Haha The process was incredibly arduous and extensive, not to mention time consuming. I will try to give you a brief run down.

I guess I should start from the beginning of my life post-accident. Though I have no recollection of the time period in hospital, my father who is an avid guitar player brought his Stratocaster (sans amplifier of course) in to my hospital room and played to me whilst I was in a coma.

Eventually when I had learned to walk, talk and have the ability to remember my own name again, I was sent home with my parents to begin my life from scratch. I had been labelled as “totally and permanently incapacitated” by doctors, meaning I would no longer be able to work in any capacity. I was 24 years old.

On top of this; my long-term partner left me, my career as a Primary school teacher had ended and I was back living in a country town with my parents acting as my only support. It felt as though I had been left with nothing. So, one day I decided I would grab my guitar and enjoy my hobby of playing music (of which I had only ever played in private to myself).

 I picked up my guitar, positioned myself to play and…… nothing. I stared at my instrument and my mind went into deep confusion turned devastation at the realisation I could no longer play music or remember my own songs. As you can imagine, amongst everything else my injury had taken away, this was one part of me that I couldn’t bare the thought of losing. With me in tears, my father took me aside and told me “it is in there Jay, we just have to find it again” and he showed me three chords on guitar. An A, G and C chord. From that point onwards, I decided I didn’t care what it took, I would learn to play again. I spent years re-learning how to play and remember my own songs. In order to do this, I needed to also spend a vast amount of time doing intense therapy at the Institute of Functional Neuroscience. A kind of therapy designed to assist brain function and rebuild neural pathways. Needless to say it was an extremely difficult few years. In addition to this a very dear friend of mine took her life at the tender age of 27. This profoundly impacted me.

During this time period of about 3-5years I learned (very much the hard way) what was most important in life, and that I was the only person capable of deciding the kind of future I would have. I wasn’t going to let anyone, doctor or not, tell me what I could and couldn’t achieve. Perhaps the only beneficial side-effect of my Traumatic Brain Injury is the lowering of inhibitions, allowing me the courage to perform my songs outside of my own company. I took it upon myself to try my hand at playing in front of a crowd, and it turns out, people not only enjoyed my performance but were routinely asking where they could listen to my songs. This boost along with the courage and determination I had gained from my life experiences spurred me on with my musical career. Although the process of officially releasing music took longer than most with unfortunate recurrent health issues stagnating the process, the 5-year wait has been worthwhile with my first song “Oh Well” having a resounding positive response in the lead up to my Debut EP “Respire” being let loose on the world September 1.

I guess the moral of my hectic life story is relatively simple.

YOU CAN.

Who are you listening to at the moment?

I listen to all kinds of music depending on my mood! I made a playlist that has a completely random array of artists I listen to from Folk to Hip Hop, pop, house and rock! The list goes on…

What’s planned for the remainder of 2023?

Releasing my Debut EP, “Respire” on September 1. From there the sky’s the limit!

Favourite food and place to hangout?

I think my favourite cuisine is Japanese food, however my partners home cooking has to be number 1! My favourite place to hangout it definitely on the coast. I am down the beach pretty much every day, rain hail or shine.

Linktree | Website | Facebook | Instagram

July 31, 2023 0 comments
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Music InterviewsMusic News

Any Girl Interview

by the partae July 26, 2023
written by the partae
Where are you currently based?
Perth.
 
What’s been happening recently?
What hasn’t?! Haha. Last month I released by debut single and music video ‘Into The Black’, and I’ve been pretty stoked with the reception so far. It’s been played by Triple J and several community radio stations and had some awesome reviews across the board too. We launched the single at El Grotto a couple of weeks ago and the place was absolutely packed the entire night – support acts Little Guilt and Spacedive performed too and the night was just absolutely amazing. For my first single launch I’ve ever promoted, I couldn’t have been happier with the turnout!
 
Your latest single ‘Into The Black’ is out now, what influenced the sound and songwriting?
I didn’t go into the studio with any particular agenda when writing this track, but I did know what my influences were and what I like/dislike. I’ve always been a fan of synth pop and anything that sounds like it came from the 80s / 90s, so when Tim showed me a cute arpeggiated synth loop I knew we could build on that. In regards to the lyrics, I had just come from catching up with a friend a couple days earlier who was stuck in a back and forth relationship and it made me think about how scary it is to end a relationship when you don’t know what’s out there afterwards. We all fear change in life because it is a fear of the unknown – and sometimes we sacrifice the possibility of better things because we aren’t ready to go ‘into the black’.
 
How did you go about writing ‘Into The Black’ and who did you work with?
I wrote the track with Tim Commandeur in Sydney and it came together within a day – as artists we just gelled really well and it was super easy to write with Tim! We started with an old demo loop on Tim’s computer and I wrote a vocal melody over it (which became the verse), and the chorus bed and melody stemmed from there.
 
Where did you record and who did you work with?
It was literally recorded in a day at Tim’s studio, and then I brought the stems home to Perth and asked my brother Shockone to do a final mixdown. Mastering was done by Simon Struthers at Forensic Audio here in Perth as well.
 
How did you approach the recording process?
Blindly and obliviously! Haha – I tried not to think too much about it and rather let the music guide me. I find if I get too into my head about recording or writing, I end up more self conscious and less true to myself. If I just sing and let the mood of the song takeover, I end up with a better, more authentic vocal performance and in turn, a better song.
 
How would you describe your music?
Like if Hatchie and The Midnight had a love child – that’s Any Girl.
 
Your debut album is out in February 2024, what can we expect?
The album is honestly like a mixed bag of lollies – it has a few synth pop break-up anthems (which I envision as the strawberries & cream), indie-pop-rock tracks that were inspired by acts ranging from Hatchie to Primal Scream (which are definitely the snakes in the lolly bag), a country ballad about feeling completely useless (which has to be the banana in the lolly bag because let’s be honest – banana lollies are useless), and lastly a huge electronic track I co-wrote with Shockone, which I can only describe as a sour worm. But overall, the album is nostalgic, emotional and raw. I wrote the album over a 3 year period in which I battled with depression and a chronic illness, and ultimately came out the otherside 10 times stronger and happier -and the tracklist reflects that. Some songs will make you cry and some will make you wanna drive down the coast with the wind in your hair and a smile on your face – because that’s what lifes all about!
 
Any shows coming up?
Currently planning another single launch for October – stay tuned!
 
What’s planned for the remainder of 2023?
Single, video, launch party, repeat!
 
Favourite food and place to hangout?

I’m obsessed with Indian food – the Mattar Paneer curry from 2 Fat Indians in Mt Lawley is my go to takeaway. If I wanna chill somewhere, it’ll likely be a dark cocktail bar where I can play video games like Palace Arcade.

Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed | TikTok

July 26, 2023 0 comments
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Festival NewsMusic Interviews

The Mess Around Interview

by the partae July 26, 2023
written by the partae

Where are you currently based?

Perth.

What’s been happening recently?

TMA have just smashed out our latest release “want you back” with a party at indi bar.

Your latest single ‘Want You Back’ is out now, what influenced the sound and songwriting? I answered these 4 questions with below.

How did you go about writing ‘Want You Back?

Where did you record and who with?

How did you approach the recording process?

Working out of Perth’s Oracle Studios (Mongol, Arctos), the larrikins headed into the studio to record ‘Want You Back’ with their own drummer Alex Ford. In search of a unique space, The Mess Around headed to a farm owned by Alex Ford’s dad, to record drums in an environment that they could make their own. Keeping production in-house allowed them to flex their creativity even more, with Alex Ford also mixing the track, before it was sent off to be mastered by Simon Struthers (Sly Withers, Something For Kate, Karnivool).

We have all been in that relationship where one person is a tad more obsessed than the other. This song is for the people that realized the moment after a breakup, that slip ups were made, regret sets in and there’s the realization it was a mistake. “Want You Back” is a fun demonstration of showing your love for someone, beginning the romantic chase to portray how much they mean and ultimately get them back in your arms.” The Mess Around

We captured “Want You Back” on the family farm. The peacefulness of the countryside, the rogue sheep being fought off during the day, the fire pit at night with marshmallows and beers all somehow manifested their way into this light hearted yet deep song, as we sat around talking about our previous life experiences good and bad. A few of us were soaking in the scenery thinking “how’s the serenity” when Chris involuntarily came through and decided he would crash Alex’s dads’ farm motorbike. We all freaked but when it turned out he was okay, it become a thing and laughed about it for the rest of the day. In hindsight it was a butterfly effect moment, as without that happening and us retreating to go jam, Chris wouldn’t have written that cheeky little number on guitar, which eventually would eventuate into ‘Want You Back’. The Mess Around.

How would you describe your music?

Sometimes deep and meaningful like our song balance, while other times just party anthems like “Too many tinnies” we like to keep it mostly fun and energetic.

Any shows coming up?

Nexxxxt giggos!

The Bird 17TH JULY

Garbage Fest 21st July @lynottslounge with our boys @jeffs.house

Indi Bar 27TH July

Mandurah Sept 9th

What’s planned for the remainder of 2023?

  • TMA are going to record a full EP. We are in discussions with Tristan on executing this with Sumo Studios. Writing/deciding the final songs for this as we speak. EP Launch to follow.
  • Legend Sinead Ohara from Base Management has agreed to be the booking agent for an Australian tour (she has sent her quote and we just need to work out the timing etc)
  • “Too many tinnies” Perth to east coast aussie drinking anthem is to be released (attached) with single launch party to follow.
  • (Our last post on insta has our latest show dates and launch piccys) GarbageFest23 is this week and we are pushing to get more festival slots
  • Shows, shows, shows for the rest of the year

Favourite food and place to hangout?

Varsity Bar .

Website | Facebook | Instagram | YouTube | Triple J Unearthed | Spotify

July 26, 2023 0 comments
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Music InterviewsMusic News

Southey Interview

by the partae July 26, 2023
written by the partae

Where are you currently based?
I’m currently based on the Northern Beaches of Sydney, Australia.

How did you first start playing music?
I first started learning the trumpet in Year 3 when I was in primary school.

What’s been happening recently?

I’ve recently opened a new music studio ‘The Rooftop Studio’ in Manly, AU and am recording new music there as well as filming some live acoustic sessions of other artists!

Your latest single ‘Someday’ is out now, what influenced the sound and songwriting?
When I write and produce music, I often work backwards from the result I’m trying to achieve. In this case, I imagined the song was going to be the soundtrack of me driving out of Sydney to live somewhere more remote. Away from the hustle of city life, to slow down somewhere closer to nature.

Where and when did you record/produce/master and who did you work with?
I recorded & produced the song myself in my home studio, recording all the instruments myself, and had the track mastered by Nick Franklin.
 
How did you approach the recording process?

I actually first began recording this song on a Twitch Livestream where I would doodle new song ideas live for viewers. I’ve always liked layering my vocals and it’s become a bit of a staple to my original sound. The recording process was quite gradual and I slowly added to the composition over about 6 months.

What does this single mean to you?
To me, ‘Someday’ is a fantasy I have from time to time, about owning a home. Having that security and stability and a simpler life. Having less but living more.
I think most of my generation can relate to the feeling of uncertainty when looking at their future, I hope people can relate to the lyrics and find their own meaning too.

Any upcoming shows?
Yes, I’m super excited to be performing at Icebreaker Festival next month with an incredible line-up. I’m also looking into having my own show before the end of the year, stay tuned!

Who are you listening to at the moment?
At the moment I’ve been listening to a lot of Gregory Alan Isakov and Finneas!

What’s planned for the remainder of 2023?
It’s going to be busy, recording more new music, shows, and working at the new studio with some other artists shooting more live sessions! I can’t wait.

Favourite food and place to hangout?
Right now my favourite place to hangout is the Rooftop Studio with my friends and other Sydney based musos. Favourite food right now is Birria Tacos, I’ve been travelling Sydney in search of the best ones.

Southey: Official Website | triple j Unearthed | Facebook | Instagram | YouTube | Twitter | TikTok

July 26, 2023 0 comments
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Music InterviewsMusic News

Joy In Motion Interview

by the partae July 24, 2023
written by the partae

Where are you currently based?

We’re based in Brisbane, Australia. 

What’s been happening recently?

Honestly, a lot of writing. We’ve been writing and demoing as much as we can outside of our regular lives. 

Your latest single ‘Wasting Away’ is out now, what influenced the sound and songwriting?

We all came from either rock bands or heavier. We went for a commercial pop sound on our last EP and while we love those songs, we wanted to return to our roots as musicians. The lyrical content reflects a grittier, more aggressive sound too, so we aimed to keep it that way rather than turn the song into something it wasn’t. 

How did you go about writing Wasting Away?

Song writing has always been my (Jake- vocals) role in the band. I’ve always written the songs and then developed them further with a producer before the band essentially just learnt their parts. This time around, I wanted all of us to sit in together and write the song as a unit so everybody felt like they had some ownership of the art we were putting out collectively. While I still had a hand in writing, I also took on a producer role and helped develop everybody’s ideas. 

Where and when did you record/produce/master and who did you work with?

I produced and recorded the song with the band in late 2022 at my studio in Brisbane. We then sent the track to Declan White in Melbourne who did the mix & master. Declan also did a small amount of additional producing and engineering on his end. 

How did you approach the recording process?

I approached the recording process like I would do with any of my clients. We set some time aside and tracked what we needed to in that time. None of us had access to a guitar with an Evertune bridge, so we tracked guitars well enough for Declan to decipher (along with providing a video on how each part/section is played) and asked him to track the guitars at his studio with the guitar setup we wanted. Declan is great at what he does, arguably one of the best in this genre in Aus, so he was able to smash it out easily. 

Since there was no real deadline, I was able to spend a lot of time in post-production working on the electronic elements of the song. I was also able to spend more time tracking and dialling in all of the vocal layers. If memory serves me correctly, the song has over 40 tracks of vocals alone. 

Please tell us about any upcoming music:

There’s an album worth of material written currently with about half of that recorded and mixed as pre-production. Sonically, it goes further down the rabbit hole that we started on with Wasting Away and in my opinion, it’s a big step up. I love Wasting Away, but it was written as a bridging track between our last EP and what’s to come. 

What’s planned for the remainder of 2023?

A lot more writing and recording and likely a couple of shows. Our goal is to have some new songs totally finished and ready to go in the new year. 

Who are you listening to at the moment?

I’ve been listening to a lot of Sleep Token, Trophy Eyes, Movements and No Pressure. Those bands have either just released something new or have something coming up. Whichever the case, everything these bands have put out recently is great. 

Favourite food and place to hangout?

My favourite food is pizza (pepperoni with added chili flakes and olives is king). I can’t say I have a favourite place to hangout anymore though. I’m 31, so maybe a pub? I’m also a dad nowadays, so hanging out is a long-lost luxury of the before time.

https://www.facebook.com/joyinmotionmusic/

July 24, 2023 0 comments
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Music InterviewsMusic News

Sohpia Petro Interview – ‘Rosé Glow’ Out Now!

by the partae July 21, 2023
written by the partae

Where are you currently based?

Naarm/Melbourne

How did you first start playing music?

Growing up, I was always surrounded by music because my dad is a musician (a bass player and classically trained pianist). He taught me some piano and guitar at a young age. My mum, although not a musician herself,  is also an extremely creative individual with a great love of literature, so she would read me books and poetry most evenings. As a result, I loved writing and storytelling and dreamed of being a novelist. At age 11, I decided to combine writing and music and began songwriting, soon discovering it was my true passion.

What’s been happening recently?

Honestly, so much! I’m releasing my next single, Rosé Glow on July 21st. The single is a prelude to my debut EP, The 11th Hour, set to be released in August. It’s been a very busy (but rewarding) few months and I can’t wait to share the songs with everyone. I’m so very proud of this EP. I’ve been writing songs since I was 11 and have wanted to release them for almost as long, but always struggled with lack of confidence and self-doubt. You could say, I kept leaving my music till ‘The 11th Hour’. I’ve been sitting on some of these songs for years (one since I was 14), so to finally release this EP feels surreal. Apart from that, I also have some exciting shows coming up – stay tuned on my socials for more details soon!

Your latest single ‘Rosé Glow’ from your upcoming August EP, ‘The 11th Hour’ will be out on July 21, what does this track mean to you?

Rosé Glow is the embodiment of fun – it’s sparkly, alluring and nostalgic of unforgettable nights out with friends. It’s the type of song you add to your ‘getting ready’ playlist and sing whilst doing your makeup and having pre-drinks with friends. It also dabbles in a bit of fantasy – blurring the lines between reality and possibility. Rosé Glow is also very special to me as it was also my first collaboration. I do the majority of my songwriting alone in my bedroom (which I love), but I wrote this one with Gabrielle Emery (‘EMEREE’). It was such an enjoyable experience, especially considering EMEREE and I have such a lovely friendship. It all came together so naturally.

How did the single come about?

I was in the studio with my producer EMEREE and I had another song in mind for The 11th Hour. However, after we started producing it, it just didn’t feel right or seem to slot in with the other tracks. We then decided to just write a song together, so we brainstormed and decided we wanted it to be a fun, pop song people would listen to whilst getting ready with their friends. We wrote up until the end of the first chorus together and then I took it home and finished the remainder of the lyrics that very night because I just loved it so much.

We recorded the majority of it at Gabrielle Emery’s home studio and then were lucky enough to record the rest at a state of the art studio (which was so cool). Working on Rosé Glow at the home studio was so enjoyable though. EMEREE and I often went on coffee walks and lunch outings – we drank one too many aperol spritzes and recorded my final vocal in her wardrobe (it was the quietest place we could find haha). EMEREE produced and mixed the track and it was mastered by Darren Ziesing. 

What influenced the sound and songwriting for your upcoming EP?

My songwriting is influenced by my experiences and those around me. This collection of songs reflect my life for the past 7 years. From childish infatuation, to feeling isolated, alone and unwanted, to just enjoying time with friends, to falling in love once (and then falling again), to sisterhood and ensuring that loved ones are in healthy, positive relationships, The 11th Hour divulges my feelings, experiences and observations. 

How did the musical creation process take place?

The 11th Hour includes 5 songs I’ve written over the past 7 years. I write songs as an outlet and a way to process and express what I’m experiencing and feeling. Therefore, I wrote the majority of these songs alone (in my bedroom with my guitar or at the piano). However, Rosé Glow was a joint effort (written by EMEREE and I). 

I discovered EMEREE and loved her production style, so we began working together. I approached her with voice memos of my songs – I’d just recorded myself singing them (accompanied by piano or guitar) into my phone. The first song I played her was Fall Twice (maybe my favourite track on the EP). She instantly loved it and actually kept the piano from my original voice memo and even the squeak of my old pedal. It can be heard throughout the track, but predominantly in the introduction and first verse!

All in all, it’s been an incredibly rewarding and enjoyable experience. I’m grateful to have met EMEREE, who has brought my songs to life so perfectly. 

Where and when did you record/produce/master and who did you work with?

The 11th Hour was produced and mixed by EMEREE and mastered by Darren Ziesing. We began working on the EP in September of 2022. We did the bulk of the recording/producing at Gabrielle’s home studio and also at a couple of other, very nice and cool studios. 

What do you have planned for The 11th Hour?

Rosé Glow is a prelude to my debut EP, The 11th Hour, set to be released in August. 11 has always felt like my lucky number. I was born on the 11th and at age 11, I began writing songs. I have also procrastinated releasing my music for many years, despite having wanted to so desperately. I struggled with self-belief and the confidence to properly pursue my passion. 

To finally record this EP has been the most fulfilling, rewarding, enjoyable and emotionally chaotic experience. The 11th Hour is composed of 5 songs – I’ve been sitting on some of them for years (I wrote Boy in the Shadow at age 14!). To finally release them is the most surreal feeling. I was lucky enough to meet and befriend EMEREE, who is an extraordinary producer and has brought these songs to life so perfectly. 

I am so excited to share it with you in August and keep your eyes peeled for some exciting shows and videos?!

How did you balance your legal studies with your music?

Google Calendar. 

In all seriousness, it’s sometimes a struggle. I find myself neglecting my studies or sometimes my music, depending on the week. I try to stay organised, keep on top of due dates and complete my work as soon as I receive it. Obviously, at times I procrastinate and end up with a mountain of things to do. That’s when I have a cry about it. I hope to one day make a full-time career out of music and wave goodbye to my legal studies. However, for now I’m juggling both and managing!

Your family consists of a father who is a musician (Bass player and classically trained pianist), mother who is a writer, brother who is a musician and plays in a traditional greek rebetiko band, how has this influenced your music?

My dad influenced me because without him, I wouldn’t have constantly been surrounded and exposed to a large variety of music. He also was responsible for teaching me guitar and piano and bought me my first guitar (a Taylor, because he knows I love Taylor Swift). We still regularly jam out together and he played bass on a few of the tracks on my upcoming EP (Memory of You, Boy in the Shadow and Fall Twice). 

My mum, although not a musician herself, is such a creative individual and during my childhood, she would constantly be writing stories, drawing and reading my brother and I books and poetry every night. This resulted in my great love for words and crafting stories of my own. From a very young age, I decided I wanted to be a novelist, but after discovering my love for songwriting, I realised that was my true passion.

My brother is insanely talented. He’s a multi-instrumentalist (he plays guitar, piano, violin and has a beautiful voice). He is also in the process of learning bouzouki. He’s one of my closest friends and inspires me to practise guitar and piano more haha! He’s very in touch with our Greek heritage, which I really admire.

Constantly being surrounded by such musical and creative individuals has shaped who I am immensely. My parents have always encouraged creativity, imagination and inquisitiveness. I don’t think I would have discovered my passion for songwriting without them.

Who are you listening to at the moment?

Taylor Swift (ALWAYS). Speak Now (Taylor’s Version) is on repeat.

I’m also currently obsessed with The Good Witch (Maisie Peters) and Gretta Ray’s new singles from her upcoming album Positive Spin (Heartbreak Baby makes me go feral in the best way possible).

What do you like to do away from music?

Spending time with friends and family, nature/beach walks, cooking dates, cuddling my dog and taking him for walks (the cutest standard poodle ever), journaling and reading.

What’s planned for the remainder of 2023?

Well, The 11th Hour is set to be released… so there are many exciting things planned surrounding that…

Favourite food and place to hangout?

Burrito bowls. At friends houses making burrito bowls.

 

Instagram – https://www.instagram.com/sophiapetro_
Facebook – https://www.facebook.com/profile.php?id=100089785030179
Twitter – https://twitter.com/sophiapetro__
Tiktok – https://www.tiktok.com/@sophiapetr0

 

July 21, 2023 0 comments
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Music InterviewsMusic News

Mainland Interview – One Way Ticket To Midnight Out Now!

by the partae July 21, 2023
written by the partae

Where are you currently based?

Denver, Colorado, U.S.A.

What’s been happening recently?

Despite the new album just releasing, we’ve been writing more tunes for our next album. We’re also locking in some Australian tour dates at the moment.

Your album ‘One Way Ticket To Midnight’ will be out Friday 21st July, what influenced the sound and songwriting?

Musically, Mainland Break is propelled by a passion for jangly, guitar-driven indie rock. Over the past few years we’ve been inspired by a wave of great bands who have built on that classic sound by injecting some modern indie rock/post-punk attitude, instrumentation, and production. Rolling Blackouts Coastal Fever, Quivers, and Ducks Ltd. are prime examples of bands that do this very well and motivate us to make music.

What would you like the listeners to take away from the album?

Indie rock isn’t dead!

Where and when did you record and who with?

We recorded the album in late 2022 with Mark Anderson, at his studio (Cowboy Cowabunga Recordings) in the secluded mountain town of Evergreen, Colorado.

What’s the meaning behind the album title?

The album title is a direct quote of something we heard during a night out. We were walking along an urban Denver street when a passerby on a little BMX bike came speeding down the sidewalk, standing on his pegs, repeatedly shouting “I’m on a one-way ticket to midnight!” He embodied the feeling of freedom and excitement that we felt could only come from having some kind of “one-way ticket to midnight.” We aspire to capture the energy of that moment in a lot of our music. Ultimately that’s how the phrase made its way into the title of the album and the lead single.

Favourite things about Australia?

The music! And the Betoota Advocate.

Favourite Aussie bands at the moment?

We’re big fans of Quivers, Rolling Blackouts Coastal Fever, Jacqui Lumsden, dust, and Major Plains.

Any memories/stories from the filming of the music video for Portland?

During the shoot, we stopped by the famous Hotel Caesars (which makes a cameo in the video) and had the original Caesar salad. Many of the shots in the video were inspired by the colors and vibrant life around the hotel and downtown Tijuana.

Please explain the importance of the overarching theme of a setting sun and the journey through the night:

The whole album follows the course of a night – starting at sunset and working towards the hours before sunrise. Many of the songs are inspired by time spent with each other and friends, and often, the songs are pining to have those times back again. We use the setting sun as that unobtainable eternity – something to always be chased.

Favourite moments as a band?

We loved performing with Quivers here in Denver and taking them out for pizza and doughnuts after the show. We’ll also never forget accidentally filling a 750 litre septic tank with lake water and nearly sinking a houseboat together.

Who are you listening to at the moment?

We can’t get enough of Kiwi Jr., Public Body, dust, and Slow Pulp.

What’s planned for the remainder of 2023?

We’ll be releasing a single at the end of 2023, then we’ll be heading out on an Australian tour in early 2024.

Favourite food and place to hangout?

When we’re hanging out together, we’re often eating corn dogs at one of our favourite dive bars…potentially engaging in some karaoke, depending on how much mustard we put on the ‘dogs.

July 21, 2023 0 comments
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Music InterviewsMusic News

Wasteland Interview

by the partae July 20, 2023
written by the partae

Where are you currently based?

 

Currently Based in Sydney, Australia!

 

How did you first start playing music?

 

I was a young University kid, and at 18 (maybe a little before that age let’s be honest here), I started going out to clubs. There was one club in particular called the Paramount that I’d go to (everyone from Perth knows the Paramount). I was just mesmerized by the DJ, i went back every week, till i finally thought, “That’s it” I’m going to dive in.

I was nervous telling my parents as they thought it would be a stupid idea, but found out that my Dad actually DJ’d some parties back in the 70s and 80s, so they were all for it. So it was a great experience, I DJ’d for many years even eventually playing at the Paramount. This all led me to find producing and songwriting which was the catalyst in moving cross country to Sydney!

 

What’s been happening recently?

 

Heaps actually, my little song factory has been in full swing! Just finished off an EP for Melb Pop artist Greg Gould, and been doing so many songs for big DJs in the Dance Space, including Timmy Trumpet, Armin Van Buuren. I had 4 of my songs land in the Q Dance Top 100 of 2022, so happened to find myself in the writing space for a lot of big Hard Dance and Hardstyle acts (Working closely with Maikki). Also doing a bunch of work on Music for Media, including TV and Movies, we recently landed two big campaigns for Mitsubishi Australia, and also Community Chest Singapore. Whilst also trying to develop a system that’s repeatable to break artists on Tiktok! Plus recently heading to Europe and the US for songwriting trips, so I’ve been very busy!

 

Please tell us about what music production means to you:

 

As a DJ i always never felt 100% right playing other peoples music, i mean at the end of the day, I was playing out someone else’s creative vision. Growing up, i always had really strong creative ideas about how things should go. I was always more a creative person than an analytical person. So when i started making music it felt way more “right” to me than ever DJ’ing. I love to have ideas, it’s one of my greatest passions in life, and producing allows me to do that, day after day again and again. Being able to produce is basically being able to draw sonically, and when you can draw, then you can get out all the weird and wonderful things that live in my head. A Lot of people never get to that stage, because learning how to produce is like learning an instrument, it might take 8 years of learning guitar before you can sit down and just musically flow. I’m in a place where i can musically flow and its amazing, i wish everyone could one day download this skill matrix style.

 

How did you approach production?

 

It always has an overarching goal of what I am trying to do, it’s very rare I just create for the hell of it, but I like this way, it’s nice to sorta undertake project by project.  From there it either comes “idea first”, or “sound first”.

If “idea first”, it might be a lyric i had thought of (for example i recently did a song called “Komodo”) i always thought it would be cool to have a song titled that, then i could move into the sounds that i imagine support a song like that, i imagined it sounding sorta exotic and super tribal. Or the other way is to go sound first, in which I will just be constantly hunting for sounds that make me go “ahh yes”. So both sides then from that point happen pretty organically, till the end of the song!

What equipment do you use?

 

I use a

16 inch Macbook Pro Intel i9 – Last year before the Apple M Series 🙁

Adam – A77X Speakers

RME – UCX Soundcard

Virus – TI2 Synth/keyboard.

Audeze – LCD-X Headphones

Apple Logic Pro

 

Who or what influences your sound and production technique?

 

I’d say alot of my life has been learned by emulation, then walk past that into my own ground of that. I’d say I’m more influenced by artists than producers, and if you combine these 5 artists I think you get my natural sound.

  1. LANY

  2. Halsey

  3. Red Hot Chilli Peppers

  4. Coldplay

  5. Avicii

 

Then from produce point of view i really admire

  1. Max Martin

  2. Zedd

  3. Ian Kirkpatrick

 

What tips do you have for up and comers?

 

So many! Here’s just some one liners that I have developed and lived by.

 

  1. People will let you in any door if you’re good enough, so just keep knocking and improving and eventually you’ll get through.

  2. Your Network is made up of friends of friends, that’s where opportunities will come from, same way, help introduce people to who you know.

  3. The reason you are doing music is that you have good music taste, that should stay as your North Star, if you do that the music you make will be good, – make music you think is dope, seems obvious but it’s hard to separate.

  4. If you don’t have an idea you don’t have a song, early on a lot of producers spend so much time, adding layers and mixing something with no real idea in it – I learnt that the hard way.

  5. Think less about what you want to do for a job, school, career and more about what you wanna do in life, you have 80 years on this planet at best, make sure your path is always pointed and moving towards what you actually want to do.

 

Please tell us about any upcoming collabs:

 

Well a lot of my work these days is more working with and developing artists, So I’m going to mention a couple artists Im working with that really excite me and i think could be massive coming out of the Australian Music Industry.

 

Voli K

Amazing singer, recently been on tour with Tones and I and Mackelmore, amazing powerful soul voice, that just feels so authentic and real.

 

Clara Fable

Amazing Pop Meets Burlesque artist, nobody can turn out a look better than Clara. Her voice is also amazing and feels like a pop star already. Very excited by where she’s headed.

 

Maikki

In the dance space, no one is doing better powerful pop punk meets EDM vocals, I’ve been with her since the inception on her team, and she is just going from strength to strength, plus throwing down huge streaming numbers!

 

How do you usually decide who you will work with?

 

It’s usually a combination of things, but mainly it’s uniqueness, being good or having a good voice is one thing, but being unique really sets people apart. I also find a lot of artists or singers in the industry usually might be doing one genre or style, where in another style they would do way better, but they’re just not exploring it. So I love taking singers and artists into genres they don’t usually do, and getting amazing results.

 

The other is trying to work with artists that i think are ready for a breakout, just haven’t found the connection of right elements put together, that’s the most exciting part for me, then trying to engineer thaa moment.

Its super early days, but I’m loving the chase and it leads me to some great artists and singers. Recently I was watching a Theatre show on Tina Turner’s life, and the lead singer had this AMAZING voice, so I reached out and she’s coming into the studio today and were going to try some Diva house vocals, so I’m always on the lookout! So if you’re reading this SEND ME YOUR MUSIC!

 

Please tell us about the Aussie landscape VS the US market?

 

That is a tricky one, I guess the US market is the tastemaker for the rest of the world, which i love! Also just the economy of scale, a platinum record in the USA is 27 times more sales than Australia. So you get all the great parts of any industry flocking to where the money is. Alot of bad comes with it also, but the best of the best converge on the US Market.

 

Australia on the other hand is more insular, a lot of acts here are only big here, and struggle to break out in the rest of the world. It is less daunting of a music scene to begin in though, and generally face to face people are pretty great in Australia. But the music industry is ALOT smaller, I was in Perth (City of 4 million) and there was no real music industry there (hence my move), and I see Sydney as a halfway point between Perth and the US Market. 😉

 

Who are you listening to at the moment?

 

Im more of a song guy than a album or EP guy, so heres some great songs im hooked on at the moment!

 

Post Malone – Mourning

Eli Brown – Be the One

Kesha – Eat the Acid

Frank Walker ft. Ella Hendersen – I go Dancing

Torren Foot, Azealia Banks – Net Bottega

Mike Posner – Aint Dead Yet (Elis Edit)

LDRU, Peptalk – Alone Again

Ian Dior – Saddest SoundTrack

Red Hot Chilli Peppers – Eddie

 

*Check Out Peptalk in my list, an amazing Pop Group from Sydney making waves, that i think will have a huge breakout soon also!

 

What’s planned for the remainder of 2023?

 

Well I’m off to Asia this week for a little relaxation and recouping Holiday, but after that just head down work! I might do a Europe Trip for music around October for ADE (Amsterdam Dance Event), but that’s still up in the air. Then just grinding trying to get a platinum record!

 

Favourite food and place to hangout?

 

Me and my Fiancee are obsessed with an American Bar and BBQ Restaurant in Surry Hills in Sydney called Surleys! It’s super typical American style bar, with the best Sierre Nevda Beer on tap and wings you cant imagine, maybe my affection for it is foreshadowing who knows 😉

 

Me and my Fiancee are obsessed with an American Bar and BBQ Restaurant in Surry Hills in Sydney called Surleys! It’s super typical American style bar, with the best Sierre Nevda Beer on tap and wings you cant imagine, maybe my affection for it is foreshadowing who knows 😉

Instagram www.instagram.com/wastelandmusic

Facebook www.facebook.com/wastelandmusic

Spotify Full Discography

July 20, 2023 0 comments
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Festival NewsMusic InterviewsMusic News

GEOFF ACHISON & STEVE SEDEGREEN TALK BLUES/JAZZ AT RICHMOND CENTRAL CLUB THIS SUNDAY ARVO FOR DOUBLE TROUBLE BLUES SESSIONS

by the partae July 17, 2023
written by the partae

TICKETS LINK

You both bring your own unique flavour of Blues (Geoff) and Jazz (Steve) in that shared space. Particularly with you both leading the jam, how do you expect to manage and lead Kaliopi & the Blues Messengers during the jam?

G – I spent many years touring as a solo artist and having backing groups supplied for me at various destinations. It wasn’t unusual for me to meet the band as we were plugging in our amps and tuning up. It was a steep learning curve, but over time I developed a range of techniques for assessing where the individual & collective strengths lay, and an inner repertoire of blues standards that could be whipped into some sort of shape to create a night’s entertainment for the crowd. It is slightly terrifying, but that’s also what makes it exhilarating. It’s a good crew and they are all stonking good players, so I am simply looking forward to it!

S – I will let it evolve and provide some direction if needed, making sure all musicians feel safe, and can be themselves to express their voice. 

Back in the day at Dizzy’s on Swan St we used to have a Blues night on Cup Eve. It was always a huge success with Geoff and I “meeting in the middle” as he tried to be more ‘Jazzier’ and I tried to be more ‘Bluesy’ the result was always unexpected, but great fun and very enjoyable for all. 

Geoff, you’ve recently been in the studio recording a new acoustic album. Can we expect you to shed some of your new material or recent recordings in your solo set prior to the all-in jam?

G – Yeah, I’ll play a solo set to kick off the day, and there‘ll likely be a few of the tracks I’ve recorded for the solo album. The main crux of that project is that it’s all direct to tape, no overdubs, just me with my acoustic guitar, and intended for release on vinyl. So it’s old-school recording showcasing a few newies mixed with some old faves which have never been available on wax before. In any case, the solo acoustic set-up allows me the freedom to simply play whatever pops into my head. I can change the chord sequence, the key and even the tempo if I want to if that’s where the feeling takes me. A lot of young artists use loops and pedals with their acoustic guitars these days, and they sound amazing, but I’m still kicking it with wood, wire and my bare hands. It’s simply the purest and most honest music can get.

What significance is Richmond’s Central Club Hotel for you both?

G – The good old Central Club was a venue I used to make a weekly excursion to for their Tuesday night jam session way back in the 1980’s. It usually featured all manner of up and coming bands playing a variety of styles whether it was blues, folk, punk, rock, pop, jazz or ska. in the 90’s, it became a favourite for national and international blues acts. In 1995 I played a set at The Central Club that won me a ticket to the USA to play the 12th Annual Blues Talent Competition in Memphis Tennessee. So yeah, the good ol’ Central Club has always had a place in showcasing and promoting local music in Melbourne. It is just awesome to be returning there for this the next Double Trouble Blues Sessions.

S – I have a very close relationship with that venue, I have launched CD’s there, I house my Concert Grand Piano there, hosted many performances there and continue to hold regular performance workshops there. 

The Hotel of course has a very strong legacy and historical context of great Australian music and bands. 

You have both mentored and taught Kaliopi, how do you think your blended qualities will transcend into her performance or the all-in- jam set? 

G – There’s no doubt it, Steve is the maestro here, but I just love that Kal has taken the opportunity to learn from as broad a range of musicians as she can. The blues is a huge story of which jazz is a major part. My approach probably leans more towards a roots-rock style, whilst Steve’s musicality embraces a style so broad that it defies definition. It’s something we all aspire to achieve, but for my part, I am hoping to learn a lot from Sunday’s gig with Steve & Kal.

S – Kali has a deep emotional connection to music particularly the Blues, and so is ideally suited to this music. The essence of the blues is achieved by playing with honesty and from the heart with a firm sense of self belief. Kali already has these qualities and so will only offer a deeper experience and performance. 

TICKETS LINK

DOUBLE TROUBLE BLUES SESSIONS

www.doubletroublebluessessions.com

https://www.facebook.com/doubletroublebluessessions

July 17, 2023 0 comments
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Music InterviewsMusic News

Sir Winston Interview

by the partae July 13, 2023
written by the partae

Where are you currently based?

I don’t really have a base at the moment. I was in Australia over summer, then New York for a few months and now I’m in Europe for the next few months. 

What’s been happening recently?

Working on remixes for the tracks on the EP and doing DJ shows in Europe.

Your single ‘Perfectly Numb’ from your debut EP is out now, how did this track come about & what influenced the sound and songwriting for the EP?

It’s from a new EP called ‘Démons à Combattre’. I wrote most of the songs whilst living in Paris last year. There is a French theme to the EP.  I loved living in Paris and I wanted this EP to have a really strong theme. I wanted to explore temptation, forbidden fruit – fighting against inner demons. I walked the streets of Paris at night recording ideas into my phone. When I got to New York I was ready to record. 

The track Perfectly Numb really moves and there’s a lot going on. I love the energy and the structure – it’s really pumping.  It’s a throwback to the music of the 2010’s – bloghaus or “indiesleaze” as it’s recently been coined. I wanted to keep the spirit of this era within the track and I guess the references are pretty obvious. There’s a hedonistic indulgence to Perfectly Numb. It’s about being in a self-induced deluded state – where you’re temporarily stuck, you’re ok– but there’s no turning back – your committed – it can’t be undone. Time to sit back and roll with it – ride out the moment.

Where and when did you record and who with?

I recorded it at Transmitter Studios in Greenpoint, Brooklyn, New York with Abe Seiferth who co-produced and mixed it with me.

How did the music video come about and who did you work with?

To get to the studio in Greenpoint Brooklyn from Manhattan I usually take the subway. I’m constantly blown away by what I see on the subway – it’s a mad zoo at times. Regularly I would see subway dancers jump on and perform – especially W.A.F.F.L.E crew. They are a crew of Litefeet dancers from the Bronx. So I reached out to them about being in the video and they were down. Wiz The Kid, Joel Leitch and Lady Slic all appear in the video pulling awesome dance tricks. We filmed in the middle of the night on the subway when not many people were around. We were down there for hours – it was surreal when we came back up to the street. it was a long but fun experience. 

What’s the meaning of the EP title?

“Démons à Combattre” means “Demons to Fight” in French.

Any plans to play live/tour?

I’m currently doing DJ shows across Europe and I’ll be back in Australia to play a lot over summer.

Favourite food and place to hangout?

There is a hole-in-the- wall taco spot in Greenpoint near the studio called Taqueria Ramirez. We go there most days for lunch when recording. The pastor tacos there are incredible! My fave spot to hang – well I love to go down to the Hudson River in the West Village in New York of an evening and watch the sunset. It’s a real gratitude moment. More and more I like to hang out where I can experience natural beauty. I did a show last week in Bourg Saint Maurice in the French Alps. I went for a hike one day high up the mountain and came across this tiny village called La Côte. It was the most beautiful place, surrounded by mountains, with small stone cottages and a stream running through it. This could be my new favourite place to hang.

 Official Website | triple j Unearthed | Facebook | Instagram

July 13, 2023 0 comments
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Music InterviewsMusic News

Jebroer + Lady Bee ‘Bee Alright’ Collab Interview

by the partae July 11, 2023
written by the partae

Jebroer

 

Where are you currently based?

The Netherlands

 

What’s been happening recently?

Currently I’m touring in Europe. Everyday a different country. And i finished the recordings of my upcoming projects. 

 

How did you come to collaborate with Bee on ‘Bee Alright’?

I know Bee for a longggggg time. She connected me before anyone knew me. I think that’s 10 years ago. We recorded a song that we never released. After that we kept in touch and supported each other regardless in our journey. We’re more friends than colleagues. Later on, we worked on 2 releases. ‘After The After’ and ‘In Mijn Systeem’ with Alvaro. Both very nice releases. Last year I recorded the vocals of ‘Bee Alright’. I send it to Bee and she liked it. With a little Boaz touch I think this is the perfect match. I love it. Hope you love it too 

 

Please explain the songwriting and recording process together:

It’s a very natural process as we know each other so well. Usually, one of us comes with an idea and if the other one likes it too, we jump into the studio and work on it.

 

How did you two first meet?

Like I said we met over 10 years ago. Bee reached out to me when I just started out with making music. We recorded a track and became very good friends.

 

Please tell us about your long-term friendship:

It’s amazing to have a friend that works in the industry as well. She understands me in a way other people might not. She gives the best advice, makes me laugh and is just the sweetest friend you can wish for. 

You’re very successful in Germany, please tell us what this means to you:

I love it! I’m really grateful that my German fans embraced my music and support me in everything I do.

 

Please tell us about any upcoming music:

I just finished my German album. I want to drop it around October. For the rest I’ll be releasing a lot of Dutch and English music.

 

Do you have any future collabs on the way?

Yes, but you just have to wait and see with who.

 

Any tours coming up?

Yes, I have a lot of festivals and gigs in Germany and Spain this summer. Can’t wait to be back at Airbeat One, Parookaville and all the others festivals and clubs to make one big party!

 

Who Are you listening to at the moment?

That Mexican OT, Paul Wall – Johnny Dang 

 

Favourite food and place to hangout?

Turkish pizza with a lot of garlic sauce a neef 

 

https://www.instagram.com/jebroer/

https://www.tiktok.com/@jebroerforlife

https://twitter.com/i/flow/login?redirect_after_login=%2FJebroer

https://www.facebook.com/ILikeJebroer/?locale=nl_NL

 

Lady Bee

 

 

Where are you currently based?

Born in Amsterdam and also based in Amsterdam

What’s been happening recently?

Well, I just got married 2 months ago so for a month I was on my honeymoon vibes. Also did a gig in Bali while on our honeymoon that was pretty awesome. But currently really busy with DJ shows because it’s festival season, my fav season ? and of course every week doing studio session so expect a lot more lady bee tunes soon. 

How was it collaborating with Jebroer on ‘Bee Alright’?

 I really love him. we know each other for a while now. In the beginning of our careers, we already had a connection and besides growing as friends we also hit the studio. So, we already collaborated on 2 records. (‘In Mijn Systeem’ and ‘After De After’), and this is the third one and I am sure not the last 😉 

What does this single mean to you?

It means that I am continue doing what I love and block the opinions of others. I am going to make the most out of my life while having fun. 

 

Please explain the creative process:

Jebroer had send me vocals and asked me if I was feeling it. Of course I loved it and made a demo right away. Played it a couple of times in my set, and the crowd loved it. But we were missing something in the production. So, we send the song to Boaz and he made a masterpiece out of it. 

 

What new music do you have on the way?

End of this month I have a release together with DJ/producer Curbi. And in August I have a club banger on DJ/producer Tchami his label “Confession”. And in September I got a release on Sam Feldt is label Heartfeldt. And I promise you there is a lot more to come 🙂 

 

You’re a newly wed, congratulations! How is married life treating you? 

I am still on cloud 9. ?❤️

Any upcoming shows?

Tomorrowland, Mysteryland, Dreamfields, and I am playing on the mainstage of Pride Amsterdam and have my own boat during the parade

 

Who are you listening to at the moment?

My wife 😉

 

What’s planned for the remainder of 2023
I am planning something really exciting for Amsterdam Dance Event in October 😉 I will tell about this soon.

 

Favourite food and place to hangout?

Spicy asian food and my fav place to hangout is HOME !! 

 

Please include links to socials and website.

www.instagram.com/ladybeeofficial

www.facebook.com/ladybeeofficial

www.tiktok.com/ladybeeofficial 

July 11, 2023 0 comments
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Fashion & CultureMusic InterviewsMusic News

Iconic comedy troupe, The Mighty Boosh are returning to Australia with a captivating photo exhibition.

by the partae July 11, 2023
written by the partae

Diving into the whimsical world of The Mighty Boosh, actor and photographer Dave Brown unveils over twenty years of iconic memories from the global phenomenon.

Australia, July 10, 2023 – The Mighty Boosh, are back, this time as the stars of ‘Behind The Boosh’ – a captivating photo exhibition that delves deep into the whimsical world of the iconic comedy troupe. Presented by Behind the Gallery on the twenty-year anniversary of The Mighty Boosh pilot. This exclusive showcase invites viewers on a mesmerising journey through the lens of one friend and integral member, Dave Brown.

‘Behind The Boosh’ offers a rare glimpse into the extraordinary creative universe of The Mighty Boosh, the award-winning British comedy sensation created by Noel Fielding and Julian Barratt that became a cult hit in the 2000s. With its roots in stage shows that garnered acclaim at the Edinburgh and Melbourne Comedy Festivals including Perrier award best newcomers and Barry Humphries award, The Mighty Boosh evolved into a global phenomenon, encompassing a radio series, three television series, and two sold-out live tours.

As part of The Mighty Boosh since their inception in the late ’90s, Dave Brown has played a pivotal role in the show’s success. Beyond his iconic portrayal of Bollo the Gorilla and other unforgettable characters like Naan bread, Black Frost and Australian zookeeper Joey Moose, Brown’s creative genius extends to diverse artistic realms. He compiled and designed The Mighty Book of Boosh, tour posters, DVDs, set graphics, and merchandise. Additionally, he has lent his talents to choreography, music and capturing the essence of The Mighty Boosh through his photography.

Reflecting on his experience and his upcoming exhibition, Dave Brown shared, “These images are like children to me, badly behaved children with no manners but also beautifully funny, insanely dressed up children that are 2 dimensional and don’t move. I can’t wait to set these kids loose on the Australian public, I think I may have taken the child metaphor too far. But I love these pics, incredible memories of a special time with my Boosh band of brothers and sharing them with our beautiful Aussie Boosh fans is long overdue”.

‘Behind The Boosh’ showcases Brown’s extensive photographic archive, carefully curated to present a collection of his personal favorites. These captivating images span over 20 years, capturing poignant moments from early live gigs, behind-the-scenes glimpses during TV show filming, and the electric energy of their global tours. Through Brown’s lens, viewers gain an intimate insight into the lives and characters of The Mighty Boosh creative collective, providing a visual narrative unlike any other.

“The love The Mighty Boosh still has to this day, is comparable to legendary acts such as Monty Python and continues to draw in people of all ages. 

 “It was such a bonus to have a great photographer who was part of the show, Dave never missed anything!  “I almost find it difficult to look at them because it takes me back immediately to that time, and because Dave was always taking photos, the snaps are genuine; they’re not posed.” Said, Noel Fielding.

 Julian Barratt adds, “Dave is a lens with legs! Ever since I have known him, he’s had a camera strapped to his face. I have a terrible memory which is why Dave is my saviour, if we are our memories then without Dave Brown I simply would not exist.”

“Not only has it forged a haven for those on the fringes of society, but it continues to captivate audiences with its unique comedy, art direction and the extraordinary world it has created through surrealism and fantasy. Our aim was to provide Australia with a remarkable Boosh Experience, and with Dave’s photographs transporting viewers directly into the world of Howard and Vince, we believe that “Behind The Boosh” will accomplish just that,” Stephen Dallimore, Behind the Gallery Creative Director, says of the upcoming exhibition.

‘Come with us now, on a journey through time and space, to the world of the mighty boosh’ as ‘Behind The Boosh’ unveils an extraordinary collection of photographs, each an unparalleled visual spectacle that pays homage to The Mighty Boosh and Dave Brown’s unrivalled artistry.

The exhibition will be hosted by actor and photographer Dave Brown this August in both Melbourne and Sydney.

All press images can be found HERE

SYDNEY

450 Elizabeth St, Surry Hills NSW 2010

Event details here

August 2: PR and media preview opening night from 6:30pm for the public.

August 3 – 6: Open to the public

Saturday 5th August: Artist Talk with Dave Brown

 

MELBOURNE

North Gallery Level 1/55-57 Gertrude St, Fitzroy VIC 3065

Event details here

August 16: PR and media preview / opening night from 6:30pm for public

August 17 – 20: Open to the public

Saturday 19th August: Artist Talk with Dave Brown

All details available at Behind the Gallery.

July 11, 2023 0 comments
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Music InterviewsMusic News

IRFXXN Interview

by the partae July 11, 2023
written by the partae

Tell us a bit about ‘Time’ and the significance of the song to you now, if you listen to it back?

Being the one song for me that’s been sitting in the vault for agesss, finally being able to release it is such a special feeling. Being able to listen to it whenever and playlist it just makes me fall in love with the track all over again.

It’s always been one of the songs I say I’m the most vulnerable in, could be part of the reason it took me a while to get it out was that I’m still learning to be comfortable in my personal stories and letting people hear them.

How do you think your songwriting confidence and style has evolved since the release of ‘Latest Song?’

I believe from the release of ‘Latest Song’ till ‘Time’, there’s a major difference in storytelling. I think the ability to reach deeper and write from a third person view, where I’m analysing my situation, is a new skill I’ve learnt. That’s why with this track you can see it from two views: the person singing and the person being sung too.

Were there any specific musical influences that worked their way into your writing for this track?

Whenever I write or record ,I try to put my mind in the frame of the all time greats. Guys like Michael Jackson, Eminem, Ed Sheeran. The ones who make timeless music are the best to inspire yourself off, no matter what they put out and how much time passes, the music is still so good for any age and any generation.

What do you think it has been about ‘Time’ that has connected with your social media audience, TikTok in particular?

I think the combination of it being a Color Violet/Hold On We’re Going Home type aura. That’s the sound that gets everyone grooving and it’s easy to pick up, which I think is the reason it’s blown up as it has. There’s something about it being so simple, but complex at the same time that is the intriguing factor.

‘Latest Song’ saw you go viral on TikTok – was this expected, and have you felt pressure to up the ante or keep the momentum going?

COMPLETELY unexpected. The song wasn’t even meant to come out. The sole reason was the fans that got attached to that tiktok, so thank you and thank you a lot for helping me kickstart this journey. The pressure is always on, but that’s what I’m here for.

Who are you listening to at the moment, what’s one artist and album you can recommend?

John Mayer’s Sob Rock album. I listened to a couple singles when the album came out but didn’t go into depth with all the songs. Going back to it now, this album is just the right mix between foot tapping and easy listening, and I can’t stop going to it in my early mornings.

What are your plans for the rest of 2023?

BANG IT OUT!!! Get out as much music as I can and finally start performing live, and getting my personality out there. I’ve got a lot to say and to anyone willing to hear it and experience it, I can promise you won’t be dissatisfied with what’s about to hit your playlists. Can’t wait to meet my fans in person and let them know more about who I am.

Instagram | YouTube | Triple J Unearthed

July 11, 2023 0 comments
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Music InterviewsMusic News

Texas King Interview

by the partae July 8, 2023
written by the partae
Where are you currently based? 
We’re based out of London Ontario! Phil is a London native, Jordan comes from Oakville originally, and Melvin came from Cambridge!
 
How did Texas King form?
We met in college at Fanshawe in London. In the Music Industry Arts program. We recorded our first EP there in the studio facilities provided and as soon as we graduated we immediately hit the road touring almost every weekend!
What’s been happening recently?
We just finished our Whatever You Break tour across Canada in a headline role. It was awesome! Seeing our song “Whatever You Break” climb the charts while crossing the country and playing in the radio markets that people are listening in was wild! Now we are working on our full length record due 2024!
Your new EP Capsize is out on July 7, 2023, what influenced the sound and songwriting?
As usual, real life experience and trying to dissolve some of the stigma around mental health and the behaviours that come as a result of it. It’s a hands up admittance of defeat saying.. I messed up.. the boat is flipped over… what are we gunna do next.. a crucial time decision time.
How did you go about writing Capsize?
Voice notes and demos at home first. Usually starts on a guitar or a piano and then we build it up together as a band in demo land over in melly’s basement and then we record.. a lot of the magic happens in studio.
Where and when did you record/produce/master and who did you work with?
We recorded at Bath House studio in Kingston with brian moncarz and we recorded at Noble Street Studio in Toronto with Peter Van Hel Voort and Matt Snell.
What does this EP mean to you?
I think it’s our best yet.. I’m excited as hell for everyone to hear it all together. It was a labour of love we slogged it out we grew like crazy over the course of writing this and making it.. it will always hold a special place in my heart.
What do you have planned for this EP?
Right now our next plan with it is just to put it out… so I guess we plan to release it right now but long term just want to reach as many new ears as possible .
Any upcoming shows? We have an upcoming show in Bala, ON on August 19th opening for The Trews.
Who are you listening to at the moment?
Miley Cyrus, Dijon, Haim, and Foals!
What’s planned for the remainder of 2023?
Festival season, some shows in the states, and then heading across the pond to play some UK dates! Very excited!
Favourite food and place to hangout?
Trinidadian Roti (chicken or goat) spicy with a cold beer on a park bench on a nice sunny day.. any city.. any day.. that’s the life… that’s what i’m talking about baby yea!

Instagram: @texaskingband

Twitter: @texaskingband

Facebook: /TexasKingOfficial

Website: https://www.texasking.ca/ 

July 8, 2023 0 comments
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Music InterviewsMusic News

New Age Fruits

by the partae July 4, 2023
written by the partae

Where are you currently based?

Sans Souci, Sydney.

What’s been happening recently?

Earlier this year we scored support gigs for British India and Telanova, and also made our festival debut which has been unbelievable! More recently we’ve been celebrating the release of our new single and getting practice in for our single launch gig coming up.

Your latest single ‘Uncharted’ is out now, what influenced the sound and songwriting?

Our main influences come from bands like Arctic Monkeys, Kings of Leon, The Strokes, Foo Fighters, Catfish and the Bottlemen.

Where and when did you record/produce/master and who did you work with?

Recorded a couple of months ago at Def Wolf Studios at Kurnell. The song was recorded and produced by Daniel Antix and mastered by George Georgiadis.

How did the concept for the music video come about?

Marty is a Carpenter and built a door to hang in different locations to bring the lyrics in the chorus “take me hand and walk with me through the door…” to life. We come up with all our ideas over beers hanging out all together- we have brainstorming sessions and just come up with plenty of hilarious dumb ideas until something sticks!

Where and when did you film and who did you work with?

We filmed a month ago in Kurnell in the National park which gave us several great locations to film, also Wanda Sandhills and finally on top of a car park in Cronulla. We worked with Manning Chai, an incredibly talented local guy.

Who are you listening to at the moment?

Foo Fighters, Greta Van Fleet, Deftones, Telenova, British India, The Buoys, Lil Uzi Vert just to name a few!

What’s planned for the remainder of 2023?

We are going to focus on recording and putting our debut EP out next which we are very excited for- Hopefully it’s out before the end of the year! And a couple of shows in the near future too.

Favourite food and place to hangout?

Definitely our local pub, far too often hahaha

July 4, 2023 0 comments
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