Category:

Music Interviews

Colourburn Interview

by the partae October 4, 2023

written by the partae

Where are you currently based?
Melbourne, Australia.

How and when did the band form?
We formed in 2021, though I (Josh) started writing in 2020. Jack joined first with Jordyn joining about a year later.

What’s been happening recently?

We’ve launched our first single which is super exciting to finally get that out into the world!
Now we’re preparing to launch more music in the coming months.

Your single ‘Star’ is out now which is off your upcoming EP out on November 24, what influenced the sound and songwriting?
Honestly it’s hard to pinpoint it haha we have so many different influences. At the time I loved the grunge vibes from bands like Narrow Head and Fleshwater but then I also was digging bands like Citizen and Teenage wrist (along with a heap of others). I didn’t really think too much about our sound and just went with what felt right.

What does this track mean to you?
It means the world! Being one of the songs I first wrote for this band, it’s awesome to finally get it out there.

What can we expect from your upcoming EP?
There’s a lot of variety, from mosh-worthy riffs to catchy lyrics, I think there’s something in it for everyone.

Where did you record/produce/master?

Chris Vernon produced, mixed and mastered.

How did you approach the recording process?

We went in with an open mind and basically let Chris throw any ideas at us we had and collaborated with that to try and make it the best we could.

Any shows coming up?
Not as of yet though we’ve been working hard in the rehearsal room perfecting our live performance.

What’s planned for the remainder of 2023?

We’ve got some more releases coming, dropping a music video for our next single, as well as something else in December which is a bit of a secret for now 😉

Favourite food and place to hangout?
Home made pizza and probably on the couch playing mario kart haha.

SOCIALS

October 4, 2023 0 comments

Everlyne Interview

by the partae October 2, 2023

written by the partae

Where are you currently based?

We are based out of Melbourne’s west and playing shows in an around Melbourne

How did the band form?

The band came together after Jordan and Nathan wrapped up with a band after about 3 years of playing around Melbourne. The boys were keen to keep writing and playing and reached out. We first crossed paths at a battle of the bands where I performed with a band I was with in high school. We began jamming and tried a couple of different drummers until I floated the idea with Sam, who was a friend of mine from uni, about joining and he was beyond keen.

What’s been happening recently?

We most recently played a show with our mates in Future Static before they Jetsetted over to Europe. We have also been in and out of the studio with our producer Chris Lalic (Windwaker) writing and recording.

Your latest single ‘Wreck-less’ is out now, what influenced the sound and songwriting?

So this was a track that we worked on alongside our last single ‘The Inbetween’. We had previously written some heavier, darker tunes with big riffs and cool synth elements and we wanted to explore and expand on that further. We experimented a little more with electronic tones and came up with some really fun, energetic songs that get your head bopping. Jordan and Nathan were heavily inspired by the League of Legends soundtracks and their goal was to write the next theme for League of Legends Worlds.

How did this track come about?

The same way we have written most of our tunes, but just experimenting. The writing process for this and ‘The Inbetween’ had been our first time working with Lalic and we went into the process bright eyed and ready to try something new. We picked a couple inspo songs that we liked the sounds of as well as what we had all been listening to recently. From there we started playing around with chords and synths, messing with a whole heap of different sounds and combos until we find something we like. I (Mac) spend most of my time humming along, coming up with melodies that Lalic and I will throw back and forth until we are happy with something.

From here I separate from the group and write the lyrics. For ‘Wreck-less’ I wanted to try something different than my usual style and I decided to pick a topic and use buzz words relating to it to come up with the lyric structure. A little technique I picked up in one of my songwriting classes at uni.

What does Wreck-less mean to you?

‘Wreck-less’ is all about self-actualisation and finding yourself in spite of any outside influences. It talks about wanting to be everything or try to be everything but still remaining true to yourself.

Where and when did you record/produce/master and who did you work with?

We worked with Chris Lalic on this tune, who did all of the drum production. He really got what we were trying to achieve and the different direction we were trying to take, capturing our vision. Sam worked with Chris Blancato to get the drums sounding amazing. The last piece of the puzzle was the music video and Colin Jeffs (Ten of Swords Media) made a banger of a clip for us. There were a whole heap of people behind the scenes that helped our video to come to life, so shout out to Bridget (Alt Affect) and Lauren (Makeup artist) who helped us look our hottest on camera.

How did you approach the recording process?

We hadn’t worked with Chris before and this was the first song that we ended up working on and wrapping up. We worked with different people for our previous releases and didn’t really know what to expect. Chris really had a great approach to helping build the foundations of the track and the rest of it just fell into place.

Who are you listening to at the moment?

There is so much amazing stuff around at the moment, especially in and around Melbourne. I’ve been listening to The Motion Below and The Last Martyr. We played some shows with Nth Rd last year and their latest is awesome. I’m also super keen for Bring Me The Horizon’s upcoming release later this year.

What’s planned for the remainder of 2023?

We have a show coming up with RinRin (WA) and some other amazing bands in November at Stay Gold. Hit us up on socials and let us know if you’re planning to come down and hang out. Outside of that, we are keen to get to as many gigs as possible and enjoy the summer weather!

Favourite food and place to hangout?

Nothing beats chips and gravy from the local charcoal chicken shop and my favourite place to hang out would be at home on the couch with my dog, Jack and a good book.

https://www.facebook.com/EverlyneOfficial/

October 2, 2023 0 comments

Music Interviews Music News

SIG SALI Interview

by the partae September 22, 2023

written by the partae

Photo Credit: Charles Dean

Where are you currently based?

SIG SALI – Bristol, UK.

Natassa Zoë – Sydney, Australia.

What’s been happening recently?

Danny: It’s been a really productive year. I built a studio and haven’t stopped making music since. Imogen and I brought our friend Tommy on board to write with us and it’s going really well. We’re planning some gigs and have plenty more music on its way!

How did SIG SALI form and why did you start?

Danny: SIG SALI originally formed as a sibling project between myself and Natassa Zoë and friend Imogen Chapman. We started the project sending each other files between England and Australia during covid and took our name from Sigsaly, a communication system used in the second world war. When we were able to travel again Natassa came back home to Bristol and that’s when the writing process really started to take off. We had our own bands at the time and SIG SALI was a side project that we both wanted to play around with and now it’s become my main focus.

Your latest single ‘Pillow Thoughts’ is out now on September 22, what influenced the sound and songwriting?

Danny: The songwriting was definitely influenced by a situation Natassa was going through with someone at that time, so we are thanking them for the gift right now. I pretty much had a blank mind when I started to put the track together, but once the bass synth and drums were down I remember knowing exactly how I wanted the rest of the song to sound, so I guess that was the main influence behind the sound.

How did you go about writing Pillow Thoughts?

Natassa: We wrote Pillow Thoughts in August 2022. I had a couple of very big shows coming up and I was going through a tough time with a person I was seeing, so Dan decided to jump on a plane and come and support me here in Sydney. While he was here we wrote Pillow Thoughts together. We didn’t really have an intention of sitting down and writing it, I can remember coming home after a run and just hearing these really deep, bassy, drum beats from outside the front door and as soon as I walked in I just started writing. I guess I didn’t really ask for permission, which is one of the awesome things about working with my brother.

I went off into my room and wrote the lyrics and melody and came back with a couple of ideas for the guitar and we quickly popped it all down. I guess the lyrics came easy for me as it was reflective of the situation I was going through with someone.

The track then just sat on Dan’s laptop for a bit while I was on tour and then when I went back home to the UK in June this year we put the vocals down with Imogen in his studio.

Where and when did you record/produce/master and who did you work with?

Natassa: We recorded the song in Sydney, Australia and Bristol, UK. Danny produced the track and Klaus Hill mixed and mastered it for us.

How did you approach the recording process?

Danny: It was different. Usually after getting the basics down I’d find myself thinking “this sounds like X” or “this bit sounds like Y” then kind of vibe off that and make it our own. Pillow Thoughts was just its own thing from the start. The song came together quickly, but the recording took a while to get everything sounding exactly how we wanted it.

How did you come to work with Natassa Zoe for this single and how was the experience?

Danny: We had previously worked together on a song called ‘Reasons’ and as Natassa mentioned, ‘Pillow Thoughts’ came together while I was visiting her in Sydney. The experience was like no other. I mean, studios in the British countryside with lush surroundings and amazing facilities are great, but you can’t just run downstairs and jump in the ocean during a ten minute break. It was literally that.

Who are you listening to at the moment?

Danny: I’m listening to a lot of dance stuff at the moment. Kavinsky, Jon Hopkins, Bicep. Also on my playlist right now is Bleachers, Maggie Rogers and as always, The National.

Natassa: I’m listening to so much of Wolf Alice and the latest Yeah Yeah Yeahs album.

What’s planned for the remainder of 2023?

Danny: Hopefully another SIG SALI banger before the year’s out. I’m keeping myself busy writing with a few songwriters/producers for a creative publishing company which is really fun!

Natassa: I’m in the process of writing some tracks that Danny is helping to produce and back in the studio later this year with my band Dande and The Lion for some more recording.

Favourite food and place to hangout?

Danny: Well I actually went on a mad burger binge back in Sydney and haven’t stopped burgerin’ since. I think I had like nine in two weeks. Still alive. Natassa, what was that place called where it was really dark, red lit, writing on the walls? The burgers there were outrageously good.

Natassa: So Dan is referring to Mary’s Newtown and I’m vegetarian so it was interesting watching him vibe out on some chunky meat. Glad he had a good time though.

I’m into Thai food and Mediterranean at the moment, and places to hang out when I’m not gigging would probably be in the ocean or in nature somewhere with a few trees.

LISTEN

September 22, 2023 0 comments

Music Interviews Music News

Loaded Billy Interview

by the partae September 22, 2023

written by the partae

Where are you currently based?

We are based in Adelaide SA.

How did Loaded Billy form?

I had returned to Adelaide after being based in Sydney for 20 years. My long time close friend Trevor Moyle had returned to Adelaide a couple of years earlier after living in Canada. Trevor is a guitarist and we had played in bands together when we were much younger lads. Trevor and I started jamming and we realised the creative spark was still there so we decided to form a band which eventually became Loaded Billy.

What’s been happening recently?

The past few months have been hectic and busy with the release of 2 singles and 2 video’s, then the album. With the release there’s always media and radio to follow up here and overseas plus social media: sometimes it feels like its endless keeping the wheels turning. Loaded Billy are very much a live band so we tend to play gigs at least monthly, plus we are always writing new songs.

Your album ‘Legend’ is out now, what influenced the sound and songwriting/

That’s an interesting question for us. Everybody in the band has been playing and performing original music for many years now and are exceptionally competent musicians. We all grew up with and love 70’s & 80’s hard rock, that era of music stands the test of time and is still relevant and played on radio.

We never sat down and discussed how we should sound or how we should write, we just put songs together and let them become what they are today on the album.

However, when one reflects and listens to their own music we do hear influences that creep in. Bands like Pink Floyd, Judas Priest, Iron Maiden, Budgie – a lot of music from the NWOBHM period (New Wave Of British Heavy Metal) – I think music that you grow up with stays with you. We laugh sometimes and go “oh now I know where that idea comes from”

How did you go about writing Legend?

Trevor the guitarist would write a riff and a basic verse chorus pattern and then he and I would jam this out, just guitar and drums to get a groove going and then record it. I or the singer would then write a lyric. With a basic song established we then get the whole band into the studio and complete the song. Everyone at this point can have input into the song. The song is recorded so we can hear how it’s working, how the parts are fitting together. We’ll make changes where needed, but that is basically it.

What does this album mean to you?

It means a lot to get these songs out there and share them with everyone. It also means we can now put our focus and energy into new songs and recording.

Where and when did you record/produce/master and who did you work with?

The record was made completely at Loudtoys Studio in Adelaide during most of 2022 and the 2 video’s were the end of 2022 and April 2023. I, Willi Gutwein produced the entire record although there was plenty of ideas and input from all the band. My son Sam Gutwein who owns Loudtoys Studio engineered the record. My son and I did the initial mixes for the album. It was mastered by the legendary Rick O’Neil at Turtlerock mastering. Everything on the album was performed entirely by the band with some additional midi programming by Sam Gutwein.

How did you approach the recording process?

First we did pre-production where all the songs were recorded live as a band to hear how the songs were sounding and if we were happy with the arrangements. This also allows individual members to listen to their parts and make adjustments or changes. Then the recording process begins.

The tracking of the songs was completely analogue which we wanted as Loudtoys Studio is set up for this. Lots of vintage mics and analogue vintage signal processing hardware going into a 32 channel analogue mixing console. From there the tracks went into Pro Tools. The recording process was old skool, no sampling, no tricks. When you’ve got great experienced players there’s little need for overdubbing or fixing things. James Chamings vocals were double tracked on every song old skool style: kudos to his vocal ability.

What do you have planned for Legend?

Like everybody, to conquer the world. Seriously, we just want to get the songs out to as many people as possible both here and overseas and get the band playing more live shows.

Who are you listening to at the moment?

For new music: Wolf & Chain especially their new single ’Phantom’ For old skool: always some Budgie. Then there’s Red Dragon Cartel or Ozzy Osbourne or Disturbed. I also love ABC’s classic radio station.

Where are you playing next?

The Cumberland Hotel Glanville SA – Sat 4^th Nov

SOTSC MC Clubrooms Lonsdale SA – Sat 2^nd Dec

What’s planned for the remainder of 2023?

Now that the album is out we will be back in the studio writing and recording a bunch of new songs

Favourite food and place to hang out?

I Love Thai food. Hangout a lot at Flava Café which is on the Esplanade at Christies Beach SA. It’s got a magnificent view of the beach and lots of very cool cars and motorbikes cruise up and down all day. Great place to hang and chill.

https://www.loadedbilly.com/

https://www.facebook.com/loadedbilly/

September 22, 2023 0 comments

Music Interviews Music News

Daniel Trakell Interview

by the partae September 21, 2023

written by the partae

Where are you currently based?

Melbourne

How did you first start playing music?

Playing along to Rolling Stones records with a cardboard guitar covered in aluminium foil with my brother when we were kids.

What’s been happening recently?

Finishing up the album and spending time with my little family. My partner and I had our second baby a year ago a beautiful baby girl, so having two young kids takes up quite a bit of time at the moment!

Your latest single ‘Into The Blue’ is out now, what influenced the sound and songwriting?

How did you go about writing Into The Blue?

The way most songs begin for me is playing around on the guitar or piano, then gradually getting some kind of structure and melody. I had the song for a little while but didn’t know how to finish the lyrics or what the song was about. Then I re-watched the film Into The Wild, which is about a kid named Chris McCandless who gave away his money and left society behind by wandering into the Alaskan wilderness. It’s a story that really resonates with me, and the lyrics kind of started to all fill in around that theme. It’s also quite a hopeful song I think about taking a huge risk or a chance and trusting that everything will work out.

Where and when did you record/produce/master and who did you work with?

It was recorded in an old church hall which sits on the property of producer Josh Barber in the rural community of Mollongghip. We wanted to capture the natural sound of the space on the recording, and I think it comes through in this song especially.

How did you approach the recording process?

It’s generally pretty relaxed. We did half the record just us two and half the record with a full band. When it’s just Josh and me together in the studio we’ll get the guitar down first, then a guide vocal and both gradually add instruments and try different things over the course of the afternoon, as well as recreating any parts we want to keep from the demo. When it’s a full band we’ll generally run through each song 3-4 times and just work through the day until all the songs are done, then record the vocals afterwards and add any horns/strings etc at a later date if they’re needed. It’s usually more about capturing a moment in time and embracing happy accidents/improvisations than going in with a rigid/set goal in mind.

Where and when did you film the music video and what was the inspiration?

This was filmed live at the offices/studio of a collective of creatives by an amazing cinematographer named Mike Ridley. We filmed two videos in the space so in order to make them visually different the idea was to have me walk around the space while singing for Into The Blue. It was a little tricky as the sound person had to try to keep the mic close to me while following me as well as staying out of shot, no easy task with a mirror and so many other reflective surfaces in the space!

Please tell us about your upcoming sophomore album to be released this year:

It’s called Into The Blue, which means to vanish or disappear without a trace and is a theme I seem to keep coming back to in my writing. Most of the songs on the record revolve around that idea as well as escape, death, redemption and the end of the world.

Which artists influence your music and sound?

Elliott Smith is my all time favourite and Tom Petty is the artist I listen to the most day to day. I don’t know whether that necessarily comes through in the sound though, listening back to the album I feel like I can hear influences of artists like Neil Young, Beck and Bruce Springsteen. I just love really classic songwriting.

Your music has appeared in a number of hit American TV shows like Locke and Key (Netflix), The Walker (The CW) and Better Things (FX), how did this come about?

Back when I released my very first single Wasted Light, an agent in LA who really loved it reached out and offered to represent my music over there, and just gradually he kept placing more and more songs. I think it’s still his favourite song of mine, and one he still wants to see placed on TV.

What’s planned for the remainder of 2023?

Releasing the album, heading up to Newcastle to spend Christmas with family and hopefully start working on songs for the next release.

Favourite food and place to hangout?

Pizza or Japanese. Favourite way to spend the day is head out of the city and spend some time in nature. Favourite spots lately are Hanging Rock, The Dandenong Ranges and The You Yangs.

Official Website | Facebook | Instagram | YouTube | Twitter

September 21, 2023 0 comments

Music Interviews Music News

Haast Hunter Interview

by the partae September 20, 2023

written by the partae

Hi legend,

Please see below for the Haast Hunter interview and content.

Can you please send through the Loaded Billy interview questions ASAP?

Haast Hunter x The Partae

Where are you currently based?

Hamilton, New Zealand.

How did Haast Hunter form?

6 years ago (I think) Rich (Drummer) put an Ad out in the local classifieds online. I answered. Ever since then we have been solid. Always writing and jamming together.

What’s been happening recently?

Studio! A lot of studio! We currently have a solid 7 additional tracks that have not been released. And more on the way!

Your latest single ‘Sunshine’ is out now, what influenced the sound and songwriting?

“Sunshine” was one of the first songs Rich and I wrote together! Its taken many different forms over the years (different singers come and go). “Sunshine” has a strong focus on mental health. Everyone in the band has battled their own demons and their own way. This song is that middle ground. When you are just getting through that dark patch in your life, you can literally see the sunshine, you know what’s good for you, but you are still unsure of how to get there. (hope that makes sense!)

How did you go about writing Sunshine?

This just happened so naturally, lyrically it all just flowed. I love how it all unfolded, and the many different forms it has taken. I feel time did this one a solid. It had to mature before it was ready for the world.

Where and when did you record/produce/master and who did you work with?

“The Lab” – A studio located in Auckland, NZ. I produced. Oliver Harmer did the recording, mix and master work.

How did you approach the recording process?

“Sunshine” was filmed in a live setting. Where we went at it for a few takes, once perfected, the drums became the foundation of the song. from there, the bass, guitars, synth were all overdubbed. I really enjoyed the process.

What does Sunshine mean to you?

It’s a special song, our first, suppose your first always has a soft spot in your heart huh?

Who are you listening to at the moment?

Everything from Post Malone’s new album, Queens of the stone age, even revisiting some classics from Fleetwood Mac.

Any shows coming up?

Yes! Jumping on a mini tour with “the sun gods”. Doing a local circuit – Hamilton, Auckland, Tauranga.

What’s planned for the remainder of 2023 going into 2024?

Keep playing, keep getting better, more studio time, more shows! Keep consistent. We are wanting to spread the good word and get more eyes and ears on Hasst Hunter!

“Serpent Seeker” – Our next single is due to drop October 13^th!

Favourite food and place to hangout?

My kitchen. I would never leave if I didn’t have to. Maybe to stock up on food…eggs. Love me some eggs!

https://www.instagram.com/haast_hunter/

https://open.spotify.com/artist/3tv6KNMgIkic4c7QNcsPiH?si=21hX401xTGe0tb0xCpIUKw&nd=1

September 20, 2023 0 comments

Music Interviews Music News

Cookin’ On 3 Burners Interview

by the partae September 18, 2023

written by the partae

Where are you currently based?

The Cookin’ crew are spread out across inner northern and eastern parts of Naarm/Melbourne.

What’s been happening recently?

We’ve been hard at it pushing the word out for this brand spankin 7 inch vinyl release. Cookin’ On 3 Burners are pretty DIY these days, running their own label Soul Messin’ Records and building on our community of funk and soul lovers worldwide.

How would you describe the band’s sound to a first time listener?

Sweet soul and dirty dancefloor funk.

Your latest single ‘I’m Comin Home To You’ featuring Stella Angelico is out now, what influenced the sound and songwriting?

We wanted to write a stomping soul banger that makes the most of combining our classic organ trio breakbeat sound with Stella’s 60s vocal leanings.

How did you come to work with Stella and how was the experience?

So great! We’ve been collaborating with Stella for the last couple of years live and she totally kills on stage. This new single was an awesome opportunity for us to capture some of that fire on record. The writing process was pretty sweet too, Stella got on a great vibe lyrically and was into all the musical ideas we put forward – we actually got four tracks written and recorded over that period.

What does this single mean to you?

Coming home to where the goodness is – where it’s been all along.

Where and when did you record and who did you work with?

We recorded the guts of this tune live to analog tape at our own Soul Messin’ Studios. Our Hammond organ player Jake Mason was on tracking and mixing duties and we all co-produced it. Once we had the mix feeling sweet, we took it to local legend Lachlan Carrick for mastering. We had the vinyl pressed in Germany and it’s super warm and punchy.

You’re playing on Friday 15 September at the Northcote Social Club in Melbourne, what can we expect from your show?

We are going to do a banging instrumental funk set and then a full set of vocal tracks with Stella Angelico. We also have the fabulous HAYCH playing support with her new band and PBS FM’s own Miss Goldie holding it down on vinyl duties between sets.

Who are you listening to at the moment?

Lotsa local legends Surprise Chef, Menagerie, Izy, Thndo, Steady Weather, Elle Shimada, Joelistics – get across them!

What’s planned for the remainder of 2023 going into 2024?

A hot new full length album, some feature shows and some festival spots.

Favourite food and place to hangout?

Marios Brunswick Street – so old school, so good!

‘I’M COMIN’ HOME TO YOU’ is out now.
Official Website | Facebook | Twitter | Instagram | YouTube

September 18, 2023 0 comments

Music Interviews Music News

Hot Glue Interview

by the partae September 12, 2023

written by the partae

Where are you currently based?

We are from Melbourne, Australia!

How did the band form?

Lily and Pearl met at the hospital just after Pearl popped out of the womb – we’re sisters! Henry joined the band on drums a couple of years ago after we’d been playing with a range of different drummers and is now very much a part of Hot Glue, the band wouldn’t be the same without him.

What’s been happening recently?

We just released our debut album ‘Hatchet’! The whole process has been super exciting, including making our first music video for ‘Roadkill’ as well as launching it with a show at The Gasometer. The album has been a long time coming so it has been really awesome to finally share it with everyone.

Your debut album ‘Hatchet’ is out now, what influenced the sound and songwriting?

Thematically the album focuses on forgiveness in its many forms; grudges, apologies, burying the hatchet. We realised halfway through recording that the whole album was about forgiveness as we’d unintentionally been writing about it for the last few years. Sonically we’re very attached to our fuzzy guitars and sisterly harmonies, possibly brought on by our love of The Breeders. While recording we tried out different sounds but always found ourselves drifting back to how we play it live with our simple three piece.

How did you go about writing Hatchet?

‘Hatchet’ is made up of songs we wrote over time after releasing our debut EP as well as a couple of other singles. Once we had about seven songs, we decided to turn them into an album and realised the songs we were writing were mostly about some form of forgiveness or resentment. We went into writing the last couple songs for the album with this in mind. Some of the songs we would write individually then bring to the band, or would be written together.

Where and when did you record/produce/master and who did you work with?

We recorded ‘Hatchet’ at Hothouse Audio with our dad Craig Harnath who also mixed and mastered the album.

How did you approach the recording process?

Pretty much all of the songs we had been playing live for quite some time before we went to record them. We enjoyed coming up with new ideas and parts for the recordings, but ultimately kept them pretty close to the way we play them live. We love crunchy, fuzzy guitars and really embraced this on the record. Recording this album with our dad was really special, we already all hang out together a bunch so it was fun to make a record at the same time!

What does this album mean to you?

It feels amazing to have a full piece of work out in the world, especially one we love as much as Hatchet. Releasing feels like permission to forgive, be forgiven and move on. The songs are so cathartic for us, to play live and to have recorded, so it feels like an immense relief to finally have it out in the world.

Craig Harnath is the father of the two sister vocalists within the band, Craig has worked with loads of big bands over the years (Jet, Kylie Minogue etc) how has this musical connection affected your music and the band?

We’ve been really lucky to grow up in a family where music is celebrated, it’s always been such a big part of our lives and so many albums our parents love have soundtracked our childhood and influenced our own songwriting. Playing music has always been encouraged by our dad, but he very much allowed us to find our own path to starting a band.

Who are you listening to at the moment?

Some bands we’re loving at the moment are Juice Webster, Alex G, Slow Pulp and Noah and the Coldmen.

(Here’s a link to our current favs playlist: https://open.spotify.com/playlist/0i6yft1BV9ehNSeHgpTrEU?si=28c0033227bc473f)

What’s planned for the remainder of 2023 going into 2024?

We have a couple of shows lined up around Melbourne on September 22nd supporting Ally Mac at The Catfish, on September 29th supporting Noah and the Coldmen at Mamma Chen’s and on September 30th supporting Carla Geneve at The Night Cat. We’re also planning to release another music video for one of the songs off the album very soon.

Favourite food and place to hangout?

Northside we LOVE the burgers at The Retreat, especially pre-show. And we are also devoted patrons of The Banff in St Kilda and thoroughly enjoy their pizzas.

Linktree: https://linktr.ee/hotgluetheband

Instagram: https://instagram.com/hotgluetheband/

Facebook: https://facebook.com/hotgluetheband/

Website: https://hotgluetheband.wixsite.com/hot-glue

September 12, 2023 0 comments

Music Interviews Music News

Jay Wood ‘Respire’ EP – Interview

by the partae September 4, 2023

written by the partae

Your EP “Respire” will be out on September 1, what influenced the sound and songwriting?

I think in terms of the overall sound, Respire was mostly influenced by artists such as Missy Higgins, as well as including my own fairly obvious flare. I love how Missy writes with such authenticity and also includes particular instruments into her songs, which add to the overall feel of the Track, specifically the use of strings.

In terms of song writing, I almost always write from a place of lived experience. I think we are all united in our journey through this world, although with obvious slight difference to accommodate individuality. I think being a musician allows for such an amazing expression of life and the overall human experience, to which I aim to stay true to by writing straight from my heart in order to connect with my audience.

How did you go about writing Respire?

This EP was written over a number of years, and as with the changing of life, so too the track evolved into what you hear today. My intention was to continue with the utmost authenticity, and in order to do so, some songs needed to be changed/added to. Once in the studio, I sat with each session musician and shared my vision and together we created each component to each song. Overall it was a tough, ye incredibly rewarding process!

What does this EP mean to you?

After being hit by a drunk driver and losing my daily functions, including losing the ability to play music, or even remember my songs to begin with, this EP is the culmination of many years of personal hard work. It serves not only as a personal “up yours” to the many who told me I wouldn’t amount to anything since my Brain Injury, but also as an example of how powerful you can be when you simply decide to choose the life you want. It is an extremely personal triumph for me and so very clearly means quite a lot!

Do you have any live shows coming up?

For the moment I don’t have any live shows planned, after tackling some relatively recent and lasting health issues, I am focusing on all the many other facets to being a musician! That said, there has been some talk of international shows on the horizon, so stay tuned!

What do you have planned for Respire?

I plan to get that bad boy out into the world and to use it as a means to spread a message of hope and inspiration to many! I am a regular person, from a regular background, I simply chose not to let the dire circumstances I found myself in, dictate my future. My hope is to show people that they too can overcome whatever difficulty they may face, and I stand with them.

You have been recovering from a traumatic brain injury after a car accident 7 years ago and relearning to play music, please tell us about what you have learned about overcoming obstacles and your passion for showing people that they can get through anything:

You can CHOOSE. The most beautiful and incredible power we all have, is the power of choice. My favourite thing about having the ability to choose, is that if by some chance you don’t like whatever it is you have chosen, guess what? You can choose again! Haha nothing is ever fixed, even if at first it does not seem it. It all starts with a thought.

I grew up with a saying on my bathroom wall that I never really took much notice of, until my life taught me its significance. It said “HARMONY – What happens to you does not matter. What you BECOME through those experiences is all that is significant. This is the true MEANING of life.”

What a blessing it is to be able to choose how to respond and come to understand how powerful each of us are!

Who are you listening to at the moment?

At the moment I am listening to a completely random mix of songs that I have been collating over the period of years! I don’t have any particular style of music that I mostly listen to, I love to keep my ears surprised with every banger from every kind of genre! Music is LIFE in all of its array!

What are some of the things that you enjoy about music?

I love how music has the ability to really get beneath your skin. I don’t believe music simple goes into our ears, I believe it goes smack bang like a shot from cupid to the heart! That’s why when we really hear a song we love, our body reacts with covering us in goosebumps! That is what it’s all about, the feeling of the song! So powerful! Makes life all the more enjoyable to experience!

Linktree | Website | Facebook | Instagram

September 4, 2023 0 comments

Music Interviews Music News

The Transits Interview

by the partae September 1, 2023

written by the partae

Where are you currently based?

We are based in two countries. Tyrone and myself (Dom) live in New Zealand and Ryan is in South Africa. But we are all originally from Durban, South Africa. Being based in two countries has it’s challenges but we’ve worked out a really great process to make it work in a way that’s progressive and fun. Tyrone plays drums. Ryan sings, plays guitar and synth. I also sing and play bass. We have dual singers in The Transits.

How did the band form?

Technically we formed when we were 15 year old high school kids. We were friends first and then one day picked up instruments. At the time in South Africa there were not many young bands. We were heavily influenced by a number of American and English bands. Like The Pixies, Weezer and even Oasis. Back then we played under the band name Cabbage.

Then once we finished school we formed other bands and enjoyed different levels of success through touring and album releases. Eventually we moved apart and then suddenly last year we decided to reform the band but under a new name The Transits. Thankfully technology is so easy now that it makes it possible for us to be a band in the digital world. We feel we’re better than ever.

What’s been happening recently?

Since reforming last year we’ve been very busy growing a following of new fans, writing and recording new songs, creating content and visuals to promote our band. We came from the era where album covers and strong visuals often introduced fans to an artist. These days everything is saturated and disposable. So we’re trying to bring back the joy in music discovery.

Your latest single ‘Fall Into Dark’ is out now, what influenced the sound and songwriting?

Fall into dark is filled with a haunting atmosphere which is balanced with a melodic vocal, driving guitars and pulsating drums. The juxtaposition between light and dark is always a big component of our sound, which is often represented from verse to chorus. We can’t have one without the other.

Fall into dark grapples with hope and despair. The contrast of absolute despair and light at the end of the tunnel is a powerful one. It can be a feeling of being in the darkest of times, when you feel like all is lost, and yet there is still a glimmer of hope, equally a feeling of knowing that even though things are bad right now, they can get better.

How did you go about writing Fall Into Dark?

Ryan wrote the bulk of this song a few years ago. When we reformed he played us a few old demos and this one really jumped out at us. We could wait to add our own parts and see where it went. It had a real filmic vibe which we gravitated too.

Where and when did you record and who did you work with?

We all record our parts in our own mini home studios. Again, thank you technology! Tyrone and I then send our parts to Ryan in South Africa who takes care of all the production, mixing and mastering. We typically have a few songs in production.

How did you approach the recording process?

Before we start recording we talk about the outcome. What’s the vibe or the mood we want from the song. We share voice notes and demos over WhatsApp before we officially start the recording the track. From there Ryan shares the track in different stages and we shape and finesse from there. We all have a shared vision for the band but it’s thanks to Ryan that we can write and record this way.

Please tell us about your upcoming album:

Our debut full length album comes out in February. A summer release. It includes a few of our current singles but also quite a few other brand new songs which we are currently writing. All the songs lean into our blend of rock, punk, indie and synth pop. Lots of big anthemic feel good tunes with some dark edging.

Who are you listening to at the moment?

Jean Dawson, KennyHoopla, Petey, Beauty School Dropout, Luca Brasi and we’re looking forward to hearing more of the new Blink 182.

What’s planned for the remainder of 2023 going into 2024?

Apart from finishing the album we still have two singles coming out this year. In October we’re releasing a short film/music video for our single LOST ONES. Both the song and film are a Halloween horror release. The video is set in the 1980’s and is influenced by two of our favourite movies of the decade. The cult Hollywood skateboard film ‘Thrashin’ and The Lost boys.

Favourite food and place to hangout?

For me personally it’s hard to turn down Japanese or Korean cuisine. Hangout wise, we love the beach. We all grew up very close to the ocean, so that’s our special place.

https://www.instagram.com/the_transits/

https://www.thetransits.co/

September 1, 2023 0 comments

Music Interviews Music News

NIIVA INTERVIEW

by the partae September 1, 2023

written by the partae

Where are you currently based?

Now I live in Toronto, but before that I lived in Vancouver, London (England), and Bulgaria, which is where I was born.

How did you first start playing music?

I’ve been in performance groups and choirs since I was a little girl, so I’ve been singing since day one. When I got a little older I started writing poems and such, and then when I joined a band in high school is when I started to dip my toes into actual songwriting.

What’s been happening recently?

It’s been a really exciting, crazy time actually.. Late last year I released a single called “Friends” which ended up charting #13 on the CHR/Top 40 chart in Canada, and it also earned me my first two Billboard chart placements with my own music, which was insane. I’ve been lucky enough to earn a few #1 Billboard Chart plaques for the writing I’ve done in the KPop world (“Black Mamba” by aespa specifically), but when you chart with your own music it really is an entirely different feeling of accomplishment.

Then Amazon Music chose me as their Breakthrough Artist this April and put my face on a big ol’ billboard in downtown Toronto, which coincided with my birthday so it was the absolute best birthday gift I could’ve asked for!

And now I’m releasing a brand new single called “That Song” which I adore because it’s very much a redemption anthem for all the songs that my past relationships have ruined.

Your new single ‘That Song’ is out on August 25th, what influenced the sound and songwriting?

I wrote “That Song” with Ali Milner and Joel Stouffer (who also produced it), and from the get go I knew I wanted to write a feel-good, rhythmic song that makes you want to bounce along. I have this thing where I tend to put lyrics that aren’t necessarily happy on top of bouncy, up-beat instrumentals because I feel like in that way I don’t have to be sappy about whatever I’m going through. For a while I’ve been wanting to write a song about how all my favourite songs have been tainted because they’re so connected to memories of past relationships that now I can’t enjoy them fully. Ali and Joel were totally on the same wavelength as me and I’m so grateful that this song fell into their hands to help craft and shape it into exactly what I wanted it to be.

What does ‘That Song’ mean to you?

It feels very empowering to me because like it says in the song, I get to create new melodies and shape new memories for myself now; free of negative associations of the past. I’m reclaiming the joy that music brings me. It’s very therapeutic, actually.

Where and when did you record/produce/master and who did you work with?

Ali, Joel, and I wrote and recorded at Sony Music Studios in Toronto earlier this year, and I instantly fell in love with it and wanted it as my next single. That Song was mastered by Joao Carvalho, who’s also absolutely amazing.

How did you approach the recording process?

We actually originally wrote the song in a slightly lower key than the final version, but when I got in to do the final vocals we decided to play around and take it up a little bit. That ended up being the total right move because it added that extra bit of energy and sparkle.

Who are you listening to at the moment?

I am absolutely rinsing Tori Kelly’s new EP “tori”. It’s the perfect EP and I can’t wait for her to release more. When I like something, I absolutely obsess over it and listen to ONLY that, all day, every day, until I throw up.

What’s planned for the remainder of 2023?

I’ve got more music coming this year, music videos, and shows! More to come 🙂

Favourite food and place to hangout?

I could eat tacos and sushi every single day for the rest of my life, and die happy. Now give me that, put a book in my hand, and put me on the new couch I just bought, and you’ve got yourself the happiest camper you could ever imagine. I get wild, I know.

Instagram: @itsniiva

Twitter: @itsniiva

Facebook: /itsniiva

Website: https://itsniiva.com/

September 1, 2023 0 comments

Music Interviews Music News

Underwire Interview

by the partae August 28, 2023

written by the partae

Where are you currently based?

Wellington, New Zealand.

How did the band form?

Jane & I started a Pixies tribute band, Proxies, in about 2007, Spike joined us, bringing his Clash & Who chops, and we turned our cover chemistry to our own songs in 2010. Drummer Mark joined in 2013, we did a run of gigs through to 2016. Steve joined us on bass in 2020 and we quickly got busy again, writing, performing and recording over the last 3 years.

What’s been happening recently?

We’ve been releasing our first set of singles and playing live in Wellington and surrounds. We’ve got two singles so far this year – ‘Gravity’ and ‘Calling Out’ – with two more scheduled over the next couple of months. We’re getting great playlist & feature pickup from UK & US indie channels, and some really encouraging reviews. And we’re now working with producer Scott Seabright to prepare for more recording in November, plus more gigs through the year. Exciting times.

Your latest single ‘Calling Out’ is out now, what influenced the sound and song writing?

‘Calling Out’ was written by Spike, he’s got his own set of influences and stylistic ways. He brought it to the band as a ready piece, and we’ve all built our own parts through rehearsal and review. It’s one of those songs that the band has revered from the start, we all play it with great delicacy and the love to make it count!

How did you go about writing Calling Out?

A man, his guitar, and time for reflection on a dark time.

Where and when did you record and who with?

We recorded at Massey University School of Music in 2021, with Mike Gibson and assisted by Robbie Pattinson. Mixing and finishing got massively disrupted by the pandemic – lockdowns and rescheduling – but our label Plasticgroove HQ brought studio guru Scott Seabright into the picture and he’s mastered the Massey recordings for release, and is now taking an active production role for future projects.

How does your creative process usually take place?

We’re pretty varied in approach. Previously myself, Spike & Jane had brought already written songs, and we’ve made them our own as a band. In the last year or two, Jane & I have done a lot of writing together, but often ideas have come from jams together, then workshopping by Jane, Steve & I to get new material in shape for the whole band to realise.

Who are you listening to at the moment?

Personally I’ve been listening to several Wellington bands, enjoying the local live scene again and listening to what’s out in release, for example Lung, This Silent Divide, Column of Sand, Mister Unit, Electric Tapestry, Tower of Flints, Dream State Empire. I’ve got a pretty eclectic library of music on my phone, a lot of Pixies, Faith No More, Queens of the Stone Age.

Any shows coming up?

We’ve just played the much-sort-after Lovelands music club in Porirua on 26 August, next is Wellington’s Valhalla on 28 September with Electric Tapestry to launch our next single ‘Falling All Over’ out on 29th September. We’re teaming up with Electric Tapestry again at Meow in Wellington CBD on 8 December.

What’s planned for the remainder of 2023?

Preparation for recordings with Scott Seabright producing in November, and get booking for next year. And we’ve got another handful of new songs to bring into the repertoire, so more rehearsal and planning together.

Favourite food and place to hangout?

Again purely personal, bacon & eggs, and I love Fidel’s Cafe in Wellington’s Upper Cuba Street.

https://www.youtube.com/@Underwire0001

https://www.facebook.com/UnderwireNZ

https://www.instagram.com/underwire0001/

https://underwire.bandcamp.com/

August 28, 2023 0 comments

Festival News Music Interviews Music News

CALL OUT ‘MORE WOMEN IN BLUES’ – OZI BLUES WOMEN PRESENTED BY DOUBLE TROUBLE BLUES SESSIONS THIS SUNDAY 20.8.23 ATRICHMOND CENTRAL CLUB HOTEL FROM 3PM

by the partae August 18, 2023

written by the partae

TICKETS

How do you know each other?

Bronnie recalls, “Kal and I met through the Melb Blues music scene, I can’t recall whether it was at MBAS or Hume Blues it was quite some time ago, since then we’ve supported each other in music whenever possible.“

Marion states, “We had the pleasure of working with Kaliopi at Beneath Drivers Lane a few months ago and enjoyed a positive and supportive connection between us all.

What drew you into the blues scene?

Marion Turner says, “since the age of 14 , a school teacher took an interest in my vocals and introduced me to a couple of Blues songs. He would play the tunes on the school piano and put me into the school concerts, even a TV Talent Quest, that’s when I knew I wanted to sing the blues which I took up professionally later in life when I started working with Steve Plater”(Both from Salty Dog Blues Band are performing duo for this event as well as joining in the Jam).

Bronnie shares, “I was raised singing jazz, later switched to covers, when I moved to Perth I found the blues dare I say that was 40 odd years ago I’ve veered off a couple of times to pursue other genres in original music but I always come back to the blues it’s in my blood!”

How do you find opportunities for women in the music industry and the blues scene in particular?

Marion accounts, “I personally didn’t find it hard working in the music industry in cover, cabaret bands until I decided to go for broke in the blues scene with very much to learn about performing the blues in front of Blues audiences, definitely hard slog being mostly a male dominated field then. Am grateful that we women are accepted and more recognised in the Blues now days.”

Bronnie believes, “There is always room for more women in blues!”.

Lisette Payet, keyboard player for Kaliopi & The Blues Messengers, recalls, “I was initially introduced to the ‘Women In Blues’ through Kelly Auty and Jen Hawley when it first began and I have to say I’m a little disappointed after the MBAS competition to witness not much progress for the women in blues. Maybe we need more of these shows for Women in Blues.”

How do you feel being invited to be a part of the Ozi Blueswomen show for Double Trouble Blues Sessions?

Bronnie Gordon says “I’m loving being involved in the Ozi Blueswomen show, there hasn’t been a lot of time for rehearsal but when it’s happened it’s been a great vibe. This is a great concept, I’m looking forward to sharing the stage on Sunday!”

Marion added, “I feel honoured to be gracing the stage with Kaliopi and the Blues Messengers and all the very talented women participating in the show”.

BUY TICKETS

https://doubletroublebluessessions.com/home#shows

August 18, 2023 0 comments

Music Interviews

The History of Gunpowder ‘Swallows’ Premiere

by the partae August 13, 2023

written by the partae

Crafted within the intimate embrace of a seven-day sojourn at the enigmatic Weird Church nestled in the heart of Cumberland BC, emerges “The History of Gunpowder” like a radiant gem polished in the crucible of artistic passion. This opulent creation unfurls a rare and exquisite tapestry, a symphonic evolution that sees their sonic identity pirouette gracefully toward an acoustic sensibility. Here, the tempestuous maelstrom of distortion gracefully surrenders its throne to the opulent caress of velvet textures, while the once tumultuous growls metamorphose into resounding howls that echo with profound emotion.

In this avant-garde opus, the group ingeniously harnesses the architectural splendor of the historic 19th-century pipe organ that adorns the church, intertwining its melodious resonance with ethereal choral infusions that cascade like celestial whispers, embellishing the core musicians’ sublime artistry. The outcome of this symphonic alchemy is nothing short of a grandiloquent masterpiece – an intimate behemoth that embarks on profound voyages into the realms of community, music, and artistry.

As the cinematic curtain rises on this enchanting odyssey, the film unveils not only the group’s latest, yet-to-be-unveiled opuses, but also interlaces these potent live performances with a series of visual vignettes – mini-cinematic tapestries that dance as interludes, their original soundscapes finely woven into the very fabric of the band’s creative essence. This audacious and atypical format serves as an homage to the art of creation and the embrace of community that nurtured these melodic odes, captured meticulously throughout the week in a documentary panorama that breathes life into their artistic genesis.

In a triumphant crescendo, “The History of Gunpowder” unveils itself as an entrancing, singular opus that beckons the viewer to traverse its multidimensional landscape. It encapsulates not only the mere act of bearing witness, but rather envelops the observer in the very spirit of the congregation, inviting them to bask in the euphoria of sculpting sound within the graceful embrace of a resplendent, cavernous sanctuary. This magnum opus, an orchestration of human experience and symphonic prowess, resonates as a mesmerizing testament to the boundless realms of artistic ingenuity.