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Music Interviews

Music InterviewsMusic News

Interview: Rance Lazarus Talks New Single and Musical Journey

by the partae July 16, 2024
written by the partae

Congratulations on the release of ‘I Fell For You (Again)’! Can you tell us about the inspiration behind this single?

The song centres around the struggle of being unable to let go and repeatedly falling for the same person, who complicates efforts to move on and find someone new.

The music video premiered at the St Kilda Film Festival. What was it like seeing your video on the big screen?

It was very emotional seeing the video on the big screen and seeing how far it has come since it was first written. It was great to see our hard work being recognised and I’m so grateful for the opportunity.

How did the collaboration with Clipped TV come about for the premiere of your music video?

My management team Evergreen artists submitted my music video to Clipped TV.

Your new single blends Pop, Indie Rock, and Country. How did you arrive at this unique fusion of genres?

I’ve grown up listening to a lot of country music and recently I’ve been listening to a lot of indie pop/indie rock music and wanted to create this new sound. My producer knew exactly what envisioned and brought this song to life.

You’ve mentioned influences like John Mayer, The 1975, LANY, and Ed Sheeran. How do these artists shape your music style?

Each of these artists has a unique style, yet I genuinely admire their sound. John Mayer has been and will remain a significant influence for me. I’m particularly impressed by The 1975’s production of their songs, and I aim to incorporate elements of their sound into my own. These artists all excel in creating music that is catchy, memorable, and relatable and I aspire to follow that path.

Can you walk us through the creative process of writing and recording ‘I Fell For You (Again)’?

It started off with the a simple pop progression for the chorus, followed by a repetitive melody and finally lyrics. Once I showed my producer I told him exactly what direction what I would like the song to go in and was produced exactly what I had envisioned. We closely worked together on how to phrase the lyrics to make it memorable for listeners.

Your song ‘Spend a Little Time With Me’ was in the Top 5 Songs of the Year in the RSOM community. How did this recognition impact your career?

Being recognized for my work was a major milestone that encouraged me to continue believing in myself. This opportunity and acknowledgment also enabled me to connect with other talented artists, expanding my network.

What message or feeling do you hope listeners take away from ‘I Fell For You (Again)’?

This song was written for those who are experiencing something similar or have  been in a similar situation.

Your live performances are known for creating genuine connections with the audience. How do you achieve this level of engagement during your shows?

To achieve this level of engagement, I like to get the audience involved by teaching them a particular part of the song and get them to sing it which gives them a sense of importance. I try to incorporate a bit of comedy as well by cracking a few jokes or doing a skit.

As you continue to push musical boundaries, what are your future goals and what can fans look forward to next from Rance Lazarus?

My future goals include building a bigger fan base, place shows across the country and writing some more songs. There’s a lot to look forward to in the next year including some new songs and hopefully a national tour.

https://www.instagram.com/rancelaz_music/

July 16, 2024 0 comments
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Festival NewsMusic Interviews

Conan Gray – John Cain Arena, Melbourne 11/07/24

by the partae July 14, 2024
written by the partae

Photography: Aiden Parker

July 14, 2024 0 comments
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SCATTER LIGHT band members posing for a photo, captured by Jordy Rudan
Music InterviewsMusic News

Exploring Inspirations and Sound Evolution with Scatter Light

by the partae July 14, 2024
written by the partae

Can you tell us about the inspiration behind your latest single, “Dream About You”?

Dream About You was lyrically inspired by the murkiness of modern relationships and how the unspoken is often more of what we experience than reality itself. Sonically, we were all collectively listening to a lot of pop and dance music at the time and I think with all of us in the band having simultaneously experienced relationship trials at the time, the song came together pretty naturally. 

How did the recording process at The Grove Studios influence the sound of “Dream About You”?

We love recording at The Grove Studios, being able to stay at the same place you record creates an undeniable sense of calm and comfort which always makes for a better recording environment. Taking out the stress of commuting back and forth from the studio is always nice. Also being amongst nature and isolated from the hustle and bustle of the city makes it easy to lock in and focus on just recording music. We love the flavour that The Grove Studios has and the awesome gear they have makes it easy to get great sounds too.

What was it like working with Jack Garzonio and Steve Smart on mixing and mastering your single?

We’ve been working with both Jack and Steve for quite a few of our latest releases, they’re both amazing at what they do and very inspiring to work as you know you’ll get a great final result no matter what we throw at them.

“Dream About You” has been described as having a 70s Soft Rock influence. What artists or bands from that era inspire your music?

We all listen to a lot of different music so although 70s soft rock was definitely an influence on the track, there’s so many different artists from different eras that inspire our music. From that era specifically, we’ve been listening to quite a bit of Fleetwood Mac and Steely Dan so I’d say their influence definitely creeped into the track.

The themes in “Dream About You” revolve around modern romance. How do you approach writing about personal experiences in your music?

Personal experience is the cornerstone of what influences our music. We always strive to make our music genuine both lyrically and sonically and so inevitably personal experience plays a massive part in achieving that. I think being as open and honest as you can with your experiences in the writing process allows for people to connect and relate to it more with their own experiences too. I think the goal is to share something that everyone is feeling or experienced but hasn’t quite figured out how to express themselves.

You’ve supported acts like The Smith Street Band and Rum Jungle. How have these experiences shaped your development as a band?

We’ve been very fortunate to support so many amazing bands and it has definitely shaped our development. The live show has always been a massive part of what we do and it shapes our writing process as we often take into consideration how certain songs make people feel in a live setting or how they fit into the flow of our set. Supporting these bigger bands has allowed us to continue exposing our music to new audiences and continue to gain new reactions from people which in turn helps us to refine our set and musicianship. Also being able to watch all those awesome headline acts play their sets is very inspiring for us to continue to hone our craft and take it to the next level.

Your past single “Too Late Now” received extensive radio play. How does it feel to have your music so well received by local tastemakers?

It feels really great to know that people are connecting with our music and keen to share it! We love making music regardless of any external outcome but it’s always awesome when more people get to hear our music.

What can fans expect from your upcoming East Coast tour? Any special surprises or new songs?

We have a lot of unreleased material we’re working on that’s in our current set as well as the tracks people have come to know and love. We always love playing songs live before we record them to allow for them to fully develop, so you’ll be able to hear a healthy dose of what’s to come in our upcoming shows. We feel it’s a good mix of old and new so I think they’ll be something for everyone in these shows. 

How has your sound evolved since your debut EP in 2021?

I think we’ve all developed our taste in music as well as songwriting since the first EP so I think our sound has naturally developed quite a lot. The first EP was fuelled by a lot of built up energy during the COVID lockdowns which resulted in a lot of riff based music. I think we’re all loving groove based music as well as a sound that is more pop focused at the moment and so that’s being reflected in the new music we’re creating. We always follow what’s genuine to us in our writing so inevitably our sound will continue to change as it continues to reflect us changing as people. 

Can you talk about the creative process behind the single art for “Dream About You” by Jordy Rudan?

This was our first time working with Jordy and we were absolutely blown away with her amazing style of photography and process. We knew we wanted this cover art to be a photo of the band in some capacity and be a bit minimalistic to reflect the change in image and art style we were going for with our new music. We really wanted Jordy to do her thing within those outlines and so when we chose to do the shoot locally on the Northern Beaches, the natural landscapes ended up playing a massive part in the photos. Jordy has a great eye for what works and what doesn’t so she made it easy to get a great result that feels full but also quite minimal at the same time.

How do you balance your distinctive psych-pop sound with staying relevant in the ever-changing music scene?

It’s so easy to get lost in analyzing your sound and comparing it to what’s trending or popular in the current music landscape, but I think the less you get sucked into outside influence the better. People don’t know what they want until they hear it so by trying to give people what you think they want, it will always fall short. Genuine music is fundamentally what people connect with the most so we just try to make music that excites and connects with us the most, then in turn hopefully connects with other people too. 

What’s next for Scatter Light after this tour? Are there any new projects or collaborations in the works?

We’ve got a bunch of great support slots as well as mini fest spots coming up over the winter/spring months which is exciting. We’ve also got quite a bit of studio time booked in too as we’re currently finishing off new music to build towards an album that should come out next year. We’re looking to release a couple more songs by the end of the year and do another big tour in the summer months to support the new singles so plenty happening to keep us busy!

 

‘DREAM ABOUT YOU’ SINGLE TOUR

TICKETS 

 

Friday, July 19th Shark Bar Manly, NSW

Supports tba

 

Saturday, July 20th Dicey Rileys Wollongong, NSW 

w/ Earl Grey & Kryver 

 

triple j Unearthed | Facebook | Instagram | YouTube

 

July 14, 2024 0 comments
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Music InterviewsMusic News

Christine Tarquinio: The Inspiration Behind “New Year’s Day”

by the partae July 7, 2024
written by the partae

Can you tell us about the inspiration behind your latest single, “New Year’s Day”?

This song is all about that feeling, the buzz of excitement around New Year’s Day. The genuine feeling we get that a new year is coming and anything is possible. We all get a chance to start again and reach for new heights. 

Then as the days turn into weeks and the weeks turn into months. We have to acknowledge that nothing has actually changed, and you are still the same and doing all the same things. I wrote this song at the beginning of this year feeling like this but now we are almost halfway through the year I have found my experience is the opposite. 


How did working with Daniel Nieberg influence the final sound of “New Year’s Day”?

Daniel is amazing at producing music and he interprets my lyrics and music with such care and attention to detail. He is also very collaborative and always is open to suggestions on any other elements that could change the flow of the final track. He seeks out details of what songs inspire me, and he uses that framework to compose a beautiful soundscape that I can then record vocals onto.


What themes and messages do you hope listeners take away from “New Year’s Day”?

I really hope that this song resonates with a wide audience as everyone experiences New Year’s Day in their own way, however that feeling of new beginnings is universal. Everyone has hopes and dreams for their future but often life has a way of surprising you, sometimes for the better, but not always. I see this song as an anthem of renewal and opportunity to try again.


How have your personal experiences as a mother influenced the songwriting process for this track?

Absolutely, everyday life is an opportunity to write a song. New Year’s Day is such a special time for my family, so it magnified my feelings of hope and wanting new and exciting things to happen in a brand-new year. My children take such an interest in my music, and they really enjoyed seeing the process of how this song and many others were created. I really relish the opportunity to impart on them what I know about creating music in the hope that one day they may do the same.


You mentioned feeling like nothing had changed at the beginning of the year. How did that sentiment evolve over the months?

I have found that my sentiment for how things would turn out this year has completely changed. There have been a few things that have happened that I didn’t see coming and never expected but as life changing as they were, they strengthened my resolve to pursue my dreams and it always leads me back to my music.


How do you balance your roles as a musician, singing teacher, and dedicated mother?

I must do this with great consideration. I have made a point of setting boundaries and being realistic about what I can take on as a singing teacher and musician. I have been fortunate enough to always seem to get the balance right and sometimes that means saying I must either say I can’t do that specific thing right now as I have to prioritise my family. It seems to work out in the end, so I am very grateful for that.


In what ways do your children inspire your music and your creative process?

I am really delighted that my children have been exposed to music from a very young age and now that they are older, they are now taking more of an interest in playing instruments and writing lyrics and making up songs of their own. I feel so proud of them, I see the result of them being inspired by me, it spurs me on to keep creating my music.


What challenges have you faced in maintaining your music career while raising a family?

There have been many times I have taken a break from music due to family commitments or just general family life. It usually isn’t for very long and it is always necessary to put family first. It has never been a case of me having to choose one over the other. I know my music will always bet here when I am ready to start working on it again. Family is my priority, and it is important to take pause and be present in family life when it matters most.


Can you describe the significance of hope and resilience in your music, particularly in “New Year’s Day”?

The entire premise of this song is about the attempt we make to reach certain goals, we even make resolutions to do or stop doing certain things, we put pressure on ourselves to seek out a different type of life and we feel disappointed if we don’t achieve our goals. This song is all about second chances. The lyric ‘Let’s start again on New Year’s Day’ is all about when some things don’t go to plan, we have a chance to try again next year. I try to view the world with a glass half full attitude, and I am always striving to be positive and see the good things that the future will hold for all of us.


How do you incorporate your everyday experiences and emotions into your songwriting?

I feel I have experienced a lot of life so far in my journey and I have a lot to offer in my way of storytelling. Being a mum, a wife, a sister and daughter is a common thread I can draw upon and connect to an audience with. My everyday life and my stories are all I know, and I use that to weave into my music and lyrics to share a little bit of insight into how I see and navigate my world around me.


What has been the most profound event in your life recently, and how has it impacted your music?

I have recently left a job (not musically related) that I have been doing for 26 years and it had a profound impact on me. It was something I never ever thought would happen and it completely surprised me. It occurred around the time I released New Year’s Day, and as it turned out I ended up feeling a deeper connection to the message of this song. It has only given me more time and freedom to create more music so something that initially was really challenging to go through has given me a new perspective and gratitude for what I have and the desire to keep creating my music.


Looking forward to 2024 and beyond, what are your goals and aspirations for your music career?

I see myself continuing to write songs and collaborate with amazing artists, musicians, producers, filmmakers to share my music with the world. The world is such a smaller place now with the connectivity we have online, and the reach is so much further than it ever used to be. I am excited to see just how far my music can reach and where it will take me into this year and the next decade.

Spotify | Instagram | Facebook| Website

July 7, 2024 0 comments
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Music InterviewsMusic News

Jonasu Discusses New Solo Journey with “Close My Eyes”

by the partae July 3, 2024
written by the partae

What made you decide to switch up your sound with “Close My Eyes,” and what inspired this new direction?

Hey there! Thanks for all those great questions already. So in the beginning of this year, I started writing music just by myself. In the songwriting world you usually meet up with 2 or 3 co-writers and write songs together. After so many years of always co-writing with others, I was just curious about what would be the outcome, if I was doing music just by myself. I didn’t even plan on creating a new sound or direction, or even releasing anything, it was first just for myself to explore and have fun. And I guess that’s when good stuff happens, when you have fun and just follow your intuition. 

Can you give us the lowdown on how “Close My Eyes” came together? How was it different from your previous work?

Yeah so the whole process is completely different when writing music alone, I felt a lot more freedom to explore and try out. Usually you kinda find your role within a session, may it be writing melodies or lyrics or just focusing on the production. This time I was just taking it step by step and worked on the part I was excited about and then moved on to the next section. It definitely is ‘harder’ work to write alone, because there is no immediate feedback, which is why cowriting works so well. The freedom was very liberating, also you can take as much time as you want for the song 

You’ve said “Close My Eyes” is one of your most personal tracks. What kind of personal yarns or feelings did you draw on for this one?

So I had the idea for the concept first, which is about seeing someone you love leave. To me a very strong feeling that I experienced many times in my life, whether that was a break-up or a long distance relationship, or just a summer love that had an expiration date. All those moments and memories went into this song.

This is your first track where you’re also having a go at singing. What made you decide to chuck your own vocals into “Close My Eyes,” and how did that change the way you worked on it?

I guess that was just one of the consequences of writing music by myself haha I did not have a singer and had to sing myself. Singing is a lot of fun, but first it feels very strange hearing your own voice, especially when you are spoiled and used to working with amazing singers. I was pretty shy playing the song to people in the first place, but thankfully they were all supportive and gave me confidence.

The song’s about the tough times in long-distance relationships. Can you spill the beans on what specific themes and emotions you wanted to get across in the lyrics?

It’s funny how feelings get tricky when there is physical distance. It is starting to develop into emotional distance and you start drifting apart. I didn’t want to blame one side/person in the lyrics but make clear it’s the circumstance only that makes everything more complicated, although they still have strong feelings for each other. It is about the moment, when you know you have to say goodbye and you wish time would stop and save you, so you don’t have to depart. Hence closing your eyes, trying to save yourself from reality and trying to keep the moment alive.

You mentioned that “Close My Eyes” has some massive summer vibes and is perfect for a cruise along the coast. How did you get those elements into the track?

Yeah true, the sound design is pretty vibey. One big part is the mellotron, which is an old sampler used a lot in hip hop. The sound is a sampled flute, which to me is instant nostalgia. Then there is one lead synth that wobbles around and makes the mood floaty and dreamy. Combined with a tight house groove it just feels like the soundtrack for driving down the coast!

How does flying solo on a track compare to your previous gigs co-writing and working with other musos? What were some of the challenges and rewards of doing it all yourself?

(I think I kinda answered this above?)

With “Close My Eyes” being a big milestone for you, what’s next on the horizon? Are there any upcoming projects or collabs you’re stoked about?

It feels like ‘Close My Eyes’ started a new chapter and there are plenty more songs coming soon, some of them solo too, but others with amazing collabs and vocalists. I will play a few shows and showcases this summer, where I can play all the unreleased music. So that’s super exciting. And hopefully I can come to Melbourne any time soon to play you all that music, it’s been on my bucket list for a while 🙂

www.jonasu.com

 

https://www.instagram.com/jonasuofficial/

 

https://www.tiktok.com/@jonasuofficial

 

July 3, 2024 0 comments
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"me n ü's Hope House: Dance Music's New Wave
Music InterviewsMusic News

me n ü: Crafting Raw, Emotional Dance Music

by the partae July 2, 2024
written by the partae

Can you tell us more about your journey into music production during the COVID-19 pandemic and how it shaped your sound?

Before the pandemic, we had always wondered about producing but had never taken the leap. It was a time when we were unsure of our future as we were graduating high school and deciding what to do next. When the world stopped, we thought we’d have a few weeks to learn about production and be creative. We quickly fell in love with producing and realized that it would be a huge part of our identity as artists for years to come.

What challenges did you face while transitioning to dance music, and how did you overcome them?

Transitioning to a new genre can sound challenging, but for us it was exciting. We had so much fun learning new things, listening to new sounds, becoming beginners again. There’s always the learning curve that’s challenging, and the questions surrounding our identity in a new genre, but that was a welcome struggle for us! In our minds, struggling means growing, and growing is a good thing 🙂

Your debut single “JUMP” has been incredibly successful. What was the inspiration behind this track?

Thank you! To be honest, nobody’s more surprised than us. We made “JUMP” because we couldn’t find the perfect house song that felt like sunset, summer, and hope. We were also going through a transitional period in our lives- we had always wanted to make dance music and DJ, but had never had the courage to do it. We really related to the message, as it was what we needed to hear. Making “JUMP” inspired us to release it!

How did you come up with the term “hope house” to describe your music style, and what does it mean to you?

Hope house was just something that fell out of our mouths during a phone call- what a happy accident! We were trying to explain how the way our music makes us feel is the defining element to it. This music came out of a dark time for us, and the raw emotion that we poured into is what we think defines it.

Can you describe the creative process behind “JUMP” and how you achieved the sound that “sums up” hope house?

The finished product of “JUMP” is very close to its original demo. The piano chords came first, and they came out of nowhere. Once we played those, the idea was to create a song around them- whatever that song would be. We relied completely on instinct, as we are new to making dance music. Because of that, we had no expectations of how it should sound, and we let the art exist without judgment. That is the sound of hope house- raw emotions, not trying to be anything other than what it is.

What role has social media played in your rapid rise, and how do you engage with your growing fanbase?

Social media is 100% what we attribute to our rise. We’ve been so lucky to have amazing opportunities thanks to how incredible the EDM community is. JUMP has been played on Sirius XM and playlisted— all “fancy” and “legitimate” accomplishments, and we are grateful. However, those opportunities only came because real fans, real reactions, and real people choose to stream our song every day. That’s from social media. With every amazing opportunity we’ve had, nothing has moved the needle more than the social reaction and support of JUMP. Creating amazing art, content, and relationships with our audience is the single most important thing for us, after creating great music.

With over 100,000 creations on Instagram Reels using “JUMP,” what do you think it is about the track that resonates so widely with listeners?

That’s a great question. If we knew the answer, we’d be millionaires by now! We think that because we were so vulnerable with our story, we were able to reach a lot of people who related to our struggles. We were able to create something that resonated with others like it resonated with us. But really, there was probably some lighting in a bottle and we hope to keep capturing it. We’ll put a lighting tower on top of our studio! Maybe some tinfoil will work the same.

Can you talk about the editorial support you’ve received from major streaming platforms and how it has impacted your career?

We’ve been so lucky to receive a lot of editorial support from major streaming platforms, particularly on our second single. It’s a great talking point and it’s so fun to see our songs next to artists we’re fans of. To be honest, we don’t know how it has impacted our career. Maybe that’s a “wait and see” kind of thing.

What are your thoughts on the importance of female representation in the electronic music scene, and how do you see your role within it?

Before we made dance music, we were one of 2.8% of female producers in the industry. This has been something we’ve dealt with for years. There are a lot of female fans in the EDM genre, and we would love to cater to them. We want to get something straight- we LOVE men. Men have been so supportive of us, men have made amazing music that we look up to, and men have given us many opportunities. But so have women!!! We definitely feel a responsibility to represent them well, to be there for them, to cater to them. We especially want to show young girls that they can be anything they want in this world, a lesson we learned from the trailblazers before us. It’s an ongoing priority for us to continue to support the AMAZING female DJs and producers we encounter. They’re huge role models for us.

How do you balance the technical aspects of music production with the emotive elements that define hope house?

This is another great question! We used to be more technical, which made sense because we’ve only been producing for a few years. But about a year ago- something hit us: why do certain songs connect and others don’t? They’re all produced well. In fact, some that are produced worse do better. So is it all about production? Our answer is no. Once we started focusing on how things made us FEEL over whether they were “right or wrong”, we started making our best music. We really believe in that philosophy. The good thing is that we’re still new enough where we don’t have any real bad habits. We also never worried about having the fanciest equipment. It was all about what we could do with our software, not what our software can do for us! So, this was an easy and enjoyable mindset change!

What are some future projects or collaborations that fans can look forward to from me n ü?

There will be a couple of great announcements soon in the remix space! Meantime, we’re constantly releasing new mashups and remixes on SoundCloud, we’re starting to play festivals, and of course, new original music is always coming.

What advice would you give to aspiring musicians, especially women, who are looking to break into the dance music scene?

Do it and don’t think about it! Don’t look back, don’t worry. It’s supposed to be hard because it matters. Things that matter don’t come easy. Hate to quote our own song, but if the shoe fits…. “You gotta just go for it. Don’t think about what comes before or what comes after. You just gotta bend your knees, take a deep breath, and jump”.

Follow me n ü:

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July 2, 2024 0 comments
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Phoenix Rein Debut Single "Spinning Around" Out June 28th
Music InterviewsMusic News

Spinning Around: Phoenix Rein’s Journey of Love and Music

by the partae June 25, 2024
written by the partae

Congratulations on your debut single “Spinning Around,” set to release on June 28th! How are you feeling as the release date approaches?

I feel like it’s a dream and sometimes I have to pinch myself, I feel both nervous, and excited along with a bunch of other feelings….

Can you tell us about the inspiration behind “Spinning Around” and what the song means to you personally?

The Inspiration is Love. Love of music. The love of being in love. The love of whatever makes us happy. For me, Spinning Around is a new beginning, freedom, laughter, joy, happiness, following our dreams and making them happen. 

Spinning Around started out as a beautiful concept about falling in love and falling in love with the music because music is the drum of romance.

What was the creative process like for “Spinning Around”? How did you come up with the lyrics and melody?

Well there was sort of a humming thing that happened in the studio, then The MD J Laws started playing around on the keys and I was like, “yeah that one”. The sounds on the keyboard reminded me of a time with my boo.

 The team Dank and Cybin felt the energy, then it started growing from there. It blossomed as a song about my love for DJ’s and falling in love while the music was playing and poof we had it. We re worked it a couple of times then we kind of nailed it. 

“Spinning Around” is a vibrant fusion of Disco Pop. What drew you to this genre for your debut single?

We felt the love of modern music in terms of popular music, is the new disco. So, I asked for some elements of disco because I really love the Bee Gees and Cher; big fan of both so I really wanted to fuse the two

How did your collaboration with the renowned producers Dank and Cybin come about, and what was it like working with them on this track?

Well it started off when I was introduced by a friend of ours and it was like Magic the Synergy was out of this world. 

When I met DJ Cybin, we immediately hit it off. I played him some music and he said “hey, you have a unique tone I’ve been searching for a tone like that for years” and he said he would get back to me. 

I honestly didn’t hear much back until 2 months later. Then we started working, and the whole crew has been amazing! 

It’s a vibe shout out to Dj Dank aka Riley for always pushing me as a singer.

You have a rich background in jazz, blues, and soul. How did these influences shape the sound and vibe of “Spinning Around”?

I really do. I honestly would listen to James Brown, Rick James and Nina Simone religiously and just go nuts and really have an amazing time hitting each of there wild and obscure cadences and belts. 

They all shaped this record for sure. Rest in peace to those greats. I’m eternally grateful . 

Can you describe the emotion and energy you aimed to capture in “Spinning Around”? How do you want listeners to feel when they hear it?

Well there really is two meanings to the song, with one emotion in common; love. I really wanted the listeners to re-fall in love with music and remember that falling in love with a person is similar to falling in love with a song.

 “Spinning Around” brings that enchanting feeling that really connects your ears and your heart. It’s similar to your lovers voice, you hear it and it touches your heart.

Growing up in Jamaica in a family of musicians, how has your upbringing influenced your music and your approach to creating “Spinning Around”? 

Spinning around really took me back to my roots of heavy bass and really hard hitting drums, it made me remember being in studio with Sly and Robbie. 

And then the beat brought me further back, I remembered, when I was a little kid, my Mom and my Aunt were always singing in the house. Even my Grandmother; I would wake up to the sounds of her singing. They would have the radio playing all the time and music of all genres would be booming from the living room. When I was hyper and running around dancing and singing, my momma always use to say I’m spinning like a top.

So when the words Spinning around hit me, and the melody exploded, we were saying yes this is it.

You’ve received numerous accolades for your performances and songwriting. How do these achievements impact your confidence and expectations for your debut single?

In my past, despite my achievements and performances, I was on a restricted path. Back then, I think no other producers were able to pull out my true talent and work with me like J and Riley. So, I was in a sense, still a blank canvas. Working with Dank & Cybin in studio really pulled out my studio performance and turned it up times 10.  

Also, this time I really got a chance to work with the true business side of things. I’m being taught the business from the inside out. Back then, I was lacking the experience, this time I’ve unleashed my true inner beast.

Really it’s nice to receive your flowers when you’re here, it lets you feel special and sort of gives you that confidence boost that reminds you of your special talents. I really write my heart out, now there’s the difference so I know that this single will touch the hearts and ears of many listeners for decades to come, and I can’t wait to perform it live for fans.

How does the experience of recording and releasing “Spinning Around” compare to performing live at prestigious events and festivals?

There’s this feeling that comes over me when I hear “Spinning Around” and when I was recording it, that’s the same feeling that bubbled out on the record. It’s Euphoric and contagious, it makes me smile every time. That’s the same as the experience of performing at live events; I want the audience to feel good, to have fun and to tap into the euphoria. 

With “Spinning Around” being your debut single, what message or impression do you hope to leave on new listeners and your existing fan base?

I hope for my fans and listeners to really take the song with them where ever they go and just have a good time. I want it to be the kind of happy song you hear and just allow it to set the mood for your day. I want the song to remind you of how sweet the love of music is and bring the listener back to a moment of remembering a time they fell in love with either a song or person and for some people even a pet or item.

What can fans expect from you next? Do you have any upcoming projects or releases planned following “Spinning Around”?

Yes!!! absolutely. Fans can expect to hear the sequel to spinning around called “Married by the Rhythm”

I will be releasing new music every month so fans and listeners can expect a new joint to drop often. My hope is that as I grow as an artist, my fans and listeners grow along with me. I also hope that they have good personal growth and prosperity within there lives.

 

Instagram: 

https://www.instagram.com/phoenixreinn

YouTube:

https://youtube.com/@phoenixreinn

TikTok:
https://www.tiktok.com/@phoenix.rein

Facebook:

https://facebook.com/100093598561639

 

June 25, 2024 0 comments
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Mark Howard on the Inspirations Behind 'The Light Behind Us'
Music InterviewsMusic News

Mark Howard on the Inspirations Behind ‘The Light Behind Us’

by the partae June 14, 2024
written by the partae

Mark, your new single “The Light Behind Us” is set to release soon. Can you tell us about the inspiration behind this track and the story it tells?

The song is about making the desire to create radical change in your life.

You described a bird tapping at your window as the catalyst for writing “The Light Behind Us.” How did that moment influence the lyrics and overall feel of the song?

The image of the bird seemed so innocent as does the twinkling star I also reference in the song. I wanted those images juxtaposed with the thought of being blinded by the sun and a mushroom cloud to convey a loss of innocence.

“The Light Behind Us” is about the desire for radical change and escaping life’s complexities. How do these themes resonate with your personal experiences?

We all experience grief and sorrow in our lives, and I hope people can see these challenges as opportunities to make meaningful change in their lives or to create something beautiful out of despair.

The track blends coastal rock with authentic storytelling. How do you approach combining these elements in your music?

People like to put things in boxes and label them. It’s all expression and music to me, but you’re welcome to slap a genre on it if it helps.

Your upcoming album, ‘Deep Dark Blue,’ features “The Light Behind Us.” How does this single fit into the broader narrative of the album?

Staring into the Deep Dark Blue can be terrifying, but more often than not something beautiful emerges from the depths and not the gaping maw of some monster. Face your fears and embrace change. The Light Behind Us explores this idea as do many of the other songs on the album.

You’ve compared your sound in this track to artists like The Cure and PJ Harvey. How do these influences shape your music, particularly in “The Light Behind Us”?

You become so emotionally attached to your songs sometimes it’s difficult to know exactly what they’ve been influenced by or sound like, so I get other people to tell me.

Working with Dave Prideaux and Andy Stewart, how did their contributions impact the final sound of “The Light Behind Us”?

Dave Prideaux was particularly influential. He helped me workshop the song, experiment with different keys and tempos, and discover new sounds that we felt enhanced the song.

You’ve performed in 45 countries and shared many stories through your music. How do your global experiences influence the themes and sounds in “The Light Behind Us”?

I’m not sure exactly, but it all gets filtered through experience.

Your last single, “Scarlette,” saw great success. How do you think “The Light Behind Us” will build on or differ from that track?

Scarlette helped build my audience and I hope the new single will reinforce their faith in my music.

The chorus of “The Light Behind Us” is described as anthemic. What was your creative process in crafting such a powerful and engaging chorus?

It took hard work and a fearless approach until something felt right.

https://www.instagram.com/markhowardmusic/

June 14, 2024 0 comments
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Electrifying Inspiration Behind Vermantics New Single Unveiled
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Electrifying Inspiration Behind Vermantics New Single Unveiled

by the partae June 13, 2024
written by the partae

Can you tell us about the inspiration behind your new single ‘Don’t Think Twice’? What themes or personal experiences influenced its creation?

Jack: I guess ‘Don’t Think Twice’ is about the rush you get when something is new and exciting, and you’re so caught up in it you don’t care about whether it’s actually good for you. The music came first and it just felt like that kind of story fit the song. I don’t think it’s about any one situation but I’m sure everyone has been there before.

Your collaboration with producers Tom Leach and Phil Threlfall brings a lot of industry expertise to your track. How did these collaborations come about, and what was it like working with them?

Stefan: Both of these collaborations came through the power of the internet. We met Phil five years ago when we were based in Melbourne and worked closely with him in tracking the parts for ‘Don’t Think Twice’. It’s always an exciting process!

We’ve recently met Tom in London, he has added a really exciting edge and spark to our music. It’s been great exploring the next chapter of the band with Tom!

Julian, you mentioned that ‘Don’t Think Twice’ leans into the big energy you have when playing live. How did you capture that live energy in the recording process?

Julian: All of us have grown up watching huge acts on big stages and festivals around Australia and I think we’ve all fallen in love with the energy that a live show brings. That’s become a big part of our performances – and more recently is something we’ve tried to add into our recording and writing process. So with ‘Don’t Think Twice’ you’re hearing those caveman drums and fat guitars!

The song delves into the complexities of pleasure and pain, passion and obsession. How did you approach these intense emotions in your songwriting and performance?

Stef: Like we were saying before, the music tends to come first when we write, so when it comes to writing the lyrics we’ll sit around and talk about the emotion or the vibe the song gives off and get ideas from that.

Jack: The music had this reckless intensity so it seemed right that the words would lean into that.

Stefan and Daniel, as brothers in the band, how does your sibling relationship influence your music and dynamic within Vermantics?

Dan: We’ve been playing together ever since we were little kids. It’s so natural to be in the same project together. It feels like we’re always bouncing off of each others ideas and influencing one another to come up with cool ideas for the project. We also grew up listening to the same music, so we feel our musical background helps contribute to the Vermantics sound.

Jack, your guitar work is a key part of Vermantics’ sound. Can you walk us through your approach to creating the riffs and solos for ‘Don’t Think Twice’?

Jack: The riff that kicks off the song was actually a thing Stef came up with. He was sitting at the drums and started humming this two note rhythmic thing and playing along. It had a great energy and was so simple, so as we were writing the rest of the song there was a conscious effort to keep the guitar parts as simple as possible. I think it gives the song a really cool hypnotic, rolling out of control feel.

You’ve recently opened for iconic Australian bands like The Superjesus and British India. How have these experiences shaped your growth and performance as a band?

Julian: Playing alongside bands with 20+ years performing together is always a good learning experience, seeing how they engage with the audience and each other on stage is something we take note of. There’s sometimes some handy advice about the industry, and we get to hear some pretty sick Rock N’ Roll stories!

With plans to make moves in the UK and European music scene later this year, what are you most excited about regarding this international expansion?

Stef: We’re super excited to branch out to the other side of the world and share our music with lots of new people. It’s been a big goal of ours since we started the band!

Dan: There’s so much music history in the UK and Europe, we’re really keen to tap into that.

Jack: I’m just excited for the fish and chips…

Your music has been described as having expansive melodies and a high-energy presence. How do you balance these elements to create your signature sound?

Dan: We don’t really think about it that much when we’re writing, but usually the songs we like the most or think are the strongest have the best balance between melodic and high energy.

Julian: I think the high energy part comes naturally to us because of the music we all listened to growing up. Stef and Dan came up in the pop punk scene and we all grew up listening to drummers like Bonzo (Led Zeppelin) and Dave Grohl so the rhythmic side of the songs is always gonna be big!

How has Vermantics evolved since your formation in 2021, both musically and as a group?

Jack: Our journey as writers has probably been about finding that balance between light and shade. The perfect mix of heavy and soft, loud and quiet, sad and hopeful. To me that’s become a signature part of our sound. There’s always a twist in there, a moment where you see the other side. As a group we’re very close, we know each other’s strengths and I think you get to see a part of each of our personalities come through in the music.

What challenges have you faced while producing and promoting your music during the pandemic, and how have you overcome them?

Stef: We started during the pandemic so it was frustrating for us as a new band, just like it was for everyone else.

Jack: The silver lining was that it gave us time to write and craft our sound and our image. There was a lot of stop/start going in and out of lockdowns but it definitely gave us time to assess what we were and what we wanted to be. Maybe without that downtime we wouldn’t have developed into the band we are now.

Looking forward, what can fans expect from Vermantics in the coming months, beyond the release of ‘Don’t Think Twice’? Are there any upcoming projects or tours you’re particularly excited about?

Stef: We’ve got so much music that we want to share with everyone and the plan is to release new material regularly for the rest of the year. We’re always excited to play live too, so keep an eye out for some shows in the back half of the year!

https://vermantics.com

June 13, 2024 0 comments
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Music InterviewsMusic News

Yves Larock on Inspiration, Evolution, and ‘Another Day’

by the partae June 5, 2024
written by the partae

Yves, your new single “Another Day” has just been released. Can you tell us about the inspiration behind this track and how it came to be?

As usual, I sit behind my piano and look for a chord progression. Then I search for a vocal melody. With this vocal melody, the words ‘another day for love’ immediately came to mind. Since English is not my native language, I have been getting help with the lyrics from a friend for years. Then I was looking for a singer, and I fell in love with Maryne’s voice. She recorded the vocals for the track… and it was a wrap

You mentioned that you composed “Another Day” four years ago but only recently found the perfect sound. What was the journey like to find that perfect sound?

Even with experience, I can’t always tell if a song is good, but I can now tell when it’s not great. For this track, I had an amazing vocal and a beautiful chord progression, but I couldn’t find the right version. I must have made 20 different versions… slower, faster, different styles, but I was never satisfied. So, I let it rest for a long time. Six months ago, I revisited it, and finally, I found what it was missing… it all comes down to tiny details

“Another Day” captures the essence of summer and love. How did you go about incorporating these themes into the track?

Honestly, I don’t really think when I’m composing a song. I never know where it will take me; I just go with the flow. This time, it led me to a summery, energetic sound that ultimately fits the music. Maybe that’s why I didn’t release it earlier; I didn’t have that summer vibe

Reflecting on your massive hit “Rise Up,” how do you feel your music and style have evolved since then, particularly in “Another Day »?

I hope so, because as Einstein said, “Life is like riding a bicycle. To keep your balance, you must keep moving.” The same goes for music. That’s why I question myself every day, learn something new daily, and work with other people. The young producers I work with push me to surpass myself, and that’s amazing.

Your tracks, including “Another Day,” often feature rhythmic piano and infectious vocals. What draws you to these elements in your compositions?

As I mentioned, I always start my compositions on the piano, but often it’s just a starting point, and then I arrange them differently. However, this time, I felt the piano was fitting and needed a vocal over it. I also compose tracks for clubs without vocals, but this one felt a bit more commercial to me.

“Rise Up” topped charts worldwide and became a defining moment in your career. How do you feel about the legacy of that track and its impact on your career?

I owe everything to this song. It propelled me to the forefront of the scene. Without it, I don’t think I could have made a living from music for the past 15 years. I’m still amazed that people keep requesting it, so I always have to play it in my sets.

You’ve taken a brief hiatus from the spotlight before returning with “Another Day.” What have you been working on during this time, and how has it influenced your new music?

After “Rise Up,” I toured extensively around the world. But first and foremost, I’m a composer, so I wanted to slow down and return to the studio. I worked on many different projects, not at all related to dance music (rock, pop, etc.). Now, I am full of energy and inspiration for dance music again. Additionally, I had a daughter and wanted to see her grow up.

Your new single is set to be the soundtrack of the summer. What do you think makes a song the perfect summer anthem?

Music needs to be joyful and sexy, and the lyrics should be easy to remember. However, music isn’t an exact science, so I never know if people will like it. I haven’t yet found the secret formula

You have a strong global following. How do you think your international success with “Rise Up” has influenced your approach to creating “Another Day »?

I created “Rise Up” by following my instincts, just to have fun. After such success, I tried to recreate the same “recipe,” but I never succeeded. In recent years, I stopped overthinking and just made music based on my feelings, without any expectations, just for my own enjoyment. I believe that’s the best approach

With the current trends in house music, how do you ensure your music stays fresh and relevant, as seen with “Another Day »?

I listen to new releases every week, and it inspires me a lot. It’s important to stay up-to-date. In recent years, house music has made a comeback, bringing back the groove, which is where I come from. There was a long period of EDM, which I liked, but I couldn’t produce it well.

You’ve released music on your own label, Millia Records. How does having your own label influence your creative process, especially with tracks like “Another Day »?

It allows me to be more free, to make music that I feel without any stress, and also to release tracks from young artists that I like. However, I still sign songs on labels. I have several that will be coming out soon.

What can your fans expect from you in the near future? Are there any upcoming projects or collaborations following “Another Day” that you’re excited about?

So, I always have a lot of projects in mind. I’ll continue releasing plenty of dance tracks while also working on other musical projects. Most importantly, I’ve found the desire and energy to hit the road again.

 

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June 5, 2024 0 comments
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Interview: Slinkee Minx on Reviving 'This Is Your Night'
Music InterviewsMusic News

Interview: Slinkee Minx on Reviving ‘This Is Your Night’

by the partae May 31, 2024
written by the partae

Why did you choose ‘This Is Your Night’ for your first major release of 2024?
It has always been a favourite of ours and is a classic 90s club anthem for a reason! It’s a dancefloor filler, has a strong hook and a great energy and vibe. We knew we could bring something special to it and are excited to introduce this song to a new generation of listeners. 

What inspired you to give ‘This Is Your Night’ a modern spin?
We’d been listening to a lot of dance and electronic music from some of the bigger international artists and liked how these producers were taking a classic track and flipping it on its head with new melodies and arrangements to create something edgy and modern for today’s audience.  With that in mind, we felt ‘This Is Your Night’ would be the perfect track for us to rework, as it lends itself to that big room vocal which we love, as well as inspiring some new melody lines and vocal parts.

When planning a re-do of a classic, how do you decide which song to tackle next? Can you walk us through the process of selecting a classic song and transforming it into something fresh for today’s audience?
From the outset, you need a clear direction of where you’d like to take the track. We personally also need some sort of connection to the song we have selected, whether it’s the melody or lyrics or both. The beauty of music is that a song can be reimagined in various styles and genres and this is the exciting part for us and where the magic happens – taking the original melody in new directions, playing with tempo, adding new harmonies and vocal arrangements etc to make it your own. 

How did you approach putting your own spin on the vocals for ‘This Is Your Night’?
When we listened over and over to the track, we could easily hear little chants, new harmonies, ways of delivering the vocals that came naturally to us – that added a different flavour, or that suited the vibe of the musical direction our producer James Ash was starting to take. Often the vocals inspire music but the music also inspires the vocal direction and this was a work in progress along the way which was so fun!

What are some vocal techniques or styles you incorporated to make the song distinctly Slinkee Minx?
People who know our sound will often hear very uplifting, powerful vocals – extra lyrical parts, chants and hooks that aren’t always words but are notes held or sounds we create using the voice, adding a really subtle effect. It can be very understated sometimes or obvious depending on the track! From a production point of view, we also enjoyed incorporating the use of vocoders to give the song that modern vibe.

What’s the studio process like for Slinkee Minx? Can you give us a behind-the-scenes look at what happens during a recording session?
Ha, how long have you got? Studio sessions for us are so much fun and where we get to be the most creative. There’ll not only be writing, recording, sitting around playing with sounds, beats and musical parts, but there could be dance offs, a LOT of laughter, cups of tea, glasses of champagne, filming, photos and more laughter. We love the studio process more than life itself!

How long does it usually take to get the vocals just right for a song like ‘This Is Your Night’?
Sometimes vocals come together so easily – the tone and the pitch just lands perfectly – the delivery comes as it should to suit the vibe of the music. Other times, we can get stuck on how we deliver a line because we are perfectionists and we listen back and think it isn’t quite right. ‘This Is Your Night’ came together pretty quickly because it suited us so much – so probably only 4-6 hours all up!

Were there any particular challenges you faced while reworking this song, and how did you overcome them?
There are a lot of words in the song so it was finding the balance of ensuring we could get everything sitting nicely in harmony with the beat. It meant we decided to drop a few lyrics here and there that we felt didn’t need to be included in order to really hit the mark of this track!

Given your history of creating dance hits, do you have plans for any remixes of ‘This Is Your Night’?
We sure do! There is one coming out soon by the talented Australian production duo Double Dipped who have created an amazing club mix for us. There may be one or two more – we get asked a lot about mixes (people approach us to remix our tracks) so you’ll have to watch this space!

How was it collaborating with James Ash from Rogue Traders on this project? What did he bring to the table?
James is incredible – his attention to detail, to take on our feedback and direction, to be on top of current sound trends and what is happening globally, is honestly extraordinary. He is amazing and we are so lucky to work with this world-class music producer, songwriter and performer. We consider him one of our best colleagues and friends!

What do you hope new and longtime fans will take away from your rendition of ‘This Is Your Night’?

We hope it’s a song they’ll have on repeat – that makes them happy and connects, and that they cannot help but find themselves singing along to… an earworm, if you will. We loved creating this track and we hope you all love it too. Thank you to everyone who supports us!

PLAY/LISTEN

Website: https://www.slinkeeminx.com/

Facebook: https://www.facebook.com/slinkeeminx

Instagram: https://www.instagram.com/slinkeeminx

May 31, 2024 0 comments
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Interview with Curly Hendo: Journey, Challenges, and Wisdom
Music InterviewsMusic News

Interview with Curly Hendo: Journey, Challenges, and Wisdom

by the partae May 31, 2024
written by the partae

An introduction to being an independent musician, how you got started, and how you ended up where you are?

From the age of four, I was immersed in the world of competitive dance, training in ballet, hip-hop, jazz, and tap. This early exposure to the performing arts instilled in me not only confidence but also a profound understanding of what it takes to captivate an audience—skills that helped set the stage for my music career and have become invaluable in business ventures.

My entrepreneurial journey in music began at the young age of eight when I first picked up an electric bass. This early passion led me to pursue the highest international qualifications in bass guitar while still attending school, complemented by formal studies in business. At just 18 years old, I established my own entertainment company, aiming to showcase exceptional musicians and deliver top-tier performances coupled with stellar customer service. My enterprise flourished, expanding to include a roster of over 30 musicians. We have performed at numerous leading venues and events, including corporate functions and cruises across the South Pacific.

Simultaneously, I continued to advance my career as a session bassist, performing alongside acclaimed artists across Australia, Asia, and the UK. This international exposure not only helped my performance skills but also enriched my business acumen, making every stage and interaction a part of my continuous learning journey.

What has been one major challenge you have overcome, provide a real example of this?

At the age of 19, I faced one of my most significant challenges when I moved to Boston to attend Berklee College of Music on a scholarship. This marked my first time living abroad alone, a stark departure from my home in Sydney, Australia. Simultaneously, my entertainment business was expanding, requiring me to manage rigorous music studies and performances while overseeing a growing company from another continent.

This period was transformative, instilling lessons in resilience and the critical importance of stepping beyond one’s comfort zone. Berklee offered a unique opportunity to collaborate with some of the industry’s most talented individuals, enhancing my musical skills and broadening my professional network, which was instrumental in shaping my career and entrepreneurial spirit.

Living alone in a foreign country at such a young age presented challenges, from navigating daily life without the immediate support of family to balancing intense academic and business responsibilities. Managing these dual commitments demanded meticulous time management and a laser focus on my long-term goals. Throughout this journey, I learned the value of self-reliance and resilience. Staying focused on my objectives helped me navigate through these challenges, reinforcing my confidence and ability to back myself in future decisions. This experience underscored that with determination and a clear vision, one can overcome even the most daunting of circumstances, ultimately shaping me into the entrepreneur I am today.

What has been your greatest personal achievement in your journey and how did you achieve this?

Navigating my entrepreneurial journey as an independent international artist under the stage name Curly Hendo has been a comprehensive masterclass in entrepreneurship. Operating independently means I am wholly responsible for every aspect of my career—from marketing to accounting, bookings, and overall management. This dual role of artist and entrepreneur demands a relentless drive and a multifaceted skill set, closely mirroring the challenges of running my own entertainment business where similar skills are paramount.

The culmination of this hard work and entrepreneurial spirit was vividly displayed when I performed last year with the exceptional artist RAYE at the packed Wembley Stadium for the Capital Summertime Ball. This performance was one of my career highlights amongst many memorable performances with various artists at festivals, concerts, and on television. The exhilaration of live performance and the opportunity to influence others through my music are the driving forces behind my endeavours.

My greatest personal achievement is my role as an international ambassador for a leading music institution which enhances my ability to impact the music industry further. In this capacity, I mentor emerging talents, offering them guidance on navigating the complexities of the music and entertainment industry with practical, strategic advice. This blend of personal achievement and contribution to the development of others encapsulates my greatest accomplishment in my entrepreneurial journey, showcasing the synergy between self-reliance and community support in achieving success.

Can you give a word of wisdom to a fellow independent musician?

Define your goals with clarity and pursue them with unyielding passion. It’s crucial to implement straightforward strategies that focus primarily on people—be it your team, collaborators, or customers. Don’t shy away from challenging your comfort zones; embracing new experiences can lead to greater opportunities and enrich your journey. Remember, the broader your horizons, the greater the rewards.

https://www.instagram.com/curlyhendo/

May 31, 2024 0 comments
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Interview: Olivia Penalva On Her Debut Album 'Spiderwebs'
Music InterviewsMusic News

Interview: Olivia Penalva On Her Debut Album ‘Spiderwebs’

by the partae May 31, 2024
written by the partae

Congratulations on the recent release of your debut album Spiderwebs! What inspired the title and the overall theme of the album?

Thank you so much! The title was inspired by the idea of getting stuck in the webs of life or rather the messiness of life and struggling to find your way out. This album explores themes of loss, heartbreak, and control, and how those things can mess with your emotions and views on the world. At the time I wrote it, I was trying to navigate my way through some past traumas, and you can feel my mood in a lot of the songs. I wanted to show how unpretty our thoughts and emotions can be when we feel misplaced.

“Spiderwebs” is an engaging collection of 11 songs that explores the highs and lows of love and self-discovery. What was your songwriting process like for this album, and did you draw from personal experiences?

The songwriting process was really fun for this album because for the majority of it, I started writing by myself in my room and it all kind of just happened so naturally. All these songs are an accumulation of feelings or experiences that I or people close to me have gone through to show how sometimes messy and ugly life can be. I was really drawing from the idea of growing up and being in your little naive bubble as a kid, to then being exposed to the harsh reality of the world as a young adult and how that can sometimes lead to a loss of identity. It explores all the feelings and emotions that we uncover as young adults that show us that although life is beautiful, it can also be really painful.

The opening track and first single, “Spiderwebs,” produced by Ryan Stewart, deals with losing your sense of identity in a relationship. Can you give us the lowdown on the creation of this song and what it means to you?

When I reached my early twenties, I found myself in a relationship where I had no control over myself or my life. It was very isolating and hard to navigate the world after feeling like I was stripped of my identity. This song was an outlet at times when I felt like nobody would understand me or what I was going through. I had it in my back pocket for almost three years before I decided to finally share it with the world, and I am so glad that I did because in releasing it, I have found how many other people could relate to what I had experienced. This song means everything to me because it was the catalyst in taking back my power and creating this album that I am so proud of.

Since dropping your debut single at the age of 13, you’ve evolved into a versatile artist with over 25 million career streams. How has your musical style and approach to songwriting changed over the years?

I think there is a lot that has changed and a lot that hasn’t. My one thing I’ve tried to hold onto is my storytelling and the authenticity behind it. A lot of songs I write are about my life, but a lot of songs are also inspired by people in my life or things I wish I had experienced. There have been times I have definitely stepped outside of that box to cater to what’s current or what would play well on radio, and as proud as I am of all my songs, doing that taught me that the best stuff I write and the stuff that means the most to me are the songs that come from my heart, and I feel like this album really shows that.

Your hit single “Love Me” earned a Top 20 spot on Canadian radio and became the #2 most-added song at CHR Mediabase. How did that success impact your career and your approach to this new album?

I am so proud of that song because we had such a fun time writing it, so to see people love it the way we do as writers and creators made me very happy. Being a Canadian, the support from Canada was so amazing and pushed me to want to create and share more of myself with everyone. As artists, it’s really the public that decides if your music is good or not, so to get that kind of love and feedback allows me to continue doing what I love, and I am very grateful for that.

With tracks like “Ex’s” making it to the Top 20 on CHR and Hot AC radio in Canada, and also breaking into the US market, what challenges and opportunities have you faced in expanding your audience?

‘Ex’s’ was the first time I ever had a song break US radio, so that was a very cool thing to experience. It’s such a different market in so many ways, and as a Canadian independent artist, it can be so hard to break through that wall and get your music out there to more listeners. At the time that it did, I was lucky enough to be signed with a US label and have that support. One thing a lot of people don’t know is the cost of putting your music to radio. In Canada, it is more cost-friendly and easier to try. Although just because you hire a radio promoter, doesn’t mean your song will make the cut. US radio is a whole other ballpark. As an unsigned artist, I’d say that one of the biggest challenges is often finances, so you just have to make music you love, stand by it, and hope that when people find it, they will see how talented you are, with or without a label backing you.

“Spiderwebs” covers a range of emotions from toxic relationships to self-acceptance. Which song on the album is the most personal to you, and why?

It’s so hard to choose because each song is personal to me for different reasons. I’d say ‘Spiderwebs’ for sure because it was the catalyst for creating this whole album and a way for me to take back control over myself and my art. But if I had to name one because it’s my absolute favorite song on this album, it would be “Paper Rose”. It was the first song I had written by myself for the first time in a few years, and I am so proud of that. It reminds me of all the things you wanted but couldn’t have, and although it’s a sad song, for me, it gave me a lot of hope and confidence to keep writing by myself and tell the stories that are often hardest to tell.

As a rising pop star in Canada, what message do you hope listeners take away from your music, especially from the songs on “Spiderwebs”?

When people listen to this album or any of my songs, I hope they feel heard and understood. We all crave that connection and need to be related to. I think it’s a good reminder that although we may have different experiences, we can all relate to many of the feelings conveyed on this album. More than anything, I hope it reminds people to never let someone else dim your light and take away from the thing that makes you who you are.

Twitter: @Oliviapenalva

Facebook: /OliviaMusicLive

Instagram: @oliviapenalva

Website: https://oliviapenalva.com

May 31, 2024 0 comments
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Rediscovering Connection: Bae Baracus on 'Lost Touch
Music InterviewsMusic News

Rediscovering Connection: Bae Baracus on ‘Lost Touch

by the partae May 25, 2024
written by the partae
Your new song “Lost Touch” dives deep into post-punk vibes and heavy themes of anxiety and emotional pain. Can you tell us what inspired this track and what it means to you personally?

Dolly: The world is in a lot of turmoil and it’s taking its toll on us all. Part of that turmoil is social disconnection, people are losing meaning, losing a sense of belonging. “Loneliness Epidemic” is a term you hear a lot now. Even if you don’t feel it, you’re affected by it.

Lin: This was the first track we wrote after a break of over a year. Clef started jamming the chords on the guitar, and I quickly built a beat around it so I could then switch to laying down some keys. We work fast in the studio, and while we were doing that, Dolly was singing ideas straight down, through a vintage echo unit. I kept that echo track in the song, as it had this kind of claustrophobic “locked in a box” sound to it, which seemed in keeping with the theme of the song.

Celf: The riff was the first thing that came out when we hit record. The drive and the grit I think inspired the moodiness of the track, but to me what stands out is how much it captures in few words. I often think about what it means to be real, to be me, if there even is such a thing as “real” versus unreal, fictional, tangible. So I get a lot from the lyrics, but it was Dolly who wrote them, haha.

The video for “Lost Touch” just dropped on YouTube via Boomsmack Records. What was the creative process behind the video, and how does it add to the song’s message?

Dolly: French cinema has done amazing things with visuals since the beginning. We used scenes from Feuillade’s Les Vampires where a woman playing a vampire becomes a victim to demonstrate losing connection, losing touch with who you thought you were.

Lin: We put the live performance take down while we were in a rehearsal for our debut show..  Our time together as a band is always brief, and I was like “let’s get a couple of quick takes for the video”. I love what Dolly did with the edit, interspersing us with that great vintage footage.

Clef: Dolly made the video too and it’s smashing! DIY and juxtaposed with classic footage, super cool. The video has very good use of the Kuleshov effect, where juxtaposed and unrelated video elements played in sequence communicate an emotional state.

Your new album “Release” is set to drop on May 31st. How does this album build on your previous work, and what can fans expect in terms of new sounds and themes?

Lin: For me, this album shows an evolution with us feeling even more comfortable leaning into our moodier vibe, which is there is some of our earlier tracks, if you dig, but more at the forefront here. While there’s still tracks to make you dance on this new record, we’ve drawn more on edgier guitar tones and post-punk moods, blending with our signature synths and love of electronic music.

Clef: The album was made much the same way as our EPs, recorded in a weekend and perfected by Lin, Dolly and I in small steps afterward. I moved away for a year and wasn’t sure I was coming back, but decided eventually that I had to be home. I think the songs on this album were less concerned about what the Bae sound was, which is why it sounds the most authentically Bae to date. I like that we can explore so many sonic avenues.

Dolly: An intentionally darker mood than previous Bae Baracus records, ‘Release’ explores the double-edged themes of liberation and the ennui that accompanies it. Like a 3am coffee, the album is both energetic and angst-ridden. Filled with nocturnal post-punk dance, it abandons all hope of sleep and embraces the night.

Clef created a unique collage for the album cover of “Release.” Can you walk us through the inspiration and creation process behind this artwork, and how it ties into the album’s themes?

Celf: I wanted to make a cover that was a physical piece of art rather than a digital one. When I make a piece of art, I tend to land on a process that is very stream of consciousness. My ADD went full hyper focus on this one, and I ended up making the whole thing in about 6 hours, starting around 8pm. I asked Lin and Dolly to send me personal photos and I decided whatever I got would be my full collage palette. The result is weird, but satisfying to look at. And now the collage is being de-constructed for art’ sake!

Lin: We knew we wanted something special for this album’s cover, and when Clef suggested he do a collage, Dolly and I were totally up for it. I love what he did, it’s so unique and feels really meaningful.

After “Release” hits the shelves, what’s next for Bae Baracus? Any upcoming tours, collabs, or projects you’re keen to share with your fans?

Dolly: We have another video coming out for ‘Move into the Sea’ – the final track on Release. As for tours, we’re really a studio project but we will be doing a super rare one off hometown show in August.

Lin: When this album drops, we’ll have a total 21 songs in our repertoire, not bad for a band who’ve only been in the studio a total of less than 3 weeks together! We recently played our first show and people absolutely loved it, so the focus will be a switch to live shows. Between us, we have a lot of commitments with day jobs and families, so while a full blown tour might not be on the table just yet, we’re definitely up for one-off shows when we can.

Clef: We have a gig in the summer to celebrate the release of ‘Release’, and from there who knows! I think it’d be cool to play a city show at some point, lots of travel and timing to consider. But Bae is strong!

“Lost Touch” delves into feeling disconnected and finding your way back to yourself. How does this track reflect your band’s evolution and current artistic direction?

Dolly: ‘Release’ is darker, as said. But Bae doesn’t stay on the same trajectory for long. We zig, then we zag. You’ll see with our next video, which goes in a very direction from ‘Lost Touch’.

Clef: Interesting question. I am deeply concerned about the spirit of artistry in the music industry these days, because it feels as though more and more of what I see is for feeding the algorithm. But it’s so much worse than trying to be popular or a hit, because obviously artists have egos and want to see their art exist, but this current age is more like the music CAN’T exist without being referential, nostalgic, captivating, technically and proficiently excellent and visionary. It’s like the bar has gotten so high it’s almost inhuman. And yet, the AI machines are getting exponentially better at making music that sounds like human music. So, how do we connect with art on a meaningful level? Is meaning still meaningful? My only answer to this is to wave off the question and keep playing, because it’s fun and I know how to do it.

The themes of “Lost Touch” speak to the disconnection we feel in today’s interconnected world. How do you reckon your audience will resonate with these themes, and what message do you hope they take away from the song?

Clef: I think the audience will see or hear what they want to see or hear in the song. If there’s someone out there who listens to this song 1,000 times in a row because they think it’s a love song, I’m here for that interpretation!

Dolly: I’ve no doubt that it will resonate with many of those who hear it. The simple message to take away from the song is “I see you. You’re not alone in your loneliness.”

Socials:
FB: https://www.facebook.com/baebaracus
IG: https://www.instagram.com/baebaracus/
X: https://x.com/BaeBaracus
May 25, 2024 0 comments
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Gloam Discusses Growth and Change in 'Hinder'
Music InterviewsMusic News

Gloam Discusses Growth and Change in ‘Hinder’

by the partae May 23, 2024
written by the partae

What inspired the theme of growth, progress, and navigating change in your latest single, “Hinder”?

I’d say that the song itself kind of sparked that. Our creative process is heavily a music-first, vocals-second kind of process. So essentially, I listened to the song on repeat (after Oli and I had workshopped it to where it is now) for a while, trying different melodies over different sections, and deciding what felt right. Before long, I had begun associating certain feelings and memories to the track, which then began to influence the words that ended up being sung on the track. Overall, I wouldn’t say there was a moment where I decided “This is what the song is about,” more of an overarching theme that I sort of connected to these emotions after the fact.

Can you elaborate on the internal conflicts portrayed in “Hinder” that hinder the actualization of self-fulfillment?

It’s tricky to put my finger and explicitly say it was ‘this’ or ‘that’, but I’d say it mostly refers to the stagnancy that comes as a consequence of anxiety and depression. it’s easier to sit with what you have and where you are than it is to get up and create the change that you so badly know you’re craving.

How does “Hinder” differ thematically or musically from your previous work, such as your debut single “Merchant”?

Hinder features quite a fast and driving energy throughout the whole performance, which began as a core element in the songwriting process before there was even any drums or vocals attached. I feel like with this track there was less focus on having a big contrast in dynamics within the song, and more emphasis placed on making a fun, driving, high energy piece of music. 

Could you share any anecdotes or stories from the creation process of “Hinder,” particularly regarding its lyrical development?

I wouldn’t say that there was any particularly noteworthy moments in writing the lyrical content for Hinder, so apologies for that. However, I did find myself questioning myself and whether the lyrics I was writing down may have been too cryptic to make any linear sense to listeners. But I guess some self-assurance came from the self-reminder that this is Gloam’s artform, and there is little to no obligation to typical song conventions. I would encourage any other songwriters or artists to take the same mindset; it was quite liberating and really feels as though once you do away with writing to certain deliverables, true creativity starts to occur. At least that has been my experience thus far.

What role does introspection play in your songwriting process, especially when addressing themes as complex as fear, discomfort, and personal growth?

I would say, it plays quite a vague role. I’ll rarely have a specific time, object, or event in mind when writing lyrics. Quite often they tend to be very abstract, with contemplation seeing them revised. It is usually at this step in the process; when I have a clearer idea about how I feel about the songs and what they mean to me, that I’ll attach any sort of meaning or theme to the tracks. This very much applies to the songwriting process of Hinder.

You mentioned drawing inspiration from shoegaze icons like Slowdive and Whirr. How do you infuse your own unique style into the genre, as showcased in “Hinder”?

While we’ve drawn inspiration from lots of the big names in post-rock and shoegaze, we’ve also taken influence from a wide range of bands outside these genres. Oli spent a decent chuck of time around writing and editing the first demos of “Hinder” listening to Death Metal and Post-Black Metal bands such as Suffering Hour and Deafheaven, and I think an amalgamation of all sorts of different sounds make their way into our tunes and help shape our sound in strange ways. 

“Hinder” was mixed and mastered by long-time collaborator Cameron Murphy at Opaque Studios. How does Murphy’s involvement contribute to the final sound of the track?

Cam’s input, I feel, is likely to be quickly overlooked. I think we all feel quite ‘new’ to being musicians, in the sense that we aren’t conforming to anything typical of a genre or ‘scene’; we’re writing to a taste that we haven’t done before and is everchanging. Consequently, this can blur the lines between what’s working and what’s not working. Cam has been a great filter along the process to bluntly tell us what is, and what isn’t working. Of course, with a grain of salt though. He’s always on board with our wild ideas, drawing from an array of references that you mightn’t typically put together.

With only a brief tenure on the live circuit, how do you feel your experiences sharing the stage with international and local acts have influenced your musical journey and the sound of Gloam?

The live performance experiences we’ve had over the last couple years have shaped our ambition and drive in huge ways, and have been quite essential in keeping the Gloam music-machine rolling. We’ve been able to experiment and hone into our sound and performance, as well as learn and take inspiration from some really great bands. Big touring groups like Touché Amore, Deafheaven and Movements have been incredible to share the stage with, and have felt like a masterclass in high energy performance and positive attitude, not to mention attention to detail. Though in saying that,  I think we have also learnt just as much from these big international support opportunities as we have from the local bands in the Perth scene. Getting to see how bands around us are growing and shaping their live performances has been hugely motivating and exciting, and is often what pushes us to work harder on how we present and perform our music. 

“Hinder” debuted on triple j Unearthed TOPS, showcasing your unique blend of ethereal soundscapes and relatable lyrical theming. How important is it for Gloam to connect with listeners through both musical and lyrical elements?

Strangely enough, I feel that the music is the most powerful vessel in any existing Gloam song, by quite a margin. Because the feeling of each song largely determines the lyrics that follow, it becomes the beacon of the track. We expect that the listener resonates more with the soundscape of the tracks, rather than the literal words being sung.

Can fans expect a similar thematic approach in your upcoming releases, or do you plan to explore new territory with your music?

One of the main takeaways for us from this last writing and recording process is how exciting and rewarding it is to venture into new territory musically. Now that we have established ourselves with a solid foundation in our sound, it’s going to be really exciting to see where we can take it, as well as discovering new tools and strategies to get us there.

How does the process of crafting a single like “Hinder” inform or influence the direction of your future releases and overall musical evolution as a band?

I would say it doesn’t really. We have an EP coming out later in the year which includes “Hinder.” This full record feels a lot more creatively ambitious than what we’ve done previously, some songs sounding similar to Hinder, or our previous self-titled EP and others being far more left-of-centre. Moving forward from this upcoming record, writing has already begun and I think we’re collectively embracing our experimental tendencies a lot more, not just in the songwriting area but with varied tunings, keys and guitar pedals. We’re excited about the musical journey ahead!

Finally, what message or feeling do you hope listeners take away from “Hinder,” and how does it fit into the larger narrative or vision for Gloam’s music?

I think, that we’d hope our listeners feel a sense of calmness after listening to this track (or any of our music). Hinder is a melancholy song that we all feel very at-peace with when performed live and throughout the recording process, despite it’s heavy overtones and distorted characteristics. I don’t think I’d hope our listeners take away any specific message, I’d like to think that they might associate their own message or lesson from the track – something I personally love about consuming music.

https://www.instagram.com/gloam.band/

May 23, 2024 0 comments
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