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What is your name and role within Big Orange? Daniel. Songwriter Where are you currently based? Western suburbs of Perth Congratulations on the new album, 'An Ode To Odious'! How does the record sit with you guys as a band, now it's finally out and released?   Thank you. While others enjoy the album it's good for us to be able to sort of forget about it and move onto something new. We went back to the studio the week it was released.  Would you say the approach to songwriting/arranging differed much during the creative process of this album? (If so, how?) No, it’s the same process where I bring complete songs demoed to the band and we work out how to play them.  I work in my music room every day and play until something comes out of nowhere and then I go to work on that. I usually try to make sure the framework and structure of the song is in place i.e. arrangement, melody, lyrics before I start work on the production side. Though sometimes i'm a little eager to see what it'll sound like with bells and whistles. (I put bells and whistles on all my songs).  What was something you learned about the way Big Orange works together, over the course of making 'An Ode To Odious'? Well Jamie our drummer is a fairly new addition and our first time with him in the studio so it's all been learning really.  Were you particularly inspired by any sounds or records going into making this album? I haven’t been listening to a lot of music over the last few years because I don’t wanna get too influenced by it or rip off a song or something. Especially when I’m working on stuff and I’m always working on stuff. But there are lots of influences on the album. If 'An Ode To Odious' was THE album for newcomers to Big Orange's sounds, what tracks would you recommend they listen to first to get a good scope of the type of band you are, and why?   Our sound is pretty all over the place so it’s hard to give an idea of what type of band we are but maybe I Wanna Know and Goodnight Kiss Vampire Bite because it displays some of the variety in our styles going from rock to a more piano based pop song. The band is WA-based; how have you found the vibe has been for live music and rallying together in the time of COVID? I don’t think there has been much to worry about really over here in Western Australia and from what I can tell a lot of bands have been doin fine in terms of gigs. We haven’t played much this year, have spent more time recording and working on new material, so I can’t really speak for the vibe. What is exciting you about returning to live touring in 2021? Touring is always a good, 2021 will be no different I'm sure other than we will have a record out that hopefully people know and love.  https://www.facebook.com/bigorangetheband/
Music InterviewsMusic News

Big Orange

by the partae December 9, 2020
written by the partae

What is your name and role within Big Orange?

Daniel. Songwriter

Where are you currently based?

Western suburbs of Perth

Congratulations on the new album, ‘An Ode To Odious’! How does the record sit with you guys as a band, now it’s finally out and released?  

Thank you. While others enjoy the album it’s good for us to be able to sort of forget about it and move onto something new. We went back to the studio the week it was released.

Would you say the approach to songwriting/arranging differed much during the creative process of this album? (If so, how?)

No, it’s the same process where I bring complete songs demoed to the band and we work out how to play them.

I work in my music room every day and play until something comes out of nowhere and then I go to work on that. I usually try to make sure the framework and structure of the song is in place i.e. arrangement, melody, lyrics before I start work on the production side. Though sometimes i’m a little eager to see what it’ll sound like with bells and whistles. (I put bells and whistles on all my songs).

What was something you learned about the way Big Orange works together, over the course of making ‘An Ode To Odious’?

Well Jamie our drummer is a fairly new addition and our first time with him in the studio so it’s all been learning really.

Were you particularly inspired by any sounds or records going into making this album?

I haven’t been listening to a lot of music over the last few years because I don’t wanna get too influenced by it or rip off a song or something. Especially when I’m working on stuff and I’m always working on stuff. But there are lots of influences on the album.

If ‘An Ode To Odious’ was THE album for newcomers to Big Orange’s sounds, what tracks would you recommend they listen to first to get a good scope of the type of band you are, and why?

Our sound is pretty all over the place so it’s hard to give an idea of what type of band we are but maybe I Wanna Know and Goodnight Kiss Vampire Bite because it displays some of the variety in our styles going from rock to a more piano based pop song.

The band is WA-based; how have you found the vibe has been for live music and rallying together in the time of COVID?I don’t think there has been much to worry about really over here in Western Australia and from what I can tell a lot of bands have been doin fine in terms of gigs. We haven’t played much this year, have spent more time recording and working on new material, so I can’t really speak for the vibe.

What is exciting you about returning to live touring in 2021?
Touring is always a good, 2021 will be no different I’m sure other than we will have a record out that hopefully people know and love.

https://www.facebook.com/bigorangetheband/
December 9, 2020 0 comments
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Bachir Salloum
Music InterviewsMusic News

BACHIR SALLOUM 

by the partae December 9, 2020
written by the partae

Beirut-born, Dubai-based Bachir Salloum is an artist turning heads right now with his blend of deep and progressive house music. We caught up with him around the release of his new EP on 3rd Avenue ‘Head Above Water’…

Hey Bachir, thanks for talking with us! Where are you right this moment?

Hello guys, thank you for your interest in me, and for having me on your radar.

I am from Beirut but living in Dubai for the past 5 years.

You’ve loved music since you were young and got into the Beirut scene where you’re from, but what was it that brought your big break? 

Well, music was always a big part of my daily life, so I think every achievement in my musical career seems like one of many big breaks to me.

You’ve played alongside some amazing artists, what was the biggest pinch me moment for you? 

Can’t really decide which one was the best moment, all my shows are very special to me. But one that always stays in my memory was playing alongside Black Coffee in Dubai. I reached the venue early, it was only the two of us on the bill, the venue was completely empty, which is my favourite scenario because I like to fill up the dance floor and start ambient vibes. Also, on that specific night, one of my favourite producers and influencers was there to listen to me play, that person was Guy J. I don’t think I will ever forget that night.

You’ve just released ‘Head Above Water’ on 3rd Avenue. Congrats, it’s an awesome release! What was the inspiration behind these tracks? 

I wrote these tracks after ADE festival, it’s one of my favourite festivals, plus Amsterdam is a great city. The whole experience is an amazing inspiration, you listen to the best quality of music from great artists. 

Where did you write them? Which track is your favourite if you had to pick?!

I did these tracks at my home studio, it’s where I spend most of my time, creating and learning. In the music universe you learn something new every day. To be honest I really like all 3 tracks, the EP is versatile as it caters to  different audiences. But if I really had to pick one it would be the title track, “Head Above Water”.

How are you finding the current situation, as you’re based in Dubai, how is it there? 

Dubai is an amazing city, super-advanced and safe, I believe we all learned how to cope and adapt to the current situation, but I always say, amazing things are coming along for all of us.

Have you found that COVID has helped you get motivated and inspired in the studio, or has it been hard – I guess do you find the gigs inspiring when it comes to writing new music too, or have you been able to stay focused with all this time we’ve had to stay in? 

This pandemic was a big mental challenge for all of us, and like most people, I had my ups and downs, but I am also grateful that this pandemic has given me the opportunity to truly focus on creating music and improving my techniques to go deeper into music production. This has been the silver lining for me.

What’s next for you? 

I’ve got a track ‘Transverse Waves’ dropping on Hoomidas’ ‘Hoom Side of the Moon’ compilation on Dec 18th.  More releases are coming up which I am really excited to share with everyone.  And of course, hopefully 2021 will see us back playing and dancing.

 

Bachir Salloum’s ‘Head Above Water’ EP is out now on 3rd Avenue, get it here: https://www.beatport.com/release/head-above-water/3176500. Look out for his release on Hoomidas, out Dec 18th!

https://www.facebook.com/bachirsmusic/

https://www.instagram.com/bachirsalloum/

https://twitter.com/Bachirsalloum

 

December 9, 2020 0 comments
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Music InterviewsMusic News

Nandun

by the partae December 9, 2020
written by the partae

Where are you currently based?

I am currently based in Brisbane, about 30 minutes north of the city.

What’s been happening recently and how has your Covid experience been so far?

My Covid experience has been a bit rocky. I play gigs for a living, and have done so for the past 4 years, and I took a big hit during Covid. I also ended up being lost and unmotivated with nothing to do. But after a while, I picked myself back up and made the decision to figure out and reinvent myself. I also had loads of free time to work on new music.

But things are starting to pick back up. And for all the bad of Covid, it did have some positives in there.

How did you first start playing music?

When I was 5 my mom enrolled me to get piano lessons, which I continued till I was about 11. But when I was 16 is when I first picked up a guitar, and got serious with my music.

You’ve changed up your sound to more RnB pop style, why’d this come about?

During the lockdown I had endless amounts of time to listen to a wide range of genres and experiment. I was unclear about my direction with my music and so I tried heaps of sounds with my guitar and loops to arrive at my current R&B/ Pop-esque style. I also made changes to my look with the blonde hair.

Your new single ‘Crazy Crazy’ is out now, what influenced the sound and songwriting?

“Crazy Crazy” came about during the lockdown period. When I write music, I usually lay down a beat and chord progression using my looping rig. The chorus was the first thing I wrote in that song. This was when I was experimenting with my new style. 

After getting the live version of the track complete, I headed over to the studio where myself and Josh Beattie added the crazy elements you hear in the song. For example, there is a percussion section in the song where Josh plays on two glasses using a fork and a spoon. After putting the studio version together I did a rewrite of some of the lyrics, which resulted in “Crazy Crazy” as you hear today.

How did you go about writing Crazy Crazy and what is the story behind the track?

The track was based on a past relationship. Where everything seemed great at one point, but this was just the honeymoon phase. You turn around a few days later and its over, just like that, with no warning whatsoever. Makes you wonder if the signs were always there.

Where and when did you record/produce/master?

“Crazy Crazy” was recorded with and produced by Josh Beattie at his studio in the Gold Coast, and afterwards was mastered by Paul Blakey.

How was your experience working with Josh Beattie the producer?

This is the 2nd track I have done with Josh Beattie, and we have always had a good chemistry in the studio. We seem to have the same wacky curiosity for trying different things and weird sounds which we never think would work, but almost always end up making the final cut of the track. 

Working with Josh is a blast because he is great at filling in the missing pieces, as well as encouraging artists and making them feel at ease. I know this for a fact because I recorded my first song with him and was very nervous heading in to record.

We recorded “Crazy Crazy” over 2 days, and this was the first track recorded in his new studio. Plus he also lets me sleep in the studio, so I don’t have to commute back and forth from Brisbane, which is a bonus. 

What’s the Brisbane live music scene like post Covid?

I think things are slowly starting to pick back up in Brisbane. The first few weeks back playing live gigs were a bit tricky, with the “no dancing” rule. I’d see people vibing, only to be approached by venue staff who inform them they need to be seated. 

However, things seem to be returning to a state of normalcy. I believe that there are still less live gigs going around, and still some limitations, but hopefully in the next few months we will be back to the usual.

Who are you listening to at the moment?

Someone asked me recently who my favorite artist was and I said something along the lines of “I don’t think I have a favorite artist of all time, but if you asked me who my favorite modern artist is it would have to be Khalid”. He has a unique style, which is unmistakable. Some other artists I’m really vibing with right now are Childish Gambino, Bruno Mars and Daniel Caesar. 

What do you like to do away from music?

When I’m not working on music or related material, you can find me at the gym. I train in mixed martial arts (Kickboxing & Jiu Jitsu) which I personally believe improves my focus, discipline and drive in other aspects of my life.

I also love the occasional binge, with my most recent being “The Queens Gambit”

Any new music on the way?

I have another track set for release early next year, potentially in February/ March. Don’t want to give out too many hints just yet, but I thought I would start the new year by releasing something a bit laid back and chilled out. 

What’s planned for the remainder of 2020 going into 2021?

Well, I just had my sold out single launch show at the JunkBar, Brisbane. This show was set to be my final big event for this year. I will be releasing a couple of videos from my show, as well as a little animated video & lyric video over the coming weeks leading into January. 

Apart from that, I have a radio interview at Juice FM in the Gold Coast set for Friday the 11th.

Favourite food and place to hangout?

Korean Fried Chicken is hands down my favorite thing to eat. 

The favorite place to hang is kinda a tricky one, theres a couple because I drive around a bit for gigs. But once in a while, my housemate and I (also a musician) would go to Shorncliffe pier and have a late night jam sesh at like 2 AM.

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December 9, 2020 0 comments
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JXCKY
Music News

JXCKY ‘What’s So Good About Brandon?’

by the partae December 8, 2020
written by the partae

Melbourne based artist JXCKY (pronounced: Jacky) is finalising his 2020 with RnB, pop infused single titled What’s So Good About Brandon?

Following his most recent release Lockdown Lover which gained JXCKY a massive amount of industry and audience awareness, this new release promises to showcase a wider range of creativity and soul.

“Jxcky captures the melancholy and heartbreak being felt the world over, but through his silky vocals shines a light of hope” – Australian Music Scene 2020

The single underlines that post summer break-up despair, a position many individuals have found themselves in. The  denial and anger,  struggling to come to accept. In the midst of secrets, confessions and constant comparison, that the ideal outcome that they  sought in this affair is never going to happen.

Artist Biography:
It is the pursuit of every artist to captivate their audience and transport every listener to a sonic fantasy that captures both the objective and subjective aspects of life. For Melbourne based artist JXCKY (pronounced: Jacky), this pursuit is integral to his brand overall, seeking to capture the dramatic, tumultuous and fleeting moments to create a lasting, sentimental effect on anyone and everyone who is willing to listen, empathise and understand. 

Seamlessly blending contemporary pop with modern R&B flair, JXCKY utilises his literary influences and passion for writing to uniquely detail his personal experiences into memorable hooks and melodies. Inspired by artists who are intrinsically authentic like Taylor Swift and Zayn, and those who explore spiritual complexity and the power of sincerity like Daniel Caesar and Bruno Major, JXCKY unites these qualities to create a truly synergised sound with the ability to intimately navigate through deep musical labyrinths.

The future looks bright for JXCKY with multiple singles slated for worldwide release over the next few months of 2020, leading into a cosmic album project in 2021, exploring the universal themes of anger, jealousy, revenge in a signature dark pop / R&B soundscape.

Facebook – https://facebook.com/jxckymusic

Instagram – https://instagram.com/jxckymusic

Twitter – https://twitter.com/jxckymusic

YouTube – https://www.youtube.com/channel/UCB9KPzeyHmQ0C0j4S95vtxg

December 8, 2020 0 comments
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What is your name and role within VINNY? Mr Aubry - I play the role as the singer Where are you currently based? Melbourne, Australia.  What's been happening recently and how has your Covid experience been? Not a lot, sitting poolside sipping martini’s. Laying low trying to bliss out in the sun. Iso was amazing! We aren’t ready to go back yet.  How did VINNY form? We were deep in a session at an underground disco church. When out of nowhere a 7 foot gorgeous man laced in a tailor disco ball suit approached us and offered us the job. We then spent 4 years at a secret Island in VIN-CAMP learning all the ways of VINNY. Once graduating from VIN-CAMP we were placed back at the same underground disco church which is now a Chinese take-away restaurant and we’ve been following the way of VINNY ever since.  Your new single 'Fire' is out now, what influenced the sound and songwriting?  We wanted a dance floor banger. Something that makes you want to move and feel good. At the time we were listening to a lot of 70’s disco and rock n roll. From Janis Ian, Barry white & Rick James to INXS, stones & The Clash.  the song by sunrise.” How did Fire come about? We had this groove and feeling in our bones. We were lying poolside sipping pina coladas, watching the sun go down when out of nowhere, a topless, coconut-oiled man walked past us down to the beach playing his saxophone, shooting fire out of the bell (thus the name, ‘Fire’). We befriended him and asked if he would come into the studio that night to help us finish off the track. We worked throughout the night and finished the song by sunrise. Where and when did you record/produce/master and who did you work with? We recorded Fire in a secluded island off the Bahamas! We worked with Alex Markwell & Alex Gopher. Massive love to the whole team   How did you approach the recording process? We just went in and got it done. Good vibes, good food & booze. A very relaxing and exciting experience.  What programs/instruments did you use? This is private information we are not allowed to dispose of. Thank you.  What did you find most challenging and rewarding during the creation of Fire? Most rewarding was spending a month on a secluded island with 6 of my best friends. Most challenging was spending a month on a secluded island with 6 of my best friends.  Any shows coming up? Nothing as of yet. Will be a while before we play our debut show. Which let me tell you. Will be like nothing you’ve ever seen before.  Who are you listening to at the moment? Barry White. Too much Barry White. Not enough Barry White.  What do you like to do away from music? Go on river boat gambling trips.  What's planned for the remainder of 2020 going into 2021? Coming out of 2020 with a bang. Lots of things in the works. 2021 we go into movement for world domination. The future looks bright ahead.  Favourite food and place to hangout? Ramen for me atm.  I loveeee hanging out at our dear friends new venue WESTWOOD in footscray. It’s a belter of a joint. Just don’t forget your passport!  Adios, bye for now, thank you, love you, VINNY bless you all  https://www.facebook.com/VINNYDISCO/
Music InterviewsMusic News

VINNY

by the partae December 8, 2020
written by the partae
What is your name and role within VINNY?
Mr Aubry – I play the role as the singer
 
Where are you currently based?
Melbourne, Australia.
 
What’s been happening recently and how has your Covid experience been?
Not a lot, sitting poolside sipping martini’s. Laying low trying to bliss out in the sun. Iso was amazing! We aren’t ready to go back yet.
 
How did VINNY form?
We were deep in a session at an underground disco church. When out of nowhere a 7 foot gorgeous man laced in a tailor disco ball suit approached us and offered us the job. We then spent 4 years at a secret Island in VIN-CAMP learning all the ways of VINNY. Once graduating from VIN-CAMP we were placed back at the same underground disco church which is now a Chinese take-away restaurant and we’ve been following the way of VINNY ever since.
 
Your new single ‘Fire’ is out now, what influenced the sound and songwriting? 
We wanted a dance floor banger. Something that makes you want to move and feel good. At the time we were listening to a lot of 70’s disco and rock n roll. From Janis Ian, Barry white & Rick James to INXS, stones & The Clash.  the song by sunrise.”
 
How did Fire come about?
We had this groove and feeling in our bones. We were lying poolside sipping pina coladas, watching the sun go down when out of nowhere, a topless, coconut-oiled man walked past us down to the beach playing his saxophone, shooting fire out of the bell (thus the name, ‘Fire’). We befriended him and asked if he would come into the studio that night to help us finish off the track. We worked throughout the night and finished the song by sunrise.
 
Where and when did you record/produce/master and who did you work with?
We recorded Fire in a secluded island off the Bahamas! We worked with Alex Markwell & Alex Gopher. Massive love to the whole team.
 
How did you approach the recording process?
We just went in and got it done. Good vibes, good food & booze. A very relaxing and exciting experience.
 
What programs/instruments did you use?
This is private information we are not allowed to dispose of. Thank you.
 
What did you find most challenging and rewarding during the creation of Fire?
Most rewarding was spending a month on a secluded island with 6 of my best friends. Most challenging was spending a month on a secluded island with 6 of my best friends.
 
Any shows coming up?
Nothing as of yet. Will be a while before we play our debut show. Which let me tell you. Will be like nothing you’ve ever seen before.
 
Who are you listening to at the moment?
Barry White. Too much Barry White. Not enough Barry White.
 
What do you like to do away from music?
Go on river boat gambling trips.
 
What’s planned for the remainder of 2020 going into 2021?
Coming out of 2020 with a bang. Lots of things in the works. 2021 we go into movement for world domination. The future looks bright ahead.
 
Favourite food and place to hangout?
Ramen for me atm.
 
I loveeee hanging out at our dear friends new venue WESTWOOD in footscray. It’s a belter of a joint. Just don’t forget your passport! 
Adios, bye for now, thank you, love you, VINNY bless you all .
https://www.facebook.com/VINNYDISCO/
December 8, 2020 0 comments
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Dust Of Us
Music InterviewsMusic News

Dust Of Us

by the partae December 8, 2020
written by the partae

What is your name and role within Dust Of Us?

My name is Lloyd and I am one half of Dust of Us. I mostly do the synths/drum programming side of things while the other half, my brother Edward, does the live instrument/vocals/lyrics side of things. There are no hard and fast rules though.

Where are you currently based?

We are based out of the Central Coast, NSW, as that’s where the writing tends to happen.

How did Dust Of Us form?
Being brothers, I suppose it formed at the point when we had both become semi-competent at playing and writing music. My brother and I have been making music together for almost 15 years now across a few different bands, and there has always been some writing that happened outside of those with just the two of us. It’s only recently that we put a name on it and decided to actually release music.
 
What’s been happening recently and how has your Covid Experience been so far?

Same as most people, I’m sure. Just spending a lot of time at home, consuming media that years ago you had flippantly promised to friends that you would “add it to ‘The List'” after they told you about it, but unless there had been a pandemic you probably never would have.

Your new single ‘Punching Bag’ is out now, what influenced the sound and songwriting?

For this particular track, the sound and texture side of things just sort of fell together quite nicely. We weren’t necessarily looking to create any one particular soundscape or channel any one particular artist. Simply going fishing with different VST instruments, looking for those sounds that made us go “ooh that’s interesting maybe”.

As for the lyrics, my brother wrote most of them while reading Jess Hill’s ‘See What You Made Me Do’, a fantastic and important book that you should definitely google.
 
How did you go about writing Punching Bag?

The same way we write most of our music. My brother and I will usually get together for a day and carve out several musical ideas, most of them shit. The ones that we still like after sitting on them for a bit are then expanded on, both together in person and remotely via e-mail/text/phone calls.

For this particular song, the music came together pretty quickly, with the lyrics coming shortly after. We then sent the song to our friend Jess Chalker, who is based in London to sing.

Where and when did you record/produce/master and who did you work with?

Technically, the song was recorded in three places! Most of the instrumentation was recorded at my brother’s place in the Central Coast. The vocals, as I mentioned, were recorded in London at our friend Jess’ home. The song then made its way to Los Angeles where our mixer/masterer extraordinaire Matthew Neighbour put the finishing touches on it.

How did you approach the recording process?

Our approach, generally, is that we write and record simultaneously. As a result, things are abandoned quickly if they aren’t working for us, either as a structural or recorded element.  The great thing about being a two piece, but also being siblings, means there is little to navigate when it comes to creative decisions. There is an open and honest dialogue and no bruised egos. Being able to say “I think that sucks, let’s not go down that rabbit hole” and then move on quickly is key.

Once we got it to a spot where we thought it was ready, we invited Jess and also Matt to let us know their thoughts on what was and wasn’t working and voila.
 
You’ve just released a Punching Bag remix package, who did you work with?

Our friends and labelmates Fresco Kyoto (Brisbane band) did one and this dude in Melbourne called Super Magic Hats did the other. We couldn’t believe how much love they put into it – both remixes are amazing.

How did the concept for the remix package come about?

It was actually suggested to us by one of our wonderful publicists Sammie. It was a bit of a lightbulb moment and kinda bizarre that we’d never considered remixes ourselves, given a lot of the projects that we modelled Dust of Us on (eg. Massive Attack, Gorillaz, The Avalanches) always get loads of remixes done for their stuff. It’s such a fun way to collaborate.

How was the experience?

Brilliant. A++, would remix again. The whole nature of our project is supposed to be highly collaborative, with different guests coming and going – and remixes are just an extension of that. It was like Christmas came early when the remixes landed in our inbox.

How do the two remixes differ?

They’re super different. The Fresco Kyoto one picks up where the original left off and takes the instrumental into new territory, but still keeps all the vocal melodies intact. And they added another vocal – Robbie Balmer their singer sings the second verse on their version – and he’s an incredible singer, so that was a nice surprise.

Whereas the Super Magic Hats one is totally wild and none of the original music is recognisable. I’m not even sure he used any of the original music other than the vocal, which is heavily pitch-shifted. It reminds me of Aphex Twin or Four Tet. He’s brilliant.

What’s planned for the remainder of 2020 going into 2021?

Just gotta finish our EP. 2 more tracks to go, they’re almost there. Trying to get it ready for Feb release.

Who are you listening to at the moment?

Right now just trying to decide on my album of the year. I’ve managed to whittle it down to either Caribou’s ‘Suddenly’, The Strokes ‘The New Normal’ or Fleet Foxes ‘Shore’.

What do you like to do away from music?

Nerd stuff – like build lego, read comics and other similar past-times.

Favourite food and place to hangout?

Japanese cuisine is my jam, and I’ve recently discovered this awesome little Izakaya joint called Nakano Darling in Haymarket, Sydney, which has become my favourite place to be. The food is delicious, the staff are lovely, and the beer/whiskey is plentiful.

https://www.facebook.com/dustofus/
December 8, 2020 0 comments
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KING KHAN UNLIMITED ANNOUNCE NEW ALBUM + UNVEIL NEW SINGLE "PIGMENT OF YOUR IMAGINATION"
Music News

KING KHAN UNLIMITED ANNOUNCE NEW ALBUM + UNVEIL NEW SINGLE “PIGMENT OF YOUR IMAGINATION” OPIATE THEM ASSES IS OUT JAN 29 VIA BARGAIN BIN RECORDS

by the partae December 8, 2020
written by the partae

Canada’s wildest monarch King Khan has launched his new punk band, King Khan Unlimited, and they are set to release their brand new album, Opiate Them Asses, on January 29 via Bargain Bin Records.

Featuring his majesty’s dream line up of Bordeaux’s finest rock‘n’roll lifers, The Magnetix and Fredovitch (from King Khan & The Shrines), King Khan Unlimited’s new slab of punk rock is chock full of stinging social critique delivered with wit and a wry smile. Their first single “Pigment of Your Imagination” tackles the complicated topic of pigment as related to the tidal wave of racism all over the world. “Pigment of Your Imagination” also features Eamon Sandwith from The Chats professing his love for, uh, Shea Butter amongst other things…

LISTEN TO “PIGMENT OF YOUR IMAGINATION” HERE

A few words from His Majesty: “Here comes King Khan’s first offering off of the new King Khan Unlimited Opiate Them Asses LP! ‘Pigment of Your Imagination’ is a song about the fragile world we live in and how something as common as the pigment of our skin has separated the world and fuelled the ignorant agendas of the old boys network that has its hands on the throat of justice, peace and liberty for all creatures on this planet. It’s pure rock n’ roll with a twist of consciousness and a very special appearance from Eamon from The Chats admitting his profound love for body oils and soft jazz…”

King Khan’s brand new incarnation is not simply a “slab of pure punk rock mayhem”. Their new album Opiate Them Asses addresses a smorgasbord of topics ranging from Vice President Mike Pence’s affinity for Gay Conversion through electrocution, the plague of Narcissism rotting the fabric of humanity, Al Capone’s Syphilis, the King’s problem of occasional bedwetting and the evils of Monsanto. King Khan not only shares his very poignant social criticisms but he wraps them around a very solid foundation of classic punk influenced by The Ramones, Dead Boys and Electric Eels.

Lately King Khan has teamed up with Malik Rahim, founding member of the Black Panther Party Louisiana Chapter and they have started the Just Insulin Initiative to build the Just Insulin House which will be a community centre in Algiers, New Orleans, where they will provide diabetes education alongside the doctors and healthcare professionals from the New Orleans Chapter of the Social Medecine Consortium. King Khan is also raising money reading his Black Power Tarot Cards and selling t-shirts for this cause.

Opiate Them Asses is not just a fun album, it’s a call to arms to the whole world and a plea for global solidarity towards the suffering. Not only does it ‘Opiate’ your mind, but also informs your ass to follow.

KING KHAN UNLIMITED – OPIATE THEM ASSES

Out January 29 via Bargain Bin Records

PRE-ORDER THE ALBUM HERE

1. Bedwetter 2. Narcissist 3. Magpie Eyes 4. Opiate Them Asses 5. Al Capone's Syphallytic Fever Dream 6. Crime Don't Pay 7. Foaming At The Mouth 8. Modern Frankenstein 9. Do You Wanna Get Hurt 10. Pigment of Your Imagination 11. I am a Kamikazi 12. Play Safe King Khan King Khan @kingkhanandtheshrines @kingkhanandtheshrines Website Website

1. Bedwetter
2. Narcissist
3. Magpie Eyes
4. Opiate Them Asses
5. Al Capone’s Syphallytic Fever Dream
6. Crime Don’t Pay
7. Foaming At The Mouth
8. Modern Frankenstein
9. Do You Wanna Get Hurt
10. Pigment of Your Imagination
11. I am a Kamikazi
12. Play Safe

King Khan King Khan
@kingkhanandtheshrines @kingkhanandtheshrines
Website Website
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KING STINGRAY RELEASE VIDEO FOR 'HEY WANHAKA' OUT NOW VIA BARGAIN BIN RECORDS
Festival NewsMusic News

KING STINGRAY RELEASE VIDEO FOR ‘HEY WANHAKA’ OUT NOW VIA BARGAIN BIN RECORDS

by the partae December 8, 2020
written by the partae

Following a hugely successful launch of their debut single, new Yolŋu surf-rock band King Stingray have released a mesmerising new video for ‘Hey Wanhaka’.

Premiering at the Clipped Music Video Festival this past weekend, the animated video for Hey Wanhaka  was created by the band’s guitarist, Roy Kellaway, along with artist and long time mate, Kayla Flett. “This clip tells a story of the Stingray man travelling around the Territory.” explains Kellaway, “The Stingray man meets up with the Lorrpu (white cockatoo) and they party and celebrate together. The cockatoo is then putting the word out to everything “Hey! Wanhaka? Whats everyone up to?“.

Since the release of Hey Wanhaka in mid-October, King Stingray have firmly planted themselves in the Australian music scene as ‘ones to watch’, amassing fans in all corners of the country with solid triple j and community radio airplay. They were also crowned triple j Unearthed’s Feature Artist during NAIDOC week.

With more releases in the pipeline, and touring becoming increasingly possible,  2021 is shaping up to be a big year for King Sting. Catch them live at one of their upcoming shows with The Chats and Ruby Fields.

Friday December 11
Racecourse Hotel, Ipswich
Supporting The Chats

Saturday December 12
Highfields Tavern, Toowoomba
Supporting The Chats

Tuesday December 15
The Triffid, Brisbane
Supporting The Chats

Wednesday December 16
The Triffid, Brisbane
Supporting The Chats

Tuesday December 29
The Northern, Byron Bay
Supporting Ruby Fields

Wednesday December 30
The Northern, Byron Bay
Supporting Ruby Fields

About King Stingray:

King Stingray are a four piece from Yirrkala, North-East Arnhem Land. Formed by Yirrŋa Yunupiŋu (nephew of the late Dr M Yunupiŋu – Yothu Yindi frontman) and Roy Kellaway (son of Stu Kellaway – Yothu Yindi founding member and bass player), King Stingray blend ancient indigenous melodies with surf, indie and funk influences to create a genre of their own, Yolŋu surf-rock.

King Stingray is a story of lifelong friendship, of two cultures coming together. From toddlers in the Yothu Yindi tour entourage in the 90s, to fully fledged Yothu Yindi members today, Yirrŋa (current lead singer of Yothu Yindi) and Roy (current guitarist of Yothu Yindi and Emily Wurramara) have been playing and making music together for as long as they can remember. King Stingray seamlessly blends Yirrŋa’s timeless Yolŋu manikay vocals with Roy’s indie pop credentials (Mary Handsome, Django George).

Young multi-instrumentalist Dimathaya Burarrwanga joins the King Stingray line-up on drums and percussion, with Campbell Messer taking care of bass and back up vocals.

Hey Wanhaka is out now via Bargain Bin Records.

“…if Yothu Yindi is the family business, King Stingray is the fast-growing franchise that threatens to take over.” – The Guardian

“…An instant classic” – Claire Mooney, triple j Unearthed (5 stars)

“Iconic stuff” – Steph Hughes, triple j Unearthed (5 stars)

King Stingray King Stingray
@kingstingrayband @kingstingrayband
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Nandun Unveils Soul-Filled Single, 'Crazy Crazy'
Music News

Nandun Unveils Soul-Filled Single, ‘Crazy Crazy’

by the partae December 8, 2020
written by the partae

 

Brisbane rising Soul/RnB singer-songwriter Nandun returns today with his catchy soul-filled new single, Crazy Crazy, produced by Josh Beattie (Jenna, Parker Sounds, Amela). The new track follows on from his well received single, Am I Going Home, released earlier this year.

Nandun experimented with his sound on Am I Going Home and with Crazy Crazy he is trying out a whole new vibe altogether which sees him find his feet. With help from Josh Beattie, Nandun has put together an RnB infused tune that gets your toe tapping in no time. The catchy and groovy number takes Nandun’s sound into a more soulful direction. Touching on inspiration from the likes of Bruno Mars and Tame Impala, Crazy Crazy is not your usual break up song.

Nandun talks about the inspiration for Crazy Crazy:

“The song was inspired by my past relationships and that of others that had ended abruptly after the “honeymoon phase”, with not much warning (Commitment issues/ Miscommunication/ “Not being at the same place in the relationship). Which makes you wonder if the signs were always there, and we were just blinded by the moment/our feelings.”

LISTEN TO NANDUN – CRAZY CRAZY HERE

 

 

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JOHN CARPENTER SHARES NEW SINGLE THE DEAD WALK NEW ALBUM LOST THEMES III: ALIVE AFTER DEATH SET FOR RELEASE FEBRUARY 5 VIA SACRED BONES RECORDS
Music News

JOHN CARPENTER SHARES NEW SINGLE THE DEAD WALK NEW ALBUM LOST THEMES III: ALIVE AFTER DEATH SET FOR RELEASE FEBRUARY 5 VIA SACRED BONES RECORDS

by the partae December 8, 2020
written by the partae

John Carpenter has shared a new single and visualiser for “The Dead Walk,” a track from his first album of non-soundtrack music in nearly five years, Lost Themes III: Alive After Death (set for release February 5 from Sacred Bones).

The song’s pulsing synths and skittering hi-hats calls to mind a zombie apocalypse situated in a discotheque, a mental image reinforced by the accompanying visualiser in which artwork by Boneface is given creepy life by Liam Brazier’s animation. The clip also hints toward a more detailed visual collaboration to come.

Underpinning Carpenter’s musical renaissance has been his ongoing and evolving collaboration with Cody Carpenter and Daniel Davies. They’ve composed and performed as a trio since the first Lost Themes album in 2015: on studio albums, on soundtracks, and onstage.

On Lost Themes III, the trio reaches a new level of creative mind meld as richly rendered worlds are built in the interplay between Davies’s guitar and the duelling synthesisers played by the Carpenters. But whereas the original Lost Themes album came as a pleasant surprise after years of relative silence from Carpenter, the third instalment sees him in the midst of a resurgent moment as a cultural force. The trio’s 2018 Halloween score gave his music its biggest audience in decades, and the world he releases his new album into is one that has, at long last, given him the credit he deserves as a founding father of modern electronic music.

LOST THEMES III: ALIVE AFTER DEATH TRACK LIST

1. Alive After Death
2. Weeping Ghost
3. Dripping Blood
4. Dead Eyes
5. Vampire’s Touch
6. Cemetery
7. Skeleton
8. Turning the Bones
9. The Dead Walk
10. Carpathian Darkness

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MIDNIGHT OIL & FIRST NATIONS COLLABORATORS PRESENT MAKARRATA LIVE FEBRUARY/MARCH 2021 SPECIAL THEMED SHOWS WITH INDIGENOUS COLLABORATORS TO HELP ELEVATE THE ULURU STATEMENT FROM THE HEART AND REMEMBER BONES HILLMAN
Festival NewsMusic News

MIDNIGHT OIL & FIRST NATIONS COLLABORATORS PRESENT MAKARRATA LIVE FEBRUARY/MARCH 2021 SPECIAL THEMED SHOWS WITH INDIGENOUS COLLABORATORS TO HELP ELEVATE THE ULURU STATEMENT FROM THE HEART AND REMEMBER BONES HILLMAN

by the partae December 8, 2020
written by the partae

In early 2021 Midnight Oil will perform a handful of special outdoor concerts called Makarrata Live. At each show, the band will be joined on stage by an incredible line up of First Nations collaborators for a unique concert event featuring music from their #1 mini album The Makarrata Project plus iconic Midnight Oil songs of Reconciliation from throughout their career.

These gigs will seek to elevate The Uluru Statement From The Heart which calls for a Makarrata – or “truth telling” – to account for the theft of lands and displacement of First Nations people. The shows will take place in strict accordance with each state’s Covid19 protocols. Due to the huge logistical challenges involved, these events will only be staged at one venue in SA, QLD, NSW, VIC & ACT making them each a unique live experience. The band is aware that many fans will be disappointed that the tour is visiting such a limited number of locations but Midnight Oil will tour in their own right later in 2021 by which time large indoor shows can hopefully be staged safely and without compromise throughout Australia and New Zealand at least.

Makarrata Live will be previewed at Sirromet Wines (near Brisbane) on Sunday 28 February, before its official world premiere on Monday 8 March at WOMADelaide in South Australia (at which the band will also perform a one-off headline performance on Saturday 6 March). The Makarrata Live dates will then follow on at Hope Estate in the Hunter Valley on Saturday 13 March and Canberra’s Stage 88 on Wednesday 17 March before a grand finale at Geelong’s Mt Duneed Estate on Saturday 20 March. For full tour and ticketing info see below.

“We’re relieved and excited at the thought of finally playing music to live audiences again”, said Midnight Oil frontman Peter Garrett. “Lots of the songs which have struck the deepest chords with our audiences over the years, like Beds Are Burning, Jimmy Sharman’s Boxers, The Dead Heart and Truganini, revolve around Indigenous issues so we’re definitely inspired to be playing a set that combines older songs like those with newer songs that share similar lyrical themes.”

“The most fulfilling part of The Makarrata Project came through collaborating with so many First Nations artists during those recording sessions”, adds the band’s guitarist and keyboard player, Jim Moginie. “I think everyone’s looking forward to seeing what shape all the music from different eras takes as those gifted singers add their voices to it live. We’ve never done anything like this so it feels good to still be pushing the envelope a bit despite everything that’s happened in 2020.”

Midnight Oil originally planned to play some Makarrata Live concerts earlier this year including a headlining slot at Splendour In The Grass. Those plans were unfortunately delayed by Covid19 and were then thrown into doubt by the harrowing terminal illness of long-time bass player, Bones Hillman. However, Bones urged his bandmates to proceed with these live shows to help draw focus to the new recordings the group had all made together late last year. In fact, just a few hours before his tragic passing he received confirmation that The Makarrata Project had debuted at the top of the ARIA Album Charts. It was Midnight Oil’s first new music #1 since Hillman’s very first record with the band, Blue Sky Mining, way back in 1990.

“Bonesy leaves giant shoes to fill but we’ll need to find a new bass player for this tour”, said drummer Rob Hirst. “On this issue Bones was clear: ‘the show must go on!’, he said, ‘as soon as it’s safe to play gigs again’. We’re hoping that these Makarrata Live shows will increase awareness of The Uluru Statement From The Heart and further the reconciliation between First Nations and non-Indigenous Australians, we’ll also be dedicating the tour to Bones.”

VIDEO: ‘Uluru Statement from the Heart (Read by First Nations collaborators)’
fromtheheart.com.au | ulurustatement.org

MIDNIGHT OIL
& FIRST NATIONS COLLABORATORS PRESENT
MAKARRATA LIVE
AUSTRALIA
FEBRUARY & MARCH 2021

Presented by Frontier Touring, Roundhouse Entertainment, Triple M (QLD, NSW, VIC), Mix 106.3 (ACT), Bay 93.9 + Geelong Advertiser (VIC)

MIDNIGHT OIL PRE-SALE
via midnightoil.com
Runs 24 hours from: Monday 14 December (11am local time)
or until pre-sale allocation exhausted

FRONTIER MEMBERS PRE-SALE
via frontiertouring.com/midnightoil
Runs 24 hours from: Monday 14 December (12noon local time)
or until pre-sale allocation exhausted

adayonthegreen MEMBERS PRE-SALE
via adayonthegreen.com.au
Runs 24 hours from: Monday 14 December (12noon local time)
or until pre-sale allocation exhausted

GENERAL PUBLIC ON SALE
Begins: Wednesday 16 December (2pm local time)

ALL SHOWS LICENSED ALL AGES

WOMADELAIDE PRE-SALE *
via womadelaide.com.au
From: Wednesday 9 December (9am ACDT) – Friday 11 December (8.59am ACDT)
General Public on Sale: Friday December 11 (9am ACDT)

Sirromet Wines | Mount Cotton, QLD
Licensed All Ages
Presented by Triple M
On-sale: Wednesday 16 December (2pm local time)
ticketmaster.com.au | Ph: 136 100

                    

Hope Estate | Hunter Valley, NSW
Licensed All Ages
Presented by Triple M
On-sale: Wednesday 16 December (2pm local time)
ticketmaster.com.au | Ph: 136 100

                    

Stage 88 | Canberra, ACT
Licensed All Ages
Presented by Mix 106.3
On-sale: Wednesday 16 December (2pm local time)
ticketmaster.com.au | Ph: 136 100

                    

Mt Duneed Estate | Geelong, VIC
Licensed All Ages
Presented by Triple M, Bay 93.9 + Geelong Advertiser
On-sale: Wednesday 16 December (2pm local time)
ticketmaster.com.au | Ph: 136 100

                    

Also appearing at:

Saturday 6 March 2021
Womadelaide | Adelaide, SA *
Midnight Oil headline performance
womadelaide.com.au

Monday 8 March 2021
Womadelaide | Adelaide, SA *
Makarrata Live performance
womadelaide.com.au

* Not promoted by Frontier Touring

All shows subject to final regulatory approvals. Frontier Touring reserves the right to alter show details to comply with government and health regulations. 

Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

“It’s thanks to an extraordinary combination of artists that The Makarrata Project has been elevated beyond the individual talents of this singular band of thinkers and feelers into something truly meaningful, momentous and far sighted.”
– Andrew McMillen, The Australian“Albums commanding as much interest as The Makarrata Project are few and far between and the Oils have seized upon the “unfinished business in Australia”, as Peter Garrett recently called it, to put The Uluru Statement front and centre.”
– Martin Boulton, Sydney Morning Herald/The Age 4.5/5

“The Oils sound refreshed and have lost zero power or passion.”
– Cameron Adams, Herald Sun/Daily Telegraph 4/5

“It’s not a moment too soon for the veterans of Polemical pop to return… the music hits hard.”
– Johnny Sharp, Classic Rock Magazine (UK) 8/10

ADDITIONAL INFORMATION FOR MEDIA
TOUR URL: frontiertouring.com/midnightoil
AUSTRALIAN TICKET PRICES:  From $109.90
MIDNIGHT OIL
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The Rubens have gifted fans with another incredibly catchy single ‘Masterpiece’ – a song about retrospectively realising you lost The One (“know I got it wrong, really all along, you were just a masterpiece”). Matching the same slick sonic palette as single ‘Live In Life’, ‘Masterpiece’ – also lifted from the band’s forthcoming new album 0202 (Feb 12) – is an irresistible dance across alt-rock, rnb, pop and hip hop genres, colliding into a sound that’s now uniquely their own.
Festival NewsMusic News

THE RUBENS RELEASE ‘MASTERPIECE’ LIFTED FROM FOURTH ALBUM 0202 – OUT FRIDAY 12 FEBRUARY 2021

by the partae December 8, 2020
written by the partae
The Rubens have gifted fans with another incredibly catchy single ‘Masterpiece’ – a song about retrospectively realising you lost The One (“know I got it wrong, really all along, you were just a masterpiece”). Matching the same slick sonic palette as single ‘Live In Life’, ‘Masterpiece’ – also lifted from the band’s forthcoming new album 0202 (Feb 12) – is an irresistible dance across alt-rock, rnb, pop and hip hop genres, colliding into a sound that’s now uniquely their own.

WATCH: ‘Masterpiece’ by The Rubens
“The song is about giving someone up, the doubt and eventual regret in realising you got it wrong.” – The Rubens
The release follows the recent news that ‘Live In Life’ – nominated for ARIA Song Of The Year – was the third most streamed Australian song of 2020 on Spotify (behind two songs from Tones & I).

Cementing their status as a band that continues to evolve as songwriters and push the boundaries of alternative rock/pop, new album 0202 – featuring recent singles ‘Time Of My Life’, ‘Heavy Weather’ & ‘Live In Life’ – is a forward-thinking album for a backward year, and an exciting new chapter for The Rubens celebrating the five-piece at their creative peak. With 0202 the band have fully transformed into an alt-rock/pop powerhouse and self-produced an album that will have people re-evaluating what they thought they knew about The Rubens.

As well as finishing their fourth album, 2020 saw the band throw their support behind Year 12 students doing it tough through COVID by launching Study Break – a 1hour online professional development workshop for students interested in pursuing a career in music. The band also announced their 0202 Music Grants in partnership with Ivy League Records & Mushroom Group, awarding ten Year 12 students who demonstrate a passion for music and a desire to further their studies or business ideas $500 each to contribute to their next journey.

The arrival of The Rubens fourth album – almost ten years since their first upload to triple j unearthed as teenagers! – is a credit to their incessant work ethic & the impact the band have made over their incredible career. LO LA RU, featured hits ‘Never Ever (feat Sarah)’ (now Double Platinum), ‘Million Man’ (Certified Gold), ‘God Forgot’ (Certified Gold) and lead to sold out shows and a 42-date Arena tour supporting megastar P!NK. Hoops saw the band sell out headline shows at Hordern Pavilion and Margaret Court Arena and included hits ‘Hallelujah’, ‘Cut Me Loose’ and of course the 4 x Platinum the hit title track, which topped the 2015 triple j Hottest 100, while their debut self-titled LP was home to ‘My Gun’ (Certified Platinum), ‘Lay It Down’ (Certified Gold), ‘The Best We Got’ and more fan-favourites.

A huge testament to their unwavering talent and ability to constantly reinvent themselves,  0202 marks the start of yet another exciting chapter for the band.  “We’re so bloody proud of this album and the way we created it, and we can’t believe how lucky we are to have made it this far. Thanks to all our fans for being there, we can’t wait for you to hear this one!”

Following the recent second postponement of the band’s ‘Live In Life’ tour due to COVID-19, their biggest headline tour to date, the tour was rebranded to the 0202 Album Tour. The new dates, taking place from April – June, 2021, will see the NSW band play metro cities for the first time since their 2018 LO LA RU album shows as well as regional venues across the 24-date run.

0202
The Rubens
Album out Friday 12 February 2021 through Ivy League Records
Available to pre-order here

0202 tracklisting:
1. Masterpiece
2. Heavy Weather
3. Live In Life
4. Time Of My Life
5. Thank You
6. Muddy Evil Pain
7. Holiday
8. Explosions
9. State Of My Mind
10. Apple
11. Back To Back
12. Party

 

THE RUBENS
0202 ALBUM TOUR 2021

Supported by Alice Ivy 

Sat-Apr-03-21 – Crooked River Winery – Gerringong, NSW
Thu-Apr-08-21 – Fortitude Music Hall – Brisbane, QLD
Fri-Apr-09-21- Moncrieff Entertainment – Bundaberg, QLD
Sat-Apr-10-21 – Highfields Tavern – Toowoomba, QLD
Fri-Apr-16-21 – Enmore Theatre – Sydney, NSW
Sat-Apr-17-21 – Bar On The Hill – Newcastle, NSW
Wed-Apr-28-21 – Riverlinks Westside – Shepparton, VIC
Fri-Apr-30-21 – Forum – Melbourne, VIC
Wed-May-05-21 – Whitestar Hotel – Albany, WA
Thu-May-06-21 – The River – Margaret River, WA
Fri-May-07-21 – Freo Social – Fremantle, WA
Sun-May-09-21 – Wintersun Hotel – Bluff Point, WA
Fri-May-14-21 – The Gap View Hotel – Alice Springs, NT
Thu-May-20-21 – Altar Bar – Hobart, TAS
Fri-May-21-21 – Altar Bar – Hobart, TAS
Sat-May-22-21 – Saloon Bar – Launceston, TAS
Sun-May-23-21 – Forth Pub – Forth, TAS
Wed-May-26-21 – The Leichardt Hotel – Rockhampton, QLD
Thu-May-27-21 – Seabreeze – Mackay, QLD
Fri-May-28-21 – Otherwise Bar – Townsville, QLD
Sat-May-29-21 – Tanks Arts Centre – Cairns, QLD
Wed-Jun-09-21 – Beer Deluxe – Albury, NSW
Thu-Jun-10-21 – The Whalers Hotel – Warrnambool, VIC
Fri-Jun-11-21 – Torquay Hotel – Torquay, VIC

A drawing of a cartoon character

Description automatically generated

The Rubens have done their best to honour the re-routing. Fans in Adelaide, Canberra & Bendigo – watch this space, more news to come!

The Rubens understand that it’s an extremely tough time for fans. For anyone who has previously bought tickets and wish to know their ticketing options, all ticketing & information can be found at therubensmusic.com .

 

THE RUBENS

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DUST OF US take latest single 'PUNCHING BAG' into new territory with remix package
Music News

DUST OF US take latest single ‘PUNCHING BAG’ into new territory with remix package

by the partae December 8, 2020
written by the partae

With the release of ‘Punching Bag’ this month, Dust Of Us gave fans further insight into the layered and idiosyncratic world of their upcoming debut EP. Collaborating with talented Australian-born, UK-based vocalist Jess Chalker gave the song additional emotive heft and a melodic beauty to offset its dark lyrical content.

Today, Dust Of Us delivers two special remixes of the track – one by cinematic Brisbane indie-pop group Fresco Kyoto and the other by Melbourne-based production whiz Super Magic Hats. The two artists offer drastically different reinterpretations that take the original song into colourful different territory.

Fresco Kyoto’s take on the original sees vocalist Robbie Balmer incorporate his own vocals onto the track, turning it into a duet. And under the production work of Super Magic Hats, ‘Punching Bag’ has been brought into vibrant landscape dictated by glitchy beats and electronic prowess. The Super Magic Hats remix comes complete with a video shot by Dust of Us’ Lloyd Prescott outside the window of a train in Japan.
“We were really humbled and quite gobsmacked by the remixes that came back, the love and the care that went into them was immediately apparent. Both versions took the song into completely different realms. With Fresco Kyoto’s remix, they obviously spent ages crafting the arrangement and it was so cool to hear their singer Robbie add his vocal to the track, he’s got one of the most amazing voices. Meanwhile, the production chops and dynamics on display on the Super Magic Hats remix are just outta this world. He took the song somewhere so wildly different and exciting.” Dust Of Us
PRAISE FOR DUST OF US

“A dynamic, textured indie-pop dreamland.”
Left Bank Magazine

“‘The Swans’ is a remarkable musical piece that evokes a magical landscape and a serenity that is hard to find in these type of tracks.”
Synthpopyourworld

“Beautiful song, well executed. Really like the way it falls into a deeper song with its progression, without taking away from the delicacy of the production.”
Double J, Zan Rowe

“It gently seeps. The production is super cool, I can’t stop listening to it. I just want to know what next element you twist or work into the track. Nice, guys.”
Triple J, Claire Mooney

‘Punching Bag’ is out now via Double Drummer / Believe
Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

December 8, 2020 0 comments
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What is your name and role within VINNY? Mr Aubry - I play the role as the singer Where are you currently based? Melbourne, Australia.  What's been happening recently and how has your Covid experience been? Not a lot, sitting poolside sipping martini’s. Laying low trying to bliss out in the sun. Iso was amazing! We aren’t ready to go back yet.  How did VINNY form? We were deep in a session at an underground disco church. When out of nowhere a 7 foot gorgeous man laced in a tailor disco ball suit approached us and offered us the job. We then spent 4 years at a secret Island in VIN-CAMP learning all the ways of VINNY. Once graduating from VIN-CAMP we were placed back at the same underground disco church which is now a Chinese take-away restaurant and we’ve been following the way of VINNY ever since.  Your new single 'Fire' is out now, what influenced the sound and songwriting?  We wanted a dance floor banger. Something that makes you want to move and feel good. At the time we were listening to a lot of 70’s disco and rock n roll. From Janis Ian, Barry white & Rick James to INXS, stones & The Clash.  the song by sunrise.” How did Fire come about? We had this groove and feeling in our bones. We were lying poolside sipping pina coladas, watching the sun go down when out of nowhere, a topless, coconut-oiled man walked past us down to the beach playing his saxophone, shooting fire out of the bell (thus the name, ‘Fire’). We befriended him and asked if he would come into the studio that night to help us finish off the track. We worked throughout the night and finished the song by sunrise. Where and when did you record/produce/master and who did you work with? We recorded Fire in a secluded island off the Bahamas! We worked with Alex Markwell & Alex Gopher. Massive love to the whole team   How did you approach the recording process? We just went in and got it done. Good vibes, good food & booze. A very relaxing and exciting experience.  What programs/instruments did you use? This is private information we are not allowed to dispose of. Thank you.  What did you find most challenging and rewarding during the creation of Fire? Most rewarding was spending a month on a secluded island with 6 of my best friends. Most challenging was spending a month on a secluded island with 6 of my best friends.  Any shows coming up? Nothing as of yet. Will be a while before we play our debut show. Which let me tell you. Will be like nothing you’ve ever seen before.  Who are you listening to at the moment? Barry White. Too much Barry White. Not enough Barry White.  What do you like to do away from music? Go on river boat gambling trips.  What's planned for the remainder of 2020 going into 2021? Coming out of 2020 with a bang. Lots of things in the works. 2021 we go into movement for world domination. The future looks bright ahead.  Favourite food and place to hangout? Ramen for me atm.  I loveeee hanging out at our dear friends new venue WESTWOOD in footscray. It’s a belter of a joint. Just don’t forget your passport!  Adios, bye for now, thank you, love you, VINNY bless you all  https://www.facebook.com/VINNYDISCO/
Music News

Who is VINNY? The Melbourne trio return with new single ‘FIRE’

by the partae December 8, 2020
written by the partae

Armed with infectious bass lines and vocal swagger that is intriguing as it is seductive, Melbourne trio VINNY return with brand new single, ‘Fire’. As their second release for the year, the group have taken a deep dive into some sharp and edgy rock vibes, flecked out with funk and indie influences.

‘Fire’ is the perfect starting point for newcomers to the VINNY sound and with its release, the band says ‘Welcome’; let the music wrap you up as you get your head around who this band is at their core.

And who is VINNY at their core? Self described as forming from ‘the pits of a dark neon lit disco church’, the band is vocalist/percussionist Josh Aubry, guitarist/synths player Jim Stirton and guitarist Tony Clay. Together, the band’s influences range from hedonistic images of a Studio 54 mythology, the seedy dancefloors of Melbourne’s clubs and slick sorts of soundtracks that can only be found in Spaghetti Westerns. The music’s over the top and drenched in grooves and tight in its delivery, testament to the band’s history of writing and performing with one another.

Debut track ‘Chaos’ was released back in May and it was just as the title indicated; a hectic way for VINNY to make their presence known. ‘Fire’ takes things a step further, giving the listener an outlet to let their hair down and immerse themselves in the melodies and confident arrangement.

As to where ‘Fire’ came together? VINNY reminisces on a chance encounter in a setting far, far from Melbourne’s inner city suburbs.

“We had this groove and feeling in our bones. We were lying poolside sipping pina coladas, watching the sun go down when out of nowhere, a topless, coconut-oiled man walked past us down to the beach playing his saxophone, shooting fire out of the bell (thus the name, ‘Fire’). We befriended him and asked if he would come into the studio that night to help us finish off the track. We worked throughout the night and finished the song by sunrise.” VINNY

‘Fire’ is out now! Official Website | Facebook | Instagram | YouTube | Triple J Unearthed

‘Fire’ is out now!
Official Website | Facebook | Instagram | YouTube | Triple J Unearthed

December 8, 2020 0 comments
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ROZZMA Khatar Sayeb EP is out now! Watch new video for 'Gheirek'
Music News

ROZZMA Khatar Sayeb EP is out now! Watch new video for ‘Gheirek’

by the partae December 7, 2020
written by the partae
Press Credit: Mahmoud Shiha

Today Rozzma releases the Khatar Sayeb EP, the artist’s first release for XL Recordings / Remote Control Records. He celebrates the release with a brand-new video for ‘Gheirek’, directed by the artist himself for one of the standout tracks from the EP.

Rozzma is an Egyptian sound artist inspired by the era where sound preceded music – he finds inspiration in the similarities between the wilderness of prehistoric times and modern- day chaos. Having already performed his particular strain of music across the world and at festivals like Sonar and Unsound, Rozzma releases Khatar Sayeb EP.

The EP’s title Khatar Sayeb means ‘loose danger’. “The release challenges the idea that danger and fear are uncontrollable circumstances,” explains Rozzma. “We cannot fully diminish fear or danger. We can only condition ourselves to believe that safety exists during the absence of fear. It is however more dangerous to deny the uncertainty of danger itself. Danger is a very broad state with infinite circumstances. But it is also infinitely uncertain and mainly linked to luck. We do not control our luck; good or bad. And it is solely luck that dictates danger and safety. It is for that reason that one’s best chances may be to condition themselves to find comfort in danger. Loose danger to be specific.”

Rozzma’s world is one of status quos being challenged, whether that be the real world, the historical world or specifically in the world of music. Rozzma won’t let you settle with what you believe. Everything deserves to be challenged.

Stream / Purchase Khatar Sayeb EP: https://rozzma.lnk.to/khatarsayeb

Rozzma – Ghereik (Official Video)
Listen / Save / Download:
 https://rozzma.ffm.to/gheirek

Rozzma – Khatar Sayeb EP is out now via XL Recordings / Remote Control.
Rozzma
Instagram | YouTube | Facebook
December 7, 2020 0 comments
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