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Sun Cycle Lineup Announced - Sidney Myer Music Bowl on January 30th 2021
Festival NewsMusic News

Sun Cycle Lineup Announced – Sidney Myer Music Bowl on January 30th 2021

by the partae December 14, 2020
written by the partae
Only a year on since its inception, Sun Cycle Festival celebrates another lap around the sun a little differently in 2021 taking over the Sidney Myer Music Bowl on January 30th 2021.

This special edition will feature esteemed psychedelic jazz enthusiasts Mildlife, Hometown dancefloor favourite making her return from Europe CC:DISCO!, Naarm based selector C.FRIM, Wax’o Paradiso, Izy & more.

Sun Cycle is a celebration of a diverse community, A lineup full of eclectic and diverse talent. Come join us for what is sure to be a memorable day under the summer sun.

Tickets On Sale Wednesday 16th December via button below!

BUY TICKETS
RSVP ON FACEBOOK
“Sun Cycle is truly worthy of significant praise as it encapsulated a sense of community, artistry, and respect for the environment, culture and individual rights to an unprecedented level.” – Dreamland Magazine
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December 14, 2020 0 comments
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Sunflower - Reveal Serene Accompanying Video Clip For 'Thin Skin'
Festival NewsMusic News

Sunflower – Reveal Serene Accompanying Video Clip For ‘Thin Skin’

by the partae December 14, 2020
written by the partae

PRAISE FOR ‘THIN SKIN’

“’Thin Skin’ possesses the optimistic hopes and joys of the 60s and 70s. Sunflower bring a dreamy, summer energy that contagiously puts a smile on your face and gives me shivers simultaneously.” – 4.5/5 stars
– Nkechi Anele – triple j (AUS)

“A song that moulds together swaying guitar melodies with rather quite enchanting vocals, deep with this emotional brightness that captures the group’s drive to share these meaningful bursts of indie-pop.”
– Pilerats (AUS)

Added to Apple Music playlist Mellow Days


Following on from the release of their critically praised single ‘Thin Skin’, Brisbane-based indie-pop group Sunflower have just returned with the tranquil accompanying video clip – directed by co-vocalist Lawson Doyle and filmed and edited by Aidan McCowan.

Shot across various iconic Brisbane locations including Fortitude Valley and Victoria Bridge, the clip sees co-vocalist Kahlia Ferguson journeying from busking on the streets of Brisbane to vast lush landscapes. The story follows Kahlia at one of her lowest points, before finding her sense of empowerment, seeing a visible shift in her body language from start to finish.

Kahlia describes the inspiration behind the clip:

“Filming the music video for ‘Thin Skin’ was a liberating experience for me. It’s such a deeply honest song, and I wanted the visuals to reflect that. My side-hustle at the moment is playing acoustic cover songs at venues, and it can completely drain me of inspiration and creativity at times. No matter how much you give yourself to the performance, there are always backs to you and people talk loudly and the manager asking you to turn the volume down. It gets me down when I let it. The whole scenario of the ‘Thin Skin’ music video is based around that experience. The character I play begins solemn and lost and finishes very free and empowered. I like the thought that I’m heading in the same direction. With as much love as we have for Brisbane, this feeling of ‘small town mentality’ was a massive inspiration behind the songwriting.”

To coincide with the release, the band will play at the Mountain Goat Valley Crawl and The Brightside, Brisbane, Stay Gold and Wrangler Studios, Melbourne and Oxford Arts Factory, Sydney in 2021. This continues on from recent performances at Yonder Festival in Imbil, Valley Fiesta, Brisbane and a sold-out headlining show at Black Bear Lodge.

Since release, the track has seen support from Apple Music, triple j, triple j Unearthed, Pilerats, The AU Review and a slew of Australian community radio stations. Previous singles ‘Better Days’ and ‘Get Yourself Together’ also received support from blogs Atwood Magazine (USA), The Music, Beat Magazine, and TV outlets MTV and ABC’s Rage.

‘Thin Skin’ is available worldwide now


SUNFLOWER

UPCOMING 2021 LIVE SHOWS

SAT 6 FEB | MOUNTAIN GOAT VALLEY CRAWL, BRISBANE QLD
FRI 16 APR | STAY GOLD, MELBOURNE VIC
SAT 17 APR | WRANGLER STUDIOS, MELBOURNE VIC
FRI 23 APR | OXFORD ARTS GALLERY, SYDNEY NSW
SAT 24 APR | THE BRIGHTSIDE, BRISBANE QLD

FOLLOW SUNFLOWER

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

December 14, 2020 0 comments
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Makalita
Music News

UPCOMING R&B ARTIST MAKALITA UNVEILS NEW SINGLE ‘DO THIS’

by the partae December 14, 2020
written by the partae

Hailing from Western Sydney, Australia, Makalita is a female R&B Singer/Songwriter of Tongan heritage. Makalita is a self-taught independent artist who has been refining her skills over the years and has equipped herself with a diverse skill set. At just 21 years of age, Makalita brings a mature yet young, fresh, and unique sound back into the music industry, which audiences have been searching for. With her Debut Single ‘Do This’ Makalita looks to make her first release in January 2021.

‘Do This’ is a smooth but confrontational upbeat track with somber lyrics, which captures the whole essence of Makalita’s message. Makalita’s greatest inspiration derives from growing up listening to Old School 90’s R&B, to artists such as Queen Naija, Summer Walker and Jhene Aiko. This has inspired Makalita to bring back that Old School vibe with a unique twist of new age ‘R&B-Trap Soul’ that is missing, and audiences are longing for in the music industry today.

‘Do This’ arrives alongside an iconic music video directed by Kreezy Visions and produced by Sueno Productions who has previously worked with Hooligan Hefs, Youngn Lipz, Will Singe and many more.

The video further showcases a vulnerable young woman deceived by someone who she thought was her partner, but in fact, he was married with a child.

This release aims to bring awareness to the toxicity in relationships, both emotionally and mentally.

 It happens, it’s real and for this generation someone needs to start the conversation, so I will,” Makalita says.

Makalita will be performing at a Culture Shock event run by Jayslays on January 30th 2021 at Bodega Studios, Annandale. 

Follow Makalita:

FACEBOOK I INSTAGRAM I TWITTER

December 14, 2020 0 comments
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Music News

Born On A Wednesday Premiere

by the partae December 12, 2020
written by the partae
Born on a Wednesday represents a 14 year musical collaboration of 5 unique songwriters. While remaining grounded in the love of sharing music with one another, the band has matured into a sound that feels intimately familiar and genuine.
With a style that draws from a range of musical influences, it continues to be the compelling songwriting that gives Born on a Wednesday a sound that bends through many genres but is uniquely theirs.

LISTEN: https://open.spotify.com/track/3gB1lzgSKStEzDaZsOhgAA
https://bornonawednesday.com/
https://www.instagram.com/bornonawednesdaymusic/
https://bornonawednesday.bandcamp.com/releases
December 12, 2020 0 comments
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Music InterviewsMusic News

Like Angels

by the partae December 11, 2020
written by the partae
What’s your name and role within Like Angels?
Our names are Emmalisa and Sarah and we are Like Angels! We are singer songwriters, content creators, live musicians and so much more! We’re independent artists, which means anything “Like Angels” that you see has either been created by us, organised by us or we’ve personally been involved in collaboration.

What’s been happening recently and how has your Covid experience been so far?
Recently we’ve been working on our original music and the release of our third single “Lose It”! Like most people, our Covid experience has been a mix of highs and lows, but early on we made a conscious decision to make the best of the situation. And for us, that meant releasing music and continuing to make content and be creative!

Your new single ‘Lose it’ is out now, where can we listen?
“Lose It” is available on all streaming services, so you can check it out wherever you listen to music including Spotify, Apple Music, Youtube, Google Play and even TikTok to name a few! We have a music video coming out on our Youtube Channel very soon too, so stay tuned!

How did you go about writing Lose It and what influenced the sound and songwriting?
We actually wrote “Lose It” in 2017, so it’s kind of surreal to finally see it released three years later! We wrote the song together after encountering multiple “Tanika’s”, as per the first line in the song: “Tanika told me about her life”.
So who or what is a “Tanika”? A “Tanika” is someone who continually complains and fixates on all of the negative things happening in their life, with no desire or intention to make a change and improve their situation. They’re all talk and no action. We’ve all encountered a “Tanika” at some point in our lives and so writing “Lose It” was a cathartic experience. It helped us get out the frustration we were feeling from the various “Tanika’s” in our lives at the time and articulate what we would have loved to say to their face!
In terms of the sound, we really wanted to encapsulate that feeling of being about to “Lose It”. Every sound in the track was chosen intentionally to create that climactic moment when you’ve been pushed to your limits and just can’t take it anymore!

How did you approach the recording process?
We showed “Lose It” to our producer Philippe-Marc Anquetil and collaborated with him on the production of the track. We really wanted the production to create an overall feeling of being about to lose it, but we also wanted it to showcase our personality too. To do that, we intentionally layered a lot of cheeky sound samples throughout the song – if you listen carefully you can hear coughing, screaming and even the odd toilet flush, just to name a few.

What programs/instruments did you use?
Originally in 2017 we wrote the song using Garage Band, so our producer Phil took that file, edited the sounds we had already chosen and then added to it using Logic Pro! It was so cool to see the song finally come to life after so long!
We love to be as involved in the production process as much as possible, so we actually made and recorded a lot of the sounds you can hear in the track (including the coughing and squeaking of chairs) ourselves!

What does Lose It mean to you?
For us, “Lose It” is like a final warning to someone. It’s an “I love you, but I don’t think I can do this anymore” kind of song. We wanted “Lose It” to strike the balance between not giving up on someone you love when they’re going through a hard time, but also protecting and looking after yourself and setting boundaries. There’s only so much of someone else’s negativity you can take before it becomes too much, if that person is not willing to start working on themselves and their situation.
We wanted “Lose It” to really encourage listeners to work through any issues they might be facing, instead of making excuses about them because it seems “too hard” or they have no desire to start making some positive changes. Some life circumstances can feel out of our control, but there’s almost always something we can do. Even if it’s a small step or a small change – we can always make a choice to either let things defeat us or to get up, dust off and rise from the ashes.
So the lyrics “choose to lose them or lose me: you better choose carefully” summarises the song and sets a bit of an ultimatum. In other words, it means lose your excuses and begin working on the things defeating you or you are going to lose me. Choose wisely.

Who are you listening to at the moment?
We’ve been listening to so many different artists at the moment! Valley’s new EP “sucks to see you doing better”, “Restoration” by Lecrae and Taylor Swift’s “Folklore: the Long Pond Sessions” to name just a few! You can check out all of our favourite “on repeat” tracks on a playlist we’ve curated on Spotify!

What’s planned for the remainder of 2020 going into 2021?
We’ve got a few gigs coming up which is really exciting after the year we’ve had! And a music video coming out for “Lose It” very soon!! We’re also starting to work on the release campaign for our next single to be released early next year, so stay tuned for that!

Where do you see the music industry headed in the next few years?

From watching the music and entertainment industry adapt to Covid-19 this year, we think the industry is going to continue utilising online platforms a lot more! Fan meet and greets through zoom, live stream concerts through social media platforms and apps like TikTok  – it’s opened up a whole new way to connect with fans! We think this will continue even once 2020 is over. In saying that, however, we also think once it’s safe enough, live in-person music events are going to go crazy!! There’s something so unique and special about the atmosphere of a live show that you can’t capture anywhere else! It’s a feeling everyone has missed so much and we can’t wait to share that feeling again!

Instagram: https://www.instagram.com/wearelikeangels/
Youtube: https://www.youtube.com/c/likeangels/
Tiktok: https://www.tiktok.com/@likeangels/
Facebook: https://www.facebook.com/wearelikeangels/
Twitter: https://twitter.com/wearelikeangels/
Spotify: https://open.spotify.com/artist/3DBzfAswmcKmc9VctvZPwk?si=8Xh8u1FaQrCOwqALF4iSUw
December 11, 2020 0 comments
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Matt Storm + Ivan Hartle
Music InterviewsMusic News

Matt Storm + Ivan Hartle

by the partae December 11, 2020
written by the partae

What’s your name and where are you currently based?

Our names are Matt Storm and Ivan Hartle, and we are both currently based out of Vancouver, Canada.

What’s been happening recently and how has your Covid experience been so far?

IVAN: Obviously covid has hit the music industry pretty hard, but I’ve been trying to make the most of the time. I’ve been fortunate to play some smaller solo/duo gigs, and also have been recording and writing new material. Like everyone else though, I’m looking forward to some normalcy returning, and getting back to playing more live shows.

How did the collab between the two of you come about?

MATT: I’ve been working with Ivan in the studio for years now. We always have a few songs on the go, and he came in for a session with a list of “to do’s”. We both really weren’t in the mood to be productive, so I fired up the Wurlitzer and he started playing the “More To Find” chords. I loved it, and quickly went about making the beat behind it. Once the groove was there, he knew I was itching to get on the track. We helped each other sort out the lyrics, and by the end of the night we had basically the whole song done.

Your just released your collab single ‘More To Find’ how did you go about writing this track?

IVAN: What Matt mentioned above is spot on. It was really cool and inspiring to ride the flow of inspiration together when making this song.

What influenced the sound and songwriting?

IVAN: I listen to a bunch of different artists/genre’s, but I definitely think that this song is heavily influenced by both Matt and mine’s love of Jazz and R&B.

MATT: Yeah for sure. I also had a vision for the sound, I wanted it to be really raw and not polished sounding. There is no reverb on the track, and very little processing. To me, some of my favourite stuff sounds like you’re right there with the artist, a part of the recording process. This song struck me as a perfect candidate for that style of production, so we took it there all the way. What you’re hearing is basically the rough mix, that’s where the vibe is.

Where and when did you record/produce/master?

MATT: Orchid Studios in East Vancouver. That’s where we do all our stuff. There is some really cool vintage gear there, that has a sound to it. Mastered in the same building at Suite Sound Labs by Greg Mindorff.

How did you approach the recording process?

IVAN: Like we mentioned, this all came together quickly and naturally. In that sense, the spontaneous approach to recording “More to Find” was refreshing, and it left no time for us to overanalyze/nitpick the song.

What programs/instruments did you use?

MATT: The Wurlitzer keyboard that Ivan played is really the star. There is some muted bass I put in there. The drums are actually just me tapping on an Acoustic Guitar. Then I blew up the low end in Logic, and made it thump. A little jazzy electric guitar solo at the end too.

How was your experience with working together?

IVAN: Matt and I have done a bunch together over the last two years. Matt has recorded/engineered and produced all of my released music to date, and we’ve also gigged and toured together. The experience has always been great, as our outlook on music and our influences definitely align.

Who are you listening to at the moment?

IVAN: I love all sorts of music genres, but lately, I’d say my top favourites are Son Little, Khruangbin, and the early recordings of Sam Cooke and the Soul Stirrers.

MATT: Ivan introduced me to The Mills Brothers recently, lately “You Always Hurt The One You Love” has been on repeat.

What do you like to do away from music?

IVAN: I played college baseball in the US, so I still like to get out and play a little bit, whenever it isn’t raining in Vancouver. I also love to go camping around B.C. whenever  I can.

MATT: Obsessed with Chess lately. I’ve also been really enjoying a nice walk up in the snowy mountains.

What’s planned for the remainder of 2020 going into 2021?

IVAN: I have some more music to release in the near future. Other than that, I’m hoping to continue writing, and then get back on the road as soon as possible to play some shows!

Any post Covid tour plans?

MATT: Hoping to get out to the East coast of Canada!

IVAN: Same thing for me.

Favourite food and place to hangout?

MATT: Lately we get lattes and cookies, and meet up at the basketball court. It’s just the truth.

IVAN: Yep…what Matt said.

FOLLOW MATT STORM:

 

Website | Spotify | Facebook | Instagram | Twitter |  YouTube 

FOLLOW IVAN HARTLE:

 

Website | Spotify | Facebook | Instagram | Twitter | YouTube 
December 11, 2020 0 comments
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ABOUT AC/DC: AC/DC are one of the most influential rock bands in history with over 200 million albums sold worldwide and 71.5 million albums sold in the U.S. alone. The double-diamond BACK IN BLACK stands out as “bestselling album by any band ever” and “third bestselling album by any artist” with global sales of 50 million and counting. They were inducted into the Rock and Roll Hall of Fame® in 2003. The band also garnered their first GRAMMY® Award in the category of “Best Hard Rock Performance” for ‘War Machine’ during 2010. They continue to sell out stadiums on multiple continents, sell millions of albums annually, and generate streams in the billions. AC/DC return with PWR/UP in 2020. CONNECT WITH AC/DC: Facebook Instagram Twitter YouTube
Music News

AC/DC RELEASES NEW VIDEO FOR DEMON FIRE

by the partae December 11, 2020
written by the partae

RECORD-SHATTERING ALBUM PWR/UP OUT NOW

“Nothing has ever slowed down AC/DC on their journey down the Highway to Hell…It’s their best record since 1990’s The Razors Edge” – Rolling Stone

“AC/DC is officially back.” – USA Today

“In these cuts you can feel the band’s joy in getting back together.” – LA Times

“Positively charged.” – Guitar World

“AC/DC are switched on again.” – Stereogum

Following the circuit-breaking release of their 18x worldwide #1 album PWR/UP last month, AC/DC have unleashed hell with their brand new music video for ‘Demon Fire’. Watch HERE.

For their seventeenth full-length album, the band reunited with producer Brendan O’Brien who helmed BLACK ICE in 2008 and ROCK OR BUST in 2014. Charged up for the next decade, AC/DC cut twelve new tracks for the album, proudly maintaining their signature sound and all of its powerful hallmarks. PWR/UP is available now HERE.

ABOUT AC/DC:
AC/DC are one of the most influential rock bands in history with over 200 million albums sold worldwide and 71.5 million albums sold in the U.S. alone. The double-diamond BACK IN BLACK stands out as “bestselling album by any band ever” and “third bestselling album by any artist” with global sales of 50 million and counting. They were inducted into the Rock and Roll Hall of Fame® in 2003. The band also garnered their first GRAMMY®  Award in the category of “Best Hard Rock Performance” for ‘War Machine’ during 2010. They continue to sell out stadiums on multiple continents, sell millions of albums annually, and generate streams in the billions. AC/DC return with PWR/UP in 2020.

CONNECT WITH AC/DC:

 

 

 

 

December 11, 2020 0 comments
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Teasing it’s appearance over the last few weeks with cryptic social media posts, DARKWORLD gives 2 middle fingers to the year that’s been, announcing its inaugural event. As COVID in Australia eases, punters and live music goers are eagerly awaiting the return of full capacity to music venues statewide. Moving ahead the festival has managed to make ends meet within restricted capacity and are set to bring their mini dark-mofo style event to The Triffid on January 23rd early next year. Original plans of the inaugural festival were set for July 2020 but were quickly canned earlier on in the year by - say no more... For a year that has been so crippling yet encouraging for many and, the DKWD vision has only become more relevant and important. What not celebrate Art right now? It is IMPORTANT! The festival comes as a result of unique collaborations between Brisbane creative misfits Boss Moxi, award winning dance collective Phluxus2, Brisbane’s loved venue The Triffid and local filmhouse, Method To My Madness. “We want to erase the blurred lines between these individual industries that often operate, and are mostly considered as separate. Music, Art, Theatre, Film, Lighting, Projections, Dance & Photography. We believe that creative expression lives at the core of all artistic practice and we want to promote these origins, the thing that all forms share. We plan to present ‘art’ in a momentary, livable space of its many sensory forms.” - DW2021 TEAM This is DARKWORLD: a 1 day, indoor, multi-form festival all crammed into 12 hours at The Triffid. From the glowing exhibits of local visual artists, to the live art growing and swimming around you, DARKWORLD plans to render the iconic Brisbane venue, unrecognisable. Based on the proceedings of a music festival with 12+ bands the dance and entertainment is planned to keep you fully engaged from midday to midnight. Kicking things off in the 11am heat, sunlit strangeness will lead into a full afternoon of art & music creeping patrons through to an upside-down-world, Twin Peaks-like setting that comes to life at night. Essentially this is a ‘fuck-you’ style celebration of the arts . Bringing all forms of art together as one community, celebrating our endless but sadistically enjoyable, struggling lives as creators and having a big piss-up / party to commemorate what an arduous year 2020 was. Following their sold out show back in early November Boss Moxi curates the music lineup, Gum Magazine calling their last Sold Out appearance in early Nov “a show not easily forgotten - a vast, deep, ephemeral example of what a band is truly capable of.” Joining them as headliners is the ever captivating, Young Lions, coming out of their hibernation that has been COVID with lead singer Zach Britt, caught in Melbourne this year eager to bring the band back to full energy at DW2021. From the illuminated art works of local tech and light auters to the abstract & detailed art and photography of local artists, DARKWORLD is now approaching, with tickets on sale now. The capacity is strictly limited at this stage, with hopes that the government will ease restrictions and Queensland remains COVID free over the Christmas break. Tickets are available through the DARKWORLD website but there aren’t many available so get in quick. DARKWORLD 4 Theatrical Acts | 13 Original Musical Acts | 6 Visual Artists | 3 Projection Artists  SAT 23 JANUARY 2021 18+ EVENT | TICKETS AT MOSHTIX LINE UP (More to be announced)   Music Young Lions Boss Moxi Great Sage Feels Club Squidgenini Elko Fields Cloud Tangle Shady Bliss JB Paterson Slowjoy Suicide Country Hour Bamboo Bonsai Visual Art Madeline Holt Brayden Doig Riley McDonald XAK Lovegang Madbutt Irok (live) Photographers Jack McKenzie Hollie Warner Daniel Grima Tiana Harris Dance & Movement All provided by PLUXUS2 Light Installations GILLTRON Projection Art by Satan’s Rainbow & MTMM CONNECT ONLINE WITH AIRWAVES
Festival NewsMusic News

4 THEATRICAL ACTS | 13 ORIGINAL MUSICAL ACTS | 6 VISUAL ARTISTS | 3 PROJECTION ARTISTS + MORE FOR DARKWORLD FESTIVAL 2021

by the partae December 11, 2020
written by the partae

Teasing it’s appearance over the last few weeks with cryptic social media posts, DARKWORLD gives 2 middle fingers to the year that’s been, announcing its inaugural event. As COVID in Australia eases, punters and live music goers are eagerly awaiting the return of full capacity to music venues statewide. Moving ahead the festival has managed to make ends meet within restricted capacity and are set to bring their mini dark-mofo style event to The Triffid on January 23rd early next year.

Original plans of the inaugural festival were set for July 2020 but were quickly canned earlier on in the year by – say no more… For a year that has been so crippling yet encouraging for many and, the DKWD vision has only become more relevant and important. What not celebrate Art right now? It is IMPORTANT! The festival comes as a result of unique collaborations between Brisbane creative misfits Boss Moxi, award winning dance collective Phluxus2, Brisbane’s loved venue The Triffid and local filmhouse, Method To My Madness.

“We want to erase the blurred lines between these individual industries that often operate, and are mostly considered as separate. Music, Art, Theatre, Film, Lighting, Projections, Dance & Photography. We believe that creative expression lives at the core of all artistic practice and we want to promote these origins, the thing that all forms share. We plan to present ‘art’ in a momentary, livable space of its many sensory forms.” – DW2021 TEAM

This is DARKWORLD: a 1 day, indoor, multi-form festival all crammed into 12 hours at The Triffid. From the glowing exhibits of local visual artists, to the live art growing and swimming around you, DARKWORLD plans to render the iconic Brisbane venue, unrecognisable. Based on the proceedings of a music festival with 12+ bands the dance and entertainment is planned to keep you fully engaged from midday to midnight. Kicking things off in the 11am heat, sunlit strangeness will lead into a full afternoon of art & music creeping patrons through to an upside-down-world, Twin Peaks-like setting that comes to life at night.

Essentially this is a ‘fuck-you’ style celebration of the arts . Bringing all forms of art together as one community, celebrating our endless but sadistically enjoyable, struggling lives as creators and having a big piss-up / party to commemorate what an arduous year 2020 was.

Following their sold out show back in early November Boss Moxi curates the music lineup, Gum Magazine calling their last Sold Out appearance in early Nov “a show not easily forgotten – a vast, deep, ephemeral example of what a band is truly capable of.” Joining them as headliners is the ever captivating, Young Lions, coming out of their hibernation that has been COVID with lead singer Zach Britt, caught in Melbourne this year eager to bring the band back to full energy at DW2021. From the illuminated art works of local tech and light auters to the abstract & detailed art and photography of local artists, DARKWORLD is now approaching, with tickets on sale now.

The capacity is strictly limited at this stage, with hopes that the government will ease restrictions and Queensland remains COVID free over the Christmas break. Tickets are available through the DARKWORLD website but there aren’t many available so get in quick.

DARKWORLD
4 Theatrical Acts | 13 Original Musical Acts | 6 Visual Artists | 3 Projection Artists SAT 23 JANUARY 2021
18+ EVENT | TICKETS AT MOSHTIX

LINE UP
(More to be announced)  

Music
Young Lions
Boss Moxi
Great Sage
Feels Club
Squidgenini
Elko Fields
Cloud Tangle
Shady Bliss
JB Paterson
Slowjoy
Suicide Country Hour
Bamboo Bonsai

Visual Art
Madeline Holt
Brayden Doig
Riley McDonald
XAK Lovegang
Madbutt
Irok (live)

Photographers
Jack McKenzie
Hollie Warner
Daniel Grima
Tiana Harris

Dance & Movement
All provided by
PLUXUS2

Light Installations
GILLTRON

Projection Art by
Satan’s Rainbow
& MTMM

CONNECT ONLINE WITH AIRWAVES
Facebook
Instagram
Website
December 11, 2020 0 comments
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Anty! releases debut album 'Rudeboy' out today
Music News

Anty! releases debut album ‘Rudeboy’ out today

by the partae December 11, 2020
written by the partae
Buy record bundles here
Pile Rats on Rudeboy ” It’s kind-of reminiscent to that carefree and light-hearted spoken word you’d expect from Mike Skinner’s The Streets; bounding reggae and hip-hop like melodies forming an underlay for that half-rapping, half-singing, half-speaking vocal pace. It’s an album that’s designed to take you out of the mania of the current day”

“This is reggae hip hop and it’s out of control,” Anty sings, two minutes into Rudeboy, his debut album.

A sound only briefly alluded to in his previous works, Rudeboy is boldly unique from start to finish. Drawing from the innovative reggae sounds of Jamaican producer Mikey Dread to the stream of consciousness poetry of The Streets, Mike Skinner, Rudeboy wouldn’t be out of place in a dive bar or a dance hall.

Having travelled the world, released four full-length albums, and played countless major festivals fronting The Bennies. Anty used the break of 2020 to  hone his craft and deliver an unbelievably accomplished debut solo LP.

Lyrically, the album is positively party and just what the world needs in 2020. No regrets and living in the moment. “Rules are rules, they are meant to be broken,” he sings on Officer, in what is an apt description to his mash up approach to music making.

At 16 tracks in total, and almost as many genres, Rudeboy is out today on Melbourne label Disdain Records.

Anty
Facebook https://www.facebook.com/ANTY421
Instagram @anty_420

Disdain Records:
https://www.facebook.com/Disdainrecords
Instagram @disdainrecords666

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Family Piknik announces 2021 edition of festival while releasing All Stars 2020 compilation
Festival NewsMusic News

Family Piknik announces 2021 edition of festival while releasing All Stars 2020 compilation

by the partae December 11, 2020
written by the partae
Date: 7th & 8th August
Location: Montpellier, France
Family Piknik Festival 2021: https://www.facebook.com/events/213464916956416
All Stars 2020 (Out now): http://fanlink.to/allstars2020
Family Piknik will celebrate 10 years of the festival in 2021 with an array of huge talent
Some of the biggest DJs have contributed to Family Piknik’s legacy over the past decade including Carl Cox, Solomun, Sven Väth, Maceo Plex, Richie Hawtin, Marco Carola, Loco Dice, Luciano, The Martinez Brothers, Jamie Jones, Sasha & Digweed, Joris Voorn and more, the list is pretty long! After a terrible 2020 due to Covid-19, the Family Piknik team are delighted to be working on its 2021 line-up, celebrating its 10th birthday over two-days of open-air extravaganza with some of the best international acts. Many of the rescheduled artists for 2020 can be expected, namely Charlotte de Witte, Adam Beyer b2b Ida Engberg, ARTBAT, Fisher, Worakls Orchestra ect. but there will also be many surprises!
In other news, Family Piknik Music has become a real home for young and promising French talents : Pontias, Abstraal, Albanø, Mood Gorning, B/O/M, Hugo Cantarra, The Dualz, as well as rising international newcomers : Cadillac Express, Gigee, Ki Yera, for example… Quoted as “France’s leading techno label” by Sweet Music, Family Piknik Music showcases a very wide vision for electronic music, from Afro-House to Techno, going through Progressive, Deep, Melodic, Organic, Dark Disco and Electronica. A large range of genres to push quality over quantity and monotony. The label also published its first music video clips, with Pontias ‘Go Bro’ official video scoring more than 35K views under 4 weeks on Youtube and being broadcasted on TV in 50 countries thanks to Clubbing TV.
Time has come to sum up this amazing year with a new compilation. ‘Family Piknik – Casa de Flamingos All Stars 2020’ is a collection of the 15 most marking releases of the year, with key remixes by Hernan Cattaneo, Theus Mago, Popof, Quenum, K.E.E.N.E. and the strongest original tracks released these past months. It also features a 2 hours continuous mix by Tom Pooks himself, recorded during the lockdown. French maestro gives much relief to these 2020 releases, incorporating some additional effects, adding some hypnotic loops to build a timeless mixed manifesto.
Tom Pooks says “2020 has been such a frustrated year for all of us in the music and entertainment industry. We kept on releasing music while most of us on this planet were not allowed to dance and enjoy live music because of the pandemic. It is very painful to release Dance music when you can’t share it behind the decks and have a party going with crazy people in front of you. Releasing this compilation is a way to celebrate the great evolution of our label in this very specific context. It is also a message of hope and faith in the music we do love and support.”
Tom Pooks mix is available to stream and download via Soundcloud.
Tracklist:
1) Pontias, Convergence System – Go Bro (Radio Edit)
2) B/O/M – Brothers (Short Edit)
3) Hugo Cantarra & Jinadu – The Sign (Radio Edit)
4) Cadillac Express – Moonstore
5) Abstraal & Teenage Mutants feat. Jim – Broken Smiles
6) Tom Pooks & Time – Red Castle
7) Pontias, Convergence System – Go Bro (Hernan Cattaneo & Marcelo Vasami Remix)
8) Albanø – Canuli
9) Ki Yera – Coming Down (Radio Edit)
10) Sebass – Mind Control
11) Delon – GirlBoy
12) Pontias, Convergence System – Go Bro (Theus Mago Meet Her At A Zoom Parade Remix)
13) Tom Pooks, Time – Red Castle (Bock & Fuchs Remix)
14) B/O/M – Brothers (GIGEE Remix)
15) Hugo Cantarra & Jinadu – The Sign (K.E.E.N.E. Remix)
Bonus Tracks:
1) Tom Pooks & Joy Kitikonti – Journey To France
2) Mood Gorning & Pontias – Branca
3) Essence of TIME x TIY – Consequences
4) The Dualz – Acid Dream
5) Nosssia & Rhodas – Universe Things
Family Piknik
Website: https://www.familypiknikfestival.com
Facebook: https://www.facebook.com/FamilyPiknik
Soundcloud: https://soundcloud.com/familypiknikfestival
December 11, 2020 0 comments
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BURIAL + FOUR TET + THOM YORKE Release two new tracks 'Her Revolution' & 'His Rope' Double A Side 12" out now via XL Recordings
Music News

BURIAL + FOUR TET + THOM YORKE Release two new tracks ‘Her Revolution’ & ‘His Rope’ Double A Side 12″ out now via XL Recordings

by the partae December 11, 2020
written by the partae

Burial, Four Tet and Thom Yorke today release two new tracks, ‘Her Revolution’ and ‘His Rope’.

It has been over nine years since their first release together, the double A-side of ‘Ego’ and ‘Mirror’. ‘Her Revolution’ and ‘His Rope’ prove a more subdued release for 2020.

Released on double A-side vinyl in a limited run to a small group of record stores, both tracks are now available to stream across DSPs, the first two of their collaboration tracks to do so.

As you’d expect from three of the last decade’s most vital voices in alternative music, both tracks have moved on from the ecstatic sound of 2011’s ‘Ego’ and ‘Mirror’ and reflect the precarious wider world around them…

Listen / Save / Download: https://xl.ffm.to/her-revolution-his-rope

our darling revolution

she is always in us 

cracks appearing at the centre

while we go spinning

walking offline

as rings up in the sky

she demanding diamonds

we are breaking her heart

cracks appearing at the centre

says all this revolution 

has such a cost

(how my wooden heart it feels nothing )

Burial + Four Tet + Thom Yorke – ‘Her Revolution’

December 11, 2020 0 comments
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KING GIZZARD & THE LIZARD WIZARD IF NOT NOW, THEN WHEN?
Music News

KING GIZZARD & THE LIZARD WIZARD IF NOT NOW, THEN WHEN?

by the partae December 11, 2020
written by the partae
LISTEN TO ‘IF NOT NOW, THEN WHEN?’

In wake of the hugely anticipated and just released LP ‘K.G.’ – Australia’s most in-exhaustible sextet King Gizzard are back at it with another surprise drop of microtonal meddling. Barely giving their fans a chance to to take a quick breath before diving back into the multi layered and always inventive Gizzverse. ‘If Not Now, Then When?’ is a classic bait and switch from the genre defying band. Opening with a raucous wall of sound, before pushing the scuzzy riffs aside to make room for a clavinet driven expedition into cosmic funk and celestial beat. Falsetto in tow, Mackenzie’s vocals are on lock with the groove. Hitting the syllables with careful consideration, ‘If Not Now, Then When?’  brings more resemblance to a psych bedtime story than the fuzz imbued sound the group are widely known for.

 

Collaborating for the first time with animation master Dr. D Foothead, his mesmerising imagery on show once again here. Defined by hypnotic detail, saturated colour and dynamic, flowing form – the character floats between inner and outer worlds in this three and a half minute neon odyssey. “The song made me consider how individual action or inaction affects the world,” Dr. D Foothead says of the video. “What happens when our repressed pain, darkness and confusion manifest and influence our surroundings and relationships? I wanted to explore the journey of a character who has neglected their inner shadow, and how this energy manifests physically and becomes a force of its own.”

 

Watch here.

December 11, 2020 0 comments
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Dashville announces 3 day New Years Concert series 'A Fresh Start' feat. William Crighton & The Bellbird Rats, Wagons, Little Quirks and more...
Festival NewsMusic News

Dashville announces 3 day New Years Concert series ‘A Fresh Start’ feat. William Crighton & The Bellbird Rats, Wagons, Little Quirks and more…

by the partae December 11, 2020
written by the partae

As restrictions continue to ease around the country, the Hunter Valley’s shadiest outdoor music venue Dashville, is gearing up to host a New Years escape to shake o the vibes of an incredibly challenging year, they’re calling it A Fresh Start.  

A Fresh Start will be a three-night concert series held in the lush confines of Dashville, running across 31st December 2020, 1st January and 2nd January 2021. Alongside the live music component will be a range of COVID safe creative workshops, kids activities and a rather interesting installation, known as the Splashville Waterpark.

Today Dashville is pleased to announce the line-up for the three concerts, featuring plenty of great local acts, alongside a number of talented interstate friends, keen to make their return to the hallowed site.

THURSDAY 31st DECEMBER 2020

You can guarantee a blistering set from William Crighton & The Bellbird Rats as they lead you into the new year (featuring a big band full of surprise guests).  Also entertaining you on the night will be local underground superstar punk rockers Bloody Hell, the dark brooding blues-rock sounds of Brisbane trio The Blackwater Fever, and 5 piece funk-pop outfit Viragos will have you getting your groove on from the get-go.

FRIDAY 1st JANUARY 2021

The sweet indie-folk sounds of Central Coast trio Little Quirks will be the perfect tonic as they take to the stage on New Years Day.  You’ll get Magpie Diaries pulling out their sublime cosmic country tunes, the infectious jangly psych-pop-rock of Geelong’s Bones and Jones and a wealth of muso talent coming together when the mighty Dashville Progress Society bust out the big numbers in a blockbuster tribute to the 80’s, narrated by Ben Quinn.

SATURDAY 2nd JANUARY 2021

Their first NSW show in a year will see the almighty cosmic psych-country outfit Wagons return to the Dashville stage, along with internationally acclaimed Blues & Roots duo Hat Fitz & Cara.  Eleven of the Hunter region’s best female musicians will come together as Huntress – paying tribute to the female artists who have shaped their lives, and you’ll be in for a rockin’ treat with Sydney melodic hard-hitters Front End Loader.

Dashville like many venues around the country has battled through a challenging year with valour, pioneering the return of live music in the local region, hosting a number of COVID Safe live music concerts since August, based around the ‘party pen’ formula.

In October Dashville hosted Sky Ball, which became a tribute to their cancelled 2020 festivals, culminating in five nights of live music, with over 30 live performances broadcast online, in a very challenging legal and financial environment.

As we inch closer to the end of the year, organisers are keen and confident to say that the party pens will be a thing of the past, with easing restrictions allowing for more lenient social distancing techniques across the spacious 20 acre site.

WHAT WILL A FRESH START LOOK LIKE?

Each day there’ll be a range of planned activities for people to choose from. We’re currently fine tuning the activities, but to give you an idea:

Practise your slow start in serenity, enjoy decadent breakfasts, morning yoga and relaxation rituals, some creative up-skilling workshops, plenty of arts and crafts, volleyball, skateboarding or hammock time?  You can bring your own plunge pool and we’ll fill it up for a small fee, or dabble in some nearby river swimming.  There’s some lush bush walking in the National Park, or pop over the road for some Wine Country touring, sneaky country pub lunch, perhaps with a sneaky midday busker or two…

As the sun begins to bend beyond the Dashville  ironbarks, we’ll be kicking off an evening concert of four acts.

New Years Eve we have extended trading until 2am, but otherwise each night will come to a close at midnight.

Here are some current key points of info,

  • You can purchase single day tickets or grab a 3-day bundle ticket. All tickets include  the option to camp onsite.
  • It’s incredibly family friendly, kids love it, they can bring push bikes, balls and games with plenty of space to run around in the campground.
  • You’re free to come and go during the days, but please sign in again for COVID tracking when you re-enter the gates.
  • Credit holders from our cancelled events in 2020 can use their dollarydoos for this gig. Don’t know your credit code? Email us at mail@dashville.com.au and we’ll sort it as soon as we can.
  • BYO alcohol is permitted in the campground only, the arena is licensed so there is no BYO inside the concert gates.
  • This is an all age event, under 18’s must be accompanied by an adult (25+) at all times whilst in the arena.
  • Dogs are not permitted.
  • Campground open from 12pm Friday 31st of December.
  • Live Music generally kicks off around 6pm each night.
  • Bird Bath Bar Open from 3pm until 11.30pm each day, except New Years Day where we’re open to 1am.
  • The Swoop Inn will be providing breakfast, lunch and dinner. Food and beverage items are not included in your ticket but you can order and pay on arrival.

A FRESH START
Dashville – Lower Belford, Hunter Valley

FIND TICKETS & MORE INFO
HERE

 

 

December 11, 2020 0 comments
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TASMAN KEITH SHARES DEBUT MIXTAPE TO WHOM IT MAY CONCERN LISTEN TO 'ANSWER' FEAT. PARISSA TOSIF
Music News

TASMAN KEITH SHARES DEBUT MIXTAPE TO WHOM IT MAY CONCERN LISTEN TO ‘ANSWER’ FEAT. PARISSA TOSIF

by the partae December 11, 2020
written by the partae
Photo by Snappatronik
PRAISE FOR TASMAN KEITH

“A man on a mission”
triple j

“One of the best examples of pure Australian hip-hop we’ve been treated to”
Complex

“Tasman’s razor-sharp lyrics tackle family, identity and race with potency.
His talent has been obvious from the get-go.” 

Red Bull Music

21 Top Indigenous Acts To Tune Into
Peter Garrett (Midnight Oil)

“Determined to use his platform to give a voice to the voiceless”
Acclaim Magazine

“Tasman Keith is taking control of the narrative”
FBi Radio

“One of the most exciting voices in hip hop in Australia right now”
Purple Sneakers

“Leading Australia’s hip-hop and soul future”
Pilerats

Fresh off a sold-out headline tour and securing 2020 J Award for Best Australian Music Video Of The Year for ‘BILLY BAD AGAIN’, rapidly rising Bowraville-born rapper Tasman Keith continues his seemingly limitless ascent by today unveiling his debut mixtape, To Whom It May Concern, and sharing new single, ‘ANSWER‘, featuring Vallis Alps vocalist Parissa Tosif. Listen HERE. 

The idea of hometown pride has always ridden deeper than most in Tasman’s music: everything he does is indebted to the community that raised him, to the idea of giving back and carrying on the storytelling traditions of his family. For Bowraville – a small town on New South Wales’ mid-North Coast most commonly recognised for housing one of the country’s most notorious missions and as the site of one of Australia’s most shameful chapters in history – Tasman is attempting to write a new history through his music, reclaiming pride by lifting up and giving back.

As it happens, Tasman Keith wears this responsibility very, very well throughout To Whom It May Concern, balancing a willingness to interrogate the darkest crevices of his life and Australian society as a whole with a perfectly weighted knowledge of when to shake it off with braggadocio, self-assured confidence, and beats that remind you why subwoofers were invented in the first place. Across To Whom It May Concern, Keith addresses the death of his older cousin, reflects on his career thus far and forwards, drawing connections between structural racism and the music industry, and more.

From the bare-bones, truck-rattling furore of lead single, ‘Confident‘, to the hypnotic, horror-inspired, nocturnal soundscapes of ‘Nightmares on 9th.‘, Tasman’s penchant for fearless stylistic choices is, at this point, already well established. To Whom It May Concern doubles down on that expansive flexibility, allowing Tasman to comfortably, confidently occupy so many artistic lanes at once while also carving out a space of his own.

With a shifting structure, lavish production, a tripping flow, and auto-tuned vocals that tread the line between rapping and singing, latest single ‘ANSWER‘ recalls the swirling, hallucinogenic panoramas of Travis Scott’s Astroworld and the shadowy introspection of J Cole, Tasman’s most outright excursion into pop territory to date. Atop percolating layers of interweaving guitars and synths, Tasman embarks on a journey of self-reflection, healing, and reconciliation, untangling a troubled state of mind whose weight is cushioned against the floating, atmospheric vocals of Vallis Alps‘ Parissa Tosif.

Of the track, Tasman says that ‘ANSWER‘ is “representative of a goodbye, a goodbye that unfortunately can cause confusion or a lack of understanding for what the other person or yourself has sacrificed up until that point. I’ve lost a lot of people in my life whether that’s to death or simply paths going different ways, this joint was me using an example of a relationship as that outlet. With the whole mixtape being titled ‘To Whom It May Concern’ I feel like this is almost the sign-off, the letting go of the ego and the confidence for a moment to be really open”.

Tasman’s debut mixtape captures a rapper in the midst of a propulsive, undeniable artistic streak, capping a year that has seen his profile rise through collaborations and guest features, appearing on Jimmy Nice’s ‘Same Water‘, Northern Territory producer Kuya James’ powerful single ‘No Country‘, including its own stripped-back version ‘No Country (Piano In F Minor)‘, and alongside Jessica Mauboy on ‘First Nation‘, the second single lifted from The Makarrata Project, Midnight Oil’s first studio album in over 18 years, together with his debut TV performance twice on the second season of The ABC‘s live music series, The Sound.

His stratospheric 2020 comes off the back of an equally prosperous 2019 for the Sydney-based emcee, who, off the strength of critically acclaimed singles, ‘BILLY BAD AGAIN‘, ‘move up‘ and Evenings, his collaborative EP with Northern Territory singer Stevie Jean, introduced himself to larger and larger national audiences, playing Laneway Festival, Groovin’ the Moo, BIGSOUND and more, coupled with the release of his Mission Famous VICE documentary, which shone a light on the collective achievements of his hometown, the highs and lows of life living in Bowraville. 

With his technical proficiency as a rapper, his storytelling, and the resonant social justice messages of his mission, Tasman has long been positioned as an emergent leader in Australia’s hip hop resurgence. His debut mixtape coronates his reign and exceeds the promises preceding its release, cementing Tasman Keith’s status as a wholly essential artist and a resolute, unassailable voice for the voiceless. 

To Whom It May Concern is out now, buy/stream it here.

TO WHOM IT MAY CONCERN TRACKLIST
10SPEED
65 ft. Wire MC & Gamirez
CONFIDENT
THESE DEVILS
ANSWER ft. Parissa Tosif

Stay connected with Tasman Keith:
Facebook | Twitter | YouTube | Instagram | Soundcloud

December 11, 2020 0 comments
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FRANK IERO AND THE FUTURE VIOLENTS PREMIERE NEW SINGLE 'SEWERWOLF' + NEW EP 'HEAVEN IS A PLACE, THIS IS A PLACE' OUT JANUARY 15 VIA UNFD
Music News

FRANK IERO AND THE FUTURE VIOLENTS PREMIERE NEW SINGLE ‘SEWERWOLF’ + NEW EP ‘HEAVEN IS A PLACE, THIS IS A PLACE’ OUT JANUARY 15 VIA UNFD

by the partae December 11, 2020
written by the partae
Image: Mitchell Wojcik
Following its premiere via Consequence of Sound, Frank Iero and the Future Violence aka The Future Violents are sharing a brand new single today. ‘Sewerwolf’, the second track from the group’s forthcoming EP Heaven is a Place, This is a Place, unleashes a ferocious and redemptive anger where in the chorus frontman Iero professes, “I come alive forged in fire, My love will break these chains built from pain, they can’t hold me down.”
Serving as a companion piece to 2019’s critically acclaimed full length, Barriers, the forthcoming EP, due out January 15, 2021 is split into two distinct movements.

Side A reveals the true meaning of “Violence”, a song title Iero has teased on bass drums in all his Future Violents music videos. Indeed, it’s opening gambit of “You got so sick, I thought I’d die, you got so down, I couldn’t get high” before the chorus refrain of “Your violence feels like kisses to me, your silence makes it harder to breathe, your distance feels like I’m not enough… I need your touch” sees Iero at his most scathing and damaged. Never have these words felt more relevant as they do now. This ferocity and redemptive anger continues into “Sewerwolf “ where in the chorus Iero professes, “I come alive forged in fire, My love will break these chains built from pain, they can’t hold me down.”

In total contrast to side A, side B finds the band more delicate and thoughtful, complete with soaring soundscapes before the final crescendo of Record Ender. All while paying beautiful tribute to Iero’s journey with The Future Violents and its members musical fortitude.

STREAM ‘SEWERWOLF’ NOW:
https://unfd.lnk.to/HIAPTIAP

PRE-SAVE ‘HEAVEN IS A PLACE, THIS IS A PLACE’ EP:
https://unfd.lnk.to/PresaveHIAPTIAP

‘HEAVEN IS A PLACE, THIS IS A PLACE’
EP TRACKLISTING:

1. Violence
2. Sewerwolf
3. Losing My Religion
4. Record Ender
In 2016, Iero and his guitar-playing brother in law, Evan Nestor, were involved in a brutal motor vehicle accident in Australia – one they barely survived. During the process of recovery, the REM song, ‘Losing My Religion‘ started making pivotal appearances in unusual places / weird circumstance and the mantra repeated itself as time went on.

When Iero resumed touring, post accident in 2017, one of the members of the support band, Kayleigh Goldsworthy, struck a chord both literally and proverbially.

Iero notes “From the first show I was completely impressed with her musicianship and by touring together I realised she was also a rad human being who I desperately wanted to write and play music with. In my mind she was already in my next band, I just had to write the music, name the band, find the other musicians, oh and of course ask her. But during that first tour together we got to talking about how she played the mandolin and how we shared a love for R.E.M., and more specifically ‘Losing my Religion’. So, on the last night of tour in San Francisco we found an empty room/hallway/stairwell type place and made an iPhone voice memo demo of the song. It felt like magic and that was the moment I was convinced this couldn’t be the only thing we did together.”

Goldsworthy’s band was subsequently invited to tour the UK & Europe and in London, a BBC session at the legendary Maida Vale studios culminated in Iero, Nestor, and Goldsworthy recording their unique take on ‘Losing’ amidst analogue history and English rain. The magic in the air was palpable and despite being on a sold out tour for an existing album (Parachutes) everyone in the room knew that this was the starting point of something new and truly great.

Iero has always employed a new band name for each stage of his solo career (The Cellabration / The Patience / The Patients / The Future Violents / The Future Violence) and there surely can be no doubt that as ‘Losing My Religion’ is the start of the band then ‘Record Ender’, the closing track, is the bookmark conclusion as Iero sings “Maybe we fooled them all, at least I hope we did.”

Heaven features Evan Nestor on guitar and backing vocals, Murder By Death’s Matt Armstrong on bass, Thursday’s Tucker Rule behind the drum kit and Kayleigh Goldsworthy on keys, mandolin, and violin.

Heaven Is A Place, This Is A Place is out in full Friday January 15, 2021 via UNFD.

LATEST ALBUM ‘BARRIERS’ OUT NOW:
https://unfd.lnk.to/barriers

CONNECT WITH FRANK IERO:

Facebook
https://www.instagram.com/frankieromustdie/
Website
Spotify
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