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PRAISE FOR ‘THIN SKIN’
“’Thin Skin’ possesses the optimistic hopes and joys of the 60s and 70s. Sunflower bring a dreamy, summer energy that contagiously puts a smile on your face and gives me shivers simultaneously.” – 4.5/5 stars
– Nkechi Anele – triple j (AUS)
“A song that moulds together swaying guitar melodies with rather quite enchanting vocals, deep with this emotional brightness that captures the group’s drive to share these meaningful bursts of indie-pop.”
– Pilerats (AUS)
Added to Apple Music playlist Mellow Days
Following on from the release of their critically praised single ‘Thin Skin’, Brisbane-based indie-pop group Sunflower have just returned with the tranquil accompanying video clip – directed by co-vocalist Lawson Doyle and filmed and edited by Aidan McCowan.
Shot across various iconic Brisbane locations including Fortitude Valley and Victoria Bridge, the clip sees co-vocalist Kahlia Ferguson journeying from busking on the streets of Brisbane to vast lush landscapes. The story follows Kahlia at one of her lowest points, before finding her sense of empowerment, seeing a visible shift in her body language from start to finish.
Kahlia describes the inspiration behind the clip:
“Filming the music video for ‘Thin Skin’ was a liberating experience for me. It’s such a deeply honest song, and I wanted the visuals to reflect that. My side-hustle at the moment is playing acoustic cover songs at venues, and it can completely drain me of inspiration and creativity at times. No matter how much you give yourself to the performance, there are always backs to you and people talk loudly and the manager asking you to turn the volume down. It gets me down when I let it. The whole scenario of the ‘Thin Skin’ music video is based around that experience. The character I play begins solemn and lost and finishes very free and empowered. I like the thought that I’m heading in the same direction. With as much love as we have for Brisbane, this feeling of ‘small town mentality’ was a massive inspiration behind the songwriting.”
To coincide with the release, the band will play at the Mountain Goat Valley Crawl and The Brightside, Brisbane, Stay Gold and Wrangler Studios, Melbourne and Oxford Arts Factory, Sydney in 2021. This continues on from recent performances at Yonder Festival in Imbil, Valley Fiesta, Brisbane and a sold-out headlining show at Black Bear Lodge.
Since release, the track has seen support from Apple Music, triple j, triple j Unearthed, Pilerats, The AU Review and a slew of Australian community radio stations. Previous singles ‘Better Days’ and ‘Get Yourself Together’ also received support from blogs Atwood Magazine (USA), The Music, Beat Magazine, and TV outlets MTV and ABC’s Rage.
‘Thin Skin’ is available worldwide now
UPCOMING 2021 LIVE SHOWS
SAT 6 FEB | MOUNTAIN GOAT VALLEY CRAWL, BRISBANE QLD
FRI 16 APR | STAY GOLD, MELBOURNE VIC
SAT 17 APR | WRANGLER STUDIOS, MELBOURNE VIC
FRI 23 APR | OXFORD ARTS GALLERY, SYDNEY NSW
SAT 24 APR | THE BRIGHTSIDE, BRISBANE QLD
FOLLOW SUNFLOWER
FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC
Hailing from Western Sydney, Australia, Makalita is a female R&B Singer/Songwriter of Tongan heritage. Makalita is a self-taught independent artist who has been refining her skills over the years and has equipped herself with a diverse skill set. At just 21 years of age, Makalita brings a mature yet young, fresh, and unique sound back into the music industry, which audiences have been searching for. With her Debut Single ‘Do This’ Makalita looks to make her first release in January 2021.
‘Do This’ is a smooth but confrontational upbeat track with somber lyrics, which captures the whole essence of Makalita’s message. Makalita’s greatest inspiration derives from growing up listening to Old School 90’s R&B, to artists such as Queen Naija, Summer Walker and Jhene Aiko. This has inspired Makalita to bring back that Old School vibe with a unique twist of new age ‘R&B-Trap Soul’ that is missing, and audiences are longing for in the music industry today.
‘Do This’ arrives alongside an iconic music video directed by Kreezy Visions and produced by Sueno Productions who has previously worked with Hooligan Hefs, Youngn Lipz, Will Singe and many more.
The video further showcases a vulnerable young woman deceived by someone who she thought was her partner, but in fact, he was married with a child.
This release aims to bring awareness to the toxicity in relationships, both emotionally and mentally.
It happens, it’s real and for this generation someone needs to start the conversation, so I will,” Makalita says.
Makalita will be performing at a Culture Shock event run by Jayslays on January 30th 2021 at Bodega Studios, Annandale.
Follow Makalita:
From watching the music and entertainment industry adapt to Covid-19 this year, we think the industry is going to continue utilising online platforms a lot more! Fan meet and greets through zoom, live stream concerts through social media platforms and apps like TikTok – it’s opened up a whole new way to connect with fans! We think this will continue even once 2020 is over. In saying that, however, we also think once it’s safe enough, live in-person music events are going to go crazy!! There’s something so unique and special about the atmosphere of a live show that you can’t capture anywhere else! It’s a feeling everyone has missed so much and we can’t wait to share that feeling again!
What’s your name and where are you currently based?
Our names are Matt Storm and Ivan Hartle, and we are both currently based out of Vancouver, Canada.
IVAN: Obviously covid has hit the music industry pretty hard, but I’ve been trying to make the most of the time. I’ve been fortunate to play some smaller solo/duo gigs, and also have been recording and writing new material. Like everyone else though, I’m looking forward to some normalcy returning, and getting back to playing more live shows.
MATT: I’ve been working with Ivan in the studio for years now. We always have a few songs on the go, and he came in for a session with a list of “to do’s”. We both really weren’t in the mood to be productive, so I fired up the Wurlitzer and he started playing the “More To Find” chords. I loved it, and quickly went about making the beat behind it. Once the groove was there, he knew I was itching to get on the track. We helped each other sort out the lyrics, and by the end of the night we had basically the whole song done.
IVAN: What Matt mentioned above is spot on. It was really cool and inspiring to ride the flow of inspiration together when making this song.
IVAN: I listen to a bunch of different artists/genre’s, but I definitely think that this song is heavily influenced by both Matt and mine’s love of Jazz and R&B.
MATT: Yeah for sure. I also had a vision for the sound, I wanted it to be really raw and not polished sounding. There is no reverb on the track, and very little processing. To me, some of my favourite stuff sounds like you’re right there with the artist, a part of the recording process. This song struck me as a perfect candidate for that style of production, so we took it there all the way. What you’re hearing is basically the rough mix, that’s where the vibe is.
MATT: Orchid Studios in East Vancouver. That’s where we do all our stuff. There is some really cool vintage gear there, that has a sound to it. Mastered in the same building at Suite Sound Labs by Greg Mindorff.
IVAN: Like we mentioned, this all came together quickly and naturally. In that sense, the spontaneous approach to recording “More to Find” was refreshing, and it left no time for us to overanalyze/nitpick the song.
MATT: The Wurlitzer keyboard that Ivan played is really the star. There is some muted bass I put in there. The drums are actually just me tapping on an Acoustic Guitar. Then I blew up the low end in Logic, and made it thump. A little jazzy electric guitar solo at the end too.
IVAN: Matt and I have done a bunch together over the last two years. Matt has recorded/engineered and produced all of my released music to date, and we’ve also gigged and toured together. The experience has always been great, as our outlook on music and our influences definitely align.
IVAN: I love all sorts of music genres, but lately, I’d say my top favourites are Son Little, Khruangbin, and the early recordings of Sam Cooke and the Soul Stirrers.
MATT: Ivan introduced me to The Mills Brothers recently, lately “You Always Hurt The One You Love” has been on repeat.
IVAN: I played college baseball in the US, so I still like to get out and play a little bit, whenever it isn’t raining in Vancouver. I also love to go camping around B.C. whenever I can.
MATT: Obsessed with Chess lately. I’ve also been really enjoying a nice walk up in the snowy mountains.
IVAN: I have some more music to release in the near future. Other than that, I’m hoping to continue writing, and then get back on the road as soon as possible to play some shows!
MATT: Hoping to get out to the East coast of Canada!
IVAN: Same thing for me.
MATT: Lately we get lattes and cookies, and meet up at the basketball court. It’s just the truth.
IVAN: Yep…what Matt said.
RECORD-SHATTERING ALBUM PWR/UP OUT NOW
“Nothing has ever slowed down AC/DC on their journey down the Highway to Hell…It’s their best record since 1990’s The Razors Edge” – Rolling Stone
“AC/DC is officially back.” – USA Today
“In these cuts you can feel the band’s joy in getting back together.” – LA Times
“Positively charged.” – Guitar World
“AC/DC are switched on again.” – Stereogum
Following the circuit-breaking release of their 18x worldwide #1 album PWR/UP last month, AC/DC have unleashed hell with their brand new music video for ‘Demon Fire’. Watch HERE.
For their seventeenth full-length album, the band reunited with producer Brendan O’Brien who helmed BLACK ICE in 2008 and ROCK OR BUST in 2014. Charged up for the next decade, AC/DC cut twelve new tracks for the album, proudly maintaining their signature sound and all of its powerful hallmarks. PWR/UP is available now HERE.
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Anty
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Disdain Records:
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In wake of the hugely anticipated and just released LP ‘K.G.’ – Australia’s most in-exhaustible sextet King Gizzard are back at it with another surprise drop of microtonal meddling. Barely giving their fans a chance to to take a quick breath before diving back into the multi layered and always inventive Gizzverse. ‘If Not Now, Then When?’ is a classic bait and switch from the genre defying band. Opening with a raucous wall of sound, before pushing the scuzzy riffs aside to make room for a clavinet driven expedition into cosmic funk and celestial beat. Falsetto in tow, Mackenzie’s vocals are on lock with the groove. Hitting the syllables with careful consideration, ‘If Not Now, Then When?’ brings more resemblance to a psych bedtime story than the fuzz imbued sound the group are widely known for. |
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Collaborating for the first time with animation master Dr. D Foothead, his mesmerising imagery on show once again here. Defined by hypnotic detail, saturated colour and dynamic, flowing form – the character floats between inner and outer worlds in this three and a half minute neon odyssey. “The song made me consider how individual action or inaction affects the world,” Dr. D Foothead says of the video. “What happens when our repressed pain, darkness and confusion manifest and influence our surroundings and relationships? I wanted to explore the journey of a character who has neglected their inner shadow, and how this energy manifests physically and becomes a force of its own.” |
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FRIDAY 1st JANUARY 2021
The sweet indie-folk sounds of Central Coast trio Little Quirks will be the perfect tonic as they take to the stage on New Years Day. You’ll get Magpie Diaries pulling out their sublime cosmic country tunes, the infectious jangly psych-pop-rock of Geelong’s Bones and Jones and a wealth of muso talent coming together when the mighty Dashville Progress Society bust out the big numbers in a blockbuster tribute to the 80’s, narrated by Ben Quinn.
SATURDAY 2nd JANUARY 2021
Their first NSW show in a year will see the almighty cosmic psych-country outfit Wagons return to the Dashville stage, along with internationally acclaimed Blues & Roots duo Hat Fitz & Cara. Eleven of the Hunter region’s best female musicians will come together as Huntress – paying tribute to the female artists who have shaped their lives, and you’ll be in for a rockin’ treat with Sydney melodic hard-hitters Front End Loader.
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TO WHOM IT MAY CONCERN TRACKLIST
10SPEED
65 ft. Wire MC & Gamirez
CONFIDENT
THESE DEVILS
ANSWER ft. Parissa Tosif
Stay connected with Tasman Keith:
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Side A reveals the true meaning of “Violence”, a song title Iero has teased on bass drums in all his Future Violents music videos. Indeed, it’s opening gambit of “You got so sick, I thought I’d die, you got so down, I couldn’t get high” before the chorus refrain of “Your violence feels like kisses to me, your silence makes it harder to breathe, your distance feels like I’m not enough… I need your touch” sees Iero at his most scathing and damaged. Never have these words felt more relevant as they do now. This ferocity and redemptive anger continues into “Sewerwolf “ where in the chorus Iero professes, “I come alive forged in fire, My love will break these chains built from pain, they can’t hold me down.”
In total contrast to side A, side B finds the band more delicate and thoughtful, complete with soaring soundscapes before the final crescendo of Record Ender. All while paying beautiful tribute to Iero’s journey with The Future Violents and its members musical fortitude.
https://unfd.lnk.to/HIAPTIAP
PRE-SAVE ‘HEAVEN IS A PLACE, THIS IS A PLACE’ EP:
https://unfd.lnk.to/
EP TRACKLISTING:
1. Violence
2. Sewerwolf
3. Losing My Religion
4. Record Ender
When Iero resumed touring, post accident in 2017, one of the members of the support band, Kayleigh Goldsworthy, struck a chord both literally and proverbially.
Iero notes “From the first show I was completely impressed with her musicianship and by touring together I realised she was also a rad human being who I desperately wanted to write and play music with. In my mind she was already in my next band, I just had to write the music, name the band, find the other musicians, oh and of course ask her. But during that first tour together we got to talking about how she played the mandolin and how we shared a love for R.E.M., and more specifically ‘Losing my Religion’. So, on the last night of tour in San Francisco we found an empty room/hallway/stairwell type place and made an iPhone voice memo demo of the song. It felt like magic and that was the moment I was convinced this couldn’t be the only thing we did together.”
Goldsworthy’s band was subsequently invited to tour the UK & Europe and in London, a BBC session at the legendary Maida Vale studios culminated in Iero, Nestor, and Goldsworthy recording their unique take on ‘Losing’ amidst analogue history and English rain. The magic in the air was palpable and despite being on a sold out tour for an existing album (Parachutes) everyone in the room knew that this was the starting point of something new and truly great.
Iero has always employed a new band name for each stage of his solo career (The Cellabration / The Patience / The Patients / The Future Violents / The Future Violence) and there surely can be no doubt that as ‘Losing My Religion’ is the start of the band then ‘Record Ender’, the closing track, is the bookmark conclusion as Iero sings “Maybe we fooled them all, at least I hope we did.”
Heaven Is A Place, This Is A Place is out in full Friday January 15, 2021 via UNFD.
LATEST ALBUM ‘BARRIERS’ OUT NOW:
https://unfd.lnk.to/barriers