the partae

FORTHCOMING ALBUM LET THE BAD TIMES ROLL OUT APRIL 16
PRE-ORDER THE ALBUM HERE

Today, SoCal icons and one of the best-selling punk rock bands of all time, The Offspring, have unveiled the accompanying music video for their recently released single Let The Bad Times Roll, the title track from their highly anticipated tenth studio album coming April 16, 2021 via Concord Records. The multi-format smash was added ATB to Triple M nationally in Australia and has vaulted to the top of US Rock and Alternative radio charting at #11 and #25, respectively, just four short weeks after its release and continues to climb with no signs of slowing down. Let The Bad Times Roll was the #1 most-added at Rock radio for two weeks in a row upon release and has racked up nearly 4 million global streams to date. Fans and critics alike applauded the band’s new music with Rolling Stone hailing it a “return to their signature mix of guileless pop-punk and forked-tongue irony,” Loudwire describing it as “a hand-clapper that shifts from raucous acoustic-driven passages to the band’s familiar punk sensibilities all while pointing the finger at the ills of the world today,” and Alternative Press proclaiming, “the countdown for The Offspring’s next album has officially begun.”

True to the irreverence at the core of punk rock music, the music video delivers a contemporary narrative tied to the song’s topical lyrics that reflect the ongoing challenges being faced across the country today.

Legends and innovators of the Southern California punk rock scene, The Offspring have sold more than 40 million albums worldwide, won countless awards, and have toured consistently, playing more than 500 shows in the last decade alone.  Their music has had a lasting impact across film, television, and video games, but the band turned their focus to a new album release in 2021. The band is comprised of singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. PRE-ORDER LET THE BAD TIMES ROLL HERE

SUPPORT FOR ‘DON’T NEED YOUR LOVE’

“Nile combines percussion-fuelled minimalistic pop prowess with empowering lyrics about defining your own self perception in today’s social media minefield.”
Music Feeds (AUS)

“Those vocals are magnetic!! A groove I could get down to on a Friday arvo, but also a Monday morning! Strong topic, but the song gives me “Feel good” energy!” – 4/5 stars
Tom Forrest – triple j Unearthed (AUS)

SUPPORT FOR ‘GOOD PERSON’ AND ‘FULL CIRCLE’

“Emotionally driven punk at its finest.”
New Noise (USA)

“Melody permeates everything Down For Tomorrow does. The Sydney-based band write hooks on top of hooks. That’s not an exaggeration.”
No Echo (USA)

“Down For Tomorrow pack this one with emphatic punk rock energy and uplifting hooks, compelling you to turn a shit day into a good one.” – 4/5 stars
Dave Ruby Howe – triple j Unearthed (AUS)

Added to Spotify playlist ‘Local Noise’

Added to Apple Music playlist ‘The New Rock’

Premiered on triple j Unearthed’s TOPS program

AFL legends Matthew Richardson and Bob Murphy have added their voices to the chorus of music lovers desperate to save Melbourne’s live music venues by appealing to the State Government to lift density restrictions. The AFL legends, encouraged by football’s triumphant return to Melbourne, now turn their focus to the city’s beleaguered live music scene.

Richardson and Murphy joined musicians Phil Jamieson (Grinspoon) and G Flip today to draw attention to the ongoing struggle faced by Victoria’s live music venues.

“Melbourne’s getting its culture back, its vibrancy back, but it won’t be complete until we get our live music back so I think its time that they were afforded the same luxuries that we have in our industry…Obviously the AFL is a massive industry and has the support of the big end of town and I feel like live music has been neglected a little bit” said Richmond great Matthew Richardson.

“Small venues are definitely the stepping stone for any musicians career, it’s the launching pad. It’s like the first two steps of the staircase, if they’re gone, how are you gonna get up?” said Melbourne musician G Flip.

“Until now we have been fumbling on, on a lot of goodwill and with the welcome support of JobKeeper” said Rod Smith of The Corner Hotel, “but that’s coming to an end next week along with rent relief and with our fixed costs remaining static…well, we’re in trouble basically”.

Last week, Save Our Scene Victoria urgently appealed to the Victorian government via an Open Letter which has now been signed by over 130 of Victoria’s live music venues. It calls for eased restrictions so that the live music industry can begin to trade sustainably when JobKeeper ends this week.

Whilst Save Our Scene welcomed the federal government’s RISE funding announcement yesterday, these competitive project grants are primarily targeted at festivals, concerts, tours and productions, and address project funding rather than assisting with music venues to cover core costs while they continue operate at 30% of regular capacity.

Despite what the headlines have suggested, live music venues are still subject to a one person per 2 square metre maximum density in Victoria, which equates to roughly 30% of normal licensed capacity. That’s a 70% drop in revenue, while costs remain static.  No business can survive like this, especially after nine months of closure last year.

The South Australian Government yesterday announced an easing of maximum density rules for venues, allowing for a genuine increase in audience capacities. Today Save Our Scene asks the Victorian State Government to do the same, as they have already done for Victoria’s theatres and sporting events. As JobKeeper ends, this is the only thing that will allow Melbourne music to get back on it’s feet.

Our music venues can not survive without Victorian Government intervention.
So please, protect our music venues. Support our artists. Save our scene.

For more info visit saveourscene.com.au

ABOUT SAVE OUR SCENE VICTORIA We represent independent small to medium music venues across Victoria, including some of the most iconic and long-standing music venues in the country. We are not the big end of town – we are not in the business of hosting stadium tours. We are the pubs, theatres and clubs where Australian musicians get their start and hone their craft. We are the venues where Victorian music lovers see shows not just once a year, but every night of the week. Our venues nurture the part of Victoria’s music culture that is uniquely Victorian, providing community, connectedness and wellbeing to people across the state. B-roll, photographs and transcripts of today’s media call are available upon request. ​The following spokespeople are available for comment:James Power – The Prince Bandroom Liam Alexander  – Colour Liam Mathews – The Old Bar Nick Murnane – The Evelyn / The Eastern Paris Martine – The Curtin Rod Smith – Corner / NSC Sasha Janssen – Whole Lotta Love Jon Perring – The Tote / Bar Open

Save Our Scene Website Save Our Scene @saveourscene.vic

KYOSHI is a Sydney four-piece band who converse in rhythm and melody. They’ve synthesised their own distinctive voice, with a futuristic and progressive interpretation on the psychedelic offerings of 60’s soul, funk and jazz – that soulfully stimulates both the mind and body.

Teasing the inevitable debut album, Kyoshi’s first release for 2021, Mother is a spiritual honouring to the feminine power in us, and in the universe that surrounds us. The great Earth Mother has unbound generosity for her children, as she watches over them grow and develop.

Opening with ethereal chimes to tickle your ears, Mother quickly jumps into a swampy groove that’ll resonate with your internal rhythms. Leah’s poetic lyrics have a swift momentum that leads the funk-laden chorus. Throughout the song the harmony builds to a beautiful crescendo where the repeating phrase “She brings forth new life” perfectly captures the raw power of the great Earth Mother. 

Grounding their sound in nu-jazz and future-soul, Kyoshi’s music is complex but never overwhelming. The bands previous releases, Lush and Naima received strong support from triple j, FBI Radio, 4ZZZ, 2SER, and KCC Live (England).

KYOSHI “MOTHER” OUT NOW

Follow Kyoshi:

Instagram | Spotify | Unearthed

Baker Boy today releases his new single ‘Ride’ – a track to help you forget your worries — even if just for a night. ‘Ride’ premiered this morning on triple j’s Breakfast with Bryce and Ebony.

The official video premiere for ‘Ride’ and a live Q&A with Baker Boy will kick off tonight at 7pm (AEDT) on Baker Boy’s YouTube channel from here.

Baker Boy’s small but beloved oeuvre thus far has always been about making listeners feel good, feel free and feel in tune with the rhythms of the world around us. But that’s never been so explicit as on his new single , a new collaboration with his cousin Yirrmal that demonstrates just how distinctive and evocative Baker Boy’s music has become since he debuted with the instant-classic ‘Cloud 9’ in 2017. Described by Baker Boy as “a new and improved version” of his 2017 Yirrmal collab ‘Marryuna’ (#17 in that year’s Hottest 100), ‘Ride’ is the beginning of a new chapter for the Arnhem Land’s fresh new prince, a marker of ascendance from rising star to supernova status.

Funky, soulful, and jaw-droppingly catchy, ‘Ride’ is a party track lost to the annals of time, like an Off The Wall single re-recorded in Yolngu Matha. It’s the brightest-burning party-starter in a catalogue made entirely of them.

Baker Boy says of ‘Ride’, “I wanted to make a song that could bring people together on the dance floor, no matter who they are or where they come from,” “I’m driven by the vision that I have of people coming together, visions of positivity and fun and telling stories that people can relate to. That’s the main message — just bringing people together, no matter what your background, or how you dance, let’s just get together and celebrate and I think that’s powerful. We need more of that.”

Written in a session with Yirrmal and longtime collaborator Dallas Woods and produced by Pip Norman, ‘Ride’’s ease and carefree groove reflects the tight-knit relationships of its collaborators. Yirrmal, who came up with the powerful and catchy chorus, says, “I’m glad I got to collaborate with Baker Boy again and put that good Yolngu soul into ‘Ride’. This song’s about friends having fun, having good times every weekend. I wrote ‘Ride’’s chorus about my mob back here and when they want to go out. We see negative stuff around here, a lot of fighting, but with ‘Ride’ it’s like come on, don’t be shy, come to the town and let’s dance. Let’s be part of the team, think about the positive things and not the negative things.”

‘Ride’ arrives alongside a typically exuberant music video, directed by Ryan Sauer who “after hearing the song for the first time and how fun and energetic it is, my vision was to utilise that vibe when creating the imagery in the music video.”

Featuring Baker Boy cruising down some of Melbourne’s most iconic streets and letting loose in a packed nightclub, “The video brings the same excitement that the track does, it’s all about the journey to the club and bringing people together.It was incredible collaborating with Aurie Indianna on the creative direction again, with Ryan, Harry and the crew really bringing the vision to life!,” says Baker Boy of the clip.

‘Ride’ is set to become the latest triumph for Baker Boy in a career full of them. Nominated for the 2021 APRA AMCOS Song of The Year for ‘Meditjin feat. JessB’, the song was performed live over the weekend for Sounds Australia’s SXSW CLOSE UP showcase and most recently won Baker Boy (aka Danzal Baker) 2^nd place in the prestigious Vanda & Young Global Songwriting Competition. His list of accolades continue with six career ARIA nominations; an ARIA Gold certification for ‘Cool As Hell’; six wins at the National Indigenous Music Awards; an Order of Australia medal; the 2019 Young Australian of the Year award; multiple placements in Triple J’s Hottest 100 and over 37.4 million streams of his music world-wide.

The Bronx, the Los Angeles’ “rabid, feisty… and unrelenting” (Consequence of Sound) rock band whose sequential discography has seen the group through a nearly two-decade career, release the Joe Baressi-produced album Bronx VI on Aug 27 via Cooking Vinyl.

“I’m excited,” says guitar player Joby Ford. “From day one we really decided that we wanted to make a record that went in different directions and places. The thing I like a lot about it is that everybody contributed songs. It’s not just Joby J. Ford guitars with Matt singing over it. I loved listening to what other people wrote, and I think those differences and nuances really come through.”

“We’ve known each other for a long time,” adds singer Matt Caughthran, “and we’re such good friends and we’re so tight creatively, but we’re still learning stuff about each other, especially when it comes to the process of creating an album. Brad and Ken are just coming out as songwriters and we’re learning to write songs as a group around ideas they bring to the table. This is a really important record for us growth-wise because it kicked down a lot of doors that needed to be kicked down. I feel like now going forward the sky is the limit.”

An early taste of the 11-song album comes via the single White Shadow, a track Matt describes as “a song about spiraling. Wild eyed Guitars, drums, and bass mixed with a high speed chase and a frantic mind unraveling. CLASSIC F*CKING BRONX.”

Bronx VI was produced by Joe Baressi (Tool, Melvins, Bad Religion) at his House of Compression studio in Pasadena, Calif. Baressi is someone the band had wanted to work with for many years. “We’d been talking about doing a record together since 2005,” explains Joby, “and it finally aligned schedule wise.” Matt adds, “He was just the perfect guy for this record. We went in feeling really good about all the songs, and we just needed someone to make them sound fucking badass and take it to the next level. That was definitely Joe.”

Album pre-orders (including the highly collectable 7″ box set pictured above) are available now with the collection available digitally, on CD and with a number of vinyl variants including an orange and blue galaxy Australian webstore exclusive. Each of the 11 songs on Bronx VI will be available as individual, limited-edition 7-inch singles featuring unique artwork from a hand-picked group of artists including Estevan Oriol, DABS MYLA, Craig Stecyk, and Tim Armstrong. The 7-inches, while available individually, can also be purchased as a monthly subscription, dubbed the “Mirror Press” series and limited to 400 fans, the lucky recipients will receive a collectible, handmade wooden box embossed with the band’s logo, a lyrical decoder mirror, 7-inch slip mat and featuring room for each of the sought after singles. The artist for “White Shadow” is Philadelphia-based graphic artist Jeremy Dean.

THE BRONX – BRONX VI TRACKLIST 1.    White Shadow 2.    Superbloom 3.    Watering The Well 4.    Curb Feelers 5.    Peace Pipe 6.    High Five 7.    Mexican Summer 8.    New Lows 9.    Breaking News 10.    Jack of All Trades 11.    Participation Trophy

ABOUT THE BRONX The Bronx formed in 2002, releasing their self-titled debut album the following year. Over the Los Angeles-based band’s 19 year career, The Bronx have released five original albums under their original namesake, and three albums under their alter ego, Mariachi El Bronx. Both iterations of the now legendary SoCal outfit have been hailed for harnessing the “unleashed cries of youthful blue-collar anguish” (Los Angeles Times), and for writing “hard-hitting and catchy hard rock tracks” (Loudwire). The Bronx is Matt Caughthran (vocals), Joby J. Ford (guitar), Ken Horne (guitar), Brad Magers (bass) and Joey Castillo (drums).

The Bronx @bronxovision @bronxovision Thebronxxx.com

March 25, 2021 0 comments

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