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Music News

PREMIERE – Multi-Faceted Hip Hop Artist Undertow Pushes Through On New Single ‘On Sight’

by the partae August 3, 2021
written by the partae

Serving up one of the slickest videos of the year, multi-faceted hip hop artist Undertow releases  fresh visuals for his single ‘On Sight’ filmed by Kenna Filmz released via Likeminded Recordings.  

The single was written over a period of time pre/post CO-VID, and is about his life and how the  rapper lived, whether it was good or bad, he just keep moving forward. It references things that  were happening at the time of the writing.

He goes on to say, “Friends were going through various struggles, from breakups to heart-attacks,  this song is about how I perceived that at the time and how that affected me. From an artistic  point of view, the track is about doing what you want, maintaining your vision and integrity. Don’t  abide by the rules with art as it’s an expression of yourself,”  

“The message is no matter how buried you are in life, mental thoughts, day to day hardship, and  how down you feel, you just need to push on and get what you came here for,”

The accompanying visual overflows with energy and see’s Undertow roam through the streets of  Sydney with conviction. Capturing the glow of the city and it’s surroundings.  

Having made a bold and confident statement within his career, Undertow is no stranger to the stage. He has over 20 years tenure entertaining Australian and New Zealand audiences never swaying too far from the spotlight. Since releasing his debut LP ‘Minds Believing’ in 2010 to some great reviews and recognition. He then went on to release two albums and an EP with the act Kobra Kai. As a founding member the D&B/Grime/Hip Hop/Electronica act Kobra Kai made a huge impact on the Australian scene. Following that release, ’Light in the Distance’ dropped 2018  and a collaboration with Sydney producer O.T and Dj Maniak for 2019’s ‘Staircases’ release. 

Undertow has gone on to perfect his craft of connecting metaphors and syllables over crafted  instrumentals. Along the way he shared the stage with some of the best in the business, including  Caspa, Dizzee Rascal, Scratch Perverts, Dr Octagon, Lyrics Born, The Four Owls, Ocean Wisdom,  Jam Baxter, MIA, Footsie and more.

Undertow’s upcoming EP ‘On Sight’ sees him go back to his bass music roots, with production  handled by UK producers and all around a 140 BPM, his ability to switch in and out of modern hip  hop, grime and anything in between is what really makes this release stand-out.

 

PLAY/LISTEN

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August 3, 2021 0 comments
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SEB RELEASES DEBUT EP IT'S OKAY WE'RE DREAMING FEAT. 'SEASIDE_DEMO' OUT NOW VIA MOM+POP
Music News

SEB RELEASES DEBUT EP IT’S OKAY WE’RE DREAMING FEAT. ‘SEASIDE_DEMO’ OUT NOW VIA MOM+POP

by the partae August 2, 2021
written by the partae
Photo by Shy Louise

PRAISE FOR SEB

“A perfect early summer jam”
The FADER

“The perfect summer song”
NME

“…bonafide lo-fi bedroom pop…”
The Line Of Best Fit

“A serious contender in a cut-throat industry”
Ones To Watch

LA-based pop polymath SEB has just released his debut EP, IT’S OKAY, WE’RE DREAMING, via Mom+Pop, a six-song excursion that includes his previously released singles ‘Coney Island‘, ‘THEY DON’T LIKE ME‘, and the bonus track ‘seaside_demo‘. LISTEN HERE.

Since emerging in 2020 with his first single ‘Boys Don’t Cry‘, SEB has steadily built a fervent fanbase and captured the attention of tastemakers worldwide, a process accelerated by the release of ‘seaside_demo‘, which has amassed a staggering 50+ million streams in just two months.

Carving out his own stylistic lane, SEB is as inspired by the emotionally charged songwriting of artists akin to Kurt Cobain and Joni Mitchell as by the boundary-breaking approach of artists like Tyler, the Creator, Kid Cudi, and Grimes. IT’S OKAY, WE’RE DREAMING explores his darkest truths as he questions how the past shapes who he is today – complete with an enthralling visual world inspired by cult movies Gummo and Donnie Darko.

“IT’S OKAY, WE’RE DREAMING serves as the first act to this whole journey,” SEB explains. “It fleshes out the mind-state I was in senior year where all these possibilities were about to open up, but at the same time, I’m starting to deal with the realities of growing up.” The EP’s stylistic diversity is, in part, influenced by SEB’s wildly varied upbringing, coming up in Chicago after hopping between New York, Haiti, Oklahoma, and Miami.

Upon returning to New York for college, he interned at the iconic Electric Lady Studios, where brief brushes with artistic giants spurred him to make the move to LA to focus on his music career. SEB explains, “the fact that I’m black makes it hard for people to just call my music pop. The whole point of my artistic existence right now is fighting for the idea that a single black artist, who writes and produces their own music, can stand right next to a Taylor Swift or Harry Styles.” IT’S OKAY, WE’RE DREAMING marks the first step in that journey.

IT’S OKAY, WE’RE DREAMING EP is out now, buy/stream it here.

Stay connected with SEB:
Instagram | Twitter | TikTok

August 2, 2021 0 comments
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Rewind With Steve Bell returns to commemorate the 25th anniversary of Regurgitator's debut album Tu-Plang
Music News

Rewind With Steve Bell returns to commemorate the 25th anniversary of Regurgitator’s debut album Tu-Plang

by the partae August 2, 2021
written by the partae

When Regurgitator appeared out of the Brisbane underground music scene in the early ‘90s they seemed like the band least likely to be snapped up by a major label. But defying the odds, they inked a deal with Warner that gave them full artistic control. Despite songs lashing music industry greed and spiked with radio unfriendly lyrics, Regurgitator landed in the charts, becoming a platinum-certified, festival-playing favourite.

In this season of Rewind, host Steve Bell sits down with the original Regurgitator line-up who recorded Tu-Plang: Quan Yeomans, Ben Ely and Martin Lee (the first time he’s spoken publicly in twenty years). They are joined by a behind-the-scenes team who helped get Tu-Plang out: DIY-inclined manager Paul Curtis, Warner’s A&R at the time of Tu-Plang Michael Parisi and album producer Lachlan “Magoo” Goold.

Together they weave a tale of how a band, who despite a central punk sensibility, defied expectations and signed with a major label. The trio then pushed against their corporate bosses with defiantly uncommercial ideas and an adventurous recording session in Thailand that included feral dogs, a biker gang, diarrhoea and a mixing desk controlled with toothpicks. Then came the hits, Alan Jones’ calling for them to be banned and the unusual twist of turning down the chance to break America.

Rewind With Steve Bell is available to stream via The Podcasts website and all your favourite streaming platforms, including Apple and Spotify.

About Regurgitator:

Emerging from Brisbane in the mid-‘90s as alternative music bludgeoned the mainstream, Regurgitator quickly established themselves as a surreal staple on both radio and the touring circuit. As well as lovingly indulging in six Big Day Out tours, Regurgitator also gave touring partners such as Red Hot Chili Peppers, Boredoms, Helmet, Pansy Division, and The Prodigy some fun for their money when it came to satiating crowds with sweaty, energetic, genre-bending rock.

About Rewind:

Rewind With Steve Bell launched in 2020 with a successful three-part oral history of Silverchair’s Frogstomp. The podcast quickly became the most played locally- produced music podcast upon release, peaking at #2 on Apple’s music podcast chart (held from the #1 spot by the blockbusting Dolly Parton’s America). Three follow-up seasons, featuring Billy Bragg, The Avalanches and Daryl Braithwaite have seen Rewind remain in Apple’s top 10, smash into Spotify’s music top 5 and trend around the globe (Great Britain, Japan, Canada, Sweden, Norway, Germany, France, Portugal, Argentina and more).

About Steve Bell:

In the 20 years since Steve Bell turned his back on a promising legal career to follow his passion of music he’s pretty much done it all, from managing bands and running a record label to owning a record store and dedicating years on-air to community radio. But since tumbling into the world of street press in mid-2000 it’s music journalism that has proved his true love, and he’s now parlayed those decades of interviewing artists for print and radio into the podcast world.

About Handshake Podcasts:

Rewind is a part of the Handshake stable that also includes one-on-one interview series The Green Room With Tiana Speter, NRL opinion series The Take With Willie Mason and pop culture show that doesn’t live up to its name, That Sucks.

QUOTES FROM THIS EPISODE OF REWIND:

Michael Parisi, former Warner A&R, about how he discovered Regurgitator accidentally on another band’s demo tape:

“It just so happened that when Ben sent me the demos for the new Pangaea stuff, it was a cassette actually, one side was a Pangaea record. The other side was these Regurgitator demos. And, I had a listen to it and I went, ‘what is this?’ And I remember ringing Ben going, ‘I love this more than Pangaea.’ So at the time I go, ‘Can I sign both?’ At the time my boss said, “Look, let’s just focus on one and if that works, then we can, you know, we can sign the other. So which one do you want to sign?’ I said, ‘I’m going to sign this Regurgitator band.’” listen to quote here

Ben Ely speaking about how the band reacted to going pop:

“I remember we had a rehearsal at Red Zeds one Friday night when we used to rehearse there, and Quan came in and he’s like, ‘I’ve written this song,’ and he said, ‘it’s a pop song.’’ We’re like, ‘What? You wrote a pop song. It’s like, ‘Dude, what are you, what are you doing?’ You know, we don’t do that. And then we played it and went, ‘Oh.’ I remember actually playing it in the rehearsal room. And I remember us all looking at each other and just kind of going… kind of freaked out. Cause we liked it. We felt guilty for liking cause we weren’t supposed to do it.” listen to quote here

Quan Yeomans on not enjoying fame:

“To be so successful so quickly and to do it in such a random seemingly random way to me, and to just have so much fun doing it as well as being incredible. So I do feel really, really lucky. But the industry thing, I mean, I never went, I tried to avoid all of the ARIA Awards. I remember, the year that we won five or six of them, I was just in bed, in a hotel room with my girlfriend watching it on TV. I mean, we just, I don’t think I watched at all. Um, it really wasn’t that important to me and that.” listen to quote here

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August 2, 2021 0 comments
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ANTOINE SHARES LATEST R&B GROOVE 'NO LUV REQUIRED'
Music News

ANTOINE SHARES LATEST R&B GROOVE ‘NO LUV REQUIRED’

by the partae August 2, 2021
written by the partae

Today, Naarm/Melbourne based artist Antoine shares his latest single ‘No Luv Required’, which marks the next phase of an already promising young career. Setting himself aside from his peers, Antoine’s love affair with early 2000s R&B comes through loud and clear on ‘No Luv Required’, transporting the listener to a time when artists like Ashanti & Usher reigned supreme. Following on from a slew of strong releases in 2020, Antoine has enlisted the help of producer ServidSounds for ‘No Luv Required’ which lifts the track from great to special, pushing their sound into the upper echelon of Australia’s burgeoning R&B scene.

Speaking on the release, Antoine explains; “‘No Luv Required’ is an upbeat vibrant take on a young love story before it all goes wrong. It’s about living in the moment and enjoying it with that special someone. You start to feel invincible as a team without any serious commitments which can be so rewarding. Just purely enjoying each other’s company in the present”.

Antoine also speaks on his sound; “R&B & HipHop is changing and I feel like I’m striking a balance between both old and new takes on the genre, allowing me to create something that’s different from what’s come before and what will come in the future”.

‘No Luv Required‘ is the beginning of a new era for the young Melbourne artist, loaded with more releases to come in 2021, along with a music video and collaboration with one of Australia’s leading R&B artists Timomatic. It’s time to get familiar with the name Antoine, as he’s about to level up and showcase his distinctive flavour & sound, which is set to make waves in the local and international R&B scene.

LISTEN TO ANTOINE – ‘NO LUV REQUIRED’

Praise for Antoine

“Antoine is able to connect flow with wordplay finding himself in the genre-blender of Hip-Hop and R&B”
– Music Group

“A masterclass in narration”
– Clash Magazine (UK)

“Poetic and Powerful”
– Declan Byrne | Triple J

“Antoine positions himself as one to watch”
– Pilerats

Hailing from Naarm/Melbourne, Australia, Antoine sets out to take us back to the 2000’s with his smooth, melodic voice along with hard-hitting production suitable for todays audience. Drawing heavy inspiration from his musically gifted family, Antoine seeks to redefine and reshape the R&B world with his infectious and catchy melodies. 2020-2021 has been a busy and productive time for Antoine, seeing him release a slew of accomplished and punchy singles such as ‘One Time’ & ‘New Bae Sh*t’ amassing tens of thousands of streams. Also putting a feature down on renowned Australian artist Blush’ko’s debut album ‘Afternoon Delight’, expect to see a lot more of Antoine in the near future.

Stream / Purchase ‘No Luv Required’

https://www.facebook.com/musicantoine
https://www.instagram.com/antoine_yc/
Spotify
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August 2, 2021 0 comments
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Wesley Joseph & MICHELLE drop singles from Two Inch Punch's A Month Of Sunday's compilation
Music News

Wesley Joseph & MICHELLE drop singles from Two Inch Punch’s A Month Of Sunday’s compilation

by the partae August 1, 2021
written by the partae
credit. Alex Kurunis
A MONTH OF SUNDAYS 
SHARES NEW AA-SIDE SINGLE FROM BREAKTHROUGH ARTISTS
WESLEY JOSEPH AND MICHELLE
OUT NOW ON TRANSGRESSIVE RECORDS.
TAKEN FROM THE UPCOMING FULL LENGTH PROJECT
OUT SEPTEMBER 3RD FEATURING
JESSIE WARE, JAMES VINCENT MCMORROW, THE JOY
AND MORE.

During the first few weeks of the Covid-19 lockdown, London-based producer Two Inch Punch had the idea of a collaborative project in which the artist and producer community, given their sudden slow down of pace, could have the opportunity to continue working, collaborating and making connections with fellow producers and musicians that they may already know but also hopefully connecting with those that they didn’t, and that they may have admired from afar.
Two Inch Punch has now curated a new project titled A Month Of Sundays and in the spirit of the collaborative nature of the project will be releasing a series of AA-side singles over the coming months, with the full album A Month Of Sundays: Volume 1 set for release Friday 3rd September on Transgressive Records. Further details, including a full list of the collaborators plus the tracklisting, will be revealed soon.

Proceeds from A Month Of Sundays: Volume 1 will be going to the independent charities Young Minds and Black Minds Matter. It’s vitally important that we support each other at this time, and hope that this project is able to provide a small offering of relief.

Following on from the critically acclaimed debut release, that featured brand new songs from Jessie Ware & James Vincent McMorrow and The Joy, A Month Of Sundays shares it’s second AA-side drop with singles from fast-rising new artists Wesley Joseph ‘Can’t Sleep’ and MICHELLE ‘Brasil’ who have collectively picked up acclaim from the likes of Pitchfork, The Fader, Dazed, Pigeons & Planes, NME, i-D, The Face and more.

Discussing working with Wesley and MICHELLE, Two Inch Punch offered the following.

“Wesley is one of my fav uk artists right now hands down. What I like about him is he’s entirely in his own lane and not concerned about being from a scene. That’s what makes him so magnetic, not trying to fit in anywhere, unapologetically himself and makes you want to get into his world – which he does so beautifully on this record.
MICHELLE are incredible. I became obsessed with their track “The Bottom”. I love their setup, they remind me a lot of old throwback psychedelic groups and 70s soul led bands, but with synths.

When we started making the embryonic music for this song, it came from a very soulful, funk inspired place. I made the beat with Flan Egg & Mack Jamieson, who are two of the most soulful producers around right now. I always look out for the records they have worked on. The astonishing bass on this was played so majestically by Gabe Noel, who is at the heart of so many amazing records over the years from Kendrick Lamar to Ethan Gruska, to Brent Faiyaz. When we had this piece it felt perfect for MICHELLE and I’m so glad they added their spin on it, absolutely owned the beat & made it their own! It’s one of the most important songs on this record. We are so proud of this one.

Both these two songs came together fairly quickly which is always the sign of a great record in my eyes. All the parts seemed to slot together, and they were both definitely the flagship songs that shaped the rest of the album and tone. We’re so glad they are coming out together, to truly paint the picture of the record.”
A Month Of Sundays: Volume 1 is available to pre-order on limited edition vinyl and CD, alongside donations to Young Minds and Black Minds Matter, here.
August 1, 2021 0 comments
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Wilder. - Reveal Blistering Title Track 'Bad Bad Luck' And Announce Debut EP
Music News

Wilder. – Reveal Blistering Title Track ‘Bad Bad Luck’ And Announce Debut EP

by the partae August 1, 2021
written by the partae

SUPPORT FOR WILDER.

“A pop-punk take on blistering post-hardcore.”
FLOOD Magazine (USA)

“…a lively new duo…”
The Noise (USA)

“A refreshing blast of pop-punk…”
BTR Today (USA)


Southern California indie-rock duo Wilder. have announced their debut EP, ‘BAD BAD LUCK’, due out August 27 on Rude Records. ‘BAD BAD LUCK’ is a high-energy and introspective collection of indie-punk songs reflecting largely on the band members’ experience as young adults in the church and their journey making a fresh start.

“After such a long time in anticipation, we are thrilled to finally release this EP,” shares the band. “It’s an accurate reflection of who we are today, and an ode to our journey up until now. From establishing our presence as artists over the past 10 years, to the pains of letting our old band go, as well as outgrowing certain relationships and leaving organised religion; This EP tells the story of it all. The page has finally turned, and it’s time to get wild!”

The EP features the singles ‘Oh No’, ‘See Through’ and ‘bitemytongue’, as well as the latest single and title track, ‘Bad Bad Luck’. Watch the official music video here: HERE. The ‘BAD BAD LUCK’ EP is available for pre-order here: https://music.ruderecords.com/badbadluckep.

Wilder. is the new project of Long Beach, CA musicians Stephen Ramos and Nick Sturz. Over the past decade, the two musicians have cut their teeth on the road and in the studio, performing dozens of tours across the states, recording albums and paying their dues. Having learned valuable lessons by means of failure, success and perseverance, the duo have formed Wilder., what they feel to be the most accurate representation of who they are as artists.

Their music as Wilder. is upbeat, infectiously melodic, and resemblant of the Southern California aesthetic from which it was created. Their aim is simple, and is even written onto Ramos’ Fender Telecaster – the band is now here, and things are about to get wild. But behind their vibrant imagery, their songs have underlying lyrical content full of honesty and angst, with a tongue-in-cheek attitude that leaves the listener wanting to know more of the story.

Previous singles have been widley embraced by the likes of SYN FM, Edge Radio, 4ZZZ, Kerrang! Radio (UK), Apple Music, Amazon Music, AAA Backstage, Something You Said, FLOOD Magazine (USA), Distorted Magazine (UK) and Bring The Noise (UK).

‘Bad Bad Luck’ is available worldwide now, via Rude Records


Click to stream ‘Bad Bad Luck’

FOLLOW WILDER.

FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | APPLE MUSIC | WEBSITE

August 1, 2021 0 comments
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French born Osaka based producer Vantage Drops New Single ‘I Found You’ feat Benjamin Ingrosso On FFRR Vantage is a pioneering force in NFT Pop Art Culture as well as propelling the ‘Future Funk’ genre drawing inspo from 00’s Dance and Filtered Disco
Music News

French born Osaka based producer Vantage Drops New Single ‘I Found You’ feat Benjamin Ingrosso On FFRR Vantage is a pioneering force in NFT Pop Art Culture as well as propelling the ‘Future Funk’ genre drawing inspo from 00’s Dance and Filtered Disco

by the partae August 1, 2021
written by the partae
FFRR / Warner Music
Vantage– ‘I Found You’ (feat. Benjamin Ingrosso)
Out Now

Following on from the viral success of his 2020 track ‘50/50’ and his very recent release ‘I Think I’m In Love’ feat Todd Edwards, Vantage returns with his second release of 2021  ‘I Found You’, out today on FFRR.

Vantage is the fast-rising French born and Osaka based producer who is a leading figure in the ‘Future Funk’ genre, an electronic music subgenre that takes inspiration from 80s funk and disco and 00’s dance. Here Vantage delivers a whole new contemporary spin and feel, blending the French Touch sound with Vapourwave and House.

With new release ‘I Found You’ he builds in his now signature filtered disco sound, taking it to the next level, bringing us blissfully summer infused track. Using a range of analogue synths and instruments to create his distinctive tone and with a vibe and feel of something straight out of the 80s. Think funky bass guitar, vocoder vocals, bright filtered loops and retro synths stabs throughout.

The vocalist is emerging Swedish singer Benjamin Ingrosso, nominated by MTV in 2018 as Best Swedish Act and is the cousin of famed Swedish House Mafioso Sebastian Ingrosso.

Emerging onto the scene in 2015, Vantage has since cultivated an immersive world at the intersection of sound and technology. Involved in digital Pop Art  and consistently dropping new NFT artworks , he has a  belief that music and imagery combined should do the talking.  Vantage has created an engaging visual world to coincide with his music on 2015 album ‘Metro City’ then continuing his distinctive second album ‘J-Funk City’ in 2019. More recently he saw his re-released single, ‘50/50’ becoming a viral hit via TikTok as well as remixing Dua Lipa in the process finding an audience on a global scale.

Having already achieved great success to date, with his previous tracks streaming in the 100’s of thousands a day and having been propelled to the top of the Viral charts. We know there is much more to come from this exciting artist.

Vantage ‘I Found You’ (feat Benjamin Ingrosso) is out now on FFRR

Connect with Vantage
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Spotify
Connect with Benjamin Ingrosso
Facebook
Twitter
Instagram
SoundCloud
Spotify
August 1, 2021 0 comments
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Rayne
Music InterviewsMusic News

RAYNE

by the partae July 31, 2021
written by the partae

Where are you currently based?

I’m based in Vancouver, BC!

How did you first start playing music?

For as long as I can remember I’d always loved music, but I didn’t start performing until I was 9. I first started with singing competitions in my area and then worked my way up to solo gigs in bars and restaurants where I’d sing and play the guitar for a couple hours at a time. It’s very funny being a young performer, sometimes you’re not actually allowed in the spaces you’re performing in. Once I had to be walked by a chaperone between the stage, green room, and bathroom so the bar wouldn’t get in trouble for having a 15 year old wandering around by herself.

What’s been happening recently and how has your Covid experience been?

Recently I’ve been writing and planning my future releases after ‘False Love’ drops. Pre-Covid I was already a bit of a social recluse, so not much has changed socially for me, but I’ve really missed performing. I’ve done a couple outdoor and online shows, but it’s not quite the same as things were before the pandemic. 

Your new EP ‘False Love’ will be out on July 30, what influenced the sound and songwriting?

While writing this EP, we (myself, Tavish Crowe, Ryan Stewart, and Troy Samson) were inspired by a lot of different artists, including Dua Lipa, PVRIS, Doja Cat, Carlie Hanson, and Tate McRae. Writing this EP was a learning experience for me. A lot of personal and musical growth happened for me throughout its creation and I think you can hear that throughout the tracks! In two of the songs on the EP (Is It Cool If We’re Lonely? and Nothing To Bleed For), I started dipping into a slightly darker pop sound, which is something I see myself continuing with in the future.

How did you go about writing the EP?

Spending lots of time in the studio! I like to think of myself as a pretty quick songwriter, all of these tracks were written in under five hours. ‘Is It Cool If We’re Lonely?’ Was definitely the fastest, Tavish and I wrote it over Zoom in less than two hours! We’re both pretty efficient songwriters (when we’re not getting distracted on random tangents), which makes working together very quick and fun! I believe that over thinking your music takes away a lot of charm and authenticity. Worrying too much about whether or not other people will be able to immediately understand a lyric or if a melody is catchy enough distracts from the process, and can make songs sound kind of rigid and flat. I tried to apply that philosophy to every song on this EP, letting the song tell us where it wants to go, instead of forcing it to be something it isn’t.

Where and when did you record/produce/master and with?

This EP was mainly produced by the incredible Ryan Stewart, except for ‘Is It Cool If We’re Lonely?’ Which was produced by the also incredible Tavish Crowe. I always think that once you find your people you should stick with them so your music doesn’t start to sound disjointed or repetitive. All of the songs on this EP were written and recorded in Vancouver, with the earliest song (Scar Tissue) recorded in early 2019, and the latest (Is It Cool If We’re Lonely) written in February 2021. The songs were mixed and mastered by Jason Van Poederooyen (aka JVP).

How did you approach the recording/production process?

Throughout the writing process for ‘False Love’ I gained a lot of confidence in my abilities as a songwriter and contributor to the final version of a song. Most of the time, I would send a couple references to Ryan or Tavish, and they would come up with a track that took inspiration from that. I learned over time how to express more specifically what I wanted things to sound like, but I’m still not super great with a lot of production terms, so a lot of the time I just have to badly beatbox and hope they understand what I’m going for. On a high note, I’ve gotten pretty good at singing like a distorted bass haha.

What programs/equipment did you use?

Ryan and I use Logic, while Tavish prefers Ableton. For the most part I only really record myself for covers and demo vocals if I’m writing over Zoom, but my mic is an Aston Spirit. I don’t know what microphones were used for the final productions as all the songs were recorded at very different times and in two different studios, sorry!

Who are you listening to at the moment?

I’ve been going through a bit of an emo revival recently, so a lot of My Chemical Romance and Paramore, but I’ve also been really loving Olivia Rodrigo, Willow, and Måneskin. I’m loving this late 90’s to early 2000’s rock/pop punk revival as that’s a lot of what I listened to growing up!

What do you like to do away from music?

I love photography, photo editing, and creating videos. Those interests are very helpful with creating content for my music career, so I spend a lot of time on both sides of the camera and hunched over my laptop. I actually created the art for the EP myself with a projector, my camera with a self timer, and many hours of photoshop. 

What’s planned for the remainder of 2021?

More music! I hope to release at least one more single before 2021 is over. I’m really excited about the new music I’ve been creating recently and I can’t wait to share it with my listeners!

Favourite food and place to hangout?

This might be a little bit weird, but I’m kind of obsessed with fried cauliflower. Something about it is addictive and I can eat so much of it. It’s kind of like the best of both worlds: it’s yummy and deep fried, but also a vegetable, so I’m not being too unhealthy when I eat an entire plate of it myself. My favourite place to hang out with a friend is thrift stores. I love that every time you go in, there’s different stuff to look at, and a lot of it is really cool or funny. It’s also much more sustainable than shopping for new stuff all the time, and super rewarding when you find a really good item.

Twitter: @raynemusic_

Facebook: /Raynemusicofficial

Instagram: @raynemusic_

Website: www.raynemusicofficial.com

July 31, 2021 0 comments
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Purple Fly Welcomes Laidback Luke to the Label's Roster with "Cielo," BLVD. & Laidback Luke's First Collaboration
Music News

Purple Fly Welcomes Laidback Luke to the Label’s Roster with “Cielo,” BLVD. & Laidback Luke’s First Collaboration

by the partae July 30, 2021
written by the partae

Artists: BLVD. & Laidback Luke
Title: Cielo
Label: Purple Fly

Download / Stream

Dance Music veteran Laidback Luke joins NFT-fueled label Purple Fly with his new single “Cielo,” for which he joined forces with Miami-based BLVD.. The track brings the best elements of both techno and big-room melodies; it opens with a driving, deep bassline that gives way to goosebump-inducing ethereal vocals and cinematic synths, conjuring images of larger-than-life big room tracks that live forever in every raver’s memory. The underground appeal of “Cielo” combined with its emotive elements make it a unique addition to Purple Fly, which has previously released tracks from BLVD., Fatman Scoop, Shaquille O’Neal, Sevenn, and more.

Purple Fly is an independent imprint utilizing cryptocurrency’s hottest frontier as a platform for the spectrum of electronic music. The label’s goal is to support collaborations of all forms of art, connecting music and stunning visuals for an immersive experience that spans the sonic realms of trance to trap. Purple Fly releases NFT directly on its official website with each music drop, enabling artists to have access to direct support from their fan base while expressing their creativity. BLVD.‘s raw, real style represents the grit of everything that is associated with the hard asphalt, raw metal, and true essence of a “boulevard.” Although early on in his career, he has already garnered millions of plays and support from the world’s top DJs. After becoming a leading artist during EDM‘s heyday, Laidback Luke has established himself as a leading talent scout in the industry and has built an impressive musical empire. However, Luke has never been one to slack on producing himself – he has recently continued his dancefloor domination with a series of tracks produced with Afrojack, KURA, Will Sparks, A-Trak, Steve Aoki, and more. Keep an eye out for more groundbreaking releases from Purple Fly in the near future!

More info on BLVD. / Laidback Luke / Purple Fly:

BLVD.: Facebook | Instagram | Twitter | Spotify
Laidback Luke: Facebook
 | Instagram | Twitter | Spotify
Purple Fly: Website

 

July 30, 2021 0 comments
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IJALE RELEASES HIGH-ENERGY NEW SINGLE ‘LIKE THAT’ FEATURING YUNG SHOGUN & THATKIDMAZ OUT TODAY VIA DAILY NIGHTLY
Music News

IJALE RELEASES HIGH-ENERGY NEW SINGLE ‘LIKE THAT’ FEATURING YUNG SHOGUN & THATKIDMAZ OUT TODAY VIA DAILY NIGHTLY

by the partae July 30, 2021
written by the partae

LISTEN/PLAY

Backing the release of introspective single ‘MI GORENG’ comes Melbourne-based vocalist, producer & rapper IJALE’s latest release ‘LIKE THAT’, a high-energy collaboration featuring Melbourne’s rising Hip-Hop stars Yung Shōgun & ThatKidMaz.

Pivoting from the heavy themes that often encompass IJALE’s music, ‘LIKE THAT’ is a carefree, Afro-fusion banger born from an impromptu session between the three post Melbourne’s gruelling nine month lockdown.

“We were just vibing and having fun and obviously gassed to be hanging out with people in real life”, says IJALE on the recording of the single.

Capturing the energy in the studio that night, the trio exchange blazingly flippant bars over a high energy bar self-produced by IJALE.

‘LIKE THAT’ follows his triple j supported debut EP ‘Wildly Disparate Sounds’ & triple j Unearthed Feature Artist mid last year, as well as his recent collaboration with Dugong Jr. ‘Ceramic’ which landed coveted Spotify playlists New Music Friday AU/NZ, The Local List, metropolis, Poolside Grooves, crush & the hybrid.

IJALE is one of six lucky recipients of a triple j Unearthed/NIDA music video competition, and will be creating a music video later in the year.

____________________________________________________________________________________________________

Bio

Melbourne producer, vocalist and performer, IJALE, is a self-contained master of his sound.

A keen music fan and avid creator, he blends a myriad of afrocentric sounds and western influences that reflect his Nigerian heritage, his Australian upbringing and the multifaceted taste of an open-minded listener of the internet age. These concoctions vary in sound from piece to piece, but are usually punctuated by hints of African percussion, infectious basslines and layered electronic textures, all of which pay direct homage to the hallmark genres of black creativity including jazz, soul, r&b and hip hop.

Jerry Agbinya, aka IJALE, began releasing music in 2017 but has been busy honing and perfecting his songwriting and production skills for years. Following a brief break from his previous project Spirals, IJALE hit the ground running with support shows alongside Winston Surfshirt, Raiza Biza and Phondupe. Since then, the Melbourne based  artist has been busy releasing multiple singles, including his recent track ‘Coffee Cups’ feat. Zephyrr Greene, out via French label Kitsuné Musique. In January of 2020, IJALE hosted his first show and played alongside some of Melbourne’s most promising up and comers including Jordan Dennis, Nasty Mars, Rara Zulu & more.

IJALE has a unique knack for sound design and mood, which he effortlessly encapsulates in both recordings and in his live shows. Keep your eyes on this latest Melbourne producer, as he’s about to take the next step on his eventual path to global fame.

____________________________________________________________________________________________________

Praise for IJALE
“It’s clear that IJALE is destined for stardom” – Mixdown Mag

“Continuing to defy expectations with every release, you’ll want to get IJALE on your radar now” – Ticketmaster

“Some of the brainiest bars and complex beats on Unearthed” – triple j

“Sounding like the golden age of Hip Hop” – The Guardian

“IJALE continues to defy expectations with each and every move” – Purple Sneakers

“IJALE is the true definition of a hidden gem” – EARMILK

“With a unique sound that separates him from the crowd and a melting pot of influences, each new track from IJALE displays his dynamic creativity” – AMRAP

LISTEN/PLAY

FACEBOOK | INSTAGRAM | SOUNDCLOUD | SPOTIFY | YOUTUBE | TWITTER 

July 30, 2021 0 comments
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OSCAR OSCAR returns with intimate new single + video for 'Set In Stone'
Music News

OSCAR OSCAR returns with intimate new single + video for ‘Set In Stone’

by the partae July 30, 2021
written by the partae
“Brisbane producer oscar oscar has established himself as a “one-to-watch””
– Pilerats“It takes a special kind of artist to tell a story without any words, and once again oscar oscar has knocked it out of the park.”
– Purple Sneakers

“Very clever, cool, and interesting stuff….”
– Richard Kingsmill, triple j

Brisbane producer Oscar Oscar is back stronger than ever with his new single ‘Set In Stone’, releasing today alongside a brooding, lo-fi video clip. The track has also landed on Spotify’s New Music Friday AU/NZ, Local List, and New Dance Beats. 

After a short hiatus, Oscar Oscar returns with ‘Set In Stone’, showcasing his evolving sound of intelligent electronic music; bridging the gap between bedroom pop and alternative electronica.  Known for evoking the sensibilities with delicate and atmospheric soundscapes, ‘Set In Stone’ however, pulsates a darker, provocative tone. The release is an exploration of his subconsciousness and of new sounds.

“In my previous work I fused different genres, so my new music is similar in that way. I just make music because I rarely know how to articulate what I’m really feeling, and so music is a way for me to work that out.”, says Oscar Oscar.

The accompanying video clip cleverly echoes the mood of the track and aimed to “explore what emotional response computer-generated imagery could evoke in an audience”, tells the director Joshua Richards who marks his first publicly released collaboration with Oscar Oscar. The visual aesthetic was experimental in nature, fusing impressions of movement from the artist with overlays of images of stones, rocks, and cliff faces.

Oscar Oscar is a self-produced singer-songwriter, creating in his bedroom studio since his inception in 2017, releasing a string of singles via Majestic Casual Records. Since then, his catalog has amassed over 2 million streams on Spotify, and has received airplay across triple j and triple j unearthed as well as praise from notable tastemakers including Stoney Roads, Pilerats, Purple Sneakers and more.

The first of more to come from Oscar Oscar this year, don’t sit back idly and get around his new release.

‘Set In Stone’ is out now.

CONNECT ONLINE WITH OSCAR OSCAR
Facebook
Instagram
Spotify
SoundCloud
YouTube
Website
Twitter
Website
July 30, 2021 0 comments
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Ray Kajioka remixes B.Riley for CMND CTRL Recordings upcoming release due out September 10th
Music News

Ray Kajioka remixes B.Riley for CMND CTRL Recordings upcoming release due out September 10th

by the partae July 30, 2021
written by the partae

B.Riley 

CMND CTRL 002

incl. Ray Kajioka remix

CTRL002  – September 10th, 2021 Digital

CMND CTRL is a brand-new imprint from Miami Florida based producer Brandon Riley.   Dedicated to musical expression, immersion, technology, and innovation, we present to you CMND CTRL 002.

1. King Snake

2. King Snake (Ray Kajioka Remix)

3. The Passage

The CMND CTRL sound will focus mainly on the Techno and Tech House related genres, and on this second release (CTRL002) we dive into a darker, more tribal and hypnotic style of Techno.

King Snake lays the groundwork with its booming kick drum, seductive percussion, and hypnotic synth overtones that continuously rise and fall throughout the mix.  A relentlessly driving track perfect for that late night DJ session.

King Snake (Ray Kajioka Remix) Berlin based Techno wizard Ray Kajioka takes the reigns on this release’s remix duties and delivers a fast-paced take on the original mix.  Ray’s production abilities are on full display with this remix as he rains down wild high hats and percussions matched with a steady kick and well-timed synth stabs.   A guaranteed crowd pleaser.

The Passage brings a bit more of a dark and dreamy style mix to the dancefloor with some well-placed percussion giving this track a mysterious tribal techno vibe.  Warm sounding sonic textures playout through the mix, with a nice pulsing analogue synth hook driving the main part of the track.  Definitely a strong track to build up a crowd with.

All tracks written & produced by B.Riley
Remix by Ray Kajioka
Artwork and video by B.Riley

Cat. No. CTRL002 – all rights reserved
℗ & © CMND CTRL RECORDINGS  2021

https://www.brandonrileyofficial.com/
https://soundcloud.com/brandonrileyofficial
July 30, 2021 0 comments
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PRAISE FOR SKEPTA "Pioneer" Pitchfork "A legend" XXL "The reigning king of UK grime" The Guardian Skepta returns with a brand new five-track EP. Titled ALL IN, the EP is Skepta’s first solo release since 2019’s acclaimed Ignorance Is Bliss album. LISTEN HERE. The EP title is inspired by Skepta’s newfound love of poker, a game which he sees as a metaphor for life itself (“you can be dealt good cards or bad cards, but if you don’t get good cards you can still bluff, hustle and win…you learn when to play aggressive or when to hold back and chill”). ALL IN sees Skepta putting everything on the line across five tracks that contain an album’s worth of quality. Featuring production from Skepta himself alongside JAE5, Ragz Originale, and Josh Faulkner, the EP also sees vocal collaborations with J Balvin (on lead track and video 'Nirvana') and Teezee and Kid Cudi (on 'Peace Of Mind'). Written before lockdown, the UK rapper has been waiting for the right moment for its release. With live appearances on the horizon including headline shows at London’s Wireless and Manchester’s Parklife festivals, that time is now. In Skepta’s own words, “this music isn’t for people to download and discuss. It’s music to feel when I perform it live, music for people to celebrate with their friends” The EP opens with 'Bellator', a track that lives up to its warrior billing. With Skepta and Ragz Originale on production, it’s a classic Skepta scene-setter for the movie to come. Next is 'Peace Of Mind', a song Skepta admits is “one of those tracks that will become bigger than me”. Opening with a Delphonics sample and produced by Skepta and Josh Faulkner, the track features verses from Teezee and Kid Cudi set to light up parties around the world; 'Nirvana' - the latest classic JAE5-production - sees Skepta teaming up with Colombian superstar J Balvin on a Latin American-influenced track inspired by the time Skepta spent in the region. It’s followed by 'Lit Like This', the first track Skepta and JAE5 made together following their legendary 2020 IG Live lockdown clash. It sees the two artists’ worlds coming together on a song Skepta describes as “this year’s December in Nigeria anthem”. The EP crescendos with 'Eyes On Me', a track that encapsulates the past, present, and future of grime, paying homage to its origins via Platinum 45 and More Fire Crew’s classic 'Oi' sample while signposting its future over classic, future-facing Skepta and Ragz production. To celebrate the news, 'Nirvana ft. J Balvin' is accompanied by a video directed by KLVDR. WATCH IT HERE. Renowned for his work for the likes of Young T & Bugsey and Headie One’s 'Don’t Rush', MHD & Wizkid’s 'Bella' and Fredo & Headie One’s 'Wandsworth to Bullingdon', the video stars Skepta and Balvin and gives a nod to Narcos, The Godfather, and Get Out in its dark, stylised elegance. ALL IN EP is out now, buy/stream it here.
Music News

THE RETURN OF SKEPTA LISTEN TO ALL IN EP FEATURING KID CUDI, J BALVIN + TEEZEE

by the partae July 30, 2021
written by the partae

PRAISE FOR SKEPTA

“Pioneer”
Pitchfork

“A legend”
XXL

“The reigning king of UK grime”
The Guardian

Skepta returns with a brand new five-track EP. Titled ALL IN, the EP is Skepta’s first solo release since 2019’s acclaimed Ignorance Is Bliss album. LISTEN HERE.

The EP title is inspired by Skepta’s newfound love of poker, a game which he sees as a metaphor for life itself (“you can be dealt good cards or bad cards, but if you don’t get good cards you can still bluff, hustle and win…you learn when to play aggressive or when to hold back and chill”). ALL IN sees Skepta putting everything on the line across five tracks that contain an album’s worth of quality.

Featuring production from Skepta himself alongside JAE5, Ragz Originale, and Josh Faulkner, the EP also sees vocal collaborations with J Balvin (on lead track and video ‘Nirvana‘) and Teezee and Kid Cudi (on ‘Peace Of Mind’). Written before lockdown, the UK rapper has been waiting for the right moment for its release. With live appearances on the horizon including headline shows at London’s Wireless and Manchester’s Parklife festivals, that time is now. In Skepta’s own words, “this music isn’t for people to download and discuss. It’s music to feel when I perform it live, music for people to celebrate with their friends” 

The EP opens with ‘Bellator‘, a track that lives up to its warrior billing. With Skepta and Ragz Originale on production, it’s a classic Skepta scene-setter for the movie to come. Next is ‘Peace Of Mind‘, a song Skepta admits is “one of those tracks that will become bigger than me”. Opening with a Delphonics sample and produced by Skepta and Josh Faulkner, the track features verses from Teezee and Kid Cudi set to light up parties around the world; ‘Nirvana‘ – the latest classic JAE5-production – sees Skepta teaming up with Colombian superstar J Balvin on a Latin American-influenced track inspired by the time Skepta spent in the region. It’s followed by ‘Lit Like This‘, the first track Skepta and JAE5 made together following their legendary 2020 IG Live lockdown clash. It sees the two artists’ worlds coming together on a song Skepta describes as “this year’s December in Nigeria anthem”.  The EP crescendos with ‘Eyes On Me‘, a track that encapsulates the past, present, and future of grime, paying homage to its origins via Platinum 45 and More Fire Crew’s classic ‘Oi’ sample while signposting its future over classic, future-facing Skepta and Ragz production.

To celebrate the news, ‘Nirvana ft. J Balvin‘ is accompanied by a video directed by KLVDR. WATCH IT HERE. Renowned for his work for the likes of Young T & Bugsey and Headie One’s ‘Don’t Rush’, MHD & Wizkid’s ‘Bella’ and Fredo & Headie One’s ‘Wandsworth to Bullingdon’, the video stars Skepta and Balvin and gives a nod to Narcos, The Godfather, and Get Out in its dark, stylised elegance.

ALL IN EP is out now, buy/stream it here.

ALL IN TRACKLIST
Bellator
Peace Of Mind ft. Teezee & Kid Cudi
Nirvana ft. J Balvin
Lit Like This
Eyes On Me

Stay connected with Skepta:
Website | Facebook | Instagram | Twitter | YouTube

July 30, 2021 0 comments
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Mia Nile
Music News

Mila Nile drops nostalgia drenched debut EP ‘Do You Remember That?’

by the partae July 30, 2021
written by the partae

“With every release the rising Pop star ups spectacle in every way, from the writing and  production to the accompanying visual identity. I’m steadfast in my opinion that Mila Nile is one  of the best acts to break through the monotony of today’s Commercial Pop landscape.”  – Luke, Futuremag Music 

“All hail our new pop queen.” – Celline Narinli, Triple J Unearthed 

“Mila is an extremely smart songwriter.” – Nic Kelly, Project U 

“There is a uniqueness, a smartness and a real artistry in her music which has only gotten better  and better as her career has progressed.” – Women In Pop 

“The Swedish Lorde” – Fashion Journal  

“This icy alternative pop innovator glides over boisterous beats with a cool and collected vibe  that can only be compared to icons of the genre” – Tone Deaf 

Sydney-based Indie pop innovator Mila Nile, celebrates  the release of her debut EP, Do You Remember That?,  a collection of nostalgia-soaked pop tracks chronicling  the five most influential moments in the singer’s   journey from adolescence to adulthood.

“Like most people, I’ve spent more of the past year thinking about the life I’ve lived than actually  living it,” Mila explains. “That’s definitely reflected in this collection”.  

The five-track EP features a track listing in chronological order, exploring the highest highs and  lowest lows of the Swedish-born singer’s life.  

The EP’s lead single, Old School Calling, sits at the more optimistic end of the EP’s emotional  spectrum, a joyful celebration song about friendships that feel like they’ve existed for a lifetime.  The track’s upbeat chorus is buoyed by a gang vocal, featuring voices of some of Mila’s closest  friends, recorded in their homes around the world.  

The EP’s penultimate track, Daughter, is a heartfelt examination of life as an Australian-based  expat unable to return home to family and friends in Covid times. The raw performance features  Mila Nile at her most vulnerable, as she pleads for a chance to return to the simplicity of being  close to family.  

Mila Nile will be celebrating the release of her debut EP, Do You Remember That?, with a launch  party at Sydney’s Oxford Art Factory Gallery Bar in early September (dates pending due to Covid  conditions).  

Do You Remember That? 

All tracks written by Mila Nile & Simon Brock    

Produced by HVTCH    

Distributed globally by AWAL   

Track-by-track breakdown 

Break My Heart To The Beat 

A brooding, 80’s-infused bop about dealing with loss and dancing out your demons. 

Too Much Like Love 

A bright, shimmering track about trying not to fall in love – and failing joyfully. 

Old School Calling 

An R&B-influenced singalong jam about new friendships that feel like they’ll last forever. 

Daughter 

A homesick ballad about how getting what you want isn’t all it’s cracked up to be. 

Don’t Need Your Love 

A self-love anthem about how the only opinion that really matters is your own. 

 

Mila is play at the Oxford Art Factory Gallery Bar on the 1st of October!

Get Tickets At:

https://moshtix.com.au/v2/event/mila-nile-debut-ep-launch-party/130480?previewId=37FE7166-79F8-4D8B-B686-BBF8E8B24F3F&skin=OAF

Instagram: https://www.instagram.com/milanile.music/

Facebook: https://www.facebook.com/MilaNile.music

Website: https://milanile.com/

 

July 30, 2021 0 comments
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JACKSON WANG + INTERNET MONEY SHARE NEW SINGLE + MUSIC VIDEO FOR 'DRIVE YOU HOME' FROM JACKSON'S FORTHCOMING SECOND ALBUM
Music News

JACKSON WANG + INTERNET MONEY SHARE NEW SINGLE + MUSIC VIDEO FOR ‘DRIVE YOU HOME’ FROM JACKSON’S FORTHCOMING SECOND ALBUM

by the partae July 29, 2021
written by the partae

Today, global megastar Jackson Wang and production powerhouse Internet Money release ‘Drive You Home‘, via 88rising, distributed by 12Tone Music LLC. LISTEN HERE.

To complement the single, Jackson has also released the music video to ‘Drive You Home‘ today, which Jackson scripted, directed, and produced himself alongside Mamesjao, WATCH HERE.

Featuring production from David Stewart (BTS – ‘Dynamite’) and Nick Mira (Juice Wrld – ‘Lucid Dreams’, Lil Tecca – ‘Ransom’, Internet Money & Gunna ft. Don Toliver, Nav – ‘Lemonade’), ‘Drive You Home‘ tells a heartbreaking, emotional story of a long night told in reverse. Listeners will notice that ‘Drive You Home‘ samples and interpolates the iconic 1984 single ‘Drive‘ from the legendary new wave band The Cars. The 80s-inspired love song blends sentimental guitar-driven melodies with booming hip-hop percussion and features Jackson’s most affecting and confident vocal performance to date.

Speaking on ‘Drive You Home‘, Jackson Wang says the song revolves around the idea of, “When I’m not here, who is going to drive you home?” His approach to the visual was also abstract. “I’ve always explained my music videos, the backstory, and the plot, to my audiences. But with this visual, 10 people can watch it and have 10 different feelings. I can’t wait for the fans to interpret it.”

‘Drive You Home‘ follows the global success of Jackson’s hit single, ‘LMLY’. To date, ‘LMLY’ has garnered over 60M streams, debuted at #1 on the Apple Music Charts (All Genres, 27 Markets), lived at #40 on Global Viral Charts on Spotify, and received over 15M views on the official music video (1.2M views in first 24 hours). Both ‘LMLY’ and ‘Drive You Home‘ will ladder up to Jackson’s highly-anticipated forthcoming second album expected this year.

‘Drive You Home‘ is out now, buy/stream it here.

Stay connected with Jackson Wang:
Instagram | Twitter | YouTube

July 29, 2021 0 comments
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