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BLUESFEST 2023 – FIRST ARTIST ANNOUNCEMENT
– OVER 40 ARTISTS WITH MORE TO COME
TICKET PRICE REMAINS SAME AS 2022!
In just 31 weeks the 34th Annual Bluesfest’s gates will open for what promises to be the most exciting Bluesfest ever.
Some of the finest contemporary and legendary Blues, Roots, Soul, Rock, Hip Hop, R&B, World and Americana music artists (and more) are confirmed to appear for the first original style Bluesfest since the world’s borders re-opened.
After a hugely successful 2022, that featured the best of predominantly Australian and NZ artists, it’s time to mix it up again. For the first time since 2019, Bluesfest is free and unencumbered to showcase the finest genres of music from all over the globe.
This is an incredible opening line up – over 40 artists alone in this first announcement – with more to come.
And more good news is that ticket prices, camping and VIP tickets remain the same as 2022’s prices. That’s despite the significant increase in cost of international flights and freight logistics, with artists fees also on the rise. Bluesfest will also invest in upgrading the VIP area to raise the VIP experience to new heights.
For the campers that seek a ‘class above’ experience you can upgrade to the Rainbow Tipi accommodation this year [with a modest increase in price] as well as experience further improvements with the onsite rental tents.
The 365 days a year site improvement on the Bluesfest property continue… “Since last year we’ve invested over $500k upgrading and waterproofing the Bluesfest site. Both myself and my team are currently looking at every single aspect of the Bluesfest experience to ensure it’s of the highest quality possible” said Peter Noble OAM.
Today, Bluesfest release 5-day tickets, and VIP tickets at the same 2022 price points. On site camping options also go on sale today at the same prices as 2022 for those who pitch their tents and vans.
In the coming weeks Bluesfest will release more of the line-up, along with the artist play dates so that both day-trippers and 3-day ticket holders can make an informed choice.
Tickets are available now through Moshtix www.bluesfest.com.au/tickets
Stand by for further announcements on two special satellite events happening in Melbourne and Perth, as well as side shows from some of this amazing line up.
A word from Festival Director Peter Noble OAM:
“For the first time since 2019, Bluesfest is presenting a fully international festival experience like the legendary ones we did before the COVID-era.
Whilst there are still plenty of Aussie artists listed in this first and upcoming announcements it is wonderful to once again in 2023, after four long years be able to bring back some of the greatest Blues, Roots, Soul, Rock, Hip Hop, R&B, World and Americana artists (and so much more) back to our shores after so long. As well as, of course, the stars of tomorrow.
We have our largest number of artists ever listed in our first Bluesfest artist announcement… check it out, there’s more than 40 of them. It is such a stunning list for every Bluesfester.
More good news is we’ve made the call to NOT increase our ticket prices. As always there’s a large allocation of tickets so everyone can experience the whole musical enchilada we are proud to be bringing to our shores.
A five-day season ticket at Bluesfest can be a life changing experience, and I promise you I will do my utmost best to present the greatest gathering of artists I can for our 34th Annual Bluesfest at Byron Events Farm over the Easter Long Weekend from April 6 – 10 next year.
For those of you who’d prefer to ‘day trip’ or purchase a 3 day ‘long weekend’ ticket, we are currently working on scheduling the artists’ play dates, and we will be releasing these, as well as the 1 & 3-day tickets soon. Watch this space! It may just be a few short weeks away…
To all Bluesfest fans, artists, suppliers, contractors, volunteers and to my dedicated team – thank you so much for your belief and your support. Together we’ve endured a few hard years. It’s time to get excited… time to come out and play, and to enjoy an experience like no other”
Peter Noble OAM
Festival Director
Bluesfest
Here’s a first taste of artists to come; all 41 of em’
[IN ALPHABETICAL ORDER]
19-TWENTY | THE BARNESTORMERS | BETH HART [EXCLUSIVE] | THE BLACK SORROWS
BONNIE RAITT | BUDDY GUY | THE CAT EMPIRE | CHAIN
CHRISTONE ‘KINGFISH’ INGRAM | ELVIS COSTELLO & THE IMPOSTERS | ERIC GALES [EXCLUSIVE]
FEMI KUTI & THE POSITIVE FORCE | GANG OF YOUTHS | GREENSKY BLUEGRASS [EXCLUSIVE]
JACKSON BROWNE | JASON ISBELL AND THE 400 UNIT | JOE BONAMASSA [EXCLUSIVE]
JOE CAMILLERI PRESENTS A STAR-STUDDED TRIBUTE TO THE GREATS OF THE BLUES
JON STEVENS | KALEO [EXCLUSIVE] | KEB’ MO’ | KING GIZZARD & THE LIZARD WIZARD
LACHY DOLEY AND THE HORNS OF CONVICTION | LARKIN POE
LP | LUCINDA WILLIAMS | MARCUS KING
MAVIS STAPLES | MICHAEL FRANTI & SPEARHEAD | NIKKI HILL [EXCLUSIVE]
ROBERT GLASPER | ROCKWIZ LIVE
THE SOUL REBELS & FRIENDS WITH SPECIAL GUESTS TALIB KWELI • GZA • BIG FREEDIA
SOUTHERN AVENUE [EXCLUSIVE] | SPINIFEX GUM FEAT. MARLIYA
STEVE EARLE & THE DUKES | TASH SULTANA | XAVIER RUDD
Keep in touch via Bluesfest’s Newsletter | Facebook | Twitter | Instagram
Hey Emuh, It’s great to meet you ! How have you been lately?
I’ve been great, thank you. It’s very exciting to see this album come out and the reception so far has been amazing. Glad to finally put this release out into the world!
Congrats on your new release Dysmorphia on Feral One Records. What was your inspiration behind this LP?
I was inspired by The Gorillaz, Still Woozy, Ariana Grande, Charlie Puth, LCD Soundsystem, Radiohead, Walker & Royce, Claude VonStroke and Feral One label boss Longstocking. I wanted to create an album that combined the sounds of pop, house, techno, trap and experimental music – while incorporating my voice, musical sensibilities and aesthetic.
Dysmorphia is eclectic and covers a lot of ground, what are some of the influences that have shaped your musical taste and influenced you as a music producer?
Lately I’ve been listening to a lot of dancey pop and vocal music which greatly informed my album. There are so many songs lately that are devoid of originality and emotion – I wanted to make sure those boxes were checked off while still creating a piece that can still inspire and elevate those with less musical experience or specific musical taste.
How important is storytelling for you, and what were you aiming to communicate with this LP?
Each song tells its own story, from a day at Waterworld to a meditative stranding out at sea. I want to give the listener a window into my mind while allowing them the agency to relate and experience it in their own unique way.
What does your setup look like?
I use all digital instruments and Ableton 11 besides a couple hardware Pocket Operators (digital synths as well) and I record my voice with a Shure SM57 paired with a Grace Design 101 preamp. I also use an AKAI MPKmini to program all of my MIDI and do automation. My audio interface is an RME ADI-2 Pro and I use Neumann studio monitors.
What studio gear and/or instruments do you believe define your sound?
My voice and my meticulously crafted library of samples and instruments I’ve used throughout my career as EMUH.
Digital or Analog?
Whichever one helps you get the sound you’re after!
What has been your highlight gig this year?
Definitely my recent performance at Kremwerk in Seattle for the My Techno Weighs A Ton label showcase, I debuted several tracks from my album as well as performed the vocals live which was exhilarating and honestly a bit frightening.
DJ’ing or Music Production?
Music Production
Thanks a lot for taking the time to answer our questions, is there anything else you would like to mention before we go?
Thanks again for reaching out. Dysmorphia comes out this Saturday September 2nd and you should help support the release by purchasing a copy of the album on Beatport, listening on Spotify and reposting the tracks on SoundCloud.
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Mini Skirt is glistening in outrageous, hyper-pop vogue with hints of 00s electro and an abundance of warm, bouncing bass. Sydney’s Prav and Melbourne’s Big Boss both share a passion for loud club music. Mini Skirt maintains this, but adds a sensuous danceability.
Their 2020 collaboration Horus, was a cinematic piece of tear-out dubstep. Sounding as if, the Stargate had been wedged open by a dreadnought and floods of robot soldiers were cascading through. This one is much more of a dance floor number. Think, Riton, Chris Lake or Stace Cadet. Without compromising the details in their sophisticated production style, MIni Skirt is a much more accessible track and will appeal to DJs immediately. Even with its cutting-edge sound, this bumptious, sexy anthem will remind you of why you started clubbing. Out this Friday (2nd September), Mini Skirt is about to put some serious style in the club.
Pre-Save Link: https://bit.ly/bigskirt
Tik Tok: bit.ly/bigtiktok
Ahead of tomorrow’s EP Release, The Partae is chuffed to deliver you the first play of Jacket Weather’s new music video.The second in what’s said to be a run of 4 EPs, Jacket Weather play with sound and style on the Ducks in A Row EP
Gunning straight out of the dock at a rate of knots. The opener Just Do It Well with its blazing guitars, slices through the water. Things settle down to a more sultry tone for the final two tracks. Perfect Night, Not Quite is a nostalgic & romantic ditty with charm in spades. The closer (and conceptual title track) Crack is a moorish ode to infatuation and lovesickness. The bands singer Cal describes Crack as “Trying to make light of the impending doom you feel when you lose (what you think at the time) is the biggest love and maybe the only love you’ll ever have”. You can see the interplay between having cheeky fun and making that they genuinely love. There’s a sincere respect for the influences, with Cal lording the “…Deep pocket groove, inspired by late 70s Yacht Rock, like Steely Dan & Toto”
Self-described as Tongue-in-bill, the Ducks in A Row EP from Jacket Weather has the prolific band maintain their serene facade while paddling expeditiously beneath the surface.
Check out the video here before streaming the EP as of tomorrow!
https://www.instagram.com/jacket_weather/
https://www.facebook.com/itsjacketweather/
https://www.abc.net.au/triplejunearthed/artist/jacket-weather/
The Driver Era have set their sights on Hollywood and chart domination” – NME
The Driver Era remain firmly heading in the right direction”- DORK
ALT-pop band THE DRIVER ERA release their brand-new single ‘Malibu’. Stream ‘Malibu’ here.
Laced in escapism, brothers Rocky and Ross Lynch wrote the song while daydreaming about personal experiences. “‘Malibu’ is about reminiscing on experiences in the best locations,” the band says. “It’s about getting away. It’s the spontaneous trip you take with someone – maybe you knew them before, or maybe you’re meeting them for the first time”.
‘Malibu’ follows on the band’s recent single, the dance-inspired ‘Keep Moving Forward’ feat. Nikka Costa – premiered by Rolling Stone, who praised the band for “holding onto some real ‘eclectic’ music” – the funky cut and ‘Malibu’ will be featured on the band’s upcoming ‘Summer Mixtape’ due for release this September.
The Driver Era have also released the “Malibu” official music video, shot and edited by director Tate Warner. The video follows Ross and Rocky on the California coast reminiscing about summer love. ‘Malibu’ is about reminiscing on experiences in the best locations,” the band stated. “It’s about getting away. It’s the spontaneous trip you take with someone — maybe you knew them before, or maybe you’re meeting them for the first time.“
The upcoming project is the follow up to the band’s second album ‘GIRLFRIEND’, it’s lead single ‘Heaven Angel’ and follow-up tracks ‘#1 Fan’ and ‘Leave Me Feeling Confident’, the band has been supported by the likes of Notion who praised ‘GIRLFRIEND’ as “their most inspired – and sonically diverse – body of work yet”, while Clash defined their sound as “vast alt-rock sound, with an endearing soulful groove”, with DORK praising “their ability to meld different genres while retaining that distinctive pop feel”, calling the album “a textured, smart modern pop rock record”.
Known for what Clash called, “intimate, high energy live show”, the band will bring their WORLD TOUR to Australia and will play shows in Brisbane, Sydney and Melbourne presented by Live Nation.
Since making their debut with ‘Preacher Man’ four years ago, The Driver Era have rocked up an impressive 300 million streams and 29 million combined social media followers, went on released one studio album, three EPs and a series of critically acclaimed singles. With the new single ‘Malibu’, and the heavily-anticipated mixtape, as well as their upcoming world tour – during which they will play shows in Japan, Australia, New Zealand, Europe and UK for the first time ever – The Driver Era are set for an exciting year ahead.
THE DRIVER ERA AUSTRALIAN TOUR DATES
THE TRIFFID, BRISBANE
FRIDAY SEPTEMBER 23
ROUNDHOUSE, SYDNEY
SATURDAY SEPTEMBER 24
170 RUSSELL, MELBOURNE *SOLD OUT!
SUNDAY SEPTEMBER 25
170 RUSSELL, MELBOURNE
MONDAY SEPTEMBER 26
For tickets and VIP packages, please visit www.thedriverera.com.
FOLLOW THE DRIVER ERA
WEB | SPOTIFY | APPLE MUSIC | TIK TOK | INSTAGRAM | FACEBOOK | TWITTER
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NSW based, multi-instrumentalist Miller Roberts delivers a lush homage to Fleetwood Mac’s Rhiannon – set for worldwide release on Friday 26th August 2022. Available on all platforms, the single is reimagined with Miller’s effortless vocal timbre and longtime musical collaborator Jackson Barclay’s airy and light-as-a-feather instrumental. The pair present a thoughtful, indie-folk / dream-pop version of the classic, that is both vulnerable and unguarded, while equally confident and self-assured.
Miller’s Rhiannon follows the release of her sophomore EP ‘All the things I could never say’ in 2021, and her live version of EP single ‘Bad Habit’ on Mahogany’s acclaimed Live Sessions earlier this year. Supported by industry and audiences alike, Miller Roberts has been featured across national tastemaker station Triple J, and on local and international publications including Earmilk, Happy Magazine and Music Crowns. As an independent artist, she has also garnered incredible support across Spotify and Apple Music streaming platforms featuring on multiple editorial playlists including New Music Friday, Coffee & Chill, Office Stereo, Indie Arrivals, Chilled Afternoon, Chilled Waves, Equal AU/NZ, Self-Care, Mellow Days: Apple Music Pop and Chilled Acoustic: Apple Music Acoustic; gathering over 5 million collective streams.
SOCIALS
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Photography: Juan Castro – Words: Chris Brooks
DJ Diesel, hit the decks at a one off exclusive club gig at 170 Russell in Melbourne on Wednesday the 24th of August, 2022.
Presented by Lucky Ent, Shaq blew the punters away with a night they’ll never forget.
DJ Diesel was supported by Balaram, Big Boss, Chenda, Miicha & Ryscu.
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From 13-16 October, Central Victoria’s biggest music conference returns for its second year, bringing together Victoria’s regional and Melbourne music communities for a host of panels, workshops, networking events, and a youth program.
Held on Djarra Country in Castlemaine, the conference sessions cover a myriad of topics and play host to an extraordinary array of music industry professionals including artist managers, booking agents, musicians, academics, activists and more.
The conference kicks off in style at The Taproom on Thursday 13 October with a launch of television and radio broadcaster Myf Warhurst’s book The Time of My Life – described as “a captivating and joyous memoir of wisdom, humour and heart that unleashes the music within us all”. Join Myf in conversation with Gold Sounds Director Fionna Allan, as she shares funny, fabulous and occasionally fraught tales.
Friday 14 October sees the event move to the Phee Broadway Theatre in the centre of Castlemaine. Conference programming will feature sessions on mental health wellness, music and activism, regional festival and venue programming, opportunities and tips when applying for grants and funding, and a session on creative collaboration.
“As our industry recovers from the last few years, focusing on how to look after our own and other’s mental health is as important as ever. Coupled with sessions on how grant funding organisations work, how regional festivals and venues are programmed, and the desire to make important work, either solo or with others, Friday has something for everyone,” said Ms Allan.
On Saturday 15 October, the focus turns to songwriting copyright and licensing, community radio, marketing and PR and youth-focussed events programmed in direct response to young people. Saturday will also feature a special Yarning Strong panel from Support Act, focussing on breaking down barriers for First Nations artists, including guests Mitch Tambo and Dallas Woods.
“The conference panels are a great opportunity to hear about the journeys of a diverse group of industry legends, from the lessons they have learnt over the years to where they are heading. The Yarning Strong session has Dallas Woods returning to the conference again, sharing his knowledge and experience alongside other talented and passionate First Nations people ,” said Ms Allan.
On Sunday 16 October, musicians take centre stage as songwriting clinics featuring Cash Savage another yet to be announced, held by APRA AMCOS.
“Having an esteemed songwriter like Cash Savage share their knowledge and sit with our local musicians to create something together brings us back to the heart of what we do – producing great music. These sessions are supportive, inspiring and a great springboard for budding songwriters to take that next step,” said Ms Allan.
Gold Sounds Music Conference will also feature music interview training and other practical sessions.
Tickets are on sale Thursday 1 September, 2022, via the Gold Sounds website. Last year’s inaugural conference featured keynote speeches by industry heavyweights Jen Cloher and Liz Stringer alongside workshops run by two of the region’s biggest stars, Dallas Woods and Jess Ribeiro. Held as Victoria was emerging from lockdown in late 2021, the Conference was delivered as part of Music Victoria’s Regional Music Development program. The inaugural event attracted more than 100 people from the music industry and community across the weekend, and won the Mount Alexander Shire Council Community Event of the Year. |
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Gold Sounds Music Conference 2022 schedule:
Thursday 13 October:
Myf Warhurst – star of ABC’s Spicks and Specks, SBS’s Eurovision coverage and ABC radio broadcaster and podcaster – launches her book The Time of My Life at the Taproom, Walker St Castlemaine. This event is supported by Northern Books and Shedshaker Brewing. All tickets include a signed copy of Myf’s book.
Friday 14 October:
Identity: The Music, The Mind, The Me Led by Music Victoria’s Mental Health Clinician/Consultant Bree Chapman-Stewart in conversation with Benny Clark (drummer, Baker Boy), BATTS (Musician/advocate) and Kiwat Kennell (Musician and Community and Project Manager at Music Victoria).
Under the Influence: Music & Activism A lively discussion including Berish Bilander (CEO, Green Music Australia), Dr Catherine Strong (Associate Professor, RMIT University) and more. This session will also present Green Music Australia’s ‘Sound Country’, a green resource for musicians and the music industry.
Where it’s At: Regional Festival & Venue Programming With Dina Bassile (Director, Tibi Access/Groove Tunes), Emma Ireland (Director, Chill Out Festival Daylesford / Spring Bliss Hanging Rock), Rebecca Strong (Collective Artists/Fairground Festival) and Justin Rudge (Program Director, Port Fairy Folk Festival).
Follow the Money: Grants & Funding An informative panel presented by representatives from Australia Council for the Arts, Creative Victoria and Regional Arts Victoria.
Team Work is Dream Work: Working in Creative Teams A panel discussion about the joy of collaboration with Meagan Loader (ABC’s Head of Music & Creative Development), Alastair Burns (Heart Stop Music – Julia Jacklin/Marlon Williams) and more to be announced.
Saturday 15 October:
Yarning Strong: Breaking Down the Barriers Yarning Strong is a series presented by Support Act that focuses on First Nations mental health and what it looks like in the music industry. This session will feature guest panellists Mitch Tambo (Artist), Dallas Woods (Artist), Larissa Ryan (Artist Manager/A&R Warner Music) and is led by Cerisa Benjamin (Support Act).
Shout it Out Loud: Marketing/PR: Getting Media Ready & Your Message out there With Jane Gazzo (TV & Radio Broadcaster/Writer), Emily Kelly (Deathproof PR), Eliza Hull (Musician/Writer/Disability Advocate) and facilitated by Josh Meadows (Artists/MainFM broadcaster).
On the Air: Community and Public Radio A fascinating discussion outlining why Community and Public Radio is so important, with Meagan Loader (ABC’s Head of Music & Creative Development), Shane Homan (Assoc Professor, Monash University) Richard Moffat (Programming Coordinator, MainFM) and more to be announced.
An Introduction to Copyright & Licensing With Chris O’Neill, Director – Membership & Stakeholder Engagement, APRA AMCOS – part of the public and youth conference program.
Songcraft: In Conversation APRA AMCOS presents a fascinating discussion and insight into the process of songwriting Jonine Standish (HTRK), Racquel Solier (Mod Con/Various Asses) and one more to be announced, led by Annaliese Redlich (Neon Sunset RRR, Imperial Leather).
Music Interviewing Skills A practical session led by music broadcaster Jane Gazzo, this 3 hour session will equip radio presenters and musicians with the skills to undertake great interviews. Presented by the Community Media Training Organisation and taking place at Castlemaine Community House.
Youth Program With support from The Push, Saturday’s program will include targeted sessions for Young People, curated in response to their direct requests. The sessions will cover topics such as songwriting, touring and more. Details of these sessions will be in the coming weeks.
Sunday 16 October:
321 Songwriting Sessions A day of in-person collaborative sessions curated by Cash Savage and another yet to be announced, presented by APRA AMCOS. 321 sessions are a fantastic opportunity to sharpen and hone songwriting skills. Participation is by application only. To register your interest, head to the Gold Sounds website for more information. |
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