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the partae

the partae

The Partae

Festival NewsMusic News

Synth-Pop Sensation PRISCILLA Delight With Their New Single ‘Lose Control’

by the partae October 28, 2022
written by the partae
Credit: Jarrad Levy

Previous Support For PRISCILLA

“surging, sparkling and stylish pop that’ll have you out of breath by the end.” 4 / 5
(Declan Byrne, Triple J) 
[About ‘Dance Through The Night’]

“the electro-pop sound of the future” (Purple Sneakers) 

“It’s a song that’s rich with emotional intelligence and personal growth, witnessing Priscilla evolve from their experiences through heart-gripping lyricism and dynamic instrumentation” 
(Pilerats) [About ‘Dance Through The Night’]

‘Dance Through The Night’ – Wild One on ABC Rage

‘Follow’ added to Spotify’s Out Now Playlist

Stream ‘Lose Control‘

Proving once again that they’re “the electro-pop sound of the future” (as heralded by Purple Sneakers), Boorloo/Perth-based duo PRISCILLA are set to release another incredible sensory smash. Titled ‘Lose Control’, this next track will be out on Oct 28, and stuck on repeat ever after.

Debuting in 2018, and with 7 singles already under their belt, PRISCILLA have set the stage for The Presets, Wafia, San Cisco, Haiku Hands, ALPINE, and Woodes, and played at a multitude of festivals along the WA coastline.

Climbing to greater heights seems inevitable for PRISCILLA, and ‘Lose Control’ is set to take them there.

In ‘Lose Control’, P Gardner’s voice gracefully carries the track’s plea for surrender straight to the heart, powerfully punctuated by synth bursts that beat alongside. The pared back verses hold ample space, welcoming the glittery cascades of Luke Minness’ twinkly production and granting them attention to oscillate and catch the light. It’s easy to picture a packed dancefloor or sweaty festival crowd dancing along in a powerful moment of euphoric bliss, a vision that will soon become a reality.

‘Lose Control’ is angry at the world, but celebratory of the strength found in community and the euphoria that can be experienced when surrounded by people who affirm and understand. P states:

“Feeling at home in your own environment, taking up space, or feeling safe in your own body are some things that others may take for granted because they have never had to think about it. Not all of us get to experience a secure sense of feeling comfortable and safe enough to completely let go, lose control, and be ourselves without fear of the external consequences coming from hateful and loveless places.”

PRISCILLA have already been given the nod from plenty of industry insiders, including but not limited to Triple J, Triple J Unearthed, Purple Sneakers, RAGE, Pilerats, FROOTY, RTR FM, 2RRR, 4ZZZ, Radio Adelaide. PRISCILLA’s track ‘Follow’ featured on Spotify’s ‘Out Now’ pride playlist, has been streamed 130K times and ‘Dance Through the Night’ earned the group their 4th consecutive year of WAM nominations, this time for (Pop) Song of the Year 2022.

The duo are looking ahead to summer when they are set to support The Veronicas during the Summer Festival at the Ice Cream Factory on December 2 and launch their single at Fremantle Arts Centre on December 11.

Catch the latest hit from PRISCILLA, ‘Lose Control’ when it’s out on Oct 28.

Upcoming Shows
December 2 – Summer Festival w/ The Veronicas, The Ice Cream Factory | Perth | Tickets
December 11
 – ‘Lose Control’ Single Launch, Fremantle Arts Centre | Fremantle

Follow Priscilla

Spotify | Apple Music | Soundcloud | Youtube

Facebook | Instagram | TikTok | Triple J Unearthed

October 28, 2022 0 comments
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Music News

Out now The Grogans WHICH WAY IS OUT album + Which Way Is Out Exhibition at Record Paradise Melbourne

by the partae October 28, 2022
written by the partae

“We’re not exactly sure WHICH WAY IS OUT but, when it comes to The Grogans, we’re definitely all in.” – Bryget Chrysfield, Beat Magazine.

“Good vibes all round soundtrack to take with you on the road, the beach…anywhere!” – Claire Mooney, Triple J

“It’s high time you familiarised yourself with these future stars.” – Live At Your Local

Artist: The Grogans
Album: WHICH WAY IS OUT
Release Date: Friday 28 October
Label: Cousin Will Records

The wait is finally over for Melbourne’s genre bending trio The Grogans’ third studio album WHICH WAY IS OUT, out Friday 28 October via Cousin Will Records. An album encompassing the trio’s legacy of lucrative, finger-on-the-pulse songwriting, combining their love of a past aesthetic with a modern day twist. After a busy year with two national tours, and their first run of international shows in New Zealand, The Grogans are finishing off their ‘No Thanks (I’m Going To See The Grogans)’ tour with a sold out release day show plus extra shows added at HABA in Rye, and an album exhibition at Record Paradise on Sunday 6 November.

WHICH WAY IS OUT was based around a similar workflow we have taken on previous releases. The idea of going away to write/record has been the best way for us to completely be involved in the project. I think it allows us to step back from the other responsibilities in our life for just a minute and set our minds on one thing at a time – Quin Grunden, The Grogans

Out on indie record shelves now, WHICH WAY IS OUT seamlessly blends the genre borderlines between heavy, cruisy, and acoustic tracks to create a fresh twist on the classic Grogans sound. The work is bookended by themes of friendship, beginning with the trio’s anthem ‘Bugs’ – “If I’m alright, I got you by my side, now I’m alright” and coming full circle for ‘Lucky Enough’, a track simply about the love of the band and their beautiful community. Meandering through the material, The Grogans explore the depths of their expanding genres, with singles ‘Inside My Mind’ and punk wrapped love song ‘Be Your Man’, alongside reverb drenched ‘Blurred Vision’, and singles ‘Just A Kid’ and ‘No Thanks (I’m Going Surfing) going back to their surf-rock roots. Gritty ballad ‘Le Fangz’ delves into the story of an imaginary creature, while ‘Who Knows’ touches on the existential overwhelm and intensity of the world we find ourselves in, and one take track ‘Take It Or Leave It’ sees the boys taking life day by day.

“We have said it before but I think it’s something we will have to say as long as we are putting out records, that being our desire to keep trying to force ourselves out of a specific ‘ one genre band’ and explore new ideas within the sound that we have developed  so far.”  – Quin Grunden, The Grogans

The album has deliveredsuccessful singles ‘Just A Kid’, ‘Be Your Man’, ‘No Thanks (I’m Going Surfing)’, and ‘Inside My Mind’, collectively added to Spotify’s New Music Friday AU & NZ, Fresh Finds AU & NZ, Rock Out, and Local Noise playlists, plus music video adds on Rage and MTV.  This latest release, WHICH WAY IS OUT, deploys an extensive variety of stylistic influences with cohesion and conviction, from Angus’ punctuated guitar riffs and and Jordan’s propelling rhythms, with Quin’s viscous vocals, as the tracks range from reverb drenched chants to honeyed croons.

Sunday 6 November The Grogans will host a WHICH WAY IS OUT exhibition at Melbourne’s Record Paradise presented by Cousin Will Records. Come and immerse yourself in all things Grogans from 11am – 5pm, with prints from NEWKINGJARDINE, vinyl, exclusive merch, and free beer, set to the sounds of their albums, old and new.

The Grogans Facebook
The Grogans Facebook
The Grogans Instagram
The Grogans Instagram
The Grogans Website
The Grogans Website
The Grogans Spotify
The Grogans Spotify
The Grogans YouTube
The Grogans YouTube
The Grogans Bandcamp
The Grogans Bandcamp

 

October 28, 2022 0 comments
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Music News

LEER shine on their dazzling and club ready debut EP ‘Optimize’

by the partae October 28, 2022
written by the partae

BUY/STREAM: LEER – OPTIMIZE EP

Sydney-based LEER, made up of Lachlan Henderson and Tom Eady, have been on the rise in the electronic music scene for some time. With a handful of epic releases under their belt they have revealed their anticipated debut EP ‘Optimize’, out now via Sweat It Out. Expanding beyond the roots of electronic dance, the 5 track body of work demonstrates the duo’s work ethic as staunch producers, whose mastery in creating immersive soundscapes is evident throughout the extended play.

Opening up about the release, LEER shares “The EP marks the start to our creative journey and encapsulates our growth over the last year. Starting with a bunch of bedroom club bangers we developed our sound and the result is sick. We’re stoked with this being our first official body of work and can’t wait to play it out!”

The project begins with their impactful debut single ‘Friends (Feat. fio)’. Released in May of this year, the track boasts a bouncy baseline infused with fio’s sultry vocals making for the perfect euphoric dance floor filler. Second in the project is cinematic title track ‘Optimize’, which finds the producers reaching new heights sonically, laying down the groundwork with a classic electro sound atop smooth instrumentation and mixed with energetic synth stabs. This cool club track packs a hard punch while keeping listeners revelling in the sublime reality of it all.

The spellbinding ‘Back to Back (Feat Woodes)’ follows as the third track in the project. The tantalsing club anthem sees the duo-branch out into elements of techno and house, among other sub-genres all while retaining all the key elements that make LEER’s productions so addictive. Next up is ‘You Get Me’ with a driving foundation of downtempo rhythms and instrumental electronica charged with airy distorted vocal intermissions. This hard hitter is sure to feature at a warehouse rave near you soon. The duo closes out the EP with ’Runna’ which cements the duo’s reputation as purveyors of deep club cuts. LEER’s unique production style is on full show with this infectious melody you’ll be replaying in your mind all day. Both Lachlan and Tom showcase their talents in tandem throughout ‘Optimize’, beautifully weaving a package that remains otherworldly.

DJ and producer duo, LEER burst onto the scene earlier this year parading their way around a club hook, by crafting magnetic bass lines over cascading synthesisers and transfixing drops. Releasing ‘Friends (Feat. fio)’ and ‘Back To Back (Feat Woodes)’ in the lead up to the EP release, the two have received a tremendous amount of support from some of the most prominent in the industry including Music Feeds, The Music Network, Acid Stag and triple j’s Dave Ruby Howe noting the “silky vocal that goes over the top of a dark and deep production. That’s a winning combo in my books.” LEER continue to demonstrate their strength in production prowess as their discography grows. Having already released an official remix of Crooked Colours’s hit single ‘Light Year (Feat. Masked Wolf)’ as well as playing a coveted support slot for Aussie indie dance legends alongside PRICIE, Annie Bass and Mazy for Great Southern Nights at Metro Theatre in association with Sweat It Out, LEER continue to go from strength to strength. With only a modest handful of tracks to their name so far, LEER’s debut EP, ‘Optimize’, not only provides an insight into the pair’s unique creative landscape but also forecasts a dazzlingly bright future ahead of them.

LEER’s debut EP ‘Optimize’ is out now via Sweat It Out

For more info on LEER, visit:
FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD

October 28, 2022 0 comments
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Festival NewsMusic News

FESTIVAL X REVEAL ADDITIONAL INTERNATIONAL TALENT ALONGSIDE MAMMOTH HOMEGROWN LINEUP 29 DAYS UNTIL AUSTRALIA’S BIGGEST TOURING FESTIVAL RETURNS FOR SUMMER 2022

by the partae October 28, 2022
written by the partae

CALVIN HARRIS | MEGAN THEE STALLION | DON TOLIVER

BOYS NOIZE | GREEN VELVET | JOHN SUMMIT | LUUDE | MARLO | NINA KRAVIZ | SUB FOCUS (DJ SET & ID) | TCHAMI | WILKINSON (DJ SET)

ANNA LUNOE | BABYFACE MAL | BADRAPPER | BEAUZ | BLASTOYZ | CHACE | CHOOMBA | COSMIC GATE | FRANKY RIZARDO | HALIENE | KEY4050 (feat JOHN O’CALLAGHAN & BRYAN KEARNEY) | LAURA KING | LEN FAKI | NIFRA | NORA EN PURE | PROSPA | SUNSET BROS | TAGLO | TYSON OBRIEN

Saturday 26th November 2022 – Melbourne – Flemington Racecourse | 18+
Sunday 27th November 2022 – Gold Coast – Metricon Stadium | 16+
Friday 2nd December 2022 – Adelaide – Bonython Park | 18+
Saturday 3rd December 2022 – Sydney – Sydney Showground | 18+
Sunday 4th December 2022 – Perth – Claremont Showground | 18+

 

Already boasting a stellar line up of local and international heavyweights including the likes of Megan Thee Stallion, Calvin Harris, Don Toliver, MaRLo, Luude, and more, today Festival X reveal the addition of Shanghai’s breakout talent Chace and producer duo Beauz, consisting of brothers Bernie and Johan Yang, to join the national touring lineup. Today’s announcement also includes an immense selection of homegrown Aussie artists ready to take the reins across each capital city and showcase the extraordinary talent this country has to offer.

Kicking off weekend one in Melbourne on 26th November, festival goers will be graced with the unique stylings of Paris Lawrence, Minx, triple j’s Jade Zoe, and Tom Santa. Playing Gold Coast’s Metricon Stadium, Dena Amy, and Taleena take the mainstage, alongside a long list of talent including Lowdown, and Paluma.

Weekend two sees Polly Pocket, and Oli Snoad, take lead at Adelaide’s Bonython Park on 2nd Dec, with additional support from CMMONPPL, and HI I’M JACK. Sydney fans will be delighted with peak performances from triple j’s Ebony Boadu, Alex Hayes, and Loose Grind on the mainstage, with BOM, Gemunji, and Dimatik amongst the varied talent the city has to offer. Whilst rounding out the festival in Perth on 4th December, Shann, Tina Says, and sammythesinner are set to impress with their high energy sets and electric on-stage charisma.

With an abundance of phenomenal talent being further featured across the tech, trance and local stages, there will be a myriad of artists for music lovers to explore and discover alongside their festival favourites.

 

THE FULL LIST OF ADDITIONAL ARTISTS IS AS FOLLOWS

MELBOURNE

ACHILLES | ADAM SAYKAN | DYSO | ETWAS B2B MATTEO FREYRIE
GAV WHITEHOUSE B2B ANDREA GUADALUPI | HIGHER STATE
HUNTER DEMASE & FLYTE 44 | JADE ZOE
JILLA | MIICHA | MINX | OPHELIE MERCURY
PARIS LAWRENCE | SASHA FERN | SPACE MILK
TOM SANTA | TOM YATES

GOLD COAST

CHARLES OLIVER | COLDEED | COMMONGROUND
DENA AMY | LOTNNIC B2B GIV | CAMILA ROSA B2B JIMMY D
FASEY| FRESH AVO’ | HARPOON | JAKE CARMODY
JODY 6 | LATOUR | LOWDOWN | PALUMA
SEQUENCE | TALEENA | YUNG GWOPP | YUSSI

ADELAIDE

AUDIOPORN B2B TRIM | BEN ZEN B2B SHANE STAKER
CMMONPPL | DILLUP | FELICITY AUKETT | HI I’M JACK
MADI | MIKI | OLI SNOAD | POLLY POCKET
SAMI | SAREZ & PAUL MARSHMAN | SERATONIA
SHIFT B2B TAZI | THEO B2B BANO

SYDNEY

ALEX HAYES | ANALOG DJS | BOM | DIMATIK
EBONY BOADU | FARHEART | FELIXX | GEMUNJI
GHOSTLIKE | HAMMY J | HIGHER STATE | JEAN CLAUDE & NICK VAN TIEL
KLAUS KAZ |LOOSIE GRIND | MIXED METHODS
NICK REVERSE |RUBY J | SIMON LOVELL | TRENT HADID

PERTH

AZZA | BLKOUT. | CHAOSX | D.COY
DESTIC | GIRLCRUSH | JAMES A
JAYDREAM | MC BIG TONE-E & PHEONON | SAMMYTHESINNER
SAUL BLISS | SHANN | SHROOM
TINA SAYS | TRIPLETT | WHERESHOLLY?
WHITE PEPPER | YUNG SLY

Once again, Festival X will represent the very best in Hip Hop, Dance, EDM and Electronic music across multiple stages with a line-up featuring global superstars alongside the hottest local talent.

Headlining is festival favourite and multiple Grammy, Billboard and Brit Award winner, Calvin Harris in his second appearance at Festival X; hot off the heels of his fifth studio album announcement.  Alongside, multiple Grammy award winner Megan Thee Stallion is headed down under for her first-ever performances. Chicago based, Trap-N-B rising star Don Toliver is headed to our shores for the first time, following multiple successful releases through Travis Scott’s iconic Cactus Jack records and trance aficionado and local hero MaRLo will also top off a bill.

Second release GA tickets and limited VIP tickets are available now across Melbourne, Gold Coast, Adelaide, Sydney and Perth, alongside a limited number of 16+ tickets (Gold Coast only) – for further details please see Youth Policy below.

Tickets available via www.festivalx.com.au.

Festival X is presented by Hardware and Onelove (joint founders of Stereosonic) and touring giant, Live Nation.

FESTIVAL X YOUTH POLICY | 16+ TICKET HOLDERS GOLD COAST
  • Youth ticket holders must be accompanied by an adult/guardian who is 18 years or older.
  • There is a limit of 3 youth ticket holders per adult/guardian. These can be purchased as a combo ticket at a special bundled price.
  • ID for all patrons ages 16 – 17 will be required.
  • Youth ticket holders will be required to wear a wrist band.
  • Full details of the youth policy can be found at Festivalx.com.au
For complete tour, ticket and VIP Experience information, visit:
FestivalX.com.au & livenation.com.auAbout Live Nation Entertainment
Live Nation Entertainment is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, Live Nation Advertising & Sponsorship and Artist Nation Management.
For additional information, visit: livenationentertainment.com

October 28, 2022 0 comments
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Music News

Yen Strange Releases ‘Bleeding From My Purple Lips’

by the partae October 28, 2022
written by the partae
Photo Credit: Yen Strange

NEW SINGLE ARRIVES WITH SELF-DIRECTED VISUALISER
SUPPORTING YOURS TRULY NATIONALLY IN DECEMBER

Liberation Records are today excited to share ‘Bleeding From My Purple Lips’, the latest single from Sydney-based artist Yen Strange. Following on from singles ‘Clueless in Suburbia’ and ‘Easy Way Out’, the latest single is accompanied by an alluring self-directed visualiser.

‘Bleeding From My Purple Lips’ is quintessentially Yen Strange – Brimming with grunge fuelled rhythms, reverbed guitar and bittersweet lyricism, Yen, alongside co-writer Joel Quartermain (Eskimo Joe, PNAU, Meg Mac, merci,mercy, G Flip), reflect in hindsight on a toxic relationship, crescendoing into an anthemic indie hit.

On the single, Yen details, ‘Stitches are in my mouth sometimes when I really like someone but they do things that are pretty bad for me. Something stops me from standing up for myself and walking away. I was feeling extremely insane over a situation with someone when I wrote this. Like I was not myself at all and I’d do anything for this person to give me attention’.

The vintage, camcorder style visualiser, directed and edited by Yen Strange, further highlights the single’s vulnerable and intimate depiction, mixing up close and personal footage with candid frames from film negatives.

With a string of popular singles to her name including debut ‘Donnie Darko’, ‘Go Away’ and a cover of Mallrat’s ‘Intro’, the Moruya-born, now Sydney-based singer-songwriter has won press support from the likes of Paper Magazine, Nylon, Ladygunn, The Forty-Five and NME. Her songs have received a huge 20 spins from BBC Radio 1 (with host Jack Saunders a big champion of her work), plus airplay across triple j, triple j Unearthed and community stations like FBi and Radio Adelaide. At DSPs, they’ve appeared on a range of playlists including Spotify’s New Music Friday, Front Left, Indie Pop, SALT and Pop n Fresh, and Apple Music’s New Music Daily, New In Pop, New In Alternative and Pop Chill. When The Horn Blows’ also highlighted Yen Strange on their ‘Ones To Watch’ list for 2022. The past year has seen Yen Strange play to thousands of people, completing support shows with Eliza & The Delusionals, merci,mercy and Hallie and about to embark on a 12-date national tour with ARIA winning pop-punk band, Yours Truly.
ABOUT YEN STRANGE

Growing up in small towns was a blessing and a curse for Yen. In an attempt to distance herself from cliques at school – where she struggled to fit in – she’d seek solace in the music room on her lunch breaks. She had fostered a serious interest in music from the age of seven, studying piano and honing her vocal skills by singing along to songs on the radio in her dad’s car. (Singing lessons didn’t work out; she didn’t want to sing the ‘proper way’.)

At the age of 16, Yen moved from her hometown of Moruya to the larger Wollongong and started playing in local bands, but found her walls crashing down as the aspirations of her bandmates never quite seemed to sync up to her own.  She began to hit roadblocks and experience spirals and depressive episodes, eventually hitting rock bottom and having a breakdown. Despite the hurdles though, Yen persisted and started to pen tracks that she could be proud of, on her own. She now lives in Sydney.

Yen Strange
‘Bleeding Through My Purple Lips’
Out now through Liberation Records

Listen/watch here

YEN STRANGE SUPPORTING YOURS TRULY
For ticketing info head to: https://unfdcentral.com/artists/yours-truly/Thu 24 Nov | Vinnies Dive | Southport, QLD | 18+
Fri 25 Nov | Solbar | Maroochydore, QLD | 18+
Sat 26 Nov | The Zoo | Fortitude Valley, QLD | 18+
Fri 2 Dec | Metro Theatre| Sydney, NSW | 18+
Sat 3 Dec | University of Canberra | Canberra, ACT | 18+
Sun 4 Dec | The Cambridge | Newcastle West, NSW | 18+
Fri 9 Dec | Mojo’s Bar | North Fremantle, WA | 18+
Sat 10 Dec  | Jive | Adelaide, SA | 18+
Fri 16 Dec | Corner Hotel | Richmond, VIC | 18+
Sat 17 Dec | Republic Bar | North Hobart, TAS | 18+

 

October 28, 2022 0 comments
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Festival NewsMusic News

Live at the Bowl returns in 2023! January – April

by the partae October 28, 2022
written by the partae
Live at the Bowl is a festival of music, dance, community-led and family-friendly events for everyone.

This summer, the heart of the city will come to life at Victoria’s most iconic outdoor venue, the Sidney Myer Music Bowl.

Gather your favourite people and enjoy a blockbuster line-up featuring some of the best home-grown acts and international artists.

Come together on the hill, share a picnic, take in symphonies at sunset or dance the night away to your favourite bands and DJs.

Explore the program

What’s On  |   Plan Your Visit  |   About   |   Beyond the Bowl

First line-up announce

Arctic Monkeys ● Bon Iver ● Boris Brejcha ● Darren Hayes ● Kehlani ● Lorde ● Midsumma Extravaganza ● Melbourne Symphony Orchestra Free Concerts ● SYNTHONY NO.3 ● Teeny Tiny Stevies + more to be announced

Contact us   Terms & Conditions   Accessibility   FAQs   Donate

October 28, 2022 0 comments
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Festival NewsMusic News

BAG RAIDERS SHARE PENSIVE NEW SINGLE ‘LETTING GO’

by the partae October 28, 2022
written by the partae
Photo by loverlover.us

ACCLAIM FOR BAG RAIDERS

“Stands the test of time”
triple j

“First new music in 3 years and sounding so so good. I loved it as soon as I heard it”
Sarah Story, BBC Radio 1

“Channelling the percussive rapture of Bicep and Caribou”
EARMILK

“Sydney staples”
Resident Advisor

“Bag Raiders are here for a good time and a long time”
Sydney Morning Herald

“A rapturous exploration of melodic tech house”
EDM.com

“One of Australian electronic’s most recognised acts”
Pilerats

Bag Raiders today drop their latest release in a stream of new music, the shuffling ‘Letting Go‘. LISTEN HERE.

Shifting their impulses from shuffling, warped sample-led percussion as on their previously released ‘UR Heart’ and ‘Never Forget’, Bag Raider‘s latest release ‘Letting Go‘ is a pensive, fast-paced mantra. In this latest era, Chris and Jack‘s music is dedicated to the emotional ties of club spaces and dancefloors, serving today a single devoid of indulgent hubris, but instead, presenting a vessel and means for release.

Of their latest release, Jack shares, “This tune is about body feel, freeing the mind and submitting. On the dancefloor, in life, whenever. We can all use a bit of letting go.” Chris elaborates, “Letting Go is about liberation, sometimes we don’t allow ourselves to live the full potential of our experiences because we’re holding on to expectations or insecurities or other baggage that brings us down, and one of the best places to drop all of that is on the dancefloor.”

Following the success of their 2019 sophomore LP Horizons, Bag Raiders‘ recent stream of releases arrived in the wake of their newly minted label Broken Head Records, both of which accumulated international praise from BBC Radio 1’s Pete Tong, Danny Howard and Sarah Story, KISS FM UK’s Sam Divine, Ben Malone and TCTS, Apple Music 1 and triple j with the coveted Friday Mix.

Wider praise arrived from the likes of DJ Mag, EARMILK, Pilerats, EDM.com, and Stoney Roads, with a stack of streaming playlists including the Monster Dance cover and global DJ support from TOKiMONSTA, Totally Enormous Extinct Dinosaurs, A-Trak, Fouk, Adana Twins, Dom Dolla, John Digweed, Eelke Kleijn and Oliver Heldens.

The project of Jack Glass and Chris Stracey, not many artists have had an immense effect on the youth of today quite like Bag Raiders. Whether that be sound-tracking many a sweaty night on a dancefloor, sing-a-longs at some of the biggest festivals in the world, or even becoming the anthem to one of the most iconic moments in the internet’s history, the electronic duo have done it all; and are ready for more.

Their place as stalwarts in the dance community for over a decade comes after releasing a slew of cult-favourite singles and signing to dance-powerhouse Modular Records, which saw the duo release their debut self-titled record in 2011. The record debuted at #7 on the ARIA Charts and snagged them a ‘Best Dance Release‘ nomination at that year’s ARIA Awards. A part of that record was the single ‘Shooting Stars‘ which has amassed over 4 billion streams online, clocked over 32 Platinum or Gold plaques worldwide and had a cultural impact beyond anyone’s expectations. Now their eyes are firmly set on the future.

‘Letting Go‘ is out now, buy/stream it here.

TOUR DATES
Fri 14 Oct – Mono Hall – Tbilisi, Georgia (EU)
Sat 29 Oct – Claptone: The Masquerade @ Tobacco Dock – London (UK)
Sun 1 Nov – The Lawn @ The Star – Gubbi Gubbi Land / Gold Coast (AU)
Fri 18 Nov – Walter Studios – Hohokam Land / Phoenix, Arizona (US)
Sat 19 Nov – Wild Acre Live – Sioux, Cherokee, Iroquois Land / Texas (US)
Sat 3 Dec – Sunsets Festival – Gayemagal Land / Manly (AU)
Sun 11 Dec – Castaway – Boorloo / Perth (AU)
Sat 31 Dec – Harbour Party NYE @ Luna Park – Eora / Sydney (AU)
+ More TBA

Tickets available HERE

Stay connected with Bag Raiders:
Website | Facebook | Instagram | Twitter | YouTube | Soundcloud

October 28, 2022 0 comments
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Music InterviewsMusic News

Interview: Late November

by the partae October 28, 2022
written by the partae
Where are you currently based?
We are based up in Townsville, North Queensland
 
How did Late November form?
We were all mates that were playing in the High School Jazz Band together, then we caught up outside of that to have a play, and the rest is history!
 
What’s been happening recently?
We’ve been super stoked with the reception on our newest track ‘Fishook’, and we are gearing up for the next few releases!
 
What or influenced the sound and songwriting on your latest single ‘Fishook’?
Retrospectively we’d say that it’s very Last Dinosaurs inspired, we didn’t really set out to write a song that took elements from anything, but we think we must have been really enjoying their sound and arrangement. As for the production, there is a bit of Bluejuice in some of the harmony lines, very Broken Leg-esque in parts of the song.
 
How did Fishook come about?
Alex, Aden, Denzel and Sam were all piled into Kodie’s car (a fresh p-plater at the time), and Alex had his guitar half out the window. ‘I’ve got something to show you boys’ he said, and by the time he was up to the second verse we were all sold on it.
 
Where and when did you record/produce/master and who did you work with?
We originally recorded with Mark Myers up in Cairns, but we’d developed the song so much since that session that what we’d recorded there didn’t feel relevant to us anymore. We then re-recorded most of it in the Aitkenvale Library in Townsville, then sent the fresh stems off to Mason Rowley (Oh Forest Shore, Arches) to mix, then to Hayden Dunlop (Chelsea Drive) to master.
 
What do all of the 7 members do in the band?
We’ve got a jazz band in the making:
Alex Thomas (Vocals/Rhythm Guitar)
Aden Rock (Tenor Saxophone)
Kodie Redfern (Bass)
Samuela Naborisi (Drums)
Denzel Carlos (Lead Guitar)
Anthony Minehan (Alto Saxophone)
Kristopher Gounaris (Trumpet)
 
Outside of the instruments, Alex and Kodie do most of the writing for the core structure of the song, and Kodie is a member/manager of sorts, organising the branding, merchandise, and other logistics. Sam is a talented producer, and he makes the interludes we use for our live sets.
 
Please tell us about your upcoming Australian tour and possible dates for Japan:
We are itching for both of these! We are aiming to do between 7-10 shows mostly between Tokyo and Osaka in around March, and then we’ve got an Australian tour in our sights for late 2023, and we’re hoping to hit Brisbane, Adelaide, Sydney, Melbourne, Townsville (of course) and Wollongong. We’re still ironing out logistics and costs for the Aus tour, but at this stage it’s looking promising!
 
How does being based in Townsville, QLD influence your music?
Townsville has fostered its fair share of original artists, and the music scene has been quite collaborative in nature. We feel that we wouldn’t have the sound we do now, if it wasn’t for seeing these local artists and being inspired. That inspiration naturally makes you look at what they’re doing in their music, and a little bit of that is bound to rub off on you.
To name a few super influential locals:
Colie
Sam Wright
Oh Forest Shore
The Broadcast Fiasco
Hidden Pillars
The Funny Jims
Chelsea Drive
Dogtooth
Lost for Ideas
 
Please tell us about the importance of the community and being a part of the growing Townsville community:
Watching bands like The Broadcast Fiasco (formerly Solarpets) play in Townsville at the Rec Room was formative for me (Kodie). As a teenager that was learning how to play guitar, this kind of thing struck a chord in me, and I knew instantly that I wanted to do what they were doing. Without these shows, I might never have experienced that feeling. Or I might have experienced it later in life when starting a band seemed too foreign a concept. Without this community and culture in Townsville, we will be missing out on generations of artists that haven’t had that ‘Aha!’ moment, and that’d be a real shame. Multiple people from Brisbane have said to us ‘there must be something in the water in Townsville’ and we think that’s just the community and culture raising well rounded, and collaborative artists.
 
Who are you listening to at the moment?
Our top 5 at the moment are:
Sunbleached
Bryce Bishop
Pinegrove
Fontaines D.C.
Turnstile
 
What’s planned for the remainder of 2022 going into 2023?
We’ve got an AirBnB booked in Lucinda for the first week of November, and we are all going to get together and make as much as we can. We’ve got so much in the pipeline, and we can’t wait to share it all!

https://www.facebook.com/LateNovemberBand

October 28, 2022 0 comments
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Helsloot

by the partae October 27, 2022
written by the partae
Where are you based at the moment?
 
Ally aka Almere, The Netherlands
 
What music have you listened to today?
 
Stellar Drifting by George Fitzgerald. It’s a great album. And a lot of afrobeats like Burna Boy – Plenty and 1da Banton – No Wahala.
 
Your new release ‘Amora’ features Tom Zeta. Did you enjoy working together?
 
I did. He invited me into his studio in Utrecht at the time after sliding into his DM, because I’m a big fan of his sound. He offered me some coffee and krentenbollen, I was sold.
 
What was your workflow?
 
For ‘Bravoure’ we started jamming a bit. We both found out our productions are always very rhythm based. He is a skilled drummer and a intuitive producer so he started recording some hihats and home-brew shakers. I started looking for a bass rhythm that was slightly off the grid. We talked a bit about our mutual love for G Funk and started looking for synths to see if we could mix these genres together.
 
‘Amora’ started by this melodic break he played me. I had some ideas for the structure and the drop and we started to jam. He had a Poly Brute so I was playing around with it and laid down the bass and some synth plucks for the drop. It all happened quite fast as we only needed 3 sessions to complete the ideas for both tracks.
 
We went a bit back and forth on Whatsapp and finished the tracks quite fast.
 
What is your favourite piece of equipment?
 
The Specular Tempus. It’s a pedal effect that combines delay / reverb / granular effects. I’ve routed it to my Juno 106 which create this atmosphere that always seems to hit the spot.
 
What is your favourite track from this EP?
 
I had coffee with Tom yesterday where we found out we both have a different fav. He is all about Bravoure where I always like to play Amora just a little bit more.
 
How was your Summer?
 
I had a love / hate relationship with my studio as my airconditioning broke down. And I had some great gigs in The Netherlands, London and Istanbul. 
 
Got any exciting gigs coming up this autumn?
 
Yes I’m heading to Sao Paulo in December where I get to play at Laroc. And I’m the support act of Bob Moses’s show at Melkweg, Amsterdam.
 
What DJ’s are you really digging right now?
 
Black Circle and Martin Waslewski.
 
What have you got planned for 2023?
 
I’m actually planning to work on an album.

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October 27, 2022 0 comments
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CANADIAN COUNTRY SONGSTRESS JUSTINE BLANCHET EXAMINES EMOTIONALLY UNAVAILABLE ROMANTIC CONQUESTS WITH “HARD TO LOVE” MUSIC VIDEO

by the partae October 27, 2022
written by the partae

Montreal, Quebec, Canada, October 26th, 2022 – Canadian country artist Justine Blanchet is celebrating the official music video for her current single, “Hard to Love”, which has garnered over 140k views on YouTube since its release in September.

“Hard to Love” – Official Music Video: youtube.com/watch?v=5rgqf1HE_98

“Hard to Love” is the first collaboration between Blanchet and hitmaking Nashville producer Danick Dupelle (Emerson Drive, Tebey, Tyler Joe Miller, Matt Lang). Written by a trio of first-rate country songwriters – Courtney Cole, Derrick Southerland, and Kelly Archer, “Hard to Love” offers an inviting country flavour with flourishes of modern pop in its honest examination of love that feels just out of reach.

In speaking about the video, Blanchet says, “To capture the message of this song, we wanted to dive into the dynamics of relationships with emotionally unavailable partners. Our central symbol is a poker game that shows how true intentions and feelings can remain hidden, even from people we think we know and want to love.”

“Hard to Love” is the latest highlight for the Montreal native, who regularly releases her music in English and French. With eight previous singles – including 2019’s “Strong” (over 175K streams on Spotify) and 2021’s “Get Out of the Mud” (#4 on CBC Country/Sirius XM) – and live show highlights like the Festival Country Lotbinière, the Gatlingburg Songwriter’s Festival, Big Valley Jamboree, the Bluebird Cafe in Nashville, and a pair of Diamonds in the Rough showcases during Canadian Country Music Week, Blanchet is poised for the next wave of her rising and uniquely cultured country music adventure.

As Blanchet divides her time between Canada and Nashville, “Hard to Love” represents the best of both worlds. Blanchette recorded the vocals in Canada, while the song was produced in Music City (a first for her), as was the music video. “Hard to Love” also serves as the first release from her debut EP, set for release in 2023. Between now and then, she wants audiences to not be too hard on themselves when they encounter someone who is hard to love.

She says, “I want listeners to remember that no matter how much you love someone, you cannot make them love you back. But that’s okay. You shouldn’t have to. It’s better to know your worth and find someone who recognizes that. Your patience will be rewarded with love that is honest and more fulfilling.”

Justine Blanchet is currently in Nashville working to complete her EP.

The “Hard to Love” music video is currently available on YouTube.

For more about Justine Blanchet, please visit JustineBlanchet.com or find her on social media:

Instagram: @JustineBlanchetMusic                       Facebook: @JustineBlanchetMusic                        

TikTok: @JustineBlanchetMusic                               Twitter: @JustineBlMusic

Spotify: tinyurl.com/justineblanchetspotify               YouTube: @JustineBlanchet

October 27, 2022 0 comments
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Festival NewsMusic News

TOUR ANNOUNCEMENT | SLIPKNOT’S KNOTFEST SET TO TAKE OVER AUSTRALIA IN 2023 & THE LINE-UP IS HERE!

by the partae October 27, 2022
written by the partae

 Slipknot to headline plus Parkway Drive, Megadeth, Trivium, Northlane,
Amon Amarth, In Flames, Knocked Loose, Spiritbox, Story Of The Year,
Alpha Wolf, Void Of Vision, Bad Omens & Malevolence

Pre-Sale to Knotfest Premium Members; 8am, Thursday 3rd November

Early Bird Pre-Sale On-Sale; 9am, Thursday 3rd November
Sign up here

General On-Sale: 9am, Monday 7th November
From Knotfest.com/Australia

Thursday, October 27, 2022 – KNOTFEST, the destination festival brand curated by SLIPKNOT, is continuing its ever-expanding global domination with the announcement of its next location – KNOTFEST AUSTRALIA in 2023.

The music and counterculture experience created by the multi-platinum sonic phenomenon SLIPKNOT, will hit the East coast of Australia starting on Friday, March 24th at Flemington Racecourse in Melbourne, before making its way to Sydney on Saturday, March 25th at Centennial Park and wrapping up in Brisbane on Sunday, March 26th at RNA Showgrounds.

Headlined by SLIPKNOT, the hugely stacked festival line-up includes PARKWAY DRIVE, MEGADETH, TRIVIUM, NORTHLANE, AMON AMARTH, IN FLAMES, KNOCKED LOOSE, SPIRITBOX, STORY OF THE YEAR, ALPHA WOLF, VOID OF VISION, BAD OMENS and MALEVOLENCE.

A staple at KNOTFESTs all over the world, the KNOTFEST Museum will also be making its way to Australia for the very first time. The KNOTFEST Museum features a jaw-dropping collection of items from the band’s history and a fan-favourite attraction at the other KNOTFESTs around the globe. Tickets are strictly limited in each city.

Early bird pre-sale tickets are on sale at 9am local time on Thursday 3rd November here and general public tickets go on sale at 9am local time on Monday 7th November here.

KNOTFEST AUSTRALIA 2023
DATES AND VENUES:

Friday 24 March 2023 – Flemington Racecourse, Melbourne
Saturday 25 March 2023 – Centennial Park, Sydney
Sunday 26 March 2023 – RNA Showgrounds, Brisbane

SLIPKNOT’s latest album, ‘The End, So Far’ landed yet another #1 Official Album Chart position in Australia, their fourth straight #1 in a row, as the album racked up a string of global chart accolades, including #1 Album positions in the UK, Germany, Switzerland, Mexico and Top 10 in Japan, Finland, Sweden, Canada, USA, New Zealand, Portugal, Ireland, Belgium, Austria, France and the Netherlands.

About SLIPKNOT: There was never a band like Slipknot, and there will never be another. Like a spore out of the Midwest, they’ve quietly bloomed into the most uncompromising, undeniable, and unique presence on the planet whose influence transcends genres and generations. Since sowing the seeds for revolution in Iowa during 1999, these musical outliers have captured a GRAMMY Award alongside 10 nominations, scored 12 Platinum / 41 Gold album certifications around the world, and logged over 8.5 billion global streams and 3.5 billion video views to date – unprecedented for a rock act in this generation or any other. Rolling Stone cited the seminal platinum-selling 2001 album Iowa among “The 100 Greatest Metal Albums of All Time,” while The Ringer attested, “They’re the most important heavy band of their era.”  In addition to marking the group’s third consecutive #1 debut on the Billboard Top 200, their sixth full-length album, WE ARE NOT YOUR KIND, bowed at #1 in twelve countries worldwide in 2019. Selling out shows on multiple continents, they deliver an irreplicable multi-sensory experience on tour and through their own festival Knotfest. With their seventh studio album, THE END, SO FAR, Slipknot are back, and nothing will be the same again.

About KNOTFEST: Knotfest is Slipknot’s own self-curated, destination festival brand, currently held in eight international locations; the US, Japan, Mexico, Finland, Germany, Colombia, Chile and Brazil. Designed as an immersive, unforgettable, ‘dark carnival experience’, the event invites you into Slipknot’s apocalyptic underworld where stunning visuals, fire breathers and nightmarish creatures on stilts set the stage for an intoxicating and memorable weekend of live music.

Stay up to date on all things KNOTFEST over at https://knotfest.com/australia/ and by following on socials.

Find KNOTFEST AUSTRALIA Online
https://knotfest.com/australia/
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October 27, 2022 0 comments
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CASTLEMAINE STATE FESTIVAL RETURNS IN 2023

by the partae October 27, 2022
written by the partae

The Castlemaine State Festival is returning to the creative capital of central Victoria from 24 March to 9 April 2023, with a joyous and uplifting program of, performance, music, talks, visual arts and family-friendly events.

In its 47-year history, the Castlemaine State Festival has become Australia’s flagship regional arts festival taking place every two years. The Festival preceded any other Victorian arts festivals and has been unique in its scope and diversity; fast forward to 2022, and the popular biennial event will draw thousands of visitors from across Australia and overseas to the regional centre to experience a family-friendly, fun, and accessible seventeen-day event.

Experience the classics and the contemporary in the Festival’s vibrant music program with live events, from energetic “big-top” main stage events at Western Reserve to intimate Salon sessions at Buda Historic House and Garden and an exciting classical/delicate/world music program at the Town Hall.

The Festival will feature free and ticketed programs, with a new Festival Precinct bringing the town alive; contemporary music, performance, cabaret, circus, comedy and DJs will entertain while audiences enjoy the best food and beverages from the region.

Festival favourites return; The beloved Dialogues program is back at Goods Shed Arts, with Australia’s best thinkers and authors telling stories from the heart. The region’s artists are busy creating works to show and discuss with visitors when they welcome them into their practices through the Festivals Open Studios program.

Festival Director Glyn Roberts said he was looking forward to welcoming the local community and newcomers to the region. “With the celebrations taking place over Easter, it’s a great way for families to come and explore our remarkable, creative town and region.”

‘This is a Festival for everyone, with a program filled with heart and soul that will stir imaginations and create memories.,’ said Mr Roberts.

The 2023 Castlemaine State Festival program will be announced on Saturday, 28 January, 2023. Bookings are essential for most events. Castlemaine is in central Victoria, approximately 90 minutes from Melbourne, by train or car. The Festival events will take place in both Castlemaine and Bendigo in 2023. A range of accommodation options are available.

Further information can be found at www.castlemainefestival.com.au or follow the Festival on Instagram and Facebook for updates.

Castlemaine State Festival runs from 24 March to 9 April 2023 in Castlemaine, Victoria.
October 27, 2022 0 comments
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FUTURE ISLANDS Announce 2023 Australia + New Zealand tour

by the partae October 27, 2022
written by the partae

Handsome Tours and Secret Sounds are thrilled to announce the return of indie icons Future Islands for their first shows in Australia and New Zealand since 2017! The Baltimore quartet of Gerrit Welmers, Michael Lowry, Samuel T. Herring and William Cashion will be performing songs from their latest album, As Long As You Are alongside favourites from across their career this coming February.

The band will kick things off in Perth playing The Rechabite, before heading to Powerhouse in Brisbane and Forum in Melbourne, followed by a trip across the pond to play Auckland’s Powerstation. Additionally, Future Islands will be playing New Zealand Festivals Splore and Electric Avenue, plus a very special Sydney show, with more details to come….

As Long As You Are looks to the past as well as the future, confronting old ghosts and embracing a new hope. It is an album about trust, full of honesty, redemption and “letting go”, allowing old wounds to heal and bringing painful chapters to a close. Signalling a new era for Future Islands, touring drummer Mike Lowry officially joined as a fully-fledged member and songwriter bolstering the founding trio of William Cashion, Samuel T. Herring and Gerrit Welmers. Given time to allow the songs to slowly come to life, these eleven new songs of post wave synth-pop are as euphoric and uninhibitedly joyful as anything the band has done in their 14-year career.

Tickets for the headline dates will go on general sale Thursday 3 November at 10am local time. Eager fans can gain access to early tickets by signing up to the promoter pre-sale here: https://bit.ly/fi23_ht

For more information and full tour details head to headsometours.com.

Stream / purchase As Long As You Are: https://futureislands.ffm.to/aslongasyouare

Praise for As Long As You Are

“Melding melodic punch with brooding gloom, Future Islands’ role as new wave torch bearers is assured on a sixth album gilded with emotional and sonic depth, symptomatic of their rising status as seasoned songsmiths.” – The Line Of Best Fit, 9/10

“existential bangers from Baltimore’s most eccentric band” – NME, ★★★★

Album Of The Week – AU Review, ★★★★

“Future Islands stun once again with their sparkling synthpop that is equal parts melancholic and uplifting.” – STACK

“Brimming with confidence and dripping with arena-sized existential anthems… As Long as You Are is the rejuvenated sound of a band who finally found what they are looking for.” – Loud and Quiet

“A work of incredible density, and yet, it feels so light. A remarkable dichotomy.” – Scenestr

“One of the most anticipated albums of the season.” – Consequence of Sound

“This album feels like the next step in their story, with more deeply felt New Romantic intensity than ever.” – Rolling Stone

Future Islands – 2023 Australia + New Zealand Tour Dates

Thursday Feb 16, 2023 – Perth Festival*
Saturday Feb 18, 2023 – Brisbane, Powerhouse
Sunday Feb 19, 2023 – Sydney – coming soon!
Tuesday Feb 21, 2023 – Melbourne, Forum
Thursday Feb 23, 2023 – Auckland, Powerstation
Friday Feb 24, 2023 – Tapapakanga, Splore Festival
Saturday Feb 25, 2023 – Christchurch, Electric Avenue Festival

Announce: 10am AEDT Thur 27 Oct
Promoter Pre-sale: 10am (local) Wed 2 Nov 
*Promoter pre-sale not valid for Perth Festival. Visit perthfestival.com.au for more info.
GP Onsale: 10am (local)  Thu 3 Nov

Future Islands – As Long As You Are is out now via 4AD / Remote Control Records.
Future Islands
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October 27, 2022 0 comments
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WET DENIM release their supercharged dynamic new track ‘FREE’

by the partae October 27, 2022
written by the partae

Photo by: Cameron Marwick

Wellington indie-rock quartet Wet Denim have returned today with their supercharged sophomore  single ‘Free’. The new track is layered with brightness, sheening with its slickness that somehow manages to intertwine the jagged guitar line at the same time as the punchy drum moments. The song’s theme borrows from Nick’s experience of feeling socially isolated from loved ones. 

“The lyrics talk about a time when I was feeling very secluded from the people around me both mentally and physically. I had just come out of a very short but intense relationship paired with having a tough time with glandular fever so was spending a lot of time alone”. Nick Goodwin, (guitar and vocals) Wet Denim

Wet Denim are one of the most compelling new bands to emerge from New Zealand’s fertile musical landscape in recent years. Recording ‘Free’ in their hometown of Wellington, it was produced by the band with additional support from multi platinum selling group, Drax Project with mixing by Neil MacLeod and mastering by multi-award winning engineer Chris Chetland (Dua Lipa, Snoop Dogg, Joel Little/Lorde).

 

This song really brought us together as a band just over a year ago now. Free is actually the first song we wrote together. Joe came to the first ever Wet Denim jam with the instrumental demo of Free on a logic session. We all sussed out our individual parts and the chemistry began to flow from there”. 

Wet Denim  

Wet Denim are singer and guitarist Nick Goodwin, Luca Crampton on guitar, synths and keys with brothers Jack and Joe Ledword on the drums and bass. Since their move to the capital in a year of record rainfall, the band have quickly established themselves as the band to watch on Wellington’s live scene. With one only single under their belt they have achieved what many bands could dream about by selling out two headline shows in Wellington, securing student and alternative radio support across New Zealand and collaborating on writing and production of the forthcoming EP with members of multi platinum group Drax Project. 

Their guitar-driven sound whilst incorporating pop melodies will no doubt be front and centre for their forthcoming EP.

PLAY/LISTEN

Free is out on Thursday, October 27

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October 27, 2022 0 comments
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Lahgo: Shallow Hellos (Premiere)

by the partae October 26, 2022
written by the partae

Where are you currently based?

The sandy shores of Bondi Beach baby.

How did you first start playing music?

Each member found their love for music through different avenues, which we think makes the journey unique and exciting for the listener as you’ll begin to hear different experiences and memories captured in each song.

What’s been happening recently?

A healthy combination of recording, gigging and writing. We’ve headlined some sick shows this year (including a sellout at the Lansdowne), and we’ve polished off two EPs in the process, released our first single and shot 2 film clips. It’s been quite hectic.

Your latest single ‘Shallow Hellos’ will be out on the 27th of October, what influenced the sound and songwriting?

Shallow Hellos was a lockdown baby. Sonically, and maybe unintentionally, we leaned into a dark and moody twist on the classic indie sound which was quite reflective of what was happening around us. Although the core themes of the song are of isolation and alienation, the track finishes big with an energetic chorus which was kind of fitting, looking into an optimistic lockdown-free future.

How did you go about writing Shallow Hellos?

The opening riff was something Aron had in the bank for a long time. He took it to the band and it all came together real quick. Lee and Adam brought in that driving groove you hear in the second verse which left Mel’s vocals to shine flawlessly on-top. Very much a collaboration which is why we think it sounds so good.

Where and when did you record/produce/master and who did you work with?

We recorded the song at Parliament Studios in Annandale. Our longtime friend, producer, workhorse, shaman-in-sound and baby daddy Luke Payne produced it. He’s been with us since the start and he’s seen us hone our craft. He might tell you differently, but this was one of the smoother, funner recordings from our first EP.

Matt Fioravanti did the mixing and mastering. He’s a wizard. No two ways about it. He brought the track to life in ways we didn’t think possible.

How did you approach the recording process?

Initially, like a bull in an antiques store. We used to try and hustle a full track over a single weekend. By the time we got Shallow Hellos our process had improved a lot. We wrote it, demo’d it, drilled it, gigged it, and then recorded it amongst a batch of other tracks. So when you take the whole timeline into account, it was a matter of months.

Please tell us about how the concept for the music video came about and who did you work with?

We had worked with a great photographer Nick Gascione in a past photoshoot. He’s a true Aussie legend with a ‘straight-up’ way of doing things. He came around and we just smashed through the concept. We wanted to lean into the dark themes of the track and a real feeling of isolation/ fighting with one’s own inner thoughts. Next thing we were in his studio with Mel running on a treadmill all day. Max then took all the raw footage and edited it for 2 days straight and now we all can’t stop watching it. If you pay close attention, you’ll see Mel staring at 6 copies of herself at once haha.

You have an EP on the way, what can we expect?

You can expect the beginnings of band experimenting with finding an original sound. There’s just so many layers in each of the tracks. We’re so grateful to our producer Luke Payne who doesn’t know the meaning of the word ‘no’. Not once did he say, “nah that won’t work”. It was always like “yeh! Lets try that absolutely ridiculous idea.” We’re all super proud of it and it’s a real testament to our quest for originality. We look back fondly on all the laughs, cries, fights and late night Macca’s meals that went into making this beauty.

Any upcoming shows?

Ofcourse! We’re headlining a free show at the Royal in Bondi on Thursday the 10th of November. There’ll be plenty more too. Best to stay up to date with us on IG @lahgo_.

Who are you listening to at the moment?

Who aren’t we listening to? Such a diverse range of artists. From late 60’s Beatles records to 80’s Japanese disco-pop, 90’s boom bap, hard rock’n’roll, 2022 neo-soul, indie pop and everything current. If it’s good, we’re listening.

What do you like to do away from music?

We’re all into different sorta stuff, you know? Az loves his golf. Adam loves skiing, When she’s not spending time with her cats, Mel gets into nature walks. Lee loves his painting, Max digs on film-making.

Favourite food and place to hangout?

One of our rituals is to hit Fish Shop after a long session on a Saturday. If you haven’t had an O.G fish burger, stick it at the top of your bucket list. Also the Royal Hotel Bondi. It’s basic, but you just can’t beat a schooner and some Totti’s woodfired bread.

What’s planned for the remainder of 2022 going into 2023?

We’ve booked some time in a secluded house in the middle of no-where. We want to get away from the rat race for a minute to continue writing our next body of work. Then it’s a tour early next year and mid-late 2023 hitting festival season hard like a fly on a freshly laid doggy-doo-doo. 2023 is gonna be huge and we just can’t wait.

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