The Partae
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event

Megadeth release trailer for Megadeth: Behind The Mask

December 12, 2025

Spilt Milk – Ballarat 2025

December 12, 2025

YUNGBLUD: announces DUNE RATS as special guests for January tour

December 12, 2025

SEPULTURA ANNOUNCE AUSTRALIAN DATES FOR GLOBAL FAREWELL TOUR

December 12, 2025

Jacob Collier + Nai Palm – Sydney, 11 December, 2025

December 12, 2025

Interview: Inside the Spiral – Tanya George on Betrayal, Busking, and Finding...

December 12, 2025

Nessa Barrett Photos – Hordern Pavilion – 10/12/25

December 12, 2025

New K-Pop Festival Is Coming To Australia – March 14, 2026 –...

December 10, 2025

Loyle Carner | Sydney Opera House – December 4, 2025

December 9, 2025

Healing Factor: Rich Delinquent & phem Dive Into the Dark Art of...

December 8, 2025
Author

the partae

the partae

The Partae

Music InterviewsMusic News

Inferiority Complex

by the partae September 27, 2022
written by the partae
Where are you currently based?
 
El – We are all currently based in and around Melbourne in Victoria.
 
How did you first start playing music?
 
El – I’ve always been playing music and singing. There would always be music in the house, my dad was in many bands and did a few tours around the UK. Having grown up around so much music, singing naturally came first and I remember playing my grandad’s old Casio keyboard when I was really young. I believed I was a world class pianist, when in fact I was just smashing the keys… I bet it sounded SO good! 
 
What’s been happening recently?
 
El – Recently we’ve been in the studio to record some new songs to follow up ‘Till Death Do Us Part.’  We’re so excited for everyone to hear them!  Once recording was done we jumped straight into rehearsals to get prepared to play the new songs live.
 
Your latest single ‘Till Death Do Us Part’ is out now, what influenced the sound and songwriting?
 
El – The way our latest single ‘Till Death Do Us Part’ came about was a very enjoyable process. The guys had already had the instrumental ready and waiting, the first time I’d heard it I wasn’t even in the band officially. They handed me the song and said “have fun”. So the biggest thing that influenced the sound was perhaps the songwriting process itself, and the length of time that it took.
 
How did you go about writing this single?
 
El – I came up with the concept of this single in an almost ritual type way. ( I love me some universal entities) I lit some candles, saged and asked whoever/whatever was around to allow me to tell their story. From that came the concept of a married couple in a rocky relationship of infidelity and lies, the woman decides to end the suffering she feels and makes a deal with the devil and some dark forces to get revenge. Instrumentally, the others spent a long time refining the song. Changing and honing in on each miniscule part including background arrangements until everything assisted with the prosody of the piece.
 
Where and when did you record/produce/master and who did you work with?
 
Joseph – The track was produced by Callan Orr (Dream On Dreamer)  Production initially began at his studio in Melbourne CBD back in early 2021. Due to some line-up changes throughout that year, we re-recorded vocals with Darcy Handley (Terra) in the middle of this year!
 
How did you approach the recording process?
 
Joseph – We always approach the recording process the same way, which is to have fully realised demo tracks going in.  It means that we can record with any combination of ‘scratch tracks’ that we want. It also allows the producer to understand our vision and expand upon it from there, particularly when it comes to synth tones and orchestrations.  This allows us to maximise our studio time as composition is already complete and we can focus on capturing the best performances.  That being said we definitely still allow some room for spontaneous creativity as well!
 
What does this single mean to you?
 
El – The single means something different to everyone in the band. To me it’s new beginnings, not only by way of it being the first song I wrote with Inferiority Complex, but also new beginnings after hard and testing times. It’s about coming out at the other end strong and powerful.
 
Who are you listening to at the moment?
 
El – At the moment, I’ve really been enjoying some jazz. I only really listen to music when I need a bit of a brain break, so I chuck on some Frank Sinatra, Billie Holiday and Ella Fitzgerald (her scatting itches my brain very nicely)
 
What do you like to do away from music?
 
El – When I’m not doing music and gigging (WHICH I LOVE!) I’m impulse-spending and having many good nights out with great humans! Chuck in a little crying and hair dye and that’s my life!
 
What’s planned for the remainder of 2022 going into 2023?
 
El – Heading into 2023 we have so much in store, from new merch to new music and everything in between! Gotta keep you guessing though, can’t spill too many secrets!  But we can assure you it’s going to be fantastic and we can’t wait to share it!
 
Favourite food and place to hangout?
 

Joseph –If we had to pick one food that epitomized our band, it would probably have to be pizza. Mostly because that’s what we tend to eat together before a gig.  As for hanging out, the concerts and gigs of other great bands!

 
https://www.instagram.com/inferioritycomplexband 
September 27, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

ABLE JOSEPH releases tender, acoustic guitar pop track ‘LONELY LA’

by the partae September 26, 2022
written by the partae

Photo by: Trevor Conrad

Telling an intimate story about changing lives and circumstance ‘Lonely LA’ proves Able Joseph’s talent for writing heartfelt mid-tempo classics. The song surrounds the listener with sentimental melodies, captivating production and an outro that begs to be sung by a crowd, acapella into the night sky.

Already racking up a legion of followers (80K+ on Spotify alone), Able is a stellar talent, signed to Sydney indie label Double Drummer, home to Greta Stanley, Dominic Breen and Cousin Tony’s Brand New Firebird.

Speaking of the tender meaning behind the new single, Able says ‘There’s a beautiful side to two people having to adjust to life’s curveballs and facing change as a team — be that changing dreams, homes, realities… this isn’t a love song, it’s a relationship song.’

Able Joseph

 

Showcasing his creative spark and versatility as a storyteller, the cosmic journeyman enlisted gifted animators, LA based, award-winning Trevor Conrad and Edinburgh based Karina Budnariu to work with him on the visuals for ‘Lonely LA,’ as part of Able Joseph’s unfolding narrative. Coming together in a sonic union of talented musicians, ‘Lonely LA’ was produced by Grant Konemann (Glades) in Sydney and off the shoulders of Orion, with mixing and mastering by Matthew Neighbour
(Matt Corby, Tash Sultana).  

WATCH VISUALISER

‘This song is a homage to songwriting. We wanted to keep the structure as simple as possible but still weave in different moments and transitions that take you somewhere unexpected. The outro is a deeply honest conversation between two people and the production reflects that; it’s closer to the mic, more intimate and raw. I’m really proud of the story we tell.’ 

Able Joseph

 ‘Lonely LA’ follows on from ‘SOLO’ which received a slew of support earlier this year, including triple j Home and Hosed airplay and Apple playlisting (Amped Up and New In Alternative). He has supported Cousin Tony’s Brand Firebird on tour and his collaborators include UK dance artist GRUM. Together they secured playlisting support on Spotify (Dance Rising, New Music Friday, Trance Mission, Nightrider) and Apple (New In Dance, Trance and Progressive) with over 2 million streams on Spotify and counting. Able has previously co-written with a stellar list of acts including Jaguar Jonze, Hauskey, Bec Sandridge, Jordie Ireland, Third Party, Yorke, Xavier Dunn, Cyrus, Eliott and Woodes.

PRAISE FOR ABLE JOSEPH

“A big slice of heartfelt, rousing indie that could bring a big room to their feet!” 

Declan Byrne, Triple j

“Joseph’s more than able from the sounds of it… There’s something so warming and rousing about this one.”

Dave Ruby Howe, Triple J

Single: Lonely LA is out via Double Drummer on Wednesday 14th September

Official Website | Facebook | Twitter | Instagram | Youtube | TikTok | Triple J Unearthed

September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

Million ‘bed / he looks better on me’

by the partae September 26, 2022
written by the partae

million are back with a double single ‘bed / he looks better on me’ – one, a casual dating anthem about taking control and changing the narrative, and two, a confident and ‘pass-agg’ message to a partner’s former lover. 

With bass heavy verses, 808 drums, dynamic vocals and brutally honest lyrics, ‘bed’ highlights and celebrates the empowerment that comes from shifting expectations, accepting situations and letting yourself have fun. 

“We wanted to explore two realities that play out at different times when dating: the first, that sometimes it’s just about physical attraction and chemistry. The second, that if it’s more than that, you have this person’s past life to reckon with. Both songs have themes of taking back the power.” With catchy hooks, 80’s references and the classic million sass that their fans have come to expect, ‘bed / better on me’ is another ear worm from million’s 2022 repertoire. 

‘bed/he looks better on me’ will be available worldwide on the 16th of September, 2022. 

Artist Biography:
million is an emerging self-produced pop trio based in Melbourne/Naarm. Having formed between lockdowns in June 2020, the group spent the following six months working virtually on demos and discovering their sound. 

By summer 2021, the band were ready to release their shimmery pop tracks into the world, debuting with ‘problem’ and following up with ‘mess we made’, ‘200 days’ and ‘deja vu’. Each song told a story through catchy hooks and lyrics that didn’t shy away from heavier themes. 

Now, million are back with a full schedule of gigs around Melbourne and a huge double release – ‘bed/he looks better on me’. 

million tell stories inspired by both personal and universal experiences, delicately interweaving lyrical melodies and narrative with their love of synthy, beat-driven electronica. 

Socials: https://linktr.ee/thisismillion
September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

The Vidos

by the partae September 26, 2022
written by the partae

We spoke with Brett Hornall of The Vidos..

Where are you currently based?

I’m currently in my broken down 2001 Civic on the side of the highway waiting for a tow somewhere in Surrey, BC. The band, however, just recently moved our HQ to beautiful Mission, BC and I’ve never been happier. I mean… besides that time ten minutes ago when my car was working properly.

How did The Vidos form?

Kirk and Nolan met during their golden years playing for the Langley Eagles hockey team when they were 11 years old. At the start of the season Nolan’s dad had just had his driver’s license confiscated by the RCMP due to a DUI (who knew a bong would look bad in your front cup holder?). This posed a problem from their first tournament trip down to Bremerton, WA as Nolan was their star-studded goaltender. Kirk’s grandpa offered to take both of them down so they convoyed all together; made for a hell of a time at the border I hear… The four of them shared a hotel room together which is where Kirk and Nolan got to know each other while the future Vidads were out facedownin a pile of nachos at the local pub. This gave the boys lots of time to talk about music and share their love for Ronnie James Dio. When they returned, Kirk and Nolan spent years scouring and posting ads on Craigslist which is where they found a ton of weirdos — including the one and only ME, Brett Hornall.

What’s been happening recently?

Kirk (guitar) was living on the band bus for the last four or five months until we sold it, now he’s living in the rehearsal space washroom, Nolan (drums) just bought an apartment with his cats, and I moved back in with my dad when we got back from Toronto (guess which one of us is good at Monopoly). We also just signed a record deal with our longtime friends Danny Craig and Dave Benedict on their new label Rock Is Dead Records here in Vancouver, which is a very exciting thing for all parties involved.

What or who influenced the sound and songwriting for your latest single ‘Boomshackalacka’?

Kirk and I had been listening to a lot of r&b at the time and I was particularly into The Internet, so the main skeleton of the song I think was me trying to do something they might do. Then I got self-conscious about it and was like, “okay this is cool but what if a band like Mother Mother or DFA tried to write the chorus?” In terms of structure we ended up going for that laid back, vibey verse and Impossible Beef chorus thing going on that Tame Impala or like Tegan and Sara do so well.

How did you go about writing ‘Boomshackalacka’?

Like I said about trying to lean into some r&b type stuff, I think at a certain point I got nervous about how different it was and tried to contrast that with a big, sorta riffy chorus that had been somewhat of a hallmark for us in the past. The lyrics of the chorus kinda cop to the fact that I chickened out on going fully outta my comfort zone to instead rest on my laurels, haha. The whole song has this “hey, look at me, I‘ve got no game” quality to it that I think is pretty par for the course if you’ve ever met us.

Where and when did you record/produce/master and who did you work with?

We recorded this entire puppy last July and August with Danny Craig in his garage in Chilliwack, BC. From there the completed record was sent down to Tom Baker in Cali for mastering.

How did you approach the recording process?

This time around was different than any session we’d previously done — we recorded a whole record from front to back in track listing order, one instrument at a time. We decided on the song order during pre-production and stuck with it. It’s pretty neat because you can hear the record really develop as it goes on. That being said, “Boomshackalacka” was the first song we cut so we spent a lot of time on that one! The sounds and lyrical themes we found for “Boom” really shaped the identity of the rest of the record.

What can we expect from the upcoming music video for the track?

It’s a six-minute epic — we’re calling it our “Thriller”. It’s incredibly ridiculous, highly entertaining and is absolutely our magnum opus.

You’ve just signed to a brand new record label ‘Rock is Dead’ how did this come about and how has the experience been so far?

They call it “Rock is Dead”, we call it “Two Dads and a Laptop”. We absolutely adore Danny and Dave, we’ve been friends and collaborators for almost ten years now so it was absolutely a no-brainer to do an entire record with them for imaginary future money. In this economy? Get outta here.

Who are you listening to at the moment?

We’ve been on a big 1975 kick lately; Nolan’s rewatching the OC, so every song from that; the Tarzan soundtrack; Upsahl; Remi Wolf; and I’ve been getting back to my roots with some Fall Out Boy and that first Specials record. There’s also a great, virtually unknown band from New York called The Prigs that I ask anyone who will listen to check out. Specifically their song “Crush”.

What do you like to do away from music?

It’s no secret we all like to enjoy some fine (and not so fine) spirits here in The Vidos camp, which has slowly developed from a problem to a passion. We’ll often get together and crack open my great grandfather’s WW1 cocktail book and see what we can do. Of course, it’s a luxury for us to use a shaker tin instead of gramps’ old lead canteen container and we respect our privilege immensely.

What’s planned for the remainder of 2022 going into 2023?

Finishing our new tour rig has been the big focus for the last 5 months and we’re just about at the finish line. We’re going to be rolling around with the most efficient rig ever conceived by people kind. Once finished we look to take aim at dominating the Christmas scene while dropping another Vidos heartthrob. Santa’s never looked so good. In 2023… it begins.

Favourite food and place to hangout?

We have this joint in BC called Triple-O’s and it is the best fast food burger you’ve ever had in your bloody life. You’d be hard-pressed (much like tha 100% fresh Canadian beef patty) to find us anywhere else on a Tuesday when the burgers are six bucks.

Facebook: /thevidos
Instagram: @thevidosband
TikTok: @thevidos
Twitter: @thevidosband
Website: https://thevidosmusic.com

September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Tamino

by the partae September 26, 2022
written by the partae

Where are you currently based?

I’m currently based in Antwerp, Belgium.

How did you first start playing music?

Around age 10 I started playing classical piano. Not for long though. A couple of years later I quit and didn’t play any music for a year until I sat down at the piano again aged 14 and wrote my first song.

What’s been happening recently?

Mostly promo for the new album and I’m currently on tour in North America.

You Don’t Own Me’ is your latest single and is out now, how did this track come about?

When I was still living in Amsterdam I rented a bedroom at a friend’s house which had a piano in it. Every morning and evening before and after my lessons I would play. I always kept the silencing pedal on because our neighbors downstairs hated noise of any kind. Often they complained during the day which I thought was very silly, but sometimes when I played later in the evening I guess they had a point. When the first chords and melody arrived of ‘You Don’t Own Me’ I knew it was past a reasonable time to play but there was a big sense of urgency that made me sit down at the piano anyway. Only years later, funnily enough when I was visiting Amsterdam again (I didn’t live there anymore) I re-listened to the recording on my phone and started humming a melody for the verse and working on the first lyrics sitting in a hotel bar. To me the lyrics aren’t directed towards a specific person, group, or place of power. It’s more of an ode to Freedom and a stance to any form of oppression. I hope oppressed individuals and/or groups can find solace in a song like this.

What does You Don’t Own Me mean to you?

I had just read ‘Man’s Search For Meaning’ by Viktor E. Frankl, which has become one of my favorite books, and of which these quotes came to mind when I was writing ‘You Don’t Own Me’:

“Even the helpless victim of a hopeless situation, facing a fate he cannot change, may rise above himself, may grow beyond himself, and by so doing change himself. He may turn a personal tragedy into a triumph.”

“Is this to say that suffering is indispensable to meaning? In no way. I only insist that meaning is available in spite of  – nay, even through – suffering, provided that the suffering is unavoidable. If it is avoidable, the meaningful thing to do is to remove its cause, for unnecessary suffering is masochistic rather than heroic. If, on the other hand, one cannot change a situation that causes his suffering, he can still choose his attitude.”

Your album ‘Sahar’ is out on September 23, what influenced the sound and songwriting?

I played a lot of oud, which is an Arabic lute. I used it both to write songs as well as a prominent color in the arrangements. 

Please tell us about the songwriting writing process that you went through for Sahar:

The beauty of songwriting is its mystery. 

Where were you whilst writing the album and did the location affect the album in anyway?

I was most often in Antwerp. It was mainly the fact that I was home again after a long tour that gave me space and time to write the album.

Where and when did you record/produce/master and who did you work with?

I started recording at my place, a lot of those early recordings ended up on the album. We then recorded a lot at co-producer PJ Maertens’ studio, ICP and Jet studio’s in Brussels. 6 songs were mixed by Jon Low in Long Pond studio. The 4 other songs were mixed by other co-producer Jo Francken and PJ. The mastering was done by Dave Kutch at the mastering palace.

How did you approach the recording process?

We left a lot of room for experimentation in the studio. I feel like the character of each individual musician shines through really well.

What’s planned for the remainder of 2022 going into 2023?

Planned for the rest of 2022 and 2023 is tour. Finishing up the North American tour end of October. We take the tour further into Europe right after and will announce new dates for 2023 very soon.

Play Sahar

https://www.taminomusic.com/

 

September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

BYOR returns to Tiësto’s Musical Freedom Label With New “Flavour.” Out Now

by the partae September 26, 2022
written by the partae

Artists: BYOR
Title: Flavour
Label: Musical Freedom

Download / Stream

BYOR is back on Tiësto‘s Musical Freedom with his new single “Flavour,” which is another shining example of his energetic and dynamic sound. The track opens with full, dynamic basslines and a vocal riff that just begs listeners to put their dancing shoes on and get on the dance floor. BYOR ups the ante on the drop with future house-inspired synths and uptempo beats, making “Flavour” the perfect track to kick off a party weekend. As summer winds down into fall, the electronic music scene heats up indoors–and you can be sure that “Flavour” will be on the menu. It follows BYOR‘s Spinnin’ Records release “Say Yes” from August and his breakthrough hit “Belly Dancer” with Imanbek, which dropped on Musical Freedom back in February and is still going strong on Spotify with over 160M streams at the moment.

Since 2020, BYOR has made a household name for himself on Tiesto‘s Musical Freedom and AFTR:HRS labels with releases such as “Feel That Way’,” “Keep On Dancin’,” and more. After listening to his tracks, it’s clear that BYOR makes his own rules to the game of life and music, with his style ranging from tech house to big room and more. BYOR had his breakthrough moment this year in February with “Belly Dancer” with Imanbek, which has already clocked up over 160M streams on Spotify alone since its release and became a recognizable dancefloor filler. Keep an eye out for more from BYOR coming soon.

More info on BYOR / Musical Freedom:

BYOR: Facebook | Instagram | Twitter | Spotify
Musical Freedom: Facebook
 | Instagram | Twitter | Website
September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

Tamino’s Second Album, Sahar, Out Now

by the partae September 26, 2022
written by the partae

‘Hauntingly beautiful and sharp’ – Esquire
‘Astonishing’ – NPR
‘A magical elixr’ – KCRW

Tamino’s second album Sahar, is out today via Virgin Music Australia. The album, led by the singles The First Disciple, Fascination and You Don’t Own Me, and now the focus track, Sunflower (a summery duet with French star Angele) has seen him garner praise world wide and has led to sold out shows on his European and North American tours.

Stream Sahar in full here

Born from Tamino’s Antwerp apartment and bolstered by collaborators including Radiohead bassist Colin Greenwood, producer/engineer PJ Maertens and drummer Ruben Vanhoutte, Sahar is a powerhouse sophomore effort that mixes Arabic folk and experimental indie rock with sweeping orchestral arrangements. On Sahar, Tamino rearticulates the Arabic oud, the instrument of his grandfather Muharram Fouad, one of Egypt’s most celebrated singers and actors, into more a ‘typical’ indie arrangement. The way it pairs with his smoldering voice creates a sonic landscape which is lush, layered and haunting. Sahar is where the romanticism and tragedy of Jeff Buckley meets a cosmopolitan, universalist aesthetic sensibility – an effortless mingling of European, American and Middle Eastern influences.

https://www.taminomusic.com/

September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

VIZE and R3HAB Join Forces on Euphonious Dance-Pop Single “One Last Time”. Out Now on Sony Music

by the partae September 26, 2022
written by the partae

Artists: VIZE & R3HAB
Title: One Last Time
Label: Sony Music

Download / Stream

In the recent past, both VIZE and R3HAB have been able to celebrate great successes. The fact that these two heavyweights of the dance scene have produced a song together is more than promising. Their new song “One Last Time” tells the story of dancing through the night together one last time before parting ways and leaving each other behind. It’s about living in the moment for a certain time. Musically, the song starts out acoustic and restrained. The soft vocals are accompanied by a piano and simple drums until the drop. The drop then combines the typical sounds of VIZE and R3HAB: on a fresh house beat comes the slapping bass, which is also known from other tracks of VIZE and R3HAB. The song sprays melancholic-cheerful vibes in every bar, which animate you to dance.

“We are very happy about our new release ‘One Last Time’ as it was a song that we loved from the first minute on. Working together with R3HAB was a pleasure, even though it was only from a distance. We hope our fans will be as hyped as we are about this collaboration. Cannot wait to play that during the upcoming club season!” – VIZE

“I’ve been following VIZE for many years, and I am excited that we’ve finally found the right opportunity to work together. I really enjoyed this creative process from day one; VIZE has a clear direction and excellent work ethic. ‘One Last Time’ is a record about coming to terms with reality and choosing to dance in the moment. It has a simple elegance to it, and I believe it is exactly what it needed to be.” – R3HAB

As briefly mentioned at the beginning, both VIZE and R3HAB have already had great success. VIZE (116k followers on Instagram), which consists of mastermind & producer Vitali Zestovskih and DJ/producer Johannes Vimalavong, have worked with big names like Alan Walker, Felix Jaehn, Afrojack, and Dimitri Vegas. With more than 2.5B streams and 1.3M records sold, as well as more than 30 gold and platinum awards in eight countries, they have already achieved some respectable successes. Projects with Capital Bras side project called Joker Bra have also been particularly successful. Here, the duo and Joker Bra landed a #1 hit in Germany with “Baby.” And they also currently reach a considerable audience on Spotify with more than 8.6M monthly listeners.

Multi-Platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, to anthems such as Platinum-certified “All Around The World (La La La)” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 8B streams to date, including 1.1B in 2021 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. He is Spotify’s Most Discovered Artist, one of Spotify’s top 200 most streamed artists, ranked #12 on prestigious DJ Mag’s Top 100 DJs chart, and has earned over 70 Gold and Platinum certificates. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.

More info on VIZE / R3HAB / Sony Music:

VIZE: Facebook | Instagram | YouTube | Spotify
R3HAB: Facebook
 | Instagram | Twitter | Spotify
Sony Music: Facebook
 | Instagram | Twitter | Website
September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Rakastella announces 2022 return to Art Basel w/ Dixon, TSHA, Moodymann, Seth Troxler, DJ Tennis, Powder, Or:la, Yu Su, Quest and more

by the partae September 26, 2022
written by the partae
Rakastella 2022
Saturday 3rd December

Virginia Key Beach Park, Miami

https://rakastella.com/

IG: @rakastella_official
FB: @rakastella.official
TW: @rakastella_

 

Life and Death and Innervisions’s collaborative party Rakastella is back with another diverse and eclectic musical offering in the historic and picturesque Virginia Key Beach Park, Miami on Saturday December 3rd, 2022. This passion-filled gathering features three tastefully eclectic stages covering a wide spectrum of international electronic sound headlined by AceMoMA, Dixon, TSHA, DJ Boring, DJ Tennis b2b Seth Troxler, Sofia Kourtesis, Moodymann, Jennifer Cardini, Or:la, Trikk, Ashley Venom, Will Renuart, Coffintexts, Powder, Quest, Yu Su and a very special guest. Get your tickets now at https://rakastella.com/.

Four previous editions of Rakastella have established it on the world stage as a leader in eco-friendly musical experiences. It is a mindfully curated, 15+ hour party that unites a thoughtful lineup of artists with diverse backgrounds. This year, once again, that diversity as well as the need to make the whole festival a safe space that is welcoming to one and all is in sharp focus. This year, Rakastella will abandon VIP tickets so that all dancers are equal as one on the dance floor thus bringing back the original community-minded spirit of early dance music culture.

Stage hosts this year include the free-thinking and inclusive clubbing collective HE.SHE.THEY. It is a record label, fashion brand and event series for people of all races, genders and sexualities with a cutting-edge house and techno soundtrack. Also hosting will be Where Are My Keys?, a Miami born, boutique underground brand that hosts unique international events with world class sounds.

Have you ever experienced a Rakastella sunrise soundtracked by Innervisions? You won’t want to miss this unforgettable moment with Dixon this year. The whole party often feels like it is building towards this magical moment – as the grooves build and atmospheres evolve, the sun appears and a big wave of energy washes over the crowd to uniting them together.
One of the reasons Rakastella is so special is the location itself – Virginia Key Beach boasts scenic beaches and sweeping views of the bay which make for a unique backdrop. Next to the area’s raw natural beauty, environmental art will also be nestled amongst the tropical shaded groves that border the sea.

You can look forward to extended set times this year so that artists have the chance to really settle in and go deep into their sound. Headliners include AceMo and MoMA aka AceMoMA, whose futuristic blend of techno, footwork, and jungle has made them modern day heroes. There will also be deeply emotive house from Dixon, visceral techno from TSHA, a mix of everything from Chicago house to Detroit techno through to trance and funk from DJ Boring, a special coming together of two greats with DJ Tennis b2b Seth Troxler, leftfield house from Peruvian producer, vocalist and DJ Sofia Kourtesis, a masterclass from unique Detroit legend Moodymann, electro from Jennifer Cardini, high energy selections from Or:la, Innervisions artist and incubator of underground movements Trikk, Haitian American DJ and activist Ashley Venom, Electric Pickle’s Will Renuart, 140 bpm expert Coffintexts and Japan’s deep house innovator Powder, plus revered selector Quest and Technicolour’s adventurous sound artist Yu Su.

Rakastella has worked hard this year to bring you an improved experience. Just a few of the ways they have done this include an increased number of washrooms which will be continuously staffed for cleanliness, water refill stations to keep you hydrated as well as bars that, after 3 am by law, will have a curated virgin cocktail list, pressed juices, and fresh options that will allow you to go late but feel good. Add in an ever-richer array of local food and you have all the fuel you need to last until that transcending sunrise moment.

Rakastella is an all-new kind of musical experience that nourishes the mind, body and soul. Make sure you are a part of the community by getting your ticket now at https://rakastella.com/.
September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

Lawrence Hart announces ‘Music for Dark Spaces’ EP with first single ‘Let Me Feel’

by the partae September 26, 2022
written by the partae

Out Now on Attack Decay Sweet Release – Stream/Save it HERE

Full EP release date TBA

Lawrence Hart’s new track, ‘Let Me Feel’ acts as a tantalising foretaste to his upcoming third EP, ‘Music for Dark Spaces’ (full release date TBA), out on Attack Decay Sweet Release.

Lawrence famously pushes boundaries on production and genre, weaving hard-hitting club-ready beats, emotional intricacies, and beautiful chilled pieces, suiting busy dancefloors and headphone sessions alike. Brooding new club cut ‘Let Me Feel’ displays all his signature strengths.

‘Let Me Feel’: lively, complex drums and twanging distorted bass with chopped pitch-shifted vocal fragments forming part organic, part robotic riffs, make the new single both an intriguing listen, and a compulsive dancefloor invitation. ‘’Let Me Feel’ is a bit of a homage to UK Garage,’ Lawrence says. ‘It’s my take on bringing a new twist to a classic sound.’

The upcoming EP ‘Music For Dark Spaces’ explores light and dark, how the listener’s physical environment affects the way the music is experienced.

Lawrence has recently amassed sweeping support across BBC Radio 1 (Annie Mac, Pete Tong – including ‘Essential New Tune’, Danny Howard, Jack Saunders, Jaguar, Sarah Story, Arielle Free, Jess Iszatt, Connor Coates, Vicky Hawkesworth), 6 Music, Radio 1 Dance, Kiss FM, Rinse FM and across specialist radio plus artists including The Blessed Madonna, Martin Garrix, Prospa, Sub Focus, Sister Bliss, Anja Schneider, Elderbook, Sasha and Dixon…

Respected and sought-after producer Hart works with some of the most exciting names in electronic music; remixing lau.ra’s ‘Body Go’ (widely supported, including 30+ BBC Radio 1 plays), Foals’ new LP lead single ‘Wake Me Up’ and legends Black Box‘s 1990 hit ‘Strike It Up’. He’s also just worked on acclaimed new records from George Fitzgerald and Lil Silva.

‘Let Me Feel’ is out now on Attack Decay Sweet Release. Save it HERE.

PLAY/LISTEN

Follow Lawrence Hart on Spotify | Instagram | Soundcloud | Facebook

September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

CMC Rocks QLD announces dates for 2023 event

by the partae September 26, 2022
written by the partae

16th Anniversary event returns to Willowbank from Wednesday 15* – Sunday 19 March 2023

*Campers entrance only

FULL ARTIST LINE-UP COMING TUESDAY 11 OCTOBER!


As the dust settles on an enormously successful sold out homecoming event on the weekend, CMC Rocks QLD is delighted to reveal dates for the March 2023 festival.

Between Wednesday 15 and Sunday 19 March 2023, CMC Rocks QLD, Australia’s premiere international country music festival will land in Willowbank, Ipswich helmed by some of the hottest global superstars; with the full artist line-up to be announced on Tuesday 11 October!

With just six months between last weekend’s hugely anticipated 15th Anniversary and the 2023 event – which sees the festival return to its regular March slot on the annual calendar – CMC Rocks QLD will once again deliver the ultimate country music line, certain to light up the country community’s spirit like nothing else!

Chairman of Chugg Entertainment, Michael Chugg said, “We waited a long time to put on this year’s show, and we knew it was going to be spectacular. Everyone involved, from the artists, staff, crew and especially our CMC Rocks fans, absolutely outdid themselves. And you better believe we’re going to do it all again in just six months’ time!”

Jeremy Dylan, Festival Director, Potts Entertainment said, “It’s been an incredible, emotional weekend for all of us – the fans, the artists and all who have been working behind the scenes to pull off this triumphant return. The loyalty of our fans is awe-inspiring and they came to party. We felt the love and we know Brad, Kane, Morgan and everyone who stepped onto that stage did as well. After three and a half years, it felt like we came back stronger than ever and now we’re barrelling into 2023, as we return to March for what is going to be the biggest CMC Rocks yet.”

Over the weekend just gone, the first CMC Rocks QLD since March 2019 went off with the kind of explosive energy country fans have bottled up and waited to unleash for the past 3 and a half years! Across three days, 22,000 patrons descended on Willowbank to take in live sets from international chart-toppers Brad Paisley, Kane Brown, Morgan Evans, Jimmie Allen, Blanco Brown and more, along with an absolute smorgasbord of the finest homegrown talent on offer!

Spirits were sky high as crowds entered the main festival area on Friday afternoon, with local heroes Casey Barnes and Troy Cassar-Daley returning to the CMC Rocks stage. First Nations talents Isaiah Firebrace and Mitch Tambo joined Lee Kernaghan during his set for a stunning rendition of their new single ‘Come Together’.
​
​Friday also served up anticipated debuts from US stars MacKenzie Porter and Abby Anderson, who played in the afternoon, then joined Jimmie Allen on stage that evening during his explosive set. It was Kane Brown’s stellar performance that brought the first night to a close, including chart-topping hits ‘Like I Love Country Music’, ‘One Mississippi’ and more, along with ‘I’ve Got Some Famous Friends’, featuring some of his festival mates – Blanco Brown, Restless Road and MacKenzie Porter – live on stage. Brown left no doubt as to why he’s one of the hottest stars in country music right now.

Saturday’s all female Songwriter’s Show line-up captivated, MacKenzie Porter, Laci Kaye Booth, Lindsay Ell and Abby Anderson playing in the round, stripped-back and intimate, showcasing their incredible raw talent. As day turned to night, crowd favourite Troy Cassar-Daley continued the good vibes, lifting the crowd with his live show. ​ ​

From debuting in a lunchtime slot at the first ever CMC Rocks in 2008, Nashville-via-Newcastle star Morgan Evans made his anticipated homecoming as a festival headliner at the 15th Anniversary event. On Saturday night, Evans had spirits soaring as he laid down a blistering set featuring hit singles ‘Day Drunk’ and ‘Diamonds’, fans singing along to every word.

Wingham’s own James Johnston is as country as they come, drawing large crowds on Sunday afternoon, with audiences jamming along with singles ‘Raised Like That’ and ‘Small Town’. US singer-songwriter Niko Moon continued to enthrall on his CMC Rocks debut, followed by crowd favourite Brad Cox, who had some serious country spirit on display and fans in the palm of his hand.

Accompanied by an extraordinary fireworks display to close out an epic three days, Brad Paisley’s Sunday night headline set blew the lid right off the Rebel Stage. Delivering a legendary performance punctuated by chart-topping hit after chart-topping hit, plus a duet with Lindsay Ell, Paisley had it all and then some, reminding us why exactly why CMC Rocks QLD is the ultimate country music experience. ​

Queensland Tourism Minister Stirling Hinchliffe said CMC Rocks was a significant feature on the It’s Live! In Queensland events calendar.

“The Queensland Government backs CMC Rocks because we know fans travel from far and wide for this first-class country music experience,” Mr Hinchliffe said.
​
​“It’s terrific to see to this international country music event return as wonderful addition to Queensland’s great lifestyle while also supporting local jobs.
​
​“Major events bring visitors who are predicted to invest more than $14 million in the Ipswich visitor economy during next year’s 16th anniversary of CMC Rocks.
​
​“Now is the time to start planning your CMC Rocks international country music experience for 2023.”

Ipswich Mayor Teresa Harding said two festivals within six months would be a huge boost to the region and inject millions of dollars into Ipswich’s economy.

“CMC Rocks 2022 was incredible this weekend and we’re thrilled to be welcoming the event back to Ipswich in 2023 to its regular timeslot in March,” Mayor Harding said.
​
​“This world class festival is a highlight on the event calendar for people from all over Australia and around the world and having it twice within six months is a win-win for everyone.”

CMC Rocks QLD firmly cemented their place as Australia’s most significant country music event in 2022, with a festival experience like nothing else around! From new bars – Big Time Charlie’s and Gordons Pink Pamper Beauty Bar – to fresh new activations including an eight-metre high cowboy boot, Great Northern House, Singles Mingle, Honky Tonk Stomp line dancing and more, CMC Rocks is the ultimate, incomparable country music experience.

The Queensland Government is proud to support CMC Rocks QLD through Tourism and Events Queensland as part of the It’s Live! in Queensland events calendar, showcasing Australia’s best live events in Australia’s best destinations.

Stay tuned for the full CMC Rocks QLD 2023 Artist Lineup –
​Coming on Tuesday 11 October!

Sign up to the CMC Rocks mailing list HERE, to stay up to date on all the latest information.


LIVE VISION & IMAGES FROM CMC ROCKS QLD 2022 AVAILABLE HERE

www.cmcrocks.com | #CMCROCKS2023
​Like us on Facebook | 
www.facebook.com/cmcrocks
​
Follow us on Instagram | www.instagram.com/cmcrocksfest

September 26, 2022 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Billie Eilish – Melbourne – September 21, 2022

by the partae September 23, 2022
written by the partae

Beautiful words: Darren Chan

American singer/songwriter Billie Eilish returns to Melbourne after more than three years. Her exponential rise in popularity saw her performing the first of 4 nights on the Melbourne leg of her Australian tour.

Diehard fans screamed at deafening levels when Billie appeared amidst a wash of

red lighting opening with “Bury a Friend”.

She screams “Melbourne are you ready?!!” was just reiteration of the 15,000 strong crowd more than willing to partake in the audio visual extravaganza the next two hours would bring.

A minimalist stage set up with a walkway and giant ramp helped create a visual canvas for each song. From the backdrop of flames and red lighting of “Therefore I Am”, the oceanic themed “Ilomilo”, to the environment themed  “All the Good Girls go to Hell”, every song had a visual wow factor.

A moment was taken for musical partner Finneas to join Billie at the front of the stage for the acoustic song “TV”. Billie dons a guitar  and sings “I Love You / Your Power” in her airy vocal style ending with dual harmonic guitar lines with her brother.

The LED backdrop distracts the crowd for a minute before Billie appears floating on an elevated platform at the back of the arena. In a sea of phone torches, she stretches out her hand symbolising her connection with the crowd.

She’s conscious of her rise to fame and takes several moments to acknowledge her appreciation for everyone. She seems to also take on a duty of care for those attending her show – taking a mindfulness moment with some deep breathing.

Billie only takes short moments to bring things down a notch before ramping up again. She had stage presence to captivate the crowd, and they were with her every step of the way.

Jumping around like a metal front person, she concluded the night with the energy expending “Bad Guy”, then serenaded everyone with “Happier Than Ever” as the entire arena rained down in confetti.

It was evident a lot of creative thought and well timed execution had been put into the show. The combination of lighting, staging, LED projected imaging, musical arrangements, and performance delivered a dream-like cinematic experience that fans and even those not attuned to Eilish’s music would never forget.

September 23, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

Ella Therese Shows Age Is Just A Number With New Single ‘THIRTYFOUR’

by the partae September 23, 2022
written by the partae

Previous Support For Ella Therese

Music Video Premiered On The Music [‘Confusion’]

“ella might be singing about grieving but it sounds like she’s turned on her heel, walked out of the room and wiped the issue off her shoulder on the way out.”
4 / 5 (Declan Byrne, Triple J)

“Confusion comes with a lot of energy attached to it. It’s made up of a variety of components that makes the whole thing stand out. Alt-pop productions like this one encapsulate the sense of innovation and originality that defines alt-pop today.”
(Lefuturewave) [About ‘Confusion’]

“As an independent singer, Ella Therese has embarked on a path in a genuine way. Beyond question, her best asset is her singing voice but what is worth more than gold are her magnificent songwriting skills.”
(ElectroWow) [About ‘Confusion’]

Stream ‘THIRTYFOUR’

Calling out the emphasis on youth and the perpetuating ideal that there is a ‘limited time’ to achieve success, new song ‘THIRTYFOUR’ (Out September 23) by WA artist Ella Therese serves as an unapologetic celebration of breaking down barriers to fulfil your dreams, and one that she hopes will encourage conversation about shared experiences.

Making her dazzling debut in 2020 with ‘Feelings’, Ella has already played WAMFest 2021, Fremantle Arts Centre alongside Banjo Lucia, and had Siobhan Cotchin and Indoor Fins play her last single launch.

Following the 2021 release of her intoxicating second single ‘Confusion’, comes new alt-rock track ‘THIRTYFOUR’. In an empowering move to maintain ownership and artistry, Ella will also be releasing the song as an NFT.

This is a soulful and arresting mantra that gets straight to the core of its message with plenty of heart and a catchy hook. ‘THIRTYFOUR’ sees Ella embracing her power, and demonstrating that we can resist and liberate ourselves from the shackles of expectation by calling out the bullsh*t, and doing what we want with confidence. The song also universally speaks to demanding more, maintaining high standards, and chasing your ambitions – regardless of the limitations society may try to place on us. Driven by a strong beat and an understated soft alt-rock sound, Ella’s voice and the message it delivers are given full reign to be heard loud and clear – as they deserve to be.

Written in response to the initial feeling of being ‘too old’ to start her music career, particularly as a female artist, ‘THIRTYFOUR’ is poised to spark conversations with its audience.

Set for release during the month of her 34th birthday, Ella elaborates on the track:

“It’s never too late. Never too late to do exactly what sets your soul on fire. Age doesn’t dictate what happens next. I’ve just turned thirty-four years old and I used to be worried about starting music later in life, but I’ve learnt to embrace my unique perspective on the world. ‘THIRTYFOUR’ is about feeling empowered, limitless and perfectly happy with your age, and embracing the distinct qualities you have to offer the world. I expect more from the world, more from myself, and I’m celebrating that quality in ‘THIRTYFOUR’. I’m not going to settle for anything less than absolutely everything I could possibly aim for.“

This insightful, unstoppable drive coupled with her knack for creating engaging indie/ alt-pop music is garnering plenty of attention, with Ella Therese already receiving support from the likes of The Music, Triple J, Scenestr, Lefuturewave, ElectroWow, The Sunday Times, and more.

‘THIRTYFOUR’ by Ella Therese kicks off on September 23, and she’s only just getting started, with her next single due out in 2023.

 

Follow Ella Therese

Website

Spotify | Apple Music | Soundcloud | Bandcamp | Youtube

Facebook | Instagram | Triple J Unearthed

September 23, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

Joan & The Giants Share Their Stunning Debut EP ‘Me & You’

by the partae September 23, 2022
written by the partae

Previous Support For Joan & The Giants

‘Home Song’ Premiered on Triple J Home & Hosed

‘The Weekend’ Premiered on Triple J Unearthed TOPS

‘Home Song’ – Triple J Unearthed Rotation

‘The Weekend’, ‘Home Song’ & ‘Slow Motion’ in AMRAP Metro Charts

‘The Weekend’ Music Video Premiered on Pilerats

“Joan & The Giants, have a knack for writing songs that pull at the heartstrings” (AU Review)

“Poignant, heartfelt, and achingly raw” 
(Scenestr) [About ‘Just For You’]

“A moving and important love song with depth and real life pain.”
4 / 5 (Declan Byrne, Triple J) [About ‘Home Song’]

“Another impressive one for 2021 from Joan & The Giants. They’ve zeroed in on an emotional centre point like a professional dart player throwing bullseyes at your heart.” 
4 / 5 (Dave Ruby Howe, Triple J) [About ‘Just For You’]

Stream ‘Me & You’ EP

 

Beloved alt-pop indie band Joan & The Giants from Boorloo/Perth are finally releasing their debut EP ‘Me & You’ via Tomboi Records on September 23, and it is one that fans old and new will embrace and hold dear for a long time to come.

Following a handful of stellar single releases, Joan & The Giants’ long-awaited debut EP sees musical and romantic partners Grace Newton-Wordsworth and Aaron Birch with band mates Riley Sutton and Liam Olsen hone their craft with a stronger pop-production sensibility, that collides beautifully with their folk-informed anthemic-indie roots, heartfelt lyricism and that hint of magic that can’t quite be put into words – but is captured perfectly with music.

Grace speaks more on the inspiration and themes explored:

“The ‘Me & You’ EP is a collection of deeply personal songs that capture moments shared by two people. Stories centered around love, rebellion and definitely a touch of heartbreak. To me they are all songs that share vulnerable moments that we’ve personally gone through in the last few years, and we hope they connect with those who listen.”

Opening with strong emotive indie-pop is ‘The Weekend’, a rebellion against modern grind culture and the mentality of ‘living for the weekend’. The song reflects the band’s new mantra to live every day with the same enthusiasm: live like you’re 17, fall in love but never fall in line, and spend time with someone whenever it feels right – because why should we only reserve our joy for days that the capitalist calendar dictates? With a melody that seeps in and sticks, earnest drums and cherry-sweet vocals, this is a memorable tune dripping in honeyed rhythms.

Next, we’re drawn into a stripped-back, delicate ballad – ‘Slow Motion’. It could easily soundtrack a climactic indie romance movie moment where the two main characters are alone on a dancefloor, transfixed by each other, as the world fades away behind them. A magnetic track that shines with its earnest lyricism, enveloping chorus and the serenading strum of an acoustic guitar.

Then, we’re met with a fork in the road via a sobering, piano-led heartbreak anthem of equally cinematic proportions. ‘Hardest Part’ was lead singer Grace’s first co-write done without bandmate and romantic partner Aaron, and it gets right to it with raw and hard feelings. The standout lyric in the song is ‘the hardest part of living is knowing whether I’m supposed to hold on or let go’ – bound to inspire goosebumps.

Wrapping us up in a warm embrace, and returning us to an assured place of love, ‘Home Song’ is a reminder not to take anything for granted. Written as a love letter to Aaron during a difficult period of loss, the song’s heartbeat percussion and folksy guitar melody swell together, uplifting Grace’s soulful vocals.

Featuring a nod to Aaron’s obsession with Blink 182’s ‘I Miss You’ with the line ‘We’re like Jack and Sally walking through the haunted night’, ‘Centerfold’ is a pretty indie-pop track about the unwavering determination to stand by one another through thick and thin, while striving to keep the spark of romance alive.

Unsurprisingly, the talented group’s previous releases have seen plenty of support. ‘Home Song’ premiered via Triple J (Home & Hosed) and was added to Triple J Unearthed rotation, played on KCRW (US) and spent three weeks in AMRAP Metro Charts. Joan & The Giants have also seen support from Tone Deaf, Music Feeds, Scenestr, AU Review, AAA Backstage, Aus Music Scene as well as community radio stations.

Get swept up in the musical magic of Joan & The Giants when their dazzling debut EP ‘Me & You’ is released on September 23.

The EP release will be celebrated with a special launch event on Friday, September 30, featuring special guests Menagerie Choir, King Ibis, Young Robin and local art stalls – details below:

‘Me & You’ Debut EP Launch
Friday September 30 – Rosemount Hotel, Perth
Doors: 8PM | Tickets via Oztix

 

Follow Joan & The Giants

www.joanandthegiants.com

Spotify | Apple Music | Soundcloud | Youtube

Facebook | Instagram | Triple J Unearthed | Bandcamp

September 23, 2022 0 comments
0 FacebookTwitterPinterestEmail
Music News

HAYLEY MARSTEN releases gorgeous new single BITTERSWEET AT BEST

by the partae September 22, 2022
written by the partae

Photo by: Jazmyn Produces

Hailing from Central Queensland, country pop artist Hayley Marsten has wasted no time in wrapping audiences around the country up in her tales of heartache, rediscovery and poignancy. 

Returning with her first piece of new music for 2022 in ‘Bittersweet At Best’, the artist repositions herself as one of the East Coast’s exciting fresh voices. For newcomers, the single is a gorgeous track wrapped around a central narrative of a relationship transitioning from happiness to sadness; the concept of change being at the core of the song. 

Following on from ‘I’m Fine, Thanks’ earlier this year, and her  impactful 2021 single ‘Drowning Myself’, which cemented Marsten as a dynamic artist who could most certainly match the buzz her debut, breakthrough, album Spectacular Heartbreak conjured in 2019, ‘Bittersweet At Best’ is another confident step forward for the Golden Guitar and Queensland Music Award nominee.

 

Recorded at Brisbane’s Hunting Ground Studios, ‘Bittersweet At Best’ itself was initially written back in 2020. Working on the song in the studio, Marsten worked with Cody McWaters (King Stingray, The Chats), Kieran Stevenson, Michael Moko and Dan Sugars – the latter who also worked on ‘Drowning Myself’ – on added production duties. McWaters mixed ‘Bittersweet At Best’, before the final cut was mastered by King Willy Sound (Gotye, Spacey Jane).

Says Marsten of the experience, creating ‘Bittersweet At Best’ with such a dream team of musicians and creatives added depth and ultimately, elevated the final product to a perfect level.

 

“Making this song was so easy, I knew from the beginning I wanted the keys to be the main character and we built it from there. My production team are some of the people who know me best and really understood the feeling I wanted this song to give people. We really focused on trying to make it feel as tinged with melancholy as possible. When we added the strings and Melody Moko’s beautiful backing vocals it was just the perfect little golden feeling song to me.”

HAYLEY MARSTEN

In a relatively short amount of time, Hayley Marsten has become a popular name on the alt-country and country-pop circuits. The release of Spectacular Heartbreak earned the songwriter nominations for Alt Country Album Of The Year at the Golden Guitar Awards, as well as Country Work Of The Year at the 2020 Queensland Music Awards. 

A completely crowd-funded album, Spectacular Heartbreak clocked over half a million streams in its first year, while Marsten’s presence as live performer solidified courtesy of successful headline runs and prime slots supporting the likes of Fanny Lumsden, Troy Cassar-Daley, Imogen Clark, Clare Bowditch and Deborah Conway. Selected as part of the BIGSOUND50 crop of artists in 2020 – a selected cohort of Australian names to watch – Marsten made good on the investment from the industry and has since become a weapon of a performer.

PLAY/LISTEN

Single Art by: Hayley Marsten

PRAISE FOR HAYLEY MARSTEN

“I’m excited about this songwriter…”

Double J, Henry Wagons

“Penning the perfect tearjerker is something Central Queensland’s Hayley Marsten has turned into a fine art.”
ABC Queensland, Sam Davis

“Australia’s answer to Kacey Musgraves.”

Felicity Urqhart

“Part chilling, part uplifting, fully badass. I am thoroughly into it.”

Mates of Country, Megan Hopkins

‘BITTERSWEET AT BEST’ is out Thursday 22nd September

Official Website | Triple J Unearthed | Facebook | Instagram | Youtube | Twitter

September 22, 2022 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • Megadeth release trailer for Megadeth: Behind The Mask
  • Spilt Milk – Ballarat 2025
  • YUNGBLUD: announces DUNE RATS as special guests for January tour
  • SEPULTURA ANNOUNCE AUSTRALIAN DATES FOR GLOBAL FAREWELL TOUR
  • Jacob Collier + Nai Palm – Sydney, 11 December, 2025

Recent Comments

  • Shannon Austbo on RUNYAMOUTH hits the scene with explosive debut single HEAD ON A STICK
  • Anna on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Claire P on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Joe Travers on Trevor Kidd Teams Up with INXS and The Tea Party Legends for Explosive New Track “Sunshine”
  • Will s on Exploring Ego: Inside Pallas Haze’s Groovy Musical Odyssey Interview

Archives

  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2025


Back To Top
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event