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Interview : Inside It’s Coming on Christmas – Jules Reflects on Grief,...

December 5, 2025

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Monthly Archives

February 2024

Music InterviewsMusic News

“Exploring Depths of Sorrow and Redemption: An Interview with Mark Howard on ‘Scarlette'”

by the partae February 18, 2024
written by the partae

Can you share more about the inspiration behind the single “Scarlette” and how it reflects your personal experiences?

I’ve carried the weight of a lost love for a long time. She once told me she wanted to take her own life. Years later she did and I was left with sorrow and guilt. Processing the experience has now manifested itself into this piece of music. 

The opening lyric, “She breaks,” sets the tone for the song. Can you discuss how this lyric emerged and influenced the overall direction of the track?

I was workshopping the song with an old band and that lyric just burst out. That whole experience I had years ago bubbled up and I felt the story had to be told.

How did the creative process for “Scarlette” unfold, especially considering the unique sonic atmosphere you were aiming to achieve?

There’s been a few versions over the years. It started out as a pretty swampy rock track that was always fun to play live but the arrangement didn’t feel like it matched the lyrics. I took into the studio and we put down a bluesy version with some Rhodes keys but it felt generic. The next morning, producer Dave Prideaux suggested this delayed piano sound. That was the moment the doors flung open and we based the feel and arrangement around that sound. It was smooth and enjoyable process from there.

“Scarlette” explores themes of regret, longing, and the search for meaning. How did you navigate these emotions while crafting the song, and what message do you hope listeners take away from it? When performing songs I have deep emotional connection with I visualise the emotion as a separate entity. I can step into it and sit with it during the performance then step out of it as the final chord rings out.

The single was mixed by Dave Prideaux and mastered by Andy Stewart. How did their collaboration contribute to the final sonic landscape of “Scarlette“? Yes, absolutely. As I mentioned, Dave was the key that unlocked the door to where this song needed to go. It took a lot of hard work, persistence and the will to let go of certain ideas to really find the path.

Phillip Island serves as the backdrop for the creation of “Scarlette.” How did the natural elements of the island, such as the ocean whispers and coastal vegetation, influence the overall sound and mood of the song?  I’m not sure if the landscape had an influence on Scarlette. The rain certainly did.

Your debut album, “Passing Strangers,” is set to follow the release of three singles. How does “Scarlette” fit into the broader narrative of the album, and what can listeners expect from the upcoming releases? That’s incorrect. My debut album Passing Strangers was released in June 2022. Scarlette is the first single lifted from my next album, Deep Dark Blue, set for release later in 2024


Having shared your musical tales in 45 countries, how has your global journey influenced the diverse musical elements present in your work, particularly in “Scarlette”? 
You learn as you travel that the audience connects with the truth in a song. Sometimes you have to dig deep and that’s what I to do to find the truth in Scarlette.

Can you elaborate on how your experiences with folk, rock, blues, and alt-country music informed the fusion of new melodic twists and swampy grooves in “Scarlette”? Each song is just a collection of ideas and personal experience that you build on until you collect more and build again. I try to be open to as many different ideas and experiences available to me.

You mention finding inspiration in the vast ocean, the wild outdoors, and the universal language of music. How do these sources of inspiration shape the thematic elements in “Scarlette” and your overall creative process? I’m in the habit of starting most of my days with some sort of outdoor experience. It sets me up for the day and certainly helps kick start the creative process.

“Scarlette” invites listeners to enter its melody and experience reverberating love and grief. How do you hope the song resonates with your audience, and what journey do you want them to embark on as they engage with the music? It’s ok to sit with grief and sorrow. It’s all part of the human experience. If you can, turn it into something amazing you can share with the world and inspire others around you.

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February 18, 2024 0 comments
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Music News

“Harry Vetro’s ‘Irish Fox’ Premiere Marks a Musical Evolution for Northern Ranger: A Fusion of Jazz and Synthpop”

by the partae February 18, 2024
written by the partae

Northern Ranger, a collective of highly skilled Canadian musicians emerging from the vibrant Toronto jazz scene, was founded by Harry Vetro during his time at the University of Toronto. Recognized as some of the top players in Canada by critics like Kodi Hutchinson, the band quickly gained acclaim with its infectious and spontaneous energy. Their debut album, released in 2018, showcased purely instrumental music characterized by improvisation, propelling them onto the national and international jazz scene.

Taking a departure from their traditional jazz roots, Northern Ranger’s second album, “Taken By Violet,” narrates Vetro’s travels to Newfoundland, Canada, infusing jazz with sounds reminiscent of 70s popular music. This new direction introduces acoustic guitars, vocals, and electronic elements, paying homage to a synthpop era. Strings, choir vocals, and a brass quartet contribute to the album’s atmospheric presence, while international musicians make fleeting appearances, adding diverse elements to the musical tapestry. The album’s first single, “Irish Fox,” serves as a bridge from Vetro’s jazz origins to the innovative sound of the album, exploring themes of inner conflict and the desire for escape. Through this release, Vetro, a trained jazz drummer, showcases his vocal talents, creating melodies influenced by folk music and establishing himself as a next-wave composer-producer blurring the boundaries between jazz and other genres.

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February 18, 2024 0 comments
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Festival NewsMusic News

ANNOUNCING – Patrick Mason at Howler Outdoors

by the partae February 15, 2024
written by the partae

Untitled Group presents Patrick Mason – Howler Outdoors

The effervescent Patrick Mason is making his way from Berlin to Naarm / Melbourne on Sunday March 3rd for an exclusive day party in Howler’s iconic outdoor space.

A prelude to his appearance at Pitch Music & Arts, the Techno & House DJ conquers dancefloors around the world with his infectious, highly dynamic live hybrid sets.

Patrick’s accolades speak for themselves, with unforgettable performances at Tomorrowland, DC – 10 & Printworks, as well as streams on esteemed platforms such as Boiler Room & HÖR, he’s cemented himself as a force to be reconned with.

Witness Patrick’s inimitable energy in all it’s glory at Howler Outdoors this March.

Limited tickets on sale now!

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February 15, 2024 0 comments
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Festival NewsMusic News

MOGA Festival unveils first phase lineup for 4th edition in Portugal

by the partae February 15, 2024
written by the partae
MOGA Caparica
May 29 – June 2, 20234
Costa da Caparica, Portugal
https://www.mogafestival.com/
FB / IG / TW: @mogafestival
MOGA Caparica is proud to announce the Phase 1 lineup for its 2024 edition, marking a groundbreaking transformation in the festival’s history. Set to take place from May 29th to June 2nd, 2024, this year’s event promises to elevate the experience to new heights, transitioning from a series of beach parties to a full-fledged beach festival with a single expansive site and three stages. The carefully curated mix of headliners has been revealed: Acid Pauli, Dekmantel Soundsystem, Dixon, Jan Blomqvist (Live), Luca Saporito (Audiofly), Mr. ID, Pachanga Boys, Satori, Xinobi & Desiree
MOGA Festival was originally created in Essaouira (Morocco) in 2016. After 3 editions in Morocco, MOGA organized its first edition abroad right after the pandemic in 2021 on the beautiful beaches of Costa da Caparica (Portugal) sister land of Essaouira, only 20 min from Lisbon. It is a compact and boutique gathering for real music lovers inspired by Atlantic vibes and aimed at connecting people from all over the world.
In a bold move, MOGA Festival Caparica edition is departing from its previous format of beach parties across multiple venues. Instead, festival-goers can expect an immersive and unified experience as the festival merges two iconic beach clubs in Praia de Morena: Waikiki and Borda d’Agua, into a single festival site. This consolidation aims to create a cohesive environment where attendees can fully immerse themselves in the music, culture, and community of MOGA Festival Caparica with one venue, three stages along with two afterparties, a creator market and additional experiences.
This transition marks a significant milestone in MOGA Caparica’s history, representing the festival’s evolution into a new phase of development. After laying solid foundations during its first three editions, MOGA Festival Caparica is ready to embark on this exciting journey towards a more integrated and expansive festival experience following its edition in Essaouira (Morocco).
The Phase 1 lineup reflects this evolution, featuring an eclectic mix of renowned artists and emerging talents from the electronic music scene. From mesmerizing live performances to captivating DJ sets, MOGA Festival Caparica promises an unforgettable musical journey for all attendees.
Phase 1 lineup IN (May 31 – June 2) :
ACID PAULI – ANDHIM – ATLASSI – BLACK POMADE – DEKMANTEL SOUNDSYSTEM – DESIREE – DIXON – HEIDI LAWDEN – JAN BLOMQVIST (Live) – JUST KELLY – KAWTAR SADIK (live) – KOKESHI – LUCA SAPORITO (AUDIOFLY) – MR. ID – PACHANGA BOYS – PALMS TRAX – PASO DOBLE – PORTABLE (live) – RAFAEL DA CRUZ – RETRO CASSETTA – SAFAR – SASSY J – SATORI – SHADO – SHERI VARI – tINI – XINOBI – YEN SUNG
But that’s just the beginning. Stay tuned as MOGA Festival Caparica continues to unveil the full scope of its immersive musical experience with another phase of artists set to be announced in the coming weeks and its OFF program announcement with free parties and activities all around Costa da Caparica on May 29th and 30th.
Early bird tickets for MOGA Festival Caparica 2024 are now available for purchase. Don’t miss your chance to be part of this groundbreaking event and witness the next chapter in the festival’s evolution.
Follow MOGA Festival Caparica @mogafestival for the latest updates and announcements
February 15, 2024 0 comments
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Music InterviewsMusic News

“Empowerment Through Music: Kasia’s Journey and the Making of ‘Heartstrings'”

by the partae February 15, 2024
written by the partae

Can you walk us through the process of creating the music video for “Heartstrings”? What were some of the key concepts or themes you wanted to convey visually?

For the “Heartstrings” music video, I wanted to convey feelings of empowerment, fun, urgency and excitement while showcasing the vibrant energy of Vancouver. I incorporated elements of goofiness and spontaneity to highlight the joy of being a music artist and performer. The key concepts were to capture moments of tension and excitement while running around the city, ultimately creating a visual representation of the song’s themes of empowerment and enjoyment.

How did your personal experiences, particularly in navigating the aftermath of an abusive relationship, influence the creation of “Heartstrings” both musically and visually?

My personal experiences, particularly in navigating the aftermath of an abusive relationship, deeply influenced both the musical and visual creation of “Heartstrings.” Through the song, I aimed to show the journey of going through a difficult time and emerging stronger and more empowered than ever before. Visually, I wanted to showcase my thriving and well-being, emphasizing that despite past struggles, I am now in a positive place.

A significant aspect of the music video was the inclusion of my ex-partner, who portrayed a role in the video (not who the lyrics were written about). This choice was intentional and held personal significance. It aimed to illustrate that not all relationships end in dramatic confrontations; sometimes, people can transition from romantic partners to friends amicably. By featuring my ex in the video, I wanted to challenge the misconception that individuals are to blame for being in abusive relationships and highlight that the responsibility lies solely with the abuser. It was a statement about the possibility of ending a relationship and still maintaining a healthy, supportive connection.

 You mentioned that songwriting became your sanctuary during difficult times. How do you feel music, and specifically your own creations, can aid in healing and empowerment?

Music, especially my own creations, has been instrumental in aiding my healing and empowerment during difficult times. Song writing has served as a form of therapy, allowing me to express and process my emotions in a safe and constructive manner. For me, singing has always been a way of connecting with something greater than myself; whether it’s a divine energy or a source of inner strength.

When we put words to music it has the ability to turn into something of a mantra. My hope is to create something catchy and empowering to act as a mantra that listeners can internalize for a positive benefit. This ability to instill empowerment and positivity through the power of song is truly remarkable and highlights the transformative potential of music in healing and empowering individuals.

“Heartstrings” combines elements of house, bass house, and pop. Can you talk about your creative process in blending these genres to create a unique sound?

“Heartstrings” represents a fusion of house, bass house, and pop, which are all integral parts of my musical identity. These genres resonate with me on a personal level, as they reflect the diverse range of music that has influenced and shaped my musical journey. Growing up, I was exposed to various genres, from house to pop, and each has left its imprint on me.

In blending these genres, my creative process is driven by a desire to infuse the best elements of each into a sound that is uniquely my own. It’s about capturing the essence of what resonates with me from each genre and weaving them together to create something fresh and distinctive. Ultimately, “Heartstrings” embodies the culmination of my musical influences and experiences, resulting in a sound that is authentic and true to myself.

How does “Heartstrings” connect thematically to the rest of your upcoming album?

“Heartstrings” serves as the starting point for my upcoming album, both thematically and musically. It sets the tone for the depth and exploration that I aim to achieve throughout the album. With “Heartstrings,” I’ve begun to explore themes of empowerment, resilience, and personal growth, laying the foundation for the overarching narrative of the album.

As the first glimpse into the album, “Heartstrings” hints at the emotional depth and complexity that will be further explored in subsequent tracks. It’s a starting point—a catalyst for the deeper journey I intend to really get into with this album.

What can listeners expect from the album in terms of sound and message?

Listeners can expect a sonic experience with the album, characterized by healing frequencies and a diverse range of sounds. Each track will feature powerful lyrics that delve into meaningful themes of personal growth, empowerment, and resilience. Through metaphors and a touch of humor, I aim to create music that resonates with listeners on a deeply relatable level.

Overall, the album will deliver music with a message—one that uplifts, inspires, and encourages self-reflection.

As a former synth pop artist and international model, how has your past experience influenced your approach to electronic music production?

My past as a synth pop artist and international model has greatly influenced how I approach electronic music production. I’ve always been inclined to jot down my thoughts and experiences in journals, often finding inspiration for songwriting and poetry in them.

Even during my modeling days in Miami, I made time to work on music. Whether it was scribbling lyrics during breaks from model events or setting up a makeshift recording booth in a closet, I was determined to pursue my passion. I even had some fun recording sessions documented for a reality show and filmed the music video for Bad Karma in one of the model houses we lived in.

Being part of Fan Death, the synth pop band, was pivotal for me. It was my first taste of professional recording and production, teaching me the basics of what I would need to know to produce my own music. Collaborating with fellow models-turned-bandmates added to the excitement and creativity of the experience, shaping my journey in music production.

What drew you to the EDM genre, and how do you see your sound evolving within it?

What drew me to the EDM genre is its vastness and versatility. It offers ample room for experimentation and growth. Typically, I start by making an acapella song and then transform it into an EDM track. This approach allows me to explore various sonic landscapes within the EDM genre, constantly evolving and pushing the boundaries of my sound. With EDM, the possibilities are endless, and I’m excited to continue exploring and evolving within this dynamic genre.

Could you share some highlights or memorable experiences from performing at the Rifflandia Music Festival in 2023?

Performing at the Rifflandia Music Festival in 2023 was truly unforgettable. Playing alongside a live band was a highlight, and the reception from the audience was incredible. One review even described our performance as “a breath of fresh air,” which was incredibly rewarding to hear. It was also really cool to have fans approach us after the show, asking for photos. Overall, the entire experience was amazing and left a lasting impression on me.

You’ve formed creative partnerships with various individuals and labels. How have these collaborations shaped your artistic journey?

Collaborating with various individuals and labels has been an enriching experience that has greatly influenced my artistic journey. One notable collaboration was my role as the lead producer for the first all-women’s label, Powher Sound. I had the opportunity to produce for several talented artists. I’ve also worked on collaborations with a diverse range of artists throughout my career.

These partnerships have not only been enjoyable but also valuable learning experiences. They’ve provided me with new perspectives, techniques, and insights into different styles of music. However, as I continue to evolve as an artist, I’m now at a point where I feel compelled to focus more on my individual style and explore my identity as a solo artist. While collaborations have been instrumental in shaping my journey, I’m eager to delve deeper into my own creative expression and establish my unique musical voice.

In what ways do you hope your music resonates with listeners, especially in terms of offering healing and empowerment?

I aspire for my music to have a positive impact on listeners’ lives, whether by offering solace, empowerment, or simply brightening their day. By sharing my own vulnerabilities through my music, I aim to create a space where others feel comfortable to open up and share their own experiences. As Paul McCartney once said, “For you know that it’s a fool who plays it cool, by making his world a little colder.” I believe that by being authentic and vulnerable, we can foster connection and understanding.

I also have been really enjoying infusing healing frequencies into my music. Beyond serving as a stress reliever and spiritual experience, music has the potential to heal our physical ailments as well. It’s fascinating to explore how music can have tangible healing qualities, and I hope that my music can contribute to this process of healing and rejuvenation for listeners.

How do you balance vulnerability and strength in your songwriting and performance?

Balancing vulnerability and strength in my songwriting and performance is an ongoing journey for me. I find that I often lean more towards vulnerability, as I believe authenticity is key to creating meaningful connections with my audience. While it can be daunting to expose my innermost thoughts and emotions, I’ve come to realize that being true to myself is more important than trying to please everyone.

At the end of the day, if my music doesn’t resonate with someone, that’s okay. I’ve learned to accept that I can’t please everyone. I focus instead on connecting with those who appreciate and understand my artistic expression. It’s about staying true to myself and my vision, trusting that the right audience will find and appreciate my work.

Can you discuss any specific symbolism or imagery used in the “Heartstrings” music video, and how it ties into the overall message of the song and your artistic vision?

Running down the street in the video represents a sense of urgency or escape, reflecting the emotional turmoil conveyed in the lyrics. Having an ex as my co-star adds a layer of complexity, symbolizing past relationships and how not every ex ends because of toxicity or drama. The backdrop of Vancouver serves as both a setting and a symbol of personal history and growth.

The use of my name, KASIA, in lights and the camera angles zooming in and out around my face create a sense of prominence and scrutiny, highlighting the intensity of emotions portrayed in the song. Putting my name in lights is also a symbol of my refusal to be intimidated by others in the music industry. The serious expressions on my face and my direct gaze add raw emotion and vulnerability.

In the lyrics, the act of writing in my journal with my left hand symbolizes finding light in the darkness and embracing the unconventional path. The phrase “pulling on my heartstrings” signifies emotional manipulation and vulnerability, echoing the themes of pain and hurt explored in the song.

Overall, these symbolic elements and imagery enrich the storytelling in the music video, deepening the viewer’s understanding of the song’s themes and enhancing the overall artistic experience.

Social Links
Instagram: @KASIASMusic
Facebook: @KASIA.OFC
X: @KASIAMusic_
TikTok: @kasiamusic_

February 15, 2024 0 comments
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Festival NewsMusic News

New Bloom Fest 2024 Kicks Off Next Month & Sideshows Revealed Including Citizen, Movements, Touche Amore, Fleswater & No Pressure

by the partae February 15, 2024
written by the partae
The new era of alternative rock and punk arrives in Australia this March with NEW BLOOM FEST, a brand-new touring festival set to launch next month.

Featuring some of the freshest up-and-coming artists in the scene, today NEW BLOOM FEST is also announcing an expansion beyond the festival events, with headline shows locked and loaded from some of the international NEW BLOOM FEST artists throughout March.

NEW BLOOM FEST’s inaugural events are set to be packed full of unforgettable moments, with American rockers CITIZEN, post-hardcore heroes MOVEMENTS, L.A. emotive hard-hitters TOUCHE AMORE and pop punk powerhouse NO PRESSURE all lined up to rattle the collective roofs in Brisbane, Sydney and Melbourne, alongside alternative rockers FLESHWATER and grunge shoegaze duo SOFTCULT both performing as part of their debut Australian appearances. Also joining the sweltering international line-up will be an army of stellar local acts in each city to showcase the incredible might of the modern alternative scene at home and beyond.

Add in some of the amazing sideshows on offer and it’s set to be a month-long celebration of all things alternative rock and punk this March!

NEW BLOOM FEST SIDESHOWS
CITIZEN

Tuesday 19 March – Uni Bar Adelaide 18+
Wednesday 20 March – Amplifier Bar, Perth 18+ SELLING FAST

Wielding quiet ballads, distorted rock anthems and everything in between, American rockers CITIZEN are a band impossible to resist and even more difficult to forget. Straddling the realms of post hardcore, shoegaze and pop alongside guitar-driven rock’n’roll, CITIZEN most recently furthered their enduring appeal via their fifth album Calling The Dogs; the band’s first album as a full five piece, and a resounding rebirth overall. From playing as teenagers in local dive bars to selling out theatres and appearing at festivals around the world, CITIZEN are a must-hear and must-see act, back and bigger than ever before.
MOVEMENTS
WITH SPECIAL GUESTS SOFTCULT*
*

Saturday 9 March: Neck Of The Woods, Auckland 
Sunday 10 March: San Fran, Wellington 
Tuesday 12 March: Stay Gold, Melbourne ** SELLING FAST
Wednesday 13 March: Vinnies Dive Bar, Gold Coast **
Orange County rockers MOVEMENTS weave an intimate beauty into their post hardcore-meets-alternative-rock creations, with their latest album RUCKUS! dexterously showcasing their signature tension-and-release style in a whole new way. Off the back of a whirlwind few years at MOVEMENTS HQ, with their 2020 album No Good Left to Give debuting at #3 on the Alternative charts and their streams doubling to over 200 million streams in the U.S alone, MOVEMENTS continue to evolve and excite – and their return down under will offer fans a chance to witness them in a whole new light.

Special guests will be twin sisters Phoenix and Mercedes Arn-Horn, aka SOFTCULT. Spurred by the upheavals of 2020, including the Black Lives Matter movement and the ongoing pandemic, the sisters channelled their frustrations into their new sonic direction, seamlessly mixing grunge, shoegaze, dream pop and punk with a meaningful message. Don’t miss the SOFTCULT live experience next year when the pair head to our shores for their debut Australian performances.

TOUCHE AMORE

Saturday 9 March: Lynotts Lounge, Perth 18+ SELLING FAST
Sunday 10 March: Jive Bar, Adelaide 18+
Monday 11 March: Stay Gold, Melbourne 18+ SELLING FAST
Wednesday 13 March: Sooki Lounge, Belgrave 18+ 
Hailing from Los Angeles, TOUCHE AMORE have spent over a decade burrowing into themes of angst, alienation, cancer and death. From the release of their 2009 debut album …To the Beat of a Dead Horse through to their 2020 opus Lament, TOUCHE AMORE have actively matured alongside their releases, emerging on the latter with a nuanced collection of songs that fuse hard-won optimism into ferocious yet delicate terrain. From performances at Coachella Festival to touring alongside Balance and Composure and Every Time I Die, TOUCHE AMORE are always ready to stun in a live setting.
FLESHWATER

Saturday 9 March: Uni Bar, Adelaide Lic AA 
Sunday 10 March: Bendigo Hotel, Melbourne 18+ SELLING FAST
Tuesday 12 March: La La Las, Wollongong 18+
Wednesday 13 March: Burdekin Hotel, Sydney 18+ SELLING FAST
Thursday 14 March: Black Bear Lodge, Brisbane 18+ 
Conceived in 2017, America’s FLESHWATER has constantly cultivated a global cult-like following, ignited by the release of their 2020 debut EP, the aptly titled demo2020. Via their early single Linda Claire, which has gone on to generate over 3 million individual streams on Spotify alone, the scene was set for the 90s and early 2000s rock-inspired group to step beyond the underground. Since then, FLESHWATER have toured alongside No Pressure and Koyo, released their debut album, 2022’s We’re Not Here To Be Loved, and will head to Australia for the first time ever in 2024 as part of NEW BLOOM FEST.
NO PRESSURE

Wednesday 20 March: The Espy, Melbourne 18+ SELLING FAST
Thursday 21 March: Crown & Anchor, Adelaide 18+ SOLD OUT
Friday 22 March: Amplifier Bar, Perth 18+ SELLING FAST
Sunday 24 March: Crowbar, Sydney 18+ SELLING FAST
Bringing together members from The Story So Far, Light Years and Drain, pop punks NO PRESSURE embrace 90s flavours with energised modern injections, crafting familiar yet infectious earworms that will always leave you wanting more. Releasing their debut EP No Pressure in 2020, NO PRESSURE followed up with their debut self-titled full length in 2022, with breakout singles Too Far and Lock it Up bustling with hooks, polished production and buoyant melodics. A band who can effortlessly tease a smile out of any crowd, the times will be fast and fun next March when NO PRESSURE take the stage.
Destroy All Lines & triple j Short.Fast.Loud Presents 

NEW BLOOM FEST 2024

FEATURING
CITIZEN
MOVEMENTS
TOUCHE AMORE + NO PRESSURE

FLESHWATER + SOFTCULT

FRIDAY 15 MARCH – FORTITUDE MUSIC HALL, BRISBANE (18+)
WITH BLINDGIRLS, EAT YOUR HEART OUT, BAD NEIGHBOUR & SUNBLEACHED

SATURDAY 16 MARCH – ROUNDHOUSE, SYDNEY (18+)
WITH NO BRAINER, AMENDS & PEACE RITUAL

SUNDAY 17 MARCH – MELBOURNE PAVILION, MELBOURNE (18+)
WITH BORN FREE, BETTER HALF & POST HEAVEN

Tickets on sale now from destroyalllines.com

February 15, 2024 0 comments
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Festival NewsMusic News

Beach festival Heineken Balaton Sound announces Amelie Lens, Maceo Plex, Adam Beyer, Stephan Bodzin live, Vintage Culture and many more

by the partae February 15, 2024
written by the partae
Tickets: www.balatonsound.com
Date: 3rd-6th July, 2024

Location: Lake Balaton, Zamárdi, Hungary

Adam Beyer, Amelie Lens, Stephan Bodzin (live), Reinier Zonneveld (live), Mathame, FJAAK, Mind Against, Maceo Plex, Miss Monique and hard dance techno stars Sara Landry, Trym and 999999999 all star while a very special Q-dance takeover will also feature at the beach festivalOne of the largest open-air lakeside events in Europe returns when Heineken Balaton Sound plays out from 3 – 6 July 2024 at its sublime setting by the gorgeous Lake Balaton in Zamárdi, Hungary.

Now it has unveiled a raft of superb new names including Amelie Lens, Adam Beyer, Maceo Plex, Stephan Bodzin live, Reinier Zonneveld live, Mathame, FJAAK, Mind Against, Vintage Culture, Miss Monique, hard dance techno stars Sara Landry, Trym and 999999999, plus a special Q-dance take over on the Main Stage. All this comes on top of a huge first wave that included the likes of James Hype, Purple Disco Machine, Paul Kalkbrenner, John Newman, Marshmello, Lost Frequencies and many more. 4-Day Passes are available for just €225 from https://balatonsound.com/tickets

Heineken Balaton Sound is renowned for its stunning location right by Lake Balaton, a perfect holiday spot that allows you to relax and soak up the sun as well as dance the night away. It plays out across plenty of stages that all have their own look and feel and no other event in Europe does things on quite such a scale across the Main Stage with its vast LED wall; the house and techno oriented B my Lake stage and many more intimate stages that all come with high spec audio-visuals, lights and serious sound systems.

“With the newly announced performers, our goal is to offer a wide selection from the electronic music scene that is now clearly visible for the attendees of Heineken Balaton Sound,” started Anna Filutás, the festival’s project manager. As such, the festival will showcase both the mainstream elite of electronic music and the best of underground electronic music, significantly strengthening the lineup with increasingly popular hard techno and hardstyle artists with these newly announced names.

This latest wave of names will welcome Heineken Balaton Sound debutant Amelie Lens who returns after maternity leave and brings her dark techno magic, astral techno from the Ellum Audio boss and world renowned innovator Maceo Plex, while Drumcode label head Adam Beyer has been innovating in the techno world for many years. There is no show quite as special as the live soundtrack served up by Stephan Bodzin, and this year hard techno is having a resurgence and will be fully represented by Sara Landry, Trym and 999999999 on top of the already announced Nico Moreno.
Prepare for an electrifying convergence of cutting-edge musical talent featuring a myriad of genres within the house and techno realms. Leading the charge is the chart-topping vocal house sensation, MEDUZA, promising an unforgettable performance. Reinier Zonneveld will take the stage with his signature blend of hard-edge acid techno, delivering a live experience that pushes the boundaries of innovation.
 
Joining them are the Italian duo Mathame, renowned for their captivating melodic sounds, alongside Danish luminary Kölsch, who will transport listeners with his emotive compositions. FJAAK, the Berlin-based duo, will unleash their jacking club grooves, while techno aficionados can anticipate a special collaboration as Space 92 and POPOF present “Turbulences”. Adding to the immersive experience is Siona label head Miss Monique, who will enchant the crowd with her progressive sounds. Meanwhile, Brazilian Vintage Culture will deliver pulsating, bass-driven house beats, ensuring an electrifying atmosphere throughout the event. Further house and techno excellence will come from Alison Wonderland, Brina Knauss, Borgore and Sam Feldt
 
But the excitement doesn’t end here. The legendary Q-dance will take over the Main Stage, offering a showcase of unparalleled energy and passion. Featuring performances by The Qreator, Sound Rush, Ran-D, Warface, Sefa, and DV8, this takeover promises to be a spectacular finale, leaving attendees with memories to last a lifetime.
The countdown is on until music lockers embark on an endless adventure at Heineken Balaton Sound 2024, where a myriad of experiences await—walkabouts, fashion shows, sports, dance workshops, techno yoga, and more. 
On top of that, several changes await visitors this year: the main entrance will be relocated, and the location of the main stage will change, providing a more comfortable space for the expected large audience. The festival will still include the 1 km long beach section that attracts many foreign visitors and features waterfront locations, beach parties, and comfortable relaxation with water games throughout the festival, day, and night.
“On the relocated main stage, the programs will entertain the audience until dawn, and on the last day, we will top it with a massive end show, presented by the outstanding and recurring Dutch Q-dance, showcasing the harder styles of electronic dance music,” revealed Anna Filutás.
This remarkable open-air celebration is a must-visit for festival enthusiasts, promising an unforgettable experience. There are plenty of camping options on site, or you can book a hotel in Zamárdi or Siofok, making it the ultimate summer holiday destination from 3 – 6 July 2024.

Secure your tickets now for Heineken Balaton Sound 2024.

 

Heineken Balaton Sound

Website: https://balatonsound.com
Tickets: https://balatonsound.com/tickets/
Facebook: https://www.facebook.com/BalatonSound
Instagram: https://www.instagram.com/balatonsound/
February 15, 2024 0 comments
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Festival NewsMusic News

UNUM Announces Second Wave Of Superb Underground Talents

by the partae February 15, 2024
written by the partae
UNUM Festival 2024
June 6-11th, 2024
Shëngjin, Albania
https://unumfestival.com/
@unumfestival
Ricardo Villalobos, Boris Werner, Cap, Cassy, Andres Campo, Cincity, Dungeon Meat, Manda Moor, Ryan Elliot, Samuel Deep, Sirus Hood, Amir and more…
UNUM is a distinctive musical journey, inviting participants to craft their unique adventure and forge connections beyond the ordinary. It is back in the hidden secret paradise of Rana e Hedhun, a quiet corner of Europe in the town of Shëngjin on the picture-perfect Albanian coastline from 6th – 11th June. The newest additions include Ricardo Villalobos, Boris Werner, Cap, Cassy, Andres Campo, Cincity, Dungeon Meat, Manda Moor, Ryan Elliot, Samuel Deep, Sirus Hood, Amir and many more. Get your tickets now at  https://www.unumfestival.com/.
UNUM Festival stands apart from conventional festivals in that it is a music-centric gathering for those in the know. It fosters a real community vibe of kindred spirits and unfolds across six days of almost uninterrupted music in exclusive settings. Amidst the rhythmic ebb and flow, attendees chart their own path – be it dancing on a beach at dawn, wandering through the enchanting Pine Stage woods, or immersing themselves in the local town’s historical richness with all its diverse cultures and customs.
The new names come from across the house, techno, breaks, minimal and electro spectrum and include a returning favourite and real underground legend in Ricardo Villalobos who has soundtracked many of the best moments of UNUM over the years. He is joined by the house sensation Boris Werner, cut minimal man Cap, the brilliant former Bar resident Cassy, tech house titan Andres Campo, the hardcore house pair Dungeon Meat, the tasteful house and tech fusions of Manda Moor, the brilliance of Berlin favourite Ryan Elliot, plus much more from Samuel Deep, Sirus Hood, Amir and others. 
Festival partners this year include After Caposile, Animal Crossing, Secret Society, Slapfunk, D-Edge, Yoyaku and Zone, while the already announced names include the likes of Altin Bosh, Anfisa Letyago, Arapu, Cabanne, Christian AB, DJ Reas, Varhat (Live), John Dimas, Korolova, Maher Daniel, Manu Gonzalez, Praslea, Priku, Raresh, Rhadoo, Sonja Moonear and many more.
There are no sound limits, no time restrictions, just plenty of freedom to explore, enjoy and soak up new sights, sounds and scenes amongst a mix of people from all over the world and with many locals enriching the diverse dance floor. Away from the dancing, and on the sweeping beach you can enjoy uninterrupted sun and sea with a stunning mountain range in the distance and a broad mix of water sports, mouthwatering local food and drink offerings and plenty of isolated bays and secluded woodland areas to explore.
 
There is no travel and music experience quite like UNUM so secure your tickets now. 
LATEST LINE UP 
 
Andres Campo
Anfisa Letyago
Arapu
Boris Werner
Cabanne
Cap
Cassy
Charlotte
Christian AB
Cincity
DJ Reas
Doudou MD
Dubfire
Dungeon Meat
Franco Cinelli
Gina Jeanz
Hostam Live ( Varhat)
John Dimas
Jonathan Kaspar
Korolova
Laolu
Maher Daniel
Manda Moor
Manu Gonzalez
Marlie
Miroloja
O.bee
Ogazon
Praslea
Priku
Quest
Raresh
Ratier
Rhadoo
Ricardo Villalobos
Ryan
Elliot
Samuel Deep
Shimza
Sirus Hood
Sonja Moonear
Tomas Station
William Djoko
 
Aamir
Albier
Aline Brooklyn
All Shadows
Altin Boshnjaku
Aman Umber
Anitë
Artssassin
Bani D
Besa M
Bowes
Chris-V
Dajku Twins
Dona K
Dymos & Shizzo
Eramah
Francesco Maddalena
Gemza
Hajdar Berisha
Jay Fase
Jean Pierre
Jeremy Sunset
Joey Jackson
Jonny N Travis
Kramer
Leke
Liburn
Likatek
Meera
Nadia Boulif
Nemax
Pife
Pol
R.O.Y.
Rimbu
Rinaldo Mekaj
Rrrron
Sabb
Sammi Ferrer
Sasho Uzun
Scacco
Several Definition
Silo
Soul Case
Suisse Artist
Sylo
Uran b
Vithz
Wildealer
Yme
February 15, 2024 0 comments
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Festival NewsMusic News

ELECTRIC GARDENS MUSIC FESTIVAL ANNOUNCES SECOND PERTH SHOW!

by the partae February 15, 2024
written by the partae

ELECTRIC GARDENS MUSIC FESTIVAL ANNOUNCES SECOND PERTH SHOW!

Presented by: T1000 Events

Melbourne – March 30 / Sydney – March 31 / Perth – April 6 & 7

 

ELECTRIC ISLAND PERTH SATURDAY 6 APRIL 2024

2ND PERTH SHOW ANNOUNCED! 

Due to overwhelming demand for our Electric Island Sunday show on Cottesloe Beach, we are excited to announce we will be doing a 2nd show on Saturday 6th April 2024 headed up by UK based house music heavyweight Sonny Fodera joined by Cristoph, Ferreck Dawn, Little Fritter, Sneaky Sound System and Yorp DJs.

The Electric Gardens franchise returns to the festival landscape with a one-stage, open-air experience.  Priding itself on booking the very best in the electronic music scene, artists who break boundaries and DJs who read crowds, the next edition features a line-up that boasts some of the greatest house and progressive DJs & Producers of our time.

“There has been an overwhelming demand for tickets to the Sunday Electric Island show so we thought why not make a weekend out of it and do the Saturday as well with a completely fresh line up. As soon as I saw Adelaide house music sensation Sonny Fodera was keen to play, I knew this was a match made in heaven on Cottesloe Beach!” Damian Gellé – Promoter T1000 Events / Electric Island

 

Melbourne – Electric Beach

Easter Saturday | 30 March 2024

South Beach | St Kilda

(A-Z)

Armand Van Helden

Franky Wah

Late Nite Tuff Guy

Roger Sanchez

Sasha

The Oddness

Sydney – Electric Gardens Returns

Easter Sunday | 31 March 2024

Royal Randwick

(A-Z)

Armand Van Helden

Franky Wah

Kristen Knight

Roger Sanchez

Sasha

Perth – Electric Island – NEW SHOW ANNOUNCED

Saturday 6 April 2024

Cottesloe Beach

(A-Z)

Cristoph

Ferreck Dawn

Little Fritter

Sneaky Sound System

Yorp DJs

Perth – Electric Island 

Sunday 7 April 2024

Cottesloe Beach

(A-Z)

Armand Van Helden

Franky Wah

Kristen Knight

Roger Sanchez

Sasha

 

February 15, 2024 0 comments
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Butik, Lighthouse and Why?Not present: Zanzibar Gathering – Dates: February 15th – 22nd, 2024 Location: Paje and Jambiani, Zanzibar

by the partae February 15, 2024
written by the partae

In the heart of Zanzibar, where the turquoise waters meet the golden sands, an electrifying musical experience is set to unfold – Zanzibar Gathering, powered by Butik, Lighthouse and Why?Not. Nestled on the Southern end of the enchanting island from February 15 to 22, this electronic music adventure promises to be a sensory journey like no other, blending beats, underground culture, and natural beauty in perfect harmony.

The eclectic lineup headlines two of the hottest Berlin wonders: Ogazón and Sedef Adasi, whose versatile sets are sure to ignite the dance floor with their signature blend of acid, spacey techno and house. Joining them are the dynamic Doudou MD and the SlapFunk crew, who are ready to bring their unique infectious grooves of tribal-infused house to the shores of Zanzibar. And that’s just the tip of the iceberg – with more familiar faces from the Lighthouse and Butik festivals adding their magic to the lineup.

Zanzibar, with its pristine beaches and lush landscapes, sets the stage for a visual spectacle that complements the sound experience. As the sun dips below the horizon, the festival grounds come alive with a vibrant energy that goes beyond the ordinary, creating a magical atmosphere that will leave a mark on your memories forever.

This isn’t just a music festival; it’s a journey shared with an intimate group of music aficionados coming from all over the world. Don’t expect the usual festival locations, the whole experience will take place at different spots across the Southern coast of Zanzibar around the cities of Paje and Jambiani.

From wild times at the legendary Why?Not Club and its poolside area, to hangouts at the DarMar’s lush garden, to moonlit parties at the Masai Mara Villa standing on a cliff topping the ocean, culminating in a sandbank party and a catamaran musical cruise, be sure you won’t be short of breathtaking moments.

Don’t think you will get bored during the days off. If you’re not ready to relax after all the parties, set off for adventures to explore the Jozani forest, swim with dolphins or discover Zanzibar’s rich cultural heritage and biodiversity on a spice tour.

The Zanzibar Gathering is set to be an intimate paradise, where the rhythms of the ocean dance in perfect harmony with the beat of music. So, pack your dancing shoes and your sense of adventure, and prepare to reconnect with yourself, nature, and the music that moves you.

Dates: February 15th – 22nd, 2024

Location: Paje and Jambiani, Zanzibar

Tickets & Info: https://butikfestival.com/zanzibar
February 15, 2024 0 comments
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Music InterviewsMusic News

Unveiling the Soulful Rhythms: An Exclusive Interview with Slim Jimz

by the partae February 15, 2024
written by the partae

Your debut single ‘Now You’re Gone’ seems to encapsulate a sense of maturity in your sound. Can you walk us through the evolution of Slim Jimz’s music leading up to this release?

We were always influenced by bands like Ocean Alley from the beginning so at the start we were trying to write songs like that but over time our different influences have become pivotal in the evolution of our sound as we have begun to experiment with different music styles. 

The song explores themes of closure after a relationship ends. What inspired you to delve into this emotional territory for ‘Now You’re Gone’?

At the time I was dealing with the closure of a relationship. It’s the feeling of wanting to say something to someone but knowing you can’t. It all started with the intro chords and the melody.

Could you elaborate on the creative process behind ‘Now You’re Gone’, particularly in terms of how you navigated through different musical genres and elements to create a cohesive piece?

This track took a long time to shape because there was so many different genres and elements and I think it all comes down to the fact we were all individually were listening to a lot of different genres of music. 

Working with Jack Nigro and Darren Ziesing on mixing and mastering, how did their contributions shape the final version of ‘Now You’re Gone’?

Jack Nigro is the main reason Now You’re Gone was turned from an idea into a song. We couldnt seem to figure out the structure of it ourselves, it wasnt till we were in the studio with him that the structure became solid. Darren Ziesing always does a solid job of mastering, the best in the biz.

Sonically, ‘Now You’re Gone’ combines elements of funk, indie-rock, and punk vocals. How do each of your individual musical tastes contribute to the overall sound of Slim Jimz?

We’re a band that loves to jam out ideas in a room so I think when we’re jamming a lot of our influences come out to play. This is defs one of those songs we jammed for a while to try and figure out. I think the fact that we have different individual tastes in music means you can’t put us in any box.  

‘Now You’re Gone’ has been described as a song that builds slowly to a powerful second half. Can you discuss the intentional structuring of the song and how it enhances the emotional impact?

As the song progresses, each section builds on the previous section adding intensity with new layers, funky guitar leads, overdrive on the bass, more in your face vocals and drums. The end of relationships are often highly emotional, sometimes chaotic and messy, even when things ‘end well’ and there’s no bad blood between the two parties. The words ‘feel the impact’ at the end, combined with the more aggressive guitar strumming is a reminder to equally embrace the highs and lows of life and hopefully both people can come out from this sad situation stronger.

Your previous track ‘Enjoy The View’ received significant attention from various radio stations. How do you think ‘Now You’re Gone’ builds upon the momentum of your previous releases?

I think Enjoy The View was great rock tune with feel good energy. I think Now You’re Gone will be received differently as we were showcasing a different side to our songwriting. Our individual influences in this one demonstrate that we have a lot of variety in what we like to write as a band. 

Throughout your career, you’ve had the opportunity to support several notable indie rock bands. How have these experiences influenced your approach to music-making and performing?

We have been honored to share a stage with bands like South Summit and The Vanns in the past because we are big fans of their music which makes it an amazing experience. We learn a lot and get inspired from watching these artists and local bands. Music is about community and theres so much gold out there if you look for it.

With ‘Now You’re Gone’ marking the beginning of an extended rollout of material, what can fans expect from Slim Jimz in 2024 in terms of sound and thematic exploration?

Sonically there is a lot of variety in all the songs we have recorded for our upcoming EP release. Some of the songs are about relationships and others are about realizing what you really want out of life. 

The Australian music community has shown immense support for Slim Jimz. How does this support fuel your creative process and aspirations for the future?

We love doing this because we know there are people out there that are into our music. We write music because we love doing it but the fact that there are people want to hear more is a great inspiration to want to write as much as we can.

Comparisons have been drawn between Slim Jimz and bands like Ocean Alley. How do you navigate these comparisons while maintaining your unique identity as a band?

I’m not surprised at all as a few of us in the band were big OA fans in our early 20s. Still are today. Big compared to OA is a good thing I think but after this latest release I think we’ve showed that we cant just be put in a box and we’re not just a band that plays music in one certain genre. 

Looking ahead, what are your goals and aspirations for Slim Jimz both musically and in terms of reaching new audiences?

We want to keep writing songs that get stuck in peoples brains and we want to keep exploring different styles of writing music. We would love to start doing more and more shows outside of Sydney and build our fanbase in different cities.

PLAY/LISTEN

Facebook | Instagram | YouTube | TikTok |  Triple J Unearthed

February 15, 2024 0 comments
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Indigenous trail-blazer MARLON set to debut new single BLOOD IN THE WATER at Adelaide Fringe performance, February 17th

by the partae February 15, 2024
written by the partae

TICKETS

Marlon is taking to the stage to launch his latest track, ‘Blood in the Water’ on the 17th of February.  

Written in protest to many of the injustices that indigenous Australians feel in modern society, and how many who live in privileged positions tend to ignore and avoid these issues. 

“‘Blood in the Water’ is a record written in reflection of the reality in the Australian society when it comes to the mistreatment of Aboriginal and Torres Strait Islander peoples. It represents the mentality that we as a country hold, knowing of the injustices that takes place towards people of colour, yet many of us are content to live on in our day to day lives as if these injustices are non-existent.”

MARLON MOTLOP 

Marlon has had an incredible career thus far, spanning across multiple industries. Initially a professional AFL player for Port Adelaide between 2008-2011, Marlon moved onto a music career during his final year in 2011. Since then he has supported the likes of Midnight Oil, A.B.Original, Pete Murray and Xavier Rudd. He has been impressing crowds across the country, playing at WOMADelaide, Bass In The Grass, Party In The Paddock, Dark Mofo, Spin Off Festival and more throughout his career. 

Marlon brings an intimacy filled with charisma and thought provoking lyrics. Marlon’s music has always been an important part of his life, a place he can reflect on his own experiences as well as those that play out around him. Born and bred in Darwin, Northern Territory, Marlon is of Aboriginal Larrakia, and Thursday Island heritage.

MARLON: Instagram | Twitter | YouTube

February 15, 2024 0 comments
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Music InterviewsMusic News

Bad Party Interview

by the partae February 14, 2024
written by the partae

Can you tell us about the inspiration behind your new single “Pray” and how it differs from your previous releases?

Pray was always intended to be a fresh take for listeners of Bad Party and something to turn the heads of anyone who has never heard us before. Instrumentally, we went faster and heavier with more bells and whistles than our previous tracks, and vocally we wanted to be strong, aggressive and showcase Dale as our new vocalist with his performance and lyrical content that steered away from our usual subject matter.

How did the collaboration with Dale Dudeson of Revoid come about for this single, and how has his addition influenced the band’s dynamic?

Dale was referred to us by our friend Monica from The Last Martyr, after we mentioned we were in need of a new vocalist after Henry had left. Having Revoid’s catalogue to listen through we knew that he would play the part we were looking for in our evolution as a band. Dale’s vocal ability has allowed for us to extend further than we could in the past, for this release and what we have planned in the future.

The music video for “Pray” has a dark and provocative atmosphere. What was the concept behind it, and how does it complement the themes of the song?

I’ll go into a little more detail on the lyrics later on, but we presented the song to Colin Jeffs from Ten of Swords Media with an idea of how we wanted the video to look based on the concept of the song. We’ve always wanted to work with Colin, but waited for the right song that we knew would match the quality of his output. The video itself really just brings the track to life, setting the dark and euphoric club-scene, playing out the inner-monologue of Dale’s disturbed and insolent character, while allowing the band to tear-up the scene with maximum energy. Ultimately the video visually represents the songs controversial content perfectly, while simultaneously allowing the band and all our friends who were involved to bring as much energy to the room as we could.

What was your experience like working with Callan Orr at Avalanche Studios on the production, mixing, and mastering of “Pray”?

We’ve been fans of Callan’s work for a while now and so we wanted to take the leap getting him on this release. We actually flew him up to Brisbane and worked together in Dale’s living-room, setting up a pseudo-studio for the week. Watching Callan work was pretty inspiring from a workflow perspective, his super fast-paced style kept us moving on all cylinders but worked perfectly for us. We (mainly I) have a tendency to be pretty specific with what the end result of a song should look like, and Callan worked with us to get there until the end – we’re stoked on how the song turned out and will be working with him again.

In “Pray,” you explore the power of human connection. Can you delve deeper into the message behind the lyrics and what you hope listeners take away from the song?

The title ‘Pray’ is a bit of a play on words, as it is a homophone of ‘Prey’. The song’s lyrical content paints a picture of what might go on inside the mind of an incel-type individual, which unfortunately is all too common in the music scene, let alone the nightlife in general in Australia or anywhere else in the world. The fictional character’s perspective in ‘Pray’ is so catastrophically narcissistic that in the setting of a nightclub or party, they think that their obsessive and objectifying nature is what will attract another person – then turn to resentment and anger as that object of obsession rejects or ignores them. It’s sad that I, and the other band members, have met a lot of people who are so out of touch like this, but are also oblivious to why their pattern of thought is wrong, and in this case entirely misogynistic as they prey on women and expect them to find their intimidation or sense of dominance, attractive. TLDR; we’re calling out these people, we’re making you aware of them, and we will always stand against them. 

“Pray” touches on the theme of unrequited infatuation. How did you balance the seductive tone of the song with addressing the more serious issue it presents?

I guess from the perspective of someone who truly does not understand that what they’re doing is inherently wrong, whether that be due to a chemical imbalance or from the way they’ve been raised and influenced etc. the obsession of a person or ‘object’ is sexualised and kind of taboo in a way that turns them on. Glorifying that behaviour would be making the song more sensual and attractive, but instead we went for an aggressive and relentless barrage of sections that create a sense of chaos. It’s not okay to be thinking, feeling, and acting on these desires; doing so should at the very least raise an internal conflict within that type of person and prompt the questioning of their motives. If the song provokes the thought “yeah but who is really out at the club thinking like that”, the reality is that in this day and age it’s all too common and people, especially women, shouldn’t have to come face-to-face with these people and call them out. It’s our job as a community to protect each other.

Your previous EP, ‘Beyond Repair,’ received significant attention. How does “Pray” represent the band’s growth since then, both musically and thematically?

When Beyond Repair was written we were still finding ourselves as a band and exploring the music we wanted to create. There has been chatter amongst the group that it might not be there for much longer as we’ve grown and don’t believe that it’s the best representation of where we’re headed, particularly now that we’ve made significant lineup changes that have opened us up to further growth and development beyond what we thought was our best work at the time. Listening to that EP compared to Pray, it’s a stark difference in quality of songwriting and mix. We’re very focused on quality and refinement as we move forward, so for now our catalogue tells a story of growth.

“Want It” was a successful single for Bad Party. How do you feel “Pray” compares, and what new elements do you bring to the table with this release?

‘Want It’ was our transition from the EP era to now, in the way that it was allllmost what we were aiming for but we had a few setbacks during its’ conception and release. Our previous vocalist Henry was considering leaving the band around that time and there was a lot of uncertainty surrounding our next moves. The fact it was our most successful release to date was definitely a key motivator for us to just keep pushing on. Henry played a big part in the songwriting of our music until his departure, so continuing meant I really had to step up my game to fill the space he left, and encouraged us to be more collaborative as a group. We poured all we had into ‘Pray’ to make sure we would return to the scene stronger than before, and combined with Dale’s diversity and strength as a vocalist, we’ve come out super proud of this track, and that makes all the difference to us.

What role do you think Bad Party plays in the Australian alternative community, and how do you aim to further solidify your presence with “Pray” and future releases?

We’ve always wanted Bad Party’s presence to be edgy, dark but at the same time casual and able to have fun if that makes sense? There are plenty of people out there that listen to music which doesn’t necessarily match their energy or personality as a person, they listen to it because they enjoy it. While we can write heavy, sad, angry, and everything in between, we’re also just friends that have big aspirations in the scene and are keen to meet a tonne of new friends along the way. We want our music to be unique, but true to us, and we want the people we meet to know we’re all out here trying to do the same thing, have fun and hit new highs – so lets all enjoy the journey. We hope that Pray shows the Australian alt community that we’re serious about our music, and they should be as excited as we are for what comes next. 

Can you share any insights into the creative process behind “Pray”? How do you typically approach writing and composing new music as a band?

The songwriting process starts instrumentally with me at home just putting together riffs, tones and sounds that I like altogether, without too much consideration for the ‘rules’ of songwriting. My foundations are as a drummer who picked up guitar when I wanted to be able to write full songs, so I tend to come at writing with a rhythm first, and fill in the notes as I go. Pray actually started as a chorus and all the other sections were built around it, but vocals always tend to come last in the ‘production’ phase, so that the music can further be built around them.

I used to be very in to my EDM and so have always loved the power and grit that comes with the heavy drops, sub bass, and pulsing kicks – I want to integrate those influences in to metalcore but continue to push the boundaries a little and make something that anyone can enjoy regardless of musical preferences. Bad Party doesn’t intend on sticking to one ‘vibe’ either; the music we’ve been writing for future releases are looking to be quite a spread, but building on the ‘Bad Party’ brand rather than fitting into a sub-category of metal.

What can fans expect from Bad Party in terms of future releases and upcoming projects following the launch of “Pray”?

Following Pray we plan on a few more single releases this year, building the ‘scope’ of our sound and what to expect from us as we’ve rebranded. We have a bunch of new material to play at shows to further build that new atmosphere, while still keeping our biggest hits from the past.

As a band with diverse influences, how do you navigate blending different genres in your music, and are there any particular genres or artists that have had a significant impact on your sound for “Pray”?

The four of us have a pretty unique spread of music that we like and listen to, but when the framework of a song is finished I’ll put it to the boys for their thoughts and influences. Based on what they like and don’t like about a first draft, that then sets the direction for the rest of the process, but we don’t tend to reference other bands or songs specifically. There is definitely music that I’ll listen to which births the idea for something else, but those initial ideas generally end up in the bin or sound too similar to something else, and naturally parts get recycled into something more unique over time. If we had to honourably mention 1 influential artist each, I’d say: Periphery, Bring Me the Horizon, Whitechapel, and Mick Gordon.

Facebook: https://www.facebook.com/badpartyau/
Instagram: https://www.instagram.com/badpartyau/?hl=en

 

February 14, 2024 0 comments
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Festival NewsMusic News

Blink 182 – Melbourne February 13

by the partae February 14, 2024
written by the partae

Photography: Nate Hill

February 14, 2024 0 comments
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Laneway Festival – Melbourne 2024

by the partae February 12, 2024
written by the partae

Photography: Aiden Joseph

February 12, 2024 0 comments
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