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Hysteria Magazine (AUS)

Sunsleeper is an indie rock band hailing from Salt Lake City, Utah. Today, they are unveiling a beautiful and captivating cover of Mac Miller’s ‘Come Back To Earth’. With the tour cycle of their previous album cut in half due to the COVID-19 pandemic, the band found time to pay homage to the late rapper with their rendition of the track off of his 2018 LP ‘Swimming‘.

Speaking on the track, frontman Jeffery Mudgett recounts finding solace in the track, “to me the record perfectly captures self-reflection and hopefulness while in the midst of a dark season. There’s a beautiful conflict of hope and defeat throughout the album that resonated with me deeply during the start of the pandemic.”

Debut full-length, ‘You Can Miss Something & Not Want It Back’, released by Rude Records in 2019, boasts a nostalgic quality while still feeling fresh and new. The bands 90’s indie rock influence is apparent across the record, as is their contemporary emo sound; a sound that has solidified a name for them in the scene since the release of their debut EP ‘Stay the Same’ in 2016.

On the title and theme of YCMS&NWIB, Mudgett says, ‘You Can Miss Something & Not Want It Back’, “chronicles the process of wrestling with the understanding of change and learning to accept it.”

‘Come Back To Earth’ comes off of a larger body of work slated to be released in the coming months.

‘Come Back To Earth’ is available worldwide now

Click to stream ‘Come Back To Earth’

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LISTEN TO “PURE HEART”

Twenty-eight years ago, a sentient, sensual and vulnerably innocent presence framed Tricky’s trip-hop pioneering white label debut release, Aftermath. Hauntingly unique and immediately recognisable, that voice became the defining timbre of a new music movement.

Behind this voice was mysteriously soft-spoken, London-born Martina Topley-Bird who came in and out of the music industry gifting and teasing with her exquisite voice inspiring and infusing other pioneering artists from different genres.

“Forever I Wait” is Topley-Bird’s fourth long awaited studio album and her very first self-produced and curated piece of work to date. The 12-track album, set for release 10th September captures an extensive journey describing, confronting, analysing, reflecting and sometimes goading as it ultimately seeks to make peace with what life is.

Starting off with “Pure Heart”, in what appears to be a pledge to the muse’s muse, segueing into, and winding through painful echoes and dreamy illusions of “Wanted” then morphing into tense and punchy lines of “Hunt” the album takes many turns and ends on cleansing and self-accepting “Rain”.

It is “a trip through my (MTB’s) psyche, switching through different states and frequencies of emotions and reflections”.

“Forever I Wait”, as the title alludes, was written and re-written over a long period of time.

“I had to recalibrate/reconfigure my way of relating to music and the music industry in order to make the record I wanted to make.…and that took time. And I took the time I needed. I started in London, moved and lived in America for the first time in my life, then briefly moved back to London and finished the record in Spain.”

“After trying to work on a new record for a couple of years, I came to a realisation that in order to move forward I had to separate the concept and vision I had for this record from me as a person. That made it less personal and therefore possible for me to defend and fight for the concept of the record rather than making it about myself and my ideas.  It had been difficult for me in my previous projects. I was conflating the work with myself and my ego and by separating I was more assertive about communicating the bounds of the project. That was a big personal win and the beginning of “Forever I Wait.”

“Forever I Wait” leans on a multitude of tense sounds, dubby atmospherics and natural instrumentation to demand the listeners attention leading to over two decades of observations, experiences and musical sacrifices. It is a bi-product of the new perspective featuring carefully selected and tailored supporting arrangements from a handful of collaborators including Robert del Naja (Massive Attack), Rich Morel (Deep Dish collaborator and re-mixer for t.A.T.u., Pet Shop Boys,   Depeche Mode, Yoko Ono, Seal), Christoffer Berg (Fever Ray and Depeche Mode), Benjamin Boeldt (Adventure) and California based Tiadiad.

“By creating, selecting, and tailoring all the materials myself  – backing tracks/ beats, collaborators and lyrics – eventually I was able to get to where I wanted”.

Amorphous compositions often buoyed by warm strings, delicate and intimate – Topley-Bird’s distinctively pliable voice reaffirms not only her talent in songwriting and production but an unquestionable devotion to solo artistry.

A truthful expression of desire and heartache “Forever I Wait “Is Topley Bird’s most precise and accurate album to date.

Background:

After appearing as a featured artist on Tricky’s debut album, Maxinquaye (1995) and on subsequent albums Pre-Millennium Tension (1996) and Angels with Dirty Faces (1998) Martina Topley-Bird released the understated Mercury Prize nominee debut “Quixotic” in 2003 followed by a five-year gap when she enlisted the help of Danger Mouse on sophomore album “The Blue God”.

In 2010, Topley-Bird appeared on Massive Attack’s album Heligoland on tracks “Psyche” and “Babel” and toured with Massive Attack from 2009 to 2016. Her third album, “Some Place Simple” was released in July 2010 in which the minimalism and intimacy of her songs subtly captivated her listeners.

Her hypnotic voice has been part of collaborations with Diplo, Common, Gorillaz, Clark, Prodigy and Massive Attack.

Tracklisting

1. Pure Heart
2. Wanted
3. Hunt
4. Weasel
5. Wyman
6. Love
7. Game
8. Free
9. Collide
10. Blood
11. Sand
12. Rain

Connect With Martina Topley-Bird

Prolific hit-making trio Cheat Codes, popularly known for their smash single “No Promises” (feat. Demi Lovato), has released the first part of their anticipated three-part debut album, Hellraisers Pt. 1, available on all DSPs and streaming services. The ground-breaking eleven track project is highlighted by standout single “Lean On Me (feat. Tinashe)”.

Hellraisers, Pt. 1 sees the multi-platinum group uniting with an eclectic cast of fellow artists, including Pop superstar Tinashe and Spanish alt-pop singer-songwriter Au/Ra. In addition, the album includes recently released tracks such as “On My Life,” “Heaven,” “Between Our Hearts (feat. CXLOE),” “Stay (feat. Bryce Vine),” “Washed Up,” “Do It All Over (feat. Marc E. Bassy),” “No Chill (feat. Lil Xxel),” and “Hate You + Love You (feat. AJ Mitchell).”

The name of the album, “Hellraisers,” was the nickname given to the group by their late manager, Michael Theanne, who passed away just over a year ago, describing their playful and adventurous lifestyle. The album itself has three parts – each part has a distinct sound influenced by each member. This first part is focused on Trevor’s pop-leaning sound, while the second part will be focused on KEVI’s hip-hop flavor, and the third part will be focused on Matthew’s dance-influenced sound.

Heavily influenced by pop music, the trio creates a colourful and vivid story that is seen throughout each song on Hellraisers Pt. 1. “Lean On Me,” the album’s lead single featuring Tinashe, will entice your ears from the very first listen. The bassline and use of different percussive elements carries the song’s emotion and ambition to center stage thanks to the group’s versatile skills. Tinashe and Trevor’s memorable vocals elevate the piece to the next level. With lyrics such as, “Baby when you’re falling, you can lean on me, when you don’t feel strong, when you don’t believe,” it’s hard to not relate.

Hellraisers, Pt. 1 Tracklist

1. On My Life
2. Lean On Me (feat. Tinashe)
3. Do It All Over (feat. Marc E. Bassy)
4. Stay (feat. Bryce Vine)
5. Between Our Hearts (feat. CXLOE)
6. Heaven
7. No Chill (feat. Lil Xxel)
8. Wish It Was Me (feat. Au/Ra)
9. Mathematics
10. Hate You + Love You (feat. AJ Mitchell)
11. Washed Up

Connect with Cheat Codes

LISTEN HERE

Needing very little introduction to the dance music community, Glasgow duo Illyus & Barrietos continue to pave their way towards the upper levels of dance music production royalty and subsequently radio airways with their new summer track “Supersonic”

The new single out now via Ultra Music arrives loaded with un-adulterated bass, minimal distractions and a deeply palpable feeling of summer.  Bringing their lockdown studio output to the center stage ready for clubland to resume; “Supersonic” follows on from the Scottish pair’s previous disco-laced single “Dancing Hearts’ and reverts to their classic, ubiquitous approach to drums and contemporary and soulful vocals.

As an eminent pair on the global DJ scene, their original, well-travelled and energetic production style which to both the army of DJ’s that support and the enthusiastic global fans that enjoy, is as much in demand is it is instantly recognizable and is quickly making deep floor-filling house music their natural habitat.

Illyus & Barrietos’s latest vocal house offering via their signing with Ultra Music also serves as a reminder that the pair have diverse origins – Barrientos has Chilean parents and was born in America, while Illyus grew up in Frankfurt after being born in Govan. They met on Glasgow’s dance floors in 2014, building a friendship over their mutual love of the kind of unashamedly big, floor-filling modern house tunes that have since propelled them to dizzying levels of acclaim.

With previous releases on the likes of Defected, Glasgow Underground, and their Toolroom, the duo continue to be rewarded with regular support from leading tastemakers including Annie Mac, Danny Howard and Pete Tong, whilst also previously featuring as part of Radio 1’s legendary Essential Mix series.

Illyus & Barrietos – “Supersonic” is out now

Connect with Illyus & Barrietos

LISTEN HERE

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Ark Woods’ music is affecting, funky, and infinitely memorable. His lyrics present an unflinching account of his experiences and beliefs, covering everything from social anxiety and depression, to love and commitment, to domestic violence, police brutality, and the Black Lives Matter movement. His sound is his own and ‘a stunning combination of funk and hip-hop that will continue to set him apart and elevate his profile with each release. With an ear for groovy instrumentals and impressive flows, he makes putting together high-quality music seem easy’ (Ones To Watch).

His influences include fellow Hawaiian Bruno Mars, the Soul Train era, and J. Cole while his combination of message and music—in the great tradition of Sam Cooke and Marvin Gaye—is captivating listeners at a rapid pace.

Canadian country singer (with heavy pop influences) – Emilie Roberts will be releasing her new single “Nervous” on May 7th, 2021 – it was produced by Jordan Honsinger, and written by Madeline Merlo, Emma Lee and Jimmy Thow.  At nineteen, Emilie is already making great strides in the industry.  Her new music focuses on things that most teens are focusing on when it comes to their love lives – being shy, and taking risks.

https://linktr.ee/EmilieRobertsmusic

www.facebook.com/emilierobertsmusic

Since its conception in a small hotel room on Vancouver’s downtown east side Sunday Morning has continuously proven itself as a force in musical innovation. Conceived by veteran Vancouver musician Bruce Wilson Sunday Morning released its first self-titled debut album to widespread critical acclaim including being named “The best album from Vancouver in 2016” by The Georgia Straight. Collaboration is the cornerstone of Sunday Morning’s success and in the past five years Wilson has worked with a veritable who’s who in the Vancouver music scene including his long time collaborator and friend Stephen Hamm (Slow, The Evaporators), Dave Genn (54-40, Matthew Good), JP Carter (Destroyer) to name just a few. The band’s core currently consists of producer/guitarist Felix Fung (Girlfriends//Boyfriends), bassist Max Sample (The Ballantynes), drummer Shawn Marazek (The Evaporators) and singer and keyboardist Jovana Golubovic (Les Chaussettes).

Sunday Morning presents its narrative in a breathtaking collage of genres. From rock and roll to lush dream pop their fresh approach to music and art engages on a pure and visceral level. Sunday Morning is dedicated to exploring the wide spectrum of emotion and seeks to bridge the duality of the human experience. In keeping with this mandate their new single Anna Says is a beautiful melding of hope and desperation. The song was produced and recorded by Felix Fung at Little Red Sounds Studio and mixed by Grammy and Juno award winning producer Chris Birkett (Sinead O’Connor, Buffy Sainte Marie). Guitar virtuoso Dave Dykhuizen, “Double D”, stopped by the session to add his unmistakable soulful flavor to the track. Anna Says is the latest chapter in Sunday Morning’s continuing arc through Wilson’s dark and troubled past towards the eternal promise of a new day.