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Monthly Archives

June 2020

LIBERATOR MUSIC PARTNER WITH PARTISAN RECORDS FOR AUSTRALIA & NEW ZEALAND
Music News

LIBERATOR MUSIC PARTNER WITH PARTISAN RECORDS FOR AUSTRALIA & NEW ZEALAND

by the partae June 25, 2020
written by the partae
Liberator Music is extremely excited to announce their new label partnership with indie heavyweights, Partisan Records.

Under the new deal, Liberator Music – the international division of the Mushroom Group – will distribute and offer local label strategy for the Partisan roster, which includes upcoming album releases from IDLES, Fontaines D.C., Pottery and more to come.

Liberator Music’s Founder & Managing Director Nick Dunshea says of the partnership:

“After seeing both IDLES and Fontaines D.C. at Glastonbury 2019, I was completely blown away. Partisan Records are an incredibly exciting, innovative and forward-thinking label who have carved their own niche.  We’re always wanting to work with unique artists and labels, and with Partisan we get both.”
Partisan Records GM, international Jeff Bell says:
“We’ve long been admirers of Nick and the team at Liberator’s work in Australia. As we continue to take a global perspective for all of our artists, we are delighted to be joining forces with a partner who shares our quality over quantity approach, in what is becoming a very exciting market for us and our roster.”
Last week, Partisan / Liberator Music announced the hugely anticipated third album Ultra Mono from IDLES – out on Friday 25 September. The record, featuring singles ‘Mr. Motivator’ and ‘Grounds’, follows their second album Joy As An Act Of Resistance, which was one of the best reviewed rock records of 2018, debuting top 5 on the official UK album charts. Recorded in Paris and produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and Adam ‘Atom’ Greenspan (Anna Calvi, Cut Copy), with Kenny Beats (FKA Twigs, DaBaby, Vince Staples) providing additional programming, Ultra Mono was sonically constructed to capture the feeling of a hip-hop record. Across all twelve brutally relevant tracks, the band double down on the vitriolic sneer and blunt social commentary of their past work, with themes of active presence, inclusivity, class, gender inequality, nationalism, community, and toxic masculinity remaining ever-present. Ultra Mono also features guest vocals from Jehnny Beth (Savages), and additional guest contributions from Warren Ellis (Nick Cave and the Bad Seeds), David Yow, and Jamie Cullum.

Barely a year since their debut Dogrel earned them a spot as one of the most acclaimed new bands of 2019, Dublin’s Fontaines D.C. will return with A Hero’s Death on Friday 31 July. Arriving battered and bruised – albeit beautiful – the album is anything but a re-hash of the swaggering energy from their first record. Instead, the music is patient, confident, and complex – a heady and philosophical take on the modern world and its great uncertainty. Dogrel debuted Top 10 on the UK album charts, earning Fontaines D.C. a Mercury Prize nomination, #1 Album of the Year positions from BBC 6 Music and Rough Trade, a performance on The Tonight Show with Jimmy Fallon and numerous sold out tours in the UK and abroad – including triumphantly selling out London Brixton Academy in just 1 week.

Elsewhere, Montreal buzz-band Pottery will release Welcome to Bobby’s Motel this Friday 26 June – a celebration of rhythm and groove, a testament to music’s power to move us, both emotionally and physically. While their 2019 EP No. 1 was recorded in a frenzied two-day whirlwind, the band found themselves with the rare luxury of time on their hands when it came to make Welcome To Bobby’s Motel, heading into Montreal’s Break Glass studio for ten days with producer Jonathan Schenke (Parquet Courts, Snail Mail).

Founded in 2006 by Nick Dunshea, Liberator is also home to some of the world’s most sought after releases from artists such as Childish Gambino, alt-J, Wolf Alice, CHVRCHES, FIDLAR, Garbage, Faith No More, Kylie Minogue, Beach Bunny, Boys Noize, Totally Enormous Extinct Dinosaurs, The Murder Capital, Day Wave and many more.

Welcome To Bobby’s Motel
Pottery

Album out Friday 26 June through Partisan Records/Liberator Music

Available to pre-order here

A Hero’s Death
Fontaines D.C.

Album out Friday 31 July through
Partisan Records/Liberator Music

Available to pre-order here

Ultra Mono
IDLES

Album out Friday 25 September through
Partisan Records/Liberator Music

Available to pre-order here

Liberator Music Website
Mushroom Website
Mushroom Group Facebook
Mushroom Group Instagram
Mushroom Group Twitter
June 25, 2020 0 comments
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MEMPHIS LK Releases new single & video 'Green Light'
Music News

MEMPHIS LK Releases new single & video ‘Green Light’

by the partae June 25, 2020
written by the partae

Today, Dot Dash Recordings & Remote Control Records are pleased to release ‘Green Light’, the new single from Melbourne/Narrm-based artist, producer & vocalist, Memphis LK.

As premiered by triple j & triple j Unearthed, ‘Green Light’ is Memphis’ first offering of 2020 – a powerhouse bass-driven anthem accompanied by an endearing homemade video created during isolation. Memphis says “Green Light is like driving round in fast cars or being out at a club and dancing with your friends, and these are all things we can’t do in isolation. When I was conceptualising the video I was trying to think of ways to create different worlds in our apartment and still capture that party energy. Turns out you can have a pretty okay time dancing alone with a projector in the lounge room.”

‘Green Light’ follows Memphis’ Dot Dash debut ‘Roses’, which gained support from triple j and triple j Unearthed naming her Unearthed Feature Artist in February 2020, as well as landing her the cover of The Sun-Herald’s entertainment guide as part of their “Ones To Watch” feature.

Memphis fell in sync with electronic music in her late teens, teaching herself Ableton and eventually combining early soul, pop and RnB influences with her love of underground dance music. The versatile performing artist/DJ has paved her way within the Melbourne club music massive, twisting parties with the likes of DJ Koze and Ms Boogie. 2020 has seen Memphis perform live at Pitch Music & Arts Festival and Loch Hart Music Festival.

Fusing electro pop, two-step garage and driving bass with her distinctive melancholic vocals and intimate lyricism, Memphis LK has established an irresistible sound “quite unlike anyone else in the country is doing right now.” (Pilerats).

Stream / Download Memphis LK ‘Green Light’ via https://memphislk.lnk.to/greenlight

Memphis LK – ‘Green Light’ (Official Video)

Memphis LK – ‘Green Light’ is out now
via Dot Dash / Remote Control
    
Memphis LK
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remotecontrolrecords
June 25, 2020 0 comments
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The debut release from electronica-chill artist Nurosonic is shrouded in mystery. Titled “Her featuring Avanna)”, the alluring track is a reference to the Spike Jonze-directed cult film of the same name (starring Joaquin Phoenix and Scarlett Johansson). The film has been described this way: “A masterpiece of love, wit and the human condition, Her engages the mind as it warms the heart”. The same could be said of the Nurosonic track. Nurosonic has chosen to keep their identity under wraps, with only a few details emerging. Nurosonic is many things that are reflected in the music made under that name - a classically trained musician, and devotee of AI culture, an aficionado of electronic music production and the holder of a PhD in Music Neuroscience. A mad professor operating alone? A cross-disciplinary collective? The alter-ego of a notorious pop icon? None of the above? Does it really matter? Her is the debut release under the Nurosonic banner – it’s a hypnotic journey into obsession and devotion built around a haunting vocal performance by Avanna. And who is Avanna? “Avanna is anyone you want her to be”, offers Nurosonic. The music of Nurosonic speaks for itself. The release of Her is the first in a series of intriguing releases planned to emerge from the lockdown months of 2020. “At once technological and transcendental, Her is a work of science and fiction and an emotional examination into the nature of love in the modern world.” https://www.instagram.com/nurosonics/
Music News

NUROSONIC DEBUTS WITH UPCOMING SINGLE ‘HER’ AVAILABLE JUNE 26TH

by the partae June 25, 2020
written by the partae

The debut release from electronica-chill artist Nurosonic is shrouded in mystery. Titled “Her featuring Avanna)”, the alluring track is a reference to the Spike Jonze-directed cult film of the same name (starring Joaquin Phoenix and Scarlett Johansson).

The film has been described this way: “A masterpiece of love, wit and the human condition, Her engages the mind as it warms the heart”. The same could be said of the Nurosonic track.

Nurosonic has chosen to keep their identity under wraps, with only a few details emerging. Nurosonic is many things that are reflected in the music made under that name – a classically trained musician, and devotee of AI culture, an aficionado of electronic music production and the holder of a PhD in Music Neuroscience.

A mad professor operating alone? A cross-disciplinary collective? The alter-ego of a notorious pop icon? None of the above? Does it really matter? Her is the debut release under the Nurosonic banner – it’s a hypnotic journey into obsession and devotion built around a haunting vocal performance by Avanna.

And who is Avanna? “Avanna is anyone you want her to be”, offers Nurosonic. The music of Nurosonic speaks for itself. The release of Her is the first in a series of intriguing releases planned to emerge from the lockdown months of 2020. “At once technological and transcendental, Her is a work of science and fiction and an emotional examination into the nature of love in the modern world.”

https://thepartae.com/nurosonic-debuts-upcoming-single-available-june-26th/

https://www.instagram.com/nurosonics/

June 25, 2020 0 comments
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AIR Presents The Inaugural Women In Music Mentor Program
Music News

AIR Presents The Inaugural Women In Music Mentor Program

by the partae June 25, 2020
written by the partae

The Australian Independent Labels Association (AIR) is thrilled to present the inaugural Women in Music Mentor program thanks to support from the Australian Government.

The Women in Music Mentor program is a four-year nation-wide mentoring and training program aimed at empowering women in the Australian music industry. The program is open to all female, female-identifying and non-binary participants working in or aspiring to work in creative (solo artists, band members, songwriters), technical (engineers, producers, etc.) and/or business roles (managers, promoters, record labels, etc.) within the Australian music industry.
It will be held once a year from 2020 to 2023 and is designed to assist with career and leadership progression pathways, strategic decision making, corporate governance, and focus on developing skills in contract negotiation, financial literacy, marketing and leadership.
Mentees will be paired with mentors over a 5-month period and the program will also provide professional development training opportunities, for mentors and mentees. This will include workshops with industry professionals and leaders.
With a focus on developing skills in contract negotiation, financial literacy, marketing and leadership – applications for the 2020 round of mentorships are now open!

More information about eligibility, key dates and how to apply can be found here: wim.air.org.au

We invite those of any stage in their career to apply. Whether you are just starting out or looking to take your career to the next level, all applications will be considered.
First Nations people, people with disabilities, those who identify as culturally diverse and those who reside in regional Australia are strongly encouraged to apply.

Applications close at midnight on 31st July

APPLY HERE

“We look forward to delivering this program over the next four years and to working collaboratively with industry professionals, mentors and mentees across Australia.”
Maria Amato, AIR GM

June 25, 2020 0 comments
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GORDI SHARES NEW SONG 'EXTRAORDINARY LIFE' WITH VIDEO, ANNOUNCES SYDNEY OPERA HOUSE DIGITAL SEASON SHOW + RUN OF VIRTUAL IN-STORES, NEW ALBUM OUR TWO SKINS OUT TOMORROW
Music News

Gordi Shares New Song ‘Extraordinary Life’, Announces Sydney Opera House Digital Season Show + Run Of Virtual In-Stores, ‘Our Two Skins’ Out Tomorrow

by the partae June 25, 2020
written by the partae
It’s been a busy week for Sydney-via-Canowindra artist, Gordi. Over the weekend, she announced a run of virtual in-stores across the country, then followed up with a surprise song and video release for ‘Extraordinary Life’ and details of an album launch in July as part of the Sydney Opera House’s 2020 digital season, From Our House to Yours. But the best is yet to come, with her awaited sophomore album and this week’s triple j feature record, Our Two Skins, out tomorrow.

New track, ‘Extraordinary Life’ follows the release of previous songs ‘Unready’, ‘Volcanic’, ‘Aeroplane Bathroom’, and ‘Sandwiches’. Throughout the song, Gordi exalts with bold sincerity: “I want to give you an extraordinary life.” Offsetting the isolation and anxiety prevalent in many songs across her new album, ‘Extraordinary Life’ affords the listener a moment of bliss and levity – a welcome moment in the current climate. Reflecting on the song, Sophie says:

“I was standing in a shower in a hostel in Ghent at 2am towards the end of 2017 and I started humming. I began recording the demo in stairwells across Europe while I was on tour with the artist, Asgeir, and in most of the demo vocals you can hear distant chatter in Icelandic. For all the turmoil and anguish described in the record, this song just sits in pure joy. I like the idea that the ultimate gesture of love is to make someone feel exceptional; like they deserve an extraordinary life.”
The accompanying video was filmed on a trip to Thailand earlier in the year and sees Gordi exploring the exotic sights and smells of Bangkok with an amicable though unusual companion. Director Kasimir Burgess, who created the video explains:
“The clip evolved in a playful, improvisational way on the streets of Bangkok. I fell in love with the joy and sadness of Gordi’s track.  My early ideas for the clip centred around a human to human relationship, however there felt to be more humanity in making the relationship about a human and a skin eating fish. I guess you could say that I’ve chosen to interpret Extraordinary Life as a messed up love song to nature.”
https://www.youtube.com/watch?v=o1vq0bsONbc
Fans keen to see Gordi’s new material performed live prior to her tour with Bon Iver in 2021, will be satisfied with a variety of opportunities over the coming months. Across this week and next, Gordi will perform a series of virtual in-stores via Instagram Live, taking in Cottonmouth in Sydney, Oh! Jean Records in Melbourne and Jet Black Cat Music in Brisbane.

The writer-producer is also proud to share news of her official album launch show at the iconic Sydney Opera House on July 25 for the venue’s 2020 digital season, From Our House to Yours. The series has recently featured archival performances by Jonsi & Alex Somers, Air, Olafur Arnalds, as well as live sets from Alaska Orchestra and more.  This special one-off performance will be filmed in full broadcast quality and streamed online to audiences around the world from the Joan Sutherland Theatre.  It will mark Gordi’s debut performance at the landmark venue, with a full set performed with her 4-piece band.

The writing of the album Our Two Skins began after a nervous breakdown while pacing around an Etihad flight from Australia to Europe in late 2017. Payten had finished exams to earn a medical degree and after trading her “nice, safe relationship” for a new one, she began coming to terms with a new truth in her identity. That identity struggle and her new relationship, which played out against the backdrop of the marriage equality plebiscite in Australia led to an isolated internal state, further fueled by distance, trying communication and lost loved ones.

The album was recorded in Canowindra, with the help of friends Chris Messina (Bon Iver, Bruce Hornsby, Big Red Machine) and Zach Hanson (Bon Iver, Hand Habits, Waxahatchee, Tallest Man). The remote and tiny town where Gordi’s family has lived for over a century, proved the perfect location to capture her isolated internal state. The resultant ten track offering is a beautiful ode to this tumultous period of Gordi’s life, as she renegotiated who she is and how she fits into the world. It is also the perfect soundscape to the realities of the present day.

GORDI – TOUR DATES
Saturday 25 July | Sydney Opera House (Digital Season Live Stream)
WITH BON IVER
Wednesday 24 March | RAC Arena, Perth
Monday 29 March | Rod Laver Arena, Melbourne
Saturday 27 March | AEC Arena, Adelaide
Thursday 1 April | Riverstage, Brisbane
Monday 5 April | First State Super Theatre, Sydney
Tuesday 6 April | First State Super Theatre, Sydney
Our Two Skins
Gordi
Album out 26 June 2020 through Liberation Records
Available to pre-order here

Our Two Skins tracklisting:
1. Aeroplane Bathroom
2. Unready
3. Sandwiches
4. Volcanic
5. Radiator
6. Extraordinary Life
7. Hate The World
8. Look Like You
9. Limits
10. Free Association

GORDI

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June 25, 2020 0 comments
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MILD MANIC RELEASE NEW SINGLE MEMORIES
Music News

MILD MANIC RELEASE NEW SINGLE MEMORIES

by the partae June 25, 2020
written by the partae

Today, Melbourne punk/rock band Mild Manic release their new single Memories. 

Produced by the band and Sam Johnson at Holes and Corners Studios (Luca Brasi, Camp Cope, The Bennies) in Melbourne, Memories is the first piece of new music from the band since their 2018 single Global Threat. 

“This song was written about overcoming the feeling of hopelessness you feel when going through a time of loss. Grief is something everyone is subject to, and ‘Memories’ is about being able to go through the motions with the love and support of friends to help carry the burden. Though someone may be gone from this world, they still live within us, in our hearts and in our memories. To celebrate life in death. There is a story to tell for every one of your tears”  vocalist / bassist Dave Boyes

Mild Manic, who formed in 2015, are brothers Chris & Sam Rees on guitars, Dave Boyes on bass and Jye Flynn on drums. The band have released 2 Eps and numerous singles, which saw them tour the nation several times over performing alongside acts Luca Brasi, Hockey Dad, Dear Seattle and Hands Like Houses.

MILD MANIC
RELEASE NEW SINGLE
MEMORIES

June 25, 2020 0 comments
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MICHAEL GUDINSKI ANNOUNCES NEW LABEL RECLUSIVE RECORDS + SIGNS SCOTT DARLOW
Music News

Michael Gudinski Announces New Label Reclusive Records + Signs Scott Darlow

by the partae June 25, 2020
written by the partae
  • Michael Gudinski launches his own boutique label Reclusive Records
  • Reclusive begins with signing Scott Darlow, and his single ‘You Can’t See Black In The Dark’
  • ‘You Can’t See Black In The Dark’ features Ian Kenny, lead singer of Birds of Tokyo and speaks an important message about equality and unity with First Nations people
  • Proceeds from the streams and downloads of ‘You Can’t See Black In The Dark’ will be donated to the Wirrpanda Foundation

Michael Gudinski has just announced his new label, Reclusive Records. Working together with Andrew Mackie (Reclusive’s Director of A&R), Gudinski was inspired by his ongoing label involvement to create Reclusive as a boutique label.

Reclusive launches with a new single from its latest signing, Yorta Yorta singer-songwriter Scott Darlow and his new single ‘You Can’t See Black In The Dark’. Featuring the incredible voice of Ian Kenny, lead singer of Birds Of Tokyo, ‘You Can’t See Black In The Dark’ is an anthemic rock song about race relations, written from his perspective as a First Nations man. A mainstay of Australia’s Indigenous music industry, Scott is a versatile singer-songwriter, guitarist and didgeridoo player who has sold more than 50,000 albums worldwide. Darlow is a passionate First Nations activist and World Vision spokesperson, regularly speaking in hundreds of schools and corporate settings about his indigenous culture, Australian history, racial tolerance, harmony and important social matters.

Michael Gudinski says, “I am excited to launch Reclusive Records which I’ve been thinking about for quite a while but was holding off until I found the right artist for the right time.  With this new label we are focused on career development and being patient with artists. There will be no musical boundaries within the Reclusive label. I have believed in Scott Darlow for many years and it feels incredibly fitting that the first release for Reclusive is Scott’s extremely poignant and timely song ‘You Can’t See Black In The Dark’ which will lead into a very strong EP in the next couple of months.  Mushroom Group has always firmly supported Indigenous artists  – Yothu Yindi (‘Treaty’ was the first song by a predominantly Indigenous band to chart in Australia and it was the first song in an Aboriginal language, Gumatj, to gain extensive airplay and international recognition), Archie Roach (who has a 30 year history with Mushroom), Troy Cassar-Daley, Christine Anu, Dan Sultan – and we look forward to continuing this with Scott Darlow and ‘You Can’t See Black In The Dark’.”

Andrew Mackie says, “The Mushroom Group is like family to me and I could not be more thrilled to be working with Michael and the team as A&R Director for Reclusive Records. I feel honoured to be in this new role where I can help develop careers of talented artists.” 

Scott Darlow says, “’You Can’t See Black In The Dark’ is a song that I’ve spent my whole life trying to write. It is difficult to articulate the battle I’ve felt as an Indigenous person, when there is still so much love, passion and connection to Australian land. ‘You Can’t See Black In The Dark’ isn’t just a song written for the current Black Lives Matter movement – this is the journey that I have lived and breathed my entire life.”

Ian Kenny says, “‘You Can’t See Black In The Dark’ is a passionate song talking about real issues in our own backyard. Scott Darlow has a truly powerful message and now is a good time for everyone to start listening to a voice like his. Recognise, reform and reconcile are the words I hear.”

The proceeds from streams and downloads of ‘You Can’t See Black In The Dark’ will be donated to Wirrpanda Foundation. Launched in 2005 by former West Coast Eagles player David Wirrpanda, The Wirrpanda Foundation aims to lead the provision of education and employment opportunities for Aboriginal and Torres Strait Islander Australians by working together to empower and build capacity amongst individuals, their families and their communities.

‘You Can’t See Black In The Dark (feat. Ian Kenny)’ lyrics: 
Been here longer than time
And our blood’s soaked into the earth below
I can still see the line
Kept us separated from each other that’s the way it was
In 67 my name, was recognised
But do you recognise the pain
Are you released from your shame
(Long) while our kids are locked up (short) like a dog inside a cage

I’m not blinded by the sins of the past
We’re burning but we never struck the match
I’m gonna make a fire from this spark
We’re gonna light it up you can’t see black in the dark

Another 3 years gone
And still you rape the land that you’ve been stealing from
Digging into her soul
Like our mother’s nothing to you but a handful of coal
All we own is time
But all I hear is talk about the bottom line
Have a look at the crimes
That left our sons and daughters dying before their time

Now I sleep with one eye open
Can I let go of the past?
I’m shining bright, and i won’t stop
Faster than the speed of light into the black

‘You Can’t See Black In The Dark (feat. Ian Kenny)’
Scott Darlow
Single out now through Reclusive Records

Available to buy/stream here

SCOTT DARLOW

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June 25, 2020 0 comments
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Music News

YIBBY PUTS THE VISUALS TO LAID BACK NEW SINGLE ‘NO SWEAT’

by the partae June 25, 2020
written by the partae

“King Yib back with bars and all the vocal textures that’ve establishes him as a memorable voice in Australian hip-hop.” – Tommy Faith, triple j Unearthed

“Yibby’s energy and enthusiasm are innate – spitting bars with a confidence beyond his years without so much as breaking a sweat.” – FBi Radio

Teaming up with regular collaborator Andy Bull, YIBBY reveals the vintage-tinged visuals for current single ‘No Sweat’ which premiered on the I’M HIP HOP Youtube channel, illustrating the blossoming and quick breakdown of a friendship.

Once again the Ethiopian-born, South Sydney-raised rapper has teamed up with dynamic producing duo Clockwork Odyssey to create a funk riddled track full of swirling synths and a bouncing beat, as a bed for YIBBY’s signature animated flow. YIBBY explains the content saying “No Sweat is about not stressing while going through adversity or dealing with things and still celebrating the wins.”

Since its premiere on triple j’s Home & Hosed, ‘No Sweat’ has been added to Spotify’s Local Hype, Beats n’ Bars and The Drip and was included in The Guardian’s Best Music for May.

Forever a melting pot of genres, YIBBY’s music always comes accompanied with coming of age tales and food for thought bars. His debut single ‘Woah’ came in late 2018 signalling the start of a rapid fire first year for the now 20-year-old which consisted of the Lost In Translation EP and a hard-hitting team up with fellow up-and-comer Raj Mahal.

Quickly gaining recognition from fans and media, last year he came in at #14 on FBi Radio’s Most Played Artists of 2019. He also left his mark on triple j’s Bars of Steel and FBi Radio’s Independent Play series whilst garnering fans from Sniffers, Tone Deaf, Life Without Andy, Purple Sneakers and more. Single ‘Folk’, pulled from his debut EP, was added to spot rotation on triple j, as well as full adds on triple j Unearthed, FBi Radio, SYN Radio, 4ZZZ and EDGE Radio, and spins on Beats Radio 1.

On the live circuit he’s cut his teeth supporting Winston Surfshirt, Boo Seeka, Drapht, Arno Faraji, Milan Ring and Kuren as well as performing a show-stopping set at Bad Friday Festival. 

YIBBY
‘No Sweat’
OUT NOW

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June 25, 2020 0 comments
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CULTS Release new single 'Spit You Out'
Music News

CULTS Release new single ‘Spit You Out’

by the partae June 25, 2020
written by the partae

Nearly a decade ago Cults emerged with their breakout single, ‘Go Outside,’ which the New York Times hailed as “one of the indie rock highlights” of the year. Little did we know that song was a premonition to a global pandemic where we now plead their lyrics “I really wanna go outside.”  

Today Cults, aka multi-instrumentalist/singer Madeline Follin and multi-instrumentalist Brian Oblivion, share their new pulsating single ‘Spit You Out’ that pries itself free from the clutches of a toxic dependence, with Follin singing, “Break the bond / I’m so glad / So glad you’re gone.” ‘Spit You Out’ is co-produced by Cults & Shane Stoneback, mixed by John Congleton, and mastered by Heba Kadry. The track is accompanied by a Mukbang / ASMR-like video featuring Follin eating and spitting out food in front of Zoom default backgrounds.

‘Spit You Out’ marks the start of a bold new chapter for the band as Follin confesses, “in the past, I’d never brought my own music to the table because I was just too shy.” This track is the first entirely co-written/performed/sung/co-produced from Follin; a radical reimagining, both of the band’s sound and its dynamic.

Cults on ‘Spit You Out’ – “On this single we tried on some of our more left field influences from the exotica sounds of Esquivel to Nine Inch Nails style heaviness. It focuses on parasitic relationships and breaking away from toxic patterns of interaction. We never imagined it would relate to a worldwide pandemic.”

Formed while Follin and Oblivion were still just students in college, Cults released ‘Go Outside’. Both a commercial and critical smash, the track would go on to rack up more than 40 million streams on Spotify, land in soundtracks everywhere from Broad City to Gossip Girl, and help the band score a major label deal for their self-titled debut, released the following year on Columbia Records. Pitchfork called the album “catchy and sweet,” cutting “1960’s girl – pop…with synths, guitars, and softly integrated samples,” while the New Yorker lauded the band’s “agonizingly catchy vintage – pop.” The duo followed it up with the similarly celebrated Static in 2013, and they returned in peak form four years later with Offering, that Billboard described as a “luxury…(head)banger,” and AV Club praised their music “a magic carpet ride over hand-clap-heavy canyons of California pop.”  Over the year they’ve built up a devoted audience along the way through relentless headline touring and festival appearances at Bonnaroo, Lollapalooza, Coachella, Austin City Limits, and more.

Cults – ‘Spit You Out’ (Official Video)
Listen / download: 
https://cults.ffm.to/spityouout.rdd

Cults – ‘Spit You Out’ is out now
via Sinderlyn / Remote Control
sinderlyn.com
remotecontrolrecords.com
June 25, 2020 0 comments
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Music News

WIDOWSPEAK announce new album Plum + share single ‘Money’

by the partae June 25, 2020
written by the partae
Past praise for Widowspeak

“Widowspeak fuses lightness and darkness like few others.” – NPR

“Romances, lives, cities, worlds — Widowspeak’s songs contemplate their erosion with a dazed acceptance and music that keeps opening up new spaces.” – New York Times 

“Every Widowspeak record is exceptionally intimate.” – AV Club

“Widowspeak take bits and pieces of rock, folk, and country history to make a pop Americana sound that feels antique.” – Pitchfork 

“Optimistic-feeling swirl of twangy, textured guitars and dreamy-as-hell vocals” – The FADER

“Rich and atmospheric…speaking to the restlessness of human existence”  – KEXP

“Widowspeak take the best parts of folk and shoegaze and twist them together” – Stereogum

Today Widowspeak announce their new album Plum, to be released August 28 via Captured Tracks / Remote Control.  Along with the announcement, the duo (singer-songwriter Molly Hamilton and guitarist Robert Earl Thomas) share ‘Money‘: the record’s hypnotic second single. “Will you get back what you put in?” Hamilton asks over an insistent guitar riff, a line delivered with a playful knowingness. ‘Money‘ considers whether this is, in fact, the world we want to live in: a world that increasingly sees monetization as the greatest goal, even at such great expense to ourselves, and especially our future. What does it mean to contribute? And what is the cost of “selling out”?

Molly Hamilton on ‘Money‘ – “I’ve been thinking a lot about the things we tell ourselves in order to ‘forget’ the toll of our collective actions: whatever makes it easier to forgive what we’re complicit in. Some of that is related to the environment and how people have trained themselves to tune out ‘environmentalist propaganda’. We made part of the video at a park in Kingston, NY and the archival footage is mostly pulled from films aimed at employees or shareholders of various industries. The narration for many of them (forestry, agriculture, mining, energy) was surprisingly concerned with the dangers of an environment out of balance… Shows you that we haven’t learned much in the last 70 years. On the other hand, the lyrics are also about capitalism and how it trains us to see everything in terms of value, even our experiences, and we get so caught up in seeking some sort of return on investment that we ignore the damage we inflict (on people, on ourselves, on the planet).”

This follows the release of the album’s first single “Breadwinner,” a track “as spare and breathy and beautiful as anything they’ve released” (Stereogum), and “a gorgeous delivery of a troubled reality” (Jezebel).  It’s a song about shared burdens in life and love, and hoping that there’s something transcendent, honest in whatever it is to work.

On Plum, Widowspeak continue to expand on the shared visions they’ve explored across five albums, delving deeper into what was always there: dusty guitars, ear-worm melodies, warm expansive arrangements.  In the decade since forming they’ve garnered praise from top outlets, with The New York Times saying “…their music keeps opening up new spaces” and NPR noting the duo’s ability to “fuse lightness and darkness like few others.”  Recorded over a handful of weekends last winter by Sam Evian (Cass McCombs, Kazu Makino, Hannah Cohen) at his Flying Cloud studio in the Catskills, and mixed by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius), Plum was finished up just as the start of spring signaled something, everything was changing. Hamilton’s lyrics speak to the unique turmoil of anyone who creates as their work, who must somehow survive off such “fruits of their labor.” With its release, Widowspeak have brought something into the world that seems to know its own worth, even as it wonders aloud about what is to come.

Stream / Download Widowspeak ‘Money’: https://widowspeak.ffm.to/money.ofp
Pre-order Plum: https://widowspeak.ffm.to/plumalbum.ofp
Widowspeak – ‘Money’ (Official Video)

June 25, 2020 0 comments
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BING & RUTH Share new single 'The Pressure Of This Water' New album Species out Friday 17 July
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BING & RUTH Share new single ‘The Pressure Of This Water’ New album Species out Friday 17 July

by the partae June 25, 2020
written by the partae

Released today, ‘The Pressure Of This Water’ is the third single to be taken from Bing & Ruth’s forthcoming new album, Species out July 17 via 4AD / Remote Control.

‘The Pressure Of This Water’ is released today with visuals created by Michael Speed and Marisa Gesauldi. Clocking in at a meditative 10-minutes, Bing & Ruth’s ringleader, David Moore says of ‘The Pressure Of This Water’, “it’s the first song I wrote on my Farfisa, and it’s stuck by me through all the time since. The accompanying visuals here are from Michael Speed who, faced with the impossibility of actually travelling to the desert, chose to collage publicly available stock footage into a video that reflects the arid nature of the track itself.”

Bing & Ruth is the ever-evolving project helmed by New York composer David Moore. While on a surface level, Species is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass (played respectively by founding members Jeremy Viner and Jeff Ratner), the title Species is a nod to both humanity and humility – a devotion to the godly intuition with which we are all endowed, and the humbleness required of us to perceive it. It’s also about suspended time and trance; not just a steady movement from A to B, but as something that flows, meanders and eddies, like water. “I suppose what interested me the most in putting this together was the concept of trance and what can happen to the listener by submitting to the wave of the thing,” Moore explains. “Upon reflection, I suppose what I was moving towards was a way to feel small – a way to feel deeply humble. I had always made music in search of some sort of inner peace, but I no longer cared so much to comfort myself.  I’d grown tired, it seemed, of looking inward. I wanted to look nowhere.”

Species, and the transcendental state it embodies, was inspired by two recent loves of Moore’s: the desert and long-distance running. Briefly relocating from his New York base to Point Dume, between the Pacific Ocean and the desert, Moore was able to indulge in both passions, which in turn provided stimulus for new work. He says, “I’d found myself in places unfamiliar enough that I could easily lose all sense of direction, size and, more than anything, all sense of time. The music I was making became a kind of reflection of these intentional detachments – and a place to mirror that feeling of trance that had pushed them out in the first place.”

Bing & Ruth – ‘The Pressure Of This Water’ (Official Video)
Purchase / Stream: https://bingandruth.ffm.to/species 

Bing & Ruth – Species

1. Body In A Room
2. Badwater Psalm
3. I Had No Dream
4. Blood Harmony
5. Live Forever
6. The Pressure Of This Water
7. Nearer

Bing & Ruth – Species is out Friday 17 July
via 4AD / Remote Control
bingandruth.com | Facebook | Twitter | Instagram
4ad.com
remotecontrolrecords.com.au
June 25, 2020 0 comments
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Breakthrough French-Canadian producer CRi releases new single Never Really Get There feat. Jesse Mac Cormack + music video filmed in lockdown, directed by CRi's sister Alexa-Jeanne Dubé out now on Anjunadeep
Music News

Breakthrough French-Canadian producer CRi releases new single Never Really Get There feat. Jesse Mac Cormack + music video filmed in lockdown, directed by CRi’s sister Alexa-Jeanne Dubé out now on Anjunadeep

by the partae June 24, 2020
written by the partae
“His music defies predictable electronic pigeonholing” – VICE
French-Canadian producer and live act Christophe Dubé, aka CRi, is a dance music star in the making. Following in the footsteps of fellow Montréalers Jacques Greene and Kaytranada, CRi has risen through the city’ss bubbling scene in recent years and 2020 is set to be his biggest year yet as he shares his latest single ‘Never Really Get There‘ with fellow Montréal native Jesse Mac Cormack.
A self-taught multi-instrumentalist, CRi caught the attention of tastemaker press with early singles ‘Rush’ and ‘Don’t’, which were accompanied by award-nominated music videos, and picked up a nomination for Electronic Release of The Year at the 2018 Juno Awards (Canada’s equivalent to The Grammy’s).
CRi‘s sound blurs light, dream-like melodies with textured production – capturing the energy of the dancefloor, and the nostalgia of the morning after. Christophe draws inspiration from his musical heroes Moby, St Germain and Daniel Bélanger, along with more contemporary influences ranging from Caribou and Dark Sky to Jacques Greene and Actress.
Having debuted on Anjunadeep in 2019 he quickly caught the ear of BBC Radio 1’s Pete Tong and Annie Mac with his ‘Initial EP’, which was also championed on KCRW by Jason Bentley.
CRi‘s latest single ‘Never Really Get There’ features long-time collaborator Jesse Mac Cormack, weaving CRi‘s alternative electronic sound with Jesse’s delicate vocals.
“The creative process behind this song was pretty quick. We met up at my studio on a
Friday afternoon. We were supposed to put together a song for this Chinese phone
company, OPPO. Without a word, Jesse went straight to the piano. He played a few
chords and started to sing. That’s when I realized we weren’t going to do a song for an
ad.” – CRi
“This song is about setting high expectations in relationships and
quickly jumping from one to another in denial. Pushing further the moment you will meet with the parts of yourself you don’t want to deal with.” – Jess Mac Cormack
The single is accompanied with a music video, directed by his sister Alexa-Jeanne Dubé, a notable filmmaker and director from Montréal; filmed during lockdown amid the current Coronavirus pandemic. CRi explains:
“I had this kind of voyeur idea, about filming people dancing in their homes through the window. For me, the window represents a kind of bridge between two worlds, two realities,inside and outside. It’s symbolic for the song, because ‘Never Really Get There’ is about being stuck outside yourself and not being able to get back in.”
‘Never Really Get There‘ is out now via Anjunadeep.
CRi on:
Instagram | Twitter | Facebook
June 24, 2020 0 comments
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JESS CORNELIUS Shares new single & video 'Body Memory'
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JESS CORNELIUS Shares new single & video ‘Body Memory’

by the partae June 24, 2020
written by the partae
Los Angeles-based musician Jess Cornelius releases a new single/video, ‘Body Memory,’ from her debut album, Distance, out July 24th via Part Time Records / Remote Control. It follows the Roy Orbison tinged rave-up, ‘Kitchen Floor.’ On ‘Body Memory,‘ the last song she wrote for the record, Cornelius intones over a calming electro-rhythm “When we met I used to make you laugh/then we lost the baby and it broke my heart,” adding later: “My body has a memory and it won’t forget.” Its accompanying video, the second she’s made since the start of the pandemic lockdown, was created by Cornelius and her partner and filmed on an iPhone at Lake Isabella, California. Cornelius elaborates on the video:

“Originally I had a much more elaborate, narrative-based concept, where I was this woman running away from a cult, (hence the tracksuit and Nikes), to be filmed in Oildale and Posey where my partner, Joe, is fixing up an old cabin. At the last minute, we decided to drive to Lake Isabella because of supposed good visuals there. I was grumbling all the way there about how the location wouldn’t fit with my shot list, but when we got there and I started dancing on rocks, we just threw away the shot list and made it up as we went along. The editing was fun because I’m teaching myself Premiere Pro (thanks YouTube tutorials) and I got to throw every hilarious video effect at it. We were also heavily influenced by Laraaji’s videos, obviously.”

Cornelius first began writing the songs that would comprise Distance after moving from Melbourne, Australia to Los Angeles. At the time, she was excited to start fresh after several years as the primary songwriter in the band Teeth and Tongue. But the distance she addresses over the album is hardly a geographical one. The journey over Distance is a celebration of newness. New beginnings and new perspectives on endings. From the chaos of a vagabond lifestyle to expecting a child just weeks before the albums’ release and researching how to tour as a mother in the coming years.

While the sonic tones and textures on the album evoke certain classic staples of Americana, soul and rock and roll, Cornelius’ lyrics anchor the songs to a deeply personal place. She sings of a miscarriage, a messy romantic affair, and the frustrations that come with having a partner. Distance finds a deft songwriter analyzing the space between society’s expectations for her and her own dreams, the illusion of love and the reality of disappointment, and a past she is ready to let go of and a future she could have hardly imagined.

Pre-order / pre-save Jess Cornelius – Distance: https://jesscornelius.lnk.to/distance

Jess Cornelius – Distance

1. Kitchen Floor
2. No Difference
3. Body Memory
4. Easy for No One
5. Here Goes Nothing
6. Born Again
7. Palm trees
8. Banging My Head
9. Street Haunting
10. Love and Low Self Esteem

Jess Cornelius – Distance is out Friday 24 July via Part Time Records / Remote Control.
 
Jess Cornelius
Facebook | Bandcamp | Instagram | Spotify
parttimerecords.com
remotecontrolrecords
June 24, 2020 0 comments
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STEVE AOKI REMIXES J-POP QUEEN KYARY PAMYU PAMYU!
Music News

STEVE AOKI REMIXES J-POP QUEEN KYARY PAMYU PAMYU!

by the partae June 24, 2020
written by the partae
Date: Out now!
Stream Link: https://orcd.co/ninjala
Today, global DJ/Producer and entrepreneur, Steve Aoki is back with a remix of J-pop artist, Kyary Pamyu Pamyu’s Japanese No.1 platinum-selling single, ‘Ninja Re Bang Bang’ released on Smash The House.

The spectacular fusion of Kyary Pamyu Pamyu and Steve Aoki on this sugary J-pop-dance track delivers a technicolor extravaganza that is brimming with the larger-than-life personalities of two of music’s most distinctive superstars. The Japanese pop queen’s original song reimagined by EDM’s supercharged hit-maker producer is something so overly eccentric that it will have you vividly fall in love with ‘Ninja Re Bang Bang’.

Bringing his trademark energy, Aoki’s remix triggers the pace of the record from the opening few bars which lifts into an almost immersive vibrancy of cosmic sounds. Aoki’s rendition of ‘Ninja Re Bang Bang’ swings in favour of a speedy melodic vibe that is hyper-catchy and ties effortlessly with Kyary’s cute vocals.

First released in 2013, ‘Ninja Re Bang Bang’ has become a worldwide phenomenon with over 65million YouTube views to date. The track was also featured on animated movie ‘Sing’ featuring Matthew McConaughey and Scarlett Johansson and the latest John Wick movie: Chapter 3 – Parabellum. It is also confirmed to feature in the TV commercial and end theme for the forthcoming video game cartoon animation, Ninjala.

About Kyary Pamyu Pamyu:
Originally a fashion blogger and model, Kyary Pamyu Pamyu has become one of the most exciting cultural sensations in the world today. Her attention-grabbing style and bubbling cuteness have led to many of music’s biggest pop-queens, most notably Ariana Grande and Lady Gaga, naming her as an inspiration. But whilst Kyary’s“girly dream world” is unmissable, her music is equally unavoidable. Four albums, a string of greatest hits and several world tours under her belt already, Kyary Pamyu Pamyu is far from a passing trend. Having a digital fan base of more than 7million fans makes Kyary one of the most followed Japanese artists. Add to that her numerous accolades from the likes of Vogue, Fuse TV and MTV mean Kyary is one of the country’s most celebrated too.

About Steve Aoki:
Steve Aoki, the two-time Grammy-nominated producer/DJ is one of today’s most successful American cross-genre artists, collectively counting 2.6 billion music streams on Spotify, with an additional 355 million music streams on YouTube. As the founder of the trendsetting record label, events/lifestyle company, and apparel line Dim Mak Records, which he founded in 1996, Aoki has helped launch the careers of global acts like The Chainsmokers, Bloc Party, The Bloody Beetroots, The Gossip, and The Kills, among many others. Dim Mak today counts more than 1,000 official releases from the biggest acts and most buzzing newcomers across EDM, indie rock, hip-hop, and beyond over its two-decades-plus discography. As a solo artist, Aoki boasts a lauded discography that includes: Wonderland (2012), his debut solo album, which garnered him his first-ever Grammy nomination for Best Dance/Electronica Album; the Neon Future series, which includes Neon Future I (2014, certified gold by the RIAA), Neon Future II (2015), and Neon Future III (November 2018) and the hip-hop centric Steve Aoki Presents Kolony (2017). Recognized by Forbes as one of the top 5 world’s highest paid DJ’s and the world’s hardest working DJ, Aoki is “one of the most in-demand entertainers in the world” (Billboard), counting more than 250 tour dates per year, with past performances at nearly every top festival around the world including Coachella, Ultra Music Festival, Lollapalooza, Fuji Rock Festival, Tomorrowland, Electric Daisy Carnival, and more. In 2012, Aoki founded THE AOKI FOUNDATION, which primarily supports organizations in the brain science and research areas with a specific focus on regenerative medicine and brain preservation.

STEVE AOKI
Online / Spotify / Facebook / Twitter / Soundcloud / YouTube / Instagram

KYARY PAMYU PAMYU
Online / Spotify / Facebook / Twitter / Soundcloud / YouTube / Instagram

SMASH THE HOUSE
Online / Spotify / Facebook / Twitter / Soundcloud / YouTube / Instagram

June 24, 2020 0 comments
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PLANTS AND ANIMALS Announce new album The Jungle Share new single 'House On Fire'
Music News

PLANTS AND ANIMALS Announce new album The Jungle Share new single ‘House On Fire’

by the partae June 24, 2020
written by the partae
Photo Credit:  Dominique Berthiaume

Montreal indie rock trio Plants and Animals announce The Jungle, their fifth studio album set to be released Friday 23 October via Secret City Records / Remote Control. Their shortest album yet and certainly their boldest, The Jungle is eight acts in a world full of noise. The album is auto-produced and was recorded at Mixart, their studio in Montreal. Today they share their lead single and video ‘House On Fire’, an upbeat and energetic anthem. ‘House on Fire,‘ came from Warren’s haunting feeling that a friend who was taking too many sleeping pills might forget to turn his stove off.

The band explains: “We started working on this a couple of years ago. Warren was afraid for a friend’s health. He thought he was self-medicating too much and not taking care of himself. He couldn’t let go of this image of an overworked dude swallowing too many sleeping pills and falling asleep with the stove on. So it began as the place next door, sometime before Greta Thunberg turned the expression into a rallying cry, where Earth is the house and the people are sleeping. It’s terrifying, and on the whole we’re not unlike this friend, are we?”

The Jungle starts with electronic drums that sound like insects at night. A whole universe comes alive in the dark. It’s beautiful, complex and unsettling. Systematic and chaotic. All instinct, no plan. Voices taunt, “yeah yeah yeah.” Every song is a landscape. The first one grinds to a halt and you become a kid looking out a car window at the moon, wondering how it’s still on your tail as you speed past a steady blur of trees. You get pummeled by a rhythm then set free by a sudden change of scenery—the wind stops, clarity returns.

These are personal experiences made in a volatile world, and they reflect that world right back at us, even by accident. There’s one song Nic sings to his teenage son who was dealing with climate change anxiety and drifting into uncharted independence. The band carries the song slowly together into a sweet blue horizon. Warren wrote the words to another shortly after losing his father. It’s about the things we inherit not necessarily being the things we want.

Plants and Animals are an iconic Montreal-based trio that began playing together as kids and emerged on the international scene in 2008 with Parc Avenue. The band has developed a varied cult following ever since, built on the shoulders of their self-produced records and their intense live shows. Parc Avenue was released during the famous Montreal-is-the-new-Seattle music moment. This release set Plants and Animals as an incredible live force, a powerful songwriting trio and opened doors for them to tour the world many times over with people like Portugal. The Man, Gnarls Barkley and more. Three other releases followed La La Land (2010), The End of That (2012) and Waltzed in from the Rumbling (2016). The band was shortlisted (2008) and longlisted (2010) for the Polaris Music Prize and received multiple Juno Awards and ADISQ Awards nominations over the years.

Pre-order / Pre-save The Jungle https://plantsandanimals.lnk.to/thejungle

Plants and Animals – The Jungle
1. The Jungle
2. Love That Boy
3. House On Fire
4. Sacrifice
5. Get My Mind
6. Le Queens
7.  In Your Eyes
8. Bold
Plants and Animals – The Jungle is out Friday 23 October via Secret City Records / Remote Control.
  

Plants and Animals
Site Web || Facebook || Twitter || Instagram
secretcityrecords.com
remotecontrolrecords

June 24, 2020 0 comments
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