Cris Gamble is a standout in Australian hip hop. The multi-talented artist is unmatched in his ability to create sophisticated, atmospheric beats and dual-language toplines. With his Chilean and Anglo-Indian heritage, the Melbourne native effortlessly switches between English and Spanish, creating a vibrant bilingual experience. Gamble has played headlining shows in Melbourne at the Golden Monkey and The Gasometer Hotel among others and always brings a cut-throat energy to his performances.
His new single, “Oscuro,” is a prime example of his talent. The song is delicate and robust, with an exquisite interplay between nylon string guitar and warm thick bass. Cinematic sounds and transient, drifting ribbons of backing vocals add depth and texture. Gamble’s bars are delivered with humble power, as he shifts between rapping and singing with a calm dexterity.
Out Now: “Oscuro” is a must-listen for fans of Australian hip hop and a great bench mark of where the modern scene is up to. Things are only getting more interesting.
Spotify Link: https://open.spotify.com/
Commercial/Pre-Save Link: https://crisgamble.ffm.to/
Where are you currently based?
Now I live in Toronto, but before that I lived in Vancouver, London (England), and Bulgaria, which is where I was born.
How did you first start playing music?
I’ve been in performance groups and choirs since I was a little girl, so I’ve been singing since day one. When I got a little older I started writing poems and such, and then when I joined a band in high school is when I started to dip my toes into actual songwriting.
What’s been happening recently?
It’s been a really exciting, crazy time actually.. Late last year I released a single called “Friends” which ended up charting #13 on the CHR/Top 40 chart in Canada, and it also earned me my first two Billboard chart placements with my own music, which was insane. I’ve been lucky enough to earn a few #1 Billboard Chart plaques for the writing I’ve done in the KPop world (“Black Mamba” by aespa specifically), but when you chart with your own music it really is an entirely different feeling of accomplishment.
Then Amazon Music chose me as their Breakthrough Artist this April and put my face on a big ol’ billboard in downtown Toronto, which coincided with my birthday so it was the absolute best birthday gift I could’ve asked for!
And now I’m releasing a brand new single called “That Song” which I adore because it’s very much a redemption anthem for all the songs that my past relationships have ruined.
Your new single ‘That Song’ is out on August 25th, what influenced the sound and songwriting?
I wrote “That Song” with Ali Milner and Joel Stouffer (who also produced it), and from the get go I knew I wanted to write a feel-good, rhythmic song that makes you want to bounce along. I have this thing where I tend to put lyrics that aren’t necessarily happy on top of bouncy, up-beat instrumentals because I feel like in that way I don’t have to be sappy about whatever I’m going through. For a while I’ve been wanting to write a song about how all my favourite songs have been tainted because they’re so connected to memories of past relationships that now I can’t enjoy them fully. Ali and Joel were totally on the same wavelength as me and I’m so grateful that this song fell into their hands to help craft and shape it into exactly what I wanted it to be.
What does ‘That Song’ mean to you?
It feels very empowering to me because like it says in the song, I get to create new melodies and shape new memories for myself now; free of negative associations of the past. I’m reclaiming the joy that music brings me. It’s very therapeutic, actually.
Where and when did you record/produce/master and who did you work with?
Ali, Joel, and I wrote and recorded at Sony Music Studios in Toronto earlier this year, and I instantly fell in love with it and wanted it as my next single. That Song was mastered by Joao Carvalho, who’s also absolutely amazing.
How did you approach the recording process?
We actually originally wrote the song in a slightly lower key than the final version, but when I got in to do the final vocals we decided to play around and take it up a little bit. That ended up being the total right move because it added that extra bit of energy and sparkle.
Who are you listening to at the moment?
I am absolutely rinsing Tori Kelly’s new EP “tori”. It’s the perfect EP and I can’t wait for her to release more. When I like something, I absolutely obsess over it and listen to ONLY that, all day, every day, until I throw up.
What’s planned for the remainder of 2023?
I’ve got more music coming this year, music videos, and shows! More to come 🙂
Favourite food and place to hangout?
I could eat tacos and sushi every single day for the rest of my life, and die happy. Now give me that, put a book in my hand, and put me on the new couch I just bought, and you’ve got yourself the happiest camper you could ever imagine. I get wild, I know.
Instagram: @itsniiva
Twitter: @itsniiva
Facebook: /itsniiva
Website: https://itsniiva.com/
Photo by: Frances Carter
Energised, fresh and strikingly vibrant, multi-instrumentalists Ash Wallace and Gabriel Everett – aka Foley – have made significant impact already as formidable players in Aotearoa’s current pop movement.
In their music, listeners become instantly immersed in the crystalline vocals, sharp pop production, and infectious rhythms that Foley has become synonymous with. Knitting together a variety of sonic influences in creating their core sound, the duo have built solid momentum around their releases since their Award Nominated Vacation EP.
Building consistently as a studio and live unit, Foley have arrived in their most potent and powerful form to date, delivering their highly anticipated debut album, CROWD PLEASER.
Since that debut back in 2017, Foley have accrued over 11 million streams worldwide. Their impact has been highlighted by various achievements; their presence amplified by 5x Top 10 tracks in the New Zealand Pop Radio Charts, and a Top 10 placement on the New Zealand album chart for the release of their debut EP, On My Conscience in 2020.
Now signed with Nettwerk under a global deal, Foley are pushing further into global markets with their stunning take on diverse pop sounds.
The work never stopped for Wallace and Everett. As their catalogue grew, so did their standing as writers and performers: nominations at the Aotearoa Music Awards and the APRA Silver Scrolls, plus numerous support slots for the likes of Tove Lo, Remi Wolf, Still Woozy and more positioned Foley as the next potential break out pop group from NZ.
Since the release of Crowd Pleaser Pt. 1, Foley’s profile has risen internationally; notably, they secured the lucrative cover of Spotify’s EQUAL playlist for Australia and New Zealand, which saw Foley appear on billboards in Times Square, New York City.
Accomplishments like this are certainly momentous for a band like Foley, yet their journey has been littered with significant successes and empowering moments that have kept Wallace and Everett pushing forward in elevating their craft.
Having gifted fans the first chapter of the record earlier in 2023, featuring stellar cuts including ‘Coffee’, ‘Smooth It Over’, ‘Killing Me Babe’ and ‘Nothing’, Foley now unleash Crowd Pleaser in its full glory, ahead of their Australian debut at BIGSOUND 2023.
With Aotearoa tour dates already underway, Foley are looking ahead to a busy second half of the year, including showcases at SXSW Sydney in October, and wrapping up the year at NZ’s biggest festival, Rhythm & Vines over New Year’s Eve.
A boldness and confidence sits at the foundation of Crowd Pleaser – confidence heard right throughout the releases to date, but bolstered in the album’s deep cuts; moments that allow Foley to thrive and properly flourish. Most recent single ‘Tongue’ tackled these themes with dynamism and flair.
Lead single ‘What Got Into You’ is a perfect example; prime representation of Wallace and Everett’s tight songwriting partnership and musicianship. A collaboration with long time producer Josh Edmonds (Vetta Borne, Niko Walters), the unique production style is a result of running the entire song through a guitar pedal board to see what chaos would result.
As they describe, ‘What Got Into You’ is about the constant churning of the rumour mill.
“One little whisper can circulate and cause a huge story to erupt, that does more damage than you ever expected. That swell to chaos happens quickly, even if someone didn’t have bad intentions and isn’t usually the type to gossip. ‘What Got Into You’ explores an unraveling where a rumor gets away from you and takes on a life of its own.” FOLEY
Working with video director Tom Grut on the music video for ‘What Got Into You’, Foley let themselves lean all the way into their creative chaos – the end result coming together in an awesome final cut, which can be viewed below.
“The song is all about a small rumor becoming a hugely damaging story – so we really wanted to communicate the way something small can get out of hand incredibly fast. In a visual context that was far more light hearted and fun and we let our imaginations run wild with the kind of chaos we could show – throwing feathers, lamps, trees, fire, bubble wrap – anything and everything has touched this video!”
FOLEY
Crowd Pleaser, while in many ways a glimmering and danceable pop record, explores deeper thematic textures, as Foley uses the pop form to buoy narratives focused on the complexities of relationships and the nuances that make human interactions…human.
Gorgeous grooves meet moments of reflection and stripped back vulnerability. For fans of Caroline Polachek, Remi Wolf; to artists like Charli XCX and BENEE, this record by Foley is going to provide similar feelings of euphoria, emotional swells and comfort.
PRAISE FOR FOLEY
“The infectious melody of their new hit “Coffee” takes listeners on a joyride of upbeat bliss, while the lyrics explore the serious struggle of feeling exhausted and struggling to do better.”
Rolling Stone AU/NZ
“Foley are the kind of band that leave you feeling like you’re suspended in space. Their lush melodies and dense soundscapes are delivered with precision and charm.”
Happy Magazine
“…has the makings of a quintessential pop ballad laced with glossy backdrops, and earworm melodies to match.”
Earmilk
“This is the first half of their debut album, and it’s interwoven with addictively catchy, heartfelt, and electrifying pop anthems.”
Unclear Magazine (Crowd Pleaser, Pt. 1)
“Foley have always focused on pure, unadulterated pop but across the five tracks …they transform their sound into an electrifying mix of 1980s-inspired synthpop and electronica.”
Women In Pop
“Foley is the artist you play when you want to dance.”
Indie Band Guru
FOLEY 2023 LIVE SHOWS
Tuesday 5 September – Friday 8 September BIGSOUND BRISBANE AU
Tickets
Sunday 15 October – Sunday 22 October SXSW Sydney SYDNEY AU
Tickets
Saturday 28 October – Sunday 29 October Manawatu Food and Wine Festival MANAWATU-WHANGANUI NZ
Friday 29 December Rhythm and Vines Festival Mainstage GISBORNE NZ
Tickets
CROWD PLEASER is out now.
Official Website | Facebook | Twitter | Instagram | YouTube | TikTok
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With a legendary lineup of Australian talent, featuring James Reyne, The Beautiful Girls, Kingswood, Dragon, Ash Grunwald, Sunny Coast Rude Boys & more, KickAss Festival have today announced the addition of another Australian mainstay, with iconic rock band The Choirboys joining the lineup. With 3 x ARIA Top 30 charting albums between 1983-1991, The Choirboys amassed a cult-like following of adoring fans, with 1987’s single ‘Run To Paradise’ a track reminisced by audiences of all ages, even today.
KickAss Festival is taking place in the stunning Sunshine Coast Hinterland, at Kenilworth Showgrounds; returning strong for a 2023 edition after 2022’s success. Offering 2 days of live music, events, food & campaign across September 8th – 10th, the event is a multigenerational experience for anyone wanting to experience the great outdoors, immerse themselves in local culture, and connect with like-minded people over an array of some of Australia’s best talent.
Headlined by the magnetic Australian icon James Reyne and his 8-piece band, an artist who is known to ignite stages worldwide. The unforgettable frontman of Australian Crawl, his accolades span ARIA awards and a coveted place in the Australian Songwriters Hall of Fame.
““KickAss Music and Camping Festival!! This will be fun and not just because of the camping and the music or even the KICKASS, the fun is hanging with our mates backstage and you lot out the front. We’re itching to get to Kenilworth … it’ll be all about Rock, memories and laughs.” The Choirboys
“We were devastated when we found out about GANGgajang having to pull out. But sometimes things are meant to be. Choirboys happened to be available, it fit our festival perfectly and now we have another iconic band playing at our festival. With a plethora of classic hits, we can’t wait to welcome Mark Gable and his band to Kenilworth in September”
Klaeton Sheehan, KickAss Festival
Alongside the announcement of The Choirboys, KickAss Festival have also announced an exclusive competition in partnership with Camplify, offering up 2 x VIP tickets to KickAss Festival, access to private lounges within the VIP section & bar, complimentary KickAss merch pack, and luxury/private toilets. The winner will also get 1 x Camplify Caravan delivered on-site as accommodation for the duration of KickAss Festival. The total value is over $1500+, open to anyone in Australia & entrants only need to submit online, to go into the running.
“At KickAss Music and Camping Festival, we’re beyond thrilled to join forces with Camplify, a true trailblazer in the world of outdoor adventure. This partnership is a blend of two reputable brands that share the same passion for creating unforgettable experiences. Having Camplify’s support elevates our event to new heights, adding to the excitement and ensuring that every moment spent at our festival is nothing short of epic”
Josh Allen, KickAss Festival
Camplify, Australia’s largest, most trusted van-sharing platform is helping festival goers find the perfect accommodation on wheels for the upcoming KickAss Camping festival, 8-9 September 2023. Born out of a desire to make van life accessible to all, Camplify connects local van owners with travelers. With thousands of RVs available across the country, finding and booking the perfect motorhome or caravan for your KickAss festival experience is easy.
Alastair McCausland, Camplify CMO explains: “Camplify loves supporting all things camping and outdoors, which is why we’re proud to partner with KickAss Events and welcome a great lineup of musical talent to Kenilworth Showgrounds in regional Queensland. Camping and music go hand in hand, and we believe that festival goers should make their experience that bit more comfortable by staying in a van. With plenty of choice, from budget to luxe, there’s a van for every type of music lover.”
One of the most exciting aspects of the festival is the location itself. The Kenilworth Showgrounds is located in the heart of the Sunshine Coast Hinterland, surrounded by lush rainforests, pristine creeks, and the tranquil Mary River – a true oasis for camping enthusiasts. Premium & VIP tickets are now SOLD OUT, with day tickets selling quickly.
KICKASS 2023 LINEUP
James Reyne
The Beautiful Girls
The Choirboys
Kingswood
Dragon
Ash Grunwald
Sunny Coast Rude Boys
Mason Rack
Fat Picnic
Bearfoot
Lecia Louise
Jerome Williams
August River Band
Flaskas.
KickAss returns to the Sunshine Coast Hinterland this 8-10 Sept, 2023.
Subscribe to www.kickassfestival.com.au for further news and announcements.
Tickets for KickAss will be priced according to age-group and range from $75-$99 for a single day ticket and $75-$139 for a 2-day festival pass. Limited tickets left, available HERE.
In 2023, KickAss is excited to extend its accommodation options, HERE.
KickAss Festival: Official Website | Instagram | Facebook
Primed to pop, we’ve prepared a cheat sheet of the best free agents to catch live at BIGSOUND in 2023, covering the gamut of taste and genre below.
Celebrate our angel numbers with us at Up Late and Unsigned: an evening of new music discovery and varying degrees of representation across management, publicity and bookings. We’re shining a light on our roster together with like-minded female-run, independent businesses Our Golden Friend and Collective Artists as part of the Amazon Music After Hours series.
UP LATE AND UNSIGNED
Tuesday 5th September
The Brightside
27 Warner St, Fortitude Valley (Turrbal land)
2300 – 0300
RSVP HERE
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White sand, deep blue sea, plenty of palm trees and loads of sunshine.
Every summer needs its unique soundtrack! Just right in time for the most beautiful time of the year, Milk & Sugar is releasing his new compilation ‘Beach Sessions 2023’. No matter if chilling at the Beach in the afternoon or enjoying the sundowner at the pool, the album serves perfectly as the soundtrack for exactly those occasions.
German house music pioneer Milk & Sugar is taking the listener onto a journey from chillout and ambient sounds over Deep House to the more discoesque spheres of electronic music and manages to create a flow that captions the listener from the beginning.
‘Beach Sessions 2023’ contains productions by the likes of Purple Disco Machine, Tube & Berger, Andhim, Solomun, De-Phazz, Joachim Pastor, Satin Jackets, Kraak & Smaak, Deep Dive Corp. and Afterlife, to name a few.
‘Milk & Sugar’s Beach Sessions 2023’ drops on 25th August 2023 as a limited 2xCD-, Download- and Streaming Edition.
CD1 // POOL
CD2 // BEACH
Buylink:
http://www.milksugar.lnk.to/
New Zealand/South African Punk Rock lords The Transits are back with their inspiring new single and music video ‘Fall Into Dark’, which was premiered exclusively via Hysteria Mag.
“Fall Into Dark grapples with the subject of hope and despair. You can be in the darkest of times, when you feel like all is lost, and yet there is still a glimmer of hope. Sometimes that glimmer can be an intuitive voice deep inside yourself, or it could come from someone who genuinely cares about you. The line ‘Break through the lies again, live in the light again’ sums this one up perfectly.”
‘Fall Into Dark’ is taken from the band’s upcoming album (set for release in Nov 2023).
Ryan Lunn (vocals, guitars, synths), Dom Antelme (vocals, bass) and Tyrone Smith (drums) recorded their parts of the track in their respective studios across Auckland and South Africa, before sending it all to Ryan in Durban, South Africa where he mixed and mastered the track.
The new single is the follow-up to their recently released single ‘Renegade Hearts’. The single was aired on over 100 radio stations worldwide and was premiered via AAA Backstage.
New single ‘Fall Into Dark’ is available on all major online streaming services.
Jane & I started a Pixies tribute band, Proxies, in about 2007, Spike joined us, bringing his Clash & Who chops, and we turned our cover chemistry to our own songs in 2010. Drummer Mark joined in 2013, we did a run of gigs through to 2016. Steve joined us on bass in 2020 and we quickly got busy again, writing, performing and recording over the last 3 years.
We’ve been releasing our first set of singles and playing live in Wellington and surrounds. We’ve got two singles so far this year – ‘Gravity’ and ‘Calling Out’ – with two more scheduled over the next couple of months. We’re getting great playlist & feature pickup from UK & US indie channels, and some really encouraging reviews. And we’re now working with producer Scott Seabright to prepare for more recording in November, plus more gigs through the year. Exciting times.
‘Calling Out’ was written by Spike, he’s got his own set of influences and stylistic ways. He brought it to the band as a ready piece, and we’ve all built our own parts through rehearsal and review. It’s one of those songs that the band has revered from the start, we all play it with great delicacy and the love to make it count!
A man, his guitar, and time for reflection on a dark time.
We recorded at Massey University School of Music in 2021, with Mike Gibson and assisted by Robbie Pattinson. Mixing and finishing got massively disrupted by the pandemic – lockdowns and rescheduling – but our label Plasticgroove HQ brought studio guru Scott Seabright into the picture and he’s mastered the Massey recordings for release, and is now taking an active production role for future projects.
We’re pretty varied in approach. Previously myself, Spike & Jane had brought already written songs, and we’ve made them our own as a band. In the last year or two, Jane & I have done a lot of writing together, but often ideas have come from jams together, then workshopping by Jane, Steve & I to get new material in shape for the whole band to realise.
Personally I’ve been listening to several Wellington bands, enjoying the local live scene again and listening to what’s out in release, for example Lung, This Silent Divide, Column of Sand, Mister Unit, Electric Tapestry, Tower of Flints, Dream State Empire. I’ve got a pretty eclectic library of music on my phone, a lot of Pixies, Faith No More, Queens of the Stone Age.
We’ve just played the much-sort-after Lovelands music club in Porirua on 26 August, next is Wellington’s Valhalla on 28 September with Electric Tapestry to launch our next single ‘Falling All Over’ out on 29th September. We’re teaming up with Electric Tapestry again at Meow in Wellington CBD on 8 December.
Preparation for recordings with Scott Seabright producing in November, and get booking for next year. And we’ve got another handful of new songs to bring into the repertoire, so more rehearsal and planning together.
Again purely personal, bacon & eggs, and I love Fidel’s Cafe in Wellington’s Upper Cuba Street.
Veteran Multi-Platinum producers R3HAB and W&W teamed up to create their production “Million Places,” an uplifting big-room gem with a distinctive atmosphere of the ’90s. While the track opens with sparkling, digitized vocals, the Dutch artists quickly incorporate a strong, driving bassline coupled with a dominant synth to up the ante. Despite the uplifting lyrics that are perfect for sharing with that special someone, the intensive tempo of “Million Places” isn’t for the faint of heart. The formula of undulating bass, expansive synths, and ethereal vocals is reminiscent of the sound that’s experiencing a renaissance right now, paying homage to artists such as Vengaboys, Alice Deejay, Culture Beat, etc. R3HAB and W&W employed their sophisticated production prowess to create something that feels both nostalgic and modern, appealing to both longtime dance music fans and those who are hearing it for the first time. Whether you had a chance to check out R3HAB & W&W‘s back 2 back performances at Tomorrowland Winter in the French Alps back in March and at Tomorrowland‘s iconic Mainstage this summer, you can be sure that you’ll experience “Million Places” this autumn on radio airwaves and dance floors across the globe.
“After months of testing and finessing, Willem, Ward, and I are excited to officially release ‘Million Places.’ It was inspiring to premiere this record at Tomorrowland Winter during our b2b set, and we agreed the record was ready to release after the great response at Tomorrowland Mainstage last month. It’s our fourth and most anticipated collab, and I think our work keeps getting better.” – R3HAB
“Loved working on this one with R3HAB, the vocals instantly hit us, and it’s goosebumps every time we play it.” – W&W
R3HAB
Multi-Platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, Sia, Jason Derulo, Ed Sheeran, Tyga, Ellie Goulding, The Chainsmokers, P!nk, to name only a few, to anthems such as multi-Platinum-certified “All Around The World (La La La),” “Lullaby” with Mike Williams, “Flames” with ZAYN and Jungleboi, or “Creep” with Gattüso, to his collaborations with the likes of Ava Max, Luis Fonsi, Sean Paul, Afrojack, Armin van Buuren, Lukas Graham, Icona Pop, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 9 billion streams to date, including 1.1 billion in 2022 alone. He founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. He is Spotify’s Most Discovered Artist, one of Spotify’s top 300 most streamed artists, ranked #13 on the prestigious DJ Mag’s Top 100 DJs chart, and has earned over 70 Gold and Platinum certificates. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta, and more. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.
W&W
In 2007, Willem van Hanegem and Ward van der Harst formed W&W, DJ and production duo, and have become one of the most sought-after acts in electronic music. With their energetic music and festival sets, W&W have dominated dance floors worldwide and ranked in DJ Mag’s Top 20 DJs for the past 9 years. They have performed at renowned festivals like Tomorrowland, Ultra, EDC, and broke the world record in China with 24 shows in 27 days. W&W‘s sound combines uplifting melodies of trance, the intensity of Electro, and the drive of Progressive, creating a unique and rebellious style. From their early hits like ‘Rave After Rave‘ and ‘Bigfoot‘ to recent favorites “God Is A Girl,””Heaven Is A Place On Earth,” and “Rave Love’” their diverse productions appeal to multiple audiences. Under their alias NWYR, W&W continue to innovate and release trance-inspired productions. They run Rave Culture, a community-driven record label, and host a bi-weekly radio show with over 300,000 listeners. In 2020, they pioneered an XR augmented reality live stream and expanded it into Rave Culture Live, showcasing their DJ skills and productions. With over 60 shows annually and a massive social media following of over 10 million, W&W are true pioneers in the main stage electronic dance music scene. Their new phase brings fresh productions, explosive live sets, the growth of Rave Culture, and the impact of their NWYR alias. W&W are transcending boundaries in their own signature style and making a lasting impact.
This Boy’s In Love – The Presets
The chorus of This Boy’s In Love is an essential demonstration on layering airy vocals over kickass, driving synths.
Everything I wanted – Billie Eilish
The minimal production, highlighting the ethereal vocals.
To me – Alina Baraz
This track perfectly aligns with fractured. Super light beautiful vocals with minimal warm production to support.
Belong to You – Sabrina Claudio
The production has a similar vibe to Fractured and leaves just the right amount of space to highlight the lush vocals.
Fantasy – Alina Baraz
The general vibe as well as the minimal use of percussion for the beats throughout.
Get You – Daniel Caesar
I love the minimalist production at the beginning of this track, the relationship between the production and the vocals has a similar vibe to Fractured.
Nervous Tics – Maribou State
I really admired the way Holly Walker’s exquisite vocals are highlighted in this track, I wanted to create this space for my own vocals in Fractured.
Bonobo – Pieces
When I approached Andy Mak, my producer, I used this reference track as an example of minimal production with vocals sitting over the top of it all. The ending of this track has a little string/orchestral outro which severed as inspiration for the string breakdown in Fractured.
VIEWS – Mild Minds
I loved the liquid sounds of the production in this track, each sound in Fractured was carefully crafted to sound as lush as possible.
God Is The Space Between Us -Barry Can’t Swim
Though the BPM is much faster I really wanted to achieve the warmth that radiates from the production in this track when creating Fractured.
Walking On Water – TEED
Though it’s not the same BPM, I love the vocal tone in this track & the excitement that builds as each new production layer is added.
Official Website | Twitter | Instagram | YouTube | TikTok
“A voice that’ll make you sit the f*ck down and listen. The clarity, the range – outta this world!” – Lucy Smith (Triple J)
“The blistering instrumentation of icons such as Stevie Ray Vaughan and Leon Bridges shine through, while Kay’s vocals feature a mesmerizing timbre reminiscent of the likes of Bonnie Raitt or even Joss Stone.” – Rolling Stone AU
“Don’t you just love finding those voices that stop you in your tracks? That you fall in love with instantly, hanging on every single word they sing? It’s rare and difficult to describe exactly what draws you to them, but when it comes it’s like lightning in a bottle. Chloe Kay, of Chloe Kay & The Crusade, has one of those voices. Press play on their latest single “Broken Woman” and I know you’ll fall in love too.” – Sounds of OZ
Eora-based blues, soul, and rock n roll band, Chloe Kay and The Crusade, are set to ignite the music scene with their highly anticipated new single “Lies,” scheduled for release on August 18th. Known for their fierce and soulful powerhouse vocals, the band has been making waves not only in Australia but also internationally, drawing comparisons to music legends like Bonnie Raitt, Joss Stone, and Leon Bridges by Rolling Stone AU.
Chloe Kay and The Crusade have been earning critical acclaim and gaining a devoted fanbase with their dynamic live performances. The band’s musical prowess was acknowledged when they were crowned winners of the 2023 Sydney Blues Society “Favourite Emerging Act” award. Furthermore, they made a significant impact at Bluesfest 2022, where they were finalists in the Bluesfest Busking Competition performing on a smaller stage within the festival grounds.
Having closed out 2022 with a memorable performance at the esteemed Woodford Folk Festival, the band’s journey continues with an exciting lineup of shows and performances across Australia. Their singles have received extensive airplay on Triple J and have been added to CMT rotation, further solidifying their position in the music industry.
The band’s latest single, “Broken Woman,” found recognition from none other than acclaimed blues guitarist Joe Bonamassa, who featured it in three of his Spotify playlists and included it in his “Cutting Edge Blues of 2022” best-of collection.
Adam James on guitar, James Arthur on bass, Juan Baratto on drums, Patrick Harrison on keys (not pictured), and the powerhouse vocals of Chloe Kay Richardson.
As they gear up for their debut EP release, Chloe Kay and The Crusade invite music lovers to join them to celebrate their single at Bucketty’s Brewery in Brookvale on August 19th, right after the single release. Additionally, they will be performing an early single launch at Rock Lily in The Star on August 11th and joining the lineup at the Blues & Roots Revival in Dooralong alongside Owen Campbell and Jesse Redwing on September 9th.
Insta: www.instagram.com/chloekayandthecrusade
FB: www.facebook.com/chloekayandthecrusade
TikTok: www.tiktok.com/@chloekayandthecrusade
Website: www.chloekayandthecrusade.com
Brisbane – December 31st (NYE), Brisbane Showgrounds
Perth – January 6th, Claremont Showgrounds
Adelaide – January 7th, Ellis Park
Wildlands Festival has just revealed its jam packed 2023 lineup. This year, the festival kicks off on 31st December in Brisbane for a New Year’s Eve celebration, followed by events in Perth on January 6th and Adelaide on January 7th.
A star-studded roster awaits all three cities featuring Grammy Winners RÜFÜS DU SOL, Grime superstar Central Cee, club and fashion icon Peggy Gou, rapper FERG, along with The Jungle Giants and G Flip.
Wildlands will also include performances by Sub Focus who is bringing his live show CIRCULAR SOUND to the Wildlands stage, as well as Destroy Lonely, LUUDE, Jayda G, Romy, COBRAH and more. Electronic music enthusiasts can catch sets on the The Wilds stage from Ewan Mcvicar, Taylah Elaine, Conducta b2b Notion, dameeeela and STÜM.
Following their biggest Australian shows to date last year, Grammy Award winners RÜFÜS DU SOL are returning to home soil, playing Wildlands across the country.
Central Cee’s performance at Wildlands is set to be a crowd favourite. With his song ‘Doja’ putting him on the world map, his most recent single ‘Sprinter’ with Dave has recently broken records, becoming the first UK rap track to clock 10 weeks at No.1 on the Billboard Chart in the UK.
One of the world’s most recognisable DJs, Peggy Gou, joins the Wildlands lineup. Peggy has reached new heights in her career, with her latest single ‘(It Goes Like) Nanana’, being her biggest to date.
Heading back to Australia for the first time since 2020, A$AP Ferg, a trailblazing founding member of Harlem’s A$AP Mob, is set to grace the Wildlands Festival stage. Originally recognized for his distinctive role as the group’s fashion visionary, A$AP Ferg’s has catapulted into the spotlight as one of the world’s most innovative rappers.
One of dance music’s true pioneers, Sub Focus is bringing his live show CIRCULAR SOUND to Wildlands. Having already taken the show to famous venues around the world such as Printworks, CIRCULAR SOUND promises a stunning and cinematic audio-visual experience.
Wildlands Brisbane is set to make its debut on New Year’s Eve this year. With the special privilege of extending their operations past midnight, it promises to host the ultimate New Year’s Eve celebration in Brisbane, complete with an unforgettable countdown.
Wildlands offers an immersive experience that seamlessly blends dance, electronic, hip-hop, and indie genres, featuring top artists from around the globe. Wildlands Festival has a storied history of hosting some of the most iconic names in the music industry. Past lineups have featured artists such as Tyler, The Creator, RÜFÜS DU SOL, Dom Dolla, RL Grime, Skepta, The Veronicas, BICEP, Honey Dijon, Kaytranada, Tkay Maidza, and many more.
Supported by triple j, Wildlands Festival is brought to you by Untitled Group, the driving force behind some of Australia’s most loved festivals, including Beyond The Valley, Pitch Music & Arts, Grapevine Gathering, For The Love, Ability Fest, and more. Their dedication to creating unforgettable experiences for music enthusiasts is unrivalled.
Whether you’re a dedicated festival-goer or a newcomer looking to dive into the world of live music, Wildlands Festival promises an unforgettable journey. So mark your calendars, get ready to meet “front left”.
Presale goes on sale Tuesday Monday 28th August, sign up for presale here.
Full Lineup
RÜFÜS DU SOL
Central Cee
Peggy Gou
A$AP FERG
Sub Focus presents CIRCULAR SOUND *
Destroy Lonely *
The Jungle Giants
G Flip
LUUDE *
Jayda G *
Romy *
Ewan McVicar *
Conducta b2b Notion *
Taylah Elaine *
STÜM *
COBRAH *
Boo Seeka *
Blanke *
Becca Hatch
dameeeela *
Miss Kaninna *
Forest Claudette
Anna Lunoe *
* NOT PLAYING ADELAIDE
https://www.wildlandsfestival.
Presale registrations close Monday 28th August 3pm AEST (2:30PM ACST, 1:00PM AWST)
Monday 28th August at 6pm Local Time – Presale
Tuesday 29th August at 6pm Local Time – General On Sale
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