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Music News

RISING AUSSIE R&B STAR EMALIA RELEASES LATEST SINGLE ‘STACKS’ EMALIA PLAYS LEAD ROLE OF ‘IZZY JAMES’ IN NEW PARAMOUNT + TV DRAMA, PAPER DOLLS

by the partae
written by the partae

LISTEN TO STACKS HERE

With her powerhouse vocals, striking looks and fierce determination, Australia’s EMALIA is a recording artist and actress to watch in 2024.

Hailed as the nation’s ‘R&B princess on the rise’, Emalia is defined by her unique musical identity, ultra-confident persona, and a voice with the prowess of SZA, Ella Mai and Summer Walker.

Her latest single ‘Stacks’ is set for release on Thursday, 23 November. The compelling single encapsulates the empowerment of unwavering self-belief and the courage to invest wholeheartedly in one’s dreams and potential.

‘Stacks’ is Emalia’s first independent release since parting ways from her label in 2021 and offers an alluring blend of bass-heavy R&B and playfully metaphoric lyrical depth that celebrates the pursuit of success with resolute determination.

‘Stacks’ heralds Emalia’s captivating and unapologetic return to the music scene, “I felt it was an incredibly fitting song choice to mark this exciting stage of my journey as an independent music artist. Betting on yourself, although sometimes daunting, can lead to some wonderful life experiences, and I wanted to celebrate that”.

As Emalia embarks on this new phase of her career, ‘Stacks’ serves as a striking testament to her artistic evolution. With 2024 shaping up to be her most momentous year to date.

Her lead role as popstar ‘Izzy James’ in the upcoming Paramount + TV series Paper Dolls showcases five aspiring singers thrust into the spotlight in pursuit of pop-stardom and fame.

Launching on Sunday, 3 December, Paper Dolls is an eight-part scripted drama following the meteoric rise and fall of fictional manufactured girl-group: HARLOW. The five young women must navigate the dark side of a glamourous industry determined to commodify them with Izzy (Emalia) at the helm.

With the release of additional singles and her upcoming second EP scheduled for 2024, undeniably, Emalia’s time is now, and she is confidently set to showcase both her acting prowess and her new music on a global stage.

Stacks will be available on all streaming platforms from 22 November.

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Music News

COSMIC SOUL Urban Electronic Music For Relaxed People

by the partae
written by the partae

“Cosmic Soul” is the new heartfelt and focus project by Tom Novy. For this reason Tom returned to his musical roots, to where it all began: Urban Soul music with soft beats in a chill-out atmosphere, mixed with goose bumps creating melodies.

For the project “Cosmic Soul” Tom Novy returns to his musical roots. He is a child of the Eighties and Nineties and grew up with Funk, Soul, Hip Hop and Acid Jazz. He used to work as a Hip Hop-DJ before House music became his purpose in life. All these musical influences are included in his “Cosmic Soul”.

Tom Novy about the genesis of “Cosmic Soul”: “During the pandemic my studio partner Axel Latta and I were asked to produce content for a TV station. The musical genre they asked for was lounge music. So we started to work on it and had very much fun during the production process. This is why after the closure of this assignment we decided to continue to work together on it. 60 tracks were being generated during a time when the world was completely closed off. After the pandemic, Sony Music has shown great interest on the Cosmic Soul Project and has signed all the tracks.”

42 from over 60 Cosmic Soul tracks in total have been published by now. They have all been merged into a playlist providing almost three hours of Urban Soul Music with soft beats and chilled vibes.

COSMIC SOUL

Socials:

https://www.instagram.com/cosmicsoulbeats/

https://www.facebook.com/cosmicsoulofficial/

Playlist:

https://open.spotify.com/playlist/7bQ8pYkRc0McrdVrBtC51Q

Spotify Artist Page:

https://open.spotify.com/intl-de/artist/5ctyqp5iHjbkdXYAA10ExM

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Music News

ACCLAIMED U.S. SONGWRITER JOHN VINCENT III REVEALS LONG-AWAITED SECOND STUDIO ALBUM SONGS FOR THE CANYON FEATURING NEW SINGLE ‘BLUEBIRD SINGING’

by the partae
written by the partae

Today, rising singer-songwriter John Vincent III releases his long- awaited sophomore album ‘Songs for the Canyon’ via Concord Records. The album is a deeply personal artistic statement that chronicles the nearly year-long journey he and his partner embarked upon at the start of the global pandemic that upended life as we knew it. Accompanying today’s release is a brand-new video for “Bluebird Singing”. 

Currently boasting more than 2.3 million monthly listeners on Spotify alone, John Vincent III earned immediate attention and critical applause with a series of self-released singles and EPs, followed by his breakthrough 2019 debut album, ‘Songs from the Valley’. 

The Houston, TX-raised singer-songwriter celebrated the LP’s success with nearly non-stop touring, returning home just as the pandemic struck and the lockdown went into effect. Once touring became impossible, Vincent – somewhat disillusioned and unsure about whether he wanted to continue to pursue music as a career – felt compelled to make a major change. He and his partner loaded their van with essentials and set out on what became an eight-month long odyssey that took them to more than a dozen states. 

Despite his ambivalence about making music professionally, Vincent kept up with his daily practice of writing songs, which helped to keep him grounded and allowed him to reconnect with the joy of making music for its own sake. Upon returning home to Los Angeles, he realised that he wasn’t ready to leave music behind, and he signed with Concord in early 2022. 

Recording sessions for the album were led by Vincent’s co-executive producer Tom Elmhirst  (Adele, David Bowie). Songs for the Canyon features additional production from Tony Berg  (boygenius, Phoebe Bridgers, Taylor Swift), Ryan Hadlock (Zach Bryan, Brandi Carlile,  Lumineers), and Jonathan Gilbert (Mt. Joy, Pete Yorn). 

Album Artwork: Kaitlyn Renee

“It’s difficult to put into words what Songs for the Canyon is, as it’s simply who I was for close to  three years,” he reflects. “Looking back, it’s almost strange to remember a time without this thing  that my nearly every thought revolved around, which is something I have never felt before  regarding a musical project.” 

“I suppose SFTC is a self-exploration and acceptance of what I found, a representation of my life  as it was. Making this album turned out to be far more difficult than I had ever anticipated, but 

I’ve grown so thankful for all that I’ve learned in the process. In the canyon, much like our lives,  there is sunlight and rain. I hope there is a song here for whatever your day may bring.” 

JOHN VINCENT III

Tracklist: 

  1. Highway Woman
  2. Lincoln, NB
  3. Dandelion
  4. Bluebird Singing
  5. When She Leaves
  6. Juniper and Yellow
  7. I Lit A Fire
  8. That’s Just The Way It Is, Babe
  9. More Than Alive
  10. On and On
  11. Rolling Stone
  12. Money and My Pride

PRAISE FOR JOHN VINCENT III

“A true craftsman, John Vincent III’s approach echoes those early Bon Iver cuts, while also supplying a pop edge, a clear willingness to communicate.” 

CLASH

SONGS FOR THE CANYON is released FRIDAY 17 NOVEMBER

Website | Facebook | Twitter | Instagram | YouTube 

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Music InterviewsMusic News

Annoying Neighbours Interview

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written by the partae

What inspired Annoying Neighbours to explore a new direction in their sound with the single ‘The Plea’?

I think it came down to just wanting to try something different other than having the amps fully loaded and screaming into the microphone the whole time. That, as well as being interested in exploring the psychedelic genre as a whole. It was nice to put something different in our musical catalogue.  

How does ‘The Plea’ differ stylistically from Annoying Neighbours’ previous work, particularly their last two EPs?

Stylistically it delves into the world of psychedelia a lot more. Putting emphasis on melody, texture, dynamics and expressive devices overall. Leaving us with a chill starter and finishing it off with a euphoric release.

How does the band describe the lyrical theme of ‘The Plea’ and what emotions does it aim to evoke in listeners?

I didn’t think too much about the lyrics, it was one of those songs I wrote words to in like 5 minutes. But emotionally I wanted to create a ‘safe space’ for people to sit in and have a ponder. Then they can bust out a big boogie in the last section.

What makes the psychedelic rock genre unique, and how does Annoying Neighbours contribute to this uniqueness with their music?

The psych rock genre is super rad! I personally believe that it’s showing the artists true spirit of what they are inside, though you could probably argue that for every artist, musician or genre. Sonically, it usually involves lots of ‘movement’ whether that be through phaser, wah, delay, reverb or chorus effects. This makes it very easy to get caught in a trance and ‘sit in’ the song as I described earlier, which is something you don’t really get with other genres. I believe we make the cut because we too are just showing our true spirit in the music and the songs reflect our personalities. We’re just being ourselves and trying to make some music for people to enjoy and get wrapped up in. 

Can you elaborate on the collaborative process within the band during the evolution of ‘The Plea’ and how each member contributed to its development?

I (Jaidyn) wrote the song and had a pretty good idea of what that ‘little world’ should sound like once we all played it together. Luckily for me, the other blokes in AN are very like minded, so expanding on that world was light work. Everyone learnt their parts and then added their own twist onto it. Pickers and Campbell added more melodic elements to the song overall by creating new guitar parts. This filled out some of the empty space we had in the demo. Tom just nails it every time with drum parts and we’re usually on the same page of how the drums should sound. Casper is just a musical wizard and could probably play any instrument that you throw at him. His bass parts on the track fit the song perfectly and it gives us guitarists an excellent playground to fiddle around on.

Where was ‘The Plea’ recorded, and who were the key individuals involved in the mixing and mastering process?

We did that with our mates from New Brain Communications! Dhare Labbe was the mastermind behind recording and mixing our song. He made the whole process super enjoyable, plus he’s a great hype man! We recorded the song live. All instruments in the same room, mic’ed up, playing at the same time.

After we got the recording and mixes done by Dhare, we sent them off to Joe Carra from Crystal Mastering to get mastered. 

How do you describe the development of ‘The Plea’ from its original demo to the final track, and what elements were added during this process?

I would say that it doesn’t stray too far away from home, which I think is pretty cool. We all thought the demo had something special about it and we wanted to capture that. I believe we did, but better. After rehearsing the song and playing it live, we kept adding new parts and harmonies (guitar sections, effects, vocals, a MEL 9 choir) to really emphasise the emotions that we wanted people to feel.

What does the band mean by “special sauce” in the context of developing ‘The Plea,’ and how does it contribute to the track’s overall sound?

It’s some kewpie mayo mixed with habanero hot sauce. Really gets that creamy, hot tang you want from a track. You can really hear it in that last section of the song in full force.

What is the significance of the statement, “We’re more than just a punk band from Brisbane. We can explore, we can expand, we can be ourselves,” as expressed by Jaidyn Harrison?

I feel like a lot of bands, artists and musicians get categorised into being one genre, which really never made any sense to me. Even from when I was in high-school, I wanted to write different types of music. I think this release in particular is us beginning to show our true colours on how we want to approach music.

How did Annoying Neighbours initially start their musical journey, and how have they evolved from playing in backyards and house parties to becoming a noteworthy presence in the Australian music scene?

Thinking back, not much has changed really. Except the amount of members. We started off as a 3 piece and have doubled it to 6 now. But I believe our ethos hasn’t changed. We just love playing music, hanging out with each other and providing our fans with a safe space to enjoy themselves. Whether it’s to 20 people in the backyard or a few hundred at a festival. We just always go out, give it our best shot and have fun. I might add though, I think we are definitely a lot better now than when we first started.

Can you provide details about Annoying Neighbours’ previous EPs, ‘Waterhole’ (2020) and ‘The Void’ (2022), and the reception they received from both tastemakers and fans?

‘Waterhole’ (2020) was released during a strange time in our world, with Covid-19 ramping up across the globe. We recorded the EP in January of that year and were waiting to release it. We had nothing better to do and decided to release it over the first initial lockdown periods. Playing to people sitting down was a fairly big change compared to drunken 18-20 year olds at house parties. We released the first single off that EP, a song called ‘Skyn’, and it did what we would consider really well. We had heaps of people booking us for shows, it was played on some local radio stations and is still our most popular song on streaming services. We also did a show to celebrate the release of the EP and it ended up selling out.

‘The Void’ (2022) ended up being the first step in a direction sonically that we would later persue (something we didn’t realise at the time). A lot of those songs were written when we first started releasing songs from the ‘Waterhole’ EP, so they have similar characteristics I’d say. But then there are songs that break that mould, for example ‘Chicken Joe’, ‘Parallel Convergence’ and some parts of the title track ‘The Void’. The first single off that EP was played on Triple J which was a first for us and really cool. The reception by the fans to the songs was really strong as well!

Both EPs have songs on them that are staples for our bands setlist now. It’s always awesome and bewildering to hear people sing the words to our songs with us live. 

In terms of live performances, what festivals have Annoying Neighbours participated in, and which notable Australian bands have they supported on stage?

Some of our favourites so far have been Best Night Ever with Violent Soho (2021), Spaced Out Fest (2022) and Summer Fest (2023). Some notable bands include Wolfmother, DZ Deathrays, The Bennies, The Delta Riggs, Luca Brasi and The Terrys. We’ve been so fortunate to play with and meet these extremely talented people! Here’s to more great shows down the road!

PLAY/LISTEN

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Music InterviewsMusic News

The Sex Guys Interview

by the partae
written by the partae

‘Out Of My Head’ is described as a playful and danceable track with underlying themes of relationships, career, self-doubt, and mental well-being. Can you share more about the inspiration behind the song and the decision to explore these themes in your music?

The idea wasn’t so much to explore these themes specifically or exclusively, but to explore all themes at once and let the listener decide what it means to them. To one person, the song can be about the love of their life. To another, it’s about the voices telling you you’re not good enough, and to someone else, it’s about head lice. The beauty of it is that none of these answers are wrong. We wanted to make a song that could always feel relevant to the listener, no matter when or where you hear it, when and where you are in your life. Good, bad, or indifferent, it can have relevance to you.

Following the success of your debut single ‘We Are Not Your Friends,’ how does ‘Out Of My Head’ build upon the band’s evolving sound and style?

‘Out Of My Head’ takes the energy of the first release and doubles down on it. Shorter song, just as fun. We wanted to take the same sound and give it more meaning with less lyrics. We are pretty stoked with how it turned out.

The upcoming performance at The Best Night Ever on December 30th at Miami Marketta boasts an impressive lineup. How does it feel to share the stage with renowned bands like Dune Rats, The Smith Street Band, WAAX, Bad//Dreems, and Pist Idiots, and what can fans expect from your live performance?

It’s still only just sinking in, hey. Kind of crazy to be thrown in with all the big fish after only a handful of live shows. The team working with us to make this all happen is really on their game. So obviously we’re over the moon. It’s a huge privilege to be able to get on that stage and help set the tone for the day to come. That’s what we’re all about.

The debut single ‘We Are Not Your Friends’ was featured on Triple J’s short, fast, loud program. How did this recognition impact the band, and did it influence the creative process for ‘Out Of My Head’?

‘Out Of My Head’ was already recorded long before our debut release came out, so the creative process had happened before Triple J chucked us on, which we were stoked about. It’s not so much of a ‘react and adapt’ situation for us. We’re just sticking to our guns about what we think is fun. If people like it, then hell yeah. But the message from short, fast loud was definitely a very welcome surprise to wake up to one morning. Appreciating the connections we have made from that opportunity.

The Sex Guys are known for their high-energy performances and raw garage punk sound. How do you translate this intensity into the studio when recording, especially for a track like ‘Out Of My Head’?

There’s only one way to translate that. Drums. The drums have to be hit really hard, and Geordie hits the hardest. Screaming helps, and distortion, and blah blah blah. But if the drums hit hard, the song has energy, no matter the genre. The rest just builds from there.

The themes of ‘Out Of My Head’ cover a broad spectrum, inviting listeners to contemplate various aspects of life. How do you approach songwriting to ensure that the music remains danceable while addressing deeper themes?

Great Question! Major Scale Chords. You can make anything sound fun with the major scale and the right phrasing. We also trialed a few tempo changes to get the right feel.

Can you take us through the creative process of developing ‘Out Of My Head’? Were there any challenges or surprises along the way that shaped the final product?

We had a general skeleton for the song when we first jammed it. Geordie messed with the tempo until it had the right feel. Jordan and Dennis cut more and more lyrics from the song. We’ve written songs in the past and ended up getting so bogged down editing an idea or concept for so long that we would get bored of the whole project entirely. Feeling the right tempo and keeping it simple are probably two of the most important factors for us.

In your own words, how would you describe the sonic journey that ‘Out Of My Head’ takes listeners on? What emotions or experiences do you hope your audience feels while listening to the track?

I would describe the track sonically as ‘High Danger, Low Risk’. Kind of like drinking 9 beers and then driving a golf buddy.

With a focus on relationships and self-doubt in ‘Out Of My Head,’ how do you balance the personal aspects of your lives with the universal themes that listeners can relate to?

It’s always been difficult to write about personal experiences and throw them out for the public to digest in their own way. The idea of writing for the listener, rather than about ourselves, gives the opportunity for others to experience it alongside, rather than us judging how you interpret it. It’s a nicer way to go through things separately, together.

As a band that embraces a lighthearted and fun approach, are there any amusing anecdotes or stories from the recording or production of ‘Out Of My Head’ that you can share?

To be honest, when it comes to the studio or recording, we all lock into a pretty solid groove. It becomes about using the time wisely and getting the best performance out of each part. But I guess the whole recording process for our past few songs did come about in a pretty whack way. Ant Vallone from Wave Form Studio was about to rip down his old space, and Geordie has just booked an impromptu surf trip overseas in 4 days. So we booked one in, got to work over 2 days, and hammered out a bunch of solid work. Ant quickly recognized the zone and locked in with us to get shit done, so massive shout out to that guy for making it all happen. The fun parts are still to come, though.

Looking ahead, what can fans expect from The Sex Guys in terms of future releases or projects, and how do you envision the band’s trajectory in the coming year?

We have every intention of releasing a bunch of new music next year, and we’re organizing some shows interstate. There are a couple of other things cooking for next year that we can’t talk about yet, but Big Things are definitely Coming.

If you had to pick one word to describe the overall vibe and message of ‘Out Of My Head,’ what would it be, and why?

Labyrinthine: Because hopefully people will have to look that word up, and then re-listen to the song to see if they can try and understand the connection. It’s basically a self-fulfilling prophecy. If we can’t use that, just say ‘Energetic’.

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Festival NewsMusic News

Buckle up Australia! Ibby Akbar is touring nationally this summer!

by the partae
written by the partae

Homegrown comedy sensation is heading down under with brand new show, hitting Brisbane first on 29 November!

Tickets on sale now via 24CALIBRE.COM

Sizzle Reel HERE


Following the incredible success of his debut show, it’s time to get ready to look through the honesty lens and take an outrageously candid (and hilarious!) step into the life, loves and day-to-day musings of Ibby Akbar as his brand-new stand-up show ‘To be honest’, gears up to take centre stage on the Aussie comedy circuit.

Kicking off in Brisbane this November, before travelling on to Perth, Adelaide, Melbourne and Sydney, ‘To be honest’ will dive into the depths of Ibby Akbar’s mind, spilling all and holding nothing back.

In true Ibby style, comedy fans can expect a night of wild entertainment and big time belly laughs as they enjoy the Melburnian comedian’s own spin on current events, his personal life, what keeps him ticking, plus everything in between and more; all of which delivered with Ibby’s own eloquent touch of brutal honesty!

On his latest offering, Akbar says, “I’m extremely excited for my second national tour, everyone that loved the first show is going to go crazy for this one! Tell your friends and your family to come and be ready for belly laughs all night long”

The Australian character comedian and social media star has built  a cult following over with over 300K followers across his networks.  The hilarity that ensues from stories of growing up in an ethnic family, to relationships, to poking fun at society in general, Ibby has definitely found his niche.

He regularly posts video clip content and continues to entertain his fans, reaching bigger audiences by the day. Ibby performed his debut Australian tour in 2022, with sold out shows across the country. He now embarks on his second tour run this summer.

‘To be honest’ tour dates and locations include:

Brisbane – 29th November 2023 – Brisbane Powerhouse

Perth – 30th November 2023  – The Regal Theatre

Adelaide – 3rd December 2023 – Adelaide – Dunstan Playhouse

Melbourne – 7th December 2023 – Melbourne – Margaret Court Arena

Sydney – 9th December 2023 – Sydney – Enmore Theatre

 Tickets on sale now via 24CALIBRE.COM

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Festival NewsMusic News

Good Things Festival Welcomes Stage 666 & Reveals Maps & Timetables.

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GOOD THINGS FESTIVAL
WELCOMES STAGE 666

BRAND NEW STAGE FEATURING
KARAOKE BAND, CIRCUS PERFORMERS, AM/PM DJS & MORE

AND REVEALS MAPS & TIMETABLES

BRISBANE SOLD OUT
LIMITED TICKETS LEFT FOR SYDNEY & MELBOURNE

With Good Things Festival now only two weeks away, we interrupt your regular viewing to announce an exciting new stage to the 2023 proceedings: prepare to enter Stage 666.

Leveling up the entertainment alongside the incredible acts already lined up to dazzle you throughout the festival, Stage 666 will feature a karaoke band, circus/freak show performers, AM/PM DJs and more, all helmed by our very own Stage 666 MC Dave ‘Higgo’ Higgins.

Prepare to be marveled by sword swallowing, whip cracking, knife throwing, and fire eating! See the human marvel of the man who hangs bowling balls from his private parts! Gasp as the contortionist squeezes their body through impossible small tennis rackets! And compete for prizes with karaoke, watermelon eating, air guitar and the world famous human pinata! All that and more awaits at Stage 666.

Good Things Festival is now officially sold out in Brisbane! For all Brisbane folks that have missed out, we still have sideshows which is your only chance to see some of your favourite artists.

Limited tickets are left for both Melbourne and Sydney, with both imminently set to follow with their sold out signs. We weren’t kiddin’ when we said tickets are selling fast, so don’t delay in getting your ticket today!

Australia’s largest and favourite travelling music festival is headlined by none other than American rock idols FALL OUT BOY. The stacked bumper line-up also includes Florida heavies LIMP BIZKIT to keep the party rockin’ this December and from breaking stuff to whipping it, American new wave legends DEVO will also take the Good Things Festival stages later this year for their last-ever Australian appearances as part of The Farewell Tour Celebrating 50 Years.

Also on the line-up are post-hardcore Grammy-nominated heroes I PREVAIL, Welsh metal outfit BULLET FOR MY VALENTINE, Slipknot frontman COREY TAYLOR, Golden State California punk rockers PENNYWISE will flex their fiery flair, beloved indie rockers SLOWLY SLOWLY, British electronic rockers ENTER SHIKARI, the relentless fury of Poland metallers BEHEMOTH, influential groove merchants SEPULTURA, prolific indie rockers TAKING BACK SUNDAY and enigmatic electropop stylings of the chameleonic PVRIS to name a few.

Start planning your day – the official Good Things Festival maps and timetables are here!
FRIDAY 1 DECEMBER – FLEMINGTON RACECOURSE, MELBOURNE
GOOD THINGS FESTIVAL LINE UP:
Fall Out Boy
Limp Bizkit
Devo (The Farewell Tour Celebrating 50 Years)
I Prevail | Bullet For My Valentine | Corey Taylor
Pennywise | Spiderbait | Slowly Slowly | Enter Shikari
Behemoth | Sepultura | Taking Back Sunday | PVRISIn Alphabetical Order:
Bloom | Boom Crash Opera | Eskimo Joe | Frenzal Rhomb | Hanabie | Jebediah | Luca Brasi
Magnolia Park | Make Them Suffer | Ocean Sleeper | Royal & The Serpent | Short Stack
Slaughter To Prevail | Stand Atlantic | Tapestry | The Plot In You | While She Sleeps

DATES AND VENUES:Friday 1 December – Flemington Racecourse, Melbourne (LIC AA 15+)
Saturday 2 December – Centennial Park, Sydney (18+)
Sunday 3 December – Brisbane Showgrounds, Brisbane (LIC AA 15+) SOLD OUT!

Tickets on sale now at 
http://goodthings.oztix.com.au/

Have you checked out the Good Things Festival ‘The Week That Was’ series? Like and subscribe to the regular series to be kept up-to-date with all news relating to Good Things Festival and artists on the line-up. This week, host Tiana Speter rounds up all the info about the official Good Things Festival app, live now with all the important details to help you plan your day. We also have updates about the current Battle of the Bands competition, with the final Heat 3 event this week, and take you through the sideshows, with many already sold out and multiple shows selling fast – eyes on you, Limp Bizkit, who have already sold out Auckland and Brisbane, with Sydney and Melbourne not far behind. These tickets won’t last long!

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

 

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Festival NewsMusic News

KNOTFEST RETURNS TO AUSTRALIA IN 2024 & THE LINE-UP IS HERE!

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written by the partae

KNOTFEST
RETURNS TO AUSTRALIA IN 2024

IN MELBOURNE, SYDNEY & BRISBANE

Pantera and Disturbed To Headline
Plus Lamb of God
Halestorm, The Hu, Asking Alexandria,
Wage War, Escape The Fate, Thy Art Is Murder, Skindred, Speed,
Windwaker, Brand Of Sacrifice, King Parrot

Early Bird Pre-Sale On-Sale; 10am local time, Tuesday 21st November
Sign up http://knotfestau.com/signup

General On-Sale: 9am local time, Thursday 23rd November
From Knotfest.com/Australia

 In 2024, music, art and culture will collide once more in unforgettable fashion. Following its entirely sold out inaugural Australian run in 2023, KNOTFEST, the destination festival brand, will officially make its monumental return down under in 2024.

The music and counterculture experience that is KNOTFEST will hit the East coast of Australia starting on Thursday, March 21st at Flemington Racecourse in Melbourne, before heading to Sydney on Saturday, March 23rd at Centennial Park before closing out in Brisbane on Sunday, March 24th at RNA Showgrounds.

Headlined by PANTERA and DISTURBED, the sweltering 2024 festival line-up also includes LAMB OF GOD, HALESTORM, THE HU, ASKING ALEXANDRIA, WAGE WAR, ESCAPE THE FATE, THY ART IS MURDER, SKINDRED, SPEED, WINDWAKER, BRAND OF SACRIFICE and KING PARROT.

One of the most enduring and influential acts to emerge from the second thrash metal wave in the late 80s and early 90s, heavy groove behemoths PANTERA have eternally remained a force to be reckoned with. Offering a long-awaited bucket list moment for generations of Australian fans in 2024, PANTERA’s KNOTFEST headline appearance will mark the band’s first performances down under since 1996 – finally, the wait is over. Regarded as one of the greatest metal bands of all time, PANTERA rose to massive global success in the 1990s, with multiple gold and platinum albums, sold out tours, ferocious live performances and four Grammy nominations. From the release of their game-demolishing 1990 album Cowboys from Hell through to the 2023 reunion of Rex Brown and Phil Anselmo for their first tour in over two decades, the PANTERA name lives on with a new visage and continues to grow their legacy while spreading everlasting metal madness to the masses.

And you’ll want to get Down with the Sickness next March when Chicago hard rockers DISTURBED head to Australia for the first time in eight years as part of KNOTFEST in 2024, with the band also set to arrive armed with their latest album Divisive. Insidious, infectious and a band without comparison, DISTURBED have quietly claimed a place at the forefront of modern rock along with record-breaking success since first emerging out of Chicago at the turn of the century. With two Grammy nominations, millions of record sales and five consecutive #1 debuts on the Billboard Top 200, the latter of which places the quartet in the same rarefied air as Metallica, DISTURBED also wield a bulletproof catalogue that ranges from 2000’s The Sickness through to 2018’s Asylum, 2018’s Evolution and the triumph that was Divisive in 2022.  A group hardwired to incite mosh pits while also stirring you to hold on tighter, fight harder and persevere forever, DISTURBED are, quite simply, not to be missed.

Also appearing at KNOTFEST in 2024 will be none other than American heavy metal merchants LAMB OF GOD, aka one of the key figures behind the new wave of American heavy metal, and a band who have permanently retained their influential status for over two decades, most recently in the form of their ferocious 2022 full length Omens. Also set to storm the KNOTFEST stages in 2024, the absolute charisma rock powerhouse that is HALESTORM will also arrive down under as part of KNOTFEST. One of the most successful hard rock groups of the early 21st century, HALESTORM have extensively toured the globe, taken home a Grammy Award for their single Love Bites (So Do I), and continued to wow with their muscular rock stylings laced with hooks, pop and beyond.

Wielding the screaming guitars of heavy metal with traditional Mongolian elements, THE HU are one of the most unique and compelling acts on the modern heavy scene. Blending Mongolian instrumentation and throat singing with Western rock, THE HU continue to turn heads across the planet, with their most recent album, 2022’s Rumble of Thunder, repeatedly listed as one of the most anticipated metal albums of the year. Also joining KNOTFEST festivities next March will be dynamic English rockers ASKING ALEXANDRIA. Boasting billions of combined streams and over 113 million YouTube views, ASKING ALEXANDRIA have journeyed from metalcore beginnings through to evolving classic rock and metal nods, with their 2023 release Where Do We Go from Here? balancing emotional fare with stadium-ready moments.

And if metalcore is up your alley, prepare yourself for the explosive experience that is Florida mainstays WAGE WAR, with the group set to dazzle via their sharpened pit-inducing prowess. Brandishing sonic dexterity alongside fan favourite singles, many of which boast millions of streams online, WAGE WAR are set to add an indelible spark to 2024 and the KNOTFEST experience. Hailing from Las Vegas, Nevada and set to ignite Aussie stages in 2024, ESCAPE THE FATE will return once again down under to whip up a frenzy of punk, hooks and post hardcore delights. Fresh off releasing their latest album, Out of the Shadows, earlier this year, ESCAPE THE FATE are primed to once again share their memorable live moments that has seen them tour with Papa Roach, Fozzy, Story of the Year and countless others.

Closer to home, Sydney deathcore outfit THY ART IS MURDER will be dialling up the noise at KNOTFEST in 2024, with the band’s delectably punishing latest album Godlike ready to roar onstage next year, along with Welsh heavy metal fusion masters SKINDRED who will be bringing their heavy metal, reggae, punk, hip hop and electronic technicolour musical dreamcoat to Australia in the new year. Sydney-based hardcore group SPEED will also lend some fast-paced punk to proceedings, while Melbourne metalcore mavericks WINDWAKER are also set to bring their beautiful ferocity to the KNOFEST party. And in keeping with KNOTFEST’s theme of pushing the envelope, Canadian deathcore group BRAND OF SACRIFICE are set to showcase their riveting mix of musical barbarity, cinematic twists and nods to the anime series Berserk, while Melbourne grindcore experts KING PARROT will arrive ready to swing their insidious sonic wrecking ball to KNOTFEST audiences in 2024 with lashings of angst, absurdity and antics.

KNOTFEST Australia is thrilled to announce it will debut the revamped KNOTFEST Museum celebrating Slipknot’s acclaimed 25 year career. A staple at KNOTFESTs all over the world, this year’s Museum Experience will feature a jaw-dropping collection that played a pivotal role through the band’s storied journey. A true can’t miss opportunity to see this special edition of the global fan-favourite attraction. Tickets are strictly limited in each city.

Early bird pre-sale tickets are on sale at 10am local time on Tuesday 21st November here and general public tickets go on sale at 9am local time on Thursday 23rd November here.

KNOTFEST AUSTRALIA 2024
DATES AND VENUES:

Thursday 21 March 2024 – Flemington Racecourse, Melbourne
Saturday 23 March 2024 – Centennial Park, Sydney
Sunday 24 March 2024 – Brisbane Showgrounds, Brisbane

Stay up to date on all things KNOTFEST over at https://knotfest.com/australia/ and by following on socials.

Find KNOTFEST AUSTRALIA Online
https://knotfest.com/australia/
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Music News

THE SEX GUYS UNLEASH EXPLOSIVE NEW SINGLE ‘OUT OF MY HEAD’

by the partae
written by the partae

The Sex Guys, the dynamic three-piece garage punk band that rocked audiences with their debut single ‘We Are Not Your Friends,’ are set to set the music scene ablaze once again with their latest release, ‘Out Of My Head.’ This electrifying single is scheduled for release on November 17th, 2023.

Following the success of their debut, The Sex Guys are poised to captivate audiences once again with ‘Out Of My Head.’ Known for their high-energy performances and raw garage punk sound, the band is set to carve a unique space for themselves in the contemporary music landscape.

“At first glance, ‘Out Of My Head’ seems carefree, with a touch of manic energy. The aim was to make it playful and danceable without diving too deep. Yet, beneath the surface, it explores various themes: relationships, career, self-doubt, and mental well-being, making it as broad as the listener’s interpretation. It’s an invitation to find personal answers or insights on issues that matter. Dance along while addressing your inner thoughts.” – The Sex Guys.

Adding to the excitement, The Sex Guys are thrilled to announce their upcoming performance at The Best Night Ever at Miami Marketta on December 30, 2023, performing alongside Dune Rats, The Smith Street Band, WAAX, Bad//Dreems, Pist Idiots, Press Club and more!

The single promises a fast-paced sonic journey that encapsulates the band’s signature garage punk style. With infectious beats and an undeniable groove, ‘Out Of My Head’ invites listeners to lose themselves in the music while contemplating the complexities of life.

‘That energy is relentless’ – Dave Ruby Howe, Triple J

‘Yeah, sex is good, but have you ever listened to electrifying choons from The Sex Guys?’ – Anika Luna, Triple J

THE SEX GUYS

UPCOMING LIVE SHOWS

SAT 30 DEC | BEST NIGHT EVER, Miami Marketta | TICKETS

W/ DUNE RATS

THE SMITH STREET BAND

BAD//DREEMS

WAAX

PIST IDIOTS

PRESS CLUB

+ MORE

Follow The Sex Guys

PLAY/LISTEN

Facebook | Instagram | Tik Tok | Spotify | Apple Music

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Music News

ANNOYING NEIGHBOURS return with psychedelic new single ‘THE PLEA’

by the partae
written by the partae

Photo by Flynn Hemsley

Brisbane six-piece Annoying Neighbours are ready to turn heads in 2023, returning with their psychedelic new single ‘The Plea’.  With gliding guitars and signature psych-rock fuzz, Annoying Neighbours evoke the nostalgia of the genre in their completely unique style.

‘The Plea’ sees the band take their sound into a new direction, exploring the wide and colourful universe of psychedelia in a breezy new style. Lyrically, the track speaks to feelings of desperation and escape – “I’m begging on my knees” – drawing listeners into the all-consuming sonic landscape, before building into a killer guitar breakdown.

“This song came about out of desire to try and create something a little ‘left field’ compared to our previous work. We also wanted to challenge ourselves to see if we could write a song that was more ‘relaxed’ compared to the energy of the last two EPs, while still being highly engaging and true to ourselves. To do this we decided to delve deeper into the sound and style of psychedelia, which we had begun to explore lighty on our second EP ‘The Void’.” – ANNOYING NEIGHBOURS

“Everyone in Annoying Neighbours loves psych rock so much and in many ways it ties us together. What I find interesting though is that you have so many different styles that all fit into this one genre. For example, King Gizzard and the Lizard WIzard, Tame Impala, Pond, Psychedelic Porn Crumpets, etc. are all psych rock bands unquestionably, but none of them feel sonically and stylistically the same. They have their own psychedelic sound and style. I am really proud of this song specifically because I feel like the style we have captured is very unique to us, and while inspired by these incredible bands, does not directly sound like any of them” – JACK PICKERING, ANNOYING NEIGHBOURS

The track’s evolution was a hugely collaborative process between the band members. They made the most of jam sessions together by really leaning into the confidence they had in one another – each adding their individual magic along the way. Recorded in Newcastle, NSW at New Brain Communications, the track was mixed by Dhare Labbe of New Brain Communications, before receiving finishing touches from Joe Carra of Crystal Mastering.

“I wrote the original demo of ‘The Plea’ and the final track drew heavily on this in terms of the vocals and guitar parts. But it was through jamming and hours of back and forth conversations and ideas, we were able to develop it. New melody ideas, vocal harmonies – and some ‘special sauce’ as we like to call it – are all a direct result of this and gave the track the extra spice it needed. This song is easily one of the tracks that we’re most proud of and a great example to show our fans that we’re more than just a punk band from Brisbane. We can explore, we can expand, we can be ourselves.” – JAIDYN HARRISON, ANNOYING NEIGHBOURS

Annoying Neighbours found their beginnings playing in backyards and house parties, but have quickly grown into ones to watch with their high energy psychedelic rock/garage punk fusion.

In this time, they’ve released two EPs – ‘Waterhole’ in 2020, and ‘The Void’ in 2022 – garnering support from tastemakers and fans alike. The group have also taken the stage at festivals including Best Night Ever, Spaced Out Fest and Summer Fest, and supported some of the leading names in Australian music, from the likes of DZ Deathrays, Wolfmother, Luca Brasi, The Terrys and heaps more.

PRAISE FOR ANNOYING NEIGHBOURS

“This is psych rock of the highest order. Come and pray at the altar of Annoying Neighbours.”

THE AU REVIEW

“Annoying Neighbours were first up at the shindig, for a time of friendly community bonding. Frontman Jaidyn Harrison carries an ‘Angus Young of Gen Z’ vibe.”

SCENESTR

‘The Plea’ is out Now

PLAY/LISTEN

Facebook | Twitter |  Instagram | YouTube | Triple J Unearthed

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Music News

Slinkee Minx ‘I Can Feel U’

by the partae
written by the partae

In the dynamic world of dance music, few acts have achieved the enduring success and global recognition of Slinkee Minx. For nearly two decades, this Australian duo has captivated audiences with their infectious energy, innovative sound, and a string of chart-topping hits. Their music has transcended borders and genres, leaving an indelible mark on the Australian dance music landscape.

Formed in Melbourne in 2001, Slinkee Minx have embarked on a remarkable journey, captivating fans worldwide with their unique blend of dance-pop anthems. Their breakthrough came in 2004 with their cover of Belinda Carlisle’s “Summer Rain,” which topped the DMC World Hard House Chart and propelled them into the limelight.

Now, with their new single “I Can Feel U,” Slinkee Minx is poised to continue their reign at the top of the dance music scene. Produced by the legendary James Ash from Rogue Traders, the track marks an exciting new era for the duo, pushing their sound to new heights while retaining their signature dynamic pop sensibilities.

“I Can Feel U” is a vibrant and energetic anthem, infused with driving rhythms, powerful vocal performances, and a touch of nostalgia. It’s a testament to Slinkee Minx’s ability to evolve and adapt while staying true to their roots.

With forthcoming club mixes by Nick Jay, Jean Luc, and Pipi Le Oui, “I Can Feel U” is set to become a summer staple, soundtracking countless parties and creating unforgettable memories. As Slinkee Minx embarks on the next chapter of their extraordinary journey, their new single represents an impressive juncture in their ongoing evolution.

Out today on all platforms.

Commercial/Pre-Save Link: https://ffm.to/jwbdrad

www.linktr.ee/slinkeeminx

 https://www.instagram.com/slinkeeminx/

 https://www.tiktok.com/@slinkeeminx

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Festival NewsMusic News

Bloc Party & Interpol – Melbourne 16 November 2023

by the partae
written by the partae

Photography: Nate Hill

Remaining Australian dates, proudly presented by Double J

Saturday 18 November – Hordern Pavilion: Gadigal Land, Sydney (sold out) (with dust)

Sunday 19 November – Hordern Pavilion: Gadigal Land, Sydney (new show) (with dust)

Wednesday 22 November – Riverstage: Turrbal Jagera, Brisbane (with dust)

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Music InterviewsMusic News

TIAHI interview to present his new EP ‘Sing Some More’

by the partae
written by the partae

From down under in Australia and New Zealand to the lively streets of Berlin, TIAHI keeps creating music with a decidedly sunny vibe. We sat down with him to talk about his latest EP ‘Sing Some More’ and the eponymous title track, a true anthem to positivity, written during times of pandemic and lockdowns. Pack your best vibes and join us on this wanderlust journey! 

The Partae: We’re excited to have you TIAHI – you’ve lived in both Australia and New Zealand, the Netherlands, Spain and now you’re based in Berlin – is this going to be your final destination?

TIAHI: [Laughs] Probably not, but I very much appreciate Berlin for what it is, the opportunities, the people from all around the world, and the entrepreneurial spirit. A lot of things come together making Berlin as attractive as it is, even without beaches or warm weather year round.

The Partae: Your music does not immediately remind us of Berlin or Germany indeed. We hear a lot of positive, summery vibes in your tracks, what is the inspiration behind your music?

TIAHI: Winter has never been for me to be honest. I always felt the urge to explore the world and stay close to the sea, so I ended up spending quite some time in San Sebastian and in Spain in general growing up and when I finished high school I had decided I needed to see what’s out there behind the horizon. One of my uncles is from New Zealand, so as soon as I got the chance to go on a big trip that’s where I went. Then I basically kept traveling and living abroad for the next 5 years, chasing the sun and soaking up energy in a lot of countries, never straying too far from the equator.

The Partae: Let’s talk about your new EP ‘Sing Some More’. Can you describe the sound and vibe of the EP in a few words, the underlying emotions you want to transmit to your listeners?

TIAHI: The vibe of the EP is of course positive [Laughs]. No, in all seriousness – the songs are all about staying positive or appreciating the good things we got in life, and that’s exactly what I wanted to transmit with the songs. I felt they were calling for a lighthearted, organic production and sound that was capable of conveying that type of warm and positive energy.

The Partae: Could you give us a glimpse into your creative process? Did the pandemic impact your songwriting process for this EP?

TIAHI: For sure. I had started writing 3 of the 4 tracks that made it onto the EP during the final months of the pandemic or shortly after. The lockdowns had taken its toll on me like on everyone else, and with all my shows being canceled I fell into a bit of a hole and music and writing helped me stay positive. I wanted to create something uplifting but also meaningful that would age well, like my first track “Free”, which I have been told really grew on people during the pandemic. “Rough Day” and “Sing Some More” are down the same alley, telling every-day stories with a bit of magic injected. “Shooting Star” on the contrary is a classic result of spontaneous co-creation. We were at hanging out at our usual summer spot one evening, my buddy Gerald played something on the guitar and I started singing while looking at the stars and realizing how quickly this moment or moments like this could be over. “Hennessy” is a song about the people and the memories that got us onto our way and to where we are now, which I wrote after a trip visiting family and friends in late 2021. It was after the pandemic though, in 2022, that I finished writing the songs and finally got to producing the EP.

The Partae: Can you highlight any specific musical influences that played a significant role in shaping the EP’s sound? 

TIAHI: I listen to a lot of uplifting music across genres, funk, reggae, hip hop and pop, some electronic music too. If I had to name a few I would definitely put some older artists like Jack Johnson and Jason Mraz on the list, but also up and coming acts like Bobby Alu and Goldkimono. I also love what Tai Verdes is doing, blending acoustic instruments and samples in such a smooth way. Besides the musical influences I feel Berlin and the pandemic also shaped the sound of the EP to a certain extent. Compared to my previous releases, “Sing Some More” sounds a bit less beachy and a bit more urban I would say.

The Partae: The title track, “Sing Some More,” seems to be a central focus of the EP. What’s the story behind it? We took a look at the video and it looks as if it is based on a true story?

TIAHI: Yeah, it is [laughs]. In a nutshell I was having a not so good day and decided to jam at my place, nothing crazy. One of my upstairs neighbors didn’t like it and came down all the way from the 4th to the first floor to complain. Being the Berliner he is (known for their directness, some call them rude) he didn’t waste any time with pleasantries but started shouting at me the moment I opened the door. I tend to be a pretty composed person, but having had a rough couple of days myself, I responded in equal measure. No resolution was found and we left on bad terms. When emotions had cooled down a few hours later I tried to understand his perspective and went up to the 4th floor to sort things out. This time we had a much better conversation and agreed we had both overreacted and shook hands. Thankfully we’re on very good terms now and he loves the song and that he contributed to its creation in this rather original way [laughs].

The Partae: Tell us about the production process of this EP. Earlier you mentioned that you produced the EP yourself. Did your band play any role in it?

TIAHI: Yes, that’s right, I played all instruments on the record myself, except drums. I was fortunate to record with my friends at Riverside Studios and Condor Studios in Berlin. My drummer Daniel introduced me to the sound engineer of the Colombian funk band El Caribefunk, who did a good part of the mixing and a few other friends helped me out at various stages during the production process – shoutout to my man Juan. I learned a lot and am happy I decided to produce the EP myself, for future productions I am looking forward to working with other producers though, freeing up more of my time to play live.

The Partae: Looking ahead, what are your aspirations for the coming year in terms of your music career? Any exciting projects or collaborations in the pipeline?

TIAHI: I am currently finishing writing the tracks of the follow-up EP and looking for the right producer for the final touches. Besides that I will spend the winter in Tenerife and got a few projects lined up there which I can’t wait for.

The Partae: How do you see your music evolving in the future, and are there any genres or styles you’d like to explore further? 

TIAHI: Playing live and working in the studio are my two primary points of influence and what I love most, besides listening to a lot of music. Playing with my band will definitely continue to have an influence on my musical journey, but also more studio-oriented collaborations. Regarding the upcoming EP nothing is set in stone yet, but it will be a bit funkier, a bit more danceable than “Sing Some More”.

The Partae: Are there any dates that your fans should mark in red on their calendar? Like releases, concerts or gigs?

TIAHI: Right now the focus is the production of the new EP for 2024. We got a studio live session planned for the coming weeks though, to get some live footage of the current EP. Other than that we’ll use the winter to get our show ready for the coming summer and festival season.

Follow TIAHI

Instagram: https://www.instagram.com/tiahi.music/

Youtube: https://youtu.be/kQBPt_DBw0Y 

Streaming: https://ffm.to/sing-some-more 

Website: https://tiahi-music.com/ 

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Music News

Under The Rocks Release ‘Honest Try’

by the partae
written by the partae

Emerging from the picturesque landscapes of rolling hills and lakes in their hometown, Under the Rocks has evolved into one of Canada’s foremost bluegrass ensembles. Comprising Jordan Klassen on acoustic guitar, Chloe Davidson on fiddle, Chris Baxter on banjo and mandolin, and Nils Loewen on upright bass, the band creates a resonant sound that pays homage to tradition. Simultaneously, they weave in singer-songwriter elements, meticulously crafting clever and inventive song arrangements, punctuated by emotive instrumental breaks and robust vocal harmonies. Their live performances are a lively mix of dancing, laughter, exuberant cheers, and serene moments that may elicit tears or contemplative sighs of release.

In February 2024, Under the Rocks is set to unveil their second studio album, “Honest Try.” This LP showcases the band’s diverse musical sensibilities, navigating through upbeat bluegrass tunes, eclectic fiddle compositions, and contemplative ballads rich with philosophical reflections. The recording process spanned seven days in the studio under the guidance of their esteemed producer, Andrew Collins, a notable figure in the Canadian music scene who also lends his mandolin skills to the record. Miles Zurawell adds the resonant tones of the dobro to the mix. The outcome is an album that caters to a wide audience, offering high-caliber lyricism, expert musicianship, and polished production.

SOCIALS
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Music InterviewsMusic News

Armani White Interview

by the partae
written by the partae

Your upcoming performance at Cool Room in Melbourne is generating a lot of excitement. Can you give us a sneak peek of what fans can expect from this exclusive performance?

We’re bringing the spirit of Christmas into Australia! We’re gonna treat Australia to how December feels in Philly. We’re going to make sure it’s a cold experience. For me, the easiest thing across all of my performances is the energy. You know we’re gonna bring the energy. It’s gonna be a very, very fun time and going to engage with the audience, make them feel like they’re on stage and as much of a part of the show as I am. It’s gonna be a group gathering celebration like singing songs at a campfire just cold as f#ck.

There have been rumors that you will be performing inside a giant fridge at the BWS Cool Room. Can you confirm if this is true and share the creative concept behind it.

Yes, I can confirm that it’s true. God made December to be cold, so we’re gonna make it a cool room!

You’re set to release new music on November 10th. Can you tell us a bit about the upcoming release, and what inspired the sound and lyrics of this project?

The most important part of BREATHE, is the end of it.

The past couple of months I just been taking a breather and when jumping back into it, I thought this was a cool song to really highlight that moment of just taking a breather. This song is just a fun exhale when there’s a lot going on – a reminder to breathe.

I also suffer from asthma so I was having fun with my entire rhymes, game and flow and delivery. How many words can I cram in 1 one sentence or one bar? And I was just having a lot of fun with doing that. How many flows can I do? How many words can I cram in this bar? How many different styles can I flip all before like every time I just go breathe.

Looking back on your career so far, what has been the biggest highlight of milestone for you.

Going on stage with Billie Eilish for sure. That was a really big situation was like a really cool full circle moment. I feel like the whole world heard that song but it kind of connected all the people to the name and put a face to it. This is the guy who made that song.

You’ve had the opportunity to collaborate with some incredible artists like Denzel Carriac and a whole bunch of others. Are there any more exciting collaborations in the pipeline? And is there an artist you’d love to work with in the future?

I’ve been very strategic about only collaborating with my friends so everybody who I’ve who I’ve made music with thus far is one of my friends. Now the world is kind of privy and has their eyes open to a few of my other friends and now my goal is to turn those friendships just into songs. There’s other songs that I made with my homies, that I didn’t think it was that dope so it didn’t come out. But the ones that I really love are the ones that the world has.

“Billie Eilish” was a smash hit for you. What was it like to meet her in person after experiencing such tremendous success with that track, and did you exchange any creative insights?

It was dope, Billie’s fire! Our conversation was less of do you have any advice for an upcoming artist and was more like when me and Billie spoke for the first time. We’d already spoken about 5 times already. I’ve been running around the world saying her name so we gotta know each other at this point..

As we look ahead to 2024, what can your fans anticipate from you in terms of new music, projects, or tours? 

The goal is to now isolate and do one at a time. This entire year I’ve been juggling both like releasing music and being outside on the road and doing shows. The road to Casablanco is finally coming to an end, and we’re finally about to get Casablanco the project. Now we have to create the music that I want and that I love and take that out to the world. Gotta play the music to the world so the world can give it back to me. That’s like that’s always the goal.

Outside of music, what are some of your favorite activities or hobbies that you like to indulge in?

I watch old Anime shows and I play pool and go to the gym a lot, and play a bunch of video games Those are my main things.

Do you have any special plans for your visit to Australia outside of your Cool Room performance? Are there any places or experiences you’re excited to explore while you’re here?

I feel like if I don’t see a kangaroo I won’t have had a good trip – that’s the priority for me.

How do you think the energy and vibe of performing in Australia will compare to other places you’ve toured or performed?

I think the cool thing about always going to like different countries that don’t always get to experience certain artists is a much cooler experience. Australia doesn’t always get international acts. There might be a favorite song that they have and the artist may never get to make it down to Australia. So I think the fans are a little bit more appreciative every time you get down there. It’s going to be one of those sing every word type of moments, and I’m really excited for that!

Your music often carries strong messages and personal narratives. Can you share the significance of these messages and how you aim to connect with your audience through your lyrics?

My goal is always to tell my story and hope somebody can relate to it. Whether it’s me telling directly verbatim my story or finding some sort of metaphor to tell my story or telling my story from a different perspective. I always try and tell the story that someone can relate to or listen to and say you’re not alone, you know. When someone listens to my songs they’re not alone hearing that someone else is going through what I’ve gone through. I want to give them that comfort and reassurance that and a tap on the shoulder to say this too shall pass.

To wrap things up, what’s one thing you’d like your Australian fans to know about you that they might not be aware of yet?

I’m Lactose intolerant, so I hope that all the food doesn’t have cheese because I’m going to be mad. Every time I go to new country, I can’t eat sh!t because everything is cheese or dairy based.

@armaniblanco – Instagram

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