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Music News

Diamond-certified Artist LUM!X Releases Nostalgic, Emotive Dance Heater “Fireflies” Featuring Jordan Rys. Out Now on Spinnin’ Records

by the partae
written by the partae

Artist: LUM!X, Jordan Rys
Title: Fireflies
Label: Spinnin’ Records

Download / Stream

Austrian–Italian wunderkind LUM!X returns to Spinnin’ Records with his remake of the 2009 Owl City hit “Fireflies” (which topped the Billboard Hot 100 back in 2009 and just has been certified Diamond for 10M sales in the US), for which he teamed up with singer/songwriter Jordan Rys to put a fresh dance spin on the known track. Listeners will easily recognize Rys‘s take on the much-loved, emotive vocals, while LUM!X first incorporates sparkling melodies and then fuses them with a drum & bass inspired drop completed with mixed and chopped lyrics and a dance floor-ready beat. “Fireflies” has both the singalong chorus and hard-hitting bass of a club and festival heater, and it’s already a fan favorite in LUM!X‘s sets. Read on for more behind this nostalgic-meets-modern gem from the producer himself:

“From the moment I was a kid, this tune has held a sacred spot in my soul. It’s easily one of my all-time favorites, a cherished gem that’s been a mainstay in my sets for quite some time now. When we got in touch with Owl City and received his stamp of approval for my rendition, I teamed up with the exceptionally talented singer-songwriter, Jordan Rys, to breathe new life into the vocals. The end result not only lures you in with its unforgettable sing-along chorus but also electrifies every dancefloor with an earth-shattering drop that’s pure dynamite.” – LUM!X

LUM!X

At just 21 years old, Austrian–Italian musician LUM!X, real name Luca Michlmayr, is quickly becoming one of the hottest names in the global electronic music scene. To date, LUM!X‘s songs have been streamed well over 2 billion times, leading him to over 30 diamond, platinum and gold certifications. With a signature style that’s as smooth as it is hard and refreshing as it is versatile, LUM!X represents the next step in the evolution of the modern DJ, bringing with him a sound that’s not only primed for the radio and the club, but geared for the viral airwaves as well. He has collaborated with some of the biggest names in the industry already, including Gabry Ponte, DVBBS, KSHMR, and remixed the likes of Robin Schulz, Afrojack, Steve Aoki, Alan Walker, and R3HAB to name only a few. In 2022, he became one of the first DJs to participate in the Eurovision Song Contest, representing Austria in the competition. In 2023, he also won two prizes at the Amadeus Awards of Austria for Song Of The Year and Best Dance Act with his song “Halo,” featuring Pia Maria.

Jordan Rys

With over 120M streams in the last 12 months on Spotify alone and 1,6M followers on TikTok, Jordan Rys has become a sought-after vocalist and songwriter in the electronic music scene. Jordan has received persistent editorial support from Spotify and was featured as the cover act on their Main Stage playlist in April 2022 (over 1,5M followers). The talented singer/songwriter has the ability to transcend various genres such as dance, R&B, hip-hop, and pop while also being capable of singing in 3 different languages: Chinese, Spanish, and English. Next to his success on streaming platforms, Jordan Rys has also gathered a loyal following on social media, which has brought him social media partnerships with brands such as Uber, Cheetos, Panasonic, etc. With continuous successful releases, Jordan Rys is on his way to becoming the next dance/pop phenomenon.

More info on LUM!X / Jordan Rys / Spinnin’ Records:

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Festival NewsMusic News

Good Things Festival – Melbourne, December 1, 2023

by the partae
written by the partae

Photography: Rebecca Houlden

The traveling metal/punk/rock/alternative music festival, Good Things, took control of Melbourne’s Flemington Racecourse (Naarm) on December 1, 2023, uniting tens of thousands for a myriad of unforgettable experiences.

Featuring headline performances by 2000s pop-punk icons Fall Out Boy, the Melbourne event showcased talents from prominent acts including Limp Bizkit, Devo, Bullet For My Valentine, Corey Taylor, Make Them Suffer, Hanabie, Taking Back Sunday, PVRIS, and more.

It was evident that many attendees were eagerly anticipating the performance by Limp Bizkit, with the day’s energy seemingly building up in anticipation of their set. Images and videos on Instagram, with captions like “It’s just one of those days” and “ticked Limp Bizkit off the bucket list,” suggest fans are in for a real treat when Good Things reaches Sydney and Brisbane.

For fans who had patiently awaited Fall Out Boy’s performance for five years (or longer for first-timers), the band delivered without disappointment, presenting a setlist focused on older songs that animated the massive crowd.

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Music News

Nicky Romero’s 1st-ever “Nightvision” Solo Show Takes Place on December 2nd at Amsterdam’s AFAS Live and Is Accompanied by Themed 6-track Namesake EP

by the partae
written by the partae

Artist: Nicky Romero
Title: Nightvision EP
Label: Protocol Recordings

Download / Stream

Nicky Romero is in the final stretch of preparations for a monumental moment in his already illustrious career – his first ever solo show, “Nightvision,” on December 2nd, and in classic fashion, he’s pulling out all the stops. Taking place at the 6,000-capacity Amsterdam venue AFAS Live (formerly known as Heineken Music Hall), Nicky will be taking attendees on a true sonic journey, spanning from his early anthems to his recent hits. “Nightvision” will also feature sounds from some of his best sets from across the globe over the span of recent years, like Ultra Music Festival in Miami, Peru, Korea, Japan, Brazil, Taiwan, Tomorrowland, EDC Mexico, or Amsterdam Music Festival, to name only a few. Of course, Nicky will also be bringing out some very special guests throughout the night, and with so many all-star collaborations under his belt, we can only imagine who they might be! To add a final dash of excitement preceding the show, Romero is releasing a six-track EP on December 1st that delivers a heavy dose of club-oriented, melodic progressive gems that he’s become so well known for. Find tickets and more information for “Nightvision” here.

“The ‘Nightvision‘ EP is all about developing myself as an artist. One of the most important musical ingredients from my career is the melodies; they help me create an emotion and tell a story. They created the identity that I have right now as Nicky Romero. I tried to bring these elements from earlier in my career together in a new way in 2023, and I think ‘Nightvision‘ really converts that into the best possible way I could do it. With the Nightvision event on December 2nd, we are trying to do something super unique with the visuals. We’ll have live performances with guests, and I’ll be playing live instruments myself. We wanted to create a real, industrial, mysterious kind of event that is all about the nightlife. The musical elements of the ‘Nightvision‘ EP really bring that together very smoothly. I’m super proud of the EP and really looking forward to the event.” – Nicky Romero

After taking the world by storm with early hits such as “Legacy” with Krewella, “Like Home” with NERVO and the #1 single “I Could Be The One” with Avicii, Nicky Romero quickly proved that his talent is ever-evolving and here to stay. After launching his Protocol Recordings imprint in 2012, the renowned performer, producer, and label head continued his personal successes with a string of high-profile releases, ranging from collaborations with Armin van Buuren, David Guetta, Dimitri Vegas & Like Mike, W&W, Timmy Trumpet, Steve Aoki, Jonas Blue and Hardwell to remixes for the likes of Bebe Rexha, Robin Schulz, Kygo, Rita Ora, Steve Aoki, Martin Garrix, Jess Glynne, Calvin Harris, RAYE, and more. While showcasing his label’s roster via his weekly Protocol Radio show, Nicky Romero continues to innovate and evolve, and with his annual “Nicky Romero & Friends” ADE showcase and the launch of Monocule alter-ego, he keeps proving his ability to turn into gold everything he touches and continues to push boundaries with each show concept and new release, forever instilling himself as a dance music icon.

More info on Nicky Romero / Protocol Recordings:

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Music News

THIS SPACE IS OURS return with dynamic pop-punk balled ALL THE THINGS I’VE BEEN AVOIDING

by the partae
written by the partae

Photo: ActFour

Naarm/Melbourne quintet This Space Is Ours have gone down a softer, more emotionally driven path on their new single ‘All The Things I’ve Been Avoiding’, out today.

The track, which is the bands 3rd single to be released in 2023, spends 1 and a half minutes focussing almost solely on vocalist Gemma Dunsmore’s delicate, emotive vocals. Reverb-soaked guitars perfectly balance the track’s sonic palette initially, slowly building tension before exploding with the band’s trademark punchy sound around the halfway mark. Testing the waters with these dynamic changes shows the band are maturing into one of the most exciting alternative bands in the current scene. This maturity is further reflected in the lyrical content, as they conceptually discuss overcoming mental boundaries and themes of self discovery.

“The lyrics are written about mental health struggles and the grueling path to getting better; when you’ve come to terms with there being something wrong but only just begun the journey to fix it. Overtime, the personal meaning of this song has transformed for me. When I first wrote it, it was almost an apology, as if to say, “I don’t know what’s wrong with me, but I’m trying.” I’ve since been diagnosed with being on the Autism spectrum, and now when I sing it, it feels more like I’m saying something along the lines of, “there is nothing wrong with me, this is who I am and I’m still learning about myself.” 
Gemma Dunsmore, This Space Is Ours


PLAY/LISTEN

Artwork: Gemma Dunsmore and Sam Pratt

The band have recorded 5 tracks with producer Beau Mckee (Earth Caller, Between You And Me), this being the fourth single to be released of the bunch following ‘My Name’ (2023), ‘Apology’ (2023) and ‘Gone In May’ (2022). Crafting a song with so many layers can be a daunting task, but Mckee gave them the room to breathe as they worked on the track.

“This is one out of five singles we recorded with Beau McKee. We had a lot of fun with him in the studio and he ensured we were all comfortable enough to play around and achieve the exact sound we were looking for.”
Gemma Dunsmore, This Space Is Ours

The track is accompanied by a music video directed by Matt Bird, which perfectly reflects the tracks lyrical themes as the video cuts between vocalist Gemma Dunsmore singing in her bedroom, and making her dream a reality while performing with the rest of TSIO.

The band have made a name for themselves over the past few years, scoring a triple j Unearthed First Play for their single ‘Gone In May’, as well as airtime on triple j’s Short.Fast.Loud program for ‘Apology’. They’ve also managed to land playlisting support from Apple Music, landing in playlists such as New Music Daily, The New Rock, and The Riff for both ‘Gone In May’ and ‘My Name’. On the live circuit the band have been equally as busy, scoring support slots for bands such as Drastic Park, Proposal, We Set Signals, PSTCRDS, Synge and Nora. 

This Space Is Ours have shown over recent singles that they are more than ready to take things to the next level; and if ‘All The Things I’ve Been Avoiding’ is any indication of what’s to come, there is certainly a big future ahead.

PRAISE FOR THIS SPACE IS OURS 

“This Space is Ours combine passionate vocals with bold instrumentation in refined power. Having shared with stage with bands such as Proposal, We Set Signals and PSTCRDS, they have established themselves as a hungry new act with the skills to match.” 
The AU Review

“For the uninitiated, This Space Is Ours are a Melbourne-based pop-punk band making empowering songs packed with singalong hooks, booming drums, and ripping guitars.”
Kill Your Stereo

“Making sense of despondency and defeat, band This Space Is Ours pull all the conflicting emotions together in their perfect pop-punk track, Apology, that disguises pain amongst an electrifying beat.”
Ramona Magazine

“This Space is Ours return with their first single of 2023, “Apology.” Trust me, hit the volume. With big bold drums and a killer guitar riff, this is one of those angsty tracks that sounds best loud.”
Sounds of OZ

“This Space Is Ours burst with power in their latest electrifying pop-punk single, ‘Apology’, firmly staking their position as a burgeoning leader of melodic sing-along-worthy hooks, driving drums and face-melting solos.”
The Point Music News

All The Things I’ve Been Avoiding is out now
Official Website | Facebook | Instagram | Twitter | Youtube | Unearthed | Tik Tok 
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Music InterviewsMusic News

Ibby Akbar

by the partae
written by the partae

Congratulations on your upcoming Australian national tour, Ibby! What inspired the theme ‘To be honest’ for your new stand-up show, and what can audiences expect from this candid and hilarious journey into your life and musings? 

 The theme of ‘being honest’ is at the core of what this show is. It summarises what was on my mind when writing the show and allows me to firstly, be honest with personal stories In my life and break down any barrier that exists between myself and the audience. But also, giving my honest outlook on all things relevant to society right now. I will give my spin on everything ranging from relationships to vape smokers. There is something for everyone.

 As you kick off the tour in Brisbane on November 29th, what are you most looking forward to in connecting with your Australian audience again, especially after the success of your debut tour in 2022? 

Putting aside the fact, that ill be meeting people with equally as much hair as me, I think above all else, im looking forward to having a laugh with like-minded people. People that can enjoy and appreciate the same topics and jokes I find funny. When first going on tour you get an absolute buzz and feed off the audiences’ enjoyment. I cannot wait to really get back into it with everyone.

The title of your show suggests a deep dive into your mind and experiences. Can you share a sneak peek or a teaser about one particular aspect of your life that you’ll be exploring in ‘To be honest’? 

One of the things I talk about is my experience with the topic of arranged marriages. what they are, how theyre relevant to me and my life. In particular when I was essentially proposed to from a girl overseas! Trust me you don’t want to miss it.

You’ve mentioned that the show will include your unique spin on current events. How do you approach incorporating current events into your comedy, and what makes your perspective stand out? 

When approaching comedy I think the most important thing to remember is the fact that no topic should be ‘out of bounds’. As a comedian, I should be able to look at events, whether previous or present and be able to extract a unique and hilarious take on it. My experiences, my lessons and my life have allowed me to look at life through that lens. So when I look at events that lens lets me see a different and unique perspective which I can then add a little spice to and voila!

Having sold out shows across the country during your debut tour, what lessons did you learn from that experience, and how have you applied them to make this second tour even more exciting for your fans? 

With time comes experience, and although this is my second show there is a lot of knowledge you gain when going out there for the first time. I know to be in the moment, I know that the worst thing that can happen is me forgetting what to say (which happened in my first ever show and it made the show better) but I know its not the end of the world. I saw what the crowd loved and im going to make sure to bring more of that for this show.

Your humor often revolves around stories from your ethnic background and poking fun at society. How do you navigate the balance between relatability and pushing boundaries in your comedy? 

Like I said earlier, The boundary that is comedy needs to constantly be pushed, not just for the sake of “shock” reactions but to give people a different way of looking at what would usually be a conventional topic. I only talk about things that have happened in my life which make gives me the credit to do so. I know I will never say anything for the sake of ‘shock’ which means ill never push that line too far.

From Brisbane to Sydney, the tour covers various cities. How do you tailor your performance to resonate with audiences from different parts of Australia, each with its unique cultural nuances? 

Each city has its own unique way of looking at humour. I am lucky to be able to connect with people that enjoy my comedy across Australia and not just one city. So when they come to me they already know what kind of humour they are in store for. But, its important to keep in mind that each city can resonate and relate to one story more than another. So you need to extend and decrease each one accordingly.

You’ve built a significant following on social media with over 300K followers. How does your online presence influence or inspire the content you create for your live performances, and what role does social media play in engaging with your fans during the tour? 

 Social media is the backbone and the catalyst for me to be able to take on the stage of stand-up comedy. With social media ill sometimes play an overexaggerated character and take the mickey out of the real outliers of society. But with stand up I can expand and do so much more. Social media videos can only last a minute and stand up can go on for over an hour. Social media has given me that platform however. It has allowed me to reach audiences I never thought possible. Without it, I would not be in the position I am today.

The tour is titled ‘To be honest.’ How much of your personal life and experiences can the audience expect to see, and how do you decide which aspects to share in your stand-up?

As you visit different cities, is there a particular venue or city you are especially excited to perform in, and why? 

It’ll be half about my life and some personal stories and half about my spin on society and its funny characters we all know. I go with what feels natural, I never put any limitations on what I can and cant say and allow myself to just brain dump. From it stories become alive, whether they come in the form of personal stories or observations really just depends on that moment of that day.

I’m particularly excited to be playing at Margaret court arena. To be able to put my name alongside such major and key figures in the world of comedy that have also played there is an absolute privelage. And only in my second year!!!

Given your success in 2022 and the growing popularity of your content, how do you stay grounded and authentic in your comedy, ensuring that your unique voice continues to resonate with your audience? 

The reality is, this can all be taken away tomorrow. Nothing in my life has changed so drastically that I can no longer resonate with everyone around me. I have come from humble beginnings and will forever remain that way. I enjoy what I do more than anything but I know it does not last forever and I am grateful for everyday I am given an opportunity to make people laugh. So whilst I have this opportunity I ensure I make the most of it.

Finally, for those who are yet to secure their tickets, why should they grab a seat for ‘To be honest,’ and what message do you have for your fans eagerly anticipating your second national tour this summer?

If they don’t grab a ticket they will miss out on ever seeing this show again! I guarantee anyone can enjoy this show from young to old!

For those that are waiting for this show, I cannot thank you enough for allowing me to pursue my dream continuously! I will make sure I have you all in tears the entire night.

@ibby_a (Instagram)

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Festival NewsMusic News

KNOTFEST AUSTRALIA IS BACK | EARLY BIRD PRESALE LINKS

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written by the partae
GET YOUR KNOTFEST TICKETS

In 2024, music, art and culture will collide once more in unforgettable fashion. Following its entirely sold-out inaugural Australian run in 2023, KNOTFEST, the destination festival brand, will officially make its monumental return down under in 2024.

14 BANDS – 3 CITIES – NO CLASHES 
KNOTFEST MUSEUM
KNOTFEST Australia is thrilled to announce it will debut the revamped KNOTFEST Museum celebrating Slipknot’s acclaimed 25 year career. A staple at KNOTFESTs all over the world, this year’s Museum Experience will feature a jaw-dropping collection that played a pivotal role through the band’s storied journey. A true can’t miss opportunity to see this special edition of the global fan-favourite attraction.
Tickets are strictly limited in each city.
THURSDAY 21 MARCH FLEMINGTON RACECOURSE MELBOURNE 15+
SATURDAY 23 MARCH CENTENNIAL PARK SYDNEY 18+
SUNDAY 24 MARCH BRISBANE SHOWGROUNDS BRISBANE 15+
GET VIP TICKETS
GET YOUR KNOTFEST TICKETS
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Festival NewsMusic News

NOFX Final Tour: 40 Years 40 Cities 40 Songs Per Night Announce Supports

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NOFX Final Tour:
40 Years
40 Cities
40 Songs Per Night

Hitting Australia
January 2024

Announce Supports
Frenzal Rhomb, Bodyjar
Clowns, The Bennies Plus Others
Along With A Special
“I Heard They Suck At Conversation!!”

 

Photo credit: Susan Moss

Influential punk band NOFX is known as one of the world’s most controversial and significant bands of their time. They are no strangers to pushing boundaries at their live shows, and their final tour will be no different.

January 2024 will see the iconic punk band hitting the east coast of Australia for the final time. NOFX will perform forty songs a night, including 3 albums and rarities, plus they will never repeat a setlist to ensure that each show is unique.

Today, NOFX announces supports for all shows, including Australia’s finest punk rock exports Frenzal Rhomb and Bodyjar, along with Clowns and The Bennies, amongst others. Sydney fans will be treated to a special “I Heard They Suck At Conversation!!” to take place at The Hordern Pavilion in Sydney on Sunday Jan 21.

I Heard They Suck At Conversation – For the first time ever, NOFX will be on stage telling stories, answering questions and more, moderated by Jay and Lindsay from Frenzal Rhomb. This will undoubtedly be interesting informative inappropriate and insane. Not to be missed!

Fat Mike adds, “This is not a final tour like Mötley Crüe or Black Sabbath...These are the very last shows NOFX will ever be playing. We are gonna play with all our hearts…With all our joy…And then we are done. We are done done.”

What better way to celebrate the amazing career of NOFX. The final tour will see the band perform songs from their classic releases Wolves In Wolves’ Clothing, Punk In Drublic, The War On Errorism, White Trash Two Heebs And A Bean, So Long And Thanks For All The Shoes and The Decline over 2 nights in Melbourne, Sydney and Brisbane. Full tour info below.

LIVE NATION, SBM & MOTHERSHIP EVENTS PRESENTS
NOFX Final Tour:
40 Years
40 Cities
40 Songs Per Night

SAT 20 JAN – SYDNEY, HORDERN PAVILION
WOLVES’ IN WOLVES CLOTHING / PUNK IN DRUBLIC / THE WAR ON ERRORISM
w/ Bodyjar / Charlotte & The Harlots

SUN 21 JAN – SYDNEY, HORDERN PAVILION
WHITE TRASH, TWO HEEBS AND A BEAN / SO LONG AND THANKS FOR ALL THE SHOES / THE DECLINE
w/ Frenzal Rhomb / I Heard They Suck At Conversation!!

TUE 23 JAN –  BRISBANE, FORTITUDE MUSIC HALL
WOLVES’ IN WOLVES CLOTHING / PUNK IN DRUBLIC / THE WAR ON ERRORISM
w/ Frenzal Rhomb / Flangipanis

WED 24 JAN – BRISBANE, FORTITUDE MUSIC HALL
WHITE TRASH, TWO HEEBS AND A BEAN / SO LONG AND THANKS FOR ALL THE SHOES / THE DECLINE
w/ The Bennies / VOIID

FRI 26 JAN – MELBOURNE, FESTIVAL HALL
WOLVES’ IN WOLVES CLOTHING / PUNK IN DRUBLIC / THE WAR ON ERRORISM
w/ Bodyjar  / Something Something Explosion

SAT 27 JAN- MELBOURNE, FESTIVAL HALL
WHITE TRASH, TWO HEEBS AND A BEAN / SO LONG AND THANKS FOR ALL THE SHOES / THE DECLINE
w/ Clowns / Fever Shack

TICKETS ON SALE NOW

For more info at livenation.com.au / sbmpresents.com

 

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Festival NewsMusic News

New Caribbean festival Mellow Island unveils lineup for debut edition

by the partae
written by the partae
The likes of Dan Ghenacia, Serge Devant, Shimza, Carlita and more are all set to feature at Mellow Island over NYE

The all new Mellow Island is an invitation to discover the extraordinary beauty of Caribbean island paradise Saint Martin in the French West Indies. From December 29th to January 3rd 2024, the island’s most stunning venues will host headliners such as Dan Ghenacia, Serge Deviant, Shimza, Carlita, Notre Dame, Ramyen, Jenia Tarsal, Saraga, Chambord (hybrid live), Villanova, Nico Morano and many more.

The splendour of Saint Martin has to be seen to be believed. It boasts stunning beaches, sweeping ocean views, plenty of rich green jungle, luxury villas, high rise hills and plenty of hidden swimming pools all ready for you to explore. This unique festival mixes up world-class music, art, and breathtaking scenery, sunsets and sunrises with like-minded music lovers and is a perfect way to see in the New Year.

In all over 20 artists will play across six days with parties running through the afternoon and into the evenings. There will be five events on the beach, as well as across three stunning venues, plus there will be a wellness centre to recharge your soul and so much more with a fresh soundtrack from the best DJs from the worlds of house, tech, electro, minimal and Afro.

The venues include Coco Beach, a charming boho spot located on the famous Orient Beach with towering palm trees and white sand beneath your feet. Rainbow Cafe is another unique spot and the number one beach club on the island that offers organic design and great sound systems, and finally Java is a small paradise located in Grand Case that blends local cultures and customs with unreal views out to sea.

Musically, Mellow Island is expertly curated with international stars and red-hot newcomers all bringing their A-game including Carlita, Shimza, Dan Ghenacia, Serge Devant, Notre Dame, Ramyen, Jenia Tarsol, Saraga, Chambord (Hybrid-Live), Villanova, Nico Morano, Nhii, Amour Propre, Nomis, Sound of Bam, Driss, Aaron Julian and Benyebe.

Mellow is a pop up party concept imagined and curated by Ramyen. Hailing from France, this visionary artist has transcended borders,spreading his unique style and infectious energy to party gurus and music enthusiasts across the globe. Ramyen’s journey is not just about music; it’s about creating unforgettable experiences and fostering connections that resonate with the heart and soul of his audience.

Mellow Island is here to soothe your soul and enrich your life as one year ends and another one starts. Make sure you are a part of the first historic edition by getting your tickets now at https://shotgun.live/fr/festivals/mellow-island-in-sxm-29th-of-december-to-3rd-january
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Music News

Brazilian Talent Bhaskar and Super Duo Weekend Heroes Drop Dark Progressive Techno Gem “Stars In Your Eyes,” Featuring Brave Culture. Out Now on CONTROVERSIA

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written by the partae

Artists: Bhaskar, Weekend Heroes
Title: Stars In Your Eyes (feat. Brave Culture)
Label: CONTROVERSIA

Download / Stream

Brazilian heavyweight Bhaskar teams up with duo Weekend Heroes for their new track “Stars In Your Eyes,” a dark progressive techno gem that’s both emotive and club-ready. The artists dive into the sonic underground realm by incorporating mesmerizing, undulating topline melodies combined with heart-rendering, riding basslines, and distorted vocal riffs to drive the listener to a cathartic closing. “Stars In Your Eyes” is a record made for both dimly lit dancefloors and epic club nights, perfectly in line with what has become Bhaskar‘s signature sound through releases like his single “When I See It” with JADED and remix for Yves V and Sem Thomasson‘s “Sounds Of A Beating Heart.” For Weekend Heroes, the new track follows their singles “Red Alert” and “Titans” as they continue to build a name for themselves among the international dance community.

Bhaskar

Bhaskar began his history in 2004, still at age 12, when his first project with his twin brother Alok started. It all began as a hobby, but in a short time, they were already splitting their time between the studies and the studio. Son of renowned DJs Swarup and Ekanta, Bhaskar was inspired by his parents’ success and soon started to tour the world playing his music. Throughout his career, the Brazilian has collected a few hits to his name, including “Fuego” (157M+ Spotify streams) and “Infinity” (137M+ Spotify streams). His talents have led him to collaborate with and remix artists, including Tomorrowland resident Yves V, Moguai, Dubdogz, Wankelmut, Lucas Estrada, the Brazilian pop star Anitta and his brother Alok and Brazilian fellow Vintage Culture. Bhaskar has some more surprises up his sleeve, and we can’t wait to see what’s next.

Weekend Heroes

Weekend Heroes started as a collaboration project between 2 electronic scene veterans, Felix Nagorsky, aka Timelock, and Eli Baltsan, aka DJ Zombi. They met first in 2009 with a goal in their mind to create music that would be different but, at the same time, speak easily to wild audiences, a perfectly balanced blend of Progressive House and melodic techno. Since the beginning of 2010, Weekend Heroes started touring the world frequently with their dynamic and pumping live act. They play quite often to crowds of 10000 clubbers at amazing stages such as Playground Events Brazil, Atmosphere Festival Mexico, and many other prime events. Productive studio sessions never stop, and countless new EPs and remixes hit the market on a regular basis. These include remixes for the likes of Tim Healey, Tomcraft, Jerome Isma-Ae, Wally Lopez, Gai Barone, Paul Thomas, and more, which introduced Weekend Heroes as serial top sellers, remixers, and collaborators. Currently releasing on labels such as Siona, The Soundgarden, ZeroThree, Anjunabeats, Beat Boutique, Sprout, and many more, One of their earlier releases on Anjunabeats charted #1 on Beatport’s Progressive House Chart for 3 months, which made them Anjunabeats‘ best-selling artists on Beatport of 2022.

More info on Bhaskar / Weekend Heroes / CONTROVERSIA:

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Inventor of Lowtempo EDM Dubbed “Car Music” – HEDEGAARD, Unleashes His Hard-Hitting “INFERNO / Ratchets” EP With Jaw-Dropping 3D Visuals. Out Now on His Very Own OneHundred Label under Spinnin’ Records

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written by the partae

Artist: HEDEGAARD
Title: INFERNO / Ratchets
Label: Spinnin’ Records/OneHundred

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Danish producer HEDEGAARD returns with his hard-hitting new EP consisting of 2 tracks – brand new “INFERNO” and previously released “Ratchets,” aptly titled after the project’s two tracks. The EP has the musician-turned-DJ/producer’s signature “car music” sound, which he invented back in 2011 by unofficially remixing Dr. Dre‘s “The Next Episode” when he fused urban and EDM styles at around 100 BPM, which generated over 24M views on HEDEGAARD‘s Youtube channel and was used organically in thousands of video memes back at the time, generating over 200M views in total. On display from the beginning of the ominous opening beats of “INFERNO,” the track incorporates robotic vocals and bone-shaking basslines with mechanical synths for a distinct video game-esque vibe, which is followed by the more club-oriented “Ratchets,” with its rap-inspired vocal hook and rhythmic beats. HEDEGAARD also unveiled a stunning 3D, AI-fueled visual show to accompany the EP, which he tested at one of his recent gigs at the Atlas Superclub in Bali to rave reactions. “INFERNO / Ratchets” is out now on HEDEGAARD‘s label OneHundred, operating under mighty Spinnin’ Records.

Since the release of an unofficial remix of Dr. Dre‘s “The Next Episode” in 2011, introducing the audience to HEDEGAARD‘s unique sound, he has produced several of the biggest Nordic hits in the last decade, generating more than – mind blowing – 1,4B streams across streaming platforms. “Happy Home” with Lukas Graham and “Twerk It Like Miley” with Brandon Beal and Christopher are just a couple of the major hits HEDEGAARD has released and produced over the past years, resulting in several #1 all over the World. With the release of the single “NYC BABY” and the localized version “BEIJING BABY” – released exclusively in China – he took the top spot once again on the weekly QQ Music EDM Chart. Later on, the single took 2nd place on the quarterly version of the same chart for the entire Q2. The follow-up singles “BORED” and “The Ones We Lost” entered the Top 20 and became HEDEGAARD‘s 4th and 5th Top 20 entry in a row, underlining his status as the hottest EDM artist in China. That status was recently further substantiated by enormous viral attention on the Chinese social media Douyin, where HEDEGAARD accepted a remix challenge from the influencer Sander Kole, resulting in an 8-minute video that has generated more than 71M views and 2M+ likes. The reward for his work does not only come in the form of impressive streaming numbers but has also resulted in nominations at award shows. HEDEGAARD has previously won several DMA awards, DJ and Club Awards, and as the top nominee at the Club Awards 2024 in five categories, and with a big share in a nomination in a sixth category, the feat is second to none in Denmark.

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PLS&TY Launches “Proper Manners” Radio Show on Insomniac Radio and Releases Remix Pack of His “Party In My Head” Single

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Artist: PLS&TY
Title: Party In My Head (Remixes)
Label: Seeking Blue

Listen to “Proper Manners” on demand (Apple Podcasts, Soundcloud, Youtube)

Florida-native producer PLS&TY is always one to keep something exciting up his sleeve, and this time, he’s launched his biweekly “Proper Manners” radio show on Insomniac Radio (airing on each 2nd Wednesday at 2PM PST) and released a special remix pack of his recent hit “Party In My Head” with Lost Boy – a single that an original version of which ended PLS&TY‘s 2,5-year hiatus on March 31 this year. “Proper Manners,” which debuted on November 15, will host its second episode on November 29 and serves as a place for the artist to showcase not only his own music but his of-the-moment favorites from across the dance music spectrum. You can be sure to hear the new remixes of “Party In My Head” with Lost Boy and more music from PLS&TY himself on the show’s upcoming episodes, which always pack tons of groovy melodies and downtempo basslines for easy breezy listening. The remix pack includes interpretations from RSCL, Taiki Nulight, and Oliver Nelson. Read on to learn more about the new radio show from the artist himself.

“Insomniac have built a name wholly synonymous with electronic dance music – through all facets of their being. The brand encompasses a wide scope, far beyond the live events that most first think of. I’m ecstatic to have the Proper Manners Radio platform on Insomniac Radio to showcase my favorite music at the moment. With the curation of 60 minutes of music on a biweekly basis, I hope for listeners to discover what PLS&TY is all about, outside of my own discography. Expect new music, monthly catch ups, and insight into the latest in the world of PLS&TY, along with a proper set of tunes.” – PLS&TY

Tommy Leas, a Florida native – better known as PLS&TY – is burgeoning into the electronic dance music scene with his unique sound: languid bass, captivating vocals and enough upbeat melodies to make anybody feel good. His music has amassed hundreds of millions streams across platforms… that’s if you don’t include a feature in a Hershey’s chocolate television commercial that has now reached over 1 BILLION views. PLS&TY‘s singles have charted on Billboard, have consecutively reached #1 on iTunes four times, & have been remixed by Grammy-nominated Morgan Page, Rusko, Cazzette, Bondax, and YehMe2 (1/2 of Flosstradamus latest venture). Tommy has also toured a bevy of A-list festivals including Shaky Beats, Breakaway, Electric Forest, EDC Vegas, and more. After releasing his debut “Very Special” EP, which featured platinum-selling artists like Sean Kingston, Alex Aiono (of Netflix‘s “Finding Ohana“), Wifisfuneral, and more, 2020-2022 saw PLS&TY become an early adopter of the emerging NFT technology. PLS&TY has co-designed skateboard deck NFTs for Tony Hawk‘s charity initiative, as well as visuals for celebrity athletes and even members of Congress. PLS&TY‘s NFT projects were referenced in Billboard at the #3 and #10 positions of Top Music NFT Sales in August & September of 2022 alongside Snoop Dogg, Eminem, & David Bowie. 2023 sees PLS&TY emerging with new music & artistic endeavors, all while wielding the lighthearted “mind your manners” and “please and thank you” catchphrases.

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THE TULLAMARINES cram love, care, anxiety & affection into stunning debut EP ‘UGLY CRY’ Featuring hopeful & defiant new single ‘HEAD ROLL BACK’

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written by the partae

Photo by: Jack Fenby

Cram together four perennial over-thinkers into an Adelaide jam room , sprinkle in some love, care, anxiety and affection, and you will get The Tullamarines with their forthright new EP ‘Ugly Cry’. Featuring previous singles ‘Never Do That’ & ‘I’m So’, the 5 track release marks a line in the sand for the emerging indie-upstarts, acting as the “first EP child’ from The Tullamarines. 

Focus single ‘Head Roll Back’ is a highlight across the release, accenting the band’s ability to not only explore social zeitgeists such as income disparity (as found on ‘I’m So’), but to also wear their heart on their sleeves in a “once bitten, twice shy” style love song of fear & infatuation. 

“Head roll back is about falling in love and just how scary that can be. Falling for someone else is such a rare and wonderful thing. However, when you have been burnt before, the fear of losing that person that’s suddenly occupying your mind can be overwhelming. This song explores these fears, but ultimately focuses on how lovely it is to have someone in your life that can brighten your day just by thinking about them.” Angus Purvis, The Tullamarines

““The Tullamarines is a band of overthinkers so all the songs on the EP have been created through a fair share of love, care, a touch of anxiety and affection. From Taller being the first ever song that was jammed together as a band, but was left on the back burner for over a year, to Head Roll Back which was written only weeks before it was recorded, they’ve all been born from nuggets of each of Josh, Angus, Benny and Cin that mesh into this EP. It’s the first EP child from the Tullamarines, so there have been some happy accidents, exciting moments, quiet moments, tired tears and a whole lot of love, and we can’t wait to see it in the world. “

Lucinda Machin, The Tullamarines

Artwork by: Joshua Herreen

With a knack not only for sharp & relevant songwriting, The Tullamarines recorded ‘Ugly Cry’ themselves, at Forest Range Studios in the Adelaide Hills, before having it mixed by Ben Waltho, Josh Thomas & Michael Cutayar (Amy Macdonald, Orchards), with mastering handled by Filippo Cimatti (Jeff Beck, Bones).  Additional post-production elements were added in their own home studios, allowing the personalities of each member to shine, the “Tullies” more than just the sum of their parts, but a brilliant amalgamation of each musician’s talent. 

“Once the bones of the songs were written, the fun part began. We all started to tinker away on the production style and sonic elements until we found the way the song that felt best for us and the most “Tullies”. The majority was recorded at the studio over a couple of weekends but we added some extra embellishments in each of our home studio spaces and then the songs were mostly mixed by ourselves too. “

Lucinda Machin, The Tullamarines

With an EP now in their back pocket and a 2023 spent dipping their toes into the water of domestic touring, The Tullamarines are also announcing their debut headline tour, across Australia’s East Coast. Spanning from October to November, the shows will see the Adelaide quartet reach Sydney, Adelaide, Brisbane, Melbourne & Wollongong. Alongside the tour announcement is the band’s signing to national booking agency Seismic Talent, joining a roster alongside the likes of Alison Wonderland, Jesswar, The Presets & ShockOne. 

“We’re so excited to set off on the Ugly Cry tour and show these songs to new and familiar audiences! We’ve put a lot of careful planning into the sets and these will truly be the best Tullies shows yet!” 

Lucinda Machin, The Tullamarines

With ‘Head Roll Back’, the band have also included a music video to accompany the track, consisting of a Super-8 styled video featuring shots of the band performing, spending time together & B-Roll around Adelaide.

WATCH VIDEO

Having already shared stages with icons The VANNS, Teenage Joans, The Buoys & Towns, The Tullamarines have rapidly made a name for themselves as Adelaide’s next rising stars. Support from triple j (Home & Hosed), Spotify (Fresh Finds, Fresh Finds Rock) & triple j Unearthed followed their 2022 & 2023  singles ‘Television’ ‘Said Enough’ & ‘Never Do That’, resulting in an cumulative  60,000+ streams across platforms. Previous single ‘I’m So’ was the band’s break-out, with an immediate addition to triple j & triple J Unearthed rotation, alongside a triple j Unearthed Feature Artist slot.

 

Top 5 tips for production from making this EP

 

  1. Don’t overthink it. When we record and produce ourselves we have an infinite ability to change the tracks as much as we want, but setting a deadline and making a point to leave it if it sounds wicked.
  2. Leave it be! Akin to the first point, if there is something cool from the demo that we feel like we needed to “do it properly” in the final recording, it often isn’t as cool the second time around and the demo or first edition of the riff/idea is much more honest.
  3. Use anything and everything. We’re fortunate enough to have access to a few nice plugins and virtual instruments which are really easy to whip up and play something into, but using a random piece of old kit can sometimes add the charm a song needs. In taller for example, we used a PT-50 synth for a pad like chorus and lead stuff in the chorus’.
  4. Less is often more, a bit of a cliche but it’s the truth, sometimes being in control and having unlimited time…theoretically…to create means it’s easy to add too much stuff. That’s fine to do but if it’s clouding the songs roots, in the end, probably doesn’t need it.
  5. Jam the demos you make on the laptop. If you put together an amazing song on the laptop as a demo, it might not work very smoothly when playing it live. Live performance is a huge part of being a musician so making sure it feels good and gels live is one of the biggest challenges after making magic on the laptop. Getting in a room and working out the transitions makes the song feel more natural

 

THE TULLAMARINES ‘UGLY CRY’ TOUR DATES

TICKETS

Friday, November 17th Lion Arts Factory Adelaide w/ Molly Rocket & Sunsick Daisy

Friday, November 24th Felons Barrel Hall Brisbane

Wednesday, December 6th The Gasometer Hotel Melbourne

Friday, December 15th Towradgi Beach Hotel Wollongong supporting Dante Knows

PRAISE FOR THE TULLAMARINES

“I will back this band so hard forever. Fantastic song guys. It’s reminding me of the same feeling I felt when I first fell in love with bands like Ball Park Music, San Cisco, The Jungle Giants… sounding sharper than ever.”

Claire Mooney, triple j

“the tullies perfectly narrate my daily feelings. its a shot of dopamine, with thought provoking lyrics, and packs a punch from start to finish!”

Ash McGregor, triple j

“DYNAMIC is a word that comes to mind: it’s fast, it’s slow; it’s soft, it’s loud, it’s everything I want over a few minutes of indie rock.”

Stacy Gougoulis, triple j

“To fill the gap that the Tillies have left in the country’s collective hearts, along come the Tullies. I love this song”
Abby Butler, triple j

“Just the song to get you through hump day… with a buoyant and jolly feel to it. Fans of Two Door Cinema Club, The Kooks and Ball Park Music are going to love this. The Tullamarines have a gift for making armageddon look bright and rosy.”

The AU Review

‘Ugly Cry’ is out Friday Now

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