BEYOND THE VALLEY UNVEILS ITS SET TIMES AHEAD OF ITS MONUMENTAL 10TH...

Franklin + Soli @ The Palais Theatre, Melbourne, 16th December 2025

YUBIK JOINS FORCES WITH ADRIATIQUE & VINCENT VOSSEN ON MELODIC HOUSE/TECHNO TRACK...

WILDLANDS REVEALS SET TIMES

SLEAFORD MODS release new single ‘No Touch ft. Sue Tompkins’ – 2026...

The Rions announce Australian regional tour for Feb 2026

Wanstock 2026 Announced for Sydney & Melbourne with 1927, Dragon, Loverboy, Pseudo...

Interview: Minh on Heartbreak, Growth, and the Freedom of Moving On With...

Interview: Cait Lin – Finding Clarity in the In-Between on GRADIENTS

Spilt Milk Photography – Sun 14 Dec, 2025 – Gold Coast

Category:

Music News

Music News

Déepalma Ibiza Winter Moods, Vol. 5

by the partae
written by the partae

Label: Déepalma Records 

Format: 3xCD-Box (Limited Edition) / Download / Stream 

Beatport Pre-Release: 24.11.2023 

Official Release: 08.12.2023 

EAN 3xCD: 4056813633030 

EAN: iTunes: tba 

EAN Streaming (Unmixed): tba 

EAN Beatport: tba 

EAN Rest: tba 

Genre: Electronic / House / Deep House / Organic House 

Including music from Purple Disco Machine, Wamdue Project, Faithless, Röyksopp, Claptone, Jamie  Jones, &Me, andhim, Maya Jane Coles, Gorge, Gui Boratto, Dole & Kom, Mollono.Bass, Milk & Sugar,  Miguel Migs, David Penn, Michael Gray, Michel Cleis, Totó La Momposina, Lee Walker, Sasse, Dilby,  Karol XVII & MB Valence feat. Lazarusman, Patrice Bäumel, Oliver Schories, Kölsch and many more… 

EN_ 

Déepalma Records returns with the fifth annual edition of its ‘Winter Moods’ compilation,  mixed by leading label figures Yves Murasca & Rosario Galati.  

Déepalma label boss Yves Murasca and longtime cohort Rosario Galati continue to spearhead the  brand’s solid reputation in electronic music. Via impeccable curation of exterior artist signings right  through to their own exemplary releases and unparalleled compilation selections and mixes, there can  be no doubt surrounding the pair’s instrumental impact on the Déepalma brand and its burgeoning  authority on global dance music. With the colder months upon us, Yves and Rosario are ready to  unleash yet another stellar ”Déepalma Ibiza Winter Moods” volume, bringing the series into a half  decade of prominence.  

As always, ”Déepalma Ibiza Winter Moods, Vol. 5” is split between three immersive mixes,  replicating a relative experience influenced by the Balearic party capital. To begin with, “Lounge  Moods” sets the tone with its continuous day-to-night transition, held together by soothing melodies  and captivating vocals. Productions by Gorge, Dole & Kom, Mollono.Bass, Milk & Sugar, Dario  D’Attis, Claptone and several others make it easy to get lost in the music. “House Grooves” follows,  capturing the beauty of Ibiza after dark. Danceable beats from Miguel Migs, David Penn, Jamie  Jones, Wamdue Project, Michael Gray, Purple Disco Machine and more will prepare you for the  night ahead. As for “Afterhour Visions”, it reflects one of the most iconic scenes on the island. To finish  your journey, the mix of music from Röyksopp, &Me, Faithless, Maya Jane Coles, andhim, Oliver  Schories and Kölsch, among others, brings an archetypally Ibizan uplifting ending. 

Déepalma Ibiza Winter Moods, Vol. 5 lands on 8th December 2023 as a limited 3xCD and is  available to buy/stream on all major stores/platforms. The dj download edition is out on 24th  November already. 

DE_ 

Am 8. Dezember erscheint die fünfte Ausgabe der beliebten Déepalma-Compilationreihe ‚Ibiza  Winter Moods’, die einlädt auf eine musikalische Reise quer durch einige der angesagtesten  Genres der Elektronischen Musik.  

Während der Winter Einzug hält und sich der Sommer in eine verblassende Erinnerung verwandelt,  präsentiert das deutsche Deep House-Label Déepalma die fünfte Edition seiner jährlich  wiederkehrenden „Winter Moods”-Reihe – wie gewohnt zusammengestellt und gemixt von Labelchef  Yves Murasca und dem sizilianischen Déepalma-Künstler Rosario Galati. In bewährter Déepalma 

Tradition liefert auch „Déepalma Ibiza Winter Moods, Vol. 5“ mit einer handverlesenen Auswahl an  Songs internationaler Künstler ibizenkisches Lebensgefühl frei Haus. Die facettenreiche  Zusammenstellung dreier Mixe unterschiedlicher Intensität bietet ein komfortables Rundum-Wohlfühl Paket, bei dem man von Anfang bis Ende die Inspiration der weißen Insel spüren kann. 

Mit relaxtem Organic und Deep House von Künstlern wie Gorge, Dole & Kom, Mollono.Bass, Milk &  Sugar, Dario D’Attis und Claptone liefert der „Lounge Moods“-Mix auf CD1 die perfekte Playlist zum  winterlichen Chillen.  

Gefolgt vom „House Grooves“-Mix auf CD2, dem tanzbaren zweiten Teil der Compilation, mit edlem  Nu-Disco und House aus den Studios von Miguel Migs, David Penn, Jamie Jones, Lee Walker,  Michael Gray und Purple Disco Machine. 

Der finale Mix schließlich, auf CD3 – „Afterhour Visions” – versorgt uns mit der passenden Musik für  den Warm-Down nach einer durchtanzten Partynacht. Tracks und Remixes von Röyksopp, &Me,  Faithless, Maya Jane Coles, andhim und Kölsch, bringt uns sanft runter, um uns anschließend  wieder in die Höhe zu katapultieren. 

„Déepalma Ibiza Winter Moods, Vol. 5“ erscheint am 8. Dezember als limitierte 3xCD-Box,  Download- und Streaming-Edition. Die Download-Edition für DJs ist bereits ab dem 24.  November auf Beatport und Traxsource erhältlich. 

More info 

www.deepalma.com  

www.bit.ly/DeepalmaSpotify 

www.youtube.com/deepalmarecords 

www.facebook.com/deepalmarecords  

www.instagram.com/deepalmarec  

www.soundcloud.com/deepalmarecords  

www.twitter.com/deepalmarecords

DJ Mixes // Tracklists 

CD1 – LOUNGE MOODS 

  1. The Spirit Project & Starving Yet Full – Find Your Way (Extended Mix) 02. Rich Vom Dorf – Love You Babe (Original Mix) 
  2. Mika Olson – How Does It Feel (Original Mix) 
  3. SIS – Laito (Original Mix) 
  4. Gorge, Danjo – Stellaris (Extended Mix) 
  5. Yves Murasca & Rosario Galati – Close Your Eyes (Extended Mix) 07. Green George – See You Again (Extended Mix) 
  6. Cedric Salander – Masevela (Extended Mix) 
  7. Andre Rizo – Somalie (Original Mix) 
  8. Dole & Kom – Phara Oh (Original Mix) 
  9. Flip (BR) – U Wanna (Extended Mix) 
  10. Seba Campos & Calvimetro – Amiki Miñongo (Mollono.Bass Remix) 13. Ucha & Darksidevinyl – Tijuana (Extended Mix) 
  11. Milk & Sugar – Canto del Pilón (Meines Extended Remix) 
  12. Mika Olson – Tomorrow (Extended Mix) 
  13. Claptone & Nathan Nicholson – Abyss Of Love (Dario D’Attis Extended Remix) 

CD2 – HOUSE GROOVES 

  1. Miguel Migs – Broken Barriers (Original Mix) 
  2. David Penn – Those Days (Original Mix) 
  3. Wamdue Project – King Of My Castle (Purple Disco Machine Extended Remix) 04. Two Suns & DJ Red feat. Siobhan Jones – So Good (Michael Gray Remix) 05. Jamie Jones – My Paradise (Extended Mix) 
  4. George Cynnamon – In Your Eyes (Extended Mix) 
  5. T.Markakis – Right Here Right Now (Original Mix) 
  6. COEO – Voyager (Piano Mix) 
  7. KPD – Real Vision (Mirko & Meex Extended Remix) 
  8. Grace Kim – All The Love (Extended Mix) 
  9. Kataa, Some & Different – Love Affair (Extended Mix) 
  10. Alaia & Gallo & Joe Killington – House Music Is My Saviour (Extended Mix) 13. Michel Cleis, Totó La Momposina – La Mezcla (David Penn Extended Remix) 14. Earth n Days – Let’s Get Down (Original Mix) 
  11. Glen Horsborough feat. Mvttie – What It Means To Me (Zsak Extended Remix) 16. Lee Walker & Brent Anthony – Take It Back (Extended Mix) 

CD3 – AFTERHOUR VISIONS 

  1. Ian Metty feat. Rahjwanti – Won’t Sleep For A Minute (Sasse Remix) 02. Hollistic – Lost & Uncertain (Extended Mix) 
  2. Dole & Kom – Sweet Sorrow (Club Mix) 
  3. Dilby – Sight Unseen (Original Mix) 
  4. Karol XVII & MB Valence feat. Lazarusman – Whispers (Rosario Galati Extended Remix) 06. Röyksopp feat. Alison Goldfrapp – Impossible (&ME Extended Remix) 07. Green George & Tabia – Ofana Nawe (Extended Mix) 
  5. andhim – Dance Again (Original Mix) 
  6. Tommy Gustav – Closer (Scream And Shout) 
  7. Ante Perry, Dayne S – Bam Bam (Original Mix) 
  8. Gui Boratto – 618 (Kölsch Mix) 
  9. Maya Jane Coles – Go On And Make It Through (Original Mix) 
  10. Faithless feat. Nathan Ball – Synthesizer (Patrice Bäumel Extended Mix) 14. Felix Raphael feat. Huaira – Rising Suns (Original Mix) 
  11. Oliver Schories – Mirada (Original Mix)
  12. Reenday – Faith (Extended Mix)

    Minimix:


    Linkfire:

0 comments
0 FacebookTwitterPinterestEmail
Eats & DrinksFashion & CultureMusic News

Serenity in the Sky: Unveiling ‘Le Splash’ – Melbourne Le Meridien’s Rooftop Jewel

by the partae
written by the partae

Experience the epitome of luxury at Melbourne Le Meridien’s exclusive rooftop oasis, ‘Le Splash,’ nestled atop 20 Bourke St in the heart of Melbourne CBD. Boasting unparalleled views of the iconic city skyline, this stunning rooftop pool deck is a true urban escape that invites guests to indulge in a world of sophistication and relaxation.

Perched high above the bustling city, ‘Le Splash’ offers a serene haven where guests can unwind in style. Immerse yourself in the crystal-clear waters of the infinity pool while soaking in the breathtaking panoramic vistas that stretch as far as the eye can see. The meticulously designed space combines modern elegance with a touch of Melbourne’s vibrant culture, creating an ambiance that is both chic and inviting.

Indulge in the ultimate poolside experience as you sip on handcrafted cocktails from the stylish rooftop bar, where expert mixologists concoct signature drinks to tantalize your taste buds. The attentive and friendly staff cater to your every need, ensuring a seamless and memorable escape from the ordinary.

Whether you’re a local seeking a luxurious retreat or a visitor exploring Melbourne’s cosmopolitan charm, ‘Le Splash’ promises an unforgettable experience. Elevate your stay in Melbourne and make a splash at this unparalleled rooftop destination that redefines the meaning of urban luxury. ‘Le Splash’ at Melbourne Le Meridien is where sophistication meets relaxation, offering an elevated escape that captures the essence of Melbourne’s cosmopolitan allure.

Words: Chris Brooks – Photography: Juan Castro

0 comments
0 FacebookTwitterPinterestEmail
Music News

Oshua EP: Everything Can Levitate

by the partae
written by the partae

Everything Can Levitate – Perth-based Oshua’s debut EP spanning 3 years of sonic self-discovery elevates new-wave hip hop to new heights.

Oshua dishes up 8 tracks reminiscent of his underground music upbringing, but with a distinct polish and quality with potential for total domination. Painting a musical landscape that welcomes you with open arms without sacrificing any of the hard hitting, combat ready energy he’s become known for. It’s no surprise whatsoever that hip-hop legends Young Thug and Denzel Curry have both co-signed Oshua in the last 12 months.

Oshua embodies the internet culture he found his music in, with staggering international streaming success despite having 0 projects under his belt. Since releasing his first track on Spotify just 2 years ago, he’s racked up over 3 million streams with a growing devoted fanbase, pushing 100k monthly listeners.

Born in Canada, raised in South Africa, and based in Australia, Oshua grounds his music and his sound in the concept of not being grounded at all – of levitating. That in itself speaks volumes to Oshua’s creative process and the base for his musical journey. Everything Can Levitate is the product of online discovery and collaborations with people all over the world, originating from a Discord Server during covid lockdowns.

“I started learning music online as a way to pass time during COVID quarantine. I learnt everything through Discord from people all around the world… we’d stay up all night and day and we all had pretty much just started making music. That same discord server is where I found my sound as an artist and it’s still going today with the same people.”

Breaking down barriers that might otherwise exist, this format allows for a sound that is wholly unique, while borrowing energy from anything and everything.

Following heavy editorial attention from Spotify & Apple Music and recent nods from radio tastemakers triple J, plus winning the prestigious Triple J x NIDA music video competition for his single Veins, this debut EP has all the elements to springboard his success.

Whatever the 2023 version of Soundcloud rap is, Oshua has nailed it and then some. Layer that with production, polish and quality beyond his years, ECL harnesses the energetic culture of the scene and delivers it on a silver platter.

https://soundcloud.com/oshuaha/sets/everything-can-levitate/s-JLqhmnq8onC?si=70b01e6fc72c4d65868cfc7a2291bd3d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

SPOTIFY | INSTAGRAM | FACEBOOK | SOUNDCLOUD | YOUTUBE

0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Hetticee Interview

by the partae
written by the partae

Congratulations on the upcoming release of “all the same”! Can you tell us a bit about the inspiration behind the song and what listeners can expect from it?

Thank you! This song definitely came from a place of frustration for me – I think I got into the studio and just started venting and then all of a sudden had some lyrics stuck in my head. I was bored of these fast trends coming in and out and this copy and paste lifestyle that I was seeing everywhere. So it is a bit of a more serious topic for me, but still very self-aware and silly and light hearted I think.

Your music has been described as self-aware, lush, and gutsy. How do these qualities manifest in “all the same, ” and how does it contribute to your unique voice in the music scene?

I think my music is self-aware and gutsy in the sense that it addresses the fact that its being a judgmental and one sided and comes from a subjective bias – so to counteract that selfishness it plays with genre a little bit, in this case it leans on disco elements to keep the song lighthearted and silly and take away from the seriousness of what is being said – because day to day I don’t really care that much, but at the time of writing the song I did. 
 

The single touches on themes like boredom with fast trends and herd mentality. What motivated you to explore these topics, and how do you hope listeners will connect with the message?

Honestly it just came up in the studio – I remember it being on my mind at the time of writing but it wasn’t a conscious decision to write a song about it. I think I was just craving change in my personal life and projected that a little too, which I think lots of people can relate to – when things start to feel a bit mundane or stale and you’re craving something new.
 

“All the same” is labeled as a classic disco bop. How did you approach blending the classic disco sound with contemporary elements, and what can fans anticipate in terms of the musical style?

I love to incorporate disco elements in my music – but I usually start with the basic more acoustic elements and then garnish with some disco strings, funky bass lines and fun percussion. It just makes it so much more fun and in this case I think strikes the balance of being authentic to me whilst keeping the song lighthearted which felt imperative to it. 
 

Your previous singles have garnered attention from other artists, and international airwaves. How has this early recognition influenced your approach to creating and releasing music?

It’s been great to know that others appreciate the music I’m making but it doesn’t really influence my approach to creating and releasing music. I’ve tried really hard to focus on doing things my way and to just keep travelling at my own pace and to stay true to what I like and why I’m making the music in the first place. So it’s been so awesome to see – but I try to keep it in my blind spots when actually making music. 
 

With a rapidly growing fanbase, how do you navigate the balance between staying true to your artistic vision and meeting the expectations of your audience?

Similar to the previous question, I try hard to not focus too much on what the audience wants. It’s so amazing to know other people enjoy my music but I think a reason for that is because I’m making music that I feels very genuine and true and that’s what actually allows people to relate to it. It’s a lot easier said than done though – I definitely get caught up in trying to people please and have had to pull myself out of the overwhelming anxiety that comes with worrying about other’s opinions. 

The single is set to be released on December 14, 2023. Can you take us through the creative process behind “all the same, ” from the initial concept to the final recording?

Yeah so originally Matt Sampson (who produced the track) showed me the riff from the chorus and pretty quickly I came up with the melody and lyrics. Then I think we had one session where we co-produced the rest of the track and wrote the rest of the verses and then spent another session tracking vocals. It came together pretty quickly – which is always a good sign in my opinion. 
 

As an artist, you’ve been featured on multiple curated playlists. How do you curate your own playlists, and what role does music discovery play in your creative process?

I love curating playlists – I actually find it super challenging but that’s why I think I like it. Trying to find songs that fit together can be such a fun puzzle and at the end of the day is super subjective so whatever I feel works, works. But it really gets me thinking about and dissect music in different ways which I can then take into the studio and experiment with later. So it plays a massive part in my creative process.
 

Having had airtime on both local and international airwaves, what has been the most surprising or memorable moment in your musical journey so far?

The first time I heard my song on the radio ever will always be such a special moment for me – I cried! Music was something that Ive always loved and wanted to keep doing in my life since I was little so it was just very overwhelming and felt very grateful to be able to work with and be supported by those that helped make it happen. 

You’re gearing up for multiple single releases leading to an album in April 2024. How do these singles contribute to the overall narrative or theme of the upcoming album, and what can fans expect from the album as a whole?

Yeah! The next few singles are all quite similar in style to All The Same but comment on very different things that tie back into the narrative of the album which centres around finding my voice and learning to take up space. The album definitely plays with genre and tone, there’s bangers and there’s ballads so there’ll be something for everyone. 

Your music spans from heartfelt ballads to pure disco-pop bops. How do you approach balancing different musical styles, and do you have a favorite type of song to create?

It’s quite hard balancing different styles, but I think once you work out how they complement one another and how to have both still sound like you it becomes easier. I think for me the disco upbeat anthems are my favourite because they leave you feeling so joyous and happy and that feels really special.
 

Looking ahead, what are your goals and aspirations for the coming year, both in terms of your music career and personal growth as an artist?

This album is my main priority so that’s a big one, but I’d also love to gig some more in the next year. I really miss playing with other musicians and sharing the stage with friends – it’s such a special feeling.
0 comments
0 FacebookTwitterPinterestEmail
Music News

Angus Legg’s 5 Spaceship Albums

by the partae
written by the partae

In celebration of his stunning new track ‘Spaceship’, we had Angus pick out 5 albums he’d want with him if he were stuck out in space on his own spaceship, if these 5 were the only music he had to listen to.

Ryan Beatty – Calico

https://open.spotify.com/album/5OWpskyoZl9UMkHQwgA05O?si=1hqVlwnYRPOuJv3PCi0sBA

I’ve only recently discovered this album, mostly I love how it makes me feel, especially when I want to sit in a sad feeling. I don’t necessarily know what the lyrics mean, however I don’t really care, I kind of like that I don’t know what they mean, I can make up my own meaning. The sonic realm Ryan creates is very special and cohesive, a great album to listen from start to finish.

Medium Build – Health (EP)

https://open.spotify.com/artist/3C6wmSgnZuqxVQyBWujBsn?si=C71N0aCuTpSz4j3tDCWQIg

This EP has some of the most beautiful songs including ‘Gimme Back My Soul’ which is one of my favourite songs of all time. Going through a breakup from a relationship in which I felt my soul wasn’t embraced, this is exactly how it feels, reclaiming my soul, rediscovering myself, and I’m grateful for the part ‘Medium Build’s’ music has played in that process.

JP Saxe – Dangerous Levels of Introspection

https://open.spotify.com/album/538BxdI7oOQykSkEtyjhUD?si=wKmTSvjlRzW92AVOBJJh2A

Nobody can tell a story with greater precision than JP Saxe (in my humble opinion). There are so many tracks on this album that depict heartbreak the exact way I’ve been feeling it. A lot of what I do as an artist is influenced by JP Saxe, and I think this is his best body of work, amazing listen.

Alex Legg – The Best Laid Plans of Chocolate Mice

https://open.spotify.com/album/2vfqfnmeytNFaGPzfbhDWn?si=KaDbflzCR4q_Nv4INfa0jQ 

This is an album my father released before he passed, it’s on Spotify still and has a couple of tracks on it dedicated to me. ‘May All Your Friends Be Artists’ & ‘The Best Laid Plans of Chocolate Mice’ are two I listen to when I feel like I want to cry. Further, Alex is one of my biggest influences as a songwriter, firstly, genetically, and his storytelling was fascinating. This one I don’t delve into as much these days, but it’s incredibly special that I have an insight to my father’s mind beyond his death.

Martin Luke Brown – Damn, Look At That View

https://open.spotify.com/album/28jKFEY7mlMSnRS9i6Ryu8?si=mXgAueS8Tjae6YrLesvDOg 

I love this album, firstly for its songwriting, but mainly for its production. Sonically it sits in such a unique realm even though it is essentially a singer-songwriter/acoustic album, it doesn’t sound like there’s much creating the atmosphere however it feels BIG. His use of the rubber bridge guitar sonic is also incredibly interesting and something I’m attempting to put my own spin on for upcoming records.

Angus Legg: triple j Unearthed | Facebook | Instagram | YouTube

0 comments
0 FacebookTwitterPinterestEmail
Music News

Super-producer Sevenn Returns with New Deep and Meaningful Tech Single “End of the Beginning.” Out Now on Future House Music

by the partae
written by the partae

Artist: Sevenn
Title: End Of The Beginning
Label: Future House Music

Download / Stream

California-based artist Sevenn makes his debut on Future House Music with his new dose of underground sounds “End Of The Beginning,” a dark and melodic techno gem with poignant meaning. Opening with glimmering melodies, Sevenn layers in a driving, undulating bassline and umbrous synths to give both an ethereal and dark feeling to the track. The otherworldly vocals in “End Of The Beginning” add to the sonic tone, at times looped to represent the life-death-life circle that Sevenn was so inspired by when creating the track. By the time you finish listening, you’ll be wondering if the beginning is the end or if the end is the beginning. It follows his recent collaborations with Silver Panda, ASHER SWISSA, Goom Gum, Laidback Luke, and more. Read on for more behind Sevenn‘s inspiration for this progressive techno masterpiece.

“The ‘End Of The Beginning‘ I wrote while at my mom’s house on the central coast of California, I had set my laptop and studio outside to watch the moonrise. I had been dealing with the thought of death and life, and the cycle, the ouroboros, and the song stemmed from there. It’s about the intensity of the never-ending cycle, the dragon eating its own tail, and out of death comes life. Something about that moonrise in the cold left a mark.” – Sevenn

American artist/producer Kevin Brauer exploded on the international electronic music scene under the artist name Sevenn. His first release, “Colors of the Rainbow,” was an instant hit with millions of plays. It was followed by his hit “BYOB,” a remix of System of a Down‘s track, which gained over 60M plays virtually overnight, leading to an influx of bookings and tours all around the world for club and festival performances. Shortly after, the massive collaboration with Tïësto entitled “BOOM” debuted on Ultra Music Festival‘s Miami mainstage with the Dutch legend himself. The “BOOM” remix with Gucci Mane hit #14 on Billboard‘s Hot Dance/Electronic charts, amassing 800M streams and counting. Recent releases include an official remix of Pink Floyd‘s “The Wall,” as well as “Pum Pum” with Showtek, “Chupa” with Blasterjaxx, and “Angles” with Jonas Blue, each of which rack up millions of plays each week, aside from serial solo hits released with Selected, Armada, and Spinnin’ Records. In 2021, Sevenn debuted a new signature style he calls Hybrid Techno through a 4-track EP, which immediately hit the Top 100 Apple Music charts, releasing many more in this style in 2022. Sevenn makes regular appearances at some of the world’s most celebrated festivals, such as Tomorrowland Belgium, Lollapalooza, and Creamfields, and was the only artist invited to open for Guns n’ Roses during their South America 2022 tour. Now in 2023, with support from the giants “Tale Of Us” on his new track “Deep Space,” Sevenn is set to reach the highest levels of global success as an artist and producer.

More info on Sevenn / Future House Music:

0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Goodbye August Interview

by the partae
written by the partae

What is the inspiration behind the title of your debut EP “You Couldn’t Even Wait”?

We really just wanted to use a song from the EP as the title. We ended up choosing “You Couldn’t Even Wait” as it is the conclusion to the EP. We felt this title represented the feelings we all felt after listening to the EP in full.

The EP explores different perspectives on grief and loss. Could you elaborate on the process of translating these emotions into music and how it influenced the overall sound of the EP?

The demos, which were just instrumentation, were quite dark in tone and we wanted to continue this theme. After writing lyrics and vocal melodies, the songs started to take shape and become the embodiment of the emotions that we wanted to portray.

We believe each song is individual in its category of emotion whilst still greatly revolving around the feelings of grief and loss.

Mitchell mentioned that the EP reflects on a tragic accident. How did the band navigate the delicate balance between conveying the emotional weight of the subject matter and creating an engaging musical experience for listeners?

When writing for this concept, we felt it best we keep our distance from those involved for a few different reasons. The first being anonymity to the families affected by the topic matter.

The second reason was that distance enables anyone to fill the shoes or stand in the face of being affected by tragedy. We did not use any names of people, places or genders to help support both the prior mentioned points.

“You Couldn’t Even Wait” was recorded at The Brain Studios in Sydney. How did the choice of this studio contribute to capturing the specific sound and atmosphere you were aiming for in the EP?

Everyone in Goodbye, August is a huge fan of the catalogue of bands that The Brain Studios has worked on! Most notably for us however, was the EP “Slowly Dying With You” by Whatever, Forever. We all agreed that we had to go where that record was produced as it had the sound we wished for our EP to take influence from. We collectively felt that The Brain Studios would suit the best for us and we’re so thankful with not only the team as people, but the work they produced for us. Endless gratitude.

Each song on the EP seems to represent a different aspect of the grieving process. Can you walk us through the songwriting and composition process for one of the tracks, highlighting how you approached conveying specific emotions?

When creating the concept for the EP, rather than tell a story of an event, we wanted to tell a story of perspectives. We chose each song to be a different person’s perspective of the accident as a whole.  Let’s use “I Let The Sorrow Fill Me” for this example.  Emotionally this song was written in the form of ‘shock’ to a person. We have an upbeat chorus as in a timeline of events, the accident in question isn’t known yet. But in each verse the perspective of the song changes upon realisation of what a person is facing after witnessing the accident. Thus leading to the pre-chorus where the perspective changes to someone knowing that they are unable to help the person(s) infront of them. The bridge of the song is written to let all the emotion in upon moving on from the ‘shock’ factor.  This helped us with lyrical writing and using the bridge as an ‘acceptance’ of the situation, we used the line “I Let The Sorrow Fill Me” to portray that feeling.

Mitchell and Sean originally started Goodbye, August as a duo. How has the band dynamic evolved since the addition of vocalist Andrew Taylor and bassist Josh Lund, and how has it influenced the musical direction of the band?

The evolution has been fantastic! Andrew and Josh are both great people and share the ambitions that Sean and myself (Mitchell) have set out to accomplish. The direction that Andrew and Josh gave the band helped affirm what Sean and I initially wanted to do and they helped build our ideas into something greater. Without them, “You Couldn’t Even Wait” would be a completely different record and non distinguishable to what it is now.

The band aims to fill the void between Emo Rock, Pop-Punk, and Post Hardcore. How do you navigate blending these genres to create a unique sound, and are there specific bands or influences that played a significant role in shaping your musical style?

Using the Brain Studios was key to helping us blend these genres. The guitar and bass tones help us set the stage for the genre of music we wish to portray. The drums are another example of not tonally sitting in one genre more than another. We do not wish to be a strictly ‘X’ genre band and The Brain Studios helped us sit in all genres without clear definition.
Regarding bands that played a significant role in shaping our sound and songs, Whatever, Forever, Basement and Endless Heights are major influences to us.

“Letterbox Pills” and “Where You’d Go Without Calling” were the two previous singles released before the EP. How do these singles fit into the larger narrative of “You Couldn’t Even Wait, ” and why did you choose them as precursors to the full EP?

We chose these two songs as singles because we felt that they captured the genre and sound bending we have throughout the EP. ‘Letterbox Pills’ being very broody and chord based with lots of ambience and ‘Where’d You Go Without Calling’ being very open in sound and utalising more vocal range.

Mitchell mentioned writing the EP in the first half of 2022. How did the events and emotions of that time influence the creative process, and were there any challenges faced during the writing phase?

There were definitely a lot of emotions and challenges faced with initially writing this EP.  A band Sean and I were in had just broken up along with another band falling through. Not long after these two events I was in the Lismore floods and lost my house and job along with my possessions.  I ended up writing the first iterations of the EP on my dads old work laptop from around 2012 with a pair of earphones and a cheap guitar that wasn’t too water damaged.  It was a different experience as the gear I had was limited but it was also the perfect time to write music after going through previous band breakups and a natural disaster.  It helped portray the emotion that eventually became “You Couldn’t Even Wait”.

The EP delves into personal experiences of grief and the aftermath of a tragedy. How do you hope listeners will connect with and interpret the stories shared in your music?

We hope that everyone can find comfort in knowing the challenges they face after a tragedy aren’t inclusive to themselves and we hope that our music can be some form of comfort for the grieving process and reflection.

Can you share any memorable moments or challenges encountered during the recording process at The Brain Studios, and how did the studio team contribute to shaping the final sound of the EP?

We had a bunch of memorable moments hanging out with Clay and Angie from The Brain Studios. I think some favourites would be seeing who could pet Squee the cat without getting scratched which I think Sean succeeded and Josh failed at! The team along with studio hand Declan from Sydney emo hardcore band Brooklyn Comic made our experience the best it could have been and we can’t wait to finish writing new songs so we can go back and see who has the worst jokes over lunch. Josh’s redemption arc for petting Squee will still probably end in defeat though!

Looking ahead, what’s next for Goodbye, August? Do you have any future plans for live performances, new music, or other projects on the horizon?

For 2024, we wish to play a bunch of shows and get some attention from radios, national and if we’re lucky enough, international acts.  We’ve started writing for EP 2 but I think that will happen later down the line as we are all super stoked on “You Couldn’t Even Wait” and wish to tour it throughout the year. Our next show is January 27th at Greaser Bar in Brisbane which should be announced shortly!

Thank you and we hope you enjoy our debut EP, “You Couldn’t Even Wait”.

Facebook
Instagram
Spotify
0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Portia Clark Interview

by the partae
written by the partae

Can you tell us about the inspiration behind your latest single, ‘Look What You’ve Done,’ and how the collaboration with Audius Mtawarira came about for this emotionally charged track?

I wanted to share a conscious message. I have songs about all things but in this song, wanted to speak to everyone. We should all take responsibility for our own contribution to humanity. Audius is a great writer and producer and he helped me deliver this message in song. We are both from Southern Africa and we connected instantly creatively and personally. He’s my brother.

The lyrics of ‘Look What You’ve Done’ delve into your personal journey, from facing hardships to finding love and success. How challenging was it to channel such complex emotions into your music, and what message do you hope listeners take away from the song?

Sharing my experience is like therapy for me. Talking about my hardship has been the journey to my success. Now I live my life reaching for more love and more joy. It wasn’t easy channeling complex emotions but I love knowing that my story empowers young girls who may be going through the same experiences as I did.

In the song, you pose thought-provoking questions like “Where is the joy in the life I’ve been fighting for?” and “Would God really want all this despair behind every door?” Can you share more about the significance of these questions and the themes you explore in the lyrics?

It only makes sense that we ask difficult questions in order to find real answers. We all seek happiness so it’s important to check in on whether our daily walk is moving us in the right direction or not.

The production of ‘Look What You’ve Done’ is described as slick, consistently enhancing your exceptional vocals. How do you feel the production contributes to the emotional impact of the song, and what role does it play in conveying the message you want to share?

We worked hard to make sure the song had all the elements that sound good but also to deliver the message. There was a lot of refining and I believe we achieved a well produced track. I love bass in my songs and all the elements of country music so it wasn’t an easy job. Audius worked his magic.

There’s a lyrical shift from the first to the third person in the second chorus, where you sing, “Oh look what we’ve done…” Can you explain the significance of this shift and how it reflects your personal journey and the support you’ve found?

I didn’t want the song to point any fingers. The line ‘look what you’ve done’ is not meant to blame or accuse. I changed the ‘you’ to ‘we’ because we all contribute to this world in one way or another.

Your life story involves overcoming adversity, including being born into poverty and surviving domestic violence. How has your unwavering faith played a role in transforming your life, and how do you hope it inspires others facing challenges?

I hope my story brings awareness to the plight of the girl born in poverty. The difficulty I faced made me strong but not all girls in that situation survive. We all have to shed more light and find ways to help. I hope my story inspires everyone to believe that nothing is impossible.

Moving from Zambia to Australia in 2014, you’ve created the life you dreamed of with your husband and children. How has this change in environment influenced your music and the themes you explore in your upcoming album?

My environment and circumstances may have changed, but I will always be me. My husband, children and inlaws are a great support for me. I will wear my scars and cherish every moment. I will tell my story through my songs and I will keep fighting for love.

Your goal is to uplift people through your music, especially those who may be feeling down. How do you navigate the balance between sharing your personal story and creating music that resonates universally with diverse audiences?

I will just keep doing me, using my God given talent to sing great songs. I will sing about all things that inspire me so that I can inspire others. Music is a language of its own and I love being able to inspire with my voice. I’d be happy to change only one persons life for the better.

You mention wanting your presence on stage to connect with people and make them feel better about themselves. How do you prepare for live performances, and what do you hope the audience takes away from the experience?

I love how music connects from the stage to the audience. When I perform I try to connect with everyone who is listening. I want them to feel the joy, love or pain. To share the experience, and to be on a creative journey with me. I never just sing, I connect.

As you co-wrote ‘Look What You’ve Done’ with Audius Mtawarira, can you share more about the collaborative process and do you have plans for other collaborations and if so, who with?

I’ve found a great working relationship with Audius and I look forward to making more music with him. We work well together because his process is patient and he takes the time to understand what I want to express although music is beauty and with me everything happens spontaneously like my collaboration with Darius Rucker.

Your upcoming album is scheduled for release in 2024. Can you provide any insights into what themes or experiences will be explored in the album, and how it builds upon the narrative established in ‘Look What You’ve Done’?

The album explores many subjects of interest to me. It is also an album of meticulously chosen songs that I knew I could sing well. I can’t wait for everyone to hear what we have been working on.

0 comments
0 FacebookTwitterPinterestEmail
Music News

Sydney’s DONNA AMINI releases second studio album OTHER PEOPLE

by the partae
written by the partae

Photo Credit: Shahane Bekarian

Sydney’s Donna Amini has just released her phenomenal second studio album, Other People.  

The release of Other People demonstrates a beautiful evolution of Amini’s style as a songwriter. As she charts course for the embrace of a new creative era, this is the type of album to reposition her clear and proven songwriting skills in front of audiences new and long-standing alike.

An album about behaviour and the human condition, Other People outlines a unique set of observations and perspectives. Amini is wonderfully experimental with her lyricism, exhibiting an incredible ability to take her audience from light to dark in a heartbeat, and then back again. At times, her writing is detailed and vivid in nature; at others, it is playful, minimal, and almost childlike, diverting more attention towards the instrumental aspect of the song. In both spaces, though, she never fails to capture something poetically visceral, in a way that is sure to linger in any listener’s mind.

“The title ‘Other People’ relates to the false idea that we are somehow separate from others. And how questioning other peoples’ behaviour, is really holding up a mirror to our own. The entire album is an abstract presentation of how we look at the world through the lens of our own personal culture and traumas. But as a body of work, I’d say it’s a collection of songs that are cutting, full and direct.” DONNA AMINI

Featuring previously released tracks like ‘Suburban Surf’ and ‘Big Machine’, the two songs Amini developed and released prior to 2020, Other People represents a sonic and artistic peak for the Sydney songwriter and performer. The album’s lead single ‘Pilots’, released earlier this month, was dropped alongside a visually stunning music video directed by Shahane Bekarian and filmed in Sydney, at Good Loco in Marrickville.

“Shahane Bekarian directed a music video for a friend’s band, which I really liked. So I contacted him, and we got to work with a concept. Mostly it was going to be me dancing. Very choppy editing and black on white contrast between costume and background. He did a great job, and it suits the song.“ DONNA AMINI

The process of creating Other People involved collaborating with a variety of talented individuals, each of whom undoubtedly brought their own spark and expertise to the end result of Amini’s sophomore album. Other People was engineered and recorded by Amini and Nathan Sheehy; the bulk of the record was mixed by Tobias Priddle, with additional mixing by Sheehy (‘Suburban Surf’, ‘She Said’ and ‘Pilots’) and Wade Keighran (‘Big Machine’).

Album Artwork by Waldemar Kolbusz

The sonic nature of the record finds a stunning balance between hard-hitting percussion, enchanting raspy vocals, and Amini’s signature 90s-alt-rock style guitar fuzz. Along with Amini’s own skilful musicianship, the album features instrumentation from Nick Collerson (drums), Jon Zion (bass), Tobias Priddle (bass – ‘Love Me’, ‘Ghost’), Scott Leishman (bass, ‘Hell’) and Wade Keighran (bass, ‘Big Machine’). Also featured on the track ‘Bowie’, is instrumentalist Glenn Sarangapany (Birds of Tokyo).

“The process was a long one. I first recorded the album live with a full band in 2017, but didn’t feel that the result was close to what I had envisaged the work to sound like. So I started again, recording all the guitar and drum parts at home and replacing them later at a studio. 

“After that it was a matter of filling the songs out with synths, effects, solos and bass parts. And of course the vocals all had to be recorded in a clean studio environment. The process of recording this album was similar to my first album. The songs were built up and moulded over time. It took a long while, but I didn’t stop working on them till they sounded exactly how I imagined them to. “ DONNA AMINI

PRAISE FOR DONNA AMINI

“Fierce and fiery, this one feels like it’s made for a movie.”

Sara Glaidous, triple j Unearthed

“I feel like it’s the kind of song where you might be out at a bar and you hear this voice in the corner singing. And suddenly whoever you’re with, it just goes silent, you just tune your ears straight to that corner. It’s really moody and cool… I heard it the other day on triple j Unearthed radio and it just caught me hook line and sinker.” 

Declan Byrne, triple j 

“Tune and a half. It bristles with an energy akin to many moody ‘90s alt rock heroes.”

Dave Ruby Howe, triple j Unearthed 

“There’s this smouldering rumble that rests just beneath. This is very compelling – you’re bound to stick around.”

Claire Mooney, triple j 

OTHER PEOPLE is released THURSDAY 30 NOVEMBER

PLAY/LISTEN

Donna Amini: Facebook | Instagram | YouTube | triple j Unearthed

0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

MAMA CHENS’ SHOW 8.12.23 8:00pm – FREE ENTRY Limited Release – Electronic bleak pop via the city loop

by the partae
written by the partae

Interiors – Under the shadows of kunanyi, jangle/dream-pop trio, INTERIORS, weave lush and intricate melodies in a reverberant sea. With all members contributing voices and with a sizzling twelve-string guitar at their disposal, they’ve taken inspiration from acts such as The Triffids, Cocteau Twins, Rowland S Howard and The Go-Betweens to create expansive songs of transience.

Not a supergroup, but featuring members of nipaluna-born bands Heart Beach, Quivers, All Fires the Fire and Enola Fall. INTERIORS are Adam-Carl D’Andrea (drums/vocals), Chris Wessing (guitar/vocals) and Percy Church (bass/vocals).
//

Pretty In Pink – Little Lunch Records is excited to announced the sophomore album ‘Pillows‘ from Naarm/Melbourne-based three-piece Pretty in Pink, on September 1st. Their new single ‘Pressure Socks’, released Friday June 9th, encapsulates the thoughtful post punk minimalism of their shimmering second album.

Pretty in Pink (PIP) is Claire McCarthy (guitar/vocals), Lauren Mason (guitar) and Elliot Taylor (bass/drums). PIP ponders the day to day, considering the physical and emotional space the past takes up and how ‘where’ we live so closely shapes our lives. PIP is both on point and different – soft and painful, hard and sweet.
OLD BAR
Sudden Debt
Interiors
4pm, arvo show
0 comments
0 FacebookTwitterPinterestEmail
Music News

Portia Clark releases emotive new single ‘Look What You’ve Done’

by the partae
written by the partae

Much like the artist herself, Portia Clark’s latest single ‘Look What You’ve Done’ is powerful, inspiring, and uplifting.

Portia co-wrote her brand new single – the first taste of her upcoming album, scheduled for release in 2024 – with Audius Mtawarira (Flo Rida, Delta Goodrem, Jessica Mauboy), a multiple ARIA and APRA award-winning African-born, Sydney-based hitmaker.

Listen here: Look What You’ve Done

Throughout ‘Look What You’ve Done’, gentle guitar picking, suspended strings and a softly swaying beat cradle Portia’s sublime, soul-stirring vocal performance. “Were you really born here to suffer?” she ponders, channelling her own hardships in order to portray complex emotions through song.

Born into poverty in Lusaka, Zambia and ostracised from her church following a teenage pregnancy, Portia also survived domestic violence before finding true love and relocating to Perth, Australia in 2014. Here, Portia has created the kind of life she always dreamed of, together with her loving husband Brendan and their three children.

Slick production consistently serves to enhance Portia’s exceptional vocals, which retain their rightful place under the spotlight for the duration of ‘Look What You’ve Done’. She also poses a string of important questions during her deeply personal latest single: “Where is the joy in the life I’ve been fighting for?…“Would God really want all this despair behind every door?

Portia is living proof that unwavering faith can transform lives. “Singing’s my life. Portia reflects of the gift that gave her hope and ultimately saved her. By consistently pushing through adversity with courage and persistence, she noticed her dreams started to closely resemble reality.

There’s a significant lyrical shift from first to third person in the second chorus of  ‘Look What You’ve Done’ – “Oh look what we’ve done…” – as Portia finally feels supported, no longer needing to shoulder life’s burdens alone. Listeners would then be wise to brace themselves for her awe-inspiring, climactic power note – Portia’s idol Whitney Houston springs to mind – during the song’s soaring bridge: “It’s time to look inside, it’s in all of you/ Unconditional love inside your heart.”  

Through bravely sharing her story and her incredible singing voice, Portia hopes to “uplift people that feel down”: “When I sing my music, I want to be able to encourage people that are hurt. I want my presence – when I stand on stage, singing – to connect with people. I want them to feel better about themselves by the time I’m done singing, because I know how it feels to be hurt and have nobody to talk to. People have different ways of healing and finding encouragement. Just reading my story could save someone’s life.”

‘Look What You’ve Done is out now on all streaming platforms.

0 comments
0 FacebookTwitterPinterestEmail
Music News

Diamond-certified Artist LUM!X Releases Nostalgic, Emotive Dance Heater “Fireflies” Featuring Jordan Rys. Out Now on Spinnin’ Records

by the partae
written by the partae

Artist: LUM!X, Jordan Rys
Title: Fireflies
Label: Spinnin’ Records

Download / Stream

Austrian–Italian wunderkind LUM!X returns to Spinnin’ Records with his remake of the 2009 Owl City hit “Fireflies” (which topped the Billboard Hot 100 back in 2009 and just has been certified Diamond for 10M sales in the US), for which he teamed up with singer/songwriter Jordan Rys to put a fresh dance spin on the known track. Listeners will easily recognize Rys‘s take on the much-loved, emotive vocals, while LUM!X first incorporates sparkling melodies and then fuses them with a drum & bass inspired drop completed with mixed and chopped lyrics and a dance floor-ready beat. “Fireflies” has both the singalong chorus and hard-hitting bass of a club and festival heater, and it’s already a fan favorite in LUM!X‘s sets. Read on for more behind this nostalgic-meets-modern gem from the producer himself:

“From the moment I was a kid, this tune has held a sacred spot in my soul. It’s easily one of my all-time favorites, a cherished gem that’s been a mainstay in my sets for quite some time now. When we got in touch with Owl City and received his stamp of approval for my rendition, I teamed up with the exceptionally talented singer-songwriter, Jordan Rys, to breathe new life into the vocals. The end result not only lures you in with its unforgettable sing-along chorus but also electrifies every dancefloor with an earth-shattering drop that’s pure dynamite.” – LUM!X

LUM!X

At just 21 years old, Austrian–Italian musician LUM!X, real name Luca Michlmayr, is quickly becoming one of the hottest names in the global electronic music scene. To date, LUM!X‘s songs have been streamed well over 2 billion times, leading him to over 30 diamond, platinum and gold certifications. With a signature style that’s as smooth as it is hard and refreshing as it is versatile, LUM!X represents the next step in the evolution of the modern DJ, bringing with him a sound that’s not only primed for the radio and the club, but geared for the viral airwaves as well. He has collaborated with some of the biggest names in the industry already, including Gabry Ponte, DVBBS, KSHMR, and remixed the likes of Robin Schulz, Afrojack, Steve Aoki, Alan Walker, and R3HAB to name only a few. In 2022, he became one of the first DJs to participate in the Eurovision Song Contest, representing Austria in the competition. In 2023, he also won two prizes at the Amadeus Awards of Austria for Song Of The Year and Best Dance Act with his song “Halo,” featuring Pia Maria.

Jordan Rys

With over 120M streams in the last 12 months on Spotify alone and 1,6M followers on TikTok, Jordan Rys has become a sought-after vocalist and songwriter in the electronic music scene. Jordan has received persistent editorial support from Spotify and was featured as the cover act on their Main Stage playlist in April 2022 (over 1,5M followers). The talented singer/songwriter has the ability to transcend various genres such as dance, R&B, hip-hop, and pop while also being capable of singing in 3 different languages: Chinese, Spanish, and English. Next to his success on streaming platforms, Jordan Rys has also gathered a loyal following on social media, which has brought him social media partnerships with brands such as Uber, Cheetos, Panasonic, etc. With continuous successful releases, Jordan Rys is on his way to becoming the next dance/pop phenomenon.

More info on LUM!X / Jordan Rys / Spinnin’ Records:

0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Good Things Festival – Melbourne, December 1, 2023

by the partae
written by the partae

Photography: Rebecca Houlden

The traveling metal/punk/rock/alternative music festival, Good Things, took control of Melbourne’s Flemington Racecourse (Naarm) on December 1, 2023, uniting tens of thousands for a myriad of unforgettable experiences.

Featuring headline performances by 2000s pop-punk icons Fall Out Boy, the Melbourne event showcased talents from prominent acts including Limp Bizkit, Devo, Bullet For My Valentine, Corey Taylor, Make Them Suffer, Hanabie, Taking Back Sunday, PVRIS, and more.

It was evident that many attendees were eagerly anticipating the performance by Limp Bizkit, with the day’s energy seemingly building up in anticipation of their set. Images and videos on Instagram, with captions like “It’s just one of those days” and “ticked Limp Bizkit off the bucket list,” suggest fans are in for a real treat when Good Things reaches Sydney and Brisbane.

For fans who had patiently awaited Fall Out Boy’s performance for five years (or longer for first-timers), the band delivered without disappointment, presenting a setlist focused on older songs that animated the massive crowd.

0 comments
0 FacebookTwitterPinterestEmail
Music News

Nicky Romero’s 1st-ever “Nightvision” Solo Show Takes Place on December 2nd at Amsterdam’s AFAS Live and Is Accompanied by Themed 6-track Namesake EP

by the partae
written by the partae

Artist: Nicky Romero
Title: Nightvision EP
Label: Protocol Recordings

Download / Stream

Nicky Romero is in the final stretch of preparations for a monumental moment in his already illustrious career – his first ever solo show, “Nightvision,” on December 2nd, and in classic fashion, he’s pulling out all the stops. Taking place at the 6,000-capacity Amsterdam venue AFAS Live (formerly known as Heineken Music Hall), Nicky will be taking attendees on a true sonic journey, spanning from his early anthems to his recent hits. “Nightvision” will also feature sounds from some of his best sets from across the globe over the span of recent years, like Ultra Music Festival in Miami, Peru, Korea, Japan, Brazil, Taiwan, Tomorrowland, EDC Mexico, or Amsterdam Music Festival, to name only a few. Of course, Nicky will also be bringing out some very special guests throughout the night, and with so many all-star collaborations under his belt, we can only imagine who they might be! To add a final dash of excitement preceding the show, Romero is releasing a six-track EP on December 1st that delivers a heavy dose of club-oriented, melodic progressive gems that he’s become so well known for. Find tickets and more information for “Nightvision” here.

“The ‘Nightvision‘ EP is all about developing myself as an artist. One of the most important musical ingredients from my career is the melodies; they help me create an emotion and tell a story. They created the identity that I have right now as Nicky Romero. I tried to bring these elements from earlier in my career together in a new way in 2023, and I think ‘Nightvision‘ really converts that into the best possible way I could do it. With the Nightvision event on December 2nd, we are trying to do something super unique with the visuals. We’ll have live performances with guests, and I’ll be playing live instruments myself. We wanted to create a real, industrial, mysterious kind of event that is all about the nightlife. The musical elements of the ‘Nightvision‘ EP really bring that together very smoothly. I’m super proud of the EP and really looking forward to the event.” – Nicky Romero

After taking the world by storm with early hits such as “Legacy” with Krewella, “Like Home” with NERVO and the #1 single “I Could Be The One” with Avicii, Nicky Romero quickly proved that his talent is ever-evolving and here to stay. After launching his Protocol Recordings imprint in 2012, the renowned performer, producer, and label head continued his personal successes with a string of high-profile releases, ranging from collaborations with Armin van Buuren, David Guetta, Dimitri Vegas & Like Mike, W&W, Timmy Trumpet, Steve Aoki, Jonas Blue and Hardwell to remixes for the likes of Bebe Rexha, Robin Schulz, Kygo, Rita Ora, Steve Aoki, Martin Garrix, Jess Glynne, Calvin Harris, RAYE, and more. While showcasing his label’s roster via his weekly Protocol Radio show, Nicky Romero continues to innovate and evolve, and with his annual “Nicky Romero & Friends” ADE showcase and the launch of Monocule alter-ego, he keeps proving his ability to turn into gold everything he touches and continues to push boundaries with each show concept and new release, forever instilling himself as a dance music icon.

More info on Nicky Romero / Protocol Recordings:

0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts