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Arky Waters Turns Up the Heat with New Single ‘Molly’

April 3, 2026

Interview: Will Sparks on Classics, Crowds and the Next Chapter

April 2, 2026

GUTTERMOUTH Farwell Australian Tour

April 2, 2026

Sophia Bouvier Introduces a Striking Debut with “Poison Apple”

April 2, 2026

ANNA JEAVONS COUNTS DOWN TO THE RELEASE OF ANOMIE WITH EMOTIVE SINGLE...

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MAKUA ROTHMAN RELEASES A POWERFUL NEW SINGLE CATCH A WAVE WITH AWOLNATION

April 2, 2026

Monsieur Mellow – Roll River, Roll (feat. Jackson James Smith) out now

April 1, 2026

The Horrors (UK) welcome Sydney band G.U.N as support on upcoming Australian...

March 31, 2026

1tbsp – Pink Dress (feat. Cherry Chola)

March 27, 2026

Hideout Festival announces full line up & brand Radio 1 Dance X...

March 26, 2026
Category:

Music News

Amy Lawton
Music News

Amy Lawton releases new single ‘Don’t Bring Louise’

by the partae December 14, 2018
written by the partae

Critically acclaimed singer-songwriter Amy Lawton has released her brand new single ‘Don’t Bring Louise’. The new song is one of heartfelt unrequited love, featuring beautiful harmonies among its sincere country pop.

Regarding the single Amy says, “‘Don’t Bring Louise’ is a true story, about a real girl that my ex-boyfriend dated. I started writing the song when I heard her name for the first time. I’d never met her but as soon as I heard her name I started building a picture of her and the lyrics started to form in my head. It’s about a feeling that gets reignited the first time you hear that the other person has moved on, even if you thought you were over it.”

‘Don’t Bring Louise’ follows the release of her highly praised singles ‘Hurts Like Paradise’ and ‘Undone’. Since emerging last year Amy has received support from the likes of The Times, 1883 Magazine, CelebMix and many more.

A burgeoning name on the UK live scene, Amy has just completed her first ever regional tour, where she played 19-dates across the country. She also performed at The Great Escape Festival in Brighton this summer.

In London, Amy has played at many famous venues in the city including Ronnie Scott’s, The Troubadour, The Bedford and The Social among many others. She also played as support to Jack Savoretti at Cadogan Hall.

While still fresh-faced, Amy comes armed with sharpened experience well beyond her years and is proving her self to be exciting new name on the singer/songwriter scene.

December 14, 2018 0 comments
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Jeremie Whistler
Music News

Avant-pop artist Jeremie Whistler shares new visual for ‘Smoke Signals’

by the partae December 14, 2018
written by the partae

+ debut album ‘The Dawn’ due Fevruary 2019

“Brooding, atmospheric creation” – MusicMap

Emerging Parisian electronic singer / producer Jeremie Whistler, is pleased to announce details of his debut album ‘The Dawn’ due 2019 and will preempt it’s release with a haunting new visual for ‘Smoke Signals’.

He says: “For the ‘Smoke Signals’ video i wanted to play with the set up that i use on stage, an installation of origami/lights that turn on and off according to the music. I wanted to use the hypnotical potential of this installation to accompany the story of an interaction between two sides of myself : naive and evil. I was interested in playing with the notion of transformation with the help of drag artist Clemence Trü”.

Jeremie brings a strong visual concept to his work. From the dreamlike landscapes in the ‘Cold Heart’ video, to the trippy visuals of ‘Holding On’ (shot at the Hunting and Nature Museum in Paris), both directed by Rémy Disch, and the kaleidoscopic ‘Run Into The Sun’, directed by Jeremie himself. He now offers up a new visual clip for ‘Smoke Signals’, an enigmatic tale of unstoppable transformation. On stage, Jeremie wears an ornamental piece made of golden feathers created by artist Xavier Noel, and the band is surrounded with big paper origami that light up in tune with the music.

Described by French tastemaker publication Les Inrocks as “tour de force, an artist possessing a unique emotional fragility”. The acclaimed debut EP ‘Flakes’, co-produced with Angelo Foley (Christine & The Queens) and Apollo Noir (Tigersushi), drew comparisons with James Blake’s dark electronica ballads and Björk’s quirky eclecticism; and spawned the two hit singles ‘Cold Heart’ and ‘Run Into The Sun’. Having been ensconced in the studio writing, Jeremie is now ready to release his long player effort, ‘The Dawn’, 13 majestic tracks of dark, emotive electronica with a melacholic emotional core.

He says: “‘The Dawn’ is a collection of songs about surrealistic dreams and failed love stories. It heralds a new life, in which past hurts are left behind after they take shape. Sonically, i wanted to merge electronic and acoustic sounds and create lush and dark atmospheres. I also wanted to work as alone as possible to try and reach pure emotion, inviting now and then close collaborators.”

Jeremie wrote, composed and produced the album himself with the the help of band member Sylvain Ollivier and French electronic producer Saycet. Three tracks also include a string quartet (Pop Quartet, led by violinist Celia Triplet) and the album was entirely mixed by Sébastien Cannas at Capitaine Plouf studios.

https://soundcloud.com/jeremiewhistler
https://www.facebook.com/JeremieWhistler
https://twitter.com/JeremieWhistler

December 14, 2018 0 comments
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Cream with a k
Music News

CREAM with a K Unveils Video For ‘5:35’

by the partae December 14, 2018
written by the partae
DOWNLOAD/STREAM

Tokyo via London grunge-pop chanteuse Cream with a K (a.k.a. Lee Tatlock) returns today with her hazy new video for ‘5:35‘, taken from her upcoming self-titled debut album. Directed by Lawrence Randall and premiering on L’Officiel, the video was shot in the early hours on Tokyo’s Ginza Metro Line. Watch the video for ‘5:35‘ HERE.

“The idea was basically to spontaneously capture the natural, unglamorised side of Tokyo’s nightlife. Rather than a story it was all about the mood.” says Tatlock. “Basically it is ‘going home after a night out’, so that’s what we did and just hung out together and took footage around Shibuya until the morning 5:35am train on the Ginza Line. I wanted to get a glowy dreamy sci-fi vibe.”

A musician, visual artist and model, Cream with a K is most well known for her former involvement as the singer in the Japanese Pop band NEKO PUNCH (Universal Music Japan). Having cut her teeth in the entertainment industry in Tokyo, she decided it was time to reconnect with the West through Cream with a K in early 2016, her first fully English project since her start in music. Pulling her influences from her hometown of London, her adopted hometown of Tokyo and pairing them alongside fuzzy grunge tones and etherial pop vocals makes her first solo effort a surefire head turner.

Working alongside many noteworthy Japanese producers such as Takeshi Kobayashi, Hydain and Shingo Yasumoto and bilingual in Japanese and English, she also turned her hand to song and lyric writing for other Japanese and Korean artists. In Tokyo, seen as a cultural figure who links the UK and Tokyo Music scenes, she was the TV host of the Japanese Rock music TV Show NHK’s “Nippon Rocks” series.

Her debut self-titled album is out now in Japan exclusively at Tower Records and will see a worldwide release in early 2019.

“Fuzzy guitars paired with sticky sweet synths and Tatlock’s signature etherial vocals, her latest solo effort is equal parts Smashing Pumpkins, and St. Vincent – a refreshing burst of pop with integrity that pays homage to her favorite era” – C-Heads

“Merging fuzz toned sonic influences from her native London with that of her adopted home of Tokyo, her pitched pop vocal and penchant for 90s indie rock make for perfectly balanced treat” – The Line Of Best Fit

“The eclectic grunge of her solo project effectively blends her London roots with her Tokyo experience, showing as much lived experience as artsy aesthetic.” – L’Officiel

“Cream With A K mixes fuzzy 90s-toned indie rock with her deceptively sweet vocal and packs quite a punch” – Born Music

For more on Cream with a K go to:
Official Site I Facebook I Instagram | YouTube

 

December 14, 2018 0 comments
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Alice In Chains
Music News

Alice In Chains announce ‘Rainier Fog’ film project

by the partae December 14, 2018
written by the partae
BAND EARN 9TH GRAMMY NOMINATION FOR NEW ALBUM
‘RAINIER FOG’
NOMINATED FOR ‘BEST ROCK ALBUM’

ANNOUNCE SPECIAL ‘RAINIER FOG’ FILM PROJECT
EPISODIC ROLLOUT WILL SPOTLIGHT EACH SONG ON THE ALBUM

UK & EUROPEAN TOUR DATES IN 2019
PLAYING WEMBLEY ARENA – MAY 25TH

Earlier this year, Alice In Chains released Rainier Fog (BMG), their first album in five years. It became the band’s first Top 10 UK album, also hitting No. 1 on Billboard’s Rock, Alternative and Hard Music Charts and No. 1 on the iTunes Rock Album Chart, and has now earned them a much-deserved Grammy nomination for ‘Best Rock Album’. It’s the band’s 9th Grammy nod.

Today the band has announced a special Rainier Fog movie project titled ‘Black Antenna’, produced and directed by filmmaker Adam Mason. Inspired by the sound of Rainier Fog, Mason has created a stunning 90-minute sci-fi film which will be rolled out in ten episodic segments/videos beginning at the top of the new year, with each episode set to a different song from the album. A ‘Black Antenna’ preview can be seen here.

“I’m a long-time fan of the band,” says Mason. “And this was an opportunity to do something fresh and inspiring from an indie filmmaking side. The sound and vision between album and film are closely intertwined – it was a brilliant synergy that led to a really unique project.”

“We’ve always toyed with the idea of creating videos for every song on one of our albums,”says drummer Sean Kinney. “Not only did we do that for Rainier Fog, it got totally out of hand and we made a whole goddamn movie. Everything that will be seen in the videos will be footage from ‘Black Antenna’ to preface the complete film’s release.” 

Rainier Fog – which can be heard here – marks a few firsts for the band: in addition to being their first album in five years, it’s their first album for BMG and their first time recording in their hometown of Seattle in more than 20 years. They recorded at Studio X, the same facility where they tracked 1995’s self-titled Alice In Chains album (back when the studio was known as Bad Animals). The Rainier Fog recording process also saw the band spend time at Henson Recording Studios in Los Angeles and at the Nashville studio of producer Nick Raskulinecz. Rainier Fog is the third straight Alice In Chains album recorded with Raskulinecz and engineer Paul Figueroa. The album was mixed by Joe Barresi (Queens of the Stone Age, Tool).

The band celebrated the album’s release with a sold-out international tour that saw them playing to packed houses in over 20 countries around the world. The band return to Europe in May for a run of major headline dates and festivals including Rock Am Ring and Rock Im Park in June as well as three UK shows, with a date at Birmingham’s Barclaycard Arena on the 24th and Wembley Arena on the 25th. These will be the biggest headline shows the band have played to date in the UK. Full dates can be found below.

EUROPEAN TOUR DATES 2019
23/5 – Braehead Arena, Glasgow
24/5 – Barclaycard Arena, Birmingham
25/5 – Wembley Arena, London

27/5 – 013, Tilburg
28/5 – Olympia, Paris
30/5 – AB, Brussels
31/5 – Rockhal, Luxembourg

1/6 – Halle 622, Zurich
3/6 – Forum Karlin, Prague
4/6 – Stadtpark, Hamburg
6/6 – Northside Festival, Aarhus
7/6 – Rock Am Ring, Nürburg
9/6 – Rock Im Park, Nuremburg
11/6 – Impact Festival, Krakow
13/6 – RockCafe, Tallinn
15/6 – Energia Arena, Oulu
16/6 – Kaisaniemi Park, Helsinki
18/6 – A2, St Petersburg
20/6 – Glavclub, Moscow

December 14, 2018 0 comments
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Shotty Horroh
Festival NewsMusic News

Shotty Horroh – London, Birmingham and Manchester Headline Shows Announced

by the partae December 14, 2018
written by the partae

SHOTTY HORROH RELEASES LIVE YOUTUBE TORONTO PERFORMANCE FOR ‘STAY FOR THE RIDE’ TODAY

LONDON, BIRMINGHAM AND MANCHESTER HEADLINING SHOWS ANNOUNCED

TICKETS ON SALE TOMORROW

Today, rising singer-songwriter Shotty Horroh releases a live performance version of his song ‘Stay For The Ride,’ as part of his YouTube Toronto series. Filmed in Toronto at the YouTube space, this video acts as the first installment in a series of three live videos, with the second and third to be released in the coming weeks. “Stay For The Ride” was originally featured on his album, Salt of the Earth, which released earlier this fall via Sony Music Entertainment Canada Inc., and is available for purchase and streaming on all digital service providers now.

Click here to watch.

After wrapping his first Canadian tour supporting USS in October, Shotty Horroh will be hitting the road again in the New Year to play a number of headlining shows, including one in his hometown of Manchester, UK. Tickets for these dates go on sale tomorrow, December 14, at 10am GMT. Full list of dates below and to purchase tickets, visit shottyhorrohmusic.com. More UK and EU dates to be added, stay tuned for updates.

2019 Tour Dates:

February 6 – London, UK – The Camden Assembly
February 7 – Birmingham, UK – Hare & Hounds
February 9 – Manchester, UK – Soup Kitchen

About Shotty Horroh:

After emerging as a prominent voice in the battle rap scene in the early days of his career, Shotty Horroh switched gears in 2018 to a new sound in the form of his debut LP, ‘Salt of the Earth’. Kicking it off with the first single ‘Shudehill,’ Shotty established himself as an artist to watch as he continued to release passionate and intense political rock. Far Out Magazine speaks highly of ‘Shudehill’ saying “it feels more akin to early-Arctic Monkeys, unrelenting, imposing and powerful, it’s built on his delivery and a crumbling working class.” Whereas, Salt of the Earth has been heralded by Germany’s Stern Magazine in their 5/5 star album review as a testament to “how much power punk and hip-hop can have when they work together” and is praised as “masterfully melded – hip-hop versus indie rock,” by The Record. Both ‘Shudehill’ and ‘Stay For The Ride’ are among the 10 tracks featured on the album, out now.

www.facebook.com/Shottyhorrohmusic
www.instagram.com/shottyhorroh
www.twitter.com/ShottyHorroh
December 14, 2018 0 comments
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Wafia
Music News

The Remarkable Year of Wafia

by the partae December 14, 2018
written by the partae

WAFIA left a major mark on the musical landscape of 2018. With unanimous critical acclaim, over 100 million streams, her first headlining tour in Europe, sold-out shows in Los Angeles, Brooklyn, San Francisco, Toronto and throughout her home country of Australia, and debut performances at Red Rocks and Coachella, the confident yet unassuming indie pop powerhouse has proven to be a force to be reckoned with and one of the most exciting artists to watch for as we head into 2019.

As Nylon commented, “the buzz surrounding [Wafia] is remarkable”. The Fader praised her “golden, honeysuckle-sweet voice”, Teen Vogue called her one of the “artists you should be listening to before the end of 2018” and Vogue said that the 25-year-old singer is “single handedly shaking up the music industry with her purposeful pop.” 

Her latest song ‘I’m Good’ has become one of the most buzzed-about songs of the past few months with V Magazine calling it “a breakup bop for the ages”, Refinery 29 highlighting the track’s relatability, saying “Wafia has reached into my soul and ripped out my experiences with breakups and turned them into a perfect song” and Billboard declaring that it “puts Wafia’s confident charisma in plain view.”

Watch a playful new homemade video for ‘I’m Good’ that Wafia recorded at home in Brisbane with her sister Hibba and puppy Khalil, HERE.

Along with I’m Good’, her VIII EP and her Louis the Child-collab on their track ‘Better Not’, Wafia has notches over 100 million streams in 2018 alone. EP cut ‘Bodies’ caught attention from the likes of Vice Broadly, Nylon and Ladygunn for its pointed lyrics addressing the Syrian refugee crisis. 2018 also found Wafia scoring her first appearance on the Billboard charts (‘Better Not’ on the Hot Dance/Electronc Songs chart), and major success on triple j with ‘I’m Good’ being named the 5th most played song of the year.

Wafia shares, ”2018 was so good to me. Between my ‘VIII’ EP coming out earlier in the year, to “Better Not” and then “I’m Good” & all the touring, this is one of those years that shaped me,” said Wafia, adding “To go out on the road and personally see how the music is connecting with people in places I’ve never been but my music has, is the most rewarding part of it all. I did a lot of writing this year too, and I’m most excited for the new year to share where my mind has been at. I feel like 2018 was just setting me up for a particularly special 2019.“

2019 will see exciting new music from Wafia, international tour dates, and more.

‘I’m Good’ is out now via Future Classic, buy/stream it here.

 

 Stay connected with Wafia:
Official Website | Facebook | Twitter | Instagram

December 14, 2018 0 comments
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HANDS LIKE HOUSES
Music News

HANDS LIKE HOUSES

by the partae December 14, 2018
written by the partae

“Fresh rock n roll delivered like a sharp smack to the face” – triple j

“Stand-out stellar musicianship” – Depth Magazine

“A true testament of alternative rock” – VultureHound

Canberra’s Hands Like Houses are stoked to reveal alt-rock outfit Endless Heights and heavy genre-bending RedHook will join the previously announced Ocean Grove as national supports on their 2019 Australian tour. Kicking off in February, the shows follow the release of their fourth album –Anon, which made its ARIA debut at #4, bolstered by the massive hit singles ‘Monster’ and ‘Overthinking’.

Tickets to all shows on sale now via handslikehouses.net.

Fresh from a 28-date European tour with The Amity Affliction, Sydney’s Endless Heights will bring their expansive, melodic sound and earth-shattering energy to this run of shows. The five-piece released their stellar second album Vicious Pleasure to critical praise in February, led by the tender and emotive single ‘Come A Little Closer‘ and have performed alongside Luca Brasi, Turnover and Basement.

Dynamic trio RedHook round out the bill with their unique blend of rap-rock-electro-pop, drawing upon a diverse array of influences from Grimes to Rage Against The Machine. The group headlined the first-ever heavy music showcase at Australian Music Week 2018 and opened the inaugural Good Things Festival in Sydney this past weekend, all following the release of their most recent anthemic single ‘Turn Up The Stereotype‘.

Coming in hot off the back of an extensive run of 41 shows over the past two months, Hands Like Houses have performed to more than 15,000 people across the UK and Europe plus 8,000 people in the USA during their first international dates in support of -Anon. After three back-to-back sold out Australian tours, the band return home for their biggest headline shows yet in 2019 before returning to the US festival circuit to perform at Sonic Temple, Welcome to Rockville and Epicenter – one of only two Australian bands sharing the bill with revered artists including Foo Fighters, Korn, The Prodigy and more.

Closing out a year of widespread success, Hands Like Houses’ mammoth track ‘Monster’ has exceeded2.2 million Spotify streams and 450,000 YouTube plays, being picked up as the WWE Super Show-Down official theme song and broadcast to over 70,000 wrestling fans at the MCG in October. The track was run in a major sync on FOX8 for the network’s DC universe, and has been spotlighted in Amazon Music’s ‘Best of Rock 2018’ list. With a multitude of national radio airplay behind the track, the band also went on to take out the highly-coveted triple j Feature Album for -Anon which was praised across the board, including Kerrang! calling the album “a bold step into the unknown… their play for the big leagues.”

Hailing from Canberra, five-piece Hands Like Houses – Trenton Woodley (vocals), Alexander Pearson (guitar), Joel Tyrrell (bass), Matt Cooper (guitar), Matthew Parkitny (drums) – have spent the past decade thrilling audiences with their dynamic performances, sharing arena stages with heavyweights such asBring Me The Horizon and A Day To Remember at home, to performing internationally alongside legendary acts including Red Hot Chili Peppers, Alice Cooper and Disturbed on Download Festivaland Rock on the Range to name a few. With four albums under their belt, including two critically acclaimed Top 10 ARIA records, –Anon. which debuted at #4 and 2016’s Dissonants at #7, the band have sold over 100,000 records worldwide and amassed over 100 million Spotify streams.

UNFD and New World Artists present

HANDS LIKE HOUSES -ANON. ALBUM TOUR
with special guests Ocean Grove, Endless Heights & RedHook

Tickets on sale now via handslikehouses.net

Friday 8 February – UC Refectory, Canberra
Saturday 9 February – Enmore Theatre, Sydney
Friday 15 February – The Tivoli, Brisbane
Saturday 16 February – The Forum, Melbourne
Friday 22 February – HQ Complex, Adelaide
Saturday 23 February – Astor Theatre, Perth*

*Endless Heights not appearing

Follow Hands Like Houses:
handslikehouses.net
facebook.com/handslikehouses
twitter.com/handslikehouses
@handslikehouses
December 14, 2018 0 comments
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Pip Bloom
Music News

Pip Blom shares new video for ‘The Shed’

by the partae December 14, 2018
written by the partae

PRAISE FOR PIP BLOM

‘Song You Need To Know: Pip Blom, ‘Come Home‘
Rolling Stone

“…a perfect millennial anthem.”
NPR

“Guitars! Indie rock band Pip Blom does not disappoint with their newest single “Come Home,” with lead singer Blom’s vocals amplifying the moody yet up-beat track.”
NYLON

“A potent set of lo-fi, ’90s-influenced rock with angst-fueled lyrics and addictive song hooks.”
KEXP

“Pip is producing quality, unique and enigmatic music way beyond her years.”
BBC Radio 6 Music

“Pip Blom Is Ready to Join the Ranks of 2018’s Rising Guitar Acts”
Noisey

“‘Amsterdam newcomers Pip Blom – are one of the country’s frontrunners, their Courtney Barnett-esque slacker-garage rock hybrid noisy in the best way.’”
DIY MAG

“Another stellar single from the young musician who continues to grow as an artist.” 
Indie Shuffle

“Its lead single, ‘Pussycat,’ boasts a bothered tone and fiery guitars. On ‘Come Home,’ that intensity is laser-focused in frontwoman Pip Blom’s steady, creeping vocals.”
Stereogum

Amsterdam’s rising act PIP BLOM today shares her new video for ‘The Shed’. Directed by Kris Rimmer, the track is taken off her recently released Paycheck EP out now via London label Nice Swan Records.

‘The Shed’ caps off what has been a busy year for Pip Blom who kicked off her 2018 with a collision of guitars in the attitude-laden ‘Pussycat’ that landed her a spot on the BBC 6 Music’s A-list – the second time a Pip Blom single did so this year. She followed on with the release of her celebrated Paycheck EP featuring lead single ‘Come Home‘ which saw spot rotation on triple j and acclaim from the likes of Rolling Stone, DIY Mag, NPR, Noisey and more. The year was rounded out but the bands debut UK headline tour (including a sold-out Lexington show) and supports alongside The Breeders, Franz Ferdinand and Garbage – all big feats for someone in their first year in music.

The Paycheck EP is out now on Nice Swan Records.
Buy/stream it on Spotify, Apple Music, iTunes Music, and more now.
Get the vinyl here.

Stay connected with Pip Blom:
Soundcloud | Facebook | Bandcamp | Twitter

December 14, 2018 0 comments
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Eats & DrinksMusic News

RICHMOND WELCOMES HARLOW – A NEW EXPANSIVE PUB, GARDEN BAR AND BASEMENT

by the partae December 14, 2018
written by the partae

Harlow, Richmond’s flavour-packed, good-times charged pub is now open. Bringing new life to what was the old Great Britain Hotel, the 300pax Church Street property has been reborn as an all-occasions destination, with a spacious outdoor courtyard, basement and balcony dining.

Suited to all ages, occasions and tastes, Harlow offers a variety of versatile spaces and experiences within the new-look pub. Guests can start at the ground floor bar and dining area, before stepping out into the sprawling sun-drenched courtyard, complete with a separate entrance for those who want to bring along their four-legged friends. When the sun goes down, they can retreat to the neon-lit basement bar, with low booth seating and a dimly lit metal mesh bottle display. Music remains at the heart of the venue, with the soundtrack as diverse as the venue itself.

Harlow’s love of music carries through to the menu, full of pub classics with modern twists and vibrant flavours. Executive Chef Telina Menzies has designed a menu that can be experienced the same way people would a gig. Just like their stage counterpart, the opener starts the feast off in style – like fried chicken, with pickled watermelon and blue cheese mayo or cheeseburger empanadas with special sauce. For the support act, guests can tuck into the H-low cheeseburger, complete with cheese, pickles, Harlow’s burger sauce, lettuce, tomato and onion. As a headliner, Harlow is serving classic pub favourites including the spicy meatball melt with smoked mozza, basil and crisps; the prawn roll, served with a side of salt and vinegar chips; and the ‘snack pack’ kebab, a decadent wrap made with lamb, chips, garlic yoghurt, chilli sauce and cheese. There is no party quite like the after party, so to top off the meal, Ha serves up mini gin and juice pops, made with gin, tonic, orange bitters, rosemary and chocolate, and the BIG Mess, Harlow’s take on the classic meringue dessert. Large groups are encouraged to BBQ the Harlow way with a pre-paid BBQ, where the chef slings proteins on the grills to a backdrop of 80s and 90s bangers on the decks.

Sitting alongside an extensive list of wines and beers, Harlow’s Mark Proctor has designed a cocktail list broken down into three different themes – Hip Hop, Pop and Heavy Metal. Much like their music counterpart, these cocktails have been inspired by the songs and artists of each genre, with Hip Hop’s Gin N Juice cocktail featuring Four Pillars gin, elderflower and cranberry juice, Pop’s California Girls with citrus vodka, peach liqueur, pinto gris, orange juice and egg white and Heavy Metal’s Voodoo People cocktail, with white rum, spiced rum, orgeat and fruit juice.

“Harlow is all about having a great time, just like your mate’s place you never want to leave” says Ben Hehir, Harlow’s manager. “We want Harlow to be the place where people can pop in for a casual lunch on a Saturday afternoon and then end up dancing the night away. Come back in on the Sunday with the fam and do it all over again”.

Harlow is open throughout the Christmas season, except for Christmas Day. Harlow will also be open for walk ins on New Year’s Eve, with free entry for all guests. Those wanting to recover and start off the new year in typical Aussie fashion, Harlow is hosting a Backyard BBQ recovery session on New Year’s Day, opening at 12pm.

 

Harlow

Harlow

 

Harlow

Monday to Thursday: 12pm to 1am

Friday to Saturday: 12pm to 3am

Sunday: 12pm to 11pm

447 Church St, Richmond

www.harlowbar.com.au

December 14, 2018 0 comments
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Concrete Surfers
Music InterviewsMusic News

Concrete Surfers

by the partae December 14, 2018
written by the partae
What is your name and role within Concrete Surfers?
 
Hey! I’m Jovi and I sing and play guitar. 
 
Where are you currently based and what is the music scene like there?
We are currently based in Brisbane and we wouldn’t wanna be anywhere else! Brisbane has such a close knit music community where it’s so easy to make friends and be around nice, likeminded people. We are pretty lucky in this little city that everyone in the music industry here is so supportive of each other and get really psyched when they sell out a show, or go on a big tour and it’s just really really nice.
 
How did the band start?
 
Back in high school Trent, Jamie and I used to play in another band just playing covers, but it didn’t really work out with our singer at the time so we parted ways but decided that we still wanted to play music together so the three of us formed as a 3-piece and I thought that I would just give singing a go haha. Now Sean is in the band too as a guitar player and it just feels nice and complete! We wouldn’t want to have it any other way. 
 
You’ve had a rad two years with shows playing bands like Good Doogs, White Blanks, Pist Idiots, Royal Blood, Ruby Fields, The Pretty Littles, how has your live show progressed since you started out?
 
When we fist started we were playing pretty small clubs and bars in the out-skirts of Fortitude valley and I guess we just got added to better lineups as time moved on! Releasing music definitely helped keep the ball rolling too. I guess just playing together a lot live has helped us progress and now we don’t even really have to think about what we are doing on stage. We can just have fun and make the most of it! 
 
You’ve also featured on awesome lineups; the Bigsound Pre Party and Against the Grain festival with bands City Calm Down, Horror My Friend, Good Boy, Tiny Little Houses and Sweater Curse to name a few! How do your shows usually come about and what do you most enjoy about playing live?
 
Thanks! We are so lucky in Brisbane that everyone knows each other pretty well, so with lineups like Against the Grain it’s pretty much playing with bands we have played with before so it’s super friendly and fun. I think the best part about playing live is being able to look at the four of us on stage and see that we are all just having so much fun and it’s probably the best feeling for me personally. What makes that even better is looking out to the crowd and seeing everyone smiling and singing along with us; It feels pretty good knowing that our music can make so many people happy. 
 
I hear that you are currently finalising your 2nd EP for Release in February/March with an accompanying tour, what has influenced the sound and songwriting for the EP?
 
The biggest thing sound wise for this EP is the songs have turned out to be quite a bit heavier both sonically and from a lyrical point of view from our previous releases. I think shedding light on issues like mental illness and politics has been a big focal point of my writing in the past year or so and that can definitely be heard in these songs. 
 
Where have you been recording?
 
We recorded the EP at swan pond studios on a farm in Boonah which is about an hour away from Brisbane. Our friend Ali Richardson engineered the whole thing over 3 days. The best part about being out there was that if things were becoming tense in the Studio we could just take a walk around the paddocks or kick a footy around and I think this helped us produce a better end product. 
 
What programs/equipment have you been using throughout the recording process?
 
Um in terms of instrumentation we tried to use as much of the gear we use live so it’s easier to recapture the sound when we play the songs live. Pretty much just fender guitars and amps and a whole bunch of overdrive and fuzz pedals. Trent actually used a Hofner violin bass which was different but really worked within the mix. We recorded using Protools and tried to keep it fairly simple. 
 

Your Single Miscommunication just hit 70,000 plays on Spotify 1 year after its release! What do you attribute to the success of this track?

Yeah we are all really stoked on that! I think that song has been so successful because it has lyrics that everyone can relate to and combined with a few catchy chord progressions it turned out to be a song that we love playing too. 

What do you like to do away from music?

Lately I’ve been getting back into skating which has been really good as a physical outlet and a way of clearing my head, other than that we just like hanging out really hahaha, I sometimes like to shoot film photography when I have the time which is also another good creative outlet. Trent’s pretty passionate about reptiles so he finds himself catching and releasing different lizards in his backyard. 

Who are you listening to at the moment?

Lately I’ve been really digging bands like Shame, Beach Fossils, IDLES, some old hip-hop, and doom bands Conan and Bong-Ripper. 

What’s planned for 2019?

Lots and lots of touring next year! Hoping to head down the east coast as much as we can next year and write some more music. 

Favourite food and place to hangout?

My personal favourite food would have to either be pasta, ramen or pizza! And as far as hanging out, our favourite place is the Warehouse where we rehearse and write our music. 

https://www.facebook.com/consurfers/

 

December 14, 2018 0 comments
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Music News

THE WOMBATS RELEASE OFFICIAL VIDEO FOR ‘OCEANS’

by the partae December 14, 2018
written by the partae

How do you shoot a music video in the middle of a jam packed Australian tour?

With a song named Oceans, simply drop front man Murph into the ocean to shoot a one take video 30 minutes before soundcheck on St. Kilda Beach, Melbourne, and let the rest of the magic happen in post.

Produced by Be-Hookd Digital and directed by Silas Armstrong, the band’s social team in the UK came up with the simple idea in a label meeting. Six weeks later armed with a GoPro, bluetooth waterproof speaker and a phone, they had convinced Murph to brave the cold sea with nothing but a camera man, tour manager and his swimming trunks.

Taking inspiration from the lyrics of Oceans, the animations were added based on Murph’s improvised reactions, bringing to life his thoughts and fears in the form of cartoon shark fins and rattle snakes, giving the fans a reason to watch the new video for Oceans over and over again.

While in Australia the band also recorded a very special Christmas themed Like A Version for tripe j, putting their own spin on the timeless Bing Crosby classic White Christmas.

CLICK HERE TO WATCH WHITE CHRISTMAS

 

CLICK HERE TO VOTE FOR TURN IN TRIPLE J’S HOTTEST 100

 

FOLLOW THE WOMBATS

OFFICIAL WEBSITE | FACEBOOK | TWITTER | INSTAGRAM | YOUTUBE

 

www.warnermusic.com.au

December 14, 2018 0 comments
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Skydeck
Music News

Melbourne’s Skydeck sign with Dinosaur City Records; share debut single ‘Live Bait’

by the partae December 14, 2018
written by the partae

 “[Live Bait is] a tense, sparse track built mostly around synth and bass that snaps into a higher gear as Kearton yelps through the chorus.” – Noisey

Best of the Week (Playlist) – Apple Music

 

Melbourne duo Skydeck today share their debut single, ‘Live Bait’, and announce their signing to Dinosaur City Records and Burger Records (USA).

Named after the monumental skyscraper that frames Melbourne’s reddening sky, Skydeck is good friends and long-term housemates Dominic Kearton (Pregnancy) and Mitch Clemens (Ciggie Witch). The pair make surreal, anti-capitalist pop that focuses on themes of desire and fear.

Premiering via Noisey right now, Live Bait is the first track from the bands 11-track debut album, Eureka Moment, due March 2019.

Inspired by long hours spend working at a rural pub, Kearton explains to Noisey, “I moved to Castlemaine, in Victoria’s north, and spent seven or eight months working at a really weird out-of-town truck driver pub and I just worked from 11AM until 5PM and basically just sat in the front bar and watched pensioners bet on the horse racing on the TV. It was pretty strange and confronting but I really needed a job so I stuck it out. It’s helped me write a lot of songs and think about Australia a lot as a place, so I guess it was an eye-opening experience.”

Live Bait is out via Dinosaur City Records/Burger Records (USA)now. Buy/stream it on Apple Music, iTunes, Spotify, Bandcamp, SoundCloud and more.

Buy/Stream Live Bait
December 14, 2018 0 comments
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Music News

Genre bending 10-piece The Northern Folk have come to gatecrash your romantic getaway in their new video for ‘Cold’ + summer festival performances

by the partae December 14, 2018
written by the partae

“The vocals shine on this track, perfectly accompanied by the impressive range of instrumentals, which highlight the brilliant songwriting.” – the AU review

“I’m into the duelling narratives on this track and the really lovely playing.” – Dave Ruby Howe, triple j

Melbourne collective, The Northern Folk recently released their captivating new single ‘Cold’ which saw them play to a packed room at their Northcote Social Club single launch last month. Blossoming from melodic calm to chaotic crescendos of clashing cymbals, sing-a-long choruses and playful horns, the powerful track is a grand, impressive and utterly refined taste of The Northern Folk’s forthcoming third album and one of their most soulful slices to date. Now, after an exclusive premiere by the AU review yesterday, the 10-piece folk, pop, rock group are excited to reveal the single’s striking new music video created by acclaimed Director/Producer Mark Day.

Winner of ‘Best Feature Film’ at the Reel Time International Online Film Festival for his 2018 film Age of Imitation, Mark Day and his crew have worked closely with the band to bring to life the concept they had envisioned for ‘Cold’. Starring Michael Nikou and award-winning actor Tanya Alers (‘Best Actress’ Age of Imitation) as well as The Northern Folk themselves, the video is an eerie and artistic representation of human consciousness.

“Cold is about the insecurities that tie us down for fear of the unknown, and the emotional distance they create. Shot in the sparse Riverina landscape, a couple find themselves confronted by the manifestations of their insecurities, and must make the choice to be led by them, or to reject them and take control of what they want to be.” – The Northern Folk

“Working with the band through their original concept, we were aiming to personify the distance created in a relationship when you’ve passed a point of no return. Whether you struggle with conscience, the masked figures who tell you to move forward, or succumb to the inevitability of change, you’ll find yourself at the same ending, alternately dumbfounded or at peace.” – Mark Day, Director

After playing around town to full rooms at The Evelyn, The Gasometer, and The Northcote Social Club, as well as supporting The East Pointers from Canada, The Northern Folk are excited to take on a run of festival performances this summer. Complete with bellowing horns, energetic stage presence and dynamic band camaraderie like no other, a Northern Folk live show is an all-encompassing affair. Having appeared on such festival lineups as St Kilda Festival, Woodford Folk Festival, Bello Winter Music, and the National Folk Festival in 2018, The Northern Folk are thrilled to keep the festive celebrations rolling into the New Year with their upcoming festival performances.

Don’t miss your chance to catch them at a town near you, and remember to pack your stomping boots!

The Northern Folk ‘Cold’ Single Launch
Thursday 27 December – Tuesday 1 January
Woodford Folk Festival 2018, Woodford QLD

Friday 25 January – Monday 28 January
Newstead Live Music Festival 2019, Newstead VIC

Sunday 10 February
St Kilda Festival, St Kilda VIC

Friday 15 March – Sunday 17 March
Blue Mountains Music Festival 2019, Katoomba NSW

Friday 29 March – Sunday 31 March
The Hills Are Alive Festival 2019, South Gippsland VIC

‘Cold’ is out now via
iTunes // Apple Music // Spotify // Bandcamp

‘Cold’ video Production Team
Director | Producer | Editor | Colourist: Mark Day (Another Life Pictures)
Director of Photography | Colourist: Charles Alexander
Camera Assistant: Oliver Gross
Production Designer: Gemma Baker
Concept: Alex Cameron
Performers: Tanya Alers, Michael Nikou, The Northern Folk

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The Northern Folk Website
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December 14, 2018 0 comments
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Lanisa Dawn
Music InterviewsMusic News

Lanisa Dawn

by the partae December 13, 2018
written by the partae

Where are you currently based and what is the music scene like there?

I live in Montreal and we definitely have a vibrant music scene here! We are the home to many poets, artists, dreamers that’s for sure :). There’s a plethora of restaurants, bars, and clubs that host open mics & live bands, big underground music scene, as well as festivals in practically every genre: the iconic jazz festival, Osheaga, Heavy Montreal for all the metalheads, POP Montreal celebrates many emerging acts from all over the world, the Montreal Symphony Orchestra for classical music. Party goers may get enjoy Piknic Electronik in the summer and Igloofest in the winter if they love electronic techno music. We have a massive french music festival called Les FrancoFolies. The list could go on and on – SO much happening here!

When and how did you first get involved in acting?

My first experience acting was at the age of 11 when I was given the lead role as a rabbit in the school’s theatre production of The Velveteen Rabbit. I got that role either out of pure talent, or most likely was type-cast since at the time my two front teeth stuck way out & I just looked perfect for the part 😉 (yay for braces in my future!). After high school, I studied acting at the DOME – Professional Theatre Program at Dawson College here in Montreal. I completed two out of the three years, then left to study something else because at the time I felt societal pressure to pursue a “normal” career. I only got back into acting years later when I attended the Summer Conservatory Program at the American Academy of Dramatic Arts in New York. Training in NYC for a summer was one of the most enriching artistic experiences of my life! Fast forward, after being involved in the musical theatre scene in Montreal, I was then selected for a one year contract as a “Resident Actress” for a theatre company based in Hong Kong. Right after the contract was complete, I was cast in my first feature film which shot on location for a little over a month in Kuala Lumpur, Malaysia. Haven’t stopped since and it’s been quite the adventure…the journey continues and never stops!

How has your acting career developed since you first started?

Unfortunately the film I did in Malaysia never saw the light of day due to post production issues and an investor had pulled out of the project. However, it was a great experience because it was my first time on a film set and it’s what got me my agent when I returned back home. Since having representation in the last couple years, I booked a national commercial which got me into the actor’s union ACTRA (equivalent to SAG-AFTRA in the states, but the Canadian version). I was also fortunate to work on a short film that was selected for screening at TIFF, an actor role in the CBC TV series The Detectives, recurring principal roles on two award nominated french web-series. I also had a major role in a horror film which is supposed to come out eventually. The investor was a new media digital platform called Blackpills…James Franco is also making content for this media space, so pretty cool! The last project I worked on was a feature film called Gut Instinct starring Josh Hartnett (my crush when I was a teen)! I had gone in to audition for a major role for that one, but didn’t get the part. I ended up being offered a small role in the production & it’s always amazing to be on a set and inspired by the whole cast and crew surrounding you:). I’ve been having a great time, and continue to develop myself as an artist!

How and why did you first start playing music?  

Singing was a natural talent for me as a kid. My mom is a singer and we used to sing together by the piano when I was really young, so those memories are very dear to me. Adults would always tell me that I had a unique voice, and they would be surprised when this little girl would open her mouth to sing, and a deep full voice would come out. My vocal range for a woman is quite deep and was pretty much the same tone when I was a kid (you could say I grew into my voice haha) so it made even more of an impact coming from a small human LOL. When I started acting, I combined the two and was heavily into musical theatre, but then I found myself writing lyrics and humming melodies in the last few years, so I thought hey why not bring these words off paper and just create create create! So that’s what I’ve been doing. 🙂

Your single ‘Witness’ is out now, what influenced the sound and songwriting for this track?

Witness was the first song I ever wrote so it was a completely new artistic process for me. The bottom line was that I wanted to tell a story, and a story that people could relate to. The songwriting for this track was influenced by the feeling of inspiration, motivation and conquering your insecurities and fears. It’s not always easy, even for me, because I overthink a lot and feel things very deeply… but that is what WITNESS stands for – aim to be a witness to those negative times, reflect on it, but don‘t allow it to consume you. The human mind is complex and much stronger than we think and we have the power to control it. Life is beautiful! For sound, we went for a melodic tone, piano, lots of harmonies on the chorus, electronic pop elements, and of course because the song starts off as more of a slow ballad, we went for that uptempo pop chorus with a hook so it can get stuck in your head;).

Where and when did you record?

I recorded this song about a year ago or maybe more at a studio in Montreal, with a production team called “The Lost Boys”. I’ve been working on music with them since then. Witness was put aside for a little while after we recorded it, because I wasn’t sure what I’d release first. I was happy just going through the process of creating material, until finally I got antsy and wanted to make my debut. I’m happy I went with this track as the first. The reaction and feedback has been very humbling and positive!

How do you usually go about writing music?

I prefer collaborating with people because I believe as a team you can be way stronger. So far, anything I’ve written myself came to me in a few different ways: either I just get a jolt of inspiration out of nowhere and get myself into a state of conscious flow where I’m writing down whatever is in my head. Usually have a melody in mind as well, so that after I can structure it accordingly. Or a lot of times, I’m walking down the street and a phrase with a melody will pop into my head, so I’ll record it into my phone really quickly and develop it later. The easiest for me, is when an instrumental track is already made. I can easily get inspired through the music alone and then create lyrics and melody over that. I think a process which is very organic and probably the most fun though, is when you’re jamming with a bunch of your musical friends in a dark room, just singing absolute nonsense until you come up with something awesome:). I need to do more of that!

Please tell us how the concept for the ‘Witness’ video came about?

It took some time with the production team to come up with the concept, but we absolutely knew we wanted the video to bring the song to life and tell a story that could affect people. We ended up using the concept of a young girl losing her parents and then growing up and finding peace. As a child we are at our most innocent and purest state, not yet jaded by the outside world, and so we wanted to show that even when the most negative things happen to any of us (no matter what it may be), as we grow we must move forward and be resilient, find our inner peace and happiness. You meet people who have gone through so much, and yet they are extraordinary! It’s truly inspiring. So we wanted to touch on that and felt that concept would make the biggest impact. 

Where and when did the filming take place?


The filming for the video took place last winter! Fun Fact: The video was shot in a vintage home in Old Montreal that used to belong to the Papineau family who are big part of Quebec’s history. Although previously inhabited by citizens in the last few years, it’s now been repossessed by the City of Montreal to preserve its heritage, and this happened shortly after the owner let us shoot there!

Who did you work with?

For the video I worked with a production team called Rubicon Pictures & Media, who have collaborated with many of Montreal’s artists & they are such a fantastic team. Extremely professional and vibrant! I also worked with director Alberto D’Onofrio, who cast Florence (the little girl in the video), and I can honestly say the performances from both myself and Florence would not have been the same without him. The whole team was undeniably passionate. It was a great shoot! 

What do you like to do away from music?

It’s pretty ironic that I’m saying this, because I have a huge fear of planes and yet I love traveling ha! One day I’d love to be able to take off for a good few months and travel all over. Go on adventures and discover more of the world. I’m fortunate to have been able to travel a lot already… but that’s what makes me crave seeing even more!:) 

I’m also into hitting the slopes skiing in winter, I enjoy hiking and being outdoors in the summer, boating, waterskiing. I like going out, social events, networking with my peers, eating at good restaurants, delicious food, wine, etc. 

Who are you listening to at the moment?

Ohhh boy, that is probably the toughest question for me of this entire interview because I listen to Spotify and my playlists are a mashup of so many different artists and styles. I can tell you recently I was introduced to Khalid and Post Malone, and I’m into that. Through listening to their music I also discovered H.E.R, love her deep vocals and music production is on fire. For the less mainstream stuff, I listen to Banks, FKA Twigs (her voice & style is crazy good), Howling, Bob Moses, Joy Williams – she’s an amazing folky singer, LOVE Labrinth he was my favourite for a while. As for the mainstream popular stuff: I’ve always loved the Weeknd, Bruno Mars (great performer!), Adele, Ed Sheeran, Sam Smith, Lana Del Rey… been into a few of Dua Lipa’s songs for fun easy listening recently, Alessia Cara, Daniel Caesar. I also listen to artists of deep house, techno, jazz, classical, rock & roll, old school tunes….. it really just depends on my mood, but everyday I’m listening to something different. 

Plans for 2019?

Lots of plans! I finally have enough material for a solid acting demo reel, so I’ll be putting that together for the new year and aiming at getting more auditions and roles. I’ve also continued to work on new music, so there will be a lot more singles rolling out throughout the year. I’ve started conceptualizing my own short film ideas and I’d like to write those scripts and get into creating my own work. I think the best thing an artist can do for themselves is create their own opportunities, instead of sitting around and waiting for the phone to ring. 

Favourite food and place to hangout?

Favourite food is sushi…but has to be good sushi, not like the fast food kind. Fave hangout spot…hmm… recently went for a Jam Night at Rosewood (it’s a restaurant/bar in the old port of Montreal that hosts different music nights, open mics for singers and bands first Tuesday of every month). My friends own the place, so I always know people there and it’s a good time! Other favourite place would have to be at home in bed, with my cats…haha. I can’t deny that! 😉 

 

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December 13, 2018 0 comments
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Sarah DeBorre (Music Victoria)
Music InterviewsMusic News

Sarah DeBorre (Music Victoria)

by the partae December 13, 2018
written by the partae

Please tell us how you became involved in Music Victoria and what you find most challenging and rewarding about your role:

I was employed by Music Victoria in November 2016 to run, what was then a newly created program called Live Music Professionals. Live Music Professionals is coming into its third year in 2019 and basically, it’s a free business coaching program for live music venues (band bookers, venue owners, venue managers) and independent promoters. Cultivate is a brand new program which is running in 2019 for the first time ever and I’m really excited about it! It’s somewhat similar to Live Music Professionals however it’s specifically aimed at those who identify as women and who are in leadership or management roles in the Victorian music industry. To be honest I can’t say I find anything really challenging in my project management role at Music Victoria but there’s so much that I find rewarding. I certainly don’t take working in music, and for an amazing organisation like Music Victoria, for granted; and then to be able to run programs that upskill people and help them realise their full potential while also helping them build support networks is definitely a highlight. Being in a position where I can help people on their business or leadership journey is just the best thing ever!


Music Victoria in partnership with the Vic Government has announced a new leadership program ‘Cultivate’ that is aimed at mid-career and established women in the Vic music industry who wish to wish to further their leadership and management skills, how and why was the Cultivate program created?

 

In April 2015 Music Victoria conducted a survey titled ‘Women in the Victorian Contemporary Music Industry’. There were over 300 respondents and many key themes were identified as barriers for women working in the contemporary Victorian music industry. Even though it’s taken a few years to get a project like Cultivate in action,  it’s a great a result and massive step in the right direction of having a positive impact on some of the key issues addressed in that survey.

A quote from the report that’s quite relevant to the roll-out of this project is: “A brief examination of the number of men and women in senior positions (i.e. executive roles or board members) of selected industry organisations supports the perception that the music industry is a ‘boys club’ (see Appendix B). Only half of the organisations have 50% or more females in senior positions and several organisations have no females in senior roles. Of all the senior positions available across these organisations, only 28% are held by women. However, women are overrepresented in non-senior positions holding 58% of staff positions. These crude statistics show that like many other industries, women in the music industry do not have equal representation in the key decision making roles and face a ‘glass ceiling’.”

You can read the full report here: http://www.musicvictoria.com.au/assets/Women%20in%20the%20Victorian%20Contemporary%20Music%20Industry.pdf

Music Victoria would like to see more women within the music industry progressing on their leadership journey and we hope that a program like Cultivate will promote this.


Will this be an ongoing program?

At this stage, we only have funding through for one year but hopefully, we’ll be able to demonstrate the need for future funding and be able to run it more than just once!


Why have you chosen to target women only for the Cultivate program?

The program is funded by the Office for Women which is why we’re targeting women and those who identify as women on this project.


How many participants will be selected for the Cultivate program?

Spots are super limited for the program and we’ll only be accepting five people into the program as it’s a pilot program.


What do you hope to be achieved in the Cultivate program?  

I hope that we can connect a group of women to amazing mentors who will be able to provide the support our participants need to aid them in progressing on a successful journey into higher leadership and management roles. I’d love to see more women in senior management roles in the music industry and I believe that we can do this!


What does 2019 hold for the Cultivate program?

2019 is when everything will roll out for the program. Once participants have been selected by our reference group we’ll launch the program with a full day of mentoring activities followed by masterclasses and then our participants will be involved in tailored leadership coaching or programs.

 

Music Victoria’s Cultivate Pilot Program 2019
Applications open now and close Monday 14 January 2019
Apply now at: www.musicvictoria.com.au/cultivate
Shortlisted applicants will be contacted by the Cultivate Project Manager to arrange a short phone interview.  The Cultivate reference group will decide on the successful applicants.

December 13, 2018 0 comments
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