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The iconic Ibiza party brand CIRCOLOCO is set to make its long-awaited return to Australia with a special one-off event at Melbourne’s renowned Sidney Myer Music Bowl on Sunday, January 26, 2025. Known for its legendary residency at DC10 Ibiza, Circoloco has captured the hearts of underground electronic music fans worldwide, and now, it’s bringing its renowned energy and stacked lineup of international talent Down Under. This exclusive Australian show promises an unforgettable experience, featuring performances from acclaimed artists including Seth Troxler, Pawsa, The Martinez Brothers, Prospa, Carlita, and more. In 2024 Circoloco celebrated 25 years of its iconic residency in Ibiza. Since then, it has expanded its global reach with unforgettable events across the world. From its humble beginnings as an underground club night, Circoloco has grown into a phenomenon, with a loyal following of fans and a reputation for curating some of the most cutting-edge events across the globe. Join us for Circoloco’s highly anticipated return to Melbourne, as one of underground electronic music’s most iconic brands delivers an unforgettable night, soundtracked by the world’s top house and techno stars. Sign up for presale here and stay tuned for full complete event and ticket information. |
Music News
Meadow 10: Hiatus Kaiyote & Pond To Headline The Last Meadow Festival + Announcing ‘The Retreat Creek Hotel’ offering 10 slots for local artists
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FALLING IN REVERSE ANNOUNCES THE “POPULAR MONS(TOUR) AUSTRALIA 2025
FALLING IN REVERSE ANNOUNCES
“POPULAR MONS(TOUR) AUSTRALIA 2025”
WITH SPECIAL GUESTS BLACK VEIL BRIDES & HOLLYWOOD UNDEAD
FALLING IN REVERSE announce the POPULAR MONS(TOUR) AUSTRALIA 2025. Kicking off at RAC Arena in Perth, the band will then head to Adelaide Entertainment Centre, Rod Laver Arena in Melbourne, Qudos Bank Arena in Sydney, finishing off at the Brisbane Entertainment Centre.
The tour will see the band playing their biggest headline shows in Australia to date. Special guests on the tour are BLACK VEILK BRIDES and HOLLYWOOD UNDEAD. Full tour details below.
FALLING IN REVERSE return with 2024’s Popular Monster, the postmodern trailblazer’s first full-length in seven years. The album arrives armed with no less than three RIAA-certified gold singles (“ZOMBIFIED,” “Voices in My Head,” “Watch the World Burn”), the certified ARIA triple platinum title track, a reimagined nü-metal classic, and six brand new anthems of furious metal, melody, and hip-hop.
Popular Monster is a defiant statement and triumphant victory for singer, songwriter, bandleader, and provocateur Ronnie Radke, who invented FALLING IN REVERSE inside a prison cell.
“Radke stands as one of this generation’s most revered rock frontmen,” wrote the esteemed Forbes Magazine in a 2020 profile. “And maybe even one of the scene’s last true rockstars.”
FALLING IN REVERSE’s catalogue has accrued over 6 billion streams. The catalogue streaming remains robust at 45 million per week. Over on TikTok, the band has a stronghold, with 6 billion video views, with 4.5 million creations and an 1.8 billion creator reach.
FALLING IN REVERSE have sold out arenas globally in the USA, Europe and the UK. Make no mistake, the POPULAR MONS(TOUR) AUSTRALIA will definitely follow suit.
The numbers don’t lie — FALLING IN REVERSE are the rock scene’s biggest sensation.
It’s hard to imagine in 2024, after BLACK VEIL BRIDES most recent album produced their highest-charting single in the U.S, and legions of supporters passionately scream their devotion during every performance. But before the birth of the BVB Army, the thousands of lyric tattoos, and the gold and platinum records that followed, BLACK VEIL BRIDES was simply a dark vision dreamt up by an only child in Cincinnati, Ohio.
BLACK VEIL BRIDES new single Bleeders offers a taste of what will become Black Veil Brides’ most visceral, theatrical, and unrelenting era yet. They combine a unique identity with an unquenchable creative thirst. They’re an object of devotion for those who sing their anthems in unison, a diverse BVB Army who never surrenders.
BLACK VEIL BRIDES and their audience slash away at the darkness together, bleeders one and all.
Since the release of HOLLYWOOD UNDEAD’s RIAA platinum-certified 2008 debut album, Swan Songs, their distinctive and infectious music has incited a cult audience of millions of fans, resulting in sold out shows across the globe, in addition to receiving nods in the press from the likes of Consequence of Sound, Billboard, Alternative Press, Rolling Stone, and Revolver. The quintet has also garnered massive mainstream appeal, with their 2011 sophomore record, American Tragedy, going gold and hitting #4 on the Billboard Top 200 chart. Now, with over 3.1 billion cross-platform streams, 1 billion YouTube views and 4.1 million monthly Spotify listeners, they have firmly cemented their place as one of the most influential bands of the 21st century. Now signed to Sumerian Records, and with the release of their brand new single, ‘Hollywood Forever’, HOLLYWOOD UNDEAD are poised for their most exciting chapter yet.
Get In Quick.
Don’t miss out on what is going to be THE rock show of 2025!
Sign up for pre-sale access HERE
Presale: Wednesday 27th November @ 12pm local time
General On-Sale: Friday 29th November @ 12pm local time
DESTROY ALL LINES PRESENTS
FALLING IN REVERSE
POPULAR MONS(TOUR)
AUSTRALIA 2025
WITH SPECIAL GUESTS
BLACK VEIL BRIDES
& HOLLYWOOD UNDEAD
Tuesday 11th March – RAC Arena, Perth
Thursday 13th March – Adelaide Entertainment Centre Arena, Adelaide
Friday 14th March – Rod Laver Arena, Melbourne
Sunday 16th March – Qudos Bank Arena, Sydney
Tuesday 18th March – Brisbane Entertainment Centre, Brisbane
The Offspring: SUPERCHARGED Worldwide In ’25 Australia With Simple Plan
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Sydney/Eora’s emerging voice in electro pop, KYARA, is set to enrapture listeners with her latest self written, recorded and produced single, ‘Into The Dark’, a synthwave pop anthem that plunges into a dystopian, cinematic soundscape.
With its pulsating bassline, lush vocals, shimmering synths, and vibrant saxophone, KYARA’s sophomore single offers an immersive auditory experience reminiscent of the iconic sounds of ‘Stranger Things’. The track evokes the sensation of descending into a shadowy, futuristic abyss, capturing the essence of heartbreak while reflecting on the pervasive fear of abandonment and the daunting prospect of facing the unknown alone.
KYARA discusses the story behind ‘Into The Dark’:
“‘Into The Dark’ dives deep into the emotional labyrinth of rejection and abandonment in modern relationships and situationships, channelling a dark, end-of-the-world vibe that echoes the intense feelings of betrayal and isolation. The song’s narrative explores the shattering of promises and the haunting realisation of their emptiness.”
The new single, which follows KYARA’s strong debut in the pop scene, showcases her signature ability to fuse powerful electronic elements with deeply resonant lyrical themes. The sonic journey of ‘Into The Dark’ echoes the profound vulnerabilities of the human experience, dellving into the emotional void that follows sudden abandonment and upheaval of trust, leading to an overwhelming sense of being left adrift in a void.
‘Into The Dark’ is available on all major streaming platforms now
DOM DOLLA ANNOUNCES FLIGHT FACILITIES AS SPECIAL GUEST FOR SOLD-OUT AUSTRALIAN TOUR
Fresh off winning an ARIA for Best Dance/Electronic Release for his record ‘Saving Up’, Dom Dolla is preparing to embark on his largest-ever Australian tour, with all dates sold out nationwide.
Ahead of the tour’s kickoff in Sydney this weekend, Dom has announced that everyone’s favorite duo, Flight Facilities, will join him as special guests throughout the tour.
General admission tickets are sold out, however fans can still upgrade their experience with a VIP add-ons which includes exclusive access to the VIP area, a dedicated VIP bar, VIP-only restrooms, priority entry via a dedicated VIP lane.
The countdown to the ultimate dance event of the year has officially begun!
Tour Dates:
Friday 29th November 2024 – The Domain, Sydney SOLD OUT
Saturday 30th November 2024 – The Domain, Sydney SOLD OUT
Saturday 7th December 2024 – Wellington Square, Perth SOLD OUT
Friday 13th December 2024 – Flemington, Melbourne SOLD OUT
Saturday 14th December 2024 – Flemington, Melbourne SOLD OUT
Friday 20th December 2024 – Riverstage, Brisbane SOLD OUT
Saturday 21st December 2024 – Riverstage, Brisbane SOLD OUT
Get connected:
“Ba Ba Bad” has already captured global attention—can you walk us through how the track came to life and how Sean Paul and Busy Signal got involved?
The song started first with Busy Signal, he was in the studio with Crawba, they called me and asked for beats, the next morning I received the full vocal already, so I pieced it out and made a first demo. During one of my events in Amsterdam I just played the demo and the crowd reaction was insane, so the following day I uploaded the night footage and the track went immediately viral on both tt and ig. Then Leftside sent the track to Sean Paul and he loved it, so he dropped a verse and in literally a couple of days we released the track.
With the song initially going viral on social media, how did platforms like TikTok influence your decision to expand the track into this powerhouse collaboration?
It was just natural cause Leftside was trying to link me with Sean Paul for some months now, to do a collaboration between me and him, so I felt this was the right moment and the right song.
What was the most exciting or unexpected moment during the creation of “Ba Ba Bad,” especially working with legends like Sean Paul and Busy Signal?
I think the days I received both vocals, I felt the energy and it was special because both artists loved the project so much.
Dancehall has such a rich cultural history—how do you ensure your production stays authentic while bringing your own signature style to the genre?
I grew up listening to Reggae and Dancehall, I’ll always respect the originators and the Jamaican culture in general, that’s why I make sure in most of my tracks to feature Jamaican artists, and to collaborate with Jamaican producers too. My first song ever was with Leftside, who is one of my favourite Jamaican Dancehall artists and now also a good friend. I want to remark that my sound contains a lot of elements also from Shatta, which is a dancehall sub genre from Martinique, and Moombahton. The Basshall signature is a mix of all these sounds.
Your unique blend of Dancehall, Latin, and urban sounds has resonated globally. What inspires you to explore and merge such diverse influences in your music?
I think because I was first a DJ and then I started producing, and especially in my first days as a DJ I always loved to mix different genres and sounds, so my sets were definitely unique in that sense from the start. I basically translated my djing style into my record label sound signature and production style. I definitely have many inspirations from different genres and cultures, three of my fav artists/producers are Vybz Kartel, Manu Chao and Diplo, all of them versatile and unique in their own way.
Having already amassed over 100 million streams in your career, how do you approach creating music that connects so strongly with both core fans and new listeners worldwide?
I genuinely don’t know, I do not strategise a lot when it comes to my music creation, I just work on things that I like, then I hope my core fans as well as the new listeners will like it.
The Basshall Movement is a game-changer in the industry. How does being at the helm of a label, TV channel, and event brand impact your work as an artist and producer?
Well I like it but sometimes it is overwhelming, I’m not really good at delegating but I’m learning it and my team and management are helping.
What does it mean to you personally and professionally to have Sean Paul describe your production as ‘wicked’ and feel compelled to jump on the track?
Is like a dream come true, I grew up listening to his music so having my name next to his on a release it’s a huge achievement.
With appearances at festivals like Tomorrowland, how do you prepare to translate your studio sound into a live performance that captivates massive audiences?
I try to imagine myself in the crowd. So obviously a set I play in a club/boiler room type of set up will always be different than a big stage like Tomorrowland etc. I always stay true to my sound but I definitely shape my set differently when it comes to big stages.
What’s next for KYBBA? Are there any upcoming projects, collaborations, or surprises in the pipeline that you can share with your fans?
I’m working on my first EP, I have many collaborations I’m working on, one is with the legend Buju Banton. There are many other projects but I can’t share any details atm. I’ll also announce a world tour in the next few months!!
Twine share final tease of New Old Horse LP (Dec 6) with ‘Fruit to Ripe’
Image Credit: Nash Blight
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2025 Coachella Full Line Up
Above & Beyond, A. G. Cook, Alok, Amaarae, Amelie Lens, Amémé, Amyl and the Sniffers, Anitta, Arca, Artemas, Austin Millz, Basement Jaxx, Beabadoobee, The Beaches, Beltran, Ben Böhmer, Benson Boone, Beth Gibbons, BigXthaPlug, Blonde Redhead, Bob Vylan, Boris Brejcha, Ca7riel & Paco Amoroso, Charli XCX, Chris Lorenzo, Chris Stussy, Chase & Status, Circle Jerks, Clairo, Coco & Breezy, Damian Lazarus, The Dare, Darkside, Dennis Cruz, Desiree Triplosm, Disco Lines, Dixon x Jimi Jules, DJ Gigola, Djo, D4vd, El Malilla, Eli Brown, Enhyphen, Erez, Eyedress, Fcukers, FKA twigs, Francis Mercier, Gel, Ginger Root, Glixen, Glass Beams, Glorilla, The Go-Gos, Green Day, Gustavo Dudamel & LA Phil, Haai, Hanumankind, HiTech, Hope Tala, Horsegiirl, Indira Paganotto, Indo Warehouse, Infected Mushroom, Interplanetary Criminal, Ivan Cornejo, Japanese Breakfast, Jennie, Jessie Murph, Jimmy Eat World, Judeline, Julie, Junior H, Keinemusik, Keshi, Klangkuenstler, Kneecap, Kraftwerk, Kumo 99, Lady Gaga, Layton Giordani, Lisa, Lola Young, Los Mirlos, Maribou State, The Mariás, Marina, Mau P, Medium Build, Megan Thee Stallion, Meute, Miike Snow, Mind Against x Massano, Missy Elliott, Mohamed Ramadan, Moon Boots, Muni Long, Mustard, The Original Misfits, Parcels, Parisi, Pete Tong x Ahmed Spins, Polo & Pan, Post Malone, Prison Affair, The Prodigy, Ravyn Lenae, Rawayana, Rema, Saint Jhn, Salute, Sam Fender, Sammy Virji, Sara Landry, Seun Kuti & Egypt 80, Shaboozey, Shermanology, Shoreline Mafia, Snow Strippers, Soft Play, Sparrow & Barbossa, Speed, Still Woozy, Talón, Thee Sacred Souls, Three 6 Mafia, Tink, Tinlicker, Together Pangea, Tops, T-Pain, Travis Scott, Tripolism, Ty Dolla $ign, Tyla, Underscores, Viagra Boys, Vintage Culture, Vs Self, VTSS, Wisp, XG, Yeat, Yo Gabba Gabba!, Yulia Niko, Zedd, 2hollis, and 4batz
LANY Lights Up Hordern Pavilion with Unforgettable Show and Emotional Highs
Images: @Gxbriellemxry
Words: Josh Ma

LANY transformed Sydney’s Hordern Pavilion into a haven of dreamy pop beats and heartfelt connections. The setlist, a rollercoaster of emotions, delivered everything fans have come to love about the trio: vulnerability, energy, and a sense of community.
The night opened with the fan-favorite “YOU!”, sparking immediate energy across the venue as Paul Klein and the band emerged from behind white curtains and 007 like spotlights, setting the stage for what felt like therapy on a Wednesday night. This show, part of their long-awaited tour, had been delayed due to Klein’s recent motorcycle accident, adding a layer of poignancy to their return to the stage since their last tour in Sydney in 2022. The crowd was in sync with every beat, and from there, LANY didn’t let up. “ex i never had” and “up to me”brought a mix of nostalgia and fresh energy that’s quintessential to LANY’s style. The wistful “It Even Rains in LA” and the introspective “I Pray” showcased lead singer Paul Klein’s emotional range, leaving fans hanging on every lyric.
In a particularly memorable moment, the band segued into “somewhere / Sugar & Cinnamon”, drawing fans deeper into the introspective core of their music before jumping into fan favorite “care less” from their 2021 album, gg bb xx. Klein’s raw vocal delivery paired with airy melodies set the stage for heartbreak anthems like “Congrats” and the soul-baring “I Don’t Wanna Love You Anymore” making everyone including me grove.
As the setlist progressed, LANY continued to guide the crowd through highs and lows, balancing upbeat anthems with reflective ballads. “dancing in the kitchen”sparked joy and movement, while “pink skies” added a magical atmosphere—complete with a surprise proposal. As the intro to this 2016 hit played, Klein invited a fan on stage with his partner where he got down on one knee, prompting cheers from the sold-out crowd at Hordern.
LANY kept the mellow vibe going with “Alonica”, “Thick and Thin”, and “Out of My League”, while “dna”resonated with deeper emotional undertones. The back-to-back performance of “Super Far / Mean It” brought a jolt of excitement, leading into Klein’s acoustic rendition of “13”, a moment fans had eagerly anticipated. The melodic, minor-key rendition of “Hericane” filled the room with raw emotion, even if played only partially, before the band transitioned seamlessly into “’Cause You Have To”.
The evening’s came with the trio’s powerful nostalgic fan favourite off their 2019 album “Thru These Tears” and “Malibu Nights”, both delivering the full scope of LANY’s signature sound: bittersweet lyrics and lush instrumentals that tug at the heartstrings which are suitable for those are in love or are heartbroken. For the encore, “ILYSB” brought the crowd to a fever pitch, with every word shouted back in a unified, emotional wave. Finally, they closed with the powerful “XXL”, a fitting end to a night that felt larger than life, with Klein diving into the crowd multiple times before the band bid farewell to Hordern in true Lonely Tunes style.
The crowd at Hordern Pavilion was left buzzing, carried by LANY’s effortless transitions between joy and heartache. The show was a reminder of how the band continues to build genuine connections with fans through their music and presence. Every track on the setlist was a perfect piece in the tapestry of an unforgettable evening, proving once again that LANY is more than a band—they’re a shared experience.
Photo Credit: Jack Moran
With soaring melodies and emotive lyrics, Sydney indie-rock group JET CITY SPORTS CLUB are back with a brand new single titled ‘MINI SKIRT’.
The band’s latest release is a strong addition to a catalogue that has included the Every Single Dream EP; a career defining moment for Jet City Sports Club, continuing to build upon the momentum the last few years have generated. As one of the East Coast’s exciting fresh players, Jet City Sports Club have been working hard on creating music that focuses on the vision they have for their music moving into a brand new year.
With a song like ‘Mini Skirt’, the band is taking strong steps into this new direction.
Recorded with Fletcher Matthews (Trophy Eyes, Dear Seattle, Stumps) at his studio in Glebe, Jet City Sports Club pulled influences from artists they love, including The Cure, Holly Humberstone and The Beaches, while pushing their honest brand of storytelling and delivery further than they had on previous releases.
Of the song, the band describes ‘Mini Skirt’ as being about “growing up” and realising there isn’t necessarily one right way to do things or move through life.
“…you don’t have to be perfect or conform to the ways your friends, family or the world might want you to. The story is narrated from the perspective of a young girl going through serious body image issues and pressure to be someone they might not necessarily be. The verses talk about this and the chorus aims to reclaim a sense of independence and self worth.”
JET CITY SPORTS CLUB
The vibrancy and confidence heard on this music matches the energy Jet City Sports Club have taken into their live performances in recent years as well. Since their debut in 2021, the group has gone from strength to strength, touring with artists including Ruby Fields, Old Mervs, Dear Seattle and more; while also performing sets at Lost Paradise and the Mountain Goat Valley Crawl and with upcoming summer spots at Rolling Sets and Party In The Paddock.
Extensive support via Triple J, Triple J Unearthed and community radio, as well as DSPs (Spotify’s Fuzzy, Fresh Finds; Apple Music’s NMD, Good Times, New Indie, Pop Chill and more), have established Jet City Sports Club as an Australian indie group to watch. With each release the band steps up to the plate and proves all of this and more.
PRAISE
“A glimmering shard of sunshine through heavy curtains, ‘She Don’t Need No One’ contains many small moments of poetic romance: a seat belt tan line from driving topless in the sun; a momentary crush spawned from the brief touch of an arm; a city not feeling the same any more, despite a 40C day…”
THE GUARDIAN
“Holy s**t. Absolutely loving this sound, that build is so satisfying. Great vocals, great guitar, great journey you take us on.”
TRIPLE J, JESS PERKINS
“The kinda song to put a sweet little smile on your face. Love all the textures, it feels calming even when the guitar kicks in. Just gorgeous!”
TRIPLE J CLAIRE MOONEY
Summer 2024/25 is looking to be a busy one for the band, as they prepare to hit the road supporting both Annie Hamilton and Eliza and the Delusionals as well as playing Rolling Sets and Party In The Paddock from December through to February.
JET CITY SPORTS CLUB LIVE SHOWS
Saturday 7 December Rolling Sets Festival Central Coast
Tickets
Friday 13 December The Lansdowne Sydney
Supporting Annie Hamilton
Tickets
Friday 31 January Jive Adelaide
Supporting Eliza and the Delusionals
Tickets
Saturday 1 February Howler Melbourne
Supporting Eliza and the Delusionals
Tickets
Thursday 6 – Sunday 9 February Party in the Paddock Launceston
Tickets
Friday 14 February Oxford Art Factory Sydney
Supporting Eliza and the Delusionals
Tickets
Friday 28 February The Triffid Brisbane
Supporting Eliza and the Delusionals
Tickets
JET CITY SPORTS CLUB: Facebook | X | Instagram | YouTube | Triple J Unearthed
Photo: Beth Saravo
Words: Zac Farr
THE GREAT POP REVIVAL
Static sounds and flickering lights… the screen teased retro super film as the subs began to tease the heart… a voice over transported us into a special place… the Hordern was ready… ready to witness something magical… an eagerness somewhat like when man walked on the moon filled the room… and there she was… the twenty one year old icon… taking her rightful place as the future of pop… taking us to brand new, magical places.
She doesn’t just have a fantastic vocal range or songs that have become the anthems of millions of her fans lives. Tate McRae brings everything pop is onto one stage. The dancers, the sas, the sexy, the songs, the stage design… she has created her own little world and invited us along for the ride and it is no accident. We owe it to the sacrifice she made being placed in the spotlight at 13, a sacrifice that has equip her with a wealth of knowledge throughout all fascists of the industry to add spice where it is needed, write songs with depth, ensure her people are loved with rooftop pop ups and collude dance, lights and ballads to strike the hearts of anyone who found themselves in the Hordern Pavilion at 9pm on a Tuesday night.
Tate showed off her spectacular taste having Seattle born Charlieonnafriday open the night with a wonderful little set full of his hit singles such as Enough, I’m not crazy and After Hours as well showing of pieces of his new album WILD CHILD with tracks such as When it Rains filling the room with pure joy. His eclectic sound that merges pop, country tones and a mellow hip hop forces heads to nod and the hips to sway. The perfect to vibe to warm up the Mcrazies for the main event.
Opening with the heaving hitting Think later had the sea of Jerseys, high ponies and stuffed teddies going word for word alongside her from the get go. With vibrant dance breaks and guitar solos she and her team brought their A-game showing of her latest Album THINK LATER in all of the awe inspiring ways. She also gave the day ones some love including the tracks uh oh and she’s all I wanna be as well as the song that really put her on the musical map at sixteen you broke me first. There is something quite special when someone can bring together the die hards, the fathers, the broken hearted and the joy filled to sing together under one roof tracks like exes next to guilty conscience really emphasising how different people, from different worlds can have such powerful shared experiences.
Overall, Tate was five stars, she inspired the woman to own who they are, back each other, enjoy where they are at and being a little bitter sometimes isn’t such a bad thing. She currently holds a prominent space in the pop scene and with The Kid Laroi on her arm partnered with some of lasts years biggest and best pop songs there is not much stopping her from stealing all of Australia’s hearts.
KYBBA, SEAN PAUL, AND BUSY SIGNAL TEAM UP FOR HIGHLY ANTICIPATED NEW TRACK “BA BA BAD”
FROM VIRAL ON TIKTOK, TO AN UNEXPECTED COLLABORATION OUT NOW VIA BASSHALL RECORDS
KYBBA, SEAN PAUL & BUSY SIGNAL – BA BA BAD
LISTEN HERE
International DJ and producer KYBBA has joined forces with Dancehall icons Sean Paul and Busy Signal for the long-awaited track “Ba Ba Bad”. What started as a viral social media sensation (IG/TikTok) quickly evolved into a powerhouse collaboration, surprising fans with Sean Paul’s unexpected appearance alongside Busy Signal.
The hype for “Ba Ba Bad” began with KYBBA’s social media teasers, generating significant traction and capturing the attention of Dancehall legend Sean Paul. Originally featuring only Busy Signal, the track’s infectious beat and captivating rhythm spurred KYBBA to reach out to Sean Paul for a feature. In a whirlwind of creative energy, the track was recorded and finalized within a week, culminating in a collaboration no one saw coming.
“The energy on this track is mad,” KYBBA shared. “It’s been amazing to see it take on a life of its own through social media and to now have both Busy Signal and Sean Paul on it – it’s an honor.”
“Love the energy of this track and truly respect Busy Signal—always one of the realest voices out of Jamaica. It’s a pleasure to work with him again. Especially when I heard this one, I knew I had to jump on the rhythm. Big up to Kybba for the wicked production.” – Sean Paul
With its addictive beats and Dancehall allure, “Ba Ba Bad” is set to make waves worldwide. Having already amassed impressive numbers online prior to its release, fans and industry insiders alike anticipate the track’s explosive success following the official release. “Ba Ba Bad” will be available on all major streaming platforms, bringing KYBBA’s unique production style with the signature voices of Dancehall’s finest, Sean Paul and Busy Signal, for the world to enjoy.
“BA BA BAD” OUT NOW ON ALL STREAMING PLATFORMS VIA BASSHALL RECORDS
About KYBBA
Hailing from Italy, and currently based in Amsterdam, has been captivating global audiences. KYBBA is a force to be reckoned with in the dancehall and urban music scene. Founder of the multifaceted Basshall Movement – a record label, TV channel, publishing arm, and event organizer dedicated to promoting these genres globally – KYBBA’s infectious energy and innovative spirit are undeniable. His unique sound, effortlessly blending dancehall, Latin, and other cultural influences, has garnered him a massive following. With over 100 million streams on streaming platforms and hit songs like “Pon Di Ting,” “Heavy,” “CON TO,” “Dale,” and “Pilot,” KYBBA’s electrifying music translates into a thriving global touring career, with upcoming appearances at prestigious festivals like Tomorrowland.
About Sean Paul
Sean Paul, born Sean Paul Henriques in Kingston in 1973, has become Jamaica’s leading musical export with numerous chart-topping hits, Grammy and Latin Music Awards, and performances in over 120 countries. His international breakthrough began with “Infiltrate” in 1997, followed by dancehall hits like “Deport Them” and “No Bligh.” His collaboration with Mr. Vegas on “Hot Gal Today” further showcased his global appeal, making him VP Records’ highest-selling artist. Success continued with hits like “Gimme the Light” and “Get Busy,” culminating in his Grammy-winning album Dutty Rock. Sean Paul’s influence spans beyond reggae and dancehall, with collaborations alongside Beyoncé, Blu Cantrell, Busta Rhymes, Dua Lipa, and Clean Bandit, and hits like “Temperature” from Trinity cementing his global fame. Honored by the Jamaican Government with an Order of Distinction in 2019, Sean Paul remains a powerful ambassador of Brand Jamaica, his legacy resonating worldwide.
CONNECT WITH KYBBA
| INSTAGRAM | TIKTOK | SPOTIFY | SOUNDCLOUD |
CONNECT WITH SEAN PAUL
FACEBOOK | INSTAGRAM | TIKTOK | SPOTIFY | SOUNDCLOUD
CONNECT WITH BUSY SIGNAL
FACEBOOK | INSTAGRAM | TIKTOK | SPOTIFY | SOUNDCLOUD


