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1tbsp – Pink Dress (feat. Cherry Chola)

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Category:

Music News

Like many organisations in the creative industries, Open House Melbourne is making dramatic adjustments to the Open House Melbourne Weekend announced for Saturday 25 and Sunday 26 July in addition to July programming.  The 2020 program will not open the physical doors to the city’s most significant buildings, but instead it will unlock the incredible enthusiasm, creativity and knowledge of many building hosts, architects and designers who support the program year-on-year. 2020 will be a time for reflection, for contemplation, and for reimagining our city.  "It is an opportunity to ensure that the next generation of construction and of protection of our built environment centres around good design principles – providing long term financial value, protection of our precious environment, supportive of our needs, whilst creating inspiring and cherished spaces for us all to work and live in. Good design always needs to be an intrinsic part of all our built environment decisions,” says Tim Leslie, Interim Co-Executive Director of Open House Melbourne.  The digital program will engage online audiences in architecture and design events leading up to a hive of activity during the Open House Weekend.  The program elements will include streamed live talks and presentations, including annual highlights like the Speaker Series, where a number of experts present their design process behind built outcomes, and the Heritage Address – a thought-provoking look at the role heritage plays in our cities presented in collaboration with the Heritage Council of Victoria.  The highlight of the 2020 digital Weekend will be the immersive experiences embedded throughout a program of virtual building tours. Special programming at return sites like Australian Tapestry Workshop, Jack's Magazine, Villa Alba Museum and Waller House and more will be revealed in an exciting announcement that will reimagine some of the city’s much-loved heritage buildings.  The full program of buildings and digital events will be announced in July. Expect some familiar faces and hard to reach places.  A predominantly digital Open House Melbourne experience provides a unique opportunity to do things differently; to engage with new collaborators and reach new audiences – no longer subject to large crowds, queues or inclement weather. In fact, the digital program will provide greater access and larger audiences to spaces once limited by opening hours, groups sizes or security concerns.  Open House Melbourne 2020 is a chance to experience the city from anywhere across Victoria, or around the world. It is a wonderful opportunity to share and celebrate one of the world’s most liveable cities.  Open House Melbourne is an independent organisation that fosters public appreciation for architecture and public engagement in design in the built environment. We exist because we believe a more engaged public will result in better design outcomes for our buildings, our streets and our cities. We are registered as a charity (as Melbourne Open House Inc) with the Australian Charities and Not-For-Profits Commission ABN 68295482310, we are part of the Open House Worldwide network, and we are an initiative of the Committee for Melbourne Future Focus Leadership Program.  Image caption: Open House Weekend, 2019. Photographed by Nick Bebbington.  www.openhousemelbourne.org @openhousemelb 
Festival NewsMusic News

The 13th Open House Melbourne returns in 2020 – but not as you know it

by the partae June 3, 2020
written by the partae

Like many organisations in the creative industries, Open House Melbourne is making dramatic adjustments to the Open House Melbourne Weekend announced for Saturday 25 and Sunday 26 July in addition to July programming. 

The 2020 program will not open the physical doors to the city’s most significant buildings, but instead it will unlock the incredible enthusiasm, creativity and knowledge of many building hosts, architects and designers who support the program year-on-year. 2020 will be a time for reflection, for contemplation, and for reimagining our city. 

“It is an opportunity to ensure that the next generation of construction and of protection of our built environment centres around good design principles – providing long term financial value, protection of our precious environment, supportive of our needs, whilst creating inspiring and cherished spaces for us all to work and live in. Good design always needs to be an intrinsic part of all our built environment decisions,” says Tim Leslie, Interim Co-Executive Director of Open House Melbourne. 

The digital program will engage online audiences in architecture and design events leading up to a hive of activity during the Open House Weekend. 

The program elements will include streamed live talks and presentations, including annual highlights like the Speaker Series, where a number of experts present their design process behind built outcomes, and the Heritage Address – a thought-provoking look at the role heritage plays in our cities presented in collaboration with the Heritage Council of Victoria. 

The highlight of the 2020 digital Weekend will be the immersive experiences embedded throughout a program of virtual building tours. Special programming at return sites like Australian Tapestry Workshop, Jack’s Magazine, Villa Alba Museum and Waller House and more will be revealed in an exciting announcement that will reimagine some of the city’s much-loved heritage buildings. 

The full program of buildings and digital events will be announced in July. Expect some familiar faces and hard to reach places. 

A predominantly digital Open House Melbourne experience provides a unique opportunity to do things differently; to engage with new collaborators and reach new audiences – no longer subject to large crowds, queues or inclement weather. In fact, the digital program will provide greater access and larger audiences to spaces once limited by opening hours, groups sizes or security concerns. 

Open House Melbourne 2020 is a chance to experience the city from anywhere across Victoria, or around the world. It is a wonderful opportunity to share and celebrate one of the world’s most liveable cities. 

Open House Melbourne is an independent organisation that fosters public appreciation for architecture and public engagement in design in the built environment. We exist because we believe a more engaged public will result in better design outcomes for our buildings, our streets and our cities. We are registered as a charity (as Melbourne Open House Inc) with the Australian Charities and Not-For-Profits Commission ABN 68295482310, we are part of the Open House Worldwide network, and we are an initiative of the Committee for Melbourne Future Focus Leadership Program. 

Image caption: Open House Weekend, 2019. Photographed by Nick Bebbington. 

www.openhousemelbourne.org @openhousemelb 

June 3, 2020 0 comments
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THE STATE OF MUSIC FINAL EPISODE OF SERIES ONE THIS FRIDAY! STARRING: DMA’S, FRENTE with ALICE SKYE, ALLARA, OLYMPIA and KATY STEELE, JACK GRAY, ROLLING BLACKOUTS COASTAL FEVER with STELLA DONNELLY, THE CAT EMPIRE, THE TEMPER TRAP, VIOLENT SOHO + MORE WATCH THE LIVE STREAM: 7.30PM AEST, FRIDAY 5 JUNE Don’t miss Episode Six, live-streaming Friday 5 June at 7.30pm AEST on the Victoria Together YouTube, Facebook and website together.vic.gov.au Featuring performances from two of Melbourne’s most iconic locations – the MCG and Forum Melbourne. With COVID-19 turning the world on its head, Victoria has had to deliver its rich music offerings through different means. For five weeks, music lovers across not just Victoria but the globe have tuned in for The State of Music, reaching a combined audience of close to two million and counting. Proudly produced and curated by the Victorian Government and Mushroom Group, The State of Music has provided both artists and music fans with the ability to experience the best of live music from the safety of home. For our sixth and final episode of Series One we’ve gone all out, with a line-up you won’t want to miss! Settle in to catch exclusive performances and interviews on The State of Music Episode Six, live-streaming Friday 5 June at 7.30pm AEST on the Victoria Together YouTube, Facebook and together.vic.gov.au. Episode Six stars (in alphabetical order): DMA’S, FRENTE (performing with ALICE SKYE, ALLARA, OLYMPIA, and KATY STEELE), JACK GRAY, ROLLING BLACKOUTS COASTAL FEVER with special guest STELLA DONNELLY (performing on the hallowed grounds of the Melbourne Cricket Ground, aka MCG), THE CAT EMPIRE (filmed at the iconic venue Forum Melbourne), THE TEMPER TRAP (performing with members of The Australian Children’s Choir), VIOLENT SOHO + more. Plus we’ll also see a special collaboration featuring some of Australia’s best country music talent, including: APRA AMCOS ‘Song Of The Year’ winner BRAD COX; Town Of A Million Dreams songwriter CASEY BARNES; ARIA, APRA and CMA multi-award winners THE MCCLYMONTS (whose new album Mayhem To Madness is out next week); and Central Coast NSW trio LITTLE QUIRKS. Episode Six will be hosted by Nova’s RYAN ‘FITZY’ FITZGERALD, with JANE GAZZO. With their highly anticipated third album, THE GLOW, out Friday 10 July, Sydney trio DMA’S are set to deliver their biggest and best record yet. Ever since they dropped the now-iconic ‘Delete’ in 2014, DMA’S have smashed it: millions of streams, massive headline shows – including a recent sold-out Brixton Academy, where 5,000 tickets sold in under 24 hours – and much more. Watch them perform ‘The Glow’ at that very show here. Melbourne indie wordsmiths FRENTE created some of Australia’s best alternative folk pop in the 1990’s with their iconic singles ‘Ordinary Angels’, ‘Accidentally Kelly Street’, and debut Marvin The Album, which hit #5 on the ARIA charts. Meanwhile their cover of New Order’s ‘Bizarre Love Triangle’ was a global radio smash hit. Tune into The State of Music this week to catch Angie Hart and Simon Austin, together with some very special guests, performing a Frente classic. With over 10 million streams to date via tracks ‘Fools’, ‘Down Side of Up’ and ‘My Hands’, Los Angeles-via-Sunshine Coast singer / songwriter / producer, JACK GRAY is on the rise. As heard on his debut EP Nights Like This, Gray is an old-school artist in a modern era, having won fans’ hearts with his Instagram covers of acts such as Bon Iver and Mumford and Sons, and support slots with names like Mahalia, Maisie Peters, Dean Lewis and E^st. His new single ‘I GOT 3’ is released Friday 19 June. Melbourne guitar-pop five-piece ROLLING BLACKOUTS COASTAL FEVER knocked it out of the park with their 2018 debut Hope Downs, which met with worldwide critical acclaim and saw the band sell out shows across the globe. This Friday, the band will celebrate the release of their new record, Sideways To New Italy. We’re thrilled to have RBCF performing this week, on release day no less. Take a listen to current single ‘Falling Thunder’. Perth songwriter STELLA DONNELLY is a proud, self-proclaimed stirrer. Her electrifying 2019 debut album, Beware of the Dogs, is 13 tracks of charm and razor-sharp wit, as evidenced on affecting singles ‘Boys Will Be Boys’ and ‘Tricks’. Her captivating sound won fans across the globe, with everyone from Pitchfork to The Guardian and beyond praising her musical charms. We’re stoked to have Stella perform on this week’s episode of The State of Music. Melbourne’s THE CAT EMPIRE are adored the world over. 2019 saw the genre-embracing outfit deliver their eighth studio album, Stolen Diamonds, which debuted at #4 on the ARIA Album chart. The band have performed literally hundreds of world class shows, both here at home and abroad across Europe and North America plus festival stages such as Glastonbury and Bonnaroo. The Cat Empire are a musical success story that continues to be written. Their breakout anthem ‘Sweet Disposition’, taken from debut album Conditions – was a mammoth success: 5x Platinum sales in Australia, 3x Platinum in the UK, Platinum in the US (1 million+), 225 million streams and counting on Spotify. That was just the beginning. THE TEMPER TRAP are one of Australia’s biggest acts, and now the multi-ARIA winners and Brit Award nominees join us on The State of Music for a very special performance. Brisbane four-piece VIOLENT SOHO scored their second #1 ARIA Album debut with their fifth release, April’s Everything Is A-OK, led by single ‘Vacation Forever’. It’s the first new music from the band since 2016’s Gold-certified WACO, which scored 2 x ARIAs, an AIR Award, a triple j Feature Album, and the #1 position on the iTunes Album chart. With 16 years of hard work and a fiercely loyal fanbase behind them, Violent Soho are masters of their game. Don’t miss the final episode of Series One of The State of Music! Rolling Blackouts Coastal Fever with Stella Donnelly live at the MCG IMAGE: Mushroom Creative House THE STATE OF MUSIC EPISODE SIX Friday 5 June @ 7.30pm AEST Starring ALICE SKYE ALLARA BRAD COX CASEY BARNES DMA'S FRENTE JACK GRAY KATY STEELE LITTLE QUIRKS OLYMPIA ROLLING BLACKOUTS COASTAL FEVER STELLA DONNELLY THE CAT EMPIRE THE MCCLYMONTS THE TEMPER TRAP WITH THE AUSTRALIAN CHILDREN'S CHOIR VIOLENT SOHO + more Hosted by RYAN ‘FITZY’ FITZGERALD with JANE GAZZO together.vic.gov.au facebook.com/victoriatogether instagram/victoriatogether YouTube #TheStateofMusic
Festival NewsMusic News

The State of Music | FINAL EPISODE OF SERIES ONE! Starring: The Temper Trap, Stella Donnelly, DMA’S, Jack Gray + more | Friday 5 June @ 7:30pm

by the partae June 3, 2020
written by the partae
THE STATE OF MUSIC

FINAL EPISODE OF SERIES ONE THIS FRIDAY!
STARRING: DMA’S, FRENTE with ALICE SKYE, ALLARA,
OLYMPIA and KATY STEELE, JACK GRAY,
ROLLING BLACKOUTS COASTAL FEVER with STELLA DONNELLY,
THE CAT EMPIRE, THE TEMPER TRAP, VIOLENT SOHO + MORE
WATCH THE LIVE STREAM: 7.30PM AEST, FRIDAY 5 JUNE

  • Don’t miss Episode Six, live-streaming Friday 5 June at 7.30pm AEST on the Victoria Together YouTube, Facebook and website together.vic.gov.au
  • Featuring performances from two of Melbourne’s most iconic locations – the MCG and Forum Melbourne.
With COVID-19 turning the world on its head, Victoria has had to deliver its rich music offerings through different means. For five weeks, music lovers across not just Victoria but the globe have tuned in for The State of Music, reaching a combined audience of close to two million and counting. Proudly produced and curated by the Victorian Government and Mushroom Group, The State of Music has provided both artists and music fans with the ability to experience the best of live music from the safety of home.

For our sixth and final episode of Series One we’ve gone all out, with a line-up you won’t want to miss! Settle in to catch exclusive performances and interviews on The State of Music Episode Six, live-streaming Friday 5 June at 7.30pm AEST on the Victoria Together YouTube, Facebook and together.vic.gov.au.

Episode Six stars (in alphabetical order):

DMA’S, FRENTE (performing with ALICE SKYE, ALLARA, OLYMPIA, and KATY STEELE), JACK GRAY, ROLLING BLACKOUTS COASTAL FEVER with special guest STELLA DONNELLY (performing on the hallowed grounds of the Melbourne Cricket Ground, aka MCG), THE CAT EMPIRE (filmed at the iconic venue Forum Melbourne), THE TEMPER TRAP (performing with members of The Australian Children’s Choir), VIOLENT SOHO + more.

Plus we’ll also see a special collaboration featuring some of Australia’s best country music talent, including: APRA AMCOS ‘Song Of The Year’ winner BRAD COX; Town Of A Million Dreams songwriter CASEY BARNES; ARIA, APRA and CMA multi-award winners THE MCCLYMONTS (whose new album Mayhem To Madness is out next week); and Central Coast NSW trio LITTLE QUIRKS.

Episode Six will be hosted by Nova’s RYAN ‘FITZY’ FITZGERALD, with JANE GAZZO.

With their highly anticipated third album, THE GLOW, out Friday 10 July, Sydney trio DMA’S are set to deliver their biggest and best record yet. Ever since they dropped the now-iconic ‘Delete’ in 2014, DMA’S have smashed it: millions of streams, massive headline shows – including a recent sold-out Brixton Academy, where 5,000 tickets sold in under 24 hours – and much more. Watch them perform ‘The Glow’ at that very show here.

Melbourne indie wordsmiths FRENTE created some of Australia’s best alternative folk pop in the 1990’s with their iconic singles ‘Ordinary Angels’, ‘Accidentally Kelly Street’, and debut Marvin The Album, which hit #5 on the ARIA charts. Meanwhile their cover of New Order’s ‘Bizarre Love Triangle’ was a global radio smash hit. Tune into The State of Music this week to catch Angie Hart and Simon Austin, together with some very special guests, performing a Frente classic.

With over 10 million streams to date via tracks ‘Fools’, ‘Down Side of Up’ and ‘My Hands’, Los Angeles-via-Sunshine Coast singer / songwriter / producer, JACK GRAY is on the rise. As heard on his debut EP Nights Like This, Gray is an old-school artist in a modern era, having won fans’ hearts with his Instagram covers of acts such as Bon Iver and Mumford and Sons, and support slots with names like Mahalia, Maisie Peters, Dean Lewis and E^st. His new single ‘I GOT 3’ is released Friday 19 June.

Melbourne guitar-pop five-piece ROLLING BLACKOUTS COASTAL FEVER knocked it out of the park with their 2018 debut Hope Downs, which met with worldwide critical acclaim and saw the band sell out shows across the globe. This Friday, the band will celebrate the release of their new record, Sideways To New Italy. We’re thrilled to have RBCF performing this week, on release day no less. Take a listen to current single ‘Falling Thunder’.

Perth songwriter STELLA DONNELLY is a proud, self-proclaimed stirrer. Her electrifying 2019 debut album, Beware of the Dogs, is 13 tracks of charm and razor-sharp wit, as evidenced on affecting singles ‘Boys Will Be Boys’ and ‘Tricks’. Her captivating sound won fans across the globe, with everyone from Pitchfork to The Guardian and beyond praising her musical charms. We’re stoked to have Stella perform on this week’s episode of The State of Music.

Melbourne’s THE CAT EMPIRE are adored the world over. 2019 saw the genre-embracing outfit deliver their eighth studio album, Stolen Diamonds, which debuted at #4 on the ARIA Album chart. The band have performed literally hundreds of world class shows, both here at home and abroad across Europe and North America plus festival stages such as Glastonbury and Bonnaroo. The Cat Empire are a musical success story that continues to be written.

Their breakout anthem ‘Sweet Disposition’, taken from debut album Conditions – was a mammoth success: 5x Platinum sales in Australia, 3x Platinum in the UK, Platinum in the US (1 million+), 225 million streams and counting on Spotify. That was just the beginning. THE TEMPER TRAP are one of Australia’s biggest acts, and now the multi-ARIA winners and Brit Award nominees join us on The State of Music for a very special performance.

Brisbane four-piece VIOLENT SOHO scored their second #1 ARIA Album debut with their fifth release, April’s Everything Is A-OK, led by single ‘Vacation Forever’. It’s the first new music from the band since 2016’s Gold-certified WACO, which scored 2 x ARIAs, an AIR Award, a triple j Feature Album, and the #1 position on the iTunes Album chart. With 16 years of hard work and a fiercely loyal fanbase behind them, Violent Soho are masters of their game.

Don’t miss the final episode of Series One of The State of Music!

Rolling Blackouts Coastal Fever with Stella Donnelly live at the MCG
IMAGE: Mushroom Creative House

THE STATE OF MUSIC

EPISODE SIX
Friday 5 June @ 7.30pm AEST

Starring
ALICE SKYE
ALLARA
BRAD COX
CASEY BARNES
DMA’S
FRENTE
JACK GRAY
KATY STEELE
LITTLE QUIRKS
OLYMPIA
ROLLING BLACKOUTS COASTAL FEVER
STELLA DONNELLY
THE CAT EMPIRE
THE MCCLYMONTS
THE TEMPER TRAP WITH THE AUSTRALIAN CHILDREN’S CHOIR
VIOLENT SOHO
+ more
Hosted by
RYAN ‘FITZY’ FITZGERALD with JANE GAZZO

together.vic.gov.au
facebook.com/victoriatogether
instagram/victoriatogether
YouTube
#TheStateofMusic

June 3, 2020 0 comments
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“Mel Tickle and producer Luke McDonald fuse found sounds and live instrumentation to create a lofty brand of neo-psychedelia that gets better with each release.”  - Mixdown Mag “uplifting, joyous pop that reaches for the stars and takes a million hearts with it.”  - Declan Byrne, Triple J “the duo are steadily carving themselves a well-deserved niche.”  - Purple Sneakers Following the highly successful release of single 'Let Down', Brisbane's favourite electro-pop duo, Holiday Party return today with the first instalment of their 'Holiday Party At Home' series and announce the release of their self-titled album out, Friday 3 July.  A highly anticipated release, lead singer Mel Tickle says: "We're so chuffed to be releasing our first LP on Friday 3 July! It's been quite a journey to make the album, spanning several years of late nights in the studio experimenting and rewriting and rearranging, and many spicy chicken burritos. We truly hope it brings people a moment of joy in such a turbulent time." Starting tonight, the 'At Home' video series will be released via the band's Facebook and IGTV every Tuesday at 7pm. Each video will feature a live recorded mash-up of Mel Tickle and Luke McDonald performing previously released singles, covers and unreleased album tracks in their homes. "We wanted to pair the release with something other than shows for obvious reasons. So we made the “Holiday Party at Home” series. Songs from the album (and some covers) re-built from inside our respective houses. Our intention was for every song to have a different feel both musically and visually. Somewhat surprisingly, it felt cathartic to play these songs in an adapted and intimate setting like this, but I guess that’s what most of us have had to do with everything lately – adapt," says Luke. The duo will also be releasing their album on vinyl which can be pre-ordered via Holiday Party's Bandcamp. Since the release of their latest single 'Let Down', Holiday Party have been added to rotation on FBi, Double J and triple j unearthed radio and received praise nationally from the likes of NME Australia, Happy Mag, Purple Sneakers, Mixdown Mag and more.  Grab your favourite drink, a couple of snacks and get cosy at home with Holiday Party.   Holiday Party’s new video releases are weekly Tuesday from today at 7 PM via Facebook and IGTV. Holiday Party's debut album releases Friday 3 July. CONNECT ONLINE WITH HOLIDAY PARTY
Music News

HOLIDAY PARTY RELEASE THEIR ‘HOLIDAY PARTY AT HOME’ ISOLATION SERIES + ANNOUNCE DEBUT ALBUM RELEASE DATE

by the partae June 3, 2020
written by the partae
“Mel Tickle and producer Luke McDonald fuse found sounds and live instrumentation to create a lofty brand of neo-psychedelia that gets better with each release.”
– Mixdown Mag
“uplifting, joyous pop that reaches for the stars and takes a million hearts with it.”
– Declan Byrne, Triple J

“the duo are steadily carving themselves a well-deserved niche.”
– Purple Sneakers

Following the highly successful release of single ‘Let Down’, Brisbane’s favourite electro-pop duo, Holiday Party return today with the first instalment of their ‘Holiday Party At Home’ series and announce the release of their self-titled album out, Friday 3 July.

A highly anticipated release, lead singer Mel Tickle says: “We’re so chuffed to be releasing our first LP on Friday 3 July! It’s been quite a journey to make the album, spanning several years of late nights in the studio experimenting and rewriting and rearranging, and many spicy chicken burritos. We truly hope it brings people a moment of joy in such a turbulent time.”

Starting tonight, the ‘At Home’ video series will be released via the band’s Facebook and IGTV every Tuesday at 7pm. Each video will feature a live recorded mash-up of Mel Tickle and Luke McDonald performing previously released singles, covers and unreleased album tracks in their homes.

“We wanted to pair the release with something other than shows for obvious reasons. So we made the “Holiday Party at Home” series. Songs from the album (and some covers) re-built from inside our respective houses. Our intention was for every song to have a different feel both musically and visually. Somewhat surprisingly, it felt cathartic to play these songs in an adapted and intimate setting like this, but I guess that’s what most of us have had to do with everything lately – adapt,” says Luke.

The duo will also be releasing their album on vinyl which can be pre-ordered via Holiday Party’s Bandcamp.

Since the release of their latest single ‘Let Down’, Holiday Party have been added to rotation on FBi, Double J and triple j unearthed radio and received praise nationally from the likes of NME Australia, Happy Mag, Purple Sneakers, Mixdown Mag and more.

Grab your favourite drink, a couple of snacks and get cosy at home with Holiday Party.

Holiday Party’s new video releases are weekly every Wednesday from today at 7 PM via Facebook and IGTV.
Holiday Party’s debut album releases Friday 3 July.

CONNECT ONLINE WITH HOLIDAY PARTY
Facebook
Instagram
Spotify
SoundCloud
YouTube
June 3, 2020 0 comments
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Australian three-piece, THE BUCKLEYS, today release their second worldwide and fourth Australian single, “Breathe,” via Petrol Records / Universal Music Australia / Ume. The new soul-stirring track comes nestled in an equally emotive video that showcases a haunting and impassioned side of the band’s pop Americana trademark which they call “hippie country.” “Breathe” was recorded and co-written by Sarah Buckley and two times Grammy winning producer and engineer Chad Carlson, whose credits include Taylor Swift, Jewel and the Hunger Games soundtrack. "‘Breathe’ is our musical prayer to the world," explains The Buckleys singer Sarah Buckley. "I wrote this last year at the time when our country was experiencing horrific bushfires. It’s a message of strength, vulnerability, hurt, hope and moving forward. I find myself remembering these lyrics in moments where I just need to stop, close my eyes, listen to the sounds of world around me and just breathe."  The emotionally vulnerable ballad hopes to help people connect and find hope in our current times and has been instantly added to Australia’s largest Country playlists on Spotify and Apple as well as an across the board add with ABC Country. The release of “Breathe,” follows their monumental and ground-breaking world virtual tour where the band became one of the first to capture a global audience and achieved a ‘virtual reach’ of more than 4 million. Presented by Live Nation, the world virtual tour was developed in conjunction with Live Nation and the band’s record label, Petrol Records and US label, UMe. Performing individually curated shows for specific regions of the U.S. (and later, the world) which were streamed through Live Nation and House of Blues’ local affiliates as well as the newly launched Live From Home platform, the rising hippie country siblings were able to recreate the personalised “live” experience during a time of social distancing. The band kicked off their second run of shows with a virtual performance in India on Friday. “India has such a rich culture of music and art, we are excited that through technology we can connect with you from all the way here in Australia. Not to mention, one of our favourite bands, the Beatles, wrote much of ‘the white album’ in India... so we’ll most definitely have to play Beatles in this set for you Beatles fans like us! We can’t wait,” said The Buckleys ahead of their India show. All of The Buckleys virtual performances with Live Nation are available on the band’s YouTube channel HERE
Music News

THE BUCKLEYS RELEASE EMOTIONALLY VULNERABLE BALLAD “BREATHE”

by the partae June 2, 2020
written by the partae

Australian three-piece, THE BUCKLEYS, today release their second worldwide and fourth Australian single, “Breathe,” via Petrol Records / Universal Music Australia / Ume.

The new soul-stirring track comes nestled in an equally emotive video that showcases a haunting and impassioned side of the band’s pop Americana trademark which they call “hippie country.”

“Breathe” was recorded and co-written by Sarah Buckley and two times Grammy winning producer and engineer Chad Carlson, whose credits include Taylor Swift, Jewel and the Hunger Games soundtrack.

“‘Breathe’ is our musical prayer to the world,” explains The Buckleys singer Sarah Buckley. “I wrote this last year at the time when our country was experiencing horrific bushfires. It’s a message of strength, vulnerability, hurt, hope and moving forward. I find myself remembering these lyrics in moments where I just need to stop, close my eyes, listen to the sounds of world around me and just breathe.”

 

 

The emotionally vulnerable ballad hopes to help people connect and find hope in our current times and has been instantly added to Australia’s largest Country playlists on Spotify and Apple as well as an across the board add with ABC Country.

The release of “Breathe,” follows their monumental and ground-breaking world virtual tour where the band became one of the first to capture a global audience and achieved a ‘virtual reach’ of more than 4 million. Presented by Live Nation, the world virtual tour was developed in conjunction with Live Nation and the band’s record label, Petrol Records and US label, UMe. Performing individually curated shows for specific regions of the U.S. (and later, the world) which were streamed through Live Nation and House of Blues’ local affiliates as well as the newly launched Live From Home platform, the rising hippie country siblings were able to recreate the personalised “live” experience during a time of social distancing.

The band kicked off their second run of shows with a virtual performance in India on Friday.

“India has such a rich culture of music and art, we are excited that through technology we can connect with you from all the way here in Australia. Not to mention, one of our favourite bands, the Beatles, wrote much of ‘the white album’ in India… so we’ll most definitely have to play Beatles in this set for you Beatles fans like us! We can’t wait,” said The Buckleys ahead of their India show.

 

All of The Buckleys virtual performances with Live Nation are available on the band’s YouTube channel HERE

June 2, 2020 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Moviendo el Mundo: A solidarity project launched by PLURTV for all Latin America.

by the partae June 2, 2020
written by the partae

“Moviendo el Mundo” is a PLURTV solidarity project in collaboration with all Latin American countries for helping professionals on the scene in situations of vulnerability. At the same time, it allows to canalice the delivery of humanitarian aid to all the countries where it is present.

These are difficult times for the scene across the whole planet. One of the most affected by this huge crisis is the scene in Latin America, mostly due to the null involvement by governments in proposing solutions for professionals in the leisure sector. This means that artists, clubs and independent promoters who have been working for years in a very professional manner are now even on the verge of bankruptcy or closure due to the high costs of rent or staff salaries.

It is because of this reason that “Moviendo el Mundo” is born: a project that seeks to create sustainability on the continental scene based on union, respect and solidarity, allowing the most vulnerable ones to have an opportunity for not bankrupting, and the most stable ones to give a hand to their colleagues so they can go on.

Simultaneously, the project will also work closely with all the countries involved, through local and trustworthy organizations to deliver essential products to vulnerable families.

The first Moviendo el Mundo event will be a combined event from several countries: Dominican Republic (Tanama), Honduras (Retune), Costa Rica (Garito Tamarindo) and Panama (La Buat)

We have 2 international brands invited that will be in solidarity: Sight (Barcelona / Spain) and Meet Festival (RD / Spain). They will donate their corresponding part to support the countries of the event.

More info about the Project in this link: https://www.moviendoelmundo.plurtv.com/anexo

You can now make your contribution with the purchase of the ticket at the following link.

CONFIRMED EVENTS

REPUBLICA DOMINICANA, HONDURAS , COSTA RICA Y PANAMA

Days: Friday 5th and Saturday 6th of June

From 12am to 12pm (República Dominicana time zone)

MEXICO 

Days: Friday 19th and Saturday 20th of June
From 12am to 12pm (CDMX time zone)

CHILE

Days: Friday 3rd and Saturday 4th of July

From 12am to 12pm (Chile time zone)

ARGENTINA Y URUGUAY

Days: Friday 17th and Saturday 18th of July

From 12am to 12pm (Buenos Aires and Montevideo time zone)

PERU

Days: Friday 31st of July and Saturday 1st of August

From 12am to 12pm (Perú time zone)

EL SALVADOR, PARAGUAY, PUERTO RICO y GUATEMALA 

Days: Friday 7th and Saturday 8th of August

From 12am to 12pm (to be confirmed)

ECUADOR

Days: Friday 14 and Saturday 15th of August

From 12am to 12pm (Ecuador time zone)

BOLIVIA

Days: Friday 21st and Saturday 22nd of August

From 12am to 12pm (Bolivia time zone)

June 2, 2020 0 comments
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Today NOFX and Frank Turner announce release details for a split covers album, West Coast Vs. Wessex, which will arrive on July 31, 2020. Due for release on Fat Wreck Chords, the project brings together for the first time ever the long-running Los Angeles punks and the London-based singer and ex-Million Dead frontman, for many years now both friends and fans of each other’s music. Additionally, the album announcement arrives alongside the first two singles to be lifted from West Coast Vs. Wessex. The video for NOFX’s re-working of  "Thatcher F*cked The Kids" is available to stream here, with visuals for Turner’s version of "Bob" also now streaming here.  Just how often does the leader of one of your favourite bands ask you to do a split album? One where his band covers your songs? It’s the situation Frank Turner found himself in last year, when Fat Mike of NOFX asked if he wanted to do a split covers album. “And I shit the bed and said, ‘Fucking of course I do! That sounds incredible,” Turner recalls. ‘West Coast Vs. Wessex’ does sound incredible: NOFX filtering five songs from Turner’s sizeable solo back catalogue through their singular sensibility, with Turner reciprocating to record five of his personal favourites from NOFX’s 37-years-and-counting career. But these aren’t simply double-time versions of Turner’s folk-punk tunes or acoustic re-workings of NOFX’s iconic SoCal punk anthems - both took time to play with the possibilities each other’s music presented. “I listened to all his records, and I picked the ones that I thought I could make more interesting,” notes Fat Mike. “What I did is change a lot of chords. Frank, he beats me in the singing department. So I can't sing better than he can, but I can maybe throw in a melody here or there or chord that he hadn’t thought of.” Turner took a similar approach. “I didn't want to just do straight covers of anything. I wanted to try and pick songs where I felt like me and my band could bring something different to the table,” he says. “But it did strike me that it would be cool to demonstrate to the casual NOFX fan, who doesn't know who I am, that I am actually a fan. I didn't just go to Spotify and pick the five most-listened-to songs.” For the record, only one of his choices appears on Spotify’s top five for NOFX: ‘Bob’, which Turner here transforms into a wistful country song. “Everything he picked was from the ’90s, so I took that as it’s okay to mostly do his early stuff too,” says Fat Mike, who channeled ‘90s NOFX for their interpretations, transforming ‘Thatcher F*cked The Kids’ into a jaunty companion to ‘Philthy Phil Philanthropist’. Turner and his band, The Sleeping Souls, recorded their songs between their rehearsal space and during tour commitments, whilst NOFX recorded at Fat Mike’s Six Floggs studio, with production by the D-Composers (Fat Mike, Johnny Carey, BAZ Bastien, Yotam Ben Horin). In West Coast Vs. Wessex, the Frank Turner-Fat Mike Mutual Admiration Society has produced 10 hooky re-imaginings of each others’ music - the novelty may pique listeners’ curiosity, but it’s the songs that will keep them coming back. NOFX VS FRANK TURNER - WEST COAST VS WESSEX OUT FRIDAY JULY 31   West Coast Vs. Wessex track-listing 1.Substitute 2. Worse Things Happen At Sea 3. Thatcher Fucked The Kids 4. Ballad Of Me And My Friends 5. Glory Hallelujah 6. Scavenger Type 7. Bob 8. Eat The Meek 9. Perfect Government 10. Falling In Love
Music News

NOFX / FRANK TURNER TO RELEASE SPLIT COVERS ALBUM, WEST COAST VS WESSEX, ON FRIDAY, JULY 31, 2020 WITH PRE-ORDER AVAILABLE NOW

by the partae June 2, 2020
written by the partae

Today NOFX and Frank Turner announce release details for a split covers album, West Coast Vs. Wessex, which will arrive on July 31, 2020. Due for release on Fat Wreck Chords, the project brings together for the first time ever the long-running Los Angeles punks and the London-based singer and ex-Million Dead frontman, for many years now both friends and fans of each other’s music.

Additionally, the album announcement arrives alongside the first two singles to be lifted from West Coast Vs. Wessex. The video for NOFX’s re-working of  “Thatcher F*cked The Kids” is available to stream here, with visuals for Turner’s version of “Bob” also now streaming here.

Just how often does the leader of one of your favourite bands ask you to do a split album? One where his band covers your songs? It’s the situation Frank Turner found himself in last year, when Fat Mike of NOFX asked if he wanted to do a split covers album. “And I shit the bed and said, ‘Fucking of course I do! That sounds incredible,” Turner recalls. ‘West Coast Vs. Wessex’ does sound incredible: NOFX filtering five songs from Turner’s sizeable solo back catalogue through their singular sensibility, with Turner reciprocating to record five of his personal favourites from NOFX’s 37-years-and-counting career. But these aren’t simply double-time versions of Turner’s folk-punk tunes or acoustic re-workings of NOFX’s iconic SoCal punk anthems – both took time to play with the possibilities each other’s music presented.

“I listened to all his records, and I picked the ones that I thought I could make more interesting,” notes Fat Mike. “What I did is change a lot of chords. Frank, he beats me in the singing department. So I can’t sing better than he can, but I can maybe throw in a melody here or there or chord that he hadn’t thought of.” Turner took a similar approach. “I didn’t want to just do straight covers of anything. I wanted to try and pick songs where I felt like me and my band could bring something different to the table,” he says. “But it did strike me that it would be cool to demonstrate to the casual NOFX fan, who doesn’t know who I am, that I am actually a fan. I didn’t just go to Spotify and pick the five most-listened-to songs.” For the record, only one of his choices appears on Spotify’s top five for NOFX: ‘Bob’, which Turner here transforms into a wistful country song.

“Everything he picked was from the ’90s, so I took that as it’s okay to mostly do his early stuff too,” says Fat Mike, who channeled ‘90s NOFX for their interpretations, transforming ‘Thatcher F*cked The Kids’ into a jaunty companion to ‘Philthy Phil Philanthropist’. Turner and his band, The Sleeping Souls, recorded their songs between their rehearsal space and during tour commitments, whilst NOFX recorded at Fat Mike’s Six Floggs studio, with production by the D-Composers (Fat Mike, Johnny Carey, BAZ Bastien, Yotam Ben Horin).

In West Coast Vs. Wessex, the Frank Turner-Fat Mike Mutual Admiration Society has produced 10 hooky re-imaginings of each others’ music – the novelty may pique listeners’ curiosity, but it’s the songs that will keep them coming back.

NOFX VS FRANK TURNER – WEST COAST VS WESSEX OUT FRIDAY JULY 31

West Coast Vs. Wessex track-listing

1.Substitute
2. Worse Things Happen At Sea
3. Thatcher Fucked The Kids
4. Ballad Of Me And My Friends
5. Glory Hallelujah
6. Scavenger Type
7. Bob
8. Eat The Meek
9. Perfect Government
10. Falling In Love

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June 2, 2020 0 comments
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What is Your Name and Role Within Peak Park? Hey my name is Mitch Summers, I’m the lead vocalist and rhythm guitar player for Peak Park. Additionally, as is the case with all our band members, I have played an active role in our songwriting process, predominantly contributing to melody, lyrics, soundscape and structure for our most recent releases.  Where are you currently based? We are currently based in the South-East suburbs of Melbourne (technically on the Mornington Peninsula). We spend most of our time at Cal’s house in his super-groovy bungalow out back.  How did you first start playing music? I first started playing music in grade 2 when I was about 10 by learning the guitar. When me and my sisters were little my Dad would serenade us with some of his favourite songs on guitar, introducing me to classic tracks like Space Oddity (David Bowie) and Leaving on a Jet Plane (John Denver). At the time he had me utterly convinced that he himself wrote the songs, so much so that when I heard them on the radio, I was annoyed that they’d ripped off my Dad’s music. I mainly learned the guitar through the chords Dad taught me and then through YouTube, but it was always with the intention of singing along to my own playing, and so naturally singing progressed along with my guitar playing and was never something I really had to teach myself, purely because when I played I sung.  Your new single ‘Please Don’t Be So Hard On Yourself’ is out now, what influenced the sound and songwriting? Because we’d been working on this song for around six months, the influence pool was quite large for this track and was constantly evolving as time went on, depending on how the vibe of the song was feeling over time. Some definite influences during this time were artists like Mansionair and Rufus, along with Radiohead and Billie Eillish. In terms of songwriting, Tom came up with this incredible marimba loop in the very early stages, and that pulsing, thumping kick is what has driven the song through the whole writing process. We wanted a song that felt like it was pushing and moving with force and purpose, while overlaying it with vocals that were scattered, spaced out and dissolving into themselves. Lyrically, the song deals with struggling with mental health, and notes experiences of anxious thought spirals that cause anxiety and a feeling of hopelessness. It also deals with the internal stigma that opening up to someone is something to feel shameful about, and that to do so is to burden them with your feelings. The lyrics are largely based on personal experience, and try to depict how it feels to be overwhelmed by the number, and severity of ones own thoughts and emotions. How did you go about writing this track? This track has been in the works for a long time, longer than we’ve ever spent on any song before. Initially it started with a few chords that I thought sounded interesting that I played to the guys, and the next week Tom had configured this really cool marimba loop based on the chords, and the song grew from there. The main focus was always the pulse of the bass and kick, along with the boppiness of the marimba loop. The goal had always been to eventually lead to a more atmospheric explosion of sound, which it does, however quite late into the process we thought a section following the ‘climax’ would be really interesting and complicate the feeling of the song even more. The main line and eventual title of the song ‘Please Don’t Be So Hard On Yourself’ actually came from one of our jam sessions in which we were trying to come up with vocal ideas by literally just looping the song and forcing ourselves to sing something, until Tom came up with the line Please Don’t Be So Hard on Yourself. A call and response happening between Tom and Cal (singing please don’t be so hard on yourself) and me making up a line that would later become the lyric ‘Don’t Give Me Up’ that you can hear in the back of the mix. I wrote the rest of the melody and vocals a couple of weeks later, centered around these kinds of ideas, and reflecting on particular thoughts I was having around this time. Please tell us about the bands DIY approach to recording and production: It’s interesting thinking about this, because we’ve only ever recorded and produced our own stuff, so it seems perfectly standard to me on the inside, but isn’t this case for a lot of artists. There’s obviously pros and cons to doing this for us; we get to have full creative control of the sound, we can give ideas plenty of time to develop and grow without the pressure of deadlines and time constraints weighing on us. At the same time, it means that we have had to put in a lot of work behind the scenes than we otherwise might have had to, particularly in relation to mixing, which Tom has done for every song for us. It also means we’ve had to put ourselves through a lot of trial and error along the way having no real experience in the field, to try to get a sound that sounded both professional, and how we wanted it to. Sometimes a professional sound is hard to achieve if the equipment and set-up itself doesn’t feel professional, and this has been a definite challenge for us along the way, but one we feel we have been able to overcome through a fair bit of experimentation. We’re still learning HEAPS about the process with every new release, but this one feels like a massive step for us on both a professional and creative level. Where and When did you record? Most of the vocals and bass were recorded at Cal’s house, and the guitars, along with the mixing was done at Tom’s house. Because we’re self-recorded and produced, we have the benefit of being able to record really whenever we want. Weirdly enough we often record, mix, and write a song all at the same time as one big process, this song being no exception. So we would often draft an idea for the song, Tom would incorporate it into the mix, we’d record it properly if it needed it, and then move on to other ideas. So our process of writing and recording a song kind of happens all at once. We had essentially finished all of our recordings just before the start of the COVID crisis, so fortunately it didn’t affect the work on this release as much as it could have. What programs/ instruments did you use? This song has a fair bit going on in terms of instrumentation; guitars, vocals, bass, synths, sequencers, modulated and acoustic drums, a subtle brass section towards the end of the song and some resampled vocal work to top it off. What is probably most notable to me however is the amount of layers that we managed to put in the song with the final the Logic file nearing 200 total tracks. What’s interesting is that a lot of the effects and sounds, including all of the drums, were done entirely on Logic, as we weren’t able to record them in real life. I think it’s a testament to Tom’s mixing ability as to how convincing each part sounds in the end.  How did you approach the recording process? As I touched on a bit before, we recorded, wrote, and mixed this song all as one big process, so a lot of the recording was done on the go when we decided to throw something into the mix. The vocals were probably the major ‘recording session’ focus we had, in which we did actually spend a solid couple of days trying to fully flesh everything out. We knew we wanted the song to have a lot of vocal lines and layers, and so this was probably the most time consuming recording that we did for any one instrument. We also dedicated a session to getting Cal to record the bass for the finished product. Other than that, most of the recording (including the guitars) was done either by Tom at home, or by drafting ideas together in a jam and then refining them and recording them as we went. Where can we listen? Our new single, along with all of our other music, is available on all streaming platforms. This includes Spotify, Apple Music, Triple J Unearthed, Soundcloud, Bandcamp, and YouTube (Links down below!) What do you like to do away from music? If I’m not playing music I usually like to be active and do some form of exercise every day, and then usually spend time hanging with friends or playing videogames (League of Legends a big one there). I also have a habit of watching a lot of YouTube. Who are you listening to at the moment? Currently still listening to Stella Donnelly’s debut album which is an absolute treat please check it out if you haven’t, as well a fair bit of Joji, Billie Eillish, and Two People. And then as always my standard daily dose of Radiohead for good measure. What’s planned for 2020? With everything changing as it is at the minute it’s hard for us to have a fully locked in plan, but at the minute we plan on running out this release and uploading a stack of supporting content that we’ve been working on behind the scenes, and then probably start looking towards finishing writing, recording and releasing a couple of new tracks we’ve got in the works later in the year. On the gigging front, we’re super hopeful that the Aus live music scene will be back on its feet as soon as it can be so that we will be able to give these new singles proper launch releases. Obviously it’s super important for this crisis to be dealt with properly however, so in the meantime we’ll just be keeping insanely active on all our socials to keep providing content to people and doing what we love as best as we can. Favourite food and place to hangout? Tough one. On the savoury side I’m a bit of a sucker for a bit of Guzman and Gomez, can’t really go past a spicy burrito with guac. On the sweet side, I usually can’t say no to a cheeky Krispy Kreme donut. I don’t really have a favourite one place to hang out, I’m usually just down to hang out with friends, wherever that is. If there’s food, I’ll be there. Handle: @thisispeakpark Website:                   https://www.thisispeakpark.com/ Instagram:            https://www.instagram.com/thisispeakpark/ Facebook:            https://www.facebook.com/ThisIsPeakPark/ Triple J Unearthed:   https://www.triplejunearthed.com/artist/peak-park Spotify:                    https://open.spotify.com/artist/3mQFEozQvou2miIjMxWVcH Apple Music:                   https://music.apple.com/us/artist/peak-park/1464838695 Soundcloud:             https://soundcloud.com/peakpark Bandcamp:               https://peakpark.bandcamp.com/
Music InterviewsMusic News

Peak Park

by the partae June 1, 2020
written by the partae

What is Your Name and Role Within Peak Park?

Hey my name is Mitch Summers, I’m the lead vocalist and rhythm guitar player for Peak Park. Additionally, as is the case with all our band members, I have played an active role in our songwriting process, predominantly contributing to melody, lyrics, soundscape and structure for our most recent releases.

Where are you currently based?

We are currently based in the South-East suburbs of Melbourne (technically on the Mornington Peninsula). We spend most of our time at Cal’s house in his super-groovy bungalow out back.

How did you first start playing music?

I first started playing music in grade 2 when I was about 10 by learning the guitar. When me and my sisters were little my Dad would serenade us with some of his favourite songs on guitar, introducing me to classic tracks like Space Oddity (David Bowie) and Leaving on a Jet Plane (John Denver). At the time he had me utterly convinced that he himself wrote the songs, so much so that when I heard them on the radio, I was annoyed that they’d ripped off my Dad’s music. I mainly learned the guitar through the chords Dad taught me and then through YouTube, but it was always with the intention of singing along to my own playing, and so naturally singing progressed along with my guitar playing and was never something I really had to teach myself, purely because when I played I sung.

Your new single ‘Please Don’t Be So Hard On Yourself’ is out now, what influenced the sound and songwriting?

Because we’d been working on this song for around six months, the influence pool was quite large for this track and was constantly evolving as time went on, depending on how the vibe of the song was feeling over time. Some definite influences during this time were artists like Mansionair and Rufus, along with Radiohead and Billie Eillish. In terms of songwriting, Tom came up with this incredible marimba loop in the very early stages, and that pulsing, thumping kick is what has driven the song through the whole writing process. We wanted a song that felt like it was pushing and moving with force and purpose, while overlaying it with vocals that were scattered, spaced out and dissolving into themselves.

Lyrically, the song deals with struggling with mental health, and notes experiences of anxious thought spirals that cause anxiety and a feeling of hopelessness. It also deals with the internal stigma that opening up to someone is something to feel shameful about, and that to do so is to burden them with your feelings. The lyrics are largely based on personal experience, and try to depict how it feels to be overwhelmed by the number, and severity of ones own thoughts and emotions.

How did you go about writing this track?

This track has been in the works for a long time, longer than we’ve ever spent on any song before. Initially it started with a few chords that I thought sounded interesting that I played to the guys, and the next week Tom had configured this really cool marimba loop based on the chords, and the song grew from there. The main focus was always the pulse of the bass and kick, along with the boppiness of the marimba loop. The goal had always been to eventually lead to a more atmospheric explosion of sound, which it does, however quite late into the process we thought a section following the ‘climax’ would be really interesting and complicate the feeling of the song even more.

The main line and eventual title of the song ‘Please Don’t Be So Hard On Yourself’ actually came from one of our jam sessions in which we were trying to come up with vocal ideas by literally just looping the song and forcing ourselves to sing something, until Tom came up with the line Please Don’t Be So Hard on Yourself. A call and response happening between Tom and Cal (singing please don’t be so hard on yourself) and me making up a line that would later become the lyric ‘Don’t Give Me Up’ that you can hear in the back of the mix. I wrote the rest of the melody and vocals a couple of weeks later, centered around these kinds of ideas, and reflecting on particular thoughts I was having around this time.

Please tell us about the bands DIY approach to recording and production:

It’s interesting thinking about this, because we’ve only ever recorded and produced our own stuff, so it seems perfectly standard to me on the inside, but isn’t this case for a lot of artists. There’s obviously pros and cons to doing this for us; we get to have full creative control of the sound, we can give ideas plenty of time to develop and grow without the pressure of deadlines and time constraints weighing on us. At the same time, it means that we have had to put in a lot of work behind the scenes than we otherwise might have had to, particularly in relation to mixing, which Tom has done for every song for us.

It also means we’ve had to put ourselves through a lot of trial and error along the way having no real experience in the field, to try to get a sound that sounded both professional, and how we wanted it to. Sometimes a professional sound is hard to achieve if the equipment and set-up itself doesn’t feel professional, and this has been a definite challenge for us along the way, but one we feel we have been able to overcome through a fair bit of experimentation. We’re still learning HEAPS about the process with every new release, but this one feels like a massive step for us on both a professional and creative level.

Where and When did you record?

Most of the vocals and bass were recorded at Cal’s house, and the guitars, along with the mixing was done at Tom’s house. Because we’re self-recorded and produced, we have the benefit of being able to record really whenever we want. Weirdly enough we often record, mix, and write a song all at the same time as one big process, this song being no exception. So we would often draft an idea for the song, Tom would incorporate it into the mix, we’d record it properly if it needed it, and then move on to other ideas. So our process of writing and recording a song kind of happens all at once. We had essentially finished all of our recordings just before the start of the COVID crisis, so fortunately it didn’t affect the work on this release as much as it could have.

What programs/ instruments did you use?

This song has a fair bit going on in terms of instrumentation; guitars, vocals, bass, synths, sequencers, modulated and acoustic drums, a subtle brass section towards the end of the song and some resampled vocal work to top it off. What is probably most notable to me however is the amount of layers that we managed to put in the song with the final the Logic file nearing 200 total tracks. What’s interesting is that a lot of the effects and sounds, including all of the drums, were done entirely on Logic, as we weren’t able to record them in real life. I think it’s a testament to Tom’s mixing ability as to how convincing each part sounds in the end.

 How did you approach the recording process?

As I touched on a bit before, we recorded, wrote, and mixed this song all as one big process, so a lot of the recording was done on the go when we decided to throw something into the mix. The vocals were probably the major ‘recording session’ focus we had, in which we did actually spend a solid couple of days trying to fully flesh everything out. We knew we wanted the song to have a lot of vocal lines and layers, and so this was probably the most time consuming recording that we did for any one instrument. We also dedicated a session to getting Cal to record the bass for the finished product. Other than that, most of the recording (including the guitars) was done either by Tom at home, or by drafting ideas together in a jam and then refining them and recording them as we went.

Where can we listen?

Our new single, along with all of our other music, is available on all streaming platforms. This includes Spotify, Apple Music, Triple J Unearthed, Soundcloud, Bandcamp, and YouTube (Links down below!)

What do you like to do away from music?

If I’m not playing music I usually like to be active and do some form of exercise every day, and then usually spend time hanging with friends or playing videogames (League of Legends a big one there). I also have a habit of watching a lot of YouTube.

Who are you listening to at the moment?

Currently still listening to Stella Donnelly’s debut album which is an absolute treat please check it out if you haven’t, as well a fair bit of Joji, Billie Eillish, and Two People. And then as always my standard daily dose of Radiohead for good measure.

What’s planned for 2020?

With everything changing as it is at the minute it’s hard for us to have a fully locked in plan, but at the minute we plan on running out this release and uploading a stack of supporting content that we’ve been working on behind the scenes, and then probably start looking towards finishing writing, recording and releasing a couple of new tracks we’ve got in the works later in the year. On the gigging front, we’re super hopeful that the Aus live music scene will be back on its feet as soon as it can be so that we will be able to give these new singles proper launch releases. Obviously it’s super important for this crisis to be dealt with properly however, so in the meantime we’ll just be keeping insanely active on all our socials to keep providing content to people and doing what we love as best as we can.

Favourite food and place to hangout?

Tough one. On the savoury side I’m a bit of a sucker for a bit of Guzman and Gomez, can’t really go past a spicy burrito with guac. On the sweet side, I usually can’t say no to a cheeky Krispy Kreme donut. I don’t really have a favourite one place to hang out, I’m usually just down to hang out with friends, wherever that is. If there’s food, I’ll be there.

Handle: @thisispeakpark

Website:                   https://www.thisispeakpark.com/

Instagram:            https://www.instagram.com/thisispeakpark/

Facebook:            https://www.facebook.com/ThisIsPeakPark/

Triple J Unearthed:   https://www.triplejunearthed.com/artist/peak-park

Spotify:                    https://open.spotify.com/artist/3mQFEozQvou2miIjMxWVcH

Apple Music:                   https://music.apple.com/us/artist/peak-park/1464838695

Soundcloud:             https://soundcloud.com/peakpark

Bandcamp:               https://peakpark.bandcamp.com/

June 1, 2020 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Lakshane Interview

by the partae June 1, 2020
written by the partae

When and how did you first get into making music?

I started out making music as part of a high school band when I was 14. This led to song writing and production in my late teen years while studying at University. My early inspirations for creating music came from listening to Kanye West’s singles from 808’s and heartbreak, and the song writing aspect came heavily influenced by Drake.

How would you describe your music style to someone who doesn’t know you?

My music can be both a mix of R&B and Melodic Hip Hop. I usually switch between the two and I enjoy making one as I do the other. Sound-wise it’s ominous and the lyrics always tell a story that people can relate to.

Your Newest single Reload came out on the 29th of May, tell us more about it:

Reload’ is basically my come-back single after a few months off since my EP ‘Come Alive’. I just wanted to get a lot of things off my chest. The track expresses my ability to reset and keep moving, despite the barriers I encounter.

Musically, I worked with an up and coming producer, FRAAN, who’s known for his high-octane hip-hop productions to create this beat. The track has a lot of energy!

We also dropped a music video on the 25th of May so be sure to check it out! 

(Link: https://youtu.be/EJBrQctCxco)

What’s the first song you remember liking?

Homecoming and Heartless by Kanye West.

Who are your biggest influences?

Kanye, Drake, and The Weeknd. Here’s why.

The Weeknd is the greatest ‘artist’ alive right now. He covers a theme, has insane production and great melodies. Drake because of his simple but effective lyricism and Kanye because he’s just the GOAT..

Who is Lakshane outside of the music game?

I’m a pretty laid back guy and a nerd with music. I love events and being out and about if I’m not in my studio. I’m always sprinting up new ideas and love executing them, whether it’s with music or my work career.

What’s your outlook on Australia’s music scene at the moment?

Australia’s Hip Hop scene is definitely in its International boom right now.  I feel like we still have to find what makes us unique instead of adopting or copying others, Youngn Lipz, Chillinit, and Kid Laroi definitely bringing that though. I hope we can move past the boom-bap and onto something new.

With R&B there’s a lot of artists killing it from AU who aren’t talked about like the rappers. They’re putting up great numbers and doing big things. Let’s hope we can make Australia’s urban music industry more profitable for artists.

Who do you want to work with in the future?

From AU I’d love to collab with Youngn Lipz and Chillinit. International wise Saint Jhn, and maybe Drake!

June 1, 2020 0 comments
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Jordan Astra is an R&B, Hip-Hop and Pop musician, who is also a writer, producer and engineer. His new single Reasons features Melbourne based rapper Jalmar who incorporates his Chilean heritage with spicy Spanish flows. The two collaborators were introduced by Alexandré, host of Melbourne’s ‘Let’s Vibe’ events who knew Jordan and Jalmar had to work with each other. Jordan says about his new single today, “Reasons is a song that reflects on the infatuation we feel for someone new, the rush we get when we think about someone who's caught our attention. Like most of the songs I write, the hook came to me first and then I began writing my verse and worked collectively on Jalmar’s part to really keep the song cohesive.” Reasons is complemented by a self-directed video alongside Jordan’s long time friend Mark Kobakian showcasing Jordan’s creativity and versatility as an artist with a special cameo from his wife! The video illustrates this young artist’s playful and cheeky personality. Citing artists such as The Neptunes, Free Nationals, and Jamiroquai as inspirations, it’s no surprise that Jordan’s dynamic new single Reasons features earworm hooks and classic word play. Raised in Canada to an Indonesian father and German mother; Melbourne based Jordan Astra introduced us to his distinctive sound in early 2016 when he released his debut EP. Since then, he has achieved over 450,000 streams on Spotify and been building up his fanbase performing in LA and his new hometown Melbourne, including supports for American hip-hop musician Leikeli47.  Jordan was scheduled to do a twenty-city tour in the US which has since been put on hold due to Covid19, so he is looking forward to performing there in 2021. Reasons is out now through Ditto Music. Connect with Jordan Astra Instagram Facebook
Music News

JORDAN ASTRA RELEASES NEW SINGLE ‘REASONS’ featuring Jalmar

by the partae June 1, 2020
written by the partae

Jordan Astra is an R&B, Hip-Hop and Pop musician, who is also a writer, producer and engineer. His new single Reasons features Melbourne based rapper Jalmar who incorporates his Chilean heritage with spicy Spanish flows. The two collaborators were introduced by Alexandré, host of Melbourne’s ‘Let’s Vibe’ events who knew Jordan and Jalmar had to work with each other.

Jordan says about his new single today, “Reasons is a song that reflects on the infatuation we feel for someone new, the rush we get when we think about someone who’s caught our attention. Like most of the songs I write, the hook came to me first and then I began writing my verse and worked collectively on Jalmar’s part to really keep the song cohesive.”

Reasons is complemented by a self-directed video alongside Jordan’s long time friend Mark Kobakian showcasing Jordan’s creativity and versatility as an artist with a special cameo from his wife! The video illustrates this young artist’s playful and cheeky personality. Citing artists such as The Neptunes, Free Nationals, and Jamiroquai as inspirations, it’s no surprise that Jordan’s dynamic new single Reasons features earworm hooks and classic word play.

Raised in Canada to an Indonesian father and German mother; Melbourne based Jordan Astra introduced us to his distinctive sound in early 2016 when he released his debut EP. Since then, he has achieved over 450,000 streams on Spotify and been building up his fanbase performing in LA and his new hometown Melbourne, including supports for American hip-hop musician Leikeli47. 

Jordan was scheduled to do a twenty-city tour in the US which has since been put on hold due to Covid19, so he is looking forward to performing there in 2021.

Reasons is out now through Ditto Music.

Connect with Jordan Astra

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DAVID GUETTA PERFORMED IN NEW YORK’S TOP OF THE ROCK WITH ‘UNITED AT HOME’ RAISING HALF A MILLION IN COVID-19 RELIEF AND ATTRACTING MORE THAN 24 MILLION VIEWS MAJOR LEAGUE SOCCER AND HEINEKEN TEAMED UP TO BECOME NYC’S UNITED AT HOME PRESENTING SPONSORS
Music News

DAVID GUETTA PERFORMED IN NEW YORK’S TOP OF THE ROCK WITH ‘UNITED AT HOME’ RAISING HALF A MILLION IN COVID-19 RELIEF AND ATTRACTING MORE THAN 24 MILLION VIEWS MAJOR LEAGUE SOCCER AND HEINEKEN TEAMED UP TO BECOME NYC’S UNITED AT HOME PRESENTING SPONSORS

by the partae June 1, 2020
written by the partae
Watch Here

Global superstar DJ/producer David Guetta performed at New York City’s Top of the Rock Observation Deck at Rockefeller Center to a virtual crowd of over 24 million to benefit Covid-19 relief efforts. The event, titled Major League Soccer and Heineken presents “United At Home”, raised half a million dollars  for Mayor’s Fund to Advance New York City, Feeding America, World Health Organization and Fondation Hôpitaux de Paris – Hôpitaux de France. Yesterday’s performance is the second edition of “United At Home,” following Guetta’s first fundraiser in Miami which raised more than $750,000 USD for global charities and drew more than 25 million online views since it’s release on April 18th. This past event was made possible by the presenting sponsors Major League Soccer and Heineken.

“Thank you to everyone who joined the stream last night from homes around the world, you made this event so special”, says David Guetta. “Although we can’t dance together in real life just yet, I loved to see you online and it was amazing to connect again through music. To those who donated, thank you for your generosity, and a huge thank you to our presenting sponsors Major Soccer League and Heineken for making this event possible.”

The live performance took place outdoors on the 70th floor of the observation deck and started just after 7:00 p.m. EST to coincide with New York’s “daily clap” for healthcare workers. Guetta played to a digital screen displaying fans from all over the world who joined the party via online rooms. NYC’s frontline workers appeared on screen, as well as celebrity guests.

The event, conceived and produced by The Charity Guys,  was streamed on Guetta’s Facebook, Instagram, YouTube, Twitter, Twitch, VK and TikTok channels. To maintain social distancing and not attract crowds to the area, the performance was exclusively enjoyed online, sound was not amplified.

Funds raised will go directly to The Mayor’s Fund to Advance New York City, chaired by First Lady Chirlane McCray, which is New York City’s official fundraising arm for Covid-19 relief and works each day to support vulnerable populations including frontline health care workers and essential staff, immigrant communities, domestic violence survivors, and others.

“‘United At Home’ was an unforgettable event that leveraged music and soccer to connect people in an extraordinary way, we are thankful for our dedicated partner Heineken and global star David Guetta for making this a reality,” said David Bruce, MLS SVP of Brand and Integrated Marketing. “Seeing people around the world enjoying this performance, celebrating the culture of music and soccer, and positively impacting our communities was amazing.” The event will also benefit Feeding America, the nation’s largest hunger-relief organization; Fondation Hôpitaux de Paris – Hôpitaux de France,   whose mission is to improve the conditions of healthcare works and patients in hospitals across France; and The World Health Organization’s COVID-19 Solidarity Response Fund, which is ensuring frontline workers are equipped with essential protective wear, patients are receiving proper care, and efforts to develop vaccines, tests, and treatments are accelerated.

“We were honored to co-present David Guetta’s United at Home this weekend, alongside our long-standing partners at MLS,” said Borja Manso Salinas, VP Brand Marketing, Heineken. “As people need to remain connected now more than ever, we’re pleased to see over 24 million fans come together digitally this weekend to unite through the power of music and soccer.”

Signed collector items from the event will be available for auction on Guetta’s social media. Donations are still welcome via davidguetta.com/donate.

About David Guetta
There are artists and entertainers who achieve stardom and popularity, but few have the influence and endurance to redraw borders between genres and reshape the industry’s dynamics. When Love Takes Over, the first single of his 2009 album One Love, hit #1 in the UK, the Guetta- produced Black Eyed Peas song I Gotta Feeling became a worldwide hit, topping the charts in 17 countries. Over the decade since, Guetta’s success has been off the charts. Globally, he’s racked up over 50 million record sales, whereas his total number of streams is over 10 billion. He has received numerous Platinum and Gold certifications, was named ‘EDM Power Player’ by Billboard, and won two Grammy Awards out of six nominations. Besides his hard-won DJ skills, he is prolific in the studio, working with artists like Madonna, Rihanna, Lady Gaga, Snoop Dogg, Martin Garrix, Usher, Sia, John Legend, Nicki Minaj, Sean Paul, Kelly Rowland, Showtek, Avicii, Ne-Yo, and Akon, for starters. His seventh studio album titled ‘7’, included huge electronic pop tracks like 2U with Justin Bieber, Flames with Sia, Don’t Leave Me Alone with Anne-Marie, Goodbye with Jason Derulo, Nicki Minaj and Willy William and Say My Name with J Balvin and Bebe Rexha plus a second disc of underground dance tracks, recorded under Guetta’s Jack Back alias. With his wide-reaching and game-changing approach, he is more than just a DJ and producer: he’s made dance music reach the mainstream, fused urban, electronic and pop music into new popular genres, and managed to stay on top of the game for decades.

The Charity Guys is an out-of-the-box consulting agency specialized in setting up highly creative fundraising campaigns for Celebrities and high-profile individuals.
www.charityguys.co

The Mayor’s Fund to Advance New York City works in partnership with the business and philanthropic communities to advance initiatives that improve the lives of residents in all five boroughs. It seeks to seed promising, evidence-based models; evaluate the efficacy of new public programs and policies; bring innovative solutions to scale; and respond to the emerging needs of the city by building public-private partnerships. First Lady of New York City Chirlane McCray is chair of the Mayor’s Fund Board of Directors. In addition, the Mayor’s Fund has an Advisory Board of prominent civic and business leaders to advise and assist the Board of Directors.
nyc.gov/fund

The World Health Organization works worldwide to promote health, keep the world safe, and serve the vulnerable. The WHO goal is to ensure that a billion more people have universal health coverage, to protect a billion more people from health emergencies, and provide a further billion people with better health and well-being.
www.who.int

Feeding America is the largest hunger-relief organization in the United States. Its mission is to feed America’s hungry through a nationwide network of member food banks and engage our country in the fight to end hunger.
www.feedingamerica.org

Fondation Hôpitaux de Paris – Hôpitaux de France’s mission is to improve conditions of health workers and patients within hospitals throughout France.
www.fondationhopitaux.fr

DAVID GUETTA SOCIALS
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Emerging Melbourne singer-songwriter Reilly Stapleton has today released her new single Cherry Tree, a song likely to cement her as one of Australia’s most interesting new artists. Again harnessing her rare ability to push the envelope and challenge perception, the dark-pop ingenue has crafted a confronting 3 minute masterpiece that is as unsettling as it is compelling.  Built around Stapleton’s commanding vocal performance, accompanied by an array of simultaneously bold and subtle instrumentation, Cherry Tree explores the emotions felt when a person realises the lengths they will go to in order to fulfil their deepest and sometimes darkest cravings. It’s a song exploring obsession and the willingness to be consumed by that obsession, no matter what the cost.  “The line, “bury me, under the cherry tree, where we used to be so happy”, reflects my need to live with passion and intensity”, explains Stapleton. “If I lose that passion then you may as well kill me because there will be nothing left for me”.  So what’s Stapleton’s own insatiable passion?  “My relentless ambition is my music and writing lyrics to represent a world of stories and emotion captured through my eyes and bled through my hands”, she offers.  The track was brought to life with the musical expertise of producer duo Ezekiel Fenn and Michael Best (Entente Music) in collaboration with Stapleton’s collaborator Michael Sadler. Although social distancing  PRESS RELEASE: FOR IMMEDIATE RELEASE, FRIDAY MAY 22  impacted the standard recording process, it did not stop the creativity of everyone involved resulting in a remarkable sonic landscape.  The release of Cherry Tree follows Stapleton’s powerful ballad, A Conversation, which was released early in 2020. That track received praise from triple j host Nkechi Anele who stated, “I can feel all of it. The anger, the pain and the love - you make me cry.”  Tone Deaf have praised her “slick songwriting and raw, emotional delivery”, Fashion Industry Broadcast compared her talents to the likes of “Amy Lee, Pink, Florence Welch, and Hannah Reid”, and Music Injection acknowledged her as “a force to be reckoned with.”  Cherry Tree is out now on all streaming platforms.  https://www.facebook.com/reillystapletonmusic/
Music News

REILLY STAPLETON SHARES NEW SINGLE, CHERRY TREE

by the partae June 1, 2020
written by the partae

Emerging Melbourne singer-songwriter Reilly Stapleton has today released her new single Cherry Tree, a song likely to cement her as one of Australia’s most interesting new artists. Again harnessing her rare ability to push the envelope and challenge perception, the dark-pop ingenue has crafted a confronting 3 minute masterpiece that is as unsettling as it is compelling. 

Built around Stapleton’s commanding vocal performance, accompanied by an array of simultaneously bold and subtle instrumentation, Cherry Tree explores the emotions felt when a person realises the lengths they will go to in order to fulfil their deepest and sometimes darkest cravings. It’s a song exploring obsession and the willingness to be consumed by that obsession, no matter what the cost. 

“The line, “bury me, under the cherry tree, where we used to be so happy”, reflects my need to live with passion and intensity”, explains Stapleton. “If I lose that passion then you may as well kill me because there will be nothing left for me”. 

So what’s Stapleton’s own insatiable passion? 

“My relentless ambition is my music and writing lyrics to represent a world of stories and emotion captured through my eyes and bled through my hands”, she offers. 

The track was brought to life with the musical expertise of producer duo Ezekiel Fenn and Michael Best (Entente Music) in collaboration with Stapleton’s collaborator Michael Sadler. Although social distancing 

PRESS RELEASE: FOR IMMEDIATE RELEASE, FRIDAY MAY 22 

impacted the standard recording process, it did not stop the creativity of everyone involved resulting in a remarkable sonic landscape. 

The release of Cherry Tree follows Stapleton’s powerful ballad, A Conversation, which was released early in 2020. That track received praise from triple j host Nkechi Anele who stated, “I can feel all of it. The anger, the pain and the love – you make me cry.” 

Tone Deaf have praised her “slick songwriting and raw, emotional delivery”, Fashion Industry Broadcast compared her talents to the likes of “Amy Lee, Pink, Florence Welch, and Hannah Reid”, and Music Injection acknowledged her as “a force to be reckoned with.” 

Cherry Tree is out now on all streaming platforms. 

https://www.facebook.com/reillystapletonmusic/

June 1, 2020 0 comments
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STMPD RCRDS announce lineup for third edition of online festival
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STMPD RCRDS announce lineup for third edition of online festival

by the partae May 30, 2020
written by the partae

After their first edition back in March, STMPD RCRDS announced that they would be hosting their online festival monthly during the remainder of the social distancing times. Coming Saturday, the 30th of May, the third edition of the festival will kick off at 4PM CEST on the label’s YouTube, Facebook and Twitch accounts.

This time it’s LOOPERS, TV Noise, Matt Nash, Osrin, Josh Charm, Arno Cost, Gil Glaze, Normay Doray and Kage’s turn to show their performance skills from the comfort and safety of their own homes. Earlier editions saw Julian Jordan, Blinders, DubVision, Firebeatz, Alle Farben, Justin Mylo, Seth Hills and more behind the decks.

 

Tune in May 30th at 4PM CEST to watch the third edition of STMPD RCRDS festival via YouTube, Facebook or Twitch @stmpdrcrds

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May 30, 2020 0 comments
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Oliver Heldens to host a live stream performance at iconic Dutch music institution 'The Royal Concertgebouw'
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Oliver Heldens to host a live stream performance at iconic Dutch music institution ‘The Royal Concertgebouw’

by the partae May 30, 2020
written by the partae

As COVID-19 wreaks havoc on the international music industry, artists like the global superstar DJ/producer Oliver Heldens have moved swiftly to provide unique virtual experiences for fans. In his next move to boost morale and raise money for charity, Oliver Heldens will perform at ‘The  Royal Concertgebouw’, Amsterdam on June 5th as the headlining artist for the American Digital Mirage Festival by Proximity.

The Royal Concertgebouw is considered one of the most important concert halls in the world because of its unparalleled acoustics and wide range of high-level programming. The concert hall has a great tradition for legendary concerts by musical greats in classical, jazz and now electronic music. In a time where cultural institutions remain abandoned, Heldens’ performance aims to showcase the Concertgebouw on a world stage with an hour-long DJ show filled with electronic classics and new, unreleased music.

‘I look forward to playing at such a legendary venue in the Netherlands and around the world’, says Oliver Heldens. ‘A big thanks to the team at The Royal Concertgebouw for having me and to Digital Mirage for providing an important platform for electronic music while the world remains indoors. It’s a difficult time in our industry, for artists and for venues. It’s devastating that so many upcoming shows have been cancelled but it’s comforting to know we are staying at home for the greater good. I hope this stream can be enjoyed by as many as two sides of music collide. The venue is beautiful and will make for a unique experience that can still be enjoyed from home!’

All donations raised during the Digital Mirage Festival including Oliver’s show will go directly to Plus 1, a non-profit organization that helps musicians in the music industry.

Fans can RSVP to the show via https://digitalmirage.io/.

 

CONNECT W/ OLIVER HELDENS
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May 30, 2020 0 comments
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PRAISE FOR BOY PABLO “Boy Pablo make the kind of balmy daydream music that perfectly assuages the sting of a breakup, making it clear that their success is more than a viral fluke" Pitchfork “‘Everytime’ was good. Really bloody outstanding, in fact; so much so that it cut through the barrage of adverts and caught people’s attention" NME “You want to listen to his tunes, but also talk shit and make memes with him" i-D "In just over a year gone from one-hit-wonders to Norwegian Grammy winning, Coachella-playing champs" Clash Norweigian bedroom pop star Boy Pablo today announces his debut album, Wachito Rico, out October 23rd via 777 Music, and shares his lead single, ‘hey girl' and b-side track 'I just wanna go home ft. andrea’. Listen HERE.  The artistic project of the 21-year-old singer-songwriter and multi-instrumentalist Nicolas Muñoz, Boy Pablo first came to widespread attention with the video for his viral 2017 single, ‘Everytime’, an offbeat, lo-fi video that shone like a hidden diamond in the rough of the internet, featuring Boy Pablo and his band of close-knit friends playing on the shores of their hometown. Following up with his 2018 breakout EP, Soy Pablo, a charming seven-track collection of dazzling, nostalgic bedroom-pop anthems, Boy Pablo established himself as more than an internet poster child.  Since then, he’s been carefully readying his debut full-length, honing his particular brand of woozily romantic indie-pop, fusing a jangly, retro sound with sun-kissed 60s melodies, subtle shadings that nod to Muñoz’s Latin-American background and his charismatic tongue-in-cheek personality that balances heartache with lightness, ennui with serenity.  ‘hey girl’, the first track previewed from Wachito Rico, introduces audiences to the titular character and his love life, bringing Pablo’s artistic vision into sharper focus than ever, with its filtered guitar chords, backdrop of hand drums and Muñoz’s warm, deep vocals. Bolstered by the jazz-inflected b-side, ‘i just wanna go home’, the double release reintroduces Boy Pablo as having grown up and into his sound. Featuring vocals from Muñoz’s high classmate, Andrea, ‘i just wanna go home’ also speaks to the increasing importance of collaboration in his creative process, opening the Boy Pablo project up from its solo origins.  Of the double single, Boy Pablo shares that both tracks “were made during a time I wrote a lot of music for a song project with a friend of mine, Judah Kubendran. I rearranged the tracks and rewrote the lyrics and melodies, and quickly realized that they were too good not to be released. “The lyrics of ‘hey girl’ are written from the point of view of a young boy who is in love for the first time and wants to make a move on this girl. He’s nervous, shy and shaky, but dares to jump into it and talks to the girl,” he details. “‘I just wanna go home’ is about getting older and realising how much responsibility you are left with as an adult, and getting lost in the confusion that comes with trying to navigate the landscape of adulthood.”  Taking its title from a Chilean expression that translates to fondness for a “handsome boy”, Pablo’s debut LP is a hybrid conceptual and autobiographical record, tracing the ebbs and flows of the titular character’s love story while threading this narrative through with Pablo’s own experiences as a young man, blurring the identities of Wachito Rico and the real-life Nicolas Muñoz into one curious, indistinguishable whole.    'hey girl / i just wanna go home ft. andrea' by Boy Pablo is out now via 777 Music, buy/stream it here. Stay connected with Boy Pablo: Website | Facebook | Twitter | Instagram | Youtube | Soundcloud
Music News

BOY PABLO ANNOUNCES DEBUT ALBUM; SHARES NEW SINGLE ‘HEY GIRL’ + B-SIDE TRACK ‘I JUST WANNA GO HOME FT. ANDREA’ WACHITO RICO OUT OCTOBER 23 VIA 777 MUSIC

by the partae May 30, 2020
written by the partae
PRAISE FOR BOY PABLO

“Boy Pablo make the kind of balmy daydream music that perfectly assuages the sting of a breakup, making it clear that their success is more than a viral fluke”
Pitchfork

“‘Everytime’ was good. Really bloody outstanding, in fact; so much so that it cut through the barrage of adverts and caught people’s attention“
NME

“You want to listen to his tunes, but also talk shit and make memes with him”
i-D

“In just over a year gone from one-hit-wonders to Norwegian Grammy winning, Coachella-playing champs”
Clash

Norweigian bedroom pop star Boy Pablo today announces his debut album, Wachito Rico, out October 23rd via 777 Music, and shares his lead single, ‘hey girl’ and b-side track ‘I just wanna go home ft. andrea’. Listen HERE.

The artistic project of the 21-year-old singer-songwriter and multi-instrumentalist Nicolas Muñoz, Boy Pablo first came to widespread attention with the video for his viral 2017 single, ‘Everytime’, an offbeat, lo-fi video that shone like a hidden diamond in the rough of the internet, featuring Boy Pablo and his band of close-knit friends playing on the shores of their hometown. Following up with his 2018 breakout EP, Soy Pablo, a charming seven-track collection of dazzling, nostalgic bedroom-pop anthems, Boy Pablo established himself as more than an internet poster child.

Since then, he’s been carefully readying his debut full-length, honing his particular brand of woozily romantic indie-pop, fusing a jangly, retro sound with sun-kissed 60s melodies, subtle shadings that nod to Muñoz’s Latin-American background and his charismatic tongue-in-cheek personality that balances heartache with lightness, ennui with serenity.

‘hey girl’, the first track previewed from Wachito Rico, introduces audiences to the titular character and his love life, bringing Pablo’s artistic vision into sharper focus than ever, with its filtered guitar chords, backdrop of hand drums and Muñoz’s warm, deep vocals. Bolstered by the jazz-inflected b-side, ‘i just wanna go home’, the double release reintroduces Boy Pablo as having grown up and into his sound. Featuring vocals from Muñoz’s high classmate, Andrea, ‘i just wanna go home’ also speaks to the increasing importance of collaboration in his creative process, opening the Boy Pablo project up from its solo origins.

Of the double single, Boy Pablo shares that both tracks “were made during a time I wrote a lot of music for a song project with a friend of mine, Judah Kubendran. I rearranged the tracks and rewrote the lyrics and melodies, and quickly realized that they were too good not to be released.

“The lyrics of ‘hey girl’ are written from the point of view of a young boy who is in love for the first time and wants to make a move on this girl. He’s nervous, shy and shaky, but dares to jump into it and talks to the girl,” he details.

“‘I just wanna go home’ is about getting older and realising how much responsibility you are left with as an adult, and getting lost in the confusion that comes with trying to navigate the landscape of adulthood.” 

Taking its title from a Chilean expression that translates to fondness for a “handsome boy”, Pablo’s debut LP is a hybrid conceptual and autobiographical record, tracing the ebbs and flows of the titular character’s love story while threading this narrative through with Pablo’s own experiences as a young man, blurring the identities of Wachito Rico and the real-life Nicolas Muñoz into one curious, indistinguishable whole.

‘hey girl / i just wanna go home ft. andrea’ by Boy Pablo is out now via 777 Music,
buy/stream it here.

Stay connected with Boy Pablo:
Website | Facebook | Twitter | Instagram | Youtube | Soundcloud

May 30, 2020 0 comments
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Augie March’s Glenn Richards reveals his first official solo material with debut isolation inspired single ‘Hi Gene!’ out today!
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Augie March’s Glenn Richards reveals his first official solo material with debut isolation inspired single ‘Hi Gene!’ out today!

by the partae May 30, 2020
written by the partae

“‘Hi Gene!’ is the song the world never knew it needed to help get through these current times.” – Tyler Jenke, Rolling Stone Australia

If you’re still not around the basic precautionary measures currently in place to tackle this “Rona” situation, sit down, pour yourself a bath-brewed bev and let Glenn Richards spell it out for you. The beloved Augie March frontman has captured the quirky idiosyncrasies of the lived, imagined and projected iso-experience in his first ever solo release, ‘Hi Gene!’ out today. Timely though it is, this instant classic harks back to spelling lessons from Van Morrison with a neurotic nod to Neu and a salty salute to Sparks. As catchy as the global P-word it so cleverly dances around, ‘Hi Gene!’ is the hilarious, danceable mantra to this weird moment in time and one to look back on as the soundtrack of the “lost year/s”, and is out today.

“Augie had a big year planned and we’re hoping to be able to reschedule our Sunset Studies shows for November, but the virus has meant that a planned album will now take a back seat to something entirely new and, so far, really bloody good. I’m confident we’ll see an excellent GR album this year followed by an extraordinary AM album next year. In the meantime I hope you enjoy this half cut home brew, it harks a little to my early years when I had more brain cells but there were far less chords in music. The gist is we need to be clean with our bodies but our culture, in general, could use a little more dirt beneath its fingernails. Also, dogs are the best people. Stay safe and spread this ludicrous clip like it’s a vaccine. Xg2020.” – Glenn Richards

A widely accomplished singer, songwriter, composer, engineer and producer, Glenn Richards has written and released some of Australia’s most cherished music for over 20 years, touring the world extensively in its wake. Glenn has released several albums and EPs with Augie March including one platinum and two gold albums and has served as arranger and mixer on many notable releases including albums from Toni Collette, Christopher Coleman, Frederik Kinbom, The Beautiful Few among others. He is the winner of APRA Songwriter and Song of the Year Awards, and in 2010 he released a stand alone LP under his eponymous side project with Chris Richards (Dust), Dan Luscombe (The Drones, The Blackeyed Susans), Ben Bourke (Ned Collette & Wirewalker) and Mike Noga (The Drones), assuring us this was not a solo record.

Fast forward to 2020, add a little isolation with a hint of cabin fever, and fans of Glimjack can finally revel in the official new sounds of Glenn Richards’ solo material, with a new record set to be released later in the year. Until then, take comfort in the remedial satire of ‘Hi Gene!’ and remember to wash your hands.

‘Hi Gene!’ is out Friday 29 May via Believe
Stream via Spotify

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