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A one-man production house of fuzz, fury, and an iridescent flair for the strange beauty of obsolete media, Laguna returns this July with Sweetlips—a glam-kissed 70’s inspired psych-pop single and with a distinctly modern bite.
James Guida is no stranger to electrifying atmospheres. Known for his work under the monikers Laguna and Environments, he occupies a unique space in Australia’s sonic underground, but like any beginning his career in classic Melbourne urbanity as a tensile member of many bands.
Opening Tallarook’s New Year’s Evie Festival in 2019, Laguna graced the sunset slot with a heavy-psych arrival before disembarking from their flowering phase in the lead-up to the pandemic, reshaping their live prowess as Guida began sharing exclusive, intimate solo material—delivering immersive songwriting showcases across Melbourne.
After launching his new label in 2024, with Laguna’s self-titled 8 track cassette release full of hand-pressed goodies, the label’s tactile ethos continues here, as Sweetlips arrives alongside a custom, hand-drawn typeface pulled from the single’s artwork, made available for public use and out July 14 via Mountain Girl Records.
METAMORFOSI
RICCIONE
The Hï Ibiza format arrives in Italy: the renowned concept Metamorfosi debuts at Cocoricò with an outstanding lineup of international and Italian artists: Jamie Jones, Joseph Capriati, Blond:ish and Josh Baker are some of the artists heading Romagna
14th August 2025
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There’s something about a great dance track that cuts across borders. No matter where you are in the world, when the right groove hits, it connects people in a way few things can. Sacha Harland’s latest single Let Me Be on Berlin imprint Act Like Adults taps straight into that universal feeling.
Driven by crisp drums, uplifting piano stabs and a soaring vocal hook, the track captures the kind of shared energy that turns strangers into one crowd moving to the same rhythm. It is built for those moments when music takes over and the rest fades into the background.
Harland weaves subtle breakbeat textures through the mix, keeping things dynamic and full of character. But at its core, Let Me Be is pure feel-good dancefloor material. From the first kick to the last drop, it carries the kind of momentum that lifts a room and brings people together.
Off the back of his breakout success Filthy Rich, supported by names like Indira Paganotto, Hannah Laing, ØTTA and Oliver Heldens, Harland continues to carve out a sound that feels made for the global dance community.
Let Me Be is more than a track. It is a reminder that no matter where we come from, the dancefloor is still a place for all of us.
Buy/Stream: https://go.protonradio.com/r/
Sacha Harland: https://www.instagram.com/
Act Like Adults: https://www.instagram.com/
Italian singer-songwriter MIGLIO (aka Alessia Zappamiglio) has released her new single Musica Elettronica via Peroni Dischi (Asian Fake – HoM). Blending raw emotion with a pulsing electronic edge, the track marks a bold new chapter in MIGLIO’s evolving artistic path.
Following the acclaimed albums Manifesti e immaginari sensibili (2022) and Futuro Splendido (2023), MIGLIO returns with a sound that’s darker, more radical, and unmistakably hers. Produced by Francesco Fantini, a boundary-pushing composer known for his work with Lorenzo Senni and Warp Records, Musica Elettronica uses contemporary songwriting with new wave grit and experimental electronic textures.
The track opens a new aesthetic cycle for MIGLIO: a sonic and visual journey that recalls Berlin and Bologna in the ’80s, containers, urban choirs, underground clubs, and post-industrial landscapes. It’s a place where electronic music becomes a space for resistance, memory, and collective expression.
“Musica Elettronica was born in a post-industrial dream factory,” says MIGLIO. “It speaks to the tension between routine and the urge to disappear, to break away. Like stepping out of a club and finding yourself in a square, protesting. A slow dance in an empty room. Melancholic, pulsing, and ready to explode.”
MIGLIO is also at work on her next studio album.
KYBBA Announces Debut Album How You Bad Suh, Releases Star-Studded Remix of Viral Hit “Ba Ba Bad,” and Unveils Massive Tour Across Europe and North America
KYBBA is making a powerful triple-threat move with the announcement of his highly anticipated debut album How You Bad Suh, the release of a remix to his viral hit “Ba Ba Bad” featuring Ryan Castro, Sean Paul, and Busy Signal, and the launch of his biggest international tour yet.
Set to officially drop after summer 2025, How You Bad Suh marks a pivotal moment in KYBBA’s career—his first full-length project after years of crafting one of the most globally recognizable sounds in dancehall, Latin, and urban electronic music. Known for pushing musical boundaries and collaborating across cultures and continents, KYBBA’s debut album promises to be a genre-blending statement that captures the raw energy, rhythm, and spirit of the global dancefloor.
Building excitement for the album, KYBBA releases an explosive remix of his viral 2024 anthem “Ba Ba Bad,” featuring Colombian star Ryan Castro alongside dancehall legends and original collaborators Sean Paul and Busy Signal. Released via Basshall Records, the remix is already making waves as a major global crossover moment.
The collaboration was sparked by viral footage from KYBBA’s recent tour stop in Medellín, Colombia, where a clip of him performing the original “Ba Ba Bad” at La Comuna garnered over 25,000 views in just three days. The electrifying crowd reaction caught the attention of Ryan Castro, who immediately reached out to collaborate. The remix was recorded between Medellín and Paris, capturing lightning in a bottle and uniting three cultures on one irresistible rhythm.
To celebrate the album and remix release, KYBBA has also announced his How You Bad Suh Album Tour. Kicking off in Montreal on September 17, the tour will include headline dates across North America and Europe in cities such as Toronto, New York, London, Frankfurt, Oslo, Copenhagen, Berlin, Vienna, Hamburg, Brussels, Cologne, Stuttgart, Munich, Zurich, Amsterdam, Barcelona, and Madrid.
Having already performed at major festivals including Tomorrowland, Parookaville, Rototom Sunsplash, Sziget, Mysteryland, and more, KYBBA is now entering a new chapter defined by bold collaborations, global energy, and a sound that continues to unite audiences across borders.
With over 100 million streams to his name and a dedicated international fanbase, KYBBA has carved out a unique space in the global music scene—and How You Bad Suh promises to be his most definitive statement yet.
Listen to “Ba Ba Bad (Remix)” now worldwide on all streaming platforms:
https://kybba.ffm.to/bababadremix
The leading Greek festival, ranked #42 in DJ Mag’s Top 100 Festivals, shows exactly why it earned its spot with a lineup including Armin van Buuren, Boris Brejcha, Alesso, Faithless (Live), and many more.
| Following its move to the iconic Olympic Athletic Center of Athens, Primer Music Festival now announces its full 2025 lineup, showcasing just why the star-studded event is seen as the beating heart of Greece’s thriving electronic scene. Brimming with industry heavyweights, indelible icons and local favorites alike, this year’s event ups the ante for the European festival season at large.
With a billing that binds talent across both genres and generations, this year’s Primer offers more than a top-heavy lineup – dialing in an immersive festival experience built to stand the test of time. Kicking off the festivities each day is Primer resident DJ, Maus, whose dynamic sets will open both days, setting the perfect tone and energy for what’s to come. Saturday’s action begins at its brand new mainstage for 2025: the stunning Helios Stage with local duo MĪMĪ x FY and Purple Disco Machine laying the foundation for a weekend to remember. As the sun sets, the music will pull fans deeper and deeper, as sets from AMÉMÉ and ARTBAT promise to tap into lush spiritual rhythms and melodic techno overtones. As night falls, the Helios Stage reaches a zenith point, with trance icon Armin van Buuren filling the headlining slot with his unrivaled brand of blissful rave energy. Throughout the evening, the action shifts to the Lunar Stage, where German techno maestro Boris Brejcha takes center stage as the headliner. Joining the lineup are Italian duo Fideles, bringing their signature melodic techno energy to the night. The festivities are set to continue through the night however, with additional performances from Greek trance-titan Hi Profile, breakout artist Afshin Momandi, and Kalamo, one of the country’s freshest faces, will carry fans to the brink of dawn.The party continues on Sunday with a revamped energy, where fans at the Helios Stage will be treated to timeless live sets from Faithless (Live) and Paul Kalkbrenner (Live) before a headlining set from none other than Alesso. Living up to its multi-genre premise, Sunday also brings an undeniable dose of rhythm with afro-house star Massuma and the new wave house and techno sounds of SKINNY both set to take the stage. With a new home at OAKA, a growing international presence, and its most ambitious lineup yet, this year’s Primer Music Festival is set to be its most defining edition yet. With tickets moving quickly, there’s no better time to lock in your place on the dancefloor. |
| Guarantee the prime time of your life and book your tickets for PRIMER Music Festival on September 6 & 7 now here |
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| ABOUT PRIMER Music Festival Since its debut in 2018, PRIMER Music Festival has swiftly ascended to become Greece’s premier dance and electronic music event. Held annually in the Greek capital, the festival offers an atmosphere that unites the biggest names in electronic music with an audience of passionate fans for a weekend of extraordinary performances, spectacular visuals, and unforgettable memories. From heart- pounding house to mind-bending techno, PRIMER showcases all genres of electronic music, ensuring there’s something for every fan to rave to. Every year, the festival transforms into a vibrant playground where unforgettable performances, dazzling visuals, and high-energy sets come together to create an immersive experience that captivates from start to finish.Ranked #42 in DJ Mag’s Top 100 Festivals, PRIMER isn’t just a festival; it’s a celebration of the global dance music community. The event has hosted the most sought-after DJs and producers in the industry, featuring performances from world-renowned talent who push the boundaries of sound and creativity. Whether you’re dancing under the stars or experiencing the awe-inspiring stage productions, the sheer scale and intensity of PRIMER is unmatched. Year after year PRIMER continues to redefine the future of dance festivals, making it the must-attend event for electronic music lovers from around the world. |
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| CONNECT W/ PRIMER Music Festival Facebook | Instagram | TikTok | YouTube |
GET YOUR EARLY ACCESS TICKETS |
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Last days to register for early access tickets to FREEFORM – Naarm’s new outdoor festival celebrating sound without borders and connection without limits.
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After the first edition of Rave in the Church sold out in under 48 hours, we decided to add a second date due to the very high demand.
50% of tickets for Chapter 2 were snapped up during presale alone.
We’re beyond grateful, and even more hyped to make this next edition unforgettable.
If you missed out last time, this is your chance.
But be quick, tickets are moving fast, and this one will sell out too.
We’ll be streaming the Grand Final live at the venue, so you can catch all the action during the event!
4 UNIQUE STAGES
Main Stage
The Dome
Hidden Garden
Open Air Courtyard
The Chapel : Transformed into an art sanctuary, showcasing curated installations, make up artists, painters, and more!
SECURE YOUR SPOT BEFORE SOLD OUT!
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The Out Seer is an alt-rock powerhouse driven by a fiercely independent ethos and a deep-seated musical kinship. Formed through friendship, late-night jam sessions, and shared studies at Selkirk College in the Kootenays, the band eventually planted its roots in Vancouver, where their sound began to crystallize. What started as loose collaborations quickly became a tightly woven creative vision, anchored by their collective passion and years of musical training. Each member brings a distinct background to the table, resulting in a band whose foundation is as solid as it is exploratory.
With a rare combination of precision and spontaneity, The Out Seer has cultivated a sound that’s atmospheric, intense, and strikingly original. Their songs blend distortion-soaked guitar lines with textural keys, anchored by emotive vocal interplay that adds both weight and uplift. It’s music that thrives on contrast—melodic yet unpolished, intricate yet instinctual. The introduction of keys into the lineup marked a turning point, allowing them to expand their sonic palette and push beyond genre boundaries. Every track feels like a moment suspended between grit and grace, honed through years of gigging, experimenting, and learning what clicks in a room full of strangers.
Now based out of Apricot Music Studios in the Greater Vancouver Area, The Out Seer is steadily building momentum. From sweaty club nights to summer festivals and Okanagan tour stops, they’ve carved out a space for themselves in the Canadian music landscape through hard work and undeniable presence. Their live shows are known for their intensity, vulnerability, and sense of connection—earning them a devoted fan base that continues to grow with each performance. With more recordings in the works and their eyes set on broader horizons, The Out Seer is poised to make their mark well beyond the Pacific Northwest.
In a world where electronic music often lives by structure and precision, few acts manage to let go and truly surrender to the moment like N/UM. Based in New York, this boundary-pushing live trio has built a global reputation by doing exactly that. Their performances are fully improvised, composed and performed in real time using analog synthesizers, modular systems, drum machines, guitar and vocals. With no pre-written material, no fixed arrangements and no overdubs, what you hear is pure intuition made sound.
The trio is made up of Grammy-winning engineer and producer Jeremy Loucas, guitarist Elias Meister, and Danish multi-instrumentalist Emil Bovbjerg. Together, they’ve taken their radical approach to stages worldwide, from Mutek Montréal and Fusion Festival to Robot Heart and Movement Detroit, delivering raw, spontaneous performances that stand apart in today’s electronic landscape.
Their latest release, Fade The Heart, stays true to this uncompromising ethos. Recorded in a single, emotionally charged session, the four-track EP invites listeners on a journey through hypnotic minimalism, rich synthesis and deep, groove-fuelled storytelling. Each track offers a different glimpse into their sonic world — intuitive, evolving and alive in every moment. For fans of electronic music who crave authenticity, unpredictability and pure creative energy, N/UM are a rare find.
Buy/Stream: https://distrokid.com/
You’ve described ‘I Give In’ as a song about the tension between motion and stasis — how much of that came from personal experience versus observation of the world around you?
Kevin: “I Give In” is almost exclusively describing personal experience and emotion. We really tried to harness the essence of an internal emotional rollercoaster and reflect that in both the lyrics and sonic elements of the song.
‘Endlessly’ dives into this idea of a “second death.” Was there a specific moment or late-night thought that led you to explore that concept in a song?
Evan: There are a few specific moments that made it into the song, but “late-night thought” feels more accurate. I was thinking about how fixated people can be on being remembered, and how much effort goes into shaping or preserving a legacy.
I remember first seriously thinking about that idea in 9th or 10th grade, when I heard the song “By Torpedo or Crohn’s” by WHY?. There’s a great line in that song that says, “Only those evil live to see their own likeness in stone.” I think everyone wants to be remembered to some degree, but that song was the first time I really thought about how wanting to be remembered or chasing your own ego could make you “evil.”
The “second death” quote you’re talking about is something I read years later that feels much more narcissistic: “You die twice: once when you die, and again when your name is last spoken.” Like, is that suggesting that not having people talk about you is as bad as physically dying?
“Endlessly” is me working through these two conflicting attitudes towards legacy: how much of our legacy is real impact, and how much is just performance? Ultimately, we don’t get to control how we’re remembered, but that doesn’t mean our presence goes unfelt. Even our smallest, day-to-day interactions have consequences that ripple out into the world — not to mention the profound impact we have on the people and communities we care about and work hard to support. That feels more meaningful to me than any statue or gravestone.
The lyrics in both tracks feel deeply introspective. Do any of you tend to write alone first and bring it to the group, or is the songwriting process more collaborative from the beginning?
Evan: Most of the time, we will develop the core of our songs solo, like the sound and themes and the majority of the lyrics, but we rely on each other a lot to help fine tune things and round out our songs at the end. But we don’t adhere to any particular writing pattern. In the past we’ve all gone into a room together with a bunch of guitars and no ideas only to emerge a few hours later with a finished song. We’ve also done some partner writing where one person will give a pretty fleshed out instrumental to another person and ask for lyrics or vice-versa.
You toured Australia for the first time last year — how did that trip shape you as a band? Did any part of the tour leave an unexpected impact?
Kevin: I think our tour was a very validating experience. We’re so grateful to feel validated by like-minded bands and fans – we know it’s not something that many artists can come by easily. It was unexpected and extremely humbling to learn that our songs are part of people’s musical world.
You’ve mentioned being long-time fans of the Aussie indie scene, drawing influence from bands like Floodlights and RVG. What is it about Australian indie rock that hits differently for you?
Evan: We all bonded over a love jangly, bright, fast-paced, guitar-driven indie rock, and we’ve found that Australia consistently generates a ton of awesome bands that share a lot of those qualities. We are all huge fans of Rolling Blackouts Coastal Fever and started out basically just trying to copy their sound and vibe. While diving into their influences and contemporaries we got to know Australian indie rock pretty well and fell head-over-heels in love with the scene.
There’s this beautifully bittersweet tone that threads through both tracks. Was that emotional palette something you aimed for from the start, or did it emerge naturally as the songs took shape?
Evan: I think we came at these songs from both of those angles. We wanted to write about more abstract emotional concepts, so we felt like a touch of melancholy would help convey the lyrics better. We also felt inspired and empowered to push ourselves into more complex harmonic territory after recording our album One Way Ticket to Midnight.
Working with Mark Anderson, Joey Oaxaca, and Nick Townsend brought some serious talent into the room. What did each of them add to the tracks that felt especially vital?
Evan: Mark worked as both a producer and recording engineer with us on these tracks as well as our last album and we love every minute that we get to spend with him. He is sort of a local legend in the Denver area who is extremely talented as an engineer and musician in his own right, but what really blew us away is how quickly he can hear us play part of a song or even just describe a song and he immediately understand exactly what we’re going for and knows how we can achieve it. Working with Mark is like feeding napkin sketches into a machine and getting back beautiful, vibrant oil canvases. Also, he’s just a super cool and nice guy. Handsome too.
Joey has mixed a ton of music for bands that we love and he knows how to make us sound like our idols. When you’re in a band, you sometimes hear your own song so many times that you lose perspective and don’t know if you’ve strayed too far from your vision or if the song has just lost all its structure and cohesion. Joey is great at putting life back into our songs and making us feel excited again.
Nick has also worked with a ton of bands that we love and knows how to elevate our songs so that they can stand up next to our inspirations. It’s an emotional experience to hear Nick turn something you started out writing on your couch into a polished track that fits in with the music you admire.
A lot of your music wrestles with weighty ideas — legacy, identity, letting go — yet it’s delivered through energetic, jangly rock. How do you strike that balance between heavy themes and melodic lightness?
Evan: Pairing weighty, emotional ideas and lyrics with energetic yet moody sounds is central to indie rock. It can be very cathartic to hear those kinds of ideas sung in that way. I think that’s a lot of the appeal of music in general, taking words or a melody that resonates with you or reflects something inside of you and then using instruments to amplify that message. We just cover this one specific case where maybe you resonate with vague lyrics about legacy or identity and feel like the message is more powerful in the context of jangling guitars. I mean, at least that’s true for me
When you talk about taking the “path of least resistance” in ‘I Give In,’ it almost sounds like resignation can be both tragic and freeing. Is that duality something you were consciously exploring?
Kevin: Absolutely! That sentiment and duality was a driving force when we wrote the song. The idea was to find something freeing or something positive out of a sense of tragedy or frustration. We’re all generally positive-minded people, so we wanted the final sound to lean a little towards the “freeing” side of that duality.
Now that this double A-side is out in the world, where do you see things heading next for Mainland Break in 2025? More new music, another tour, or something unexpected?
Kevin: We’re looking to focus on writing new music. We aren’t locked in to an album cycle at this time, and that’s really freeing. That gives us the opportunity to explore new sounds and tones. It’s exciting to try and overlay new sonic filters with the classic jangle pop sound.
Official Website | Facebook | Instagram | YouTube | Bandcamp
Photography: Josh Ma
Words: Ken Magno
The UK is notorious for bringing out some of the biggest names within the Drill, Grime and Trap scenes, but none have been pushing headlines like Central Cee. Bringing his debut album ‘Can’t Rush Greatness’ to the Sydney’s own Qudos Bank Arena, the rapper delivered on his album’s namesake as he painted a story of his meteoric rise to fame through his lyricism, production and visuals.
Since his earlier days finding TikTok fame through his single ‘Day in the Life’ and his debut EP ‘Wild West’, Central Cee has found ways to stay in the spotlight with his own discography as well as collaborating with the like of Drake, FKA Twigs, PinkPantheress and UK’s own Dave (with whom he released the Collab EP ‘Split Decision’ in 2023.
Throughout the night, Cench made sure to show his range – switching between his hard-hitting bars on the 808 heavy tracks such as ‘6 For 6’ and ‘Loading’, while also softening his tone on more vulnerable tracks such as ‘Me & You’ and ‘Truth in the Lies’. His production even featured a facetime call with numerous members of the crowd during his hit single ‘Gen Z Luv’, breaking the barrier between artist and audience and letting the Sydney crowd feel like a part of the performance.
Despite being the star of the show, the night had hit a high point with Central Cee giving the crowd a grin before stating “I didn’t hop on a 24 hour flight for nothing” before Western Sydney’s very own OneFour exploded onto stage with their heavy hitting track ‘Family’. The crowd absolutely exploded with the surprise appearance, going bar for bar with the notorious group on ‘Spot the Difference’ and tearing the roof off with their huge presence and incredible energy.
The final half of the show saw the likes of his hit single ‘Doja’ (which further cemented his reputation of being untouchable within his craft) stir up a frenzy in the room, to then bringing about his viral Dave collabs ‘Sprinter’ and ‘UK Rap’ as well as their most recent collaboration ‘CRG’. Central Cee has some of the most recognisable flows in the rap game, even being able to hold his own in the final moments of his set against the likes of Lil Baby on their track ‘Band4Band’ and Sexyy Red on ‘GUILT TRIPPIN’.
There’s always an uneasy feeling of seeing rappers take on the Qudos Bank Arena, with the acoustics of the venue more fitting the likes of bands and artists that are backed by heavy instrumentation, but Central Cee finds a way to give the crowd exactly what they want without sacrificing anything from his vision. To be able to hold his own while keeping the crowd bouncing throughout the night is a huge feat, and Cench was definitely able to go band for band with some of the biggest artists to grace the stage before him.
ROCKWIZ LIVE
AT MELBOURNE’S
LIVE AT THE GARDENS
ROYAL BOTANIC GARDENS MELBOURNE – FRIDAY 21 NOVEMBER
WITH SURPRISE MUSICAL GUESTS
PLUS WILSN (FULL BAND SET)
TICKETS ON SALE WEDNESDAY 2 JULY
Q: What do you get when you mix live music, legendary guests and rapid-fire music trivia under the stars?
A: RocKwiz Live in 25 at Live At The Gardens!
Australia’s favourite music quiz show is bringing the laughs, the live band and the buzzers to Live At The Gardens on Friday 21 November at the beautiful Royal Botanic Gardens Melbourne.
On this very special evening, fans can revel in the chaos and Kwizzery of RocKwiz Live! – a hilarious, music-filled night led by much-loved hosts Julia Zemiro, Brian Nankervis and everyone’s favourite roadie-turned-human-
Accompanied by the legendary RocKwiz OrKestra and a dazzling lineup of surprise musical guests revealed on the night, this is a quiz night turned up to eleven – a one-of-a-kind live experience where audience members are hand-picked to join the action on stage, sharing the spotlight with Aussie music icons in a unique celebration of rock ‘n’ roll, trivia and showbiz magic.
Roundhouse Entertainment, in conjunction with MG Live, is thrilled to present this unforgettable night. RocKwiz Live in 25 is part of the Live At The Gardens series, set in the heart of the city, in the stunning surrounds of Melbourne’s iconic Royal Botanic Gardens.
Tickets for RocKwiz Live in 25 at Live At The Gardens go on sale Wednesday 2 July from Ticketmaster at 11.00am local time, with Live At The Gardens, Roundhouse and RocKwiz presales beginning Monday 30 June at 10.00am local time.
This will be the show’s first appearance at the iconic Melbourne landmark.
“How exciting to be part of Live At The Gardens, on stage in Melbourne’s magnificent Royal Botanic Gardens. The RocKwiz team love playing new venues and from all reports, this is a wonderful addition to Melbourne’s music scene. The Gardens have always held a special magic for me … as a student I read Washington Square in one of the Rotundas, I learned lines for Let The Blood Run Free walking laps of the Ornamental Lake, saw Shakespeare productions there, took the children to see Wind In The Willows and regularly drop in for a Devonshire Tea at the cafe. I nearly had my frisbee confiscated when it landed amidst a group of tourists relaxing on rugs … I apologised and we had a few quick throws. To bring one of our big, bold, live RocKwiz shows to this sacred site is a real thrill. I look forward to making new, magical memories.”
Brian Nankervis
“The Botanic Gardens for me has always been a place of quiet reflection. A place bang in the middle of the city to escape to – whether it’s for walking, learning lines or working out a problem. So many times I’ve gone to the Gardens, kicked off my shoes and just laid down in the grass to recharge. So it will be a completely new, bold and exciting experience to rock the Botanic Gardens with RocKwiz. Shoes off!”
Julia Zemiro
Opening the show with a full-band set and getting the audience quiz-ready will be powerhouse Melbourne-based singer-songwriter WILSN. Possessing the kind of voice that stops you in your tracks, WILSN (aka Shannon Busch) makes classic soul music with a contemporary approach and a healthy dose of raw power that’s equal parts timeless and contemporary. With her 2023 acclaimed debut Those Days Are Over and recent single The Way, WILSN is fast cementing her place as one of Australia’s most compelling new artists.
From classic segments like Who Can It Be Now, Million Dollar Riff and the Furious Five to nostalgic crowd favourites like First Gig and First Album … and of course epic ensemble performances that close the night, RocKwiz Live in 25 is a raucous, feel-good ride for music lovers of all ages. Think you remember your first gig? Remember buying your first album? It might just win you a seat on stage.
“Looking around at all the smiling faces and dancing feet filing out of the theatre, one thing was perfectly clear – RocKwiz Live was undoubtedly worth the wait.”
The Music
“Mountains of fun, a real celebration of Australian talent, lots of laughs and a great night out!”
Out In Perth
“The laughs are huge. The music magnificent. The hosts marvellous. And the contestants a delight. It’s the kind of experience that makes you feel good from the inside out.”
Seesaw Magazine
It’s time to brush up on your rock knowledge, test your trivia chops and revel in a night of live music, legendary guests and rapid-fire music trivia. So, if you know your Milli from your Vanilli, your Hayzees from your Fantayzees, Farnsey from Barnesy and your G Flip from your Gotye, you’re ready for RocKwiz Live in 25!
Get ready to experience the beloved RocKwiz like never before – live under the stars in one of Melbourne’s most spectacular outdoor venues.
Tickets for RocKwiz Live in 25 at Live At The Gardens on sale Wednesday 2 July from Ticketmaster.