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Linkin Park Deliver an Emotional and Electric Night Two in Sydney

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Riley Green – Hordern Pavilion- 16 March 2026

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Peach PRC At Hordern Pavilion – 15 March 2026

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March 14, 2026
Category:

Music News

Kelly McMichael Premiere
Music News

Kelly McMichael Premiere

by the partae December 1, 2020
written by the partae

QUOTE FROM KELLY

“Dreamy nostalgia wafts over a mid-tempo groove, and I’m reflecting on the free, silly, frolickings of a trip long ago. Channeling the celebration of good memories and good friends is very soothing right now, so I chose to lead with this single.”

MORE ABOUT KELLY

The incredibly gifted Kelly McMichael (also known as RENDERS) has released her new single “Montreal.”   It’s an instantly beguiling tune that straddles the genres of alt, pop and rock – and yet also captures the intimacy of the rural world.

Originally from Peterborough Ontario, and now based in St. John’s Newfoundland – Kelly is known for her commanding stage presence, captivating voice, and classic-sounding songwriting. She has a unique ability, via her creative process, to conduct powerful musical energy through a wide range of sounds.  And now, after a number of setbacks, the planets have finally aligned to allow Kelly to record and release her dream debut full length album.

https://www.facebook.com/kellymcmichaelmusic/

https://www.instagram.com/renders_kellymcmike

December 1, 2020 0 comments
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PENNY DROP PRESENTS A 10-DAY MUSIC SERIES AT THE BRAND NEW MALTHOUSE OUTDOOR STAGE MUSIC PROGRAM KICKS OFF THURSDAY 21 JANUARY 2021 TICKETS ON SALE MONDAY 7 DECEMBER
Festival NewsMusic News

PENNY DROP PRESENTS A 10-DAY MUSIC SERIES AT THE BRAND NEW MALTHOUSE OUTDOOR STAGE MUSIC PROGRAM KICKS OFF THURSDAY 21 JANUARY 2021 TICKETS ON SALE MONDAY 7 DECEMBER

by the partae December 1, 2020
written by the partae

Eight months since the curtain came down on our last live music event, Penny Drop is proud to be among a group of key Melbourne arts and cultural organisations enlisted to launch the Malthouse Outdoor Stage (MOS), a new COVID-safe venue bringing performance to the courtyard of The Malthouse this summer.

Penny Drop will present two performances a night across 10 nights, from some of our favourite local artists – many of whom will be sharing new music from recently (or soon-to-be) released projects – with eager audiences taking in shows in the courtyard’s new purpose-built amphitheatre.

MOS will open 21 January 2021 with performances from ARIA-winning jazz and soul prodigy Kaiit. From there, the Penny Drop presents Malthouse Outdoor Stage program will showcase the always enthusiastic and high-energy Gordon Koang, euphoric funk craftsmen Mildlife in back-to-back performances, the hypnotic sounds of HTRK, Sweet Whirl‘s tender triumphs, a preview of Sarah Mary Chadwick‘s upcoming record, a stripped-back set from Good Morning, the singular style of Emma Donovan & The Putbacks, an album launch for loveable DIY groovers Surprise Chef, and the bruising punk stylings of RVG.

Later on the MOS program you’ll discover stand-up sets courtesy of Token, discussions lead by The Wheeler Centre and The Saturday Paper, and workshops from Chunky Move and Australian Centre for Contemporary Art (ACCA). Additional programming partners include Melbourne International Comedy Festival, Midsumma, YIRRAMBOI and RISING.

It was a long winter in a tough year, and we couldn’t be more excited to kick off 2021 with a bang and celebrate summer with opportunities not just for the artists on stage, but for the behind the scenes music industry, whose unseen work truly makes Melbourne the live music capital of Australia.

Let’s get back to a gig. But first, you need to jump into your group-chat and jot down a shortlist, because each show is ticketed in groups of six.

Join us as we welcome live music back to Melbourne safely, finally.

TICKETS ON SALE 10AM, MONDAY 7 DECEMBER 2020 (AEDT)

Penny Drop presents Malthouse Outdoor Stage (MOS) // January 2021

Thursday 21 January with Kaiit
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

Friday 22 January with Gordon Koang
Early show 5:30pm | Tickets / RSVP
Early show 8:15pm | Tickets / RSVP

Saturday 23 January with Mildlife
Early show 5:00pm | Tickets / RSVP
Late show 8:30pm | Tickets / RSVP

Sunday 24 January with Mildlife
Early show 4:30pm | Tickets / RSVP
Late show 7:30pm | Tickets / RSVP

Monday 25 January with HTRK
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

Wednesday 27 January with Sweet Whirl
5:30pm | Tickets / RSVP

Wednesday 27 January with Sarah Mary Chadwick
8:15pm | Tickets / RSVP

Thursday 28 January with Good Morning
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

Friday 29 January with Emma Donovan & The Putbacks
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

Saturday 30 January with Surprise Chef
Early show 5:00pm | Tickets / RSVP
Late show 8:30pm | Tickets / RSVP

Sunday 31 January with RVG
Early show 5:30pm | Tickets / RSVP
Late show 8:15pm | Tickets / RSVP

www.malthousetheatre.com.au
http://www.pennydrop.com.au

December 1, 2020 0 comments
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Lastlings' Amy Dowdle Talks Impossible Beauty Standards, Being Imperfectly Perfect & More In Content Series Brand YOU
Music News

Lastlings’ Amy Dowdle Talks Impossible Beauty Standards, Being Imperfectly Perfect & More In Content Series Brand YOU

by the partae December 1, 2020
written by the partae
Photo credit: Jessica Aleece

LASTLINGS’ AMY DOWDLE TALKS IMPOSSIBLE BEAUTY STANDARS, BEING IMPERFECTLY PERFECT AND THE BLURRY FINE LINE BETWEEN THE INTERNET AND REAL LIFE IN CONTENT SERIES BRAND YOU
WATCH BRAND YOU EPISODE 6 FEATURING
AMY DOWDLE (LASTLINGS) WITH SIOBHAN KRANZ

WATCH: Brand YOU Episode 6 Featuring Amy Dowdle (Lastlings)
and Siobhan Kranz
Brand YOU is a new online content series developed by Mushroom Group and supported by Victorian Government. Across the 6 episode series, prominent female Artists to the likes of Isabella ‘izzi’ Manfredi, Alice Ivy, Thando, Gordi, D’Arcy Spiller and Amy Dowdle, speak candidly with music industry women on issues facing girls and young women today.

In the final episode of Series One, Lastings’ voice and frontwoman Amy Dowdle chats with Frontier Touring’s Siobhan Kranz, as they delve into the pressure put on young women and girls to achieve an impossible beauty standard that is factitious, however instilled into girls through ever-present social media that we are increasingly surrounded and influenced by.

“Social media is a huge issue – especially for young women. There is this ‘beauty standard’ that everyone is trying to achieve and I think it’s important to know that we’re all human and that we are all imperfectly perfect. We are all trying to reach that impossible standard that the media is trying to make us think is the right thing, that this ‘beauty standard’ is what we should all look like.” – Amy Dowdle

Amy Dowdle is one half of Australian-Japanese siblings duo, Lastlings who have just released their debut album First Contact. Renowned for their hypnotic live shows, Lastlings’ have toured Australia and North America with the likes of RÜFÜS DU SOL and Cassian and played shows at Colorado’s Red Rocks and LA State Historic Park, as well as major global festivals Coachella and Splendour in the Grass. In 2020 Lastlings made their TV debut on ABC’s The Sound and sold out a string of album launch shows across Brisbane and Gold Coast.

Watch the Brand YOU series as the incredible women deliver messages of self-empowerment, confidence, respect and community connectivity.

First Contact
Lastlings
Album out now through Liberation Records
Available to buy/stream here

First Contact tracklisting:
1. Deja Vu
2. Take My Hand
3. Out Of Touch
4. False Reactions
5. 9400
6. Last Breath
7. No Time
8. Visions
9. AI
10. Held Under
11. First Light
12. I’ve Got You
LASTLINGS

https://www.instagram.com/lastlings/

December 1, 2020 0 comments
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Hi Jori, and welcome to The Partae Hi! Great to be here. Where are you currently based and where were you born? I’m in Portugal now, in a quiet little village South of Lisbon, not too far from the ocean. Originally I’m from Utrecht, in The Netherlands. How did you first get into the music industry and what other projects have you been involved in before COLLIGNON? My father taught me how to play the piano at a young age, and as soon as I could I started playing in bands. I never went to music school, but always wanted to travel around in a bus with a group of friends and play shows. And so that’s what we did, for many years. I was in a couple of different bands, always writing, recording, producing. My last group was SKIP&DIE, a collaboration with Cata.Pirata, a singer and visual artist from South Africa. Who were your biggest musical influences growing up? I remember many days lying on a pillow in front of my dads record collection. I always loved artists that somehow take you traveling. Like Ry Cooder, or David Byrne, Eno. I was going from The Meters to Philip Glass, and a bit later also Damon Albarn, Manu Chao, Beck, Beastie Boys..  Can you talk to us about your new project COLLIGNON and the vision behind it? COLLIGNON is a solo project, but also a vehicle for me to work with different artists. I will do collaborations, set up my studio in another part of the world and launch projects from there. Having this flexibility is very motivating. Since I stopped touring I had some time to reflect on which experiences I loved most from playing with my previous bands. The memories of gigs and festivals that stuck were usually not the biggest crowds, but the ones where we could really connect and have fun with the people there. For me it’s really important, especially in electronic music, that we can really play on stage, interact, improvise, make a mess, make something happen. I love electronic music, but there are some challenges for me. Pressing a button is really a different thing from touching a string, or singing for that matter. There needs to be some character and personality. With modern production you can make everything so perfect and shiny that you might lose feeling, or essence. I think in our times that kind of conflict translates well into many other areas.. Anyway, it’s fascinating to me and I’m trying to walk that line. COLLIGNON’s debut EP ‘Pontcha ku Lua’ will be released at the end of November. What influenced the sound and songwriting for this project? I really wanted to make an instrumental record first. Nobody telling you nothing, just sounds and music to let your mind float.  Moving to Portugal also had a big influence. Especially Lisbon has a rich and diverse cultural scene. There is music from Brazil, Cape Verde, Angola, Mozambique, Guine Bissau, all the countries Portugal has historic connections with. There is a lot of new music here for me to dive into. How did you approach the recording/production? When I stopped touring, I built a studio in the garage next to my house and started working from there. This first EP is the result of me being able to develop my own sound in this studio. I used to be working on my laptop in the back of the bus, so to speak, now I have a nice room, some nice microphones and a cool mixingdesk. Some of the tracks are collaborations. I work a lot with Gino Bombrini for example, the percussionist of my previous group SKIP&DIE, he plays all the instruments I can’t play, so that’s real handy. We jam and explore, then I take some time to edit things together. What programs/instruments did you use? I use some drummachines, the Machinedrum and Analog Rytm and also the Octatrack from Elektron to start ideas. I have them all patched to different tracks on the mixer and can send them to different speakers or effects. I have some guitar amps and a leslie, some springverbs, things like that. I found this Revox D36 taperecorder from the 60 that I really like for compression and saturation. I have some old synths, MS20, Jupiter 6, a Voyager, Rhodes, piano and a small modular setup too. On the computer I work mostly in Cubase now. How much has international travel had an influence on your songwriting over the course of your career? Traveling and seeing the spectacular diversity in the world made me humble about all these things you think you know and just take for granted. There is so much to explore and to be curious about. It triggered me to start fighting cultural homogenisation. I believe progress lies in diversity and the flirting, dancing and clashing of ideas. You’ve also made an amazing video to accompany the single. How did the concept for the video come about? Oh thank you, that’s nice! For a while I’ve been interested in video synthesizers. I have an old school one from Atari (the guys who built the original game Pong were always stoned apparently and dreamed up this machine), but there is a company now called LZX in Portland that builds really cool modules. I found the patterns and rhythms I could make with these machines work really well with the music. And it’s a lot of fun to do too. Which other artists are listening to at the moment? Oldies like Caetano Veloso, Holger Czukay, Thelonious Monk, Yusef Lateef, Kasai Alstars or Alain Peters, Nicola Cruz, Mauskovic Dance Band, Mark Ernestus’ Ndagga Rhythm Force. What do you like to do away from music? We have a small campervan and love to drive down the Portuguese coast, but since this virus doesn’t allow us to move much, we’ve spent more time growing veggies and fruits in the garden. Feeding the chickens, reading, meditating, drinking coffee, there’s a lot of that these days. Thanks Jori, and all the best for the rest of the year, Same to you, thank you so much for the attention.
Music InterviewsMusic News

COLLIGNON

by the partae December 1, 2020
written by the partae
Hi Jori, and welcome to The Partae
Hi! Great to be here.

Where are you currently based and where were you born?

I’m in Portugal now, in a quiet little village South of Lisbon, not too far from the ocean. Originally I’m from Utrecht, in The Netherlands.

How did you first get into the music industry and what other projects have you been involved in before COLLIGNON?

My father taught me how to play the piano at a young age, and as soon as I could I started playing in bands. I never went to music school, but always wanted to travel around in a bus with a group of friends and play shows. And so that’s what we did, for many years. I was in a couple of different bands, always writing, recording, producing. My last group was SKIP&DIE, a collaboration with Cata.Pirata, a singer and visual artist from South Africa.

Who were your biggest musical influences growing up?

I remember many days lying on a pillow in front of my dads record collection. I always loved artists that somehow take you traveling. Like Ry Cooder, or David Byrne, Eno. I was going from The Meters to Philip Glass, and a bit later also Damon Albarn, Manu Chao, Beck, Beastie Boys..

Can you talk to us about your new project COLLIGNON and the vision behind it?

COLLIGNON is a solo project, but also a vehicle for me to work with different artists. I will do collaborations, set up my studio in another part of the world and launch projects from there. Having this flexibility is very motivating.

Since I stopped touring I had some time to reflect on which experiences I loved most from playing with my previous bands. The memories of gigs and festivals that stuck were usually not the biggest crowds, but the ones where we could really connect and have fun with the people there. For me it’s really important, especially in electronic music, that we can really play on stage, interact, improvise, make a mess, make something happen.

I love electronic music, but there are some challenges for me. Pressing a button is really a different thing from touching a string, or singing for that matter. There needs to be some character and personality. With modern production you can make everything so perfect and shiny that you might lose feeling, or essence. I think in our times that kind of conflict translates well into many other areas.. Anyway, it’s fascinating to me and I’m trying to walk that line.

COLLIGNON’s debut EP ‘Pontcha ku Lua’ will be released at the end of November. What influenced the sound and songwriting for this project?

I really wanted to make an instrumental record first. Nobody telling you nothing, just sounds and music to let your mind float.

Moving to Portugal also had a big influence. Especially Lisbon has a rich and diverse cultural scene. There is music from Brazil, Cape Verde, Angola, Mozambique, Guine Bissau, all the countries Portugal has historic connections with. There is a lot of new music here for me to dive into.
How did you approach the recording/production?

When I stopped touring, I built a studio in the garage next to my house and started working from there. This first EP is the result of me being able to develop my own sound in this studio. I used to be working on my laptop in the back of the bus, so to speak, now I have a nice room, some nice microphones and a cool mixingdesk.

Some of the tracks are collaborations. I work a lot with Gino Bombrini for example, the percussionist of my previous group SKIP&DIE, he plays all the instruments I can’t play, so that’s real handy. We jam and explore, then I take some time to edit things together.
What programs/instruments did you use?

I use some drummachines, the Machinedrum and Analog Rytm and also the Octatrack from Elektron to start ideas. I have them all patched to different tracks on the mixer and can send them to different speakers or effects. I have some guitar amps and a leslie, some springverbs, things like that. I found this Revox D36 taperecorder from the 60 that I really like for compression and saturation. I have some old synths, MS20, Jupiter 6, a Voyager, Rhodes, piano and a small modular setup too. On the computer I work mostly in Cubase now.

How much has international travel had an influence on your songwriting over the course of your career?

Traveling and seeing the spectacular diversity in the world made me humble about all these things you think you know and just take for granted. There is so much to explore and to be curious about. It triggered me to start fighting cultural homogenisation. I believe progress lies in diversity and the flirting, dancing and clashing of ideas.

You’ve also made an amazing video to accompany the single. How did the concept for the video come about?

Oh thank you, that’s nice! For a while I’ve been interested in video synthesizers. I have an old school one from Atari (the guys who built the original game Pong were always stoned apparently and dreamed up this machine), but there is a company now called LZX in Portland that builds really cool modules. I found the patterns and rhythms I could make with these machines work really well with the music. And it’s a lot of fun to do too.

Which other artists are listening to at the moment?

Oldies like Caetano Veloso, Holger Czukay, Thelonious Monk, Yusef Lateef, Kasai Alstars or Alain Peters, Nicola Cruz, Mauskovic Dance Band, Mark Ernestus’ Ndagga Rhythm Force.

What do you like to do away from music?

We have a small campervan and love to drive down the Portuguese coast, but since this virus doesn’t allow us to move much, we’ve spent more time growing veggies and fruits in the garden. Feeding the chickens, reading, meditating, drinking coffee, there’s a lot of that these days.

Thanks Jori, and all the best for the rest of the year,
Same to you, thank you so much for the attention.
LISTEN: https://ffm.to/pontchakulua
December 1, 2020 0 comments
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Australia’s newest music show Music People brings Australia’s live music resurgence to your screens!
Festival NewsMusic News

Australia’s newest music show Music People brings Australia’s live music resurgence to your screens!

by the partae December 1, 2020
written by the partae

Artists from around the country encouraged to be involved in Newcastle-based series

With music and live performance now seeing a resurgence around Australia, artists and creatives are finding new ways to document these special shows as they go down in a variety of unique formats and capacities. And as we head into the summer, new music series Music People is proving to be a great asset to this resurgence.

Curated by four music directors – Ben Steer (Continuous Music), Ben Campbell (Newcastle Music Collective), Emily Wurramara, and Karen Eivers, and made possible thanks to an Industry Response Program Grant from The City of Newcastle, the show not only shines a light on some of the country’s most talented songwriters and performers, but it also puts the focus on Newcastle and its iconic Civic Theatre, a venue that plays host to much of the Music People action and performances.

Produced by Maddie Palmer (RAGE, JTV, The Feed) and Matt Field (Field Frequency), Music People has been conceptualised with the aim of not only spotlighting Newcastle’s idyllic music community, but to bring artists from around the country into the fold as the series continues to grow in 2021. The idea for and execution of Music People has been formulating over the last two years; the initial aim squarely focused on unifying the wider Australian music community however with the onset of COVID and its effects on the industry, the series’ importance now has added weight.

Says Matt of Music People, “We have a hugely supportive music-loving population in Australia that spans all ages, yet we compartmentalise much of our music into the youth market, middle age, boomers, etc. In Australia, we need to break down some of these walls and celebrate the artistry. In the same way Top Gear on the BBC showcases all kinds of vehicles to a wide demographic, Music People celebrates our music diversity with a music-loving nation. I look forward to the day when all artists, from all disciplines have multiple channels available to support their career.”

Featuring performances from a diverse range of artists including William Crighton, Kim Churchill, Emily Wurramara, Melanie Dyer, Little Quirks and Harry James Angus, Music People exists to entertain, uplift and inspire. Driven by a love for the art and also by the opportunity to use the platform to spread messages of inclusivity, awareness and change, Music People arrives at a time where the music industry and broader Australian music community is thriving once more. Coming out the other side of what has been an unpredictable and rough year for many.

“Music People provides a platform for all music to live and breathe in one place. Where country and indie can sit alongside electronic, rap, reggae and soul; new, old and everything in between. Music People is diverse, inclusive, raw and real. It’s a show about music people, made by music people, for music people.” Matt Field, Executive Producer

The City of Newcastle, The Newcastle Herald, The Civic Theatre, Tourism Newcastle and a range of other Newcastle outlets will broadcast the episodes of Music People live, while each showcasing artist will also share from their own channels, making each episode a truly unifying effort.

Music People is broadcast Tuesday nights live from 8pm, with episodes continuing into March 2021!
For more information visit www.musicpeoplelive.com.

MUSIC PEOPLE 2020/2021 SEASON

Tuesday, December 1st
Tuesday, December 15th
Tuesday, January 12th
Tuesday, February 9th
Tuesday, February 23rd
Tuesday, March 9th
Tuesday, March 23rd

Official Website | Facebook | Instagram

December 1, 2020 0 comments
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Josha Daniel
Music InterviewsMusic News

Josha Daniel

by the partae November 29, 2020
written by the partae

Where are you currently based?

I’m currently based in Noordwijk, The Netherlands. A small village near the coast of Holland where I grew up.

How did you first start playing music?

Music has always been a very big part of my life. I always loved singing and remember one of the first rock concerts I went to in my hometown. I saw those guys playing live on stage and it just blew me away! I knew this was what I wanted to do and after that concert I asked my mother if I could play the electric guitar. She said yes and after having some guitar lessons I formed a band with a couple of friends from school, nothing serious but we had the best time of our lives. We always felt the urge to write our own songs and never really played covers. A few years later things were starting to get a bit more serious and I really wanted to write songs and make music on a more professional level.

What’s been happening recently and how has your Covid experience been so far?

2020 was a very weird, but also exciting year for me. I was busy finishing my album and had some plans to play live for the first time with my new music. The whole festival season was canceled so I thought it would be better to just focus on writing more music. I feel very grateful that I  have my studio at home so I can work whenever want, that’s really nice. Since 2020 I also signed a publishing deal with Cloud9. They connect me to other producers/songwriters so I really have plenty of work and inspiration that keeps me going. This summer they’ve sent me on a writing trip to Berlin and I even had some online writing sessions. It’s cool that we can use the technologie to write with people all around the globe, but I really hope that it will be over soon so we can truly connect again.

Your new album ‘Dream Of You’ is out now, what influenced the sound and songwriting?

‘Dream Of You’ is the very first album I produced and wrote myself. After quitting my band I knew I did not want to stop making music and felt that I wanted to do something truly for myself. I wanted to make music that felt pure and honest, without any compromises. Over the years I collected a lot of sounds, plugins, guitars, synthesizers and effects and they all inspire me in my writing proces. I love the sound of analog gear like my Prophet Rev2, but also use a lot of soft synths in my productions because they get better every year and it’s just really fast to work with.

How did you go about writing the music?

The way I write songs is the way a lot of modern producers work nowadays, with my Macbook and Logic Pro x. For me it always starts off with music only. I try to make a solid track that’s already tells a story to me, without any vocals or lyrics. When I feel that it’s time, I just start singing and try to translate the music into words to tell a story. For me this works for most of the time. Even for the title track ‘Dream Of You’ the instrumental was already finished for 99%. Only this time I liked the instrumental so much that I thought my voice killed the vibe of it. I just could not finish it. After a few months of trying I just woke up with the Dream Of You vocal ID in my head and now I’m really happy with the end result. Sometimes you just have to put an idea aside, especially when you work on it by yourself 🙂

Where and when did you record/produce/master?

All at the same time haha. Okay that’s not entirely true, but the way I see it is that it all works together as a balanced triangle. I write, record, produce and master in the same project. This way I have all my favorite plugins/FX and sounds ready so I can work fast. Also I can already feel the vibe of the master chain and get a better picture of the end result while working on the track. For me this works best, because I can just keep going without any time consuming exporting stems etc. When the track is nearly finished, my brother Devi (NEW_ID) opens up my project for the last tweaks and does the final master. We’ve built the template together and he knows exactly what he’s doing. I always think its great to have an extra pair of ears because after a while you’re just used to the way it sounds and you can’t make any objective decisions anymore. And sometimes you just have to kill your darlings!

Please tell us about how you approached the recording/production process:

For this album I wanted to experiment with lots of instruments and styles of singing, but still wanted to have a clear focus and overall sound. What really helped me accomplishing an overall sound is that I made a very big template with all of my favorite reverbs, delays etc. This way it feels like songs of the album sits in the same space. All guitars where recorded trough a Bassman 100 72 amp and I only used one mic for my vocals, the Aston Origin. My main synth sound for pads is the Dave Smith Prophet Rev2. I just love analog filters, noise and the level of imperfection. There’s just some magic to it that plugins sometimes can’t match up to and it really inspired the overall sound of my album. I recorded all synths and vocals true a UAD Apollo Twin Quad with an Octo satellite for extra DSP to go crazy on the plugins.

What programs/instruments did you use?

DAW: Logic Pro X. I started Ends > begin and Room for Error in Ableton Live, but ended up exporting all the tracks to Logic because it matches my workflow better
Plugins: Roland Cloud, UAD, Valhalla, Soundtoys, Fabfilter, Wavesfactory, Waves, Sonarworx & many more
Instruments: Fender Telecaster, Gibson ES325, Prophet Rev2, Epiphone Thunderbird bass

Please tell us about your transition from being in a band to going solo:

In 2013 I started a band with a few friends from my hometown: Silent War. We all shared the same drive and knew this was something we wanted to do. We experienced some crazy adventures together and I can only look back on that time with a big smile. Unfortunately after a few year we all felt that we needed to do something else and we all went a different way. This is when I started my solo project. I always produced the demo’s for the band, so it felt very natural to me to start producing my own music.

How did you come to work with and release on Enroute Records?

I met Quirijn at Armada when my brother Devi was invited to play there during ADE. My brother used to work with him when Quirijn was part of Volt & state so he introduced me to him. Q told me that he had some instrumentals he was working on and I offered him to write some vocals for them. The week later he actually send me the tracks and I was really thrilled to write for him. I wrote and sang the vocals for’ Higher’ and ‘On Your Mind’ and that’s how we started working together. I just started producing my own songs and asked Quirijn if he could give me some feedback on the production. After a few months I was confident to ask him if he wanted to release it on his record lable, Enroute. He helped me out with the release, promo and still gives me feedback on my tracks. He’s also very much into indie styles of music so I think it was just right place, right time. We became close friends and it’s just great to work with people who have the same passion about music.

What do you like to do away from music?

When I’m not in the studio, I love to go to the beach. I’ve been (kite)surfing ever since I was 13 and work part-time in a kitesurf store in NL. It’s just great to clear your mind, exercise and have some fun with friends. You should definitely go try it out!

Who are you listening to at the moment?

I feel very inspired by ‘indie’ acts like M83, Foals, the XX, RÜFÜS DU SOL, but also more ambient artists like George FitzGerald, Jon Hopkins & Rival Consoles. I guess what I love about music is that it’s a real journey and it takes you to another dimension.

What’s planned for the remainder of 2020 going into 2021?

For now I want to focus more on the live aspect and work on my live setup. Also I started on album 2 so let’s see where that will take me.

Favourite food and place to hangout?

Thai Food – Any beach.

https://www.instagram.com/josha_daniel/
November 29, 2020 0 comments
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CENE & HEARD FESTIVAL returns to Newcastle February 2021 feat. Grinspoon, Regurgitator, Ratcat, Frenzal Rhomb and more
Festival NewsMusic News

SCENE & HEARD FESTIVAL returns to Newcastle February 2021 feat. Grinspoon, Regurgitator, Ratcat, Frenzal Rhomb and more

by the partae November 29, 2020
written by the partae

This summer in Newcastle is set to get hotter as Scene & Heard Festival returns with another epic line-up, featuring the cream of the Australian 90s/noughties alternative music scene.

Following up its successful 2018/19 events, with Covid putting a stop to live music throughout most of 2020, Scene & Heard had set its sights on 2021 to bring you more of your favourite classic acts – jam-packed into a full day of live music & entertainment.  Pull out your Hottest 100 compilations in preparation and get ready for Grinspoon, Regurgitator, Ratcat, Frenzal Rhomb, COG, Killing Heidi, Custard & Caligula, along with the Discovery “Daft Punk Tribute” show, Minx and more, as they hit Wickham Park on Sunday February 21, 2021.  The Covid-safe 18+ festival will see pre-sale tickets for members on sale Tuesday December 1, with general tickets on sale Thursday December 3. 

With 13 ARIA nominations and a catalogue of seven albums (over half a million records sold) spanning across 25 years, you can expect plenty of rock riffs & anthems from GRINSPOON as they headline the Sound & Heard stage.  From the multi-platinum selling rock outfit’s Guide to Better Living, to their ARIA-winning ‘Best Rock Album’ Thrills, Kills & Sunday Pills and through to Top Ten chart-topper Black Rabbits, rest assured that ‘Grinners’ will be pulling out plenty of loaded classics such as Chemical Heart, Hard Act To Follow, More Than You Are and more…

TICKETS
Get in quick & sign up for early bird tickets at $99.90 +bf
 EARLY BIRD TICKETS

Pre-sale tickets – on sale Tuesday December 1
General tickets – on sale Thursday December 3

SCENE & HEARD FESTIVAL 2021
February 21 – Wickham Park, Newcastle

GRINSPOON
REGURGITATOR
RATCAT
FRENZAL RHOMB
COG
KILLING HEIDI
CUSTARD

CALIGULA
+
DCM STAGE featuring
DISCOVERY “DAFT PUNK TRIBUTE” SHOW
MINX
and more tba…

For more info, head to

SCENE & HEARD FESTIVAL

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November 29, 2020 0 comments
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‘make it real ft Fractures’ is the enthralling new single from Sydney-based multi-instrumentalist, producer and songwriter upsidedownhead (aka Ross James), who has teamed up with iconic Melbourne musician Fractures (aka Mark Zito) to bring the song to life. ‘make it real’ is a discursive exploration of differing emotions through both music and lyrics. As Fractures explains: ‘‘The song itself is without narrative but if anything is told from the point of view of someone struggling to tell the difference between their waking life and what they’re seeing in their mind. Almost preferring to live in that internal space. Call it turmoil if you like”. Washes of synth and a ticking rhythm contrast with Fractures’ pristine falsetto on ‘make it real’, and as it continues to build, the swelling production expands until the finality of the song’s crescendo. ‘make it real’ is an undeniably impressive collaboration, a successful meeting of the production nous of upsidedownhead and the strong melodic ability of Fractures.
Music News

upsidedownhead Releases Enthralling New Single ‘make it real ft. Fractures’

by the partae November 29, 2020
written by the partae
‘make it real ft Fractures’ is the enthralling new single from Sydney-based multi-instrumentalist, producer and songwriter upsidedownhead (aka Ross James), who has teamed up with iconic Melbourne musician Fractures (aka Mark Zito) to bring the song to life.

‘make it real’ is a discursive exploration of differing emotions through both music and lyrics. As Fractures explains:

‘‘The song itself is without narrative but if anything is told from the point of view of someone struggling to tell the difference between their waking life and what they’re seeing in their mind. Almost preferring to live in that internal space. Call it turmoil if you like”. 
Washes of synth and a ticking rhythm contrast with Fractures’ pristine falsetto on ‘make it real’, and as it continues to build, the swelling production expands until the finality of the song’s crescendo. ‘make it real’ is an undeniably impressive collaboration, a successful meeting of the production nous of upsidedownhead and the strong melodic ability of Fractures.
The moniker of Sydney musical director/ producer/ writer Ross James, upsidedownhead has collaborated with some of Australia’s most-exciting talent over the course of his musical journey, including Mansionair, E^ST, Tom Snowdon, Vera Blue, Vallis Alps and PLGRMS. He has also remixed songs from Broods and King Henry.

Despite the tough circumstances of the year, upsidedownhead has had an impressive 2020, with the release of previous singles ‘open the sky (ft Tom Snowdon)’ and ‘twice as tough (ft Mansionair)’, the latter of which premiered on Clash Magazine and has accumulated over 1M streams across DSPs and Amazon’s global playlists Pop Lab and Chill Generation (US, UK and Germany). Previous upsidedownhead singles have also seen extensive support from Apple Music globally with tracks featuring in Today’s Chill, Unwind, Chill and many more.

Born out of studio experimentation, Fractures is the moniker of Mark Zito.  Having started on a path of electronic pop, his journey has since deviated to darker alternative indie band-oriented music delivered on 2017’s debut album Still Here, with lead single ‘Lowcast’ gaining full rotation on triple J and leading to sold out shows Australia-wide. Over the course of 2020, Zito has written and produced both an EP and a full-length album of dance floor inspired tunes ready for release in early 2021.

‘make it real ft. Fractures’
upsidedownhead

Single out now through Liberation Records

Available to buy/stream here

upsidedownhead

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November 29, 2020 0 comments
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PHI11A RELEASES LATEST SINGLE 'I TRY' VIA DEF JAM ANZ
Music News

PHI11A RELEASES LATEST SINGLE ‘I TRY’ VIA DEF JAM ANZ

by the partae November 29, 2020
written by the partae

LISTEN HERE

“Australia’s emerging rap force” – Clash Magazine

“Setting himself up as one to watch” – Rolling Stone

“Undeniable skill and diversity” – Sniffers

ACCLAIM MAGAZINES ‘PEOPLE’S CHAMP 2020’ FINALIST

It’s been a wild year to say the least, but that hasn’t stopped Australian rapper Phi11a from grinding. Today, he releases his latest single, ‘I Try’, a track that serves as a warning to think about the consequences of your actions and to reflect before taking a destructive route in life. In the track, Phi11a croons over a melodic guitar hook, then seamlessly glides into his patented unique flow; spitting lyrics that touch on the various things that can break someone, whilst also celebrating those that refuse to be broken.

“I was really upset after a break-up” remarked Phi11a “it was like two in the morning, I had just run out of weed/wine and couldn’t get to sleep – that’s when the songs chorus was gifted to me. Its message is about never giving up and revolves around the theme that you should celebrate someone if they are trying their best, no matter what!”

The single follows ‘Dirty Dancer’, a track that was co-produced by U.S. super-producer Scott Storch (Beyonce, Dr. Dre, Roddy Rich, Megan Thee Stallion) and acted at Phi11a’s third official single. Written at the illustrious producers home studio prior to lockdown, the track went on to garner the attention from the likes of No Jumper, DJ Akademiks and Our Generation Music and help the emerging artist in being nominated as one of Acclaim Magazine’s ‘People’s Champ’.

In just over a year, Phi11a has solidified himself as one of the most exciting hip-hop voices to come out of Australia. His breakout out, Supah Mario (Drake, Young Thug) produced, debut single ‘Overdose’ was followed up with a surprise mixtape with emo-trap royalty, Jimmy Duval (XXXTentacion, Lil Pump and Ski Mask the Slump God).

The mixtape laid the blueprint for ‘Witness’, the second official single from the Australian rapper which featured the iconic, Trippie Redd. The release went onto amass over 4M streams and receive praise from Clash Magazine, NME, Rolling Stone, TRVP, Mixtape Madness, Sniffers, Montreality and the biggest hip-hop blog on Instagram, RapTV. The official video for the track was also premiered by U.S. hip-hop tastemakers, Lyrical Lemonade.

With ‘I Try’, Phi11a closes out the year by once again showcasing his talent to create an earworm of a hook, and a lyrical approach that few can hold a candle to – something we’ll only see more of in the coming year.

‘I TRY’ IS OUT NOW

VIA DEF JAM RECORDINGS ANZ

FACEBOOK | TWITTER | INSTAGRAM | TIK TOK

SPOTIFY | APPLE MUSIC | YOUTUBE | SOUNDCLOUD

November 29, 2020 0 comments
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OCEAN GROVE UNVEIL NEW SINGLE + VIDEO 'DREAM' + RELEASE 'SUNNY' REMIX
Music News

OCEAN GROVE UNVEIL NEW SINGLE + VIDEO ‘DREAM’ + RELEASE ‘SUNNY’ REMIX

by the partae November 29, 2020
written by the partae

Image: Tom Elliott

Ocean Grove are offering up a sweet combo of new releases today with the reveal of new single + video ‘DREAM’ as well as a reimagined cut from their latest album with ‘SUNNY (Remix)’.

Vocalist Dale Tanner describes ‘DREAM’ as the ultimate PMA (Positive Mental Attitude) anthem, an ideology and energy he says all of team OG champion and incorporate in their everyday lives. Originally a hidden track on Flip Phone Fantasy and written long before the year was thrown into disarray, today’s official release of ‘DREAM’ arguably marks the track that 2020 needs.

“It feels as though the lyrics have taken on an even deeper relevance when we look back on the stories of life’s fragility that have been making headlines for months,” explains Tanner.

“Ultimately it hopes to inspire listeners to stop paying attention to the naysayers and the constant reminders that we’re not good enough and instead to chase those crazy life goals to no end. This song is OG running to the rooftops and shouting loud and clear that time is our greatest commodity and we shouldn’t waste a bloody second of it.”

Bassist Twiggy Hunter adds: “Dream was written to empower the listener and instil a sense of don’t-give-a-fuck-ery with a bold, glistening undertone of optimism and hope. We hope listeners can use this song as a form of lifeblood to not give up hope through the times ahead and go on to prosper and thrive in their own individualism.”

Released in December 2019, ‘SUNNY’ marked another tease in the lead up to Ocean Grove’s recent album Flip Phone Fantasy. Hanging on to the original’s summery, Brit-pop vibes, today’s release ‘SUNNY (Remix)’ finds the track with a reimagined, acoustic touch.

In March, Ocean Grove released their technicolored sophomore record to widespread acclaim and #8 ARIA Album Chart debut. Beyond global media praise for its lawless creativity and no fucks attitude from the likes of Kerrang!, The Music (Album Of The Week), Hysteria (10/10) and more, Flip Phone Fantasy saw multiple singles each on rotation at triple j and has now soared beyond 9 Million + streams.

STREAM / PURCHASE
‘FLIP PHONE FANTASY’ NOW:
http://unfd.lnk.to/flipphonefantasy
STREAM THE NEW SINGLE
‘DREAM’ NOW:
http://unfd.lnk.to/dream
CONNECT WITH OCEAN GROVE:
Facebook
Link
Spotify
Website
November 29, 2020 0 comments
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LISTEN HERE Filth on Acid label head Reinier Zonneveld is back on his own game-changing label with four powerful tracks. It’s his first solo EP release since last December and we’re in for a treat. The brand-new EP has no genre boundaries and takes you on a typically powerful and futuristic techno trip. The highly anticipated ‘After In The Bus’ has been one of Reinier’s most requested tracks to release. The opener has a banging cut with rock-solid kicks and militant snare rolls. Reminiscent of his hits ‘Move Your Body To The Beat’ and ‘Pet Van Ket’, these dark vocals have been made upon - you’ve guessed it - a bus on his way back from a weekend of touring. Following his massive remix of Miro’s ‘Shining’, ‘Black Sun’ is here to follow in its footsteps of becoming a hit. The track is built on more all-consuming drums, with walls of super-sized synths and bright, strobe-lit chords lighting up the whole affair. Next up, the rave anthem ‘Pump It’. Stripping things back to a dry, marching beat the tune showcases industrial textures and a lone lead synth bringing the terror. Last of all but certainly not least, ‘Diablo’ closes out with a high speed and urgent techno number that will rattle the walls of any warehouse and keep dancers locked in suspense. Once again, these are devastating tunes from the master of techno just in time to close off 2020 with a banger - a year that would have seen the first edition of his very own festival ‘Live NOW’. To be continued in 2021. Reinier Zonneveld - ‘After Incubus’ EP is out NOW on Filth On Acid. CONNECT WITH REINIER ZONNEVELD
Music News

Reinier Zonneveld is back with a long-awaited killer 4-track EP ‘After Incubus’ The EP is out on his own label Filth On Acid

by the partae November 29, 2020
written by the partae
LISTEN HERE

Filth on Acid label head Reinier Zonneveld is back on his own game-changing label with four powerful tracks. It’s his first solo EP release since last December and we’re in for a treat. The brand-new EP has no genre boundaries and takes you on a typically powerful and futuristic techno trip.

The highly anticipated ‘After In The Bus’ has been one of Reinier’s most requested tracks to release. The opener has a banging cut with rock-solid kicks and militant snare rolls. Reminiscent of his hits ‘Move Your Body To The Beat’ and ‘Pet Van Ket’, these dark vocals have been made upon – you’ve guessed it – a bus on his way back from a weekend of touring.

Following his massive remix of Miro’s ‘Shining’, ‘Black Sun’ is here to follow in its footsteps of becoming a hit. The track is built on more all-consuming drums, with walls of super-sized synths and bright, strobe-lit chords lighting up the whole affair.

Next up, the rave anthem ‘Pump It’. Stripping things back to a dry, marching beat the tune showcases industrial textures and a lone lead synth bringing the terror.

Last of all but certainly not least, ‘Diablo’ closes out with a high speed and urgent techno number that will rattle the walls of any warehouse and keep dancers locked in suspense.

Once again, these are devastating tunes from the master of techno just in time to close off 2020 with a banger – a year that would have seen the first edition of his very own festival ‘Live NOW’. To be continued in 2021.

Reinier Zonneveld – ‘After Incubus’ EP is out NOW on Filth On Acid.

CONNECT WITH REINIER ZONNEVELD
Website
Facebook
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SoundCloud
Spotify
November 29, 2020 0 comments
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Australian folk pop darlings, Pierce Brothers have dropped their new single It’s Alright, a headfirst dive into high energy blues and roots, out today November 27.  It’s Alright tells the story of overcoming hardship and solitude to truly appreciate what’s important, and to see the love that surrounds you if you search for it [Listen: IT’S ALRIGHT].  It’s Alright is also accompanied by an affecting music video about finding comfort in an unlikely place [WATCH: IT’S ALRIGHT].  The single preceeds the Pierce Brothers’ highly anticipated sophomore album, Into The Great Unknown set for release on March 5, 2021.   Written years apart over two separate time periods, It’s Alright is truly the joining of both sides of the Pierce Brothers. The chorus, penned by Jack Pierce while treking through the mountains of Switzerland in 2018, sat in a drawer unused for the last album until brother Pat took the track and re-worked it, writing all new verses and giving the track a new blues-inspired life. Produced by Jan Skubizeski (John Butler, The Cat Empire), mixed by Phil Threfall (Illy, Ed Sheeran), and mastered by Joe Carra at Crystal Mastering (The Tesky Brothers, The Cat Empire), It’s Alright is the return to energetic folk roots that Pierce Brothers are known for, and will have fans of Nathaniel Rateliff and The Teskey Brothers champing at the bit to hear more.   Filmed by Carl Allison (Tones and I) and Jesse Leaman (Leaman Films, Didirri), and shot in Melbourne’s outer eastern regions the day lockdown ended, the video for It’s Alright sees the story of two warring soldiers finding comfort in one another after stumbling upon a Wonderland-inspired teaparty.  “We have worked a lot with Carl Allison in the past,“ explains Pat, “he and Jesse pitched us the idea and we just thought it sounded so interesting, weird and delightful. I was a little worried it’d come off too over the top, but I’m stoked at how it turned out, just a really nice story of two people finding comfort somewhere unexpected."    Into The Great Unknown was recorded at Jan Skubizeski’s Red Moon Studios in Gisborne from April to June 2020, between the two Victorian lockdowns, with Jack and Pat spending most days recording in the studio and most evenings on site in the guest cottage working on new material. “We’d finish a long day recording a track, then have dinner together, share a bottle of red and either work on the track some more, or we’d retire to the cottage and write until we went to sleep,” explains Jack. “We spent hours discussing and exploring new sounds and experimenting with a secondary recording rig in the cottage, so we could test out new and exciting things before taking them to the studio the next day. This made for some beautifully experimental explorations throughout the album, opitimised by the stunning instrumental track Réflecteur. Pat used his time to mock up strings arrangements and horn ideas that we then took to some incredibly talented people to bring to life!”  The strings and horns arrangements, put together by Ross Iwrin (The Cat Empire, Angus and Julia Stone, Passenger) lift the album to a new level, with Pat noting, “The string arrangements realised a whole avenue that we’d always wanted to explore, inspired a lot by Gang Of Youths’ brilliant 2017 album Go Farther In Lightness, and expanded the depth of the album in ways that we’d never tried."   Into The Great Unknown is the first 100% independent body of work from Pierce Brothers since they burst onto the scene with 2014’s The Night Tree. “This album almost didn’t happen,” Jack recalls, “We have toured relentlessly for 5 years, and until now, we could only record on select days in between tours. We were at each other’s throats! With pressure to write, and fatigue from the road, it almost broke the band up. The COVID-19 crisis decimated the live music scene and the main aspect of our income, so funding this album independently was a challenge. The time that we had off from touring during lockdown, while difficult, made us laser focussed like never before on the writing process. It has provided us a new roster of tracks that we can’t wait to play live. Whilst it was an unwelcome break in our lives, it helped create the best album we’ve ever written!”   Pierce Brothers will be playing their postponed shows throughout the summer with limited capacities due to the COVID-19 restrictions.   IT’S ALRIGHT is out November 27 via DITTO   INTO THE GREAT UNKNOWN is out March 5 via DITTO   Pre-orders INTO THE GREAT UNKNOWN here  https://ffm.to/pbitgu   Listen: IT’S ALRIGHT Watch: IT’S ALRIGHT INTO THE GREAT UNKNOWN Tracklist 1. white caps come 2. dentist 3. brother 4. it’s alright 5. la montagne 6. lights of london 7. réflecteur 8. trouble 9. waves of winter 10. petty 11. kanko 12. one   PIERCE BROTHERS SUMMER 20/21TOUR Tickets available from www.piercebrothers.com/   FRI, 11 DEC 20 | THE GRAND, MORNINGTON | FINAL TICKETS   SAT, 12 DEC 20 | THE GRAND, MORNINGTON | SOLD OUT   FRI, 18 DEC 20 | SANDY POINT HALL, SANDY POINT | SOLD OUT   SAT, 19 DEC 20 | WESTERNPORT HOTEL, SAN REMO | SOLD OUT   SAT, 19 DEC 20 | WESTERNPORT HOTEL, SAN REMO | SOLD OUT   TUE, 29 DEC 20 | THE PELICAN BAR, QUEENSCLIFF | FINAL TICKETS   WED, 30 DEC 20 | THE PELICAN BAR, QUEENSCLIFF | SOLD OUT   WED, 6 JAN 20 | SOOKIE LOUNGE, BELGRAVE | SOLD OUT   THU, 7 JAN 20 | SOOKIE LOUNGE, BELGRAVE | SOLD OUT   SUN, 10 JAN 20 | TORQUAY HOTEL, TORQUAY | SOLD OUT   THU, 14 JAN 20 | LA LA LA’S, WOLLONGONG | SOLD OUT   FRI, 15 JAN 20 | CAMBRIDGE WAREHOUSE, NEWCASTLE | FINAL TICKETS   SAT, 16 JAN 20 | TRANSIT BAR, CANBERRA | FINAL TICKETS   SUN, 17 JAN 20 | BEER DELUXE, ALBURY | FINAL TICKETS   23 JAN | VOLTA ARTS & CULTURE, BALLARRAT | JUST ANNOUNCED   20 MAR | THE SHEDS, WONTHAGGI | JUST ANNOUNCED   FRI, 2 APR 20 | BLUESFEST, BYRON BAY
Festival NewsMusic News

PIERCE BROTHERS SHARE NEW SINGLE AND VIDEO ‘IT’S ALRIGHT’ + ANNOUNCE SOPHMORE ALBUM ‘INTO THE GREAT UNKNOWN’ SET FOR RELEASE MARCH 5

by the partae November 29, 2020
written by the partae

Australian folk pop darlings, Pierce Brothers have dropped their new single It’s Alright, a headfirst dive into high energy blues and roots, out today November 27.  It’s Alright tells the story of overcoming hardship and solitude to truly appreciate what’s important, and to see the love that surrounds you if you search for it [Listen: IT’S ALRIGHT].  It’s Alright is also accompanied by an affecting music video about finding comfort in an unlikely place [WATCH: IT’S ALRIGHT].  The single preceeds the Pierce Brothers’ highly anticipated sophomore album, Into The Great Unknown set for release on March 5, 2021.

Written years apart over two separate time periods, It’s Alright is truly the joining of both sides of the Pierce Brothers. The chorus, penned by Jack Pierce while treking through the mountains of Switzerland in 2018, sat in a drawer unused for the last album until brother Pat took the track and re-worked it, writing all new verses and giving the track a new blues-inspired life. Produced by Jan Skubizeski (John Butler, The Cat Empire), mixed by Phil Threfall (Illy, Ed Sheeran), and mastered by Joe Carra at Crystal Mastering (The Tesky Brothers, The Cat Empire), It’s Alright is the return to energetic folk roots that Pierce Brothers are known for, and will have fans of Nathaniel Rateliff and The Teskey Brothers champing at the bit to hear more.

Filmed by Carl Allison (Tones and I) and Jesse Leaman (Leaman Films, Didirri), and shot in Melbourne’s outer eastern regions the day lockdown ended, the video for It’s Alright sees the story of two warring soldiers finding comfort in one another after stumbling upon a Wonderland-inspired teaparty.  “We have worked a lot with Carl Allison in the past,“ explains Pat, “he and Jesse pitched us the idea and we just thought it sounded so interesting, weird and delightful. I was a little worried it’d come off too over the top, but I’m stoked at how it turned out, just a really nice story of two people finding comfort somewhere unexpected.” 

Into The Great Unknown was recorded at Jan Skubizeski’s Red Moon Studios in Gisborne from April to June 2020, between the two Victorian lockdowns, with Jack and Pat spending most days recording in the studio and most evenings on site in the guest cottage working on new material. “We’d finish a long day recording a track, then have dinner together, share a bottle of red and either work on the track some more, or we’d retire to the cottage and write until we went to sleep,” explains Jack. “We spent hours discussing and exploring new sounds and experimenting with a secondary recording rig in the cottage, so we could test out new and exciting things before taking them to the studio the next day. This made for some beautifully experimental explorations throughout the album, opitimised by the stunning instrumental track Réflecteur. Pat used his time to mock up strings arrangements and horn ideas that we then took to some incredibly talented people to bring to life!”  The strings and horns arrangements, put together by Ross Iwrin (The Cat Empire, Angus and Julia Stone, Passenger) lift the album to a new level, with Pat noting, “The string arrangements realised a whole avenue that we’d always wanted to explore, inspired a lot by Gang Of Youths’ brilliant 2017 album Go Farther In Lightness, and expanded the depth of the album in ways that we’d never tried.”

Into The Great Unknown is the first 100% independent body of work from Pierce Brothers since they burst onto the scene with 2014’s The Night Tree. “This album almost didn’t happen,” Jack recalls, “We have toured relentlessly for 5 years, and until now, we could only record on select days in between tours. We were at each other’s throats! With pressure to write, and fatigue from the road, it almost broke the band up. The COVID-19 crisis decimated the live music scene and the main aspect of our income, so funding this album independently was a challenge. The time that we had off from touring during lockdown, while difficult, made us laser focussed like never before on the writing process. It has provided us a new roster of tracks that we can’t wait to play live. Whilst it was an unwelcome break in our lives, it helped create the best album we’ve ever written!”

Pierce Brothers will be playing their postponed shows throughout the summer with limited capacities due to the COVID-19 restrictions.

IT’S ALRIGHT is out November 27 via DITTO

INTO THE GREAT UNKNOWN is out March 5 via DITTO

Pre-orders INTO THE GREAT UNKNOWN here  https://ffm.to/pbitgu

Listen: IT’S ALRIGHT
Watch: IT’S ALRIGHT

INTO THE GREAT UNKNOWN Tracklist
1. white caps come
2. dentist
3. brother
4. it’s alright
5. la montagne
6. lights of london
7. réflecteur
8. trouble
9. waves of winter
10. petty
11. kanko
12. one

PIERCE BROTHERS SUMMER 20/21TOUR
Tickets available from www.piercebrothers.com/

FRI, 11 DEC 20 | THE GRAND, MORNINGTON | FINAL TICKETS

SAT, 12 DEC 20 | THE GRAND, MORNINGTON | SOLD OUT

FRI, 18 DEC 20 | SANDY POINT HALL, SANDY POINT | SOLD OUT

SAT, 19 DEC 20 | WESTERNPORT HOTEL, SAN REMO | SOLD OUT

SAT, 19 DEC 20 | WESTERNPORT HOTEL, SAN REMO | SOLD OUT

TUE, 29 DEC 20 | THE PELICAN BAR, QUEENSCLIFF | FINAL TICKETS

WED, 30 DEC 20 | THE PELICAN BAR, QUEENSCLIFF | SOLD OUT

WED, 6 JAN 20 | SOOKIE LOUNGE, BELGRAVE | SOLD OUT

THU, 7 JAN 20 | SOOKIE LOUNGE, BELGRAVE | SOLD OUT

SUN, 10 JAN 20 | TORQUAY HOTEL, TORQUAY | SOLD OUT

THU, 14 JAN 20 | LA LA LA’S, WOLLONGONG | SOLD OUT

FRI, 15 JAN 20 | CAMBRIDGE WAREHOUSE, NEWCASTLE | FINAL TICKETS

SAT, 16 JAN 20 | TRANSIT BAR, CANBERRA | FINAL TICKETS

SUN, 17 JAN 20 | BEER DELUXE, ALBURY | FINAL TICKETS

23 JAN | VOLTA ARTS & CULTURE, BALLARRAT | JUST ANNOUNCED

20 MAR | THE SHEDS, WONTHAGGI | JUST ANNOUNCED

FRI, 2 APR 20 | BLUESFEST, BYRON BAY

Follow Pierce Brothers
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November 29, 2020 0 comments
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BOLEYN SMOULDERS WITH NEW RELEASE ‘VIOLENCE’
Music News

BOLEYN SMOULDERS WITH NEW RELEASE ‘VIOLENCE’

by the partae November 28, 2020
written by the partae
“Candid and beautiful.”
– Nkechi Anele, triple j

“A fun force to be reckoned with… Cinematic.” 
– Pilerats (AUS)

‘An Artist to Watch in 2019’
– Purple Sneakers

Sydney-based pop artist BOLEYN has just let loose with a simmering track ‘Violence’ – produced and mixed by Clockwork Odyssey at their studios in the old World Bar complex and mastered by Peter Holz (Gang of Youths, Vance Joy, Peking Duk). The smouldering track is available November 27th via all DSPs and streaming services; an equally fiery, self-directed video which will premiere at CLIPPED Music Video Festival on Sat December 5th.

Bearing similarities to Lana del Rey and drawing inspiration from influences such as The Black Keys and The National, ‘Violence’ is a seamless synthesis of dark guitar pop and chilling electronics that both soothes and stuns. The thrumming guitar, haunting strings and blush-inducing vocals build to a crescendo in the bridge, the tension increasing like a piece of thread drawn taught – ready to snap.

“If he loves me, why won’t he hurt me?” A friend was complaining her partner wasn’t being aggressive enough in the bedroom and that seed buried itself in my mind. ‘Violence’ is fundamentally about consent. How do we communicate our sexual needs? What boundaries do we set? How is that expressed? What anxieties do we harbor about communicating our true desires? ‘Violence’ is about letting go everything except your needs and communicating those with honesty – you want bruises? You want it to hurt? To leave a mark? Cool, I’m game – you just need to ask,” explains BOLEYN.

BOLEYN’s latest single ‘re: 21 ’ sparked critical acclaim from the likes of local tastemakers Triple J, Joy 94.9, FBi Radio, Pilerats, Purple Sneakers, MusicFeeds and The AU Review. The enigmatic artist has performed on the main stage at the fourth instalment of Victorian-based festival Gay Times, where he shared stages with the likes of Flint Eastwood, Kira Puru, Eliott and Maribelle.

The 24-year old BOLEYN has spent the 2020 COVID19 isolation period working on new material, writing with ARIA nominated, platinum record producer Xavier Dunn (Peking Duk, Jack River, CXLOE) as well as Brisbane up-start Guy Stacey (GVY), perfecting a live show with a new band lineup. BOLEYN is more than ready to see COVID off with a fresh suite of songs crafted during his own time of self-isolation.

Violence is out NOW.

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Tricky launches project with mental health charity Bristol Mind
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Tricky launches project with mental health charity Bristol Mind

by the partae November 28, 2020
written by the partae

Tricky has today announced the first step in a new fundraising effort to raise money and awareness surrounding mental health in his hometown of Bristol, by launching for sale a deluxe notebook set from his webshop, with all profits from the release being donated to Bristol Mind.

The fundraising effort is a close-to-home initiative supporting the brilliant work the local mental health charity conducts, from advocacy and mental health awareness training, to free helplines and counselling. More about Bristol Mind’s work can be found at bristolmind.org.uk

The team from Bristol Mind commented:

“Bristol Mind are very grateful for Tricky’s contribution in raising awareness and helping to fund our services.  The more people can talk openly about mental health, the easier it will be for people to seek and get the support they need.”

The set features an A5 notebook and accompanying pen, plus lyrics booklet drawing a line from Tricky’s recent acclaimed album ‘Fall To Pieces’ to the new initiative. Ten editions of the set will be sent at random to customers containing original hand-written lyrics sheets from the album recording process. It is available today from shop.trickysite.com

Listen to Tricky’s “Thinking Of” 

Watch Tricky’s Video for “Fall Please”

Fall To Pieces

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Vintage Culture & Fancy Inc give David Guetta & Sia's 'Let's Love' a huge electro house remix
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Vintage Culture & Fancy Inc give David Guetta & Sia’s ‘Let’s Love’ a huge electro house remix

by the partae November 28, 2020
written by the partae

The remix kicks off with Sia’s dazzling vocals unfolding over ‘80s electro-pop-tinged synths and a teasing sense of atmosphere. As the chorus hits, huge snare hits filter into play and the synth magic keeps building to a dizzying crescendo. An enormous, bleeping, arpeggiated electro bassline thrusts into the track out of nowhere, tunnelling its way through a tense, dramatic soundscape that’s sprinkled with a little slow-burning trance magic. It takes the original into a darker place, and one built for those that like their dance music to really thump.

Vintage Culture has been blazing a trail through the scene thanks to collabs with the likes of Tiësto and remixes for the likes of Maverick Sabre, Jorja Smith and Robin Schulz, with over 7.7 million monthly listeners on Spotify. This remix is the latest collab between him and fellow Brazilian duo, Fancy Inc, who have been doing amazing work on Spinnin’ Records and Musical Freedom amongst others.

‘Let’s Love’ hit #1 on the iTunes Global Chart, #1 on the USA Dance Radio Chart, #2 on the European Radio Chart, #6 on the Shazam Global Chart and has picked up over 90 million video plays and streams to date, 22 million YouTube views, and 1 billion #LetsLove on TikTok.

About David Guetta

There are artists and entertainers who achieve stardom and popularity, but few have the influence and endurance to redraw borders between genres and reshape the industry’s dynamics. “When Love Takes Over,” the first single of his 2009 album ‘One Love’, hit #1 in the UK, the Guetta- produced Black Eyed Peas song “I Gotta Feeling” became a worldwide hit, topping the charts in 17 countries. Over the decade since, Guetta’s success has been off the charts. Globally, he’s racked up over 50 million record sales, whereas his total number of streams is over 10 billion. He has received numerous Platinum and Gold certifications, was named ‘EDM Power Player’ by Billboard, and won two Grammy Awards out of six nominations. Besides his hard-won DJ skills, he is prolific in the studio, working with artists like Madonna, Rihanna, Lady Gaga, Snoop Dogg, Martin Garrix, Usher, Sia, John Legend, Nicki Minaj, Sean Paul, Kelly Rowland, Showtek, Avicii, Ne-Yo, and Akon, for starters. His seventh studio album titled ‘7’, included huge electronic pop tracks like “2U” with Justin Bieber, “Flames” with Sia, “Don’t Leave Me Alone” with Anne-Marie, “Goodbye” with Jason Derulo, Nicki Minaj and Willy William and “Say My Name” with J Balvin and Bebe Rexha plus a second disc of underground dance tracks, recorded under Guetta’s Jack Back alias. With his wide-reaching and game-changing approach, he is more than just a DJ and producer: he’s made dance music reach the mainstream, fused urban, electronic and pop music into new popular genres, and managed to stay on top of the game for decades. David Guetta is surely not done with showing the world his incredible sound and it is safe to say that at this stage in his career, David knows exactly where to take it next.
CONNECT W/ DAVID GUETTA
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CONNECT W/ SIA
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CONNECT W/ VINTAGE CULTURE
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CONNECT W/ FANCY INK
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