In early 2021 Midnight Oil will perform a handful of special outdoor concerts called Makarrata Live. At each show, the band will be joined on stage by an incredible line up of First Nations collaborators for a unique concert event featuring music from their #1 mini album The Makarrata Project plus iconic Midnight Oil songs of Reconciliation from throughout their career.
These gigs will seek to elevate The Uluru Statement From The Heart which calls for a Makarrata – or “truth telling” – to account for the theft of lands and displacement of First Nations people. The shows will take place in strict accordance with each state’s Covid19 protocols. Due to the huge logistical challenges involved, these events will only be staged at one venue in SA, QLD, NSW, VIC & ACT making them each a unique live experience. The band is aware that many fans will be disappointed that the tour is visiting such a limited number of locations but Midnight Oil will tour in their own right later in 2021 by which time large indoor shows can hopefully be staged safely and without compromise throughout Australia and New Zealand at least.
Makarrata Live will be previewed at Sirromet Wines (near Brisbane) on Sunday 28 February, before its official world premiere on Monday 8 March at WOMADelaide in South Australia (at which the band will also perform a one-off headline performance on Saturday 6 March). The Makarrata Live dates will then follow on at Hope Estate in the Hunter Valley on Saturday 13 March and Canberra’s Stage 88 on Wednesday 17 March before a grand finale at Geelong’s Mt Duneed Estate on Saturday 20 March. For full tour and ticketing info see below.
“We’re relieved and excited at the thought of finally playing music to live audiences again”, said Midnight Oil frontman Peter Garrett. “Lots of the songs which have struck the deepest chords with our audiences over the years, like Beds Are Burning, Jimmy Sharman’s Boxers, The Dead Heart and Truganini, revolve around Indigenous issues so we’re definitely inspired to be playing a set that combines older songs like those with newer songs that share similar lyrical themes.”
“The most fulfilling part of The Makarrata Project came through collaborating with so many First Nations artists during those recording sessions”, adds the band’s guitarist and keyboard player, Jim Moginie. “I think everyone’s looking forward to seeing what shape all the music from different eras takes as those gifted singers add their voices to it live. We’ve never done anything like this so it feels good to still be pushing the envelope a bit despite everything that’s happened in 2020.”
Midnight Oil originally planned to play some Makarrata Live concerts earlier this year including a headlining slot at Splendour In The Grass. Those plans were unfortunately delayed by Covid19 and were then thrown into doubt by the harrowing terminal illness of long-time bass player, Bones Hillman. However, Bones urged his bandmates to proceed with these live shows to help draw focus to the new recordings the group had all made together late last year. In fact, just a few hours before his tragic passing he received confirmation that The Makarrata Project had debuted at the top of the ARIA Album Charts. It was Midnight Oil’s first new music #1 since Hillman’s very first record with the band, Blue Sky Mining, way back in 1990.
“Bonesy leaves giant shoes to fill but we’ll need to find a new bass player for this tour”, said drummer Rob Hirst. “On this issue Bones was clear: ‘the show must go on!’, he said, ‘as soon as it’s safe to play gigs again’. We’re hoping that these Makarrata Live shows will increase awareness of The Uluru Statement From The Heart and further the reconciliation between First Nations and non-Indigenous Australians, we’ll also be dedicating the tour to Bones.”
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With the release of ‘Punching Bag’ this month, Dust Of Us gave fans further insight into the layered and idiosyncratic world of their upcoming debut EP. Collaborating with talented Australian-born, UK-based vocalist Jess Chalker gave the song additional emotive heft and a melodic beauty to offset its dark lyrical content.
Today, Dust Of Us delivers two special remixes of the track – one by cinematic Brisbane indie-pop group Fresco Kyoto and the other by Melbourne-based production whiz Super Magic Hats. The two artists offer drastically different reinterpretations that take the original song into colourful different territory.
“A dynamic, textured indie-pop dreamland.”
Left Bank Magazine
“‘The Swans’ is a remarkable musical piece that evokes a magical landscape and a serenity that is hard to find in these type of tracks.”
Synthpopyourworld
“Beautiful song, well executed. Really like the way it falls into a deeper song with its progression, without taking away from the delicacy of the production.”
Double J, Zan Rowe
“It gently seeps. The production is super cool, I can’t stop listening to it. I just want to know what next element you twist or work into the track. Nice, guys.”
Triple J, Claire Mooney
‘Punching Bag’ is out now via Double Drummer / Believe
Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
Armed with infectious bass lines and vocal swagger that is intriguing as it is seductive, Melbourne trio VINNY return with brand new single, ‘Fire’. As their second release for the year, the group have taken a deep dive into some sharp and edgy rock vibes, flecked out with funk and indie influences.
‘Fire’ is the perfect starting point for newcomers to the VINNY sound and with its release, the band says ‘Welcome’; let the music wrap you up as you get your head around who this band is at their core.
And who is VINNY at their core? Self described as forming from ‘the pits of a dark neon lit disco church’, the band is vocalist/percussionist Josh Aubry, guitarist/synths player Jim Stirton and guitarist Tony Clay. Together, the band’s influences range from hedonistic images of a Studio 54 mythology, the seedy dancefloors of Melbourne’s clubs and slick sorts of soundtracks that can only be found in Spaghetti Westerns. The music’s over the top and drenched in grooves and tight in its delivery, testament to the band’s history of writing and performing with one another.
Debut track ‘Chaos’ was released back in May and it was just as the title indicated; a hectic way for VINNY to make their presence known. ‘Fire’ takes things a step further, giving the listener an outlet to let their hair down and immerse themselves in the melodies and confident arrangement.
As to where ‘Fire’ came together? VINNY reminisces on a chance encounter in a setting far, far from Melbourne’s inner city suburbs.
“We had this groove and feeling in our bones. We were lying poolside sipping pina coladas, watching the sun go down when out of nowhere, a topless, coconut-oiled man walked past us down to the beach playing his saxophone, shooting fire out of the bell (thus the name, ‘Fire’). We befriended him and asked if he would come into the studio that night to help us finish off the track. We worked throughout the night and finished the song by sunrise.” VINNY
‘Fire’ is out now!
Official Website | Facebook | Instagram | YouTube | Triple J Unearthed
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Lexington, KY three-piece Too Close To Touch have dropped the fourth volume of their EP series I’m Hard To Love But So Are You.
“As we close out what has surely been one of the most difficult years for all of us, we’re both humbled and happy to bring you a new batch of songs from Too Close,” says vocalist Keaton Pierce. “I would say that this group is definitely the most diverse, and hits a pretty broad range on the spectrum of what we’ve released in the past. It feels fitting though, as this year has delivered such a wide array of emotions to everyone- Happiness, anger, sadness, hopefulness, and at times, hopelessness. As always, thank you for listening. It means the world to us, and hopefully you as well.”
The band has also released the music video for “Pick Me Up,” animated by Andrew Onorato (Billie Eilish, Childish Gambino), which you can watch, here. The track, produced and mixed by Daniel Muckala (Nick Carter, Echosmith), “relates to experiences dealing and coping with struggles and painful challenges we face,” explains the band. “There’s nothing worse than the feeling of being alone when facing the unfamiliar. Not knowing who or what you can trust. That period of status can make or break us, and lead to seemingly uncontrollable moments where we act out of panic and fear.”
LISTEN TO I’M HARD TO LOVE BUT SO ARE YOU, VOL. 4
Too Close To Touch is Keaton Pierce (vocals), Mason Marble (guitar), and Kenny Downey (drums).
The band’s releases include the EP series I’m Hard To Love But So Are You (Vol. 1, Vol. 2, Vol. 3), the songs series of “Leave You Lonely”, “Before I Cave In”, “Burn,” and their albums Nerve Endings (2015), and Haven’t Been Myself (2016).
In 2016, Too Close To Touch won the award for Best Underground Band at the Alternative Music Press Awards. Haven’t Been Myself debuted on the Billboard charts as the #3 Alternative Artist Album, #9 Top New Artist Album, and #133 Billboard Top 200 Current Album.
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UK house music heavyweights Gorgon City have revealed a new dancefloor focused banger ‘Trapdoor’. The UK & Chicago based duo of Kye Gibbon and Matt Robson Scott have become known for their addictive take on bass driven vocal and deep house; carving out a distinct and instantly recognisable sound after producing a string of chart hits and underground dance floor moments.
The prolific pair have clocked up over 1.5 billion global streams to their name and close to 10 million singles sold across their career.
Gorgon City’s club focused REALM imprint is home to the duo’s more underground and instrumental house cuts, which often emerge to fans for the first time via the duo’s packed DJ sets – previous tracks include ‘Lick Shot’, ‘Delicious’, ‘Elizabeth Street’ ‘Roped In’ ‘Motorola’ & ‘Grooves On The Vinyl’.
Their latest single ‘Trapdoor’; a playfully euphoric and driving house number was no different having been road tested to packed crowds in the Gorgon City REALM club shows in late 2019 and now comes packed alongside three previous label classics.
With an impressively growing discography packed full of outstanding releases, the past 18 months have seen Gorgon City release a series of standout singles. The recent ‘Burning’ ft Brooklyn singer Evan Giia accompanied by remixes from Snakehips and Ben Hemsley. The unmistakable track ‘House Arrest’ with Sofi Tukker clocked up over 12 Million streams in 10 weeks, topped international radio playlists and hit the #1 spot on US Dance Radio. The duo also collaborated with house music royalty ‘MK’ on ‘There For You’ and continued their innovative trailblazing with ‘Nobody’ featuring Chicago duo DRAMA.
The band are working towards and string of live dates for 2021, a staple part of Gorgon City’s offering to fans. 2019 saw amazing live sets around the world including Coachella and EDC Vegas, Israel’s Get Lost Festival as well as sold out UK shows at Printworks, Warehouse Project, Tobacco Dock and dates all around Europe and the US.
Gorgon City ‘REALM’ EP is out now
MACEO PLEX – ‘CINEMAX’
MINISTRY OF SOUND & ELLUM AUDIO
OUT NOW
Maceo Plex unveils his latest single titled ‘Cinemax’. Released via Ministry Of Sound and Ellum Audio, ‘Cinemax’ is available to stream and purchase from today.
Created this year in the midst of a global pandemic and much political uncertainty, ‘Cinemax’ is the follow up single to ‘Nu World’ which saw all proceeds donated to the American Civil Liberties Union’s campaign to fight voter suppression in the 2020 US election. ‘Cinemax’ sees Maceo Plex sample Alice Russell and The Quantic Soul Orchestra’s ‘Pushin’ On’, utilising the sample to symbolise resilience and unity as we move forward into the new year.
“We are leaving the past behind. Time to unify, leave the racism and division behind us. The lyrics tell this story. The song itself is a deep chugger, always building with forwarding momentum” – Maceo Plex
Returning to Ministry Of Sound following the 2019 single, ‘When the Lights Are Out’ which received an array of media support from the likes of Resident Advisor, Billboard, Mixmag, DJ Mag and more, ‘Cinemax’ is a further exhibition of Maceo Plex’s signature studio output, fusing melodic house and brooding techno. A standout track in recent sets with fans and like-minded artists searching online for news of an official release, Alice Russell’s vocal sample is instantly recognizable and was also used on Oliver Dollar and Jimi Jules’ 2014 house hit ‘Pushing On’. Released via Defected Records and Ministry Of Sound, ‘Pushing On’ peaked at #15 in the UK singles chart
An artist who has crafted a remarkably impressive discography of productions across the sphere of electronic music and beyond, Maceo Plex’s ‘Cinemax’ follows a string of acclaimed singles / remixes this year. Highlighted by two official remixes for Jane’s Addiction frontman Perry Farrell, September’s ‘Nu World’ and most recently, an official remix of Faithless’ ‘Synthesizer’.
The leading electronic producer, artist and live act, Maceo Plex’s accolades are in abundance. The figurehead behind the seminal underground label, Ellum Audio, Maceo Plex has released four studio albums, mix compilations for London’s fabric and !K7’s DJ-Kicks series, along with an impressive catalogue of productions under his Mariel Ito and Maetrik aliases. Having curated several BBC Radio 1 Essential Mix’s, headlining global festivals and gracing the cover of many a magazine from Mixmag to DJ Mag, Maceo Plex has also remixed artists including Coldcut, Röyksopp, GusGus, DJ T, Maribou State, Perry Farrell, Faithless and more. The start of 2020 also saw Maceo Plex announce plans for a new three-part, multidimensional sensory experience live show titled ‘M³’.
Maceo Plex ‘Cinemax’ is out now via Ministry Of Sound & Ellum Audio
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Melbourne pop artist Lakelend finally shares his second single ‘Supernova’, a nostalgic yet contrastingly futuristic project detailing the immediate intensity of falling in love.
Combining electronic beats, synthesised strings and Lakelend‘s honest vocals, ‘Supernova’ traverses through the feelings of uncertainty which is sonically juxtaposed by the overall upbeat tune of the single.
“Sometimes that new person falls into your lap when you least expect it. A breath of fresh air. Something that you haven’t experienced before”, Lakelend explains. “I was all in. Never in my life had I experienced a love for someone that built up so incredibly quickly. I think it’s only human to return love and affection if it’s received well and is something you’re capable of giving back. In hindsight there were certain moments that I was blind to everything happening around me. My close friends, my family and even my own goals and ambitions. I don’t regret it, but I’m just being honest,” details Lakelend.
Lakelend‘s previous debut single ‘Fall Down’ received high acclaim, sitting at nearly 134k streams on Spotify alone on top of praise from Australian tastemakers including Project U, auspOp ThomasBleach and more. The track also received its first play via triple j Unearthed TOPS, and landed on Spotify’s Pop ‘N Fresh and Come Thru just days after its release. Lakelend has spent the last two years collaborating with renowned producers Cam Bluff (Amy Shark, Illy, Hilltop Hoods, Allday), Xavier Dunn (Peking Duk, Graace, Jack River) and the MSquared team Michael Paynter & Michael DeLorenzis (Aloe Blacc, CXLOE) who have helped craft his distinct sound.
The single drops alongside a visualiser and to follow Lakelend will be releasing a new video clip in weeks to come.
So jump on board and take flight with Lakelend as ‘Supernova’ is only chapter two of the promising new artist. Stay tuned for more, coming soon.
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Cover art by Cameron Spratley
Photo by Roya Ansari
TRACKLIST
LIFE OF PIG
I FALL (feat. Aalok Bala)
N.I.4.N.I
NOT ME (feat. Sol)
CONTROL 2002
SOIL FOR THE ORCHIDS
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Homegrown multi ARIA award winning, singer-songwriter Amy Shark has today announced a massive headline tour of Australia in June/July 2021 in support of her highly anticipated sophomore album, CRY FOREVER, set for release April 30, 2021 and available to pre-order now. Shark’s national CRY FOREVER tour will be the Gold Coast local’s most ambitious live undertaking yet in some of the largest venues Australia has to offer, and to celebrate the announcement she’s today shared a new tune from the album, ‘All the Lies About Me’. The tour will kick off at Qudos Bank Arena (Sydney) on June 12, before moving through to Rod Laver Arena (Melbourne) on June 18, Wrest Point Lawns (Hobart) June 19, HOTA (Gold Coast) June 25, Riverstage (Brisbane) June 26, Adelaide Entertainment Centre July 1, and will finish up in Perth at RAC Arena on July 3. Tickets go on sale Friday 11 December at 10am local time and are available from www.amyshark.com.
Amy Shark sold in excess of 45,000 tickets in 2019 across her metro and regional tours, with her regional tour last week picking up the ARIA for ‘Best Australian Live Act’, paired with her ARIA win for ‘Best Pop Release’ for ‘Everybody Rise’. The CRY FOREVER tour will see Shark level up, rolling out world class production and musicianship as she brings her anticipated new album to life in arenas across Australia.
No stranger to the big stage, Amy Shark has headlined many major festivals, along with winning over the entire stadium at Fire Fight and wowing a huge national audience with her recent NRL Grand Final appearance. Guaranteed to delight fans across Australia, this career defining must-see tour promises to feature stand out performances of songs from the critically acclaimed LOVE MONSTER album, fan faves from the NIGHT THINKER EP and of course brand new music from CRY FOREVER including ARIA winning, platinum accredited ‘Everybody Rise’which is nearing 20 million streams globally and spent 12 weeks in the top 10 Australian airplay chart.
“I am so proud of this album and it’s time to hand these songs over to the fans,” says Shark. “To announce a tour of this size, after the year we have been through, gives me hope that the world is heading back to normality. I will give every show every part of me, this is going to be massive and I am counting down the days to perform.”
CRY FOREVER is the follow up to Amy Shark’s 2018 #1 ARIA Album Of The Year, LOVE MONSTER and is available to pre-order now via Wonderlick/Sony Music Entertainment. Written and recorded between the US, UK, New Zealand and Shark’s home studio on the Gold Coast, her exceptional songwriting is on full display here, co-producing with A-List producers: Dann Hume (ARIA 2018 & 2019 Producer Of The year), M-Phazes (Ruel, Eminem)
Through Shark’s honest and emotional storytelling, CRY FOREVER is set to be an evolution from her debut album LOVE MONSTER, “I am now a more confident musician and person than the Amy of 2018, and I feel like I am ready to share some moments from my life that I wasn’t previously ok to talk about,” says Shark, “These are some of the most personal and confronting songs I’ve ever written, and I can’t wait to share them with everyone.” And to celebrate the album and tour announcement, Shark has dropped a new track, ‘All The Lies About Me’, featuring her trademark soaring vocals, powerful lyrics and acoustic guitar. “This song is me at my most confused, broken and lonely. It’s not easy hearing things about yourself that simply aren’t true. Sometimes the noise gets too loud, so I had to write this song as it’s the only way I can talk.”
Amy Shark has come a long way since her breakthrough single Adore. As shared on her Instagram account – in just a few years she has gone from moving 82 tickets in her home state of Queensland, to selling out arena-sized venues all across the country. After bursting on to the global music scene in 2016, her 5 x Platinum single ‘Adore’ put her on the map as one of Australia’s most formidable emerging songwriters. This was followed by 4 x Platinum and number one Australian Airplay Chart hit, ‘I Said Hi’ and the 2019 2 x platinum single ‘Mess Her Up’. Shark’s debut/
Undoubtedly, 2021 is poised to be an even bigger year for Amy Shark with the release of her sophomore record and national CRY FOREVER tour.
CRY FOREVER is set for release on April 30, 2021 and is available to pre-order now via Wonderlick/Sony Music Entertainment Australia.
The CRY FOREVER tour will be held with a commitment to a COVID Safe environment. TEG LIVE will work closely with and comply with all requirements of the public health authorities in respect of these shows.
AMY SHARK ‘CRY FOREVER’ TOUR 2021
Fans can also take advantage of Ticketek’s world-leading partnership with Afterpay for Amy’s Cry Forever Tour. Available via the Ticketek app or website, Afterpay is the world’s largest buy-now-pay-later service, offering fans greater flexibility to pay for tickets in four equal instalments and secure seats with the first payment.
For further information, head to www.amyshark.com
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