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Linkin Park Deliver an Emotional and Electric Night Two in Sydney

March 18, 2026

Riley Green – Hordern Pavilion- 16 March 2026

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Peach PRC At Hordern Pavilion – 15 March 2026

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A Perfect Circle Return to Australia in 2026 With Special Guest Puscifer

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ICONIC MELBOURNE DJ MARK PELLEGRINI – CELEBRATES 40 YEARS BEHIND THE DECKS

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March 14, 2026
Category:

Music News

Nicky Night Time and Ali Love have collaborated for a hypnotising new single ‘Ubiquity feat. Breakbot’. Filled with classic disco flair, funk riffs, and infectious vocals the track instantly encapsulates a dreamy dance-floor moment.  With each artist living in a different country, ‘Ubiquity’ has already made its way around the globe, Ali Love explains how the track came together, “‘Ubiquity’ started its life in Australia with Nicky Night Time as a drum and guitar track. Then made its way to London where I added electric bass and vocals very early in the morning. I recall there were about 8 Japanese girls in my flat for some reason, so you could say that really added to the song’s vibe. You can feel there’s a party happening. The tune then travelled to LA where, by chance, Nicky drafted in Breakbot, who wrote the amazing string and horn parts, and sent the song into the stratosphere. The stars have aligned and the vibe is ubiquitous." Nicky Night Timeadds “It was a love project really and I think we felt it was a cool thing just to put out into the world between the 3 of us amigos.” Widely respected Australian producer Nicky Night Time first arrived on the scene during the height of the electro-pop wave, touring alongside the likes of Phoenix, Daft Punk, Bloc Party and more. Traversing between various genres, Nicky Night Time has added his touch to Elderbrook’s ‘Capricorn’ and ‘Numb’, as well as working with the likes of Nick Littlemore (PNAU), Touch Sensitive, Cut Snake and more!  Recently spending time touring and producing alongside Nat Dunn for their project - NAATIONS. Together the duo featured and co-wrote ‘Nowhere To Go’ with Hayden James as well as ‘Real Life’ with Duke Dumont and Gorgon City which has amassed over 65 million streams!  UK singer, songwriter Ali Love first broke out with his synth-pop album ‘Love Harder’, showcasing Ali Love’s powerful and tasteful vocals. His versatile voice has scored him countless collaborations, appearing on record’s with Camelphat, The Chemical Brothers, Roisin Murphy, Justice, and Lee Foss! Finishing off ‘Ubiquity’ is French touch favourite, Breakbot,  signed to the much-loved electronic label, Ed Banger Records, is recognised for smash hit record ‘Baby I’m Yours’, scoring a mammoth 208 million streams. Since then, the producer has remixed tracks for the likes of Lizzo, and Parcels.  ‘Ubiquity’ is out now via Sweat It Out and Music To Dance To. For more info on Nicky Night Time, visit:  FACEBOOK | INSTAGRAM | SOUNDCLOUD | TWITTER For more info on Ali Love, visit:  FACEBOOK | INSTAGRAM | SOUNDCLOUD For more info on Breakbot, visit:  FACEBOOK | INSTAGRAM | SOUNDCLOUD | TWITTER
Music News

NICKY NIGHT TIME, ALI LOVE AND BREAKBOT TEAM UP FOR DISCO SENSATION ‘UBIQUITY’

by the partae January 21, 2021
written by the partae

Nicky Night Time and Ali Love have collaborated for a hypnotising new single ‘Ubiquity feat. Breakbot’. Filled with classic disco flair, funk riffs, and infectious vocals the track instantly encapsulates a dreamy dance-floor moment. 

With each artist living in a different country, ‘Ubiquity’ has already made its way around the globe, Ali Love explains how the track came together, “‘Ubiquity’ started its life in Australia with Nicky Night Time as a drum and guitar track. Then made its way to London where I added electric bass and vocals very early in the morning. I recall there were about 8 Japanese girls in my flat for some reason, so you could say that really added to the song’s vibe. You can feel there’s a party happening. The tune then travelled to LA where, by chance, Nicky drafted in Breakbot, who wrote the amazing string and horn parts, and sent the song into the stratosphere. The stars have aligned and the vibe is ubiquitous.” Nicky Night Timeadds “It was a love project really and I think we felt it was a cool thing just to put out into the world between the 3 of us amigos.”

Widely respected Australian producer Nicky Night Time first arrived on the scene during the height of the electro-pop wave, touring alongside the likes of Phoenix, Daft Punk, Bloc Party and more. Traversing between various genres, Nicky Night Time has added his touch to Elderbrook’s ‘Capricorn’ and ‘Numb’, as well as working with the likes of Nick Littlemore (PNAU), Touch Sensitive, Cut Snake and more!  Recently spending time touring and producing alongside Nat Dunn for their project – NAATIONS. Together the duo featured and co-wrote ‘Nowhere To Go’ with Hayden James as well as ‘Real Life’ with Duke Dumont and Gorgon City which has amassed over 65 million streams! 

UK singer, songwriter Ali Love first broke out with his synth-pop album ‘Love Harder’, showcasing Ali Love’s powerful and tasteful vocals. His versatile voice has scored him countless collaborations, appearing on record’s with Camelphat, The Chemical Brothers, Roisin Murphy, Justice, and Lee Foss! Finishing off ‘Ubiquity’ is French touch favourite, Breakbot,  signed to the much-loved electronic label, Ed Banger Records, is recognised for smash hit record ‘Baby I’m Yours’, scoring a mammoth 208 million streams. Since then, the producer has remixed tracks for the likes of Lizzo, and Parcels. 

 

 

‘Ubiquity’ is out now via Sweat It Out and Music To Dance To.

 

For more info on Nicky Night Time, visit: 

FACEBOOK | INSTAGRAM | SOUNDCLOUD | TWITTER

For more info on Ali Love, visit: 

FACEBOOK | INSTAGRAM | SOUNDCLOUD

For more info on Breakbot, visit: 

FACEBOOK | INSTAGRAM | SOUNDCLOUD | TWITTER

January 21, 2021 0 comments
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ORB LIVE AT THE FORUM MELBOURNE MARCH 20 ~ ONE NIGHT ONLY TICKETS HERE
Festival NewsMusic News

ORB LIVE AT THE FORUM MELBOURNE MARCH 20 ~ ONE NIGHT ONLY TICKETS HERE

by the partae January 21, 2021
written by the partae

Emerging from the great cosmic dark, ORB are back with their first Australian show since August 2019. In a night of grand thematics, the 3 piece will bring their blend of wah drenched fuzz and dystopian sci-fi to the strictly limited capacity, fully seated Forum Melbourne. Sonically diverse and entirely monolithic, their wall of sound is set to envelope the audience across two divine sets. Split with intermission, each of the performances will showcase new and unheard works, as well as the bio engineered riffs and celestial synthesis that spans their esteemed discography. With special musical guests set to appear across the evening, this performance will bring on board some of Melbourne’s finest musical minds – in a show of synergistic grandeur and singular electricity. March 20th, one night only, ORB unparalleled.

TICKETS: https://www.ticketmaster.com.au/event/13005A32AA0C4D00

January 21, 2021 0 comments
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BLUESFEST CHAIRMAN PETER NOBLE'S STATEMENT
Festival NewsMusic News

BLUESFEST CHAIRMAN PETER NOBLE’S STATEMENT

by the partae January 20, 2021
written by the partae

PETER’S STATEMENT 

To my friends in the music industry …. their families and those who love music.

As we are soon going into our second year, of little, or no gigs as a result of Covid ….

let us not forget what we need to do.

Let’s support each other… continue to check in and ask how we are doing.. be positive that a day is coming when we WILL get back to performing live, safely…. and do what we can to be a part of that wonderful day.

We need to remain positive, uphold our industry, where you see negativity in any area, including media…gently remind that it is through supporting our industry that we will ALL do better in the end.

Let’s not forget that although a large percentage of people have been able to get back to work …the live music industry, along with much of the hospitality and tourism industry hasn’t …. many of our favourite musicians and event company workers are on the dole, and suffering mental health issues. …

we need our media to report positively on us, and support the return of live music regularly in their reporting.

Let’s push the music media to agitate on our behalf.

We need government to find money to get us through this time, lots of it… we need them to Save Our Stages, as has been done in the US and across Europe through large grants, tax write offs and investment… and as well create a business interruption insurance policy to incentivise event presenters to put on events… and be protected in not going to the wall should an out break of Covid shut down their businesses at short notice… and protect that artists, crew  and Suppliers will get paid should that occur… the Federal government did it more than six months ago for the Film Industry to get them back to making movies… why are we still waiting?

If you possibly can…please hold on to your tickets, as concerts and events are RE-scheduled ….again.

Do you know that for each ticket refunded, there is a service charge from the ticket agency… up to $8?

The show presenters , facing up to two years of no shows… is charged for this, after having paid staff to work on the show, bought advertising and paid a deposit to the artist which will be returned with costs deducted… this isn’t sustainable for our industry… and will result in less promoters and less shows..particularly in the indie area.

Our issues haven’t gone away… they just aren’t being discussed regularly… and they aren’t being reported, as our industry …endures this marathon of waiting….and in so many cases not being able to wait any longer … and businesses closing, as well as very talented people leaving our industry.

It’s up to us to look out for each other and Live music….I know many of you are suffering in silence.

However, it’s time to raise our voices…. we are the Live Arts…. and we love what we do, and we are a fundamental part of society… and it is unjust for government not to support us more than they have financially …simply by extending Job Keeper to those industries they have regulated not to be able to get back to work without major restrictions… the Live Music Industry, we will see many of our fellow workers be laid off when it end in March. How can that be justified on any level.?

There is so much for us to do.

please feel free to share your ideas, as well as my post.

Let’s find the way to get back…..we can do this, and have each other’s back at the same time

Thank you

Peter Noble OAM

Bluesfest

Bluesfest Touring

January 20, 2021 0 comments
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UNUM ALBANIA FESTIVAL REVEALS FIRST HEADLINERS FOR 2021 RICARDO VILLALOBOS, SETH TROXLER, PRIKU, PRASLEA, TINI, SONJA MOONEAR, SHAUN REEVES, RARESH, CESAR MERVEILLE, DYED SOUNDOROM, LEON + MORE ALL SET TO PLAY June 3rd - 7th 2021 Shengjin, Albania
Festival NewsMusic News

UNUM ALBANIA FESTIVAL REVEALS FIRST HEADLINERS FOR 2021 RICARDO VILLALOBOS, SETH TROXLER, PRIKU, PRASLEA, TINI, SONJA MOONEAR, SHAUN REEVES, RARESH, CESAR MERVEILLE, DYED SOUNDOROM, LEON + MORE ALL SET TO PLAY June 3rd – 7th 2021 Shengjin, Albania

by the partae January 20, 2021
written by the partae
UNUM Festival 2021 is 100% guaranteed to go ahead from June 3rd to 7th with the backing of the Albanian Ministries of Tourism, Environment, and Health. The gorgeous open air festival takes place over the stunning, sun kissed Albanian Riviera for five days of non stop music, dancing, relaxing and for the first time this year, will also include a special Culture Week offering with a rich array of art, performance and much more. The first headliners include Ricardo Villalobos, Seth Troxler, Priku, Praslea, tINI, Sonja Moonear, Shaun Reeves, Raresh, Cesar Merveille, Dyed Soundorom, Leon, Nikola Vemic, And.Re, Cap, Alex Kostic, Rayo, Nikifor, Nemax, Fogg, George Adi, Hajdar Berisha, Hiroko Yamamura, Nikola Vemic, Dona K, Franco Cinelli and more to come.

Say the team, “This event will 100% take place in a responsible way and Covid secure fashion as it has full government approval, regardless of restrictions in other countries. So even if it has to become an event for just locals or those able to travel, then this is what will happen. This is thanks to Swallow Events, our partners in this, providing their rapid testing service for the festival to ensure everyone who enters is tested and virus-free beforehand. We are taking all measures required to ensure safety measures are followed at all times and there will be zero tolerance on this matter.”

In its first year, the close-knit UNUM was a brand new festival that made an immediate mark because it was a friendly coming together of real music lovers in an amazing region of the world. It played out on the beautiful, organic and natural Albanian Riviera with a world class line-up of house, minimal and techno DJs.  The festival really shined a spotlight on Rana e Hedhun, the last untapped corner of Europe in the town of Shengjin, on the idyllic Albanian coastline. Music played, and will play again, across day and night, with blissful sunrise and sunset parties, water sports, plenty of local culture, food and drink offerings and a music loving crowd from all corners of the world. Beyond the music there is lots to explore in this natural paradise, from isolated bays and gold sand beaches to the Albanian Alps.

This year, from June 2nd with support from the Albanian Ministry of Tourism and Environment, the UNUM team will turn the city of Shengjin into a thriving destination of music, art and youth creativity for Culture Week. This is a brand new addition for 2021 that will be a meeting point of the artistic community, amazing names from the world of art, music and traditional Albanian culture that is founded on five pillars.short and long films, silent cinema, panel discussions, installations, street art, graffiti, murals, sculpture work artistic performances and much more from a team of professional artists from all over the world who will be invited to pitch to take part in the coming weeks.

There will also be an alternative stage featuring performances from local and international artists, body painting, yoga, a game zone, tattoo area, chill out zone, ARTizan market with craft products and much more that will allow participants to immerse themselves as deeply as possible in the world of alternative art, meet fellow artists be inspired by the innovations of the Week.

The countdown has now begun to what will be a first and unforgettable chance to dance this summer to a world class soundtrack in a thoroughly Covid-secure setting that will take your breath away.
Website Unum Festival – Become one
Facebook https://www.facebook.com/unumfestival/
Instagram https://www.instagram.com/unumfestival/
YouTube –  https://www.youtube.com/watch?v=QtxXAPPDcAc
Tickets – https://www.festicket.com/festivals/unum-festival/
Swallow Events – https://www.swallowevents.com/covid19-testing-and-compliance
January 20, 2021 0 comments
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Where are you currently based? Melbourne What's been happening recently and how has your Covid experience been so far? Akaysha: 2020 was an absolute write off, I feel like I literally stared out the window for 8 months. Did manage to cook up some pretty good food.  Hannah: I reincarnated and became Hai Priestess.. the cocoon was pretty dark for a while there.  Sal: I mixed herbal teas and sent them to my family and friends (sorry family and friends). I also wrote some terrible apocalyptic songs and talked to my greyhound (a lot). How and why did Queens of Club form? Akaysha: Our periods all synced & Mercury was in retrograde. Hannah: The planets aligned in all seriousness, it just clicked. It feels like we were meant to meet each other, and the first time we hung out it just made so much sense. Initially it was just three female producers coming together to hang out, share ideas and support each others work in a male dominated field - but naturally we started chopping up and adding to each others songs. Queens of Club was born out of play.  Sal: all the above What are your musical backgrounds? Akaysha: I started learning piano, guitar and drums as a kid, I always wanted to start a band but could never find anyone. Around 14 I started making electronic music & Djing as it was something I could do solo. I released a lot of electro house under Kaysh then evolved into more downtempo electronica as Ok Sure. 20 years later I have finally managed to start that band!  Hannah: I learned piano and guitar and began playing folk music shows at around 15, I was never an amazing musician, but loved songwriting, construction and performing. I always wanted to be in a band and it wasn't until I was 26 when I formed Bonnie Doom and Pow Pow Kids, I spent a number of years playing around town. I loved the production side of things, and after we recorded albums for both those bands and I got an insight into recording, I started to get the itch to produce myself. I released a solo album that I wrote and produced in 48 hours called Bonnie The Kid - Xanadu, and from there I was hooked and developed as the producer Syntax/Semantics for some years to reach my final incarnation Hai Priestess in Queens of Club. Sal: I started with jazz and classical piano, and dabbled with electronic music software in my early teens. My mum made me take opera lessons (why?!) so for a while there I was singing dramatic operatic German pieces after school with an unnecessarily strict teacher – maybe one day I’ll tap into that (Queens, consider yourselves warned). How did your track 'Bones' come about? Akaysha: This was one of my old songs back from 2015 that was never officially released, the girls had some ideas and it evolved to what you hear today. Sal: I fell in love with Akaysha’s original version of Bones and needed more it in my life. How did you go about writing the track? Akaysha: Sal took my original version and added more lyrics, a proper hook & rearranged it, all skills that I lack in songwriting, if I’m left to my own devices I’d probably be stuck in an instrumental loop for 5 hours.  Hannah: I didn't have much to do with this one except tell them it was a banger and a bit of "woo woo" high vocals.  Sal: For a few weeks, I listened to Akaysha’s version obsessively every time I did the dishes, singing new ideas for it as I went. The dishes weren’t cleaned well, but I’m very happy with this version of Bones and that’s more important. Where and when did you record/produce/master and what equipment did you use? Akaysha: I started recording this 6 years ago, I can't remember what gear I used, probably all soft synths, I don’t use a lot of hardware. All produced, mixed and mastered in my bedroom studio.  Sal: ALL the magic happens in Akaysha’s bedroom studio. What did you find most challenging and rewarding during the creation process? Akaysha: As I said I have a habit of getting stuck in an instrumental loop. Sal and Hannah are more in tune with vocals & arranging & catchy hooks so it’s great to collab with them, they breathe new life into all the half finished stuff I have lying around. Obviously there are always a few creative differences but nothing major and we can generally all agree on a final outcome.  Hannah: The most rewarding thing is getting to hang out and be creative with close friends, it's just super fun.  Sal: I respectfully agree with my Queens. You are very much a sensory live act with the use of costumes, visuals/audio - how did this come to be? Akaysha: We wanted Queens Of Club to be just as much of a visual experience as an audio one. Instead of us all standing behind computers we thought putting placemats on our heads and dancing around would be way more interesting. Hannah: It's a natural evolution for us, we all love dress-ups, costume, theatre... all kinds of art forms. This is a playground for us where we throw ideas around and see what sticks and what doesn't, and there's some wacky shit in those minds of ours. We are so different, yet so complementary and so because QOC is so authentically who we are when we come together it's a natural unfolding - we don't look at or listen to others and try to copy or follow trends. We're just being creative with the things, sounds, looks, ideas we like.  Sal: because Akaysha cannot stop herself from attaching homewares to her person. How do the costume, visuals and audio creatives for the live show come about? Akaysha: A lot of hot glue guns, trips to the Kmart homewares section and tassels were involved.  Hannah: We are very DIY, and between us we have some pretty random skills so we manage to make it all ourselves (so far - but we'd love to collaborate). We share images, videos, anything really that catches our eye and is inspiring, and pretty quickly the visual elements just started to come together - it's a very strong vision and we somehow could see what the others were seeing too. We wanted to create an entire world and experience.. It's so boring standing around watching people with egos play their instruments. We wanted to remove the ego, and make it about the audience.. not us.  Who are you listening to at the moment? Akaysha: Louis Theroux’s podcast 'Grounded' Hannah: Shamanic Visioning by Sandra Ingerman Audiobook and In Too Deep Podcast by Jack Rowland Sal: Judge me if you must -  A 10 hour playlist of Gregorian chants (it’s my new must-focus music). Other music-wise, I’ve been listening to “Tipper” (Gulch is my favourite track) and “HAAi”. My enduring faves are the album “Thora Vukk” by Robag Wruhme, and anything electronic that involves mallet percussion or grainy, crunchy bits. What do you like to do away from music? Akaysha: I’m a big foodie, I do a lot of visual art, I also have a major wig obsession.  Hannah: I run a start-up called The Local Green Pages which is a free local directory for Creative & Sustainable people. I also work in Social Change, so am a passionate Social Entrepreneur.  Sal: At the moment, I fan-girl Ryan Shelton, read my greyhound bedtime stories and dance.  What's planned for 2021? Akaysha: I think I better freeze my eggs.   Hannah: Lots of Queens of Club, releasing new music, we're planning a clip for our next single at the moment so bringing all those pieces together.  Sal: all the above. I have some solo music to finish and release this year (like the other Queens).  Favourite food and place to hangout? Akaysha: The 10 course degustation menu at some fancy restaurant  Hannah: Kaysh's balcony and fancy Uber Eats  Sal: 10 course unfancy Japanese, potentially on Akaysha’s balcony https://www.facebook.com/thequeensofclub https://www.instagram.com/queens_of_club/
Music InterviewsMusic News

Queens of Club

by the partae January 20, 2021
written by the partae

Where are you currently based?

Melbourne

What’s been happening recently and how has your Covid experience been so far?

Akaysha: 2020 was an absolute write off, I feel like I literally stared out the window for 8 months. Did manage to cook up some pretty good food.

Hannah: I reincarnated and became Hai Priestess.. the cocoon was pretty dark for a while there.

Sal: I mixed herbal teas and sent them to my family and friends (sorry family and friends). I also wrote some terrible apocalyptic songs and talked to my greyhound (a lot).

How and why did Queens of Club form?

Akaysha: Our periods all synced & Mercury was in retrograde.

Hannah: The planets aligned in all seriousness, it just clicked. It feels like we were meant to meet each other, and the first time we hung out it just made so much sense. Initially it was just three female producers coming together to hang out, share ideas and support each others work in a male dominated field – but naturally we started chopping up and adding to each others songs. Queens of Club was born out of play.

Sal: all the above

What are your musical backgrounds?

Akaysha: I started learning piano, guitar and drums as a kid, I always wanted to start a band but could never find anyone. Around 14 I started making electronic music & Djing as it was something I could do solo. I released a lot of electro house under Kaysh then evolved into more downtempo electronica as Ok Sure. 20 years later I have finally managed to start that band!

Hannah: I learned piano and guitar and began playing folk music shows at around 15, I was never an amazing musician, but loved songwriting, construction and performing. I always wanted to be in a band and it wasn’t until I was 26 when I formed Bonnie Doom and Pow Pow Kids, I spent a number of years playing around town. I loved the production side of things, and after we recorded albums for both those bands and I got an insight into recording, I started to get the itch to produce myself. I released a solo album that I wrote and produced in 48 hours called Bonnie The Kid – Xanadu, and from there I was hooked and developed as the producer Syntax/Semantics for some years to reach my final incarnation Hai Priestess in Queens of Club.

Sal: I started with jazz and classical piano, and dabbled with electronic music software in my early teens. My mum made me take opera lessons (why?!) so for a while there I was singing dramatic operatic German pieces after school with an unnecessarily strict teacher – maybe one day I’ll tap into that (Queens, consider yourselves warned).

How did your track ‘Bones’ come about?

Akaysha: This was one of my old songs back from 2015 that was never officially released, the girls had some ideas and it evolved to what you hear today.

Sal: I fell in love with Akaysha’s original version of Bones and needed more it in my life.

How did you go about writing the track?

Akaysha: Sal took my original version and added more lyrics, a proper hook & rearranged it, all skills that I lack in songwriting, if I’m left to my own devices I’d probably be stuck in an instrumental loop for 5 hours.

Hannah: I didn’t have much to do with this one except tell them it was a banger and a bit of “woo woo” high vocals.

Sal: For a few weeks, I listened to Akaysha’s version obsessively every time I did the dishes, singing new ideas for it as I went. The dishes weren’t cleaned well, but I’m very happy with this version of Bones and that’s more important.

Where and when did you record/produce/master and what equipment did you use?

Akaysha: I started recording this 6 years ago, I can’t remember what gear I used, probably all soft synths, I don’t use a lot of hardware. All produced, mixed and mastered in my bedroom studio.

Sal: ALL the magic happens in Akaysha’s bedroom studio.

What did you find most challenging and rewarding during the creation process?

Akaysha: As I said I have a habit of getting stuck in an instrumental loop. Sal and Hannah are more in tune with vocals & arranging & catchy hooks so it’s great to collab with them, they breathe new life into all the half finished stuff I have lying around. Obviously there are always a few creative differences but nothing major and we can generally all agree on a final outcome.

Hannah: The most rewarding thing is getting to hang out and be creative with close friends, it’s just super fun.

Sal: I respectfully agree with my Queens.

You are very much a sensory live act with the use of costumes, visuals/audio – how did this come to be?

Akaysha: We wanted Queens Of Club to be just as much of a visual experience as an audio one. Instead of us all standing behind computers we thought putting placemats on our heads and dancing around would be way more interesting.

Hannah: It’s a natural evolution for us, we all love dress-ups, costume, theatre… all kinds of art forms. This is a playground for us where we throw ideas around and see what sticks and what doesn’t, and there’s some wacky shit in those minds of ours. We are so different, yet so complementary and so because QOC is so authentically who we are when we come together it’s a natural unfolding – we don’t look at or listen to others and try to copy or follow trends. We’re just being creative with the things, sounds, looks, ideas we like.

Sal: because Akaysha cannot stop herself from attaching homewares to her person.

How do the costume, visuals and audio creatives for the live show come about?

Akaysha: A lot of hot glue guns, trips to the Kmart homewares section and tassels were involved.

Hannah: We are very DIY, and between us we have some pretty random skills so we manage to make it all ourselves (so far – but we’d love to collaborate). We share images, videos, anything really that catches our eye and is inspiring, and pretty quickly the visual elements just started to come together – it’s a very strong vision and we somehow could see what the others were seeing too. We wanted to create an entire world and experience.. It’s so boring standing around watching people with egos play their instruments. We wanted to remove the ego, and make it about the audience.. not us.

Who are you listening to at the moment?

Akaysha: Louis Theroux’s podcast ‘Grounded’

Hannah: Shamanic Visioning by Sandra Ingerman Audiobook and In Too Deep Podcast by Jack Rowland

Sal: Judge me if you must –  A 10 hour playlist of Gregorian chants (it’s my new must-focus music). Other music-wise, I’ve been listening to “Tipper” (Gulch is my favourite track) and “HAAi”. My enduring faves are the album “Thora Vukk” by Robag Wruhme, and anything electronic that involves mallet percussion or grainy, crunchy bits.

What do you like to do away from music?

Akaysha: I’m a big foodie, I do a lot of visual art, I also have a major wig obsession.

Hannah: I run a start-up called The Local Green Pages which is a free local directory for Creative & Sustainable people. I also work in Social Change, so am a passionate Social Entrepreneur.

Sal: At the moment, I fan-girl Ryan Shelton, read my greyhound bedtime stories and dance.

What’s planned for 2021?

Akaysha: I think I better freeze my eggs.

Hannah: Lots of Queens of Club, releasing new music, we’re planning a clip for our next single at the moment so bringing all those pieces together.

Sal: all the above. I have some solo music to finish and release this year (like the other Queens).

Favourite food and place to hangout?

Akaysha: The 10 course degustation menu at some fancy restaurant

Hannah: Kaysh’s balcony and fancy Uber Eats

Sal: 10 course unfancy Japanese, potentially on Akaysha’s balcony

 

LISTEN TO Bones: https://snd.click/QoCBones

 

https://www.facebook.com/thequeensofclub

https://www.instagram.com/queens_of_club/

January 20, 2021 0 comments
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DZ DEATHRAYS RELEASE BIG F**K OFF ROCK SONG 'ALL OR NOTHING' FROM HIGHLY ANTICIPATED POSITIVE RISING: PART 2 (OUT FRIDAY 9 JULY 2021)
Music News

DZ DEATHRAYS RELEASE BIG F**K OFF ROCK SONG ‘ALL OR NOTHING’ FROM HIGHLY ANTICIPATED POSITIVE RISING: PART 2 (OUT FRIDAY 9 JULY 2021)

by the partae January 20, 2021
written by the partae

I OH YOU are fired up to present DZ Deathrays second single ‘All or Nothing’ lifted from their fifth studio album Positive Rising: Part 2 (out Fri 9 July 2021), the highly anticipated follow up from 2019’s Positive Rising: Part 1.

Premiering yesterday on triple J’s Drive, ‘All or Nothing’ is a testament to the objects that serve as reminders of home when the band are far from it.

“It’s reminiscent of touring life and the idea that something like a guitar can bring so much joy and adventure to our lives,” Parsons explains.

One of the hardest songs on the record to finish, Parsons rewrote the music over and over in different keys “to try see where it would go”. After six attempts it wound up right where it started: as a rollicking, garage epic that shifts key from verse to chorus. In other words: a classic DZ Deathrays song. “It’s the flip-side to some of the other tracks that look out into the world: this one looks into our little world.” 

Guitar hero ‘All or Nothing’ follows the anthemic sonic pep talk ‘Fired Up’ which was eaten up by fans and critics alike, seeing adds to international rock playlists on Spotify and Apple Music, hitting the 9th most played song on triple j just last week and receiving coverage from Rolling Stone AU, NME AU and Blunt Mag. Recently dropping the heartfelt acoustic version of the track while in iso, DZ take a step back from their punchy beats and melting riffs to substitute with a mix of soothing guitar plus cello, completely transforming the high energy tune into a romantic ballad.

DZ sent listeners into a frenzy when teaming up with one of their favorite bands, WAAX,  to deliver two absolutely belting covers – DZ reworking ‘FU’ and WAAX bringing their signature style to a rendition of ‘Fired Up’. Both bands molding the others’ song into passionate, head banging goodness that demands to be listened at full volume.

In celebration of their forthcoming album Positive Rising: Part 2, DZ have collaborated with the legends at Built To Spill to launch ‘DZ Deathrays Positive Sparkling Cremant’ – party fizz for one of Australia’s most high energy bands. The special release Pet Nat is made up of certified organic chenin blanc from Margaret River, WA. Positive Sparkling Cremant is finished like traditional sparkling wine, making it the ultimate thirst crusher yet still ultra-crisp and clean. Fans can order this limited-edition Pet Nat bundled with a digital pre-order of Positive Rising: Part 2 via Built To Spill while stocks last!

With a moodier tone than its predecessor, Positive Rising: Part 2 draws the outline of an apocalyptic scene, one that sees the band – Shane Parsons, Simon Ridley and Lachlan Ewbank – stepping outside of themselves, seeking out new perspectives and surveying the world from above. From up there, they don’t always like what they see, but Positive Rising: Part 2 offers a somewhat-hopeful ending to the sprawling rock saga.

‘All Or Nothing’ is coated in classic DZ Deathrays punk attitude, demanding attention to what they do best; slashing guitars and heavy riffs. The sonic mastermind gives a peak into the little world of DZ Deathrays and what Positive Rising: Part 2 has in store for fans.

‘All or Nothing’
DZ Deathrays
Single out now through I OH YOU

Available to buy/stream here

Positive Rising: Part 2
DZ Deathrays

Album out Friday 9 July 2021
through I OH YOU
Available to pre-order herePositive Rising: Part 2 tracklisting:
1. Skeleton Key
2. Fear The Anchor (feat. Ecca Vandal)
3. All Or Nothing
4. Kerosene
5. Fired Up
6. Riff City
7. Make Yourself Mad
8. Golden Retriever
9. Swept Up
10. Run The Red
11. Positive Rising

DZ DEATHRAYS

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French artist Laure Briard shares new single and lyric video 'Supertrama', new EP Eu Voo out Friday 19 February
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French artist Laure Briard shares new single and lyric video ‘Supertrama’, new EP Eu Voo out Friday 19 February

by the partae January 20, 2021
written by the partae
“[Laure Briard is] one of the most endearing figures of the current French music scene.”
– Les Inrocks
Seignosse-based French artist Laure Briard today returns with mesmerising new track ‘Supertrama’, taken from EP Eu Voo, due February 19 via Dinosaur City Records (Australia/NZ), Midnight Special (EU) and Michel Records (North America).

Stream/share ‘Supertrama’ lyric video and track here.

‘Supertrama’ began with a piano melody Laure wrote in France, before taking the track to Brazilian musician and composer Giovanni Cidreira, who helped write the lyrics (sung in Portugese). The track was then brought to life in real time within the walls of the Dissenso Studio in São Paulo, where Laure recorded Eu Voo with acclaimed psych group, Boogarins.

Talking about the song’s creative process, Briard says, “I met Giovani through the Boogarins, who he both collaborates and shares a friendship with. I admire Giovani’s voice, his words, his stories, and the possibility of working with him one day quickly became a reality. Once I’d written the melody of ‘Supertrama’, I took the plunge and asked Giovani if he would write the lyrics with me. He took the melody and wrote lyrics which don’t quite tell a story, but rather feelings, impressions, and memories. Just like the rest of the EP, the arrangements were made in real time in the studio. Pieuvre Convex was responsible for the final modulation of the track – he’s a king in that area!”

Laure Briard – Eu Voo
Out February 19, 2021
Pre-order here

1. Eu Voo
2. Morena Na Janela
3. Não Me Diz Nada
4. Passaros
5. Supertrama
6. Respire

‘Supertrama’ follows the release of EP title track ‘Eu Voo’, released in November 2020, which coincided with a #StayAwayShow performance supporting Chilly Gonzales on La Blogothèque.

A modern day Françoise Hardy, Laure Briard draws influences from pop, garage rock, bossa nova and psychedelic yé-yé. Laure has released 3 x albums, 2 x EPs and a handful of well-received singles, and to date has amassed over one million streams across her catalogue, which includes singles ‘Cravado’ and ‘Une évasion’, which features on Netflix Series Emily in Paris.

Laure’s latest EP, Eu Voo will be released digitally and on vinyl on February 19, 2021 via Dinosaur City Records (Australia/NZ), Midnight Special (EU) and Michel Records (North America).

Supertrama Lyrics (Portugese)

Depois que a noite cai é mais difícil
De carregar o coração pra sair
A lua negra é o sol tentando
Tiro magro
Que outra forma reluz
Voltei no tempo em que você era pequeno
Aquele corredor tem a mesma cor
Não é fácil
Quem girou as leis
Quem fez o desenho em seu rosto
Quem partiu
Quem não mentiu
Quem te amou
Supersupertrama
Aqueço minha cama
Nesse sonho eu não sei jogar

Supertrama Lyrics (English)

After the night falls, it’s easier
To carry the heart to leave
The black moon is the sun trying
Slim chance
How else will it shine
I went back in time to when you were little
That hallway has the same color
It’s not easy
Who spun the laws
Who made the drawing on your face
Who left
Who didn’t lie
Who loved you
Supersupertrama
I warm my bed
In this dream, I don’t know how to play

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GOAT GIRL Share new track & video 'Badibaba' New album On All Fours out Jan 29
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GOAT GIRL Share new track & video ‘Badibaba’ New album On All Fours out Jan 29

by the partae January 20, 2021
written by the partae
Photo Credit: Holly Whitaker
PRAISE FOR GOAT GIRL

“A triumph” – DIY, ★★★★★

“Thrilling” – Loud And Quiet

“Goat Girl add dreamy, contemplative, semi-spacey touches to their thick, driving indie rock on ‘The Crack’, culminating in the kind of song that makes you feel like you’re floating away at one moment, and anchored to the ground the next”  – Double J, Best New Songs

“Goat Girl might be veterans of their local scene, but their return proves they are as dynamic and bold as ever.” – Yuck Magazine

South London quartet Goat Girl are delighted to share a new track, ‘Badibaba’, and its video today from their upcoming album On All Fours, which will be released via Rough Trade Records/Remote Control Records on January 29, 2021. 

Guitarist/vocalist L.E.D. says “Badibaba is a song about environmental catastrophe and the pessimism and self-destruction that this causes to the human spirit.” Lottie Cream adds, “it touches on how the earth’s existence is controlled by exploitative systems, and the feeling of existential helplessness this induces.”

On All Fours was produced by Dan Carey (Kae Tempest, black midi & Franz Ferdinand) in South London in early late 2019. It sees the band delve deeper into unexplored lyrical and melodic territory whilst retaining their critical lens on the worlds injustices and social prejudices.

Goat Girl are Lottie Cream, Rosy Bones, Holly Hole and L.E.D.

Pre-order / pre-save Goat Girl – On All Fours: https://goatgirl.ffm.to/onallfours

Goat Girl – On All Fours
1. Pest
2. Badibaba
3. Jazz (In The Supermarket)
4. Once Again
5. P.T.S.Tea
6. Sad Cowboy
7. The Crack
8. Closing In
9. Anxiety Feels
10. They Bite On You
11. Bang
12. Where Do We Go?
13. A-Men
Goat Girl – On All Fours is out Friday 29 January
via Rough Trade / Remote Control.
Goat Girl
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MIA WRAY RELEASES HIGHLY ANTICIPATED NEW SINGLE 'NEVER GONNA BE THE SAME' + SIGNS TO IVY LEAGUE RECORDS
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MIA WRAY RELEASES HIGHLY ANTICIPATED NEW SINGLE ‘NEVER GONNA BE THE SAME’ + SIGNS TO IVY LEAGUE RECORDS

by the partae January 20, 2021
written by the partae

Melbourne’s Mia Wray is coming at 2021 head on via her new single ‘Never Gonna Be The Same’, a no-holds-barred ode to empowerment. Having made a serious impression with her debut single ‘Work For Me’, which had the likes of triple j, NME and Rolling Stone singing her praises, ‘Never Gonna Be The Same’, with its undeniably powerful vocals, cathartic arrangement and a hook that will have you singing at the top of your lungs, sees Mia Wray continue to carve her space as a star on the rise.

‘Never Gonna Be The Same’ is a commanding anthem that sees Mia continue to lean into her own power; a reminder to ‘back yourself’ brought to life through her signature, powerhouse vocals and an explosive chorus.
“I found myself in situations both personally and professionally where I wasn’t being valued or heard and something finally just snapped inside me. I realised I could take control of my own narrative and by trusting my gut and understanding my worth…I unlocked the thing that I always knew was in me and I’ve finally found where I’m meant to be.”
– Mia Wray
Along with the news of the new single, Ivy League Records is excited to announce Mia Wray will be joining the Australian label’s stellar roster of artists; The Rubens, The Teskey Brothers, Hatchie, Rolling Blackouts Coastal Fever, Shannen James, A. Swayze & the Ghosts, Bakers Eddy and more.
“Mia is an incredible artist who has developed so much over recent years.  She has one of the most powerful and interesting voices I’ve heard. When she recently sang acapella on ABC TV’s The Sound I honestly got shivers.  Mia Wray is on her way!” 
– Michael Gudinski

“We are so excited to welcome Mia to the Ivy League Family. Mia’s talent as a songwriter, player and vocalist are undeniable and we cannot wait to share what we’ve been working on with the world. We know big things are ahead for Mia.” 
– A&R Director, Marihuzka Cornelius

Alongside discovering Mia Wray, 2020 saw Ivy League land 3 x ARIA top 10 albums for The Teskey Brothers (#1, Live At The Forum), Rolling Blackouts C.F. (#4, Sideways To New Italy) and Josh Teskey & Ash Grunwald (#8, Push The Blues Away), as well as The Rubens’ hit single ‘Live In Life’ reaching #4 on ARIA’s Top Ten Australian Singles of 2020.

Having seemingly come from nowhere, Mia burst onto the local music scene with one of the most exciting single debuts of 2020 with ‘Work For Me’, which was added straight to full triple j rotation, over 10 Spotify editorial playlists (including #4 on New Music Friday and the cover of Women of AU & NZ), Apple Music support including a spin and plug by Elton John on his Beats 1 radio show, an acappella performance of Work For Me on ABC’s The Sound (as well as performances on 2 x tributes), over 16,000 Shazams and champions across the likes of NME, Rolling Stone AU, Pilerats, ProjectU & more.

Reactions to ‘Work For Me:

“gives me a chill up the spine…very special stuff” – Richard Kingsmill, triple j

“This is a titan of a track. Powerhouse aura from Mia Wray with that standout vocal performance before the tracks bursts with life” 4.5 stars
– Dave Ruby Howe, triple j Unearthed

“…it’s ‘Work for Me’, a defiant anthem aimed toward anyone who’s ever been made to feel less than worthy, that has truly put Wray on the map” – Rolling Stone

“‘Work For Me’ is a single that immediately floors you from the get-go” – Pilerats

‘Never Gonna Be The Same’
Mia Wray

Single out now
through Ivy League Records

Available to buy/stream here

MIA WRAY

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HAND HABITS Announces dirt EP out February 19th Shares video for new single '4th of july'
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HAND HABITS Announces dirt EP out February 19th Shares video for new single ‘4th of july’

by the partae January 20, 2021
written by the partae

PRAISE FOR HAND HABITS

“placeholder is an impressive piece of craftsmanship, not only in its lyrics but in its sparkling production and masterly sense of melody-for such wistful songs, they have an uncanny ability to get stuck in your head.” – New Yorker

“An album full of songs that showcase Duffy’s gifts front and center… Peaceful, calming, with a hint of something else underneath the surface.” – Rolling Stone

“Meg Duffy is your favorite indie rocker’s favorite guitarist… Duffy plumbs new depths of intimacy when it comes to the topics of anxiety, loss, and forgiveness.” – Pitchfork

“Duffy pays scrupulous attention to detail in songs that function like intricate dioramas… On placeholder, the singer contemplates the fragility of human relationships and the hard-to-stomach reality that many of the people, experiences and places we’ve loved are only stepping stones on a journey of self-discovery.” – NPR

“Remarkable and inquisitive…recalls the piercing lucidity of Angel Olsen, the confidence of Sharon Van Etten.” -Stereogum

“Lulling, frank revelations on the complexities of desire.” – The FADER

“placeholder is more atmospheric than show-offy, in which Duffy’s tasteful, restrained playing supports the delicate melodies and reflective lyrics. “ – UPROXX

“A vessel of complex, ever-evolving emotion, warm vocals and dexterous guitar shrieks.” – Paste

“Achingly beautiful and poignant… profoundly articulated and relatable.” – Gorilla vs Bear

Hand Habits, the project of Meg Duffy (they/them), announces dirt EP with the release of a video for its lead single ‘4th of july.’

dirt finds the songwriter exploring themes of growth and finding ways to let go of the parts of their past that no longer serve them. It illuminates Duffy’s attempts to evolve beyond the confines of their past.

Of the song and video, Duffy said “‘4th of july’ feels like trying again, rolling around in the wreckage of the past and finding new ways out of the maze of memory. For the video, I went to V and Adam and said I wanted to ‘just dig a hole’ and they turned that idea into a cinematic version of what it looks like to try and get to the bottom of a feeling.”

The EP, which was co-produced by Duffy, Sasami Ashworth and Kyle Thomas (King Tuff), is available for pre-order now and due February 19th via Milk! Records / Remote Control.

While their most recent album placeholder saw them working with producer Brad Cook at Justin Vernon‘s April Base Studios and garnering praise from such outlets as NPR which called the work “their most fully realized statement” and the Los Angeles Times which praised the work as a “virtually seamless country rock album, with verses moving fluidly into choruses that travel unimpeded across sparkling, architecturally sophisticated bridges.” dirt showcases an artist returning to the fertile creative ground of their home.

However, this time around home-recording didn’t necessarily mean working in isolation. Duffy had relocated to a shared living situation in Los Angeles with musicians Sasami Ashworh and Kyle Thomas (King Tuff), which also housed Thomas‘ studio. The resulting songs showcase this creatively collaborative environment, with Ashworh co-producing the lead single and Thomas co-producing ‘i believe in you.’ Such is the strength of this relationship, in fact, that this new single just may serve as a bridge toward a greater body of work the three will ultimately create together.

The sonic texture of ‘4th of july’ complements its lyrical journey, with a simple and sparse introduction marked by a slow burn crescendo hinting at the rupture to come, followed by an ecstatic wail of transcendent emotion. Fittingly, it concludes with a reprise of the beginning but this time altered by new sounds, suggesting a new perspective.

Similarly, Duffy breathes new life into the Young staple, ‘i believe in you,’ adding a foreboding weight and impact to the long-familiar words.

For Duffy, the process of recording and the song’s themes of growth through trust dovetailed perfectly. As they note, “There’s a foundation, and when there’s a foundation there’s opportunity to reimagine structures; physical and otherwise.”

Purchase / Stream: https://handhabits.ffm.to/dirt

Hand Habits – dirt EP is out February 19 via Milk! Records / Remote Control Records. 

Hand Habits
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CHASING GHOSTS DROP NEW SINGLE AND VIDEO SUMMER NEW EP HOMELANDS OUT MAY 14 DISTRIBUTED BY BAD APPLES MUSIC
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CHASING GHOSTS DROP NEW SINGLE AND VIDEO SUMMER NEW EP HOMELANDS OUT MAY 14 DISTRIBUTED BY BAD APPLES MUSIC

by the partae January 20, 2021
written by the partae

Summer is the first track from a forthcoming EP titled Homelands by Aboriginal led punk-rock band Chasing Ghosts. Frontman Jimmy Kyle is a proud Koori man, a descendent of the Thungutti mob from the mid-north coast of NSW. He speaks and writes with a potent mind. Every track on the forthcoming EP is about real people and real situations, all of them born from intense real-life stories. Wanting to do justice to the topics while bringing everyone on the journey and simultaneously still speaking the truth was a pressure that weighted heavy. “I was scared to write these songs, because a lot of the topics are challenging,” says Jimmy Kyle. “But that’s how I knew I was onto something. It made me feel nervous.”

Listen to Summer
Watch the video for Summer

“Summer” is one hell of an amped track with a beat that drives so strong it has the legs to keep rockin’ all Summer long. Produced by Jimmy Kyle and Lincoln Le Fevre (Luca Brasi, Wil Wagner, Lucy Wilson), accompanied with an equally charged and culturally strong clip by award winning filmmaker Ben McFadyen and cover art by Wiradjuri, Ngiyampaa woman and Instagram design influencer @coffinbirth, this power posse is one you need to be across.

“Summer “finds Jimmy Kyle singing in both English and, for the first time ever, in his native tongue as he explores the horrors of the 1856 Towel Creek massacre. The singer-guitarist delivers the song through the eyes of a grieving Aboriginal Elder, of the story of “Baaba” (Babaang) Jack Scott as a baby; the lone survivor of the Towel Creek tragedy.  Incredibly, through a schoolyard incident when he was younger Kyle learned of a close family link to that Elder.

“The song explores white nationalism, colonisation, assimilation and ultimately reconciliation,” offers Kyle. “It asks the question of white Australia to come and reconcile the true history of the country and invites non-Indigenous Australians to see themselves as an extension of Aboriginal people.”

With a strong passion for Aboriginal languages Jimmy Kyle is committed to his culture and his community and has a long history working with First Nations Youth, Elders and community. Further, Jimmy’s cultural awareness training workshops and seminars are in high demand due to the cultural depth his brings to this space. He works with entities such as the Victoria Police, DHHS and other government agencies to help them better understand First Nations cultures and histories. “Only having a little knowledge is dangerous,” he says.

Summer single tour dates 2021
19 Feb – The Corner Hotel, Melbourne – Tickets
5 March – The Brightside, Brisbane – Tickets
13 March – Crowbar, Sydney – Tickets

CHASING GHOSTS : are Jimmy Kyle (founder/frontman and chief song-writer ), Josh Burgan (guitar/vocals), Aaron Schultz (guitar/vocals), Jake Dargaville (drums), Chris O’Neill (keys/vocals) and Rohan Welsh (bass).

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JUAN WAUTERS Releases new single & video 'Presentation' feat. Nick Hakim and Benamin
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JUAN WAUTERS Releases new single & video ‘Presentation’ feat. Nick Hakim and Benamin

by the partae January 20, 2021
written by the partae
PRAISE JUAN WAUTERS 

“La Onda de Juan Pablo is a rich travelogue packed into 10 effervescent tracks…. a sonically rich, emotionally textured work, driven by the relationships that organically emerged as Wauters found collaborators in every new country he visited.” – Nylon

 “The album is picaresque in its depictions of everyday heroes and their daily quests against the decidedly frenzied backdrop of the Uruguayan singer’s American transplant sensibilities.” – NPR 

“[Waters] has proved himself to be something of an unrelenting force of joy. His songs are simple little sing-alongs that bask in a youthful naivety.” – Pitchfork

“[Wauters] music… conjures up the folk titans who haunted the streets and coffeeshops of Greenwich Village back in the ’60s.” – AV Club

Today, Juan Wauters releases a new single/video ‘Presentation’ featuring Nick Hakim and Benamin. A longtime denizen of Jackson Heights, Wauters has always captured the sounds and sights of New York in a singular way, and ‘Presentation’ is no exception. The video, directed by Wauters, is an ode to early NYC hip hop aura, featuring breakdancers from the Bronx, a Queens basketball court, and Central Park’s ‘Alice In Wonderland’ statue. Over an eclectic chorus of vocal samples and sound effects, Wauters triumphantly declares “I made it through another year / there’s nothing that I fear / I’m just cooling off.” The new track is a spirited glimpse of more to come from Wauters in 2021. Watch “Presentation” here.

Juan Wauters on ‘Presentation’: “Presentation” was made one night when Nick, Benamin and I met at Nick’s studio in Brooklyn. Nick and I had only met a few times before and Benamin and I met that night. We all hit it off really well and made this song that was built by all of us pitching ideas.

The lyrics are a mash up from a bunch of notes I had scattered on my cell phone. There are many references to other songs, some obvious some not so much. I’d rather not disclose that since that’s the fun for you, the listener.

I wanted the video to be an ode to early NYC hip hop in a very cliché way. 

It was filmed during the summer of 2020. At that time, there weren’t many people around the city, a lot of transplants had left and there were no tourists, so that painted the city in a very special tone. Nick, Ben and I met at a playground in Maspeth, Queens with Matthew Volz where we shot some casual footage of us to the song. The day after Matthew and I went to the Bronx to meet with a young crew of breakdancers. It was a really hot day. We filmed with them for about an hour. The dancers really brought the house down. It was so cool to see them all vibe to the music. We also filmed at Central Park’s Alice In Wonderland statue to connect some lyric references. 

In many ways, unintentionally, the song as much as the video came out to be a big shoutout to NY and things that have come out there. New York has been one of the main powers pushing behind my creation and this is me saluting it again.”

Until recently, Wauters had viewed his solo project as a singular expression of his artistic vision. A trip through Latin America while recording his last album, however, laid the groundwork for a different approach. Inviting local musicians to contribute to the songs he was working on produced a collection unlike any of his previous work, infused with the musical traditions of each country he’d visited. As a result, 2018’s La Onda De Juan Pablo and its follow-up, Introducing Juan Pablo, were Wauters’ most expansive and sonically diverse records to date, tracing both his Uruguayan roots and his travellers’ spirit.

Juan Wauters
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SCOTT DARLOW RELEASES NEW SINGLE 'FORGOTTEN AUSTRALIA' WITH STAR-STUDDED VIDEO
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SCOTT DARLOW RELEASES NEW SINGLE ‘FORGOTTEN AUSTRALIA’ WITH STAR-STUDDED VIDEO

by the partae January 19, 2021
written by the partae

Scott Darlow presents his single ‘Forgotten Australia’, a reminder for Australians to embrace their togetherness and come together to celebrate the things that make our country and its people special.

Scott has today also released the video for ‘Forgotten Australia’, where he is joined by an all-star cast to reflect on their connection to Australia and share stories of what Australia means to them. The video features the likes of John Butler, Kasey Chambers, Robert DiPierdomenico, Anthony Koutafidies, Myf Warhurst, Shelly Ware, Otis Carey, and Kyle Chalmers.

‘Forgotten Australia’ is available digitally and on limited edition 7” vinyl. The 7” also features his 2020 single ‘You Can’t See Black In The Dark (feat. Ian Kenny)’, and is available to purchase here.

Scott Darlow explains the meaning behind ‘Forgotten Australia’: “In my opinion a combination of technology, fear, globalisation and poor messaging from sections of the media have led to a rise in nationalism, less tolerance and less empathy on both sides of the political fence. In some ways, it feels like we’ve never been more divided. We need to embrace each other with a little bit more forgiveness, love, understanding, tolerance and empathy. It’s my hope that this song will remind listeners everywhere that we’re all Australians, one mob, living together on sacred ground.”

A mainstay of Australia’s Indigenous music industry, Scott Darlow is a versatile singer-songwriter, guitarist and didgeridoo player who has sold more than 50,000 albums worldwide. With his singles ‘You Can’t See Black In The Dark’ and ‘Bind The Hands Of Time’, Scott’s music has become a regular feature on the Triple M playlist. Outside of music, Darlow is a passionate First Nations activist and World Vision spokesperson, regularly speaking in hundreds of schools and corporate settings about his indigenous culture, Australian history, racial tolerance, harmony and important social matters.

‘Forgotten Australia’
Scott Darlow
Single out now through Reclusive RecordsAvailable to buy/stream here

SCOTT DARLOW

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Music News

Thrashville releases full program for 2021 event

by the partae January 19, 2021
written by the partae

Live music lovers can rejoice today as postponed heavy music event Thrashville releases full line-up for its rescheduled date of February 13th 2021.

Held at Dashville at Lower Belford, the one-day camping event features an array of local and regional bands ranging in styles from punk rock to death metal, alongside skateboarding displays and live graff art.

Thrashville is a rare opportunity regardless of COVID and Dashville is proud to be able to deliver such an event in an outdoor COVID Safe environment.

Thrashville’s full 2021 program:

Astrodeath // Basil’s Kite // Battlesnake // Boudicca // C.O.F.F.I.N  Chop // Dark Order // HOON // No Quarter // PurEnvY // Ragdoll  Scabz // Whatever // Zombonimo

Since the festivals debut in January 2017, the grass roots one day camping event, has proven to be a key event in the ‘heavy’ music calendar, being sorely missed in 2019 and 2020 due to drought, bush fires and COVID respectfully.

Event organiser Dashville has persevered in a very tricky environment to produce a quality experience for their much loved, but under serviced, metal, punk and rock fans with Thrashville being one of the only ‘slightly heavier’ outdoor festivals still in existence.

Organisers concede it has been very challenging planning in such uncertain times. However, through the success of other COVID safe events held at the pristine rural site, alongside the importance of Thrashville to its community, it wasn’t hard to find the encouragement to persevere, curating a quality experience, albeit slightly smaller than usual and delivered at the final hour, due to working within a changing COVID safe environment.

Despite a reduced capacity and a designated seating area, organisers are confident the heavy music community will come out to support the artists and enjoy the event responsibly.

‘We’re all in this together, Dashville has been hosting events since August last year and it’s amazing how people are willing to work within the boundaries and adapt in order to get along and enjoy themselves.’ Says organiser Matt Johnston

Thrashville is rated MA15+, it is a fully licensed one day event with onsite camping. Anyone under the age of 18 must be accompanied by a responsible adult at all times.

For further event information and ticketing please head to www.dashville.com.au/thrashville

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DJ INTERNATIONAL THE ICONIC CHICAGO HOUSE MUSIC LABEL RETURNS WITH STONE COLD CLASSIC 'PROMISED LAND' ORIGINAL VOCALIST, ANTHONY THOMAS RE-RECORDS HOUSE ANTHEM FOR 2021 LISTEN TO 'PROMISED LAND' HERE "HISTORY OF DJ INTERNATIONAL.. THE HISTORY OF HOUSE MUSIC, THE VERY DNA OF MODERN DANCE MUSIC" - UDISCOVER DJ INTERNATIONAL UNDER EXCLUSIVE LICENSE TO LAST MAN MUSIC ANTHONY THOMAS - 'PROMISED LAND' OUT NOW
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Iconic 80’s Chicago House Label DJ International Relaunches With Anthony Thomas’ ‘Promised Land’ | Stream Now

by the partae January 18, 2021
written by the partae

‘Brothers, Sisters…’

DJ International is the iconic record label steeped in authenticity and dance music history. It was the label that introduced the world to Chicago House, birthing it and nurturing it in its infancy, releasing the first ever House Music long player in 1986 ‘The House Sound Of Chicago’. It is a label with an outstanding discography populated by the now legendary artists of the time, untouchable DJs like Frankie Knuckles, Fingers Inc (Larry Heard & Robert Owens), Ron Hardy, Steve ‘Silk” Hurley, Farley ‘Jackmaster’ Funk, Joe Smooth, Darryl Pandy and Marshall Jefferson.

It now relaunches and returns in 2021 acquired and under exclusive license to Last Man Music, still with its original and inimitable founder at its helm Rocky Jones and the very same forward looking House music ideology, focusing on new artists as well as reintroducing the ultimate classics of the past, beginning 2021 with Anthony Thomas ’Promised Land’.

Arguably up there as one of the greatest House records ever made ‘Promised Land’ came in at the very start of the House music movement. Originally released in 1987 by the original producer Joe Smooth and created in the spiritual home of all House Music, Chicago. Later the track crossed over international borders becoming an iconic moment globally going on to represent the essence of Ibiza’s Balearic beat. Anthony Thomas, who is the original vocalist, has now re-recorded the track, updating it but keeping the original feel, reinforcing his unifying and soulful lyrics. It was the power of these lyrics that made this a massive underground dancefloor hit with the ecstasy generation of the late 80’s and early 90’s worldwide.

For DJ International as a label it didn’t stop there; the imprint was responsible for introducing the world to Farley Jackmaster Funk with his unforgettable release ‘Love Can’t Turn Around’ (1986) as well as other genre defining moments including Marshall Jefferson’s ‘Move Your Body’ and Steve Silk Hurley’s ‘Jack Your Body’. The latter riding a bassline from First Choice’s disco classic ‘Let No Man Put Asunder‘ earning a surprise 1987 UK No.1.
In August 2020, DJ International tested the waters for a formal return and debuted a posthumous Frankie Knuckles track ‘Carefree (I Am A Star)’ as the first release from the forthcoming Jackmaster 7 album, a follow-up to six Jackmaster albums the label put out between 1987 and 1991.

With one eye on its past heritage and iconic status and a long-term view to bring us new fresh and original House music acts of tomorrow, we are sure that DJ International will once again take its place alongside the other great labels of contemporary House Music culture.

Anthony Thomas ‘Promised Land’ is out now on DJ International

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