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Linkin Park Deliver an Emotional and Electric Night Two in Sydney

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Category:

Music News

LEMAIRE TEAMS UP WITH NAMASTE FOR THE FEEL GOOD SINGLE, 'OneNotTwo'
Music News

LEMAIRE TEAMS UP WITH NAMASTE FOR THE FEEL GOOD SINGLE, ‘OneNotTwo’

by the partae January 30, 2021
written by the partae

Gold Coast based artist Lemaire has teamed up with Queensland collective Namaste to bring us the heart-warming feel good track OneNotTwo. It follows on from his successful releases of 2020, Roll Call, Where’s Up and Calling To Say.

In a romantic example of art imitating life, ​OneNotTwo​ is an ideal collaboration between the exciting young Queensland-based artists. Chronicling the real-life tale of how Lemaire met his fiancé, the up-tempo, groove-infused song incorporates some hooky guitar work, neo-soul chords and an elegant drum pattern. Boasting a captivating vocal performance with memorable lyrics and several singalong worthy moments, ​OneNotTwo​ is proof that when you know, you know.

OneNotTwo is basically the story of how I met my fiancé. It’s the cheesiest, sappiest song I’ve ever written and I love it’ – LEMAIRE

OneNotTwo sets the benchmark of what will be a big year ahead for Lemaire as he sets off with the intention of releasing a brand-new single every month in 2021. With an already impressive back catalogue spanning the-passed two years and big love from some of Australia’s biggest tastemakers including Triple J Unearthed, AAA Backstage and more, the coming year looks very bright for the young talented Queenslander.

LISTEN TO ‘OneNotTwo’ HERE

 

At age 7, LEMAIRE discovered Redman’s highly explicit “Doc’s Da Name” album, hidden in an old trunk at his family home. He began listening in secret, and before long an obsession with hip-hop was born.

Gathering influence from an eclectic range of artists; Anderson .Paak, Ed Sheeran, Kendrick Lamar, and Jimi Hendrix, LEMAIRE combines aspects of hip-hop, pop, neo-soul and RnB in his studio recordings and live shows. He spends his days equipped with his Fender Stratocaster, bouncing between countless studios and rehearsal rooms across Southern Queensland and Northern NSW.

LEMAIRE began performing as a busker at the age of 15, a hobby that quickly became his full-time job. He spent years writing songs and travelling Australia, New Zealand, Europe and Canada with his guitar before settling in Gold Coast to set up his own home studio, and begin releasing his own original work.

2020 was LEMAIRE’s loudest year yet, from his breakout single “Where’s Up? (Feat. Jay Orient & JK-47)” being streamed and playlisted across the globe on Spotify, to his radio debut on Triple J with his single “Roll Call”. The leaked, unreleased collaboration with Namaste titled “Rocket Ship”, which is set for an official release in February 2021, has accumulated over 1.5 million views on YouTube and he has been lucky enough to work alongside acts such as ​ILLY​, J K – 4 7 ​, a​ n d ​N​ e r v e ​. 

Namaste touches on the belief that all humans share a spiritual connection. It’s that bond that brought together a range of musicians to form a production alliance. Once strangers, their similarities sparked a friendship that’s birthed a unique musical collective. All were born abroad but now bask in Australia’s sunshine and all share a mutual love for emotive vocals across all genres. With releases on Black Butter Records, Armada, Universal Music and PRMD Records in their discography, as well as millions of plays on streaming services, they’ve quickly established themselves as in-demand producers Down Under. Disguised in anonymity, Namaste could be old or young in age, experienced or rookies in profession. But none of that will matter when their blissful sound touches upon the soul of the listener.

“Real vibe on this one! Stays super smooth and then you drop the JK-47 verse like sheeeee” – Dave Ruby Howe, Triple J

“it’s clever, fun and got the mood set just right. another good one from lemaire!” – Declan Byrne, Triple J

“Once again Lemaire proves his talents as an incredible and exciting young performer to watch” – AAA Backstage

https://www.facebook.com/lemairemusic

https://www.instagram.com/lemairemusic/

 

January 30, 2021 0 comments
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Pushing Daizies Duo Makes Their Emotive Bass Debut With "Want It To End" Single on Dim Mak Records
Music News

Steve Aoki’s Dim Mak releases first ever single of new enigmatic duo Pushing Daizies (out now)

by the partae January 30, 2021
written by the partae

Artists: Pushing Daizies
Title: Want It To End
Label: Dim Mak Records
Release date: January 29, 2021

Download / Stream

Unidentified duo Pushing Daizies makes their official debut with the future bass inspired track “Want It To End,” released on Dim Mak Records, a groovy and yet emotive vocal anthem that introduces their signature sound. The track’s accompanying lyric video features a simple and yet powerful illustration of two daisies in a storm, bringing the symbolic nature of the duo’s name full circle. Pushing Daizies is composed of two US producers who initially intended to just work together on a few collaborations; however, their workflow during studio sessions held so much promise that the project was born. It was soft-launched this year on January 08 with an official release of their remix of Apashe‘s “Distance” on Kannibalen Records, and now it’s time for the first official single.

“The Pushing Daizies project was almost 2 years in the making, and we couldn’t be more excited to finally roll it out. What began as a couple of collaborations ended up turning into a full project with over 20 unreleased originals. I think the fact that the intention was never to form a duo, and was purely organic, makes this even sweeter. We just hope the world enjoys our music as much as we did creating it.” – Pushing Daizies

Pushing Daizies is the pseudonym of two US-based dance music producers joining forces. The enigmatic duo makes groovy, bass-heavy, electronic dance music that creates an emotional roller coaster, pulling at the heartstrings of its listeners. The project, which initially began as multiple collaborations between the two artists, transpired as their synergy saw no end in sight. “Once we found our rhythm, we knew we had something special. It was bigger than just a few singles. I guess you could say that the project was an accident in the greatest way possible,” said one of the producers. The term “pushing daisies” refers to the flowers that grow over a burial plot when someone dies, which is symbolic of the cycles of life and death, light and dark. Said differently, when someone dies, life is created. We can’t wait to hear what’s next!

More info on Pushing Daizies / Dim Mak:

Pushing Daizies: Facebook | Instagram | Twitter | Spotify
Dim Mak: Facebook
 | Instagram | Twitter | Spotify

 

January 30, 2021 0 comments
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R3HAB once again crosses genres and cultures by joining forces with Miami rapper Smokepurpp and Russian TikTok star Rakhim for a multi-lingual single "Fendi," originally a viral on TikTok, which positions itself as one of R3HAB’s most daring productions yet. Opening with a hard-hitting and rhythmic tempo, the track first ventures into the realm of hip-hop influences with rap lyrics and the title's catchy vocal hook. Fans will recognize the subtle but confident shift to R3HAB's signature electronic bass style in the second verse as a slapping bassline takes over. Smokepurpp and Rakhim trade off vocal duties in both English and Rakhim's native Russian language, making "Fendi" full of surprises to keep listeners on their toes. The story behind the song started with a post on R3HAB’s Instagram account calling on Smokepurpp to team up for a rework. The response came quickly from the American rapper, who was more than happy to jump on board. If this new release is any indication of what 2021 has in store for R3HAB, we can't wait to hear more! "I'm always keen on working with artists from different music cultures and learning from them. It was a real blast working with Rakhim and Smokepurpp, who are really talented and both pioneers in their fields. What we came up with feels modern and breaks down so many genre barriers." - R3HAB "When I created the track ‘Fendi,’ my goal was to make it a worldwide hit. And when R3HAB and Smokepurpp offered me a feat, I realized that this was another step towards my goal. I'm sure that collaboration with such cool artists will give "Fendi" its second life and take it to the next level. You're gonna love it." - Rakhim "I've been planning a lot of EDM/house type music for 2021, and I'm excited that one of the first drops was with R3HAB & that we were able to collab with Rakhim. I have a ton of Russian & Eastern European fans, and it's dope to get to do so many collabs with artists over there. Hopefully, we'll all be back on the road to perform this one soon." - Smokepurpp Dutch/Moroccan DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the better part of the last decade. From his breakthrough hit remix of Afrojack, Pitbull and Ne-Yo's "Give Me Everything" to his dance anthems, such as "All Around The World (La La La)" and "Lullaby," which have collectively amassed over 600M streams, to his collaborations with the likes of ZAYN, Andy Grammer, Sofia Carson, Timmy Trumpet and more, R3HAB has proven to be one of the most talented and forward-thinking artists in the game. He partnered with Spotify and GATTÜSO to create the first-ever official "mint" single release. In 2016 he founded his label CYB3RPVNK, which passed one billion streams on its catalog within the first two years since its inception. R3HAB himself continues to evolve and diversify his sound by working with a variety of artists around the globe, experimenting with everything from hip-hop to pop through his collaborations. With his combination of innate artistry and innovative attitude, in 2021 R3HAB is continuing his journey among electronic music's elite. Rakhim Abramov is a young hip-hop performer who, in half a year of his musical career, has released seven tracks under the name Rakhim, two of which have become hits throughout Russia and the CIS. Also, success came from America and Europe through TikTok and the top charts on Spotify and Apple Music. Rakhim's work is different from all other artists, and this allows him to rapidly increase a new audience and win the hearts of listeners. Omar Jeffery Pineiro, known professionally as Smokepurpp, is an American rapper, singer, songwriter, and record producer. Originally a record producer, Pineiro later found success on the audio distribution platform Soundcloud, which resulted in a joint venture record deal with Alamo Records and Interscope Records. Next, Pineiro released his commercial debut single, "Audi." The single soon became his biggest song with over 78 million plays on SoundCloud and 173 million streams on Spotify. It was followed by a release of his debut commercial mixtape Deadstar, including features from artists such as Chief Keef, Juicy J, and Travis Scott. The mixtape peaked at number 42 on the Billboard 200 albums chart. In 2018 Smokepurpp released two singles from the then-forthcoming "Bless Yo Trap" mixtape called "123" and "Do Not Disturb", the latter of which features Lil Yachty and Offset from Migos.
Music News

R3HAB Teams Up With Rappers Smokepurpp & Rakhim For Genre-Bending Fusion of Rap and Dance ‘Fendi’

by the partae January 30, 2021
written by the partae

Artists: R3HAB, Rakhim, Smokepurpp
Title: Fendi
Label: CYB3RPVNK
Release date: January 29, 2021

Download / Stream

R3HAB once again crosses genres and cultures by joining forces with Miami rapper Smokepurpp and Russian TikTok star Rakhim for a multi-lingual single “Fendi,” originally a viral on TikTok, which positions itself as one of R3HAB’s most daring productions yet. Opening with a hard-hitting and rhythmic tempo, the track first ventures into the realm of hip-hop influences with rap lyrics and the title’s catchy vocal hook. Fans will recognize the subtle but confident shift to R3HAB‘s signature electronic bass style in the second verse as a slapping bassline takes over. Smokepurpp and Rakhim trade off vocal duties in both English and Rakhim‘s native Russian language, making “Fendi” full of surprises to keep listeners on their toes. The story behind the song started with a post on R3HAB’s Instagram account calling on Smokepurpp to team up for a rework. The response came quickly from the American rapper, who was more than happy to jump on board. If this new release is any indication of what 2021 has in store for R3HAB, we can’t wait to hear more!

“I’m always keen on working with artists from different music cultures and learning from them. It was a real blast working with Rakhim and Smokepurpp, who are really talented and both pioneers in their fields. What we came up with feels modern and breaks down so many genre barriers.” – R3HAB

“When I created the track ‘Fendi,’ my goal was to make it a worldwide hit. And when R3HAB and Smokepurpp offered me a feat, I realized that this was another step towards my goal. I’m sure that collaboration with such cool artists will give “Fendi” its second life and take it to the next level. You’re gonna love it.” – Rakhim

“I’ve been planning a lot of EDM/house type music for 2021, and I’m excited that one of the first drops was with R3HAB & that we were able to collab with Rakhim. I have a ton of Russian & Eastern European fans, and it’s dope to get to do so many collabs with artists over there. Hopefully, we’ll all be back on the road to perform this one soon.” – Smokepurpp

Dutch/Moroccan DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the better part of the last decade. From his breakthrough hit remix of Afrojack, Pitbull and Ne-Yo‘s “Give Me Everything” to his dance anthems, such as “All Around The World (La La La)” and “Lullaby,” which have collectively amassed over 600M streams, to his collaborations with the likes of ZAYN, Andy Grammer, Sofia Carson, Timmy Trumpet and more, R3HAB has proven to be one of the most talented and forward-thinking artists in the game. He partnered with Spotify and GATTÜSO to create the first-ever official “mint” single release. In 2016 he founded his label CYB3RPVNK, which passed one billion streams on its catalog within the first two years since its inception. R3HAB himself continues to evolve and diversify his sound by working with a variety of artists around the globe, experimenting with everything from hip-hop to pop through his collaborations. With his combination of innate artistry and innovative attitude, in 2021 R3HAB is continuing his journey among electronic music’s elite.

Rakhim Abramov is a young hip-hop performer who, in half a year of his musical career, has released seven tracks under the name Rakhim, two of which have become hits throughout Russia and the CIS. Also, success came from America and Europe through TikTok and the top charts on Spotify and Apple Music. Rakhim‘s work is different from all other artists, and this allows him to rapidly increase a new audience and win the hearts of listeners.

Omar Jeffery Pineiro, known professionally as Smokepurpp, is an American rapper, singer, songwriter, and record producer. Originally a record producer, Pineiro later found success on the audio distribution platform Soundcloud, which resulted in a joint venture record deal with Alamo Records and Interscope Records. Next, Pineiro released his commercial debut single, “Audi.” The single soon became his biggest song with over 78 million plays on SoundCloud and 173 million streams on Spotify. It was followed by a release of his debut commercial mixtape Deadstar, including features from artists such as Chief Keef, Juicy J, and Travis Scott. The mixtape peaked at number 42 on the Billboard 200 albums chart. In 2018 Smokepurpp released two singles from the then-forthcoming “Bless Yo Trap” mixtape called “123” and “Do Not Disturb“, the latter of which features Lil Yachty and Offset from Migos.

More info on R3HAB / Smokepurpp / Rakhim / CYB3RPVNK:
 

R3HAB: Facebook | Instagram | Twitter | Spotify
Smokepurpp: Facebook
 | Instagram | Twitter | Spotify
Rakhim: TokTok
 | Instagram | Youtube | Spotify
CYB3RPVNK: Website
 | Youtube

 

January 30, 2021 0 comments
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BIG WORDS ANNOUNCE MELBOURNE SHOW AT THE FAIRFIELD AMPHITHEATRE
Festival NewsMusic News

BIG WORDS ANNOUNCE MELBOURNE SHOW AT THE FAIRFIELD AMPHITHEATRE

by the partae January 29, 2021
written by the partae

Big Words Presents: An Afternoon at the Amphitheatre

Saturday February 13th: Fairfield Amphitheatre, Melbourne

13:00 – 21:00

Tickets

For one night only, Big Words present to you this intimate, heavily curated line up of Melbourne’s greatest emerging talent. For lovers of soul, indie and all things alternative, Big Words have gathered some very special bands for a blissful afternoon of exploration. Taking place at the stunning open-air Fairfield amphitheatre, this will be a very special show and the last before the group begin recording their debut album.

2020 was a defining year for Big Words, having released their acclaimed Mixtape ‘Cherry’ which saw them be triple j Feature Artist and caught the attention of international tastemaker media such as Wonderland Magazine, V Magazine and Earmilk.

Finally being able to return to the stage, Big Words have a reputation for pairing their music with bespoke visuals & performance art in what many describe as one of the best live shows in Australia.

There are very limited tickets so please don’t wait.

BIG WORDS

With Drake-like charisma drenched in Beach Boys harmonies – Big Words are Melbourne’s most adored duo, made up of childhood friends Will Scullin and Kieren Lee, showcasing their lush hybrid of alt R&B, indie-pop and soul.

Since being discovered busking by Ghostface Killah during Wu-Tang Clan’s 2016 tour of Australia, Big Words have gone on to amass over 9 million streams, support Hobo Johnson and Tash Sultana on their national tours and play main stage slots at some of the biggest festivals around Australia including Beyond The Valley, Grapevine Gathering and Wildlands.

Their most recent output, mixtape ‘Cherry’ was serendipitously conceived during isolation.Originally the discarded demos from Big Words’ forthcoming debut album, The Cherry Mixtape took on a life of its own during quarantine when the duo were isolated in their apartment. One evening whilst having a few drinks, they decided they would finish off some semi-formed ideas which were never otherwise going to see the light of day. Entirely self-produced and completed in just two weeks, it wasn’t long before they realised these so-called ‘offcuts’ could actually be their best body of work yet. Cherry is a fortuitous treasure, embodying Big Word’s unique ability to create contemporary music, whilst nodding to different eras.

Kieren’s eclectic writing style developed over years of busking on the streets of Melbourne, whilst Will’s signature falsetto and production style has flourished from years of writing and recording at home. Together their sound is inspired by a wide range of visionary artists like Frank Ocean, Amy Winehouse, Mark Ronson, Daniel Caesar and Khruangbin.

Site Information:

The amphitheatre will be separated into two halves of 115 patrons each. You can move around your allocated half throughout the event but cannot cross into the other seated half.

Bar and Food:

The bar will be implementing table service. Patrons can find QR codes dotted around your allocated area with a corresponding number on it. Order to this number, wait until your order arrives and show the bartender your order receipt. You can move around and use other QR codes, just edit the number when ordering to ensure your drink comes to the right place.

Praise for Big Words

“Big Words making music with such a strong vision” – Dave Ruby Howe, triple j Unearthed

“Big Frank Ocean energy” – Life Without Andy

“No longer local knowledge, the soul/R&B/funk/pop outfit has grown from its initial cult fandom” – Dreamland Magazine

“Prepare for a solid coating of goosebumps” – Forte Magazine

FACEBOOK | INSTAGRAM | SOUNDCLOUD | SPOTIFY | YOUTUBE

January 29, 2021 0 comments
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ALISON WONDERLAND & VALENTINO KAHN RELEASE OFFICIAL MUSIC VIDEO FOR 'ANYTHING'
Music News

ALISON WONDERLAND & VALENTINO KHAN RELEASE OFFICIAL MUSIC VIDEO FOR ‘ANYTHING’

by the partae January 29, 2021
written by the partae

Following on the heels of their wildly successful November collaboration “Anything,” electronic music mega heads Alison Wonderland and Valentino Khan excitedly debut the track’s accompanying music video. The official music video is available on Friday, January 29th (AU time) via Diplo’s prolific Mad Decent label.

The “Anything” official music video chronicles a house party in the woods, starring Alison Wonderland and Valentino Khan themselves. Cutting between scenes depicting a lively party and Wonderland working as a mysterious mixologist, the party soon bursts into dynamic colour as the guests sip Wonderland’s magic elixir. A sharp descent into hell-sent madness ensues, as the video turns towards the occult. Both Wonderland and Khan watch into the madness of the partygoers, before finally indulging themselves. Clocking in at just under 4-minutes, the official “Anything” music video is equal parts exciting and bone-chilling.

Quickly amassing over 5 million streams and reaching the triple J Hottest 200, Alison Wonderland and Valentino Khan’s “Anything” solidified itself as a true house music and electronic pop classic. An effortless collision of two sonic styles, “Anything” exudes powerful feminine energy courtesy of Alison Wonderland’s captivating vocal performance, and riveting house music flair by Khan himself. “Anything” received high praise from industry tastemakers such as DJ Mag, Stoney Roads, DJ Times, EDM.com, Dancing Astronaut, and This Song Is Sick, who called the pairing “a beautiful meeting of the minds.” Two long-time heavyweights in the scene with much more to come throughout 2021, these are two artists to be sure to keep an eye on.

About Alison Wonderland:

Alison Wonderland architects a world of her own design as its chief author, creator, and voice. The Sydney-born and Los Angeles-based singer, producer, songwriter, and DJ realises this vision at the intersection of future-facing pop, explosive beat-craft, and eternal dance rhythms.

Emerging in 2009 with regular night club sets around Australia and a series of remixes for everyone from Little Dragon to Justin Bieber, she ignited an international splash in 2015 with the full-length debut, Run. It reached gold status in Australia and earned two ARIA Awards nominations, for Best Dance Release and Best Video for “U Don’t Know”. She went on to debut her live set in the US that year at Coachella. Fast forward to 2017, she achieved the Best New Artist honour at the first-ever Electronic Dance Music Awards, while her remix of Dua Lipa’s “New Rules” soared to #1 on the Billboard Dance Charts.

Her sound has quietly inched towards mainstream ubiquity as the sonic sorceress received the “Highest Female DJ Billing Ever at Coachella,” captured #1 on the Billboard Top Dance/Electronic Albums Chart twice consecutively, headlined sold out arenas around the globe, and clocked upwards of 100 million streams by 2018. Not to mention, triple j declared that “both sonically and vocally, Awake is Alison’s biggest work to date”, The Music called Alison “an intuitive songwriter, who wires into any sort of emotion”, and Stack Magazine named her an “Industry Leader”.  In the US, Billboard gave Awake rave reviews whilst ELLE proclaimed her one of its “Women On The Verge,” and she garnered features from FADER, Glamour, Seventeen, Interview, and more.  Simultaneously, Alison’s Radio Wonderland show, now broadcasting to over 20 countries and featuring prominently on the Sirius XM channel Diplo’s Revolution.

For more info on Alison Wonderland, visit:
FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD

January 29, 2021 0 comments
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SLOWLY SLOWLY ANNOUNCE DOUBLE LP COLLECTION 'RACE CAR BLUES EXTENDED EDITION' FEATURING THE ORIGINAL 'RACE CAR BLUES' + NEW ALBUM 'RACE CAR BLUES - CHAPTER 2', OUT FEB 26 NEW SINGLE + VIDEO 'THE LEVEL' OUT TODAY
Festival NewsMusic News

SLOWLY SLOWLY ANNOUNCE DOUBLE LP COLLECTION ‘RACE CAR BLUES EXTENDED EDITION’ FEATURING THE ORIGINAL ‘RACE CAR BLUES’ + NEW ALBUM ‘RACE CAR BLUES – CHAPTER 2’, OUT FEB 26 NEW SINGLE + VIDEO ‘THE LEVEL’ OUT TODAY

by the partae January 29, 2021
written by the partae
Image: Kyle Caulfield

Following the whirlwind success of their third album Race Car Blues, Slowly Slowly are announcing details on their follow up release Race Car Blues Extended Edition, out Friday February 26. The double LP collection will feature the original Race Car Blues + a brand new record titled Race Car Blues –  Chapter 2, limited to 500 copies worldwide. Race Car Blues Extended Edition is available for pre-order now via 24Hundred.

The 12 tracks that form Chapter 2 will complete the Race Car Blues story and come almost a year to the day since the original album’s release in February 2020. Where the writing sessions that spawned the first record also spawned Chapter 2, the two albums now join to form a whopping 24-track double album feature.

After premiering via triple j’s Good Nights this week, Slowly Slowly are also officially releasing a taste of what’s come on the new record with new single and video ‘The Level’ out today. On the track, frontman Ben Stewart shares:

“This song is about fighting your instincts, a head vs heart battle. It’s about not wanting to be swept up in whimsical emotion, stay grounded and be pragmatic about the situation – all while butterflies swim around in your stomach. Look out for the two hidden Springsteen lyric references in here!” 

The second chapter of Race Car Blues was first seeded with the release of ‘Low’ in late 2019, a slightly off-kilter track for Slowly Slowly at the time, now finding itself sitting snuggly among the Chapter 2 tracklisting. Stewart explains that while the tracks on Chapter 2 didn’t land on the original Race Car Blues, overtime the collection took on a life of its own and called for its own record.

“What we first envisaged as background information that assisted in connecting the dots of Chapter 1 soon became its own entity and has actually planted a few seeds,” he shares.

“In retrospect, some of those pieces that didn’t quite feel like they fit on the original album have served as great stepping stones to where Slowly is headed. Chapter 2 pushes the envelope a little further in every direction – heavier, more pop sensibility and a deeper dive into intimate solo songs.

“This is and has always been the ultimate aim for Slowly Slowly, to celebrate the music we love – anthemic heart on sleeve songwriting – but across a broad spectrum of genres. Having no creative ceiling for this project only pushed that ethos further.”

The announce of Race Car Blues – Chapter 2 comes after the release of its captivating first single ‘Comets & Zombies’ last month. Stepping into the New Year Stewart played a string of sold out Slowly Slowly solo nights along the east coast, meanwhile the band are due to play Live At The Bowl alongside Ocean Alley, Maddy Jane & The Grogans in March, their rescheduled headline Race Car Blues national release tour in June, as well as slots at Full Tilt Festival in Melbourne & Brisbane.  Details below.

2020’s Race Car Blues met an acclaimed response, debuting at #8 on the ARIA Australian Album Chart, taking out the coveted triple j Feature Album slot and clocking knockout global reviews from the likes of Kerrang!, Dead Press, Beat Magazine, Tone Deaf, The Music + more.

Race Car Blues – Chapter 2 is out everywhere Friday February 26 via UNFD. Pre-order the full Race Car Blues Extended Edition collection now.

Stream ‘The Level’ +
Pre-order ‘Race Car Blues Extended Edition’ now:
unfd.lnk.to/RCBExtended

‘RACE CAR BLUES – CHAPTER 2′
TRACKLIST:

1. Comets & Zombies
2. The Best Bits
3. Learning Curve
4. Low
5. House On Fire
6. The Internet
7. Restless Legs
8. First Love ft. Yours Truly
9. Set The Table (The One That Got Away)
10. The Level
11. Small Talk
12. Anywhere

SLOWLY SLOWLY
2021 TOUR DATES

~ RACE CAR BLUES AUSTRALIAN TOUR ~TICKETS

Friday June 4 – Manning Bar, Sydney, NSW
Saturday June 5 – The Triffid, Brisbane, QLD
Friday June 11 – 170 Russell, Melbourne, VIC
Sunday June 13 – 170 Russell, Melbourne, VIC
Friday June 18 – Lion Arts Factory, Adelaide, SA
Saturday June 19 – Badlands Bar, Perth, WA
Friday June 25 – Altar, Hobart, TAS
Saturday June 26 – Saloon Bar, Launceston, TAS

~ ALSO APPEARING AT ~

Wednesday March 24 – Live At The Bowl, Melbourne, VIC
w/ Ocean Alley, Maddy Jane + The Grograns

Saturday June 12 – Full Tilt Festival, Brisbane, QLD
&
Saturday July 3 – Full Tilt Festival, Melbourne, VIC
w/ Northlane, Hands Like Houses, In Hearts Wake, Thy Art Is Murder,
Luca Brasi + more

CONNECT WITH SLOWLY SLOWLY: 
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King Gizzard & The Lizard Wizard
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King Gizzard & The Lizard Wizard Share a kaleidoscopic cut & paste video for brand new track, ‘O.N.E.’

by the partae January 29, 2021
written by the partae

“King gizzard’s new album (y’all know what it’s called) is definitely not coming out in February.” – Stu Mackenzie

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Having finished the end of last year with a stunning animated video for the previously unreleased If Not Now, Then When?, King Gizzard And The Lizard Wizard have today dropped another brand new track, O.N.E.

 

The track is accompanied by a kaleidoscopic cut & paste video directed by Melbourne videographer Alex McClaren. Talking about the video, Alex said:

 

“The song itself feels as if it’s constantly moving along so I tried to keep the visuals continually moving forward and sliding into different visual styles and landscapes. I felt the mix of stop motion and collage through the use of found imagery and the band would help compliment the tracks lyrics and themes as I interpreted them, of dreams, nightmares, climate change, dystopias, and utopias, as well as referencing events that took place during the making of the video over 2020. All video of the band was shot by Ambrose during the second lockdown restrictions and I had to give notes on shooting and direct remotely which was strange but so was everything during that period.”

 

Arguably the most tireless band on the planet, November saw the band release their most recent studio album, K.G. to much acclaim. On the same day in November they also released a live album, Live In San Francisco ’16 and companion live concert film and earlier in the year Live In Asheville ’19 and Demos Vol.1 + Vol.2 came out via Bandcamp.

 

Additionally, April saw them release a live tour movie (and attendant album) Chunky Shrapnel, an up-close, unconventional and discombobulating portrait that captured the power and sheer oddness of the live Gizz experience, a tour that culminated in a sold-out headline show at London’s historic Alexandra Palace in late 2019.

 

King Gizzard & The Lizard Wizard are: Stu Mackenzie (vocals/guitar), Ambrose Kenny-Smith (harmonica/vocals/keyboards), Cook Craig (guitar/vocals), Joey Walker (guitar/vocals), Lucas Harwood (bass) and Michael Cavanagh (drums).

Album discography
: 12 Bar Bruise (2012), Eyes Like the Sky (2013), Float Along – Fill Your Lungs (2013), Oddments (2014), I’m In Your Mind Fuzz (2014), Quarters! (2015), Paper Mache Dream Balloon (2015), Nonagon Infinity (2016), Flying Microtonal Banana (2017), Murder of the Universe (2017), Sketches of Brunswick East (2017), Polygondwanaland (2017), Gumboot Soup (2017), Fishing for Fishies (2019), Infest The Rats’ Nest (2019), Chunky Shrapnel (live album) (2020), K.G. (2020).

 

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MorningMaxwell
Music News

Delfina – The dream team’s rnb/soul infused disco house tune making you feel sexy

by the partae January 29, 2021
written by the partae

Delfina’ is the much anticipated follow up to MorningMaxwell & Max Glyde’s ‘Take It In’  (Just chill); this time with vocal powerhouse Blush’ko (new dance beats, new music friday, just chill etc). A soulful, sexy summer tune perfect to kick off your night; Blush’ko’s enticing vocals compliment the infectious baseline and signature Max Glyde chords to go with the vintage MorningMaxwell stabs. This song is the beginning of a 2 song journey as a three way collective – look out for song #2 Feb 28th

LISTEN: https://ditto.fm/delfina

 

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Forgotten Futures Festival announces full line up including Douglas Dare, Penelope Trappes, Jo Quail, Gallops, Alexandra Hamilton-Ayres and more
Festival NewsMusic News

Forgotten Futures Festival announces full line up including Douglas Dare, Penelope Trappes, Jo Quail, Gallops, Alexandra Hamilton-Ayres and more

by the partae January 29, 2021
written by the partae

www.frgttnftrs.com

Forgotten Futures is an immersive live arts event taking place at Attenborough Art’s Centre on 1st May, which will also be streamed in high quality.

TICKETS AVAILABLE FOR BOTH LIVE EVENT AND LIVE STREAM:
https://www.gigantic.com/forgotten-futures-tickets/attenborough-arts-centre/2020-05-30-14-00

TICKETS:
https://www.gigantic.com/forgotten-futures-tickets/attenborough-arts-centre/2020-05-30-14-00

Forgotten Futures Festival is pleased to announce the full line up of artists for Forgotten Futures 2021, including Penelope Trappes (Houndstooth) Douglas Dare (Erased Tapes), Jo Quail (Poppy Ackroyd etc), and Gallops. They are joined by an eclectic programme of music, carefully curated from across the worlds of classical music, electronica, post-rock, shoegaze and more, creating an engaging and unusual programme of music and visual art.

Forgotten Futures is a musically diverse programme of artists across a full day of immersive performances staged within spectacular environments, taking place at Leicester’s Attenborough Arts Centre’s hall, galleries and studios. The event encourages collisions between music and visual art – whether they are being created simultaneously, responded to, or forming the backdrop for each other. An accessible experimental event, it is set to be an inspiring day of artistic expression.

The festival offers tickets for both the live event at Attenborough Arts Centre, and for a high quality live stream. 

Performances from
DOUGLAS DARE
GALLOPS
JO QUAIL
PENELOPE TRAPPES
RICH LIST
ALEXANDRA HAMILTON-AYRES
CEREMONY: AUDIOVISUAL ORCHESTRATIONS
TOM MORRIS (HER NAME IS CALLA)
ALLATSON / WASTELL / WOODHEAD (Trio)
CHIEF SPRINGS
EYRE LLEW
NATALIE EVANS
LION/S
MUTED FNORD
PEOPLE NEED GOALS
REEDER
PETER WYETH

Plus curated spaces from
HAIKU SALUT
COURTNEY ASKEY & NANCY DAWKINS
INTERACT DIGITAL ART

Headliner Douglas Dare is an English songsmith whose third studio album Milkteeth was released in February 2020 on Erased Tapes Records. Dare’s music speaks of his own experiences of universal themes like love, loss and childhood. Perhaps most importantly, his music gives a voice and a sanctuary to anyone who’s ever felt unusual or out of place. Whether he’s singing of the pain of those in the Magdalene Laundries as on Whelm, describing coming out to his parents on Aforger, or processing his own childhood isolation on Milkteeth, Dare has a graceful honesty and an abiding clarity of vision in his simple and distinctive sound.

Penelope Trappes is a London-based, Australian-born vocalist, musician and ethereal soundscaper. She spent 2016 writing and recording what would become her first solo album, ‘Penelope One’ in a piano studio in East London. Composed of mostly percussion-less, reverb-heavy haunting atmospherics with dystopian themes, the LP was released via Optimo Music in 2017 on vinyl and as a photo book. The first single ‘Puppets’ premiered by opening the Fendi SS17 runway show. Penelope signed to Houndstooth in 2018 and released her sophomore LP ‘Penelope Two’ to critical acclaim. The minimalist, ethereal album was built around field recordings, meditations, guitars, synth drones, piano and reverb, and deals with mortality, predestination and empathy.  2019 saw the release of ‘Penelope Redeux’ consisting of reworks of songs from ‘Penelope Two’ by Cosey Fanni Tutti, Mogwai, Félicia Atkinson, Nik Colk Void and more. ‘Penelope Three’ will be out in Spring of 2021 on Houndstooth.

Jo Quail is an internationally acclaimed composer and virtuoso cellist from London, UK. Equally at home on stage solo, with bands or in collaboration with choir and orchestra she combines an eloquent mastery of her instrument with innovative looping techniques, to realise her complex, evocative music for audiences worldwide. Inspired by the visual arts as much as by fellow composers, Jo cites Barbara Hepworth and Georgia O’Keefe as key influences, alongside the diverse music of Debussy, Pärt, Tool, and Trent Reznor. As a result, she freely crosses the boundaries between genres, awakening listener emotions, and taking audiences into uncharted territory with each concert. Her exuberant, celebratory performance style has won her a fanbase in the contemporary classical world as well as among enthusiasts of post-rock, metal and electronica.

After releasing their debut album, a monstrous slab of dark experimental rock Yours Sincerely Dr. Hardcore in 2012, Wrexham’s Gallops soon announced they were no more and broke up in 2013. In 2016, almost three years to the day, they announced their return. Awakening from their nap, they have done so revitalised, rejuvenated and driven, creating an album that stretched their horizons even further and is driven by the propulsive charge of electronic music – Bronze Mystic was released a year later.

EVENT INFO

HOW DO WE PUT ON AN EVENT IN 2021?
We are extraordinarily aware of the uncertainty surrounding events scheduled for 2021 and want to make sure that Forgotten Futures takes place in one form or other. Initially we are offering both a general admission ‘in person’ ticket as well as a streamed ticket – for anyone who, for whatever reason, isn’t able to attend and experience the event in person. If it’s not safe for the ‘In Person’ element of the festival to take place in a workable form, all General Admission ticket holders will be offered at least a partial refund, and the event will become completely online, with streams of as much of the programme as practically possible, offered to the highest quality we are able.We sincerely hope we can be together in a room for Forgotten Futures, but if we can’t do that safely we will come together digitally for what will be a spectacular streamed event.

CREATING AN ACCESSIBLE EVENT
Forgotten Futures aims to be as accessible an event as we can be. Attenborough Arts Centre is fully wheelchair accessible, has accessible toilets, an Induction loop hearing system, adult changing facilities and shower, accessible parking spaces and is welcoming of assistance dogs. We encourage anyone who may have specific access requirements to contact us ahead of the event to discuss anything we can do to facilitate making their attendance at the event as easy as possible.

If you require particular assistance, you are also entitled to a free companion or carer ticket.

If attending in person is not practical, we also offer a streamed ticket, intended as a concession for those who are not able, or not comfortable, attending live music events – whether that be due to disabilities, anxiety, health or any other reason.

We also want everyone to feel safe and welcome at our events. We have a Saf(er) Spaces policy which is in place for Forgotten Futures. There will also be gender neutral bathrooms available.

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In 2021 CLIKNO celebrates its 5th anniversary and presents with its 10th release a very special acoustic techno EP from Dr.Nojoke entitled “Muaco". Muaco stands for Music against Corona and deals with the clubless time we are all experiencing. When Dr.Nojoke picked up his Höfner acoustic guitar during the lockdown in spring he was looking for new inspirations. The recordings led to three brilliant poly-rhythmical tracks for a special trip far off the beaten path. Dr.Nojoke suggests his EP as much as a way for home-clubbing as well as a listening experience. We don´t even know, if it is techno or what, but as mostly all parts were created with acoustic guitar you may file it under acoustic techno or guitar techno. We think it is just great groovy music - pulsating, hypnotic, danceable, kraut-ish, freaky - that should be played everywhere.
Music News

Dr.Nojoke releases an acoustic techno EP from the Corona era on CLIKNO.

by the partae January 28, 2021
written by the partae

In 2021 CLIKNO celebrates its 5th anniversary and presents with its 10th release a very special acoustic techno EP from Dr.Nojoke entitled “Muaco”.

Muaco stands for Music against Corona and deals with the clubless time we are all experiencing.

When Dr.Nojoke picked up his Höfner acoustic guitar during the lockdown in spring he was looking for new inspirations. The recordings led to three brilliant poly-rhythmical tracks for a special trip far off the beaten path. Dr.Nojoke suggests his EP as much as a way for home-clubbing as well as a listening experience.

We don´t even know, if it is techno or what, but as mostly all parts were created with acoustic guitar you may file it under acoustic techno or guitar techno.

We think it is just great groovy music – pulsating, hypnotic, danceable, kraut-ish, freaky – that should be played everywhere.

bandcamp link
https://clikno.bandcamp.com/album/muacodetails:
Artist: Dr.Nojoke
Title: Muaco
Label: CLIKNO
Cat.-No.: CLIKNO D05
Format: digital
Release date: January 29th 2021
Style: acoustic techno, deep techno, minimal technoTracklisting
01     Muaco 05:45
02     S-Oum 08:19
03     Dengi 05:30

 

social links CLIKNO
www.instagram.com/cliknolabel
www.facebook.com/cliknolabel
www.twitter.com/CLIKNOlabel

social links Dr.Nojoke
www.instagram.com/dr.nojoke
www.facebook.com/Dr.Nojoke.fanpage
www.twitter.com/dr_nojoke

January 28, 2021 0 comments
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CARLA GENEVE Announces debut album Learn To Like It Shares new single & video 'Dog Eared'
Music News

CARLA GENEVE Announces debut album Learn To Like It Shares new single & video ‘Dog Eared’

by the partae January 28, 2021
written by the partae
Photo Credit: Duncan Wright

Perth-based, Albany-native Carla Geneve is proud to announce her debut album Learn To Like It will be released by Dot Dash Recordings / Remote Control Records on Friday 23rd April 2021. New single ‘Dog Eared’ was premiered by triple j’s Good Nights earlier this week and arrives today with a gritty video directed by long time collaborator Duncan Wright.

Inspired by her work as a music teacher, ‘Dog Eared’ sees Geneve harnessing the enthusiasm received from her students – “I was driving home one night and I felt so excited and full of energy for music, and I guess life in general. I didn’t really know why but I realised it was because I had been in a room of teenagers playing music with the pure, raw emotion that most people grow out of as you enter adulthood. I had taken some of that recklessness and it felt incredibly nostalgic. I dictated the words to ‘dog eared’ into my phone. It took me a while to finish the music because I really wanted to get it moving a bit more than my other songs. Capture a bit of that violence that I mostly stay away from on this record.”

Learn To Like It serves as a reflective statement of an artist finally coming into her own whilst simultaneously navigating the trials and tribulations of self-discovery and personal growth. From humble beginnings in the small south-west town of Albany to a rapid ascent wrapped up in two years of prolific touring, accolades and international acclaim – a period that was also accompanied by the chaos of adolescence, heartache and coming to terms with an undiagnosed mental illness – Learn To Like It is an emotional catharsis of forging identity through hardship and the light at the end of the tunnel rewarded by hopeless optimism.

Whilst serving mostly as a biographical reflection of the 22-year-old’s own life experiences, the record is ultimately an exercise in finding strength through vulnerability and pure, raw and honest emotion. On the process of using songwriting as an emotional release, Geneve states that it was “…very much a way for me to make sense of and explain my emotions to myself. These songs came at a time that I was coming to terms with the positives and negatives of medication, as well as the reality of having to gather the mental strength to push through hardship.”

Pre-order / pre-save Carla Geneve – Learn To Like It: carlageneve.lnk.to/learntolikeit

Carla Geneve – Learn To Like It

1. Brighter Than Blue
2. Don’t Wanna Be Your Lover
3. Residue
4. The Right Reasons
5. I Never Noticed The Weight
6. Dog Eared
7. What I Already Know
8. Brisbane
9. Wide Open Road
10. Learn To Like It

Carla Geneve – Learn To Like It is out Friday 23 April via Dot Dash / Remote Control Records
Carla Geneve
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GORDI RELEASES OUR TWO SKINS (REMIXED) EP FEATURING REMIXES FROM HELADO NEGRO, RYAN HEMSWORTH, GEORGIA MAQ & MORE + ANNOUNCES ADDITIONAL SHOWS ON FORTHCOMING TOUR
Music News

GORDI RELEASES OUR TWO SKINS (REMIXED) EP FEATURING REMIXES FROM HELADO NEGRO, RYAN HEMSWORTH, GEORGIA MAQ & MORE + ANNOUNCES ADDITIONAL SHOWS ON FORTHCOMING TOUR

by the partae January 28, 2021
written by the partae

Starting 2021 with the same momentum carried throughout much of 2020, Gordi (aka Sophie Payten) today releases the Our Two Skins (Remixed) EP and announces additional shows for her forthcoming Australian tour throughout February and March.

A seven-track offering, the EP features beautifully re-worked tracks from 2020’s Our Two Skins by an impressive collection of Gordi’s friends and affiliates – Helado Negro, Ryan Hemsworth, Georgia Maq (Camp Cope), Loraine James, Lawrence English and Alex Somers.

Of the new release, Gordi shares: “I love hearing how the  same song sounds in someone else’s head. Some of my favourite artists have breathed new life into tracks from “Our Two Skins” from the corners of the globe. It’s a really special collection.”

Released in June last year, Our Two Skins chronicled an intense and impossible time for Payten, as she renegotiated who she was and how she fit into the world. The album was warmly embraced by critics and fans, and debuted into the Top 20 of the ARIA Albums Chart. Our Two Skins was also nominated for an ARIA Award and two J Awards – recognition of the depth, intricacy and beauty of the album.

In addition to releasing her second record last year, Payten also balanced work as a doctor, donning the scrubs (and the PPC) to assist with under-staffed local hospitals in Melbourne during the height of the COVID-19 pandemic. She performed a debut, globally broadcast show at the Sydney Opera House (to an empty theatre!), launched her very own VR immersive album experience titled Buried City and even managed to sneak in some shows at year’s end for fans in NSW.

The addition of new tour dates to Gordi’s upcoming tour follows a successful show over the weekend as part of Mushroom’s Sounds Better Together concert series with Missy Higgins and Tones and I.  Gordi will return to the stage with a full band for the album shows throughout February and March.

GORDI – TOUR DATES 2021
Tickets via gordimusic.com

Friday 5 February 2021 | The Tivoli, Brisbane, QLD
Saturday 6 February 2021 | Byron Theatre, Byron Bay, NSW
Saturday 13 February 2021 | Cowra Civic Theatre, Cowra, NSW
Thursday 18 February | The Forum, Melbourne, VIC
Friday 19 February | The Bridge Hotel, Castlemaine, VIC
Friday 26 – Saturday 27 February | Wonderland Spiegeltent, Adelaide, SA
Saturday 13 March | Altar, Hobart, TAS | RE-SCHEDULED SHOW

Our Two Skins (Remixed)
Gordi
EP out now through Liberation Records
Available to buy/stream here

Our Two Skins (Remixed) tracklisting:
1.  Radiator (Lawrence English Remix)
2. Free Association (Helado Negro Remix)
3. Unready (Loraine James Remix)
4. Extraordinary Life (Georgia Maq Remix)
5. Extraordinary Life (Alex Somers Remix)
6. Unready (Ryan Hemsworth Remix)
7. Radiator (Lawrence English Remix – Eternal Coda)

WARM AND FUZZIES FOR OUR TWO SKINS:

“Our Two Skins specialises in quietly devastating moments that get under your skin.” – triple j

“Payten finds beauty anyway, never ignoring her fears, but remembering why the fear is worth braving at all.” – Pitchfork

“Our Two Skins is an accomplished work that offers an aural solace and it’s an album to cry and reflect to during unprecedented times” – The Australian

“Payten herself is a magnetic presence” – The Guardian

“A majestic-sounding thing, Gordi’s commanding, Fender-thrashing performance was one to make all of us at home feel better about the uncertainties we face.”
– Sydney Morning Herald

“[Our Two Skins] balances fierce intimacy with expansive ambition… The resulting piece feels like an honest, personal reckoning, where both the artist and listener can join each other on the journey and emerge as better versions of themselves on the other side.” – Uproxx

“one of my favorite…singer-songwriters” – Stephen Thompson, NPR Music

“The album’s greatest strength is Gordi’s ability to render intimate details into poetic, evocative lyrics… Gordi stands out from her peers on the strength of her direct, melancholic voice and honest lyricism.” – Exclaim

GORDI

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Nick Griffith shares 80's-inspired video for single 'Darling', taken from debut album '7am'
Music News

Nick Griffith shares 80’s-inspired video for single ‘Darling’, taken from debut album ‘7am’

by the partae January 28, 2021
written by the partae
Photo by Sophie McComish
“Exploring the most abject corners of post-punk and 80s-inspired pop, 7am recalls Tom Tom Club and Orange Juice both in its sound and in its earnest, beautifully romantic lyricism. It’s a bold, warm-hearted debut.”
– 
The Fader

“Australian multi-instrumentalist Nick Griffith tempers luxuriant yacht-pop arrangements with lo-fi touches across the sunny 7am.” 
– Bandcamp

“Every musical knick-knack of the record comes alive with this sense of personality, feeling as though it’s been playfully pieced together via its DIY recording into a curious, affectionate whole, from retro drum machines to op-shop purchased microphones and buzzing, analogue synths.”
– FBi Radio

“Nick’s contribution to Sydney music over the years and over many projects is demi-god level good. Any time he drops something new you know I’m listening.”  
– Dave Ruby Howe, triple j Unearthed

Nearly one year on from the release of debut album 7am (Dinosaur City Records), Illawarra-based artist Nick Griffith today shares a music video for track ‘Darling’. The video clip coincides with the announcement of a limited edition CD, due February 5 via DIY French label Safe in the Rain Records.

Buy/stream 7am here and watch the video for ‘Darling’ here.

‘Darling’ topped the Australian AMRAP charts upon release in March 2020 – thanks to its upbeat production dominated by synths, crunchy riffs and Nick’s unmistakable falsetto – and now comes with its very own video, directed by Sophie McComish (Body Type).

The new clip is inspired by ’80s and ’90s performance videos, and features Griffith “goofing around the house behind different, coloured sheets”. The scratchy, vivid output is reminiscent of videos by Pixies, Sonic Youth and Pavement, which saw high rotation on MTV back in the day.

Nick Griffith 7am track listing:

1. Riding On My Bike
2. Dreamweaver
3. Back and Forth
4. Broken
5. Darling
6. Fantasy
7. 7am
8. Drones in the Midnight Sky
9. I Wanna Dance A Lot
10. Goombaschoolday*

*Bonus track

Stream/buy 7am

7am is an abstract collection of tracks written, recorded, produced and performed by multi-instrumentalist Nick Griffith in his bedroom over the better half of a decade.

Of the record, Nick shares:

“7am is a collection of songs written over many years – some dating as far back as 2013. There was a time when I started putting them all together in my mind and they began to form an idea of an album. It was the use of similar approaches to achieving a sound; samples of retro drum machines and synths, and an op shop-purchased SingStar microphone with a Chux wipe used for a pop filter – and similar limitations in equipment leading to similar workarounds. The songs are stories from my early twenties and different representations of myself at different periods. Uncertainty, bewilderment and fatigue of a new world is the common thread of 7am.”

Nick Griffith catapulted into 2020 with the release of his debut album 7am. Upon release, the record was FBi Radio Feature Album (with Griffith cited as one of the most-played artists on the station in 2020 – and 2019), added to rotation on 2SER, received multiple plays from triple j and double j, was prompted by The Fader as one of “7 new albums you should stream right now” alongside The Weekend’s After Hours and J Balvin’s Colores, and nominated for the prestigious Australian Music Prize (AMP). Nick Griffith is in the process of finalising his sophomore album, due 2021 via Dinosaur City Records. Stay up to date by following Nick on Bandcamp.

Keep up to date with Dinosaur City Records releases and events:
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MICRA SHARE NEW SINGLE 'SONATA' WITH VIDEO
Music News

MICRA SHARE NEW SINGLE ‘SONATA’ WITH VIDEO

by the partae January 28, 2021
written by the partae

Today, Micra release their magnetic new single ‘Sonata’, with the Sydney duo expertly creating a sonic and emotional tug of war in the dream-pop wonder.

The intriguing push and pull of ‘Sonata’ surfaces from the tension between the syncopated drum beat and the echo-laden guitars, reminiscent of genre forebearers such as Beach House or the Cocteau Twins. ‘Sonata’ begs for immediate replay, with the Ivi and Robbie’s signature multi-layered, swelling production and intriguing melodies coalescing together to create a soothing, dense slice of dream-pop. The track’s psychedelic video was made with an analogue video synthesizer.

“Sonata is about the moments in which your trust in someone is tested and finding acceptance and moving on with a lack of closure.” – Micra
‘Sonata’ offers another taste of Micra’s forthcoming EP, which is being finalised for release over the coming months. During a tumultuous 2020, Micra kept busy by releasing a steady flow of singles with accompanying DIY live videos, finishing the year off with a breezy, hypnotic cover of Ou Est Le Swimming Pool’s hit ‘Dance The Way I Feel’. Previous single ‘Coral Crush’ explored a more pop-centric side to the duo and was coined by Pilerats as “a masterclass in the excellence Micra has consistently shown us over the last few years”. Whilst earlier release ‘Under My Skin’ was named Clash Music’s ‘Track of the Day’ and was added to RUFUS DU SOL’s ‘Headphone Selections’ playlist. It also picked up profile across both Apple Music and Spotify. Micra have similarly caught the attention of indie tastemaker David Dean Burkhart who added their latest releases to his popular ‘Compact Cassette’ playlist.A sonic experiment from Bulgarian born and raised singer/ guitarist Ivana Kafedjiyska and Australian guitarist/producer Robbie Cain, the duo performed a flurry of impressive, sold-out shows at Sydney’s Oxford Art Factory and La La La’s in Wollongong in November last year.  Stay tuned for further news on Micra’s forthcoming EP soon.

‘Sonata’
Micra
Single out now through Liberation Records

Available to buy/stream here

MICRA

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Photo Credit: Pooneh Ghana Download Hi-Res Image Tune-Yards announce details of their fifth studio album, sketchy. The 11-track record, which includes last year’s single ‘nowhere, man’, will be released on 26 March 2021. Today, Merrill Garbus and Nate Brenner release another preview from sketchy., the grounding single ‘hold yourself.’ and its accompanying animated video directed by Basa Studio. Beneath the layered sounds of ‘hold yourself.’ lies Garbus’ most explicit lyrics she’s ever written; a clear-eyed moment of grief and simmering rage that builds from the song’s calming introduction to its explosive culmination. “This song is about feeling really betrayed, by my parents’ generation, and at the same time, really seeing how we are betraying the future,” Garbus explains. Tune-Yards’ last release I can feel you creep into my private life, was a self-reflexive question mark at the end of a decade of outspoken, polyphonic indie music. From 2009 to 2018, Tune-Yards (both Merrill and her partner and collaborator Nate Brenner) released four critically acclaimed albums, travelled the world relentlessly to play live shows, and composed the psychedelic score to Boots Riley's surrealist cinematic masterpiece Sorry To Bother You. "We had really been non-stop hustling," Merrill reflects. "And when we're hustling, we're complicit in all of the systems that I really don't believe in." Interrogating these systems and her role within them had left Merrill feeling heavy with grief and lost about how to move forward. The duo pressed on, inspired by the Beastie Boys Book and Questlove’s Creative Quest, and began jamming daily for hours in their home rehearsal studio “like athletes”. They ditched computer screens for live instruments (Merrill on drums, Nate on bass) and before long full songs started to emerge. Unlike the lyrical introspection of previous outing I can feel you..., on sketchy. Merrill balances self-inspection and reflection with bombastic rallying cries, reminiscent of the furious tones of early days Tune-Yards. The result is a colourful and joyous record with lyrics that cut to the bone. "I started remembering that people come to us to be entertained, to move, to feel joy. And together, I think, we can wake up.” sketchy. will be available digitally, and on CD, on yellow opaque, translucent blue and standard black vinyl on 26 March. For pre-order information head to tuneyards.ffm.to/sketchy Purchase / Stream 'hold yourself.' https://tuneyards.ffm.to/holdyourself
Music News

TUNE-YARDS Announce new album sketchy. Release new single and video ‘Hold Yourself’

by the partae January 28, 2021
written by the partae
Photo Credit: Pooneh Ghana

Tune-Yards announce details of their fifth studio album, sketchy. The 11-track record, which includes last year’s single ‘nowhere, man’, will be released on 26 March 2021. Today, Merrill Garbus and Nate Brenner release another preview from sketchy., the grounding single ‘hold yourself.’ and its accompanying animated video directed by Basa Studio.

Beneath the layered sounds of ‘hold yourself.’ lies Garbus’ most explicit lyrics she’s ever written; a clear-eyed moment of grief and simmering rage that builds from the song’s calming introduction to its explosive culmination. “This song is about feeling really betrayed, by my parents’ generation, and at the same time, really seeing how we are betraying the future,” Garbus explains.

Tune-Yards’ last release I can feel you creep into my private life, was a self-reflexive question mark at the end of a decade of outspoken, polyphonic indie music. From 2009 to 2018, Tune-Yards (both Merrill and her partner and collaborator Nate Brenner) released four critically acclaimed albums, travelled the world relentlessly to play live shows, and composed the psychedelic score to Boots Riley‘s surrealist cinematic masterpiece Sorry To Bother You. “We had really been non-stop hustling,” Merrill reflects. “And when we’re hustling, we’re complicit in all of the systems that I really don’t believe in.”

Interrogating these systems and her role within them had left Merrill feeling heavy with grief and lost about how to move forward. The duo pressed on, inspired by the Beastie Boys Book and Questlove’s Creative Quest, and began jamming daily for hours in their home rehearsal studio “like athletes”. They ditched computer screens for live instruments (Merrill on drums, Nate on bass) and before long full songs started to emerge.

Unlike the lyrical introspection of previous outing I can feel you…, on sketchy. Merrill balances self-inspection and reflection with bombastic rallying cries, reminiscent of the furious tones of early days Tune-Yards. The result is a colourful and joyous record with lyrics that cut to the bone. “I started remembering that people come to us to be entertained, to move, to feel joy. And together, I think, we can wake up.”

sketchy. will be available digitally, and on CD, on yellow opaque, translucent blue and standard black vinyl on 26 March. For pre-order information head to tuneyards.ffm.to/sketchy

Purchase / Stream ‘hold yourself.’ https://tuneyards.ffm.to/holdyourself

Tune-Yards – sketchy.
1. nowhere, man
2. make it right.
3. hypnotized
4. homewrecker
5. silence pt. 1 (when we say “we”)
6. silence pt. 2 (who is “we”?)
7. hold yourself.
8. sometime
9. under your lip
10. my neighbor
11. be not afraid.

Tune-Yards –  sketchy. is out Friday 26 March via 4AD / Remote Control Records.
tune-yards.com
January 28, 2021 0 comments
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