|
|
|
|
Wolf Alice, one of Britain’s most revered bands and winner of the Mercury Prize 2018 for their last album Visions Of A Life, today announce their highly-anticipated third album, Blue Weekend, due for release on 11 June via Liberator Music / Dirty Hit. The first glimpse into this new world, ‘The Last Man On Earth’ was premiered as Annie Mac’s Hottest Record in the World on BBC Radio 1, continuing a tradition started when Annie played ‘Giant Peach’ from the band’s Gold-certified debut LP My Love Is Cool, as her first song when taking over the the weekday evening show in 2015.
Elaborating on who the titular The Last Man on Earth is, singer and guitarist for Wolf Alice Ellie Rowsell says,
“It’s about the arrogance of humans. I’d just read Kurt Vonnegut’s Cat’s Cradle and I had written the line ‘Peculiar travel suggestions are dancing lessons from god’ in my notes. But then I thought: ‘Uh, your peculiar travel suggestion isn’t a dancing lesson from god, it’s just a travel suggestion! Why does everything need to mean something more?””
Wolf Alice are Ellie Rowsell (vocals, guitar), Joff Oddie (guitar, vocals), Theo Ellis (bass) and Joel Amey (drums, vocals). It has been a decade since the band began as a duo of Ellie Rowsell and Joff Oddie, then later expanding to a four-piece, with Joel Amey and Theo Ellis joining the group. Since then, the band saw their 2015 debut album My Love Is Cool soar to #2 on the UK charts, their sophomore album Visions Of A Life win the 2018 Hyundai Mercury prize, and a GRAMMY nomination for Best Rock Performance. The band played a massive 187 shows on the Visions Of A Life world tour – including a sold out Alexandra Palace, 2 sold out dates at Brixton Academy, and a set on the Pyramid Stage at Glastonbury.
It was no surprise that creating a follow-up to Visions Of A Life was a daunting task. The record was a huge success, which subsequently led to many months spent on tour – with intercontinental flights, hotels and long-bus journeys taking a toll on the band.
The band decamped to an Airbnb in Somerset, and it was here that they reconfigured who they were together, far away from festival stages, tour buses, awards shows, and fans. They cemented their friendship and set to work on some fledgling demos in a converted church. These demos evolved into Blue Weekend, a record produced by Markus Dravs (Arcade Fire, Björk, Brian Eno, Florence + The Machine) who has aided the band in refining their sound to an even sharper point. Rowsell’s personal storytelling is at the core of Blue Weekend, an album that sees Wolf Alice embrace a newfound boldness and vulnerability in equal measure.
|
|||
|
The boundary-pushing, shape-shifting trio has amassed a supersized fanbase that spans generations. Over half of their audience are under the age of 22 and the band has a combined 175 million streams, all whilst remaining self-produced and independent. KKB has seamlessly morphed through alt-pop genres, from creepypasta ‘90s indie to fourth world alt-pop, aligning themselves with enlightened musical influencers such as 100 gecs, Charli XCX, Rina Sawayama, and exaggerated electronic pop music cabal PC Music.
‘The Princess and the Clock‘ is a lively and complex anthem that matches colourful synths with old-time mythology, creating an engaging balance of experimental and pop tendencies. The lyrics see KKB recount a fictional tale of their own devising, telling the story of a princess sailing the world who is kidnapped by a primitive society and held in a glass tower. One day the captors find her gone and the glass smashed; it’s up to the listener to decide how she left. The fable is perfectly illustrated via an animation by Dan W. Jacobs.
Kero Kero Bonito explain; “The Princess and the Clock is the tale of a young explorer who is kidnapped while sailing the world, imprisoned at the top of a tower, and worshipped as royalty by an isolated society. Trapped in her chamber, she spends years dreaming of escaping, until one day she disappears. A legend of our own invention, “The Princess and the Clock” was written before Covid emerged, though the long, lonely hours and escapist dreams its protagonist experiences will be relatable to many right now. It’s a song for anyone who has ever felt trapped, lost, and alone.“
KKB’s Civilisation era was inspired in equal parts by early ambassadors of art-pop such as Kate Bush, David Byrne, and Ryuichi Sakamoto, as well as their modern equivalents Grimes, Caroline Polachek, and Björk, as well as trumpeter Jon Hassell, who developed the concept of ‘fourth world’ music, which unified both primitive and modern sounds. Much like Civilisation I, all three tracks of Civilisation II are produced using only old hardware which both trivialises and exaggerates the ideas that lie within the EP, a thematic fusion of the ancient past, grand present and distant future all at once. Across the EP, Sarah Bonito wrote lyrics as they came to her, is half Japanese, half English, reflecting the multi-dimensional way she thinks and understands language.
The past 18 months have seen the band breaking new ground. Driven by their understanding of the machinations of digital culture, they have encouraged the extrapolation of their music by their fans; in 2019, KKB’s tracks ‘Flamingo‘ and ‘I’d Rather Sleep‘ went viral on Alt-TikTok, exposing their music to legions of new young fans, with both currently garnering over a million streams per month. They found themselves going viral again in 2020 after they composed ‘It’s Bugsnax!‘, the theme to the hit PS5 video game, which led to them being described as “the internet’s new favourite meme ingredient” by GamesRadar. The band also appeared on 100 gecs’ ‘ringtone‘ remix alongside Charli XCX and Rico Nasty. These affiliations and collaborations placed the band squarely in front of an emboldened audience who were willing to dive headfirst into Kero Kero Bonito’s borderless and undefined pop music.
‘The Princess And The Clock’ is out now, buy/stream it here.
Stay connected with Kero Kero Bonito:
Official Website | Instagram | Facebook | YouTube | Twitter
For the first time in Arts Centre Melbourne’s history we are thrilled to announce that 3KND, Melbourne’s first and only Aboriginal and Torres Strait Islander radio station and digital platform, is the official media partner of Live at the Bowl.
The purpose of this partnership agreement is to identify ways both organisations can work together and create opportunities for collaboration and promotion in relation to the Live at the Bowl season that supports cultural and social impact for the arts community and the community of Victoria.
“This relationship is a strong step forward for both organisations. It shows a real commitment by Arts Centre Melbourne towards indigenous media. The board of First Australians Media Enterprises and Radio 3KND are proud to sign this agreement”, says General Manager of 3KND Gerry “GMan” Lyons.
This is the first time Arts Centre Melbourne has entered into a media partnership agreement that goes beyond the transactional components and establishes 3KND as a strategic advisor and collaborator on cultural safety considerations of our First Nations artists, community and staff.
“We first met 3KND last year when we hosted the Vic NAIDOC 2020 Concert Always Was, Always Will Be. It came as no surprise that we had instant rapport and both our organisations had a genuine desire to continue to work beyond NAIDOC 2020. This media partnership signifies so much more than just a signature on a dotted line; it shows our commitment to including all peoples across the media landscape in our projects. I know this will be an important ongoing relationship for us as an organisation and we cannot wait to see where this takes us next,” says Arts Centre Melbourne CEO Claire Spencer AM.
3KND has been on the airwaves since June 2003 and is proudly an independent and not-for-profit Indigenous radio and media broadcasting service which runs 24 hours, 7 days a week.
We’re excited to be welcoming visitors back to our venues in line with the most recent Victorian Government guidelines on COVID-19. We have opened our outdoor café Protagonist, the Sunday Markets as well as the Australian Music Vault. These openings coincided with the Live at the Bowl season, which officially kicked off on 8 January 2021.
While the ghost lights will stay on a little longer inside our venues, we will continue to offer audiences the chance to experience the wonder of the performing arts via our digital hub – Together With You. For more information including: our opening plans and related health and safety policies; bookings for free and ticketed events; and other digital content and experiences, please visit artscentremelbourne.com.
Melbourne, Australia – Youth music organisation The Push returns with the second-intake for their Electronic Music Accelerator, a free program developed for young aspiring producers and artists who identify as female or gender non-conforming.
Facilitated by one of Australia’s most exciting multifaceted electronic music producers and artists Beatrice Lewis (Haiku Hands, Kardajala Kirridarra) who provides valuable tips and insights from her own creative process, in addition to helping students master a variety of production techniques using Ableton Live.
The eight-week course is aimed at young Victorians aged 16-20 years, and will equip students with tools and knowledge to help find success in careers within the music landscape, bolstered by support in practical areas such as growing their professional abilities, building relationships and mastering a variety of techniques using Ableton products.
Delivered in partnership with Ableton – the world-leading brand of electronic music-making software and hardware – and Lord Mayor’s Charitable Foundation, the Electronic Music Accelerator program launched in late 2020 with a mission to support Australia’s next generation of electronic music-makers and performers.
The program and partnership also seeks to increase diversity within the local electronic music landscape by creating a safe space for young people of different backgrounds and experiences to connect together while building their skills and confidence.
This free training and development program will be delivered from The Push’s new home in Collingwood Yards running for eight weeks from 26 April to 16 June. Apply now!
The Push Electronic Music Accelerator is supported by Lord Mayor’s Charitable Foundation and Ableton.
Important Dates
- Term Two applications open: 10am Thursday 25 February 2021
- Term Two applications close: 5pm Wednesday 25 March 2021
- Applicants notified of outcome: Monday 29 March 2021
- Term Two class dates: Monday 26 April – 16 June 2021
- Term Two graduation & presentation: June 2021
ABOUT THE PUSH
The Push is Australia’s leading youth music organisation. At the forefront of emerging trends, delivers a range of programs that are responsive to Australia’s future music industry leaders, artists and audiences. For over three decades, our organisation has engaged more than 700,000 young people. Our program alumni include Courtney Barnett, Alex Lahey, Alice Ivy and Angie McMahon — who have each progressed onto successful, global careers. For more information, visit: thepush.com.au.
|
|
|
|
|
|
|
|
|
Karnivool have regrettably cancelled all shows outside of Western Australia on their scheduled national tour. The Decade of Sound Awake Tour will be replaced by a ticketed live stream event, with details to be announced soon.
STATEMENT FROM KARNIVOOL:
We are sick to our stomachs to announce all Decade of Sound Awake shows outside of Western Australia have to be cancelled.
When we were forced to move the tour for a second time, we were optimistic that shows would be able to proceed normally, safely and in the way we had envisioned them. With further rounds of border closures, limited capacities and other show restrictions it is clearly, regrettably, no longer viable to put on the events we want and you deserve for holding onto your ticket for all this time!
This album means so much to us and the tour warrants full production, epic visuals and sweaty singalongs, things that just cannot happen in the middle of a pandemic. Believe us, we have looked at more options than an Aldi shopper.
The sold out Fremantle shows can and will happen, albeit in a slightly altered format on March 12 & 13.
In response to cancelling the East Coast shows, we are going to be presenting a live stream event of the Decade of Sound Awake which means folks in the rest of the world will get to see the show as well.
For everyone at the East Coast shows, your ticket agency will be in contact with your refunds.
Live stream tickets will go on sale soon.
Please accept our unreserved and heartfelt apology we could not make this tour possible, we honestly tried everything we could and hope to make it up to everyone in the future
Until then, stay safe and stay well.
|
||||
With well received remixes and EPs on Maceo Plex’s Ellum imprint, the artist (aka Mindaugas Lapinskis) has been rising fast on the electronic scene, with solid support from names such as Adam Beyer, Sam Paganini, Stephan Bodzin, Adriatique, B.Traits and Pete Tong. He founded his own label SODAI so he could express himself with no compromises.
‘At one point I felt lost, the world spinning so fast I couldn’t catch it. So, I made a soundtrack for the movie I live in.’
‘The album was started and never finished many times from fear of being misunderstood, but global and personal crises free me from doubt. Now here I am with all my melodies waiting to be heard.’
‘Soundtrack for the End’ is out on February 26th on SODAI.
Buy link: https://bit.ly/3rpkzHk
https://www.youtube.com/watch?v=YfY-sFtZe5o
Buy Links – Digital: https://bit.ly/
Tracklist:
- All About NOW (ft. APARDE)
- Point of No Return
- RIVER (Remake)
- Shade of Indecision (ft. MYRIAH TURNER)
- BIRDS
- Color Blind
- Stills (ft. VAARWELL)
- Funeral Techno
- MRNNG
- GHOST (Remake)
ICONIC ROCK BAND THE OFFSPRING RELEASE FIRST NEW MUSIC IN ALMOST A DECADE
SET FOR RELEASE APRIL 16 ON CONCORD RECORDS FIRST SINGLE AVAILABLE NOW
PRE-ORDER LET THE BAD TIMES ROLL HERE
Legends and innovators of the Southern California punk rock scene, The Offspring have sold more than 40 million albums worldwide, won countless awards, and have toured consistently, playing more than 500 shows in the last decade alone. Their music has had a lasting impact across film, television, and video games, but the band turned their focus to a new album release in 2021. The band is comprised of singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse.
The new music was written and recorded over the course of the last several years at various locations including the band’s Huntington Beach, California studio. The album is the band’s third time working in collaboration with legendary rock producer Bob Rock.
True to the irreverence at the core of punk rock music, the band and lyricist Dexter Holland took a view to today’s cultural moments and didn’t shy away from creating topical material in this album. The title track, written in late 2019 and recorded in 2020, reflects the country’s ongoing challenges. Holland said: “I feel like we’re in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more like they’re saying ‘fuck it’ and its really scary.”
As guitarist Noodles said: “Folks are saying, if it’s all going to Hell, we might as well make the most out of it, or at least go out swinging. ‘Let The Bad Times Roll!’”
I am currently based in Melbourne Victoria!
I first got into music, as I took piano lessons in primary school! I continued that through to about grade 8, and then very silly me gave it up. I was also that kid that tried every instrument under the sun but I always reverted back to the piano, and as I graduated high school, I knew I wanted to do something within music but wasn’t sure exactly what, so I studied audio engineering this was a good balance for me to rediscover the love I had for music when I was younger and also the technical side behind recording/composing songs.
At the moment, I have just been having ample time in the studio every day working on new music and future releases for this year for my project with some really great songwriters and vocalists which has been really fun!
My covid experience was a really strange one as I’m sure it was for many people, I was in lockdown in Melbourne for about 6 months, I was going to go back to the Gold Coast [ where originally I am from ] but instead, I decided to stay here and just put my head down and work on music, which was a positive for me to be able to have ample time to just write and work every day and dedicate time to my passion and career. I also definitely learnt a lot in this time.
I wrote Hit You Up in the 2nd lockdown Melbourne had last year, I just wanted to write a fun dance record, at the time I was binge-watching a lot of the disclosure twitch streams that they were doing so I feel like the sound design and the initial old school kind of house vibe was unconsciously influenced by that!
I produced this song at home when I was in my apartment, and I wrote the initial idea with a vocalist from LA and then just produced it up over the last few months of last year.
I use Ableton Live for my DAW of choice, and I also used my Korg Minilogue Synthesizer that I have and I was doing a sound design session randomly one day just having a play around and made these little laser percussive sounds which you will hear in the chorus of the song and they are just subtly being panned left to right, I then just processed them with a few different effects and had them sitting in the back of the mix for some fun little ear candy.
I first got into producing when I was living in Byron Bay, I started studying Audio Engineering and then discovered Ableton Live, and started to learn that program and loved it as your creativity on it is endless! I decided to move to Melbourne in 2018 as I felt there was a lot more opportunity for me here to grow and establish myself as an artist and be able to network, which I have met some amazing people and I love the sense of community we have here within the industry and haven’t looked back since!
I’ve been listening to heaps of music from an artist called Kito recently, a few others I have had on repeat are Lauren Sanderson, Whethan, Olah Bliss, and some old Hudson Mohawke and Machine Drum these are all such great artists that I really value their work.
Outside of the studio, I try to get out into nature as much as possible! It’s so easy to just spend relentless time in the studio, which is amazing but I try to remind myself to get out and spend some time reconnecting outside of the city!
This year is going to be a really busy one for me, I have quite a few releases planned and an ep that I am working towards for the end of the year, which I’m super excited about but we will have to wait and see!
My favorite food by far is Agedashi Tofu, my roommate introduced this to me about a year and a half ago and my life was changed and still, I’m obsessed with it hahaha, we are still in a bet to find the best Agedashi Tofu in Melbourne, so if anyone has any suggestions hit me up!
My favorite place to hangout would be going to some of Melbourne’s dope bars and drinking a cider in the afternoon with some friends after a week of being in the studio, that always hits the spot!
Website – https://www.vynesmusic.com
Instagram – https://www.instagram.com/
Spotify – Vynes
Sound Cloud – VYNES
Facebook – https://www.facebook.com/
Apple Music – https://music.apple.com/us/
|
||
|
LISTEN: