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XG (JAPAN) ICONIC ARTIST GROUP RETURNS WITH 2026 WORLD TOUR: THE CORE

April 23, 2026

The Jungle Giants – Album Launch Parties

April 23, 2026

STEPHEN SANCHEZ: Brings The Lover Down Under Tour to Australia & NZ...

April 23, 2026

FUTURE ISLANDS Share ‘The Ink Well’ and ‘One Day’ New LP From...

April 23, 2026

BAAUER RETURNS WITH U, HIS FIRST ALBUM IN SIX YEARS, ON LUCKYME...

April 23, 2026

Interview: SF WRENS – “The Finish Line” and the Art of Being...

April 23, 2026

Interview: Makua Rothman – “I Just Wanna Live” From Big Waves to...

April 23, 2026

The Temper Trap announce highly anticipated Australian headline dates for September/October 2026

April 20, 2026

MEDIA PUZZLE UNVEIL NEW RACEHORSE: A SURREAL COMMENTARY ON MODERN EXISTENCE

April 20, 2026

SF WRENS DEBUT FRESH NEW SINGLE ‘THE FINISH LINE’

April 20, 2026
Category:

Music News

TRICKY ANNOUNCES NEW ‘FALL TO PIECES' REMIX EP WITH TRENTEMØLLER REMIX OF "LIKE A STONE" FEATURING REMIXES FROM TRENTEMØLLER, KAHN, LA TIMPA AND LAFAWNDAH OUT TODAY
Music News

TRICKY ANNOUNCES NEW ‘FALL TO PIECES’ REMIX EP WITH TRENTEMØLLER REMIX OF “LIKE A STONE” FEATURING REMIXES FROM TRENTEMØLLER, KAHN, LA TIMPA AND LAFAWNDAH OUT TODAY

by the partae February 25, 2021
written by the partae

FALSE IDOLS
TRICKY – ‘LIKE A STONE’ (TRENTEMØLLER REMIX)
OUT NOW

LISTEN TO ‘LIKE A STONE’ (TRENTEMØLLER REMIX) HERE

Last September, Tricky released his “most darkly moving music in years” (Pitchfork) & critically acclaimed album ‘Fall To Pieces’. Today, he announces a remix EP with contributions from trentemøller, Kahn, LA Timpa and Lafawndah. Four artists that are each known for their own trademark production styles, recalibrate and incorporate Tricky’s music into their own sonic terrains.

“I was very honored when Tricky asked me to remix ‘Like A Stone’ as I’m a huge fan of his work – and it’s a really great song! I only used his and Marta’s vocals and build up an entirely new song around them, focusing on a melodic and mystical vibe”.
trentemøller

Tricky may be over three decades deep into his music career, but he’s currently on an especially prolific run. In the last year, he dropped the enchanting “20,20” EP and put out an acclaimed autobiography, ‘Hell Is Round The Corner’ as well as recording ‘Fall To Pieces’  in his Berlin studio in late 2019.

‘Fall To pieces Remix’ EP Tracklist:

01. Tricky feat. Marta – ‘Like a Stone’ (trentemøller Remix)
02. Tricky feat. Marta – ‘Fall Please’ (Kahn Remix)
03. Tricky feat. Oh. Land – ‘I’m In The Doorway’ (LA Timpa Remix)
04. Tricky – ‘Vietnam’ (Lafawndah Remix)

Tricky ‘Like a Stone’ (trentemøller remix) is out now on False Idols / !K7 Records

Later this year, Tricky will tour across Europe in support of ‘Fall To Pieces’ – see dates below:

Aug. 13, 2021 – Amsterdam, Netherlands @ Paradiso – TICKETS
Sep. 16, 2021 – Copenhagen, Denmark  @ Hotel Cecil  – SOLD OUT
Sep. 18, 2021 – Oslo, Norway @ Parkteatret – TICKETS
Sep. 21, 2021 – Vilnius, Lithuania @ Loftas
Sep. 22, 2021 – Riga, Latvia @ Palladium – TICKETS
Sep. 23, 2021 – Tallin, Estonia @ Fotografiska – TICKETS
Sep. 24, 2021 – Helsinki, Finland @ Ääniwalli – TICKETS
Sep. 26, 2021 – Minsk, Belarus @ Re:Public Club – TICKETS
Sep. 29, 2021 – Yekaterinburg, Russia @ Fabrika
Sep. 30, 2021 – St Petersburg, Russia @ Kosmonavt
Oct. 01, 2021 – Moscow, Russia @ Glavclub
Oct. 04, 2021 – Kiev, Ukraine @ Atlas – TICKETS
Oct. 07, 2021 – Skopje, Macedonia @ MKC Youth Culture Centre
Oct. 8, 2021 – Thessaloniki, Greece @ Fix Factory – TICKETS
Oct. 9, 2021 – Athens, Greece @ Fuzz Live Music Club – TICKETS
Oct. 10, 2021 – Sofia, Bulgaria @ Sofia Live Club – TICKETS
Oct. 12, 2021 – Bucharest, Romania @ Quantic Club – TICKETS
Oct. 13, 2021 – Cluj-Napoca, Romania @ FORM Space
Oct. 15, 2021 – Belgrade, Serbia @ Dom Omladine – TICKETS
Oct. 16, 2021 – Zagreb, Croatia @ Močvara – TICKETS
Oct. 19, 2021 – Budapest, Hungary @ A38 Ship – TICKETS
Oct. 20, 2021 – Warsaw, Poland @ Praga Centrum – TICKETS
Oct. 21, 2021 – Krakow, Poland @ Kwadrat – TICKETS
Oct. 22, 2021 – Poznan, Poland @ TAMA – TICKETS
Oct. 24, 2021 – Berlin, Germany @ Metropol
Oct. 26, 2021 – Brussels, Belgium @ Botanique – TICKETS
Oct. 27, 2021 – Paris, France @ Le Trianon
Oct. 28, 2021 – Tourcoing, France @ Le Grand Mix
Nov. 04, 2021 – Glasgow, United Kingdom @ St Luke’s
Nov. 07, 2021 – Manchester, United Kingdom @ 02 Ritz
Nov. 08, 2021 – London, United Kingdom @ Electric Brixton
Nov. 17, 2021 – Vienna, Austria @ Flex – TICKETS
Nov. 18, 2021 – Milan, Italy @ Magazzini Generali – TICKETS
Nov. 19, 2021 – Strasbourg, France @ La Laiterie
Nov. 21, 2021 – Lyon, France @ Ninkasi Kafé
Nov. 22, 2021 – Bordeaux, France @ Le Rocher De Palmer
Nov. 25, 2021 – Barcelona, Spain @ Sala Apolo
Nov. 26, 2021 – Madrid, Spain @ Independence Live
Nov. 27, 2021 – Santiago de Compostela, Spain @ Sala Capitol
Nov. 28, 2021 – Gijon, Spain @ Teatro la Laboral
Nov. 30, 2021 – Porto, Portugal @ Hard Club – TICKETS
Dec. 01, 2021 – Lisbon, Portugal @ LAV – TICKETS

Connect with Tricky
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Connect with trentemøller
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February 25, 2021 0 comments
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WOLF ALICE ANNOUNCE NEW ALBUM BLUE WEEKEND - OUT FRIDAY 11 JUNE 2021 + FIRST SINGLE 'THE LAST MAN ON EARTH' OUT NOW
Music News

WOLF ALICE ANNOUNCE NEW ALBUM BLUE WEEKEND – OUT FRIDAY 11 JUNE 2021 + FIRST SINGLE ‘THE LAST MAN ON EARTH’ OUT NOW

by the partae February 25, 2021
written by the partae

Wolf Alice, one of Britain’s most revered bands and winner of the Mercury Prize 2018 for their last album Visions Of A Life, today announce their highly-anticipated third album, Blue Weekend, due for release on 11 June via Liberator Music / Dirty Hit. The first glimpse into this new world, ‘The Last Man On Earth’ was premiered as Annie Mac’s Hottest Record in the World on BBC Radio 1, continuing a tradition started when Annie played ‘Giant Peach’ from the band’s Gold-certified debut LP My Love Is Cool, as her first song when taking over the the weekday evening show in 2015.

The Last Man On Earth’ is an evocative return, finding Wolf Alice blurring the lines between classic songwriting, graceful atmosphere and their signature pin-sharp choruses. It is a song full of poise and confidence, the work of a band who raise the bar with every single release. Lead singer Ellie Rowsell is an artist with a rare songwriting gift – the ability to tread the fine line between consummate storyteller and confessional lyricist. The song arrives with a video by director Jordan Hemingway (Gucci, Raf Simons, Comme Des Garçons), featuring Rowsell in the spotlight and signalling a bold introduction to this new era of Wolf Alice.

Elaborating on who the titular The Last Man on Earth is, singer and guitarist for Wolf Alice Ellie Rowsell says,

“It’s about the arrogance of humans. I’d just read Kurt Vonnegut’s Cat’s Cradle and I had written the line ‘Peculiar travel suggestions are dancing lessons from god’ in my notes. But then I thought: ‘Uh, your peculiar travel suggestion isn’t a dancing lesson from god, it’s just a travel suggestion! Why does everything need to mean something more?””

Wolf Alice are Ellie Rowsell (vocals, guitar), Joff Oddie (guitar, vocals), Theo Ellis (bass) and Joel Amey (drums, vocals). It has been a decade since the band began as a duo of Ellie Rowsell and Joff Oddie,  then later expanding to a four-piece, with Joel Amey and Theo Ellis joining the group. Since then, the band saw their 2015 debut album My Love Is Cool soar to #2 on the UK charts, their sophomore album Visions Of A Life win the 2018 Hyundai Mercury prize, and a GRAMMY nomination for Best Rock Performance. The band played a massive 187 shows on the Visions Of A Life world tour – including a sold out Alexandra Palace, 2 sold out dates at Brixton Academy, and a set on the Pyramid Stage at Glastonbury.

It was no surprise that creating a follow-up to Visions Of A Life was a daunting task. The record was a huge success, which subsequently led to many months spent on tour – with intercontinental flights, hotels and long-bus journeys taking a toll on the band.

The band decamped to an Airbnb in Somerset, and it was here that they reconfigured who they were together, far away from festival stages, tour buses, awards shows, and fans. They cemented their friendship and set to work on some fledgling demos in a converted church. These demos evolved into Blue Weekend, a record produced by Markus Dravs (Arcade Fire, Björk, Brian Eno, Florence + The Machine) who has aided the band in refining their sound to an even sharper point. Rowsell’s personal storytelling is at the core of Blue Weekend, an album that sees Wolf Alice embrace a newfound boldness and vulnerability in equal measure.

Blue Weekend will be released on 11 June 2021 and will be available on limited edition red transparent vinyl, yellow transparent vinyl and green vinyl, as well as black vinyl, CD & all DSPs. 
WOLF ALICE
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February 25, 2021 0 comments
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INTRODUCING ALT POP TRAILBLAZERS KERO KERO BONITO SHARE NEW SONG ‘THE PRINCESS AND THE CLOCK’ + ANNOUNCE CIVILISATION II EP OUT APR 21ST
Music News

INTRODUCING ALT POP TRAILBLAZERS KERO KERO BONITO SHARE NEW SONG ‘THE PRINCESS AND THE CLOCK’ + ANNOUNCE CIVILISATION II EP OUT APR 21ST

by the partae February 25, 2021
written by the partae

PRAISE FOR KERO KERO BONITO

“Kero Kero Bonito bounce between bouts of chaos and the absolute cheeriness of pure pop,
a sensation that suggests they are tinkering with those wild old memories,
trying to reconcile them with reality.”

Pitchfork

“Kero Kero Bonito have found the sweet spot between sounding out of time
and ahead of it, all at once”

The Guardian

Alt-pop trailblazers Kero Kero Bonito share their new single ‘The Princess and the Clock‘ today alongside the announcement of their forthcoming EP Civilisation II, out April 21st via AWAL. A sequel to 2019’s EP Civilisation I, in which the band envisioned a historically-ambiguous alternate-reality, Civilisation II sees KKB continue to explore instinctive human tendencies across three tracks, all completely devised using vintage hardware. Listen HERE, watch ‘The Princess and The Clock‘ HERE.

The boundary-pushing, shape-shifting trio has amassed a supersized fanbase that spans generations. Over half of their audience are under the age of 22 and the band has a combined 175 million streams, all whilst remaining self-produced and independent. KKB has seamlessly morphed through alt-pop genres, from creepypasta ‘90s indie to fourth world alt-pop, aligning themselves with enlightened musical influencers such as 100 gecs, Charli XCX, Rina Sawayama, and exaggerated electronic pop music cabal PC Music.

‘The Princess and the Clock‘ is a lively and complex anthem that matches colourful synths with old-time mythology, creating an engaging balance of experimental and pop tendencies. The lyrics see KKB recount a fictional tale of their own devising, telling the story of a princess sailing the world who is kidnapped by a primitive society and held in a glass tower. One day the captors find her gone and the glass smashed; it’s up to the listener to decide how she left. The fable is perfectly illustrated via an animation by Dan W. Jacobs.

Kero Kero Bonito explain; “The Princess and the Clock is the tale of a young explorer who is kidnapped while sailing the world, imprisoned at the top of a tower, and worshipped as royalty by an isolated society. Trapped in her chamber, she spends years dreaming of escaping, until one day she disappears. A legend of our own invention, “The Princess and the Clock” was written before Covid emerged, though the long, lonely hours and escapist dreams its protagonist experiences will be relatable to many right now. It’s a song for anyone who has ever felt trapped, lost, and alone.“

KKB’s Civilisation era was inspired in equal parts by early ambassadors of art-pop such as Kate Bush, David Byrne, and Ryuichi Sakamoto, as well as their modern equivalents Grimes, Caroline Polachek, and Björk, as well as trumpeter Jon Hassell, who developed the concept of ‘fourth world’ music, which unified both primitive and modern sounds. Much like Civilisation I, all three tracks of Civilisation II are produced using only old hardware which both trivialises and exaggerates the ideas that lie within the EP, a thematic fusion of the ancient past, grand present and distant future all at once. Across the EP, Sarah Bonito wrote lyrics as they came to her, is half Japanese, half English, reflecting the multi-dimensional way she thinks and understands language.

The past 18 months have seen the band breaking new ground. Driven by their understanding of the machinations of digital culture, they have encouraged the extrapolation of their music by their fans; in 2019, KKB’s tracks ‘Flamingo‘ and ‘I’d Rather Sleep‘ went viral on Alt-TikTok, exposing their music to legions of new young fans, with both currently garnering over a million streams per month. They found themselves going viral again in 2020 after they composed ‘It’s Bugsnax!‘, the theme to the hit PS5 video game, which led to them being described as “the internet’s new favourite meme ingredient” by GamesRadar. The band also appeared on 100 gecs’ ‘ringtone‘ remix alongside Charli XCX and Rico Nasty. These affiliations and collaborations placed the band squarely in front of an emboldened audience who were willing to dive headfirst into Kero Kero Bonito’s borderless and undefined pop music.

‘The Princess And The Clock’ is out now, buy/stream it here.

Stay connected with Kero Kero Bonito:
Official Website | Instagram | Facebook | YouTube | Twitter

February 25, 2021 0 comments
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Live at the Bowl celebrates media partnership with 3KND
Music News

Live at the Bowl celebrates media partnership with 3KND

by the partae February 25, 2021
written by the partae

For the first time in Arts Centre Melbourne’s history we are thrilled to announce that 3KND, Melbourne’s first and only Aboriginal and Torres Strait Islander radio station and digital platform, is the official media partner of Live at the Bowl.

The purpose of this partnership agreement is to identify ways both organisations can work together and create opportunities for collaboration and promotion in relation to the Live at the Bowl season that supports cultural and social impact for the arts community and the community of Victoria.

“This relationship is a strong step forward for both organisations. It shows a real commitment by Arts Centre Melbourne towards indigenous media. The board of First Australians Media Enterprises and Radio 3KND are proud to sign this agreement”, says General Manager of 3KND Gerry “GMan” Lyons.

This is the first time Arts Centre Melbourne has entered into a media partnership agreement that goes beyond the transactional components and establishes 3KND as a strategic advisor and collaborator on cultural safety considerations of our First Nations artists, community and staff.

“We first met 3KND last year when we hosted the Vic NAIDOC 2020 Concert Always Was, Always Will Be. It came as no surprise that we had instant rapport and both our organisations had a genuine desire to continue to work beyond NAIDOC 2020. This media partnership signifies so much more than just a signature on a dotted line; it shows our commitment to including all peoples across the media landscape in our projects. I know this will be an important ongoing relationship for us as an organisation and we cannot wait to see where this takes us next,” says Arts Centre Melbourne CEO Claire Spencer AM.

3KND has been on the airwaves since June 2003 and is proudly an independent and not-for-profit Indigenous radio and media broadcasting service which runs 24 hours, 7 days a week.

We’re excited to be welcoming visitors back to our venues in line with the most recent Victorian Government guidelines on COVID-19. We have opened our outdoor café Protagonist, the Sunday Markets as well as the Australian Music Vault. These openings coincided with the Live at the Bowl season, which officially kicked off on 8 January 2021.

While the ghost lights will stay on a little longer inside our venues, we will continue to offer audiences the chance to experience the wonder of the performing arts via our digital hub – Together With You. For more information including: our opening plans and related health and safety policies; bookings for free and ticketed events; and other digital content and experiences, please visit artscentremelbourne.com.au.

February 25, 2021 0 comments
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Festival NewsMusic News

YOUTH MUSIC ORGANISATION THE PUSH OPENS TERM 2 APPLICATIONS OF THE ELECTRONIC MUSIC ACCELERATOR PROGRAM

by the partae February 25, 2021
written by the partae

Applications now open!

Melbourne, Australia – Youth music organisation The Push returns with the second-intake for their Electronic Music Accelerator, a free program developed for young aspiring producers and artists who identify as female or gender non-conforming.

Facilitated by one of Australia’s most exciting multifaceted electronic music producers and artists Beatrice Lewis (Haiku Hands, Kardajala Kirridarra) who provides valuable tips and insights from her own creative process, in addition to helping students master a variety of production techniques using Ableton Live.

The eight-week course is aimed at young Victorians aged 16-20 years, and will equip students with tools and knowledge to help find success in careers within the music landscape, bolstered by support in practical areas such as growing their professional abilities, building relationships and mastering a variety of techniques using Ableton products.

Delivered in partnership with Ableton – the world-leading brand of electronic music-making software and hardware – and Lord Mayor’s Charitable Foundation, the Electronic Music Accelerator program launched in late 2020 with a mission to support Australia’s next generation of electronic music-makers and performers.

The program and partnership also seeks to increase diversity within the local electronic music landscape by creating a safe space for young people of different backgrounds and experiences to connect together while building their skills and confidence.

This free training and development program will be delivered from The Push’s new home in Collingwood Yards running for eight weeks from 26 April to 16 June. Apply now!

The Push Electronic Music Accelerator is supported by Lord Mayor’s Charitable Foundation and Ableton.

 

Important Dates

  • Term Two applications open: 10am Thursday 25 February 2021
  • Term Two applications close: 5pm Wednesday 25 March 2021
  • Applicants notified of outcome: Monday 29 March 2021
  • Term Two class dates: Monday 26 April – 16 June 2021
  • Term Two graduation & presentation: June 2021

ABOUT THE PUSH
The Push is Australia’s leading youth music organisation. At the forefront of emerging trends, delivers a range of programs that are responsive to Australia’s future music industry leaders, artists and audiences. For over three decades, our organisation has engaged more than 700,000 young people. Our program alumni include Courtney Barnett, Alex Lahey, Alice Ivy and Angie McMahon — who have each progressed onto successful, global careers. For more information, visit: thepush.com.au.

February 25, 2021 0 comments
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WOLF & CUB NIL album tour dates announced!
Festival NewsMusic News

WOLF & CUB NIL album tour dates announced!

by the partae February 25, 2021
written by the partae
Photo credit: Jos Eastwood
Praise for NIL

“Plays like a highlight reel of what they do best: brooding guitar riffs, agile rhythm section, palpable mood swings and effects-shrouded vocals from leader Joel Byrne.” – NME, ★★★★

 “A mighty return to form.” – Rolling Stone

“A solid, pulsing slice of noisy rock that makes us feel like they’d never left.” – Double J

“Released from the burden of expectation, that theme of acceptance combined with rapid stickwork, howling guitars and driving bass lines means ‘NIL’ goes close to Wolf & Cub’s best work to date.” – AU Review 

“Though Wolf & Cub’s tunes retain some of their magic once recorded, you can’t replace the energy and sheer forcefulness they generate in a live setting.” – The Music

“The bearded boys are back, sounding darker and heavier than ever” – Grass FIres

Wolf & Cub are excited to finally announce an Australian tour to celebrate the release of their acclaimed fourth album NIL. The band has not undertaken a national tour since 2014, these upcoming dates marking the first official shows in support of NIL since its release in November 2020. In addition to gigs in Melbourne and Sydney, the band will be performing a very special immersive art show at the newly launched art space The Lab in their home-town of Adelaide. The Lab is a 300-capacity live music venue located within the new West End arts hub Light, and boasts a performance space lined with 50sqm of LED video screens. The audio-visual setup will allow the band to incorporate immersive visuals into their set which they’ll be designing together will local visual artist, Ryan Sahb whom the band has collaborated with on previous live shows. Tickets for all shows are available now via http://wolfandcub.com/shows

Wolf & Cub guitarist/front man Joel Byrne says of the upcoming shows, “Releasing our fourth album last November in the middle of a global pandemic meant that for obvious reasons we weren’t able to play any launch shows, which for us was like having our wings clipped. ‘NIL’ was recorded so we could play it live so not being able to tour it has kind of made the release feel a little… incomplete. As you can imagine we’re beyond excited to finally be bringing it to life on stage”.

Featuring the dark and abrasive first single ‘Blue State’ & searing second single ‘Close to the Edge’, NIL is Wolf & Cub‘s first long-form release since 2013’s Heavy Weight. Where Heavy Weight hinted at the band’s ability to traverse tougher terrain, NIL sees the band gravitate away from previous psych-rock offerings in favour of a masterful and revelatory heaviness.

Produced by the band and released on bandleader Joel Byrne’s own label Part Time Records, NIL was recorded in Sydney at a variety of locations across a protracted timeframe. The album is crushing in its intensity as Wolf & Cub embrace the freedom that comes with starting again and the confidence that comes from experience. “My measurement for Wolf & Cub’s success in my late-thirties is significantly different from what it was at the beginning of our career,” says Byrne. “There’s no burden of expectation here.”

Listen / Download / Buy Wolf & Cub – NIL: https://wolfandcub.lnk.to/NIL

NIL – Australian Album Tour Dates 2021
Presented by NICHEFriday 26 March – Russell’s Pizza, Willunga SA
Saturday 27 March – The Lab, Adelaide SA
Saturday 10 April – The Lansdowne, Sydney NSW
Thursday 15 April – Retreat Hotel, Melbourne VIC
Friday 16 April – Pelly Bar, Frankston VIC
Saturday 17 April – Barwon Club, Geelong VIC

Tickets on sale now via wolfandcub.com/shows

Wolf & Cub
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February 25, 2021 0 comments
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BECCA MANCARI Announces new EP Juniata Shares single 'Annie'
Music News

BECCA MANCARI Announces new EP Juniata Shares single ‘Annie’

by the partae February 25, 2021
written by the partae

PRAISE FOR THE GREATEST PART

“Stereolab gone Nashville.” – New York Times

“Really incredible…I was just so deeply moved by the whole thing” – NPR Music 

“Artist of the Month…Fantastic…Akin to Cate Le Bon or Aldous Harding” – Consequence of Sound

“Shimmering…pointillist…skittering…and serrated-edge.” – Rolling Stone 

“Even as she delves into devastating and dark subject matter throughout, Mancari often twists them into songs filled with hopefulness.” – Them. 

“Along with Hayley Williams’ recent debut solo album Petals For Armor [and Brittany Howard’s Jaime], it completes a trifecta of emotionally vulnerable albums by three of Nashville’s most audacious pop stars.” – GRAMMY.com

“Raw and intrepid” – Paste

“Mancari delivers a collection of deeply personal songs that carry a lyrical weight, but float above tight, groovy production.” – Uproxx

Today, Becca Mancari announces her forthcoming digital EP, Juniata, out March 19 via Captured Tracks. Along with the announcement, Mancari shares ‘Annie’, a nostalgic tune reminiscent of old hollywood film soundtracks, featuring a lush strings quintet. Listen to ‘Annie’ here. Confronting one’s past doesn’t always end in a fiery explosion – sometimes, acceptance has the quiet strength of water. Mancari knows this; it’s why she chose to name her new EP Juniata​, after the rural Pennsylvania river where she spent much of her childhood. In this new collection, she returns to her past both literally and figuratively, casting new light with a stripped-down selection of some of her sophomore album’s most haunting tracks.

Becca Mancari on ‘Annie’ – “I grew up watching 1950’s and 60’s movies that my grandma would record for us because we didn’t have TV growing up. The thing that I loved the most about these old films was the music… it was a time period where it felt almost appropriate to be a little dramatic in this lush orchestral fashion. So when I wrote “Annie” I wanted to harken back to that time of feeling like you were swept up into a dance. Also, I wrote this song on the front porch where I started my other band Bermuda Triangle. We used to play it during our live set, where Brittany would rip this incredible solo on classical guitar. “Annie” has definitely lived a few lives already, but it feels right that it would now be on this EP. It’s a little piece of coming back home.”

Released in June of last year, the critically-acclaimed ​The Greatest Part ​is a deceptively upbeat collection of sharp indie pop that explores Mancari’s experience growing up gay in a fundamentalist Christian home. Described by the New York Times as “Stereolab gone Nashville,” it boasts infectious electric guitar hooks and explosive percussion, cloaking the emotional weight of its subject matter in vibrant technicolor. The celebratory sound was by design – the album was meant as a paean to resilience and joy in the face of pain. Still, Mancari felt there was more to be expressed in these songs – she’d been having a recurring dream about the river, too, which felt like a symbol of unfinished business.

Though there is no shortage of formidable lyricism on ​Juniata’s t​racks, listening to the EP recalls another line from ​The Greatest Part:​“ ​Do you know your body anymore?”​ she asked on ‘I’m Sorry.’ “​Does it haunt you every night?​” Exposing oneself isn’t easy, especially with the whole world watching. But as Mancari confidently peels back the layers of her songwriting to reveal their gut-wrenching core, one gets the sense that she isn’t feeling so haunted anymore.

Pre-save Becca Mancari – Juanita EP: http://beccamancari.ffm.to/juniata.opr

Becca Mancari – ‘Annie’
Purchase / Stream: 
http://beccamancari.ffm.to/annie.opr

beccamancari.com

February 25, 2021 0 comments
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BRAIDS Release 'Young Buck (DJ Python Remix)'
Music News

BRAIDS Release ‘Young Buck (DJ Python Remix)’

by the partae February 25, 2021
written by the partae

Praises for Shadow Offering

“The music – lush electronic textures, delicate piano melodies and driving rhythms – is cinematic in scope, offering Armageddon and salvation in turn. 8/10” – Uncut

“‘Shadow Offering,’ is beautiful and heart wrenching, pulling on listeners’ heartstrings. The album offers a sanctuary by easing anxiety and fueling hope, acting as a sort of security blanket for these unnerving times. 8/10” – Clash Magazine

“a gloriously intricate fourth outing […] Braids have refined themselves, ready to offer mature, emotional soundscapes of understanding. 9/10” – The Line of Best Fit

“Braids are incisive, and conjure up a kind of confiding emotional warmth; Death Cab For Cutie’s Chris Walla’s rich production is the ideal match.” – NME

“…[Shadow Offering] feels like the culmination of what Braids have been building towards over the last 10 years. It’s glimmering and assured, an album that’s constantly refining and one-upping itself. The Canadian band’s songs have always been massive, bursting at the seams with ideas, but they’ve never sounded as good or as crystallized as they do on Shadow Offering.” – Stereogum (50 best albums of 2020 so far)

“Raphaelle Standell-Preston sings with openhearted earnestness.” – The New York Times

“The whole thing builds to a frantic final third in which the chaos and confusion is palpable.” – The Fader (About ‘Snow Angel’)

“a bouncy good time; in the tug-of-war between mind and matter, these pulsing synths are clearly on the side of the body.” – Consequence of Sound (About ‘Young Buck’)

“An undulating piano carries heartfelt sentiments, presented in a voice that stylistically manages to pay tribute to both Joni Mitchell and Alanis Morissette.” – The Globe and Mail (About Eclipse (Ashley)

‘Just Let Me’ and ‘Snow Angel’ part of Under the Radar’s Best Songs of the week

Braids is thrilled to start 2021 with a brand-new ‘Young Buck’ remix from renowned New York-based DJ Python. The lead single from their most recent album Shadow Offering was widely acclaimed by fans and media when it was released a year ago. DJ Python’s take on the track is hypnotic, throbbing and intoxicating. Electronic modulations of Raphaelle’s voice project the listener to an out of comfort, new dimension where Braids is suddenly dominating the dancefloor. Amid this year-long pandemic struggle, it is time to reclaim dancing and expressing ourselves.

“Upon receiving DJ Python’s remix of our track Young Buck, my pining for the dance floor kicked in,” explains Braids. “I pulled my car over to an empty parking lot and turned the volume up as far as it could go. Alone beside the concrete barriers of a now desolate shopping mall, I was reminded of bodies beside bodies, of a night that you never want to end, of sweat, of joy. For a moment I was transported from my new and uncomfortable reality: distanced, living through a pandemic, to memories streaming behind my closed eyes, of a life lived prior, and one that will be lived again. This track offers the fuel needed to keep going, the energy needed to stay hopeful. When I close my eyes and dance to it in my living room, I am at the club and the club is with me.”

Python is a renowned DJ from Queens, New York with South American roots and who was raised in Miami. His latest album ‘Mas Amable’ came out last spring to rave reviews. “Music is just moods to me,” Python explains. “When I sit down and make music, I’m feeling something and then I just try to translate it into sounds. It’s like a conversation with the self. I like sounds that are a bit more whispery, or not as aggressively telling you exactly what to think or feel.” (Pitchfork).

Braids most recent album Shadow Offering co-produced by Chris Walla, is out now via Secret City Records / Remote Control. A luscious and expansive release, Shadow Offering leads us through a sonic tapestry of narrative. With heartbreaking honesty and precision, listeners traverse a nuanced and complicated world: one full of beautiful contradictions. Braids in currently in the studio writing new material.

Purchase / Stream ‘Young Buck (DJ Python Remix): https://found.ee/YB_RMX

Braids – ‘Young Buck (DJ Python Remix)’

Braids
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February 25, 2021 0 comments
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KARNIVOOL CANCEL 'THE DECADE OF SOUND AWAKE' NATIONAL TOUR LIVE STREAM EVENT COMING SOON
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KARNIVOOL CANCEL ‘THE DECADE OF SOUND AWAKE’ NATIONAL TOUR LIVE STREAM EVENT COMING SOON

by the partae February 25, 2021
written by the partae

Karnivool have regrettably cancelled all shows outside of Western Australia on their scheduled national tour. The Decade of Sound Awake Tour will be replaced by a ticketed live stream event, with details to be announced soon.

STATEMENT FROM KARNIVOOL:

We are sick to our stomachs to announce all Decade of Sound Awake shows outside of Western Australia have to be cancelled.

When we were forced to move the tour for a second time, we were optimistic that shows would be able to proceed normally, safely and in the way we had envisioned them. With further rounds of border closures, limited capacities and other show restrictions it is clearly, regrettably, no longer viable to put on the events we want and you deserve for holding onto your ticket for all this time!

This album means so much to us and the tour warrants full production, epic visuals and sweaty singalongs, things that just cannot happen in the middle of a pandemic. Believe us, we have looked at more options than an Aldi shopper.

The sold out Fremantle shows can and will happen, albeit in a slightly altered format on March 12 & 13.

In response to cancelling the East Coast shows, we are going to be presenting a live stream event of the Decade of Sound Awake which means folks in the rest of the world will get to see the show as well.

For everyone at the East Coast shows, your ticket agency will be in contact with your refunds.

Live stream tickets will go on sale soon.

Please accept our unreserved and heartfelt apology we could not make this tour possible, we honestly tried everything we could and hope to make it up to everyone in the future

Until then, stay safe and stay well.

 

Karnivool’s Sound Awake captured a moment in time when circumstance, influence and individuals collided, restructured and, with a lot of time, pain and joy became elevated above the sum of the parts. A decade and platinum sales have passed the landmark moment in the career of this band who have always gone their own way – meandered when they could have rushed, explored a sonic roadmap forward, then sideways, then backwards. And then forward again.

Sound Awake is an album heavily informed by the art and science of Cymatics and questioning of an ever changing world. From the structured rage of ‘Set Fire to the Hive’, the monster riffing of ‘Goliath’ and the single that was never a single ‘New Day’, Sound Awake is a record full of fan favourites that Kenny, Drew, Hoss, Steve and Jon see as their benchmark.

Attaining worldwide success over this last decade, it launched Karnivool to an intensely loyal, passionate audience that lifted them from an opening act with some interesting tuning to international festival headline act with, well, more interesting tuning in more interesting places… Youngstown, Istanbul, Glasgow, Helsinki, Pune, Bratislava, Auckland, Cape Town, Moscow, Wiesbaden and some place they were told was Chicago, but clearly wasn’t.

Karnivool Karnivool
@karnivool_official @karnivool_official
@karnivool @karnivool

 

February 25, 2021 0 comments
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Gardens of God’s 10-track debut
Music News

Gardens of God’s 10-track debut

by the partae February 25, 2021
written by the partae
Gardens of God’s 10-track debut is a melodic, life-affirming journal of the Lithuanian DJ/producer’s spiritual rebirth into fresh creativity – honest, contemplative, yet with all the technical skill and cinematic sensibility you would expect from a classically-trained musician with a successful history writing film soundtracks.

With well received remixes and EPs on Maceo Plex’s Ellum imprint, the artist (aka Mindaugas Lapinskis) has been rising fast on the electronic scene, with solid support from names such as Adam Beyer, Sam Paganini, Stephan Bodzin, Adriatique, B.Traits and Pete Tong. He founded his own label SODAI so he could express himself with no compromises.

‘At one point I felt lost, the world spinning so fast I couldn’t catch it. So, I made a soundtrack for the movie I live in.’

 
The LP takes you from uplifting piano and slow drum meditations like ‘All About NOW’ ft APARDE’s blissful vocals and BIRDS, with its dripping water and cool lush ferns, to cinematic cuts peppered with off-the-wall elements and a jazzy vibe in Point of ‘No Return’ and ‘River’. Several tracks are vocal-centred: ‘Stills’ is more of a song than a track, with VAARWELL’s warm vocals and a choral backing, while ‘Shade of Indecision’ showcases Myriah Turner speaking poetic lyrics.  Fans will welcome reworks of his double A side ‘RIVER’/’GHOST’, Sodai’s debut release, as the label’s promising beginnings come to fruition.

‘The album was started and never finished many times from fear of being misunderstood, but global and personal crises free me from doubt. Now here I am with all my melodies waiting to be heard.’

‘Soundtrack for the End’ is out on February 26th on SODAI.

Buy link: https://bit.ly/3rpkzHk

WATCH

https://www.youtube.com/watch?v=YfY-sFtZe5o

Buy Links –  Digital: https://bit.ly/3rpkzHk

Tracklist:

  1. All About NOW (ft. APARDE)
  2. Point of No Return
  3. RIVER (Remake)
  4. Shade of Indecision (ft. MYRIAH TURNER)
  5. BIRDS
  6. Color Blind
  7. Stills (ft. VAARWELL)
  8. Funeral Techno
  9. MRNNG
  10. GHOST (Remake)
February 25, 2021 0 comments
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The Offspring Release First New Music In Almost A Decade. 'Let The Bad Times Roll' Set for April 16 Release
Music News

The Offspring Release First New Music In Almost A Decade. ‘Let The Bad Times Roll’ Set for April 16 Release

by the partae February 25, 2021
written by the partae

ICONIC ROCK BAND THE OFFSPRING RELEASE FIRST NEW MUSIC IN ALMOST A DECADE

LET THE BAD TIMES ROLL

SET FOR RELEASE APRIL 16 ON CONCORD RECORDS FIRST SINGLE AVAILABLE NOW

One of the best-selling punk rock bands of all time, THE OFFSPRING have set a release date for their first new album in almost a decade. The band’s tenth studio album Let The Bad Times Roll will be available on Concord Records April 16, 2021.

PRE-ORDER LET THE BAD TIMES ROLL HERE

Legends and innovators of the Southern California punk rock scene, The Offspring have sold more than 40 million albums worldwide, won countless awards, and have toured consistently, playing more than 500 shows in the last decade alone.  Their music has had a lasting impact across film, television, and video games, but the band turned their focus to a new album release in 2021. The band is comprised of singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse.

The new music was written and recorded over the course of the last several years at various locations including the band’s Huntington Beach, California studio. The album is the band’s third time working in collaboration with legendary rock producer Bob Rock.

True to the irreverence at the core of punk rock music, the band and lyricist Dexter Holland took a view to today’s cultural moments and didn’t shy away from creating topical material in this album.  The title track, written in late 2019 and recorded in 2020, reflects the country’s ongoing challenges.  Holland said: “I feel like we’re in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more like they’re saying ‘fuck it’ and its really scary.”

As guitarist Noodles said: “Folks are saying, if it’s all going to Hell, we might as well make the most out of it, or at least go out swinging. ‘Let The Bad Times Roll!’”

 

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February 25, 2021 0 comments
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David Guetta, Seth Troxler and Carl Cox join Danny Tenaglia's 60th Birthday Stream for UNICEF
Festival NewsMusic News

David Guetta, Seth Troxler and Carl Cox join Danny Tenaglia’s 60th Birthday Stream for UNICEF

by the partae February 25, 2021
written by the partae
Danny Tenaglia Announces 60th Birthday Fundraiser for UNICEF in Collaboration with Beatport, Gray Area and Jukebox
 
Carl Cox, David Guetta and Seth Troxler among Dozens of DJs Appearing 
 
Electronic music titan Danny Tenaglia is to celebrate his upcoming 60th birthday in the only way he knows how – with an epic live stream for UNICEF. It runs on March 6th and 7th in association with Beatport, Gray Area and Jukebox and features a mouthwatering line-up of guests like Carl Cox, David Guetta, Chris Liebing, Dubfire, Nicole Moudaber, Seth Troxler, Sharam, Steve Lawler, Victor Calderone and many more. This free stream will see all donated proceeds going to UNICEF. Register for the event at http://birthday.dannytenaglia.com/ to be entered to win prizes such as signed albums, t-shirts and 5 spots on Danny’s guest list.
Famous Brooklynite and multi award winner Danny Tenaglia has been one of the most recognisable and pioneering faces in dance music for decades. Known for his marathon 24 hour plus sets, he has held residencies at the most vital clubs in the world and has a unique knack for laying down musical journeys that spans sounds, scenes, styles and ages. He is a real rite-of-passage DJ that has shied our scene and will be joined by many of his celebrated peers for this unique celebration.
Says Danny, “”My dear friends near and far, I am beyond excited to announce my “30+30=dTeN – TWO Day Birthday Celebration” LIVE STREAM on Sat. March 6th (and my actual bday) Sun. March 7th with an amazing Line-Up of Global DJ’s that still has me Over The Moon with great Joy! All of the DJ’s participating have influenced me in so many ways and I am honored to consider each and every one of them dear friends. Naturally, there are 100s of others I can think of, but my great friend and manager Gui Ramos, Gray Area & Beatport team, put this together and we had to keep it at 30 sets. I do plan to start hosting a show from my new BASSMENT, and plan to have many, many guest DJ’s, artists, friends, play music, have chats and interact with the people. Stay Tuned for that. Lastly, I am so sorry that we still can’t physically BE together, but we can still Dance@Home!”
The full line up includes Behrouz, Benny Soto, Blond:ish, Boris, Carl Cox, Chris Liebing, DJ Chus, DJ Vibe, Danny Tenaglia, David Guetta, Demi, Dubfire, Guy Gerber, Harry Romero, Hernan Cattaneo, Ilario Alicante, KinK, Lauren Lane, Markus Schulz, Mendo, Mike Nervous, Misstress Barbara, Nicole Moudaber, Pablo Ceballos, Paco Osuna, Sasha Carassi, Seth Troxler, Sharam, Steve Lawler and Victor Calderone.


About Beatport:
Beatport is the worldwide home of electronic music for DJs, producers, and their fans. The Beatport Store offers music in premium digital formats and provides unique music discovery tools created for and by DJs. Each week, Beatport’s music collection is refreshed with hundreds of exclusive tracks by the world’s top electronic music artists. The company also has a growing, streaming catalogue subscription service, Beatport LINK.  Founded in 2004, the Beatport family of companies includes  Beatsource, Loopmasters, Loopcloud and Plugin Boutique. Beatport has offices in Berlin, Brighton, Denver and Los Angeles. Follow us on Twitch, Facebook, Twitter, and Instagram.


About Gray Area:
Gray Area are international electronic music event producers with a mission to blur the lines between different sub-genres and sub-cultures in an effort to unite fans and artists from all over the world, to party and dance together regardless of line-ups, locations, or timing. Our shows feature musical journeys filled with different styles… and sometimes, the styles will cross and mix all on the same dancefloor at the same event – digital or in person. From sunset to sunrise, we will dance together and create memories to cherish forever. Visit us at entergrayarea.com. Follow us on Twitch, Facebook and Instagram.
About Jukebox
Back in 2008, we founded Jukebox: a PR company that held a mirror to how we wanted to live our lives. Fast, global, loud and always seeking something new. Today we’re known the world over for bringing people together. From over 200 international music festivals and events in 50 countries, including USA, United Kingdom, Brazil, Vietnam, Costa Rica, Austria. With dance music, record label, festival and lifestyle PR, and a following of 5 million souls worldwide as well as a network of contacts we’re proud to call mates. It delivers successful PR & influencer campaigns for a range of clients including Timewarp, to SXM festival, Junction 2, and Electric Zoo. And for artists such as ARTBAT, Charlotte de Witte and Agoria.
February 25, 2021 0 comments
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VYNES
Music InterviewsMusic News

VYNES

by the partae February 24, 2021
written by the partae

I am currently based in Melbourne Victoria!

I first got into music, as I took piano lessons in primary school! I continued that through to about grade 8, and then very silly me gave it up. I was also that kid that tried every instrument under the sun but I always reverted back to the piano, and as I graduated high school, I knew I wanted to do something within music but wasn’t sure exactly what, so I studied audio engineering this was a good balance for me to rediscover the love I had for music when I was younger and also the technical side behind recording/composing songs.

At the moment, I have just been having ample time in the studio every day working on new music and future releases for this year for my project with some really great songwriters and vocalists which has been really fun!

My covid experience was a really strange one as I’m sure it was for many people, I was in lockdown in Melbourne for about 6 months, I was going to go back to the Gold Coast [ where originally I am from ] but instead, I decided to stay here and just put my head down and work on music, which was a positive for me to be able to have ample time to just write and work every day and dedicate time to my passion and career. I also definitely learnt a lot in this time.

I wrote Hit You Up in the 2nd lockdown Melbourne had last year, I just wanted to write a fun dance record, at the time I was binge-watching a lot of the disclosure twitch streams that they were doing so I feel like the sound design and the initial old school kind of house vibe was unconsciously influenced by that!

I produced this song at home when I was in my apartment, and I wrote the initial idea with a vocalist from LA and then just produced it up over the last few months of last year.

The equipment I used for this record was mainly 3rd party vst’s that I have on my computer, one that I used in particular, was a synth called Tal Uno.

I use Ableton Live for my DAW of choice, and I also used my Korg Minilogue Synthesizer that I have and I was doing a sound design session randomly one day just having a play around and made these little laser percussive sounds which you will hear in the chorus of the song and they are just subtly being panned left to right, I then just processed them with a few different effects and had them sitting in the back of the mix for some fun little ear candy.

I first got into producing when I was living in Byron Bay, I started studying Audio Engineering and then discovered Ableton Live, and started to learn that program and loved it as your creativity on it is endless! I decided to move to Melbourne in 2018 as I felt there was a lot more opportunity for me here to grow and establish myself as an artist and be able to network, which I have met some amazing people and I love the sense of community we have here within the industry and haven’t looked back since!

I’ve been listening to heaps of music from an artist called Kito recently, a few others I have had on repeat are Lauren Sanderson, Whethan, Olah Bliss, and some old Hudson Mohawke and Machine Drum these are all such great artists that I really value their work.

Outside of the studio, I try to get out into nature as much as possible! It’s so easy to just spend relentless time in the studio, which is amazing but I try to remind myself to get out and spend some time reconnecting outside of the city!

This year is going to be a really busy one for me, I have quite a few releases planned and an ep that I am working towards for the end of the year, which I’m super excited about but we will have to wait and see!

My favorite food by far is Agedashi Tofu, my roommate introduced this to me about a year and a half ago and my life was changed and still, I’m obsessed with it hahaha, we are still in a bet to find the best Agedashi Tofu in Melbourne, so if anyone has any suggestions hit me up!

My favorite place to hangout would be going to some of Melbourne’s dope bars and drinking a cider in the afternoon with some friends after a week of being in the studio, that always hits the spot!

Website – https://www.vynesmusic.com
Instagram – https://www.instagram.com/vynesmusic
Spotify – 
Vynes
Sound Cloud – VYNES
Facebook –  https://www.facebook.com/Vynesmusic-389425541532657
Apple Music – https://music.apple.com/us/search?term=vynes

February 24, 2021 0 comments
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THE GLORIA RECORD (members of Mineral) Share previously unheard track 'The Dead Brother' Announce 'Start Here' vinyl reissue Out April 16th on Big Scary Monsters
Music News

THE GLORIA RECORD (members of Mineral) Share previously unheard track ‘The Dead Brother’ Announce ‘Start Here’ vinyl reissue Out April 16th on Big Scary Monsters

by the partae February 24, 2021
written by the partae

Start Here, the brilliant debut album from The Gloria Record is back on vinyl at long last. Originally released in April 2002, the ten songs are bolstered with four bonus tracks including rarity ‘The Dead Brother’, a live version of ‘L’Anniversaire Triste’ and demos of ‘I Was Born In Omaha’ and ‘My Funeral Party’.

Start Here will be released on black double vinyl in a gatefold sleeve on April 16th. Big Scary Monsters ‘Family Friend Legend’ subscribers will receive an exclusive, limited edition orange/yellow variant along with a free 7″ from label mates Gender Roles. Sign up at https://bsm.rocks/fflegends by March 20th for that or pre-order the black vinyl via bsmrocks.com.

Talking about the record, singer / guitarist Chis Simpson said: “What I remember most about making ‘Start Here’ was the immersive experience. We made three separate trips to Lincoln, NE and set up camp at Presto! Recording, home of the infamous Mogis brothers, Mike and AJ. We had recorded ‘A Lull In Traffic’ with them the year prior when they were still operating Dead Space out of the basement of their shared house. We moved in and laid out sleeping bags in random corners and isolation booths of the studio and commenced to working around the clock for two weeks at a time on each trip. Mike was kind and trusting enough to leave us to it at night when he left after our evening trip to the bars on O Street, retiring to his one room apartment a few blocks away. He would come in in the mornings and try to make sense of what we had done in his absence the night before, and plan our days work ahead. We were all very excited about the record we were making and had grand ambitions of world domination in its wake. We had no label when we started and had to borrow money from friends to fund the recording.

“The making of ‘Start Here’ will always be tied in my mind to the events of September 11, 2001. We were on our last of three trips to Nebraska to finish the record when the events of that fateful day occurred. Because all air travel was shut down we were stranded in Nebraska for a spell. We had already scheduled mastering of the record in Omaha, so we made our way there for the ceremonious ritual of mastering/sequencing. I remember crying listening to the record all finished and together. Some of that was surely the catharsis of finishing something we had spent so much time on and that had felt so hard to make. Some of it was an acknowledgement that our world had changed irreversibly. We used to refer to the last two tracks on the record (‘Salvation Army’ and ‘Ambulance’) as the Twin Towers (this was prior to 09/11). To me, the sound of the string break before the ending of ‘Salvation Army’ and those lyrics sum it up: “the world’s attached to strings that pull us to the sun where we’ll burn for what we’ve done…” and then the incendiary outro is the sound of those buildings coming down. And ‘Ambulance’ is the denouement, but kind of a shell-shocked feeling. Looking back on it now it strikes me as a womblike work that tells the story of a Great Depression I was in the throes of at the time, and an isolation that felt like it couldn’t be broken or sustained. I turned 27 that month too and there was a sense that my youth and opportunity were slipping away, my own twin towers of innocence and idealism crumbling as well. During the subsequent touring I think we all started to come out of our shells a bit. I know I lightened up a lot. Regardless, I think it will always be a difficult and complex record for me to look back on.”

Bio
Following the demise of emo band Mineral in 1997, singer/guitarist Chris Simpson (Mineral/ Zookeeper/ Mountain Time) and bassist Jeremy Gomez reunited to form The Gloria Record. Taking an acoustic and more organic approach than their previous work, The Gloria Record (with the addition of guitarist Brian Hubbard, drummer Matt Hammon, later replaced by Brian Malone and Ben Houtman on the keys, organs and synthesisers) were unarguably the logical progression from Mineral’s emo throes – quieter, delicate and fervently impassioned. Heralded as a “band with big visions and bombastic sounds”, the quintet fostered their admiration for artists with similar arena sized visions ( Radiohead, REM, U2) to produce a sound that was reminiscent of their British contemporaries and American indies.In 1998 the band released their self-titled EP, followed by the intricate offering of 2000’s A Lull In Traffic and 2002’s full length effort Start Here, before disbanding after extensive US tours in 2004.

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February 24, 2021 0 comments
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Based on the last name of two small-town Albertan brothers, Flaysher is a Canadian country duo with some grit in their blood harmonies. "Ride is proudly Canadian," they say - "we weren’t afraid to let our Canadian roots show and I think that’s another reason this song is so close to our hearts.  This song is a solo adventure. It’s a clear mind. It’s a soothing breeze. It’s a breath of fresh air."   Growing up in a blue-collar family, they spent weekends and summers on their dad’s job sites learning to work hard for what they wanted. On the way to work, they’d be singing along to classics such as Bob Seger, Bruce Springsteen, The Eagles, and Tim McGraw in the back of an old grey GMC work truck. The music spoke to them and soon they felt a calling to tell their own stories through their own music.  After they spent their teens in a rock band performing over 300 shows from weddings to bars and all sorts of parties, eventually the brothers found that country music was where they felt most at home.  They dialed in and spent the majority of 2019 writing new songs with fellow artists and friends from all over Alberta and down south in Nashville. Working with Juno Award-winning producer, Matty McKay (Brett Kissel), Flaysher released their high-energy new single “Flat Broke Famous” independently in March of 2020.  LISTEN: https://open.spotify.com/album/7jdAT1zjHqWIr8Yg4I47du flaysher.ca facebook.com/flayshermusic instagram.com/flayshermusic
Music News

Flaysher ‘Ride’ Premiere

by the partae February 24, 2021
written by the partae
Based on the last name of two small-town Albertan brothers, Flaysher is a Canadian country duo with some grit in their blood harmonies. “Ride is proudly Canadian,” they say – “we weren’t afraid to let our Canadian roots show and I think that’s another reason this song is so close to our hearts.  This song is a solo adventure. It’s a clear mind. It’s a soothing breeze. It’s a breath of fresh air.”
Growing up in a blue-collar family, they spent weekends and summers on their dad’s job sites learning to work hard for what they wanted. On the way to work, they’d be singing along to classics such as Bob Seger, Bruce Springsteen, The Eagles, and Tim McGraw in the back of an old grey GMC work truck. The music spoke to them and soon they felt a calling to tell their own stories through their own music.  After they spent their teens in a rock band performing over 300 shows from weddings to bars and all sorts of parties, eventually the brothers found that country music was where they felt most at home.  They dialed in and spent the majority of 2019 writing new songs with fellow artists and friends from all over Alberta and down south in Nashville. Working with Juno Award-winning producer, Matty McKay (Brett Kissel), Flaysher released their high-energy new single “Flat Broke Famous” independently in March of 2020.

LISTEN:

https://open.spotify.com/album/7jdAT1zjHqWIr8Yg4I47du

flaysher.ca
facebook.com/flayshermusic
instagram.com/flayshermusic
February 24, 2021 0 comments
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