“Psychic exists in the fragile intersection of fantasy and reality,” says the band’s Louis Forster. “A supernatural world you escape into until you feel reality’s grip on your collar. But as you’re dragged back to linear time and supposed objectivity, the supernatural reinstates its claim to a more powerful truth. Eventually the friction between these worlds causes you to question your faith in both, wondering to what degree truth can be chosen and what forces from both are too strong for you to stand in their way.”

Out July 9th, Mirror II is a new beginning for The Goon Sax: a multi-dimensional eclectic journey of musical craftsmanship that moves from disco to folk to no wave skronk with staggering cohesion. Gone are the first-person insecurities of their school days – they’ve been made expansive, more universal, and more weird.

The album is intense, the sum of everything that has always made The Goon Sax great: robust sprechgesang, raw lyrical candor, ascending guitar pop structures that would make the most storied jangle bands blush, elevated into their newfound narrative verisimilitude and expanded sonic experimentations.

Read the full album bio by Maria Sherman here.

“On this album I wanted to retain a lot of the raw emotionality that brought people to my music in the first place,” says Armand Jakobsson, better known as DJ Seinfeld. “But I also wanted to become a much better producer. It’s been an arduous process but it’s a real statement of where I’m at as a producer and person right now. I’ve been through various sonic explorations in the past few years but have come to understand what people like about my music and how to move forward with it.” 

Recorded between Berlin and Malmo, Mirrors is the follow-up to Seinfeld’s critically acclaimed 2017 debut album Time Spent Away From U and his first for Ninja Tune. Named after a quote by Armand’s favourite writer, Argentinean novelist Julio Cortázar, the album finds the producer in a more settled and grounded mood after an unfortunate family incident forced the producer to spend more time at home in his native Sweden over the past few years.

“My dad had a stroke a few years ago which means I need to be home more to help,” he says. “Aside from the obvious tragedy of the situation, it’s also helped ground me in reality. Even when I was at the peak of touring, I’ve always had something I’ve had to come home to and contribute to and it’s meant I’ve grown up a lot and really seen the importance of having a happy relationship and a good group of friends around who will nurture you and appreciate your idiosyncrasies.”

“I saw this quote from Cortázar recently, which says ‘You were always my mirror, to see myself I had to look at you,’ and it just made sense in relation to this album. I don’t know who I am but perhaps it’s easier to see the silhouettes through things like heartbreak, family trauma, but also through the peculiar flickers of light and love that enter your life. If the first album was about getting past a breakup, this one is trying to understand who’s standing on the finish line. This album is my mirror.”

Simultaneously optimistic and melancholic in tone, the album is preceded by the single ‘U Already Know’, an italo-tinged summer anthem in waiting featuring an acapella from guest-vocalist Teira, whom Seinfeld met while DJing at a warehouse party in LA.

“That track is very much in the vein of music I’ve released on Young Ethics recently,” he says. “There’s a touch of Italo and it’s got a real funk feel to it. I was happy with it as an instrumental but I added the vocal and it just fitted perfectly and brought the track to life.” 

The deliberately naïve production techniques initially used on Seinfeld’s music belie the fact that he is from a long line of classical musicians and has been playing classical piano from the age of 10. “My dad used to be an opera singer and he met my mum at a musical Conservatoire in Copenhagen,” he tells us. “She’s now a piano teacher and plays flute while my sister is a professional cellist and opera singer too. I can appreciate classical music but I reached a point where I felt Chopin didn’t have all the answers I was looking for!” 

With the world slowly waking up, thoughts have turned to creating a live show, with Seinfeld currently working with an esteemed, world-class music and lighting designer. He’s already booked to close the Ray-Ban Stage at Primavera in 2022 (with Bicep, Jamie xx and Disclosure announced to close the other days), with more live date announcements imminent.

“It’s been nice to have time away to reflect and recuperate,” he tells us. “But I’m looking forward to getting back to those moments on the road where life becomes a little Anthony Bourdain-esque.” 

Citing late-night sessions learning how to produce on his laptop while at university in Edinburgh and ‘pretending to be Burial’ as key turning points in his journey, Seinfeld has now produced an album with all the emotional depth and musical dexterity of those electronic luminaries. Mirrors touches on everything from UK Garage to down-tempo house to ambient to breaks and is an at times tender, at times euphoric sonic journey with a producer slowly realising his full potential.